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Three Sounds

 

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Exact matches: 20
Exact matches1
CD, LP, Vinyl record album cover art
Nat Adderley & The Three SoundsBranching Out ... LP LP format
Riverside, 1958. Good+ ... $19.99
Nat and Johnny Griffin front The Three Sounds in this easy-going soul jazz session with a nice rolling groove. The set's got a couple of originals – "Sister Caroline" and "Branching Out" – plus versions of "Well You Needn't" and "I've Got Plenty Of Nothin". Gene Harris & The Three Sounds make for a nice backing, and Johnny Griffin's solos are as sharp as they ever were at this point. LP, Vinyl record album
(Blue label Bill Grauer Productions pressing, with the microphone logo and smaller label. Cover has a split top seam.)

Exact matches2
CD, LP, Vinyl record album cover art
Gene Harris3 Sounds/Gene Harris Of The Three Sounds ... CD CD format
Blue Note/Dusty Groove, 1971/1972. New Copy ... $9.99 15.99
A pair of killers from keyboardist Gene Harris – both recorded for Blue Note, and back to back on a single CD! First up is Gene Harris/The 3 Sounds – the last Three Sounds album for Blue Note – and the funkiest too – thanks to lots more electrification than usual, and some killer arrangements from the mighty Monk Higgins! Monk's really at the top of his game here – going past even his great previous work for the group, and working with a tight, sharp edge that recalls his funky 45 brilliance of the 60s – yet tuned a bit more towards the electric Cali jazz of early 70s Blue Note! Gene Harris plays loads of funky piano lines – and in addition to the trio's core electric bass and drums, the set also features some added work on percussion from Paul Humphrey – who really brings in a kick – plus added guitar, congas, and even a bit of Hammond from Higgins too! Some cuts even have a bit of vocals too – sung in this offbeat way that's a wild approach to soul. There's some killer breaks on the set – including the massive "Put On Train" and "What's The Answer" – but the whole set smokes, and other cuts include "I'm Leaving", "You Got To Play The Game", "Your Love Is Just Too Much", "Did You Think", "Hey Girl", and a mad version of "Eleanor Rigby". On the second album – Gene Harris Of The Three Sounds – Gene really steps into the solo spotlight – moving away from his work with the Three Sounds trio, and headed into even more righteous territory – as you might guess from the trippy image on the cover! The set features Harris mostly on acoustic piano, but amidst larger arrangements from Wade Marcus that really round things out with a warm, soulful edge – mixing guitar from Sam Brown and Cornell Dupree with Gene's lines on piano – and giving things an extra kick at the bottom with drums from Freddie Waits, and percussion from Johnny Rodriguez and Omar Clay. The record echoes Harris' older roots at some points, yet comes across with a richer 70s vibe too – a hip 70s style that's strongly due to the contributions of Marcus' arrangements. Tracks include a great remake of "Listen Here", which begins with a great funky break; a sweet steppers version of "Killer Joe"; and the tracks "Lean On Me", "Day In The Life Of A Fool", "Django", "Emily", and "C Jam Blues". CD
(On the Dusty Groove label.)

Exact matches3
CD, LP, Vinyl record album cover art
Gene HarrisGene Harris Of The Three Sounds ... LP LP format
Blue Note, 1972. Near Mint- Gatefold ... $19.99
Gene Harris really steps into the solo spotlight here – moving away from his work with the Three Sounds trio, and headed into even more righteous territory – as you might guess from the trippy image on the cover! The set features Harris mostly on acoustic piano, but amidst larger arrangements from Wade Marcus that really round things out with a warm, soulful edge – mixing guitar from Sam Brown and Cornell Dupree with Gene's lines on piano – and giving things an extra kick at the bottom with drums from Freddie Waits, and percussion from Johnny Rodriguez and Omar Clay. The record echoes Harris' older roots at some points, yet comes across with a richer 70s vibe too – a hip 70s style that's strongly due to the contributions of Marcus' arrangements. Tracks include a great remake of "Listen Here", which begins with a great funky break; a sweet steppers version of "Killer Joe"; and the tracks "Lean On Me", "Day In The Life Of A Fool", "Django", "Emily", and "C Jam Blues". LP, Vinyl record album
(Original UA pressing – in great shape!)

Exact matches4
CD, LP, Vinyl record album cover art
Gene Harris & His Three SoundsElegant Soul ... CD CD format
Blue Note, 1968. Used ... $7.99
A key meeting between the Three Sounds trio and the amazing Monk Higgins – done at a time when Higgins was taking his Chicago-crafted grooves to work on the west coast – and doing some really wonderful productions with Dee Ervin! The set features full Higgins backings throughout – a mix of jazz and strings that takes the usual Gene Harris sound into territory that you'd be much more likely to hear on Cadet Records back in Chi-town – a very hip, very soulful style that's totally great throughout, and a much-needed break from the straighter piano trio sound of other 60s albums the group did on Blue Note. Some tracks are laidback, but others are hard and funky – the kind of sock-solid cuts that have made the album a favorite with sample heads and soul dancers over the years – much heavier keyboard work than we'd ever heard before from Gene Harris, and a great precursor to funky favorites to come. Cuts include the excellent numbers "Sitting Duck", "Sugar Hill", "Black Gold", and "Book of Slim" – plus "Elegant Soul", "African Sweets", and "Walls Of Respect". CD

Exact matches5
CD, LP, Vinyl record album cover art
Three SoundsBottoms Up! ... LP LP format
Blue Note, 1959. Good+ ... $14.99
The bottom is certainly "up" on this one – as the Three Sounds groove things from the ground up, taking soul jazz piano to the next level with an approach that quickly made them one of the most popular Blue Note acts of the early 60s! Gene Harris leads the group on piano – and also plays celeste on one track (!) – and the other Sounds at this point are Andrew Simpkins on bass and Bill Dowdy on drums – a really great rhythm section that have a way of being soulfully quiet, with a very subtle groove – one that's much more understated than you might find in the Ramsey Lewis trio, but equally hip. Tracks include "Jinne Lou", "Besame Mucho", "Love Walked In", "Angel Eyes", "Falling In Love With Love", and "Time After Time". LP, Vinyl record album
(63rd street pressing. Cover has light wear and aging. Vinyl plays with some noise.)

Exact matches6
CD, LP, Vinyl record album cover art
New Three SoundsFeelin' Good ... LP LP format
Blue Note, Early 60s. Poor ... $9.99
With a sound like this, these guys have gotta be Feelin Good! The album's one of the first few Blue Notes by Gene Harris and his mighty Three Sounds combo – and is done in the group's very successful blend of soul jazz and piano trio musing – a key shift in styles from the 50s to the 60s, and one that always sounds nice! There's a great rhythmic approach to the work, augmented by Harris' chunky style of hitting the keys – and the album's filled with nice numbers that include "Parker's Pad", "Two Bass Hit", "Straight No Chaser", and "Blues After Dark". LP, Vinyl record album
(New York mono pressing. Cover has some stains and heavy corner wear.)

Exact matches7
CD, LP, Vinyl record album cover art
Three SoundsOut Of This World (75th anniversary edition) ... LP LP format
Blue Note, 1962. New Copy (reissue)... $16.99 19.99
Go out of the world with The Three Sounds on this sweet little set for Blue Note – as the trio are at their early best, and working with a care of craft that you won't find on other 60s albums for labels like Verve or Mercury! The mighty Gene Harris is in the lead on piano, moving between a great blend of lyrical and more soul-based styles – given great accompaniment from Bill Dowdy on drums and Andy Simpkins on bass – the latter of whom is an overlooked genius, with this round tone and solid touch that really holds the group together! Titles are a nice mix of exotic standards and gutbuckety originals – and tunes include "My Silent Love", "Just In Time", "Out Of this World", "Out Of the Past", "Sanctified Sue", and "Girl Of My Dreams". LP, Vinyl record album

Exact matches8
CD, LP, Vinyl record album cover art
Three SoundsSermonette/Dap's Groove ... 7-inch 7-Inch
Blue Note, Mid 60s. Very Good ... $4.99
7-inch, Vinyl record

Exact matches9
CD, LP, Vinyl record album cover art
Three SoundsSome Like It Modern ... LP LP format
Mercury, 1959. Very Good+ ... $6.99
Well, the Three Sounds have always been more soulful than modern – and about the only thing "modern" about this pre-Blue Note release is the abstract painting on the cover! But that doesn't stop the record from being a great little batch of soul jazz piano tunes, played by Gene Harris and the early version of the Sounds that included bassist Andrew Simpkins and drummer Bill Dowdy. Titles include "Rat Down Front", "Mr Lucky", "Let's Dance", "Elbows & Armpits", and "There's Something Nice About The Rain". LP, Vinyl record album
(White label promo with deep groove. Cover has a promo ink stamp on back.)

Exact matches10
CD, LP, Vinyl record album cover art
Three SoundsToday's Sounds ... LP LP format
Limelight, 1966. Very Good Gatefold ... $9.99
A great little set from Gene Harris and his soul jazz trio – recorded live at Chicago's London House, in a setting that always has the band working at their best. Somehow, Harris' solos are always a lot freer and more driven in this sort of an environment – stronger than his work on Blue Note studio sides, and with a good interplay with the rest of the group. Titles include "Simple Simon", "Mohair Sam", "Downtown", "The Way I Feel", "AM Blues", and "The Good Life". LP, Vinyl record album
(Cover has a cutout hole and a sticker spot.)

Exact matches11
CD, LP, Vinyl record album cover art
Three SoundsBlack Orchid ... CD CD format
Blue Note (Japan), Early 60s. New Copy ... Around March 25, 2015
One of the hardest to find of the early Three Sounds albums – and one of the best, too! The record has a slightly more sophisticated groove than some of the others from the time – possibly because of the title, which invokes a darker level than usual, but also because of the set list, which includes lots of great numbers – like Randy Weston's "Saucer Eyes" , Neal Hefti's "Black Orchid", and the tracks "Don't Go Don't Go" and "Oh Well Oh Well", both originals by Gene Harris. CD

Exact matches12
CD, LP, Vinyl record album cover art
Three SoundsHere We Come ... CD CD format
Blue Note (Japan), 1960. New Copy ... Around March 24, 2015
Although the title might make you think that this is the group's first album, it's actually their 6th for Blue Note – but they're all so darn great, who's got time to count? Gene Harris and crew work simple but effective magic on a set of standards, plus one original – taking the piano trio sound of the 50s, and infusing it with the soul jazz bounce of the 60s – hitting on all burners throughout, and really managing to spice up tunes like "Now's The Time", "Summertime", "Poinciana", "Here We Come", and "Sonnymoon For Two". Great cover too – with one of the all-time best "car jazz" images! CD

Exact matches13
CD, LP, Vinyl record album cover art
Three SoundsHey There ... CD CD format
Blue Note (Japan), Mid 60s. New Copy ... Around March 25, 2015
Sublime trio grooving from Gene Harris and the Three Sounds – one of their more obscure albums for Blue Note, and a great set of standards, plus the odd original – all given the Three Sounds touch! The format is simple, but effective – and hearing the set, it's no wonder Harris and crew cut so many of these sides for Blue Note at the time! Titles include "Sermonette", "Hey There", "Dap's Groove", "Nothin But The Blues", "Street Of Dreams", and "Little Girl Blue". CD

Exact matches14
CD, LP, Vinyl record album cover art
New Gene Harris3 Sounds/Gene Harris Of The Three Sounds ... CD CD format
Blue Note/Dusty Groove, 1971/1972. Used ... Just Sold Out!
A pair of killers from keyboardist Gene Harris – both recorded for Blue Note, and back to back on a single CD! First up is Gene Harris/The 3 Sounds – the last Three Sounds album for Blue Note – and the funkiest too – thanks to lots more electrification than usual, and some killer arrangements from the mighty Monk Higgins! Monk's really at the top of his game here – going past even his great previous work for the group, and working with a tight, sharp edge that recalls his funky 45 brilliance of the 60s – yet tuned a bit more towards the electric Cali jazz of early 70s Blue Note! Gene Harris plays loads of funky piano lines – and in addition to the trio's core electric bass and drums, the set also features some added work on percussion from Paul Humphrey – who really brings in a kick – plus added guitar, congas, and even a bit of Hammond from Higgins too! Some cuts even have a bit of vocals too – sung in this offbeat way that's a wild approach to soul. There's some killer breaks on the set – including the massive "Put On Train" and "What's The Answer" – but the whole set smokes, and other cuts include "I'm Leaving", "You Got To Play The Game", "Your Love Is Just Too Much", "Did You Think", "Hey Girl", and a mad version of "Eleanor Rigby". On the second album – Gene Harris Of The Three Sounds – Gene really steps into the solo spotlight – moving away from his work with the Three Sounds trio, and headed into even more righteous territory – as you might guess from the trippy image on the cover! The set features Harris mostly on acoustic piano, but amidst larger arrangements from Wade Marcus that really round things out with a warm, soulful edge – mixing guitar from Sam Brown and Cornell Dupree with Gene's lines on piano – and giving things an extra kick at the bottom with drums from Freddie Waits, and percussion from Johnny Rodriguez and Omar Clay. The record echoes Harris' older roots at some points, yet comes across with a richer 70s vibe too – a hip 70s style that's strongly due to the contributions of Marcus' arrangements. Tracks include a great remake of "Listen Here", which begins with a great funky break; a sweet steppers version of "Killer Joe"; and the tracks "Lean On Me", "Day In The Life Of A Fool", "Django", "Emily", and "C Jam Blues". CD
(On the Dusty Groove label.)
Also available 3 Sounds/Gene Harris Of The Three Sounds ... CD 9.99

Exact matches15
CD, LP, Vinyl record album cover art
New Nat Adderley & The Three SoundsBranching Out ... CD CD format
Riverside/OJC, 1958. Used ... Temporarily Out Of Stock
Nat and Johnny Griffin front The Three Sounds in this easy-going soul jazz session with a nice rolling groove. The set's got a couple of originals – "Sister Caroline" and "Branching Out" – plus versions of "Well You Needn't" and "I've Got Plenty Of Nothin". Gene Harris & The Three Sounds make for a nice backing, and Johnny Griffin's solos are as sharp as they ever were at this point. CD
Also available Branching Out ... LP 19.99

Exact matches16
CD, LP, Vinyl record album cover art
New Three SoundsColdwater Flat ... LP LP format
Blue Note, Late 60s. Used Gatefold ... Temporarily Out Of Stock
A brilliant pairing of the Three Sounds trio with the larger arrangements of reedman Oliver Nelson – easily one of the most soulful bandleaders of the 60s, and a talent who really helps open up the trio's groove! The piano of Gene Harris is nice and sharp – played with a soulful sock on both sides of the keyboard – and soaring out over these full charts from Nelson that really sparkle with great touches from players like Plas Johnson on tenor, Lou Blackburn on trombone, Bobby Bryant on trumpet, and both Anthony Ortega and Frank Strozier on alto. The record's really one of our favorites by this great Blue Note group – and is a perfect bridge between their early trio sides and their later funky records! Titles include "Last Train To Clarksville", "Do Do Do", "Star Trek", "Lonely Bottles", "Grass Is Greener", and the groovy "Coldwater Flat". LP, Vinyl record album
(Liberty stereo pressing. Cover has a cut corner and some wear.)

Exact matches17
CD, LP, Vinyl record album cover art
New Three SoundsHey There ... LP LP format
Blue Note, Mid 60s. Used ... Temporarily Out Of Stock
Sublime trio grooving from Gene Harris and the Three Sounds – one of their more obscure albums for Blue Note, and a great set of standards, plus the odd original – all given the Three Sounds touch! The format is simple, but effective – and hearing the set, it's no wonder Harris and crew cut so many of these sides for Blue Note at the time! Titles include "Sermonette", "Hey There", "Dap's Groove", "Nothin But The Blues", "Street Of Dreams", and "Little Girl Blue". LP, Vinyl record album
(New York mono pressing, with Van Gelder stamp. Cover has a light diagonal crease across the front, edge wear, and some small stains on back.)

Exact matches18
CD, LP, Vinyl record album cover art
New Three SoundsLive At The Lighthouse ... LP LP format
Blue Note, Late 60s. Used ... Temporarily Out Of Stock
A great little session by The Three Sounds – and one that features the band grooving away in a style that's a lot more lively than some of their studio recordings from the time! The whole thing was captured live at the legendary Lighthouse – and Gene Harris plays both piano and organ, while the group runs through some lively material that includes "Still I'm Sad", "Blues March", "Makin Bread Again", and "I Held My Head In Shame". LP, Vinyl record album
(Liberty pressing – in great shape, save for a light stain in one bottom corner of the cover.)

Exact matches19
CD, LP, Vinyl record album cover art
New Three SoundsSoul Symphony ... LP LP format
Blue Note, 1969. Used ... Temporarily Out Of Stock
The mighty Monk Higgins works some amazing magic here with the Three Sounds – taking them way past their standard trio modes of the 60s, into some really funky territory overall! The set's a definite symphony of soul – not just because the first side features a super-extended, suite-like tune – but also because all of the tracks feature fuller backings from Higgins, which really push the piano groove of the group! Drums are mighty heavy at points – thanks to trio member Carl Burnett – and the great Henry Franklin is in the group on bass, already crafting those wicked lines that would show up even more strongly on his albums for Black Jazz. In addition to flute from Buddy Collette, guitar from Freddy Robinson, and Gene Harris' super-heavy piano, there's also a bit of strings, and some slight backing vocals in the symphony from a trio that features Alex Brown, Mamie Galore, and Clydie King. The "Soul Symphony" cut runs for 26 minutes on side one – and other tracks include "Popsicle Pimp", "Repeat After Me", "Black Sugar", and "Upper Four Hundred". LP, Vinyl record album
(Liberty/UA pressing. Cover has a split top seam and half split spine and bottom seam.)

Exact matches20
CD, LP, Vinyl record album cover art
New Three SoundsSoul Symphony ... CD CD format
Blue Note, 1969. Used ... Out Of Stock
The mighty Monk Higgins works some amazing magic here with the Three Sounds – taking them way past their standard trio modes of the 60s, into some really funky territory overall! The set's a definite symphony of soul – not just because the first side features a super-extended, suite-like tune – but also because all of the tracks feature fuller backings from Higgins, which really push the piano groove of the group! Drums are mighty heavy at points – thanks to trio member Carl Burnett – and the great Henry Franklin is in the group on bass, already crafting those wicked lines that would show up even more strongly on his albums for Black Jazz. In addition to flute from Buddy Collette, guitar from Freddy Robinson, and Gene Harris' super-heavy piano, there's also a bit of strings, and some slight backing vocals in the symphony from a trio that features Alex Brown, Mamie Galore, and Clydie King. The "Soul Symphony" cut runs for 26 minutes on side one – and other tracks include "Popsicle Pimp", "Repeat After Me", "Black Sugar", and "Upper Four Hundred". CD
 
Possible matches: 104
Possible matches21
CD, LP, Vinyl record album cover art
New Muhal Richard AbramsLevels & Degrees Of Light ... CD CD format
Delmark, 1967. New Copy ... $8.99 12.99
Although recorded early in the career of Muhal Richard Abrams, this brilliant LP shows the pianist/composer turning away from the stock jazz and studio work of earlier years – to develop into one of the richest talents to rise from the Chicago avant underground of the 60s! At the time of the recording, Abrams was the president of the recently-founded AACM – and for the session, he's surrounded himself with some of the best young talents from Chicago, including Thurman Barker, Anthony Braxton, Leroy Jenkins, and Maurice McIntyre – all of whom help to create a complicated web of colors, shapes, and sounds, that prove that the youthful energy of the underground scene was more than capable of crafting sophisticated modernist documents. The album features three long works – "Levels & Degrees Of Light", "The Bird Song", and "My Thoughts Are My Future". CD
Also available Levels & Degrees Of Light ... CD 6.99

Possible matches22
CD, LP, Vinyl record album cover art
New Muhal Richard AbramsLevels & Degrees Of Light ... CD CD format
Delmark, 1967. Used ... $6.99
Although recorded early in the career of Muhal Richard Abrams, this brilliant LP shows the pianist/composer turning away from the stock jazz and studio work of earlier years – to develop into one of the richest talents to rise from the Chicago avant underground of the 60s! At the time of the recording, Abrams was the president of the recently-founded AACM – and for the session, he's surrounded himself with some of the best young talents from Chicago, including Thurman Barker, Anthony Braxton, Leroy Jenkins, and Maurice McIntyre – all of whom help to create a complicated web of colors, shapes, and sounds, that prove that the youthful energy of the underground scene was more than capable of crafting sophisticated modernist documents. The album features three long works – "Levels & Degrees Of Light", "The Bird Song", and "My Thoughts Are My Future". CD
Also available Levels & Degrees Of Light ... CD 8.99

Possible matches23
CD, LP, Vinyl record album cover art
AirAir (Japanese paper sleeve edition) ... CD CD format
Three Blind Mice/Think (Japan), 1977. New Copy ... $28.99
Not the Chicago group of AACM fame, but a completely different Japanese combo from the 70s – a very cool outfit who are equally avant in their approach – and work together in a very spiritual blend of acoustic and electric sounds! The album features one long track, improvised in a very organic way – so that the spare sounds build up into these parts rich in meaning, but still with plenty of sharp edges – based on work from Yasuo Shimura on flute, amplified soprano sax, Arp, and radio; Renkichi Hayashi on guitar, ring modulator, and other effects; Nobuyoshi Ino on electric and acoustic bass, Turkish guitar, and tape recorder; Hiroshi Murakami on drums and percussion; and Yuji Imamura on amplified and acoustic tabla, plus other percussion. The sound's as compelling as the instrumental lineup – and the album's comprised of one long jamming track "Air (parts 1 & 2)", with a groove that ranges from funky and break-oriented, to wild and free out-oriented soloing. CD
(Blu Spec CD.)

Possible matches24
CD, LP, Vinyl record album cover art
Beastie BoysHello Nasty ... CD CD format
Grand Royal, 1998. Used ... $2.99
The 5th album by the Beastie Boys – and a prime example of a modern classic we didn't appreciate enough the first time time around – the wholly excellent Hello Nasty! We'll admit we were suffering a little Beasties fatigue by the time Hello Nasty came out in '98, but it sounds nothing short of masterful all these years later, with classic singles that really kill live, but sound nearly as great blasting through the headphones. Titles include "Super Disco Breakin", "The Move", "Song For The Man", "Just A Test", "Body Movin'", "Intergalactic", "Flowin Prose", "Remote Control", "Three MCs and One DJ", "Song For Junior", "Dr Lee, PhD" feat Lee Scratch Perry, Instant Death and more. 22 tracks in all. CD

Possible matches25
CD, LP, Vinyl record album cover art
New Peter Brotzmann/Keiji Haino/Jim O'RourkeTwo City Blues 1 ... LP LP format
Trost (Austria), 2010. New Copy ... $22.99
Three legendary improvisers, working here at the height of their powers – in a set that really shows that when greats like this come together, the overall sound is way more than the sum of its parts! Keiji Haino sounds especially great here – still raw and bold, both on guitar and vocals (plus a bit of shamisen as well) – but finding this deeper, more rooted quality next to the saxophone work of Peter Brotzmann, which oddly acts as this core anchor to the performance – while still finding space to reach freedoms of his own. Jim O'Rourke reminds us that his command of guitar sounds is still incredible after all these years – trained in the avant underground for years, given a bit of focus in some more mainstream lights – but still extremely inventive and completely mindblowing. LP features different material than the CD – a shorter "Two City Blues 1", and "Eyes Stay The Same". LP, Vinyl record album

Possible matches26
CD, LP, Vinyl record album cover art
Peter Brotzmann/Keiji Haino/Jim O'RourkeTwo City Blues 2 ... CD CD format
Trost (Austria), 2015. New Copy ... $16.99
Three legendary improvisers, working here at the height of their powers – in a set that really shows that when greats like this come together, the overall sound is way more than the sum of its parts! Keiji Haino sounds especially great here – still raw and bold, both on guitar and vocals (plus a bit of shamisen as well) – but finding this deeper, more rooted quality next to the saxophone work of Peter Brotzmann, which oddly acts as this core anchor to the performance – while still finding space to reach freedoms of his own. Jim O'Rourke reminds us that his command of guitar sounds is still incredible after all these years – trained in the avant underground for years, given a bit of focus in some more mainstream lights – but still extremely inventive and completely mindblowing. CD features the very long "Two City Blues", and the shorter "One Fine Day". CD

Possible matches27
CD, LP, Vinyl record album cover art
Gary BurtonSeven Songs For Quartet & Chamber Orchestra ... CD CD format
ECM (Germany), 1974. Used Gatefold ... $9.99
A really wonderful setting for the vibes of Gary Burton – a special ECM session that pairs his quartet with larger orchestral backdrops – all conducted by Michael Gibbs, who also wrote the music for the date! Gibbs had already risen to fame by the time of this record – thanks to some groundbreaking albums for large ensembles on the British jazz scene of the late 60s – where he demonstrated a tremendous ear for intimate tones and subtle sounds amidst a larger group. Here, that talent turns out to work perfectly for the rich tones of Burton's vibes – allowing them to develop slowly and spaciously, despite the larger orchestra. The core quartet also features Michael Goodrick on guitar, Steve Swallow on bass, and Ted Seibs on drums – and titles include "The Rain Before It Falls", "Three", "Phases", "Throb", and "Nocturne Vulgaire/Arise Her Eyes". CD
Also available Seven Songs For Quartet & Chamber Orchestra (180 gram pressing) ... LP 16.99

Possible matches28
CD, LP, Vinyl record album cover art
Gary BurtonSeven Songs For Quartet & Chamber Orchestra (180 gram pressing) ... LP LP format
ECM (Germany), 1974. New Copy (reissue)... $16.99 25.99
A really wonderful setting for the vibes of Gary Burton – a special ECM session that pairs his quartet with larger orchestral backdrops – all conducted by Michael Gibbs, who also wrote the music for the date! Gibbs had already risen to fame by the time of this record – thanks to some groundbreaking albums for large ensembles on the British jazz scene of the late 60s – where he demonstrated a tremendous ear for intimate tones and subtle sounds amidst a larger group. Here, that talent turns out to work perfectly for the rich tones of Burton's vibes – allowing them to develop slowly and spaciously, despite the larger orchestra. The core quartet also features Michael Goodrick on guitar, Steve Swallow on bass, and Ted Seibs on drums – and titles include "The Rain Before It Falls", "Three", "Phases", "Throb", and "Nocturne Vulgaire/Arise Her Eyes". LP, Vinyl record album
Also available Seven Songs For Quartet & Chamber Orchestra ... CD 9.99

Possible matches29
CD, LP, Vinyl record album cover art
New CerroneLove In C Minor/Cerrone's Paradise/Supernature (3LP/3CD set) ... LP LP format
Malligator/Because (France), 1976/1977. New Copy 3LP & 3CD (reissue)... $79.99
A wonderful package – a very limited set that includes the first three albums from Cerrone, with bonus CD versions as well! First up is Love In C Minor – the fantastic first album by Cerrone – a landmark disco record that features the 16 minute long "Love In C Minor" – a swirling bit of strings, beats, and female voices – one of those tunes that forever went onto change the face of dance music in the 70s! Cerrone really set up a whole new blueprint for club here – stretching things out plenty, and layering in subtle time and chord shifts that expose the proggish influences that filtered into French club as the 70s wore on! The title track's got some nice keyboards by the great Alan Hawkshaw – who sounds even better on the album's cool disco version of "Black Is Black" and the tight snare-beat original, "Midnite Lady". Cerrone's Paradise is Cerrone's second album – a swirling mix of disco beats and strings that follows very clearly on the spirit of his landmark first one! Like that album, this one's got a title track that runs well over 15 minutes long – building in a slowly dancing way that says everything about European disco styles that one track could ever hope to do! Other tunes on the album are shorter and tighter – with soulful vocals dancing in and out, and some nice keyboard work that makes the tunes sparkle with a sweet electric groove. Titles include "Take Me", "Time For Love", and "Cerrone's Paradise". Supernature is the height of French disco – a huge worldwide hit for Cerrone, a nutty bit of space disco that actually holds up pretty darn well over the years! The guy's not really a looker – and the strange "animal operation" cover almost makes this look like a prog rock album – which is where Cerrone probably got his inspiration for the incredible keyboard work on the set – but the record's a killer bit of club that went onto influence generations to come – and is arguably one of Cerrone's best moments ever! Includes the classic "Supernature", a catchy disco groover you'll recognize instantly – plus the tracks "Love Is Here", "Love Is The Answer", and "Sweet Drums". LP, Vinyl record album
(Limited, numbered edition of 1000 – pressed on colored vinyl.)

Possible matches30
CD, LP, Vinyl record album cover art
Avishai CohenDark Nights ... CD CD format
Anzic, 2014. New Copy ... $14.99 16.98
Beautiful sounds from the Triveni trio of trumpeter Avishai Cohen – and maybe the most freewheelingly creative record from the group so far! The recording approach was to only do a take or two of each tune – with some immediate post-performance electronics added by Cohen, as if he's working off the immediate spontaneity of the group's music – and you can definitely hear that approach as all three players have this open sense of imagination that really moves ahead into a rich field of sonic surprises. Cohen's electric touches could be stiff and too Miles-like – but instead they really help integrate his sound with the bass of Omer Avitel and drums of Nasheet Waits – and the record also features a bit of guest clarinet from Anat Cohen and piano from Gerald Clayton. Titles include "Dark Nights Darker Days", "You In All Directions", "Betray", "Goodbye Porkpie Hat", "The OC", "Old Soul", and a beautiful version of "I Fall In Love Too Easily" – with vocals by Keren Ann! CD

Possible matches31
CD, LP, Vinyl record album cover art
Charles CohenRetrospective ... CD CD format
Morphine (Netherlands), 1980s. New Copy 2CD ... $22.99
Cool 80s electronic work from Charles Cohen – an overlooked American artist from the mid-Atlantic scene, but one whose music rivals some of the early greats from the previous analogue years! At a time when so many others were either overly bombastic, or way too laid back, Cohen had a way of really keeping things interesting – pushing around the edges for unusual electric sounds and phrasings, but never pushing things into the territory of noise or industrial expressions. There's a tunefulness to most of these tracks that's really wonderful – even though most of them hardly have a tune at all – and the set features music from all three previous volumes of Cohen's material on the same label – including work for theater, and some longer pieces too. Titles include "Tubs", "Bell Jar", "Sonomama", "Group Motion Performance", "Dance Of The Spirit Catchers", "The Street", "Water", "The Middle Distance", "Camera Dance", and "Duos Solos". CD

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Die Like A Dog QuartetAoyama Crows (180 gram pressing) ... LP LP format
FMP/Jazzwerkstatt (Germany), 2002. New Copy Gatefold (reissue)... $18.99 29.99
Heavy sounds from this mighty quartet – a lineup that features Peter Brotzmann on tenor, alto clarinet, and tarogato – plus Toshinori Kondo on trumpet and electronics, William Parker on bass, and Hamid Drake on drums! The album spins out in relatively free space – with Drake's drums and Parker's bass propelling the music for most of the moments – and lots of compressed notes from Kondo's trumpet, which also then seem to be processed by his electronics – creating a mix between electric Miles Davis and a Varitone! The set includes the three-part suite "Aoyama Crows" – composed by Brotzmann, but feeling like some moody Japanese mix of fusion and avant from the early 70s. LP, Vinyl record album

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New DjiguiM'Bolon ... CD CD format
Cobalt (France), 1999. Used ... $9.99
Great traditional sounds from Mali! Djigui Traore, a member of the Minianka ethnic group, is a master of the m'bolon, a fascinating native instrument that's a distant cousin of the more familiar n'goni. It's a three-stringed rhythmic instrument with antelope skin covering a gourd resonator played with a v-shaped wooden stick, but don't let that dry description scare you off! Djigui vibrantly brings it to life, turning out thumping, raw rhythms and singing along with uncommon passion. The songs are traditionally used at harvest time, driving primal grooves that encourage the work in the field. Djigui also delivers hypnotic hand percussion, although we're not sure if it was overdubbed or if he plays it simultaneously! Tracks include "Tafapy", "Karakata", "Layanga", "Ni Tokomefo", and "Dabakala". CD

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Exploding Star OrchestraStars Have Shapes ... CD CD format
Delmark, 2010. New Copy ... $8.99 16.99
The most amazing record to date from Rob Mazurek's Exploding Star Orchestra – just the kind of cosmic, spiritual session you'd expect from the group's name – perfectly placed in a Chicago lineage that includes Sun Ra's Arkestra and the best years of the AACM! The group's got all the collaborative spirit of the latter reference – a largeish ensemble made up of some of the city's most important avant musicians in recent years – including Nicole Mitchell on flute, Jeb Bishop on trombone, Jason Adasiewicz on vibes, Josh Abrams on acoustic bass, Matt Bauder on clarinet and tenor, Jason Stein on bass clarinet, and Mike Reed and John Herndon on drums – all players who know each others strengths through countless gigs together – coming together under the visionary leadership of Rob Mazurek on cornet. There's some slight electro-acoustic elements, which further complicate the sound of the record – but all without ever taking it off base – and the whole thing's got a righteous sort of energy that makes us mighty proud that sounds this great came from our hometown. Titles include "ChromoRocker", "Impression #1", "Ascenscion Ghost Impression #2", and "Three Blocks Of Light". CD

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Isoo FukuiSunrise Sunset (Japanese paper sleeve edition) ... CD CD format
Three Blind Mice/Think (Japan), 1976. New Copy ... $28.99
Mindblowing sounds from Japanese bassist Isoo Fukui – one of a handful of 70s players on that scene who really helped reinvent the sound of his instrument in jazz! Isoo really drives the group here up from the bottom – by playing both bass and cello with these well-inflected notes that are heavy on soul and rhythm, and which often enforce a modal sensibility that's carried out perfectly by the vibes of Kazuhiro Matsuishi and piano of Hideo Ichikawa! A few numbers feature guitar from Shoji Yokouchi, who plays with this chromatic style that really works well with the vibes – and titles include "Lady T", "Happy Walk", "7th Avenue Sunrise", "Early Summer", and "7th Avenue Sunset". CD
(Blu Spec CD.)

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Stan GetzStan Getz & The Cool Sounds (Japanese paper sleeve edition) ... CD CD format
Verve (Japan), 1953/1954/1955. Used ... $6.99
An odd little album in the Stan Getz catalog of the 50s – not just because of the cheesy cover and title, but also because it features a range of unusual material recorded over a three year period with a variety of different players! Some of the dates here definitely fit the "cool sounds" title of the record – in that they feature Getz with the west coast lineup of Loy Levy on piano, Shelly Manne on drums, and Leroy Vinnegar on bass – heard more famously on Stan's West Coast album of the same time. But other sides feature a different grouping – with Jimmy Rowles on piano, Bobby Whitlock on bass, and Max Roach on drums – offering up a different side of the west coast altogether. And still others take things back to more of an east coast modern style – by featuring either Tony Fruscella on trumpet or Bob Brookmeyer on trombone, in groups with John Williams on piano. The mix of material makes for a nicely-rounded portrait of Getz's talents in the mid 50s years – and the album features 10 tracks that include "Nobody Else But Me", "Serenade In Blue", "Of Thee I Sing", "Love Is Here To Stay", "Blue Bells", "Roundup Time", "Rustic Hop", and "A Handful Of Stars". CD
Also available Stan Getz & The Cool Sounds (LP sleeve edition) ... CD 7.99

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Stan GetzStan Getz & The Cool Sounds (LP sleeve edition) ... CD CD format
Verve, Early/Mid 50s. Used ... $7.99
An odd little album in the Stan Getz catalog of the 50s – not just because of the cheesy cover and title, but also because it features a range of unusual material recorded over a three year period with a variety of different players! Some of the dates here definitely fit the "cool sounds" title of the record – in that they feature Getz with the west coast lineup of Loy Levy on piano, Shelly Manne on drums, and Leroy Vinnegar on bass – heard more famously on Stan's West Coast album of the same time. But other sides feature a different grouping – with Jimmy Rowles on piano, Bobby Whitlock on bass, and Max Roach on drums – offering up a different side of the west coast altogether. And still others take things back to more of an east coast modern style – by featuring either Tony Fruscella on trumpet or Bob Brookmeyer on trombone, in groups with John Williams on piano. The mix of material makes for a nicely-rounded portrait of Getz's talents in the mid 50s years – and the album features 10 tracks that include "Nobody Else But Me", "Serenade In Blue", "Of Thee I Sing", "Love Is Here To Stay", "Blue Bells", "Roundup Time", "Rustic Hop", and "A Handful Of Stars". CD
(Out of print. Includes US obi.)
Also available Stan Getz & The Cool Sounds (Japanese paper sleeve edition) ... CD 6.99

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Jef GilsonJef Gilson Archives – A Collection Of Previously Unreleased Recordings, Rehearsals, Demos & Alternate Takes ... LP LP format
Jazzman (UK), 1960s/1970s. New Copy 2 LP Gatefold ... $16.99
Amazing sounds from Jef Gilson – one of the coolest, hippest jazz musicians working on the European scene of the 60s and 70s! Gilson has his own label – Palm Records – and was noted for his keen sense of collaboration, and openness to new ideas – not just modern elements that were moving around the postwar scene, but also some crucial crossovers with other global styles as well – and his list of collaborators over the years included reedman Michel Portal, trumpeter Bernard Vitet, prog rocker Christian Vander, and exotic jazz musician Lloyd Miller. Gilson's music was often issued in small pressings over the years, or buried under the names of bigger stars in his collaborations – but this wonderful package finally shows the genius in his full light – by bringing forth a host of rare tracks from Gilson's own archives, carefully selected by the Jazzman Records team. There's a really wonderful array of sounds going on here – some straighter jazz grooves, some offbeat rhythms, some exotic instrumental passages, and some occasional forays into Latin or African modes – all instantly compelling, and with the sort of unique sounds that are bound to have you digging for some of Gilson's commercially released music. Titles include "Choro In Blue", "Chant Inca", "Lamento", "Three Four One", "Anamorphose", "Java", "Agnus Dei", "Java Pour Raspail", and "La Cigale Et La Fourmi". LP, Vinyl record album

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Chico HamiltonChico Hamilton Quintet In Hi Fi ... LP LP format
Pacific Jazz, 1956. Very Good ... $7.99
One of Chico's earliest albums for Pacific Jazz – a set of tightly arranged tracks with a cool chamber feel to them – featuring a lineup that includes Buddy Collette on reeds, Fred Katz on cello, Jim Hall on guitar, and Carson Smith on bass. Collette, Katz, and Hall are at the height of their powers here – a bit restricted, perhaps, but in the way that Hamilton was using to craft some of the more creative sounds of the 50s LA jazz scene – perfectly shaped and formed throughout! Just about every band member contributed a song and an arrangement to the album – and titles include "The Ghost", "Chrissie", "Jonalah", "Sleepy Slept Here", "Drums West", "The Squimp", and "Sleep". LP, Vinyl record album
(Black label pressing with deep groove. Side 2 has marks that click a bit on tracks three and four. Cover has some wear, some small stains, a small peeled mark from sticker removal, seam splitting, and masking tape on the top and bottom seams.)

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Gene Harris3 Sounds ... LP LP format
Blue Note, 1971. Near Mint- ... $49.99
The last Three Sounds album for Blue Note – and the funkiest too – thanks to lots more electrification than usual, and some killer arrangements from the mighty Monk Higgins! Monk's really at the top of his game here – going past even his great previous work for the group, and working with a tight, sharp edge that recalls his funky 45 brilliance of the 60s – yet tuned a bit more towards the electric Cali jazz of early 70s Blue Note! Gene Harris plays loads of funky piano lines – and in addition to the trio's core electric bass and drums, the set also features some added work on percussion from Paul Humphrey – who really brings in a kick – plus added guitar, congas, and even a bit of Hammond from Higgins too! Some cuts even have a bit of vocals too – sung in this offbeat way that's a wild approach to soul. There's some killer breaks on the set – including the massive "Put On Train" and "What's The Answer" – but the whole set smokes, and other cuts include "I'm Leaving", "You Got To Play The Game", "Your Love Is Just Too Much", "Did You Think", "Hey Girl", and a mad version of "Eleanor Rigby". LP, Vinyl record album
(UA pressing. Cover has a cut corner, a 2 inch split on the spine, and some light wear.)
 
 
 



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