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Exact matches: 18
Exact matches1
CD, LP, Vinyl record album cover art
Gene Harris3 Sounds/Gene Harris Of The Three Sounds ... CD
Blue Note/Dusty Groove, 1971/1972. New Copy ... $10.99 13.98
A pair of killers from keyboardist Gene Harris – both recorded for Blue Note, and back to back on a single CD! First up is Gene Harris/The 3 Sounds – the last Three Sounds album for Blue Note – and the funkiest too – thanks to lots more electrification than usual, and some killer arrangements from the mighty Monk Higgins! Monk's really at the top of his game here – going past even his great previous work for the group, and working with a tight, sharp edge that recalls his funky 45 brilliance of the 60s – yet tuned a bit more towards the electric Cali jazz of early 70s Blue Note! Gene Harris plays loads of funky piano lines – and in addition to the trio's core electric bass and drums, the set also features some added work on percussion from Paul Humphrey – who really brings in a kick – plus added guitar, congas, and even a bit of Hammond from Higgins too! Some cuts even have a bit of vocals too – sung in this offbeat way that's a wild approach to soul. There's some killer breaks on the set – including the massive "Put On Train" and "What's The Answer" – but the whole set smokes, and other cuts include "I'm Leaving", "You Got To Play The Game", "Your Love Is Just Too Much", "Did You Think", "Hey Girl", and a mad version of "Eleanor Rigby". On the second album – Gene Harris Of The Three Sounds – Gene really steps into the solo spotlight – moving away from his work with the Three Sounds trio, and headed into even more righteous territory – as you might guess from the trippy image on the cover! The set features Harris mostly on acoustic piano, but amidst larger arrangements from Wade Marcus that really round things out with a warm, soulful edge – mixing guitar from Sam Brown and Cornell Dupree with Gene's lines on piano – and giving things an extra kick at the bottom with drums from Freddie Waits, and percussion from Johnny Rodriguez and Omar Clay. The record echoes Harris' older roots at some points, yet comes across with a richer 70s vibe too – a hip 70s style that's strongly due to the contributions of Marcus' arrangements. Tracks include a great remake of "Listen Here", which begins with a great funky break; a sweet steppers version of "Killer Joe"; and the tracks "Lean On Me", "Day In The Life Of A Fool", "Django", "Emily", and "C Jam Blues". CD
(On the Dusty Groove label.)

Exact matches2
CD, LP, Vinyl record album cover art
✨✧ Anita O'Day & The Three Sounds/Cal TjaderAnita O'Day & The Three Sounds/Time For Two ... CD
Verve (Germany), 1962. New Copy ... $13.99
Two unusual vocal sessions from Anita O'Day – each with a different jazz star in tow! Anita O'Day & The Three Sounds brings together a great singer and a great trio – a unique Verve outing that has vocalist Anita O'Day joining forces with the Three Sounds combo of pianist Gene Harris! The Three Sounds were always happy to serve as a rhythm combo on dates like this – and they really bring a lot of their own flavor to the record – standing out on a few instrumental selections that highlight their own brief relationship with Verve – but mostly backing Anita with a groove that's tight and always soulful! O'Day's vocals are as confident as Harris' work on the keys – making for a very nice match – and titles include "Fly Me To The Moon", "All Too Soon", "My Ship", and "Whisper Not", which also features a guest solo by Roy Eldridge. Time For Two is a great little meeting of two of the better talents on Verve Records in the early 60s – one that pairs the warm vocals of Anita O'Day with the cool vibes of Cal Tjader – in a sweet little session that's actually one of O'Day's best from the time! The feel here is lively, and slightly Latinesque – as Cal's smal combo features Johnny Rae on drums, and Lonnie Hewitt on piano – both players who are well-tuned towards a more rhythmic approach. Includes a great version of "An Occasional Man", plus the tracks "Mr. Sandman", "I Believe In You", "Peel Me A Grape", and a nice take of "Thanks For The Memory". CD

Exact matches3
CD, LP, Vinyl record album cover art
Three SoundsGood Deal ... LP
Blue Note, 1959. Good+ ... $11.99
Good deal indeed – always soulful sounds from Gene Harris and his early incarnation of The Three Sounds – served up with a tightness that few other trios could match at the time! Harris is very strongly in the lead on the keys – hitting hard enough on the left hand that he hardly needs a rhythm section to back him up – which leaves drummer Bill Dowdy and bassist Andy Simpkins plenty of space to take off on their own inflections during the set. Titles include a few great original tunes – like "Down The Track" and "Tracy's Blue" – but the band also does nice versions of "That's All", "St. Thomas", and "Robbin's Nest". LP, Vinyl record album
(63rd St mono pressing, with deep groove, RVG stamp, and "ear". Cover has a split top seam, splitting at the bottom of the spine, some marker on front, and some wrinkles in the back paste on.)

Exact matches4
CD, LP, Vinyl record album cover art
Three SoundsHere We Come ... CD
Blue Note (Japan), 1960. Used ... $24.99
The Three Sounds pull away from the curb in a sweet sports car – a great cover image that really sets the tone for the entire record! The album's the epitome of early 60s class and cool that the group had to offer – as they effortlessly mix soulful groovers with mellower, more introspective pieces – all delivered by the godlike hands of Gene Harris on acoustic piano – already a giant in jazz, even at the start of his long career. The rhythm is great, too – sublime bass from Andy Simpkins, whose round, warm tone we always love – and just the right sort of work on drums from Bill Dowdy, who always keeps things on track. Titles include "Now's The Time", "Summertime", "Poinciana", "Here We Come", and "Sonnymoon For Two". Great cover too – with one of the all-time best "car jazz" images! CD
(Out of print. Includes obi.)

Exact matches5
CD, LP, Vinyl record album cover art
Three SoundsHey There ... CD
Blue Note (Japan), 1961. Used ... $29.99
Wonderful work from the Three Sounds – a tight little combo who weren't out to break any rules in jazz, but who made some excellent albums for Blue Note in the early 60s! The groove here is hard-edge soul jazz piano at its best – similar to early Les McCann work of the same vintage, with a strong sense of rhythm on the left hand, and some wonderfully complicated lines on the right – an early example of the genius of Gene Harris. Harris also shows a nice sense of thoughtfulness on the mellower cuts, too – which still swing in their own sort of way, thanks to the work of Andrew Simpkins on bass and Bill Dowdy on drums. Titles include the great original "Dap's Groove" – plus "Sermonette", "Hey There", "Nothin But The Blues", "Street Of Dreams", and "Little Girl Blue". CD
(Out of print. Includes obi.)

Exact matches6
CD, LP, Vinyl record album cover art
Three SoundsMoods (Japanese pressing) ... CD
Blue Note (Japan), 1960. Used ... $26.99
"Moods" is right – as the album's got a wonderfully dark undercurrent, one that makes it one of the most captivating early Three Sounds albums for Blue Note! Pianist Gene Harris leads a trio that includes Andrew Simpkins on bass and Bill Dowdy on drums – and even though the set list includes a few familiar tunes, the overall pitch of the album makes the music really unique. The group play some sweet renditions of "Love For Sale" and "Green Dolphin Street", plus a great reading of Clifford Brown's "Sandu", which works very well as a piano tune. Also includes the tracks "Loose Walk" and "Tammy's Breeze". CD
(Out of print. Includes obi.)

Exact matches7
CD, LP, Vinyl record album cover art
Three SoundsThat's All/St Thomas ... 7-inch
Blue Note, 1959. Very Good ... $1.99
7-inch, Vinyl record

Exact matches8
CD, LP, Vinyl record album cover art
Three SoundsThree Moods ... LP
Limelight, Mid 60s. Near Mint- Gatefold ... $7.99
A pretty great little record that has the Three Sounds usual piano trio sound backed by some larger arrangements – mostly floating strings that soar along and take the group into a whole sound! The addition of the arrangements really breaks things up from the standard soul jazz trio format – and keeps the proceedings nice and fresh, moving from mellow groovers to lighter bossa tunes. Titles include "Hittin The Jug", "The Second Time Around", "Invitation", "Justerini", and "Our Theme". LP, Vinyl record album
(Original mono pressing, including booklet. Cover has a cutout hole.)

Exact matches9
CD, LP, Vinyl record album cover art
Three SoundsBeautiful Friendship ... LP
Limelight, 1965. Very Good Gatefold ... Just Sold Out!
The second album that The Three Sounds recorded with backings by arranger Julian Lee – kind of a precursor to work they'd later do at Blue Note with Oliver Nelson and Monk Higgins. As those records have shown, the augmentation of the group with added orchestrations is always a good idea – as it seems to drive the trio sound to greater heights than on other albums. Gene Harris' piano is razor sharp, and tracks include "The Following Sea", "Hot Cha", "Hittin Another Jug", "Theme From Skyscraper", and "Shornin Bread" (first version). LP, Vinyl record album
(In the nice Limelight gatefold cover – with a paper fold-out insert and a cool booklet! Cover has a split top seam & some moderate wear.)

Exact matches10
CD, LP, Vinyl record album cover art
✨✧ Three SoundsBest Of The Three Sounds ... CD
Blue Note, Late 50s/Early 60s. Used ... Temporarily Out Of Stock
CD
(Out of print.)

Exact matches11
CD, LP, Vinyl record album cover art
✨✧ Three SoundsBlack Orchid ... LP
Blue Note, 1962. Used ... Temporarily Out Of Stock
Maybe the most evocative title of all the Three Sounds albums of the 60s – and one that really gets at the dark beauty of the entire record! By the time of this release (the group's 7th for Blue Note), Gene Harris and the trio had really come into their own – and were moving past simple soul jazz modes into this wonderful blend of grooviness and lyricism – still very much beholden to Harris' rhythmic approach to the keys, but also filled with loads of complicated lines, especially from the group's wonderful bassist Andrew Simpkins – whose round tone is especially great on the mellow numbers. Titles include Randy Weston's "Saucer Eyes" , Neal Hefti's "Black Orchid", and the tracks "Don't Go Don't Go" and "Oh Well Oh Well", both originals by Gene Harris. LP, Vinyl record album
(New York stereo pressing, with Van Gelder Stereo stamps and ear.)

Exact matches12
CD, LP, Vinyl record album cover art
✨✧ Three SoundsBottoms Up! ... LP
Blue Note, 1959. Used ... Temporarily Out Of Stock
The bottom is certainly "up" on this one – as the Three Sounds groove things from the ground up, taking soul jazz piano to the next level with an approach that quickly made them one of the most popular Blue Note acts of the early 60s! Gene Harris leads the group on piano – and also plays celeste on one track (!) – and the other Sounds at this point are Andrew Simpkins on bass and Bill Dowdy on drums – a really great rhythm section that have a way of being soulfully quiet, with a very subtle groove – one that's much more understated than you might find in the Ramsey Lewis trio, but equally hip. Tracks include "Jinne Lou", "Besame Mucho", "Love Walked In", "Angel Eyes", "Falling In Love With Love", and "Time After Time". LP, Vinyl record album
(63rd street pressing with deep groove, RVG stamp, and ear. Cover has a small sticker on back.)

Exact matches13
CD, LP, Vinyl record album cover art
✨✧ Three SoundsHere We Come ... LP
Blue Note, 1960. Used ... Temporarily Out Of Stock
The Three Sounds pull away from the curb in a sweet sports car – a great cover image that really sets the tone for the entire record! The album's the epitome of early 60s class and cool that the group had to offer – as they effortlessly mix soulful groovers with mellower, more introspective pieces – all delivered by the godlike hands of Gene Harris on acoustic piano – already a giant in jazz, even at the start of his long career. The rhythm is great, too – sublime bass from Andy Simpkins, whose round, warm tone we always love – and just the right sort of work on drums from Bill Dowdy, who always keeps things on track. Titles include "Now's The Time", "Summertime", "Poinciana", "Here We Come", and "Sonnymoon For Two". Great cover too – with one of the all-time best "car jazz" images! LP, Vinyl record album
(New York mono pressing, with RVG stamp.)
Also available Here We Come ... CD 24.99

Exact matches14
CD, LP, Vinyl record album cover art
✨✧ Three SoundsMoods ... LP
Blue Note, 1960. Used ... Temporarily Out Of Stock
"Moods" is right – as the album's got a wonderfully dark undercurrent, one that makes it one of the most captivating early Three Sounds albums for Blue Note! Pianist Gene Harris leads a trio that includes Andrew Simpkins on bass and Bill Dowdy on drums – and even though the set list includes a few familiar tunes, the overall pitch of the album makes the music really unique. The group play some sweet renditions of "Love For Sale" and "Green Dolphin Street", plus a great reading of Clifford Brown's "Sandu", which works very well as a piano tune. Also includes the tracks "Loose Walk" and "Tammy's Breeze". LP, Vinyl record album
(70s pressing.)
Also available Moods (Japanese pressing) ... CD 26.99

Exact matches15
CD, LP, Vinyl record album cover art
✨✧ Stanley Turrentine with The Three SoundsBlue Hour ... LP
Blue Note, 1960. Used ... Temporarily Out Of Stock
During the early 60s, Blue Note wisely cut a number of sessions that took advantage of their soulful in-house rhythm trio The Three Sounds. The group recorded more than a few successful albums under their own name – but they also did a few great records that feature them backing up a more famous soloist. Such is the case with this one, in which Gene Harris and crew back up Stanley Turrentine for a beautifully mellow set of late nite tracks, played with an easy rolling groove missing from some of Turrentine's other, more full-on sessions at the time. Titles include "Blue Riff", "I Want A Little Girl", and "Willow Weep For Me". LP, Vinyl record album
(80s DDM pressing, including obi.)

Exact matches16
CD, LP, Vinyl record album cover art
✨✧ Three Sounds8 Classic Albums – Introducing Vols 1 & 2/Branching Out/Bottoms Up/Moods/Hey There/Here We Come/Blue Hour (4CD set) ... CD
Real Gone (UK), Late 50s/Early 60s. Used 4 CDs ... Out Of Stock
CD

Exact matches17
CD, LP, Vinyl record album cover art
✨✧ Stanley Turrentine with the Three SoundsBlue Hour – The Complete Sessions ... CD
Blue Note, 1960. Used 2CD ... Out Of Stock
During the early 60s, Blue Note wisely cut a number of sessions that took advantage of their soulful in-house rhythm trio The Three Sounds. The group recorded more than a few successful albums under their own name – but they also did a few great records that feature them backing up a more famous soloist. Such is the case with this one, in which Gene Harris and crew back up Stanley Turrentine for a beautifully mellow set of late nite tracks, played with an easy rolling groove missing from some of Turrentine's other, more full-on sessions at the time. At the time, Blue Note recorded enough material for 2 albums – but only one was ever issued in the US (although a second has recently come out from Japan.) Now, all the tracks are combined on a very nice 2CD set that includes all the original material – with tracks that include "Alone Together", "There Is No Greater Love", "Blue Hour", "I Want A Little Girl", and "Blue Riff". CD
(Out of print.)

Exact matches18
CD, LP, Vinyl record album cover art
✨✧ Henry Frankin & Three More SoundsHappiness of Pursuit ... CD
Skipper Productions, 2015. New Copy ... Out Of Stock
Henry Franklin pays tribute to the great Gene Harris – in particular, the tremendous albums that Harris made for Blue Note in the 60s with his Three Sounds combo – hence the name of the group! Franklin's bass is wonderfully full, rich, and soulful – just like that of Andy Simpkins back in the original trio – and piano here is from Bill Heid, who opens up the more gutbuckety side of his spectrum – with these lines that step along beautifully with the bass, yet still hit loads of lyrical passages too. The balance is wonderful, and complemented perfectly by the drums of Carl Burnett – who, like Franklin, was also in the Three Sounds for a point in the 60s. Titles include "Blue Daniel", "Searchin", "Boomph", "It Don't Mean A Thing", "Little Miss Laurie", and "Autumn Serenade". CD
 
Close matches: 1
Close matches19
CD, LP, Vinyl record album cover art
Andy Akiho/Sean Friar/Daniel Wohl/Alex Mincek/Tristan PerichNonextraneous SoundsThree Shades Foreshadows/Teaser/Saint Arc/Flutter/Formations – Mariel Roberts ... CD
Innova, 2012. Used ... $5.99
CD
(Digipack has what appears to be an autograph by Mariel Roberts.)
 
Possible matches: 98
Possible matches20
CD, LP, Vinyl record album cover art
Muhal Richard AbramsLevels & Degrees Of Light ... CD
Delmark, 1967. New Copy ... $8.99 12.99
Although recorded early in the career of Muhal Richard Abrams, this brilliant LP shows the pianist/composer turning away from the stock jazz and studio work of earlier years – to develop into one of the richest talents to rise from the Chicago avant underground of the 60s! At the time of the recording, Abrams was the president of the recently-founded AACM – and for the session, he's surrounded himself with some of the best young talents from Chicago, including Thurman Barker, Anthony Braxton, Leroy Jenkins, and Maurice McIntyre – all of whom help to create a complicated web of colors, shapes, and sounds, that prove that the youthful energy of the underground scene was more than capable of crafting sophisticated modernist documents. The album features three long works – "Levels & Degrees Of Light", "The Bird Song", and "My Thoughts Are My Future". CD

Possible matches21
CD, LP, Vinyl record album cover art
Cannonball Adderley/Benny CarterLive In Cologne 1961 ... CD
Delta (Germany), 1961. New Copy ... $15.99 16.99
Two never-heard jazz performances – both recorded in German at the start of the 60s! Cannonball Adderley really shines on the first half of the set – working at a level that rivals his tremendous Riverside albums of the time – especially the live dates, which really showed his combo at their best! These tracks follow strongly in very much the same way – impeccable recording quality, long drawn-out performances, and brilliant sounds from Cannonball on alto, Nat Adderley on cornet, Victor Feldman on piano, Sam Jones on bass, and Louis Hayes on drums – on titles that include "New Delhi", "This Here", and "Lisa". Alto giant Benny Carter follows on three more tracks – working with a European group that includes the mighty Carl Drewo on tenor, plus Raymond Droz on trombone and Francis Coppierters on piano – on titles that include "Laura", "It's Wonderful", and "Rose Room". CD

Possible matches22
CD, LP, Vinyl record album cover art
AkikoMood Indigo ... CD
Verve (Japan), 2004. New Copy ... $24.99
One of our favorite albums from Japanese jazz singer Akiko – a warmly acoustic affair that still manages to groove nicely, thanks to some excellent production by Sunaga T! Many of the tracks are reworked jazz standards, but there's also a few fresh new tunes – all nicely sewn together with a style that clearly respects the sounds of the past, but which also has the sharper edge of other recent work from Japan. Includes a sublime version of Bobby Hutcherson's classic "Little B's Poem", plus the cuts "So Tired", "Far Beyond", "I Love You", "He Knows Everything", "We Three", and "Straight No Chaser". CD
(SHM-CD pressing!)

Possible matches23
CD, LP, Vinyl record album cover art
James BrownI Got You (I Feel Good) ... CD
King/Universal (Japan), 1966. New Copy ... $13.99
Quite possibly THE James Brown album of the mid 60s – a solid set of hard-grooving tracks, based around the monster title hit "I Got You (I Feel Good)"! The tune's one of those numbers that has been used a gajillion times over the years in commercials and promos – but which never sounds better than here, on James' original version – one of those cuts that never gets old! The hit's also nicely offset by a number of other more obscure numbers that make the album really worth tracking down – titles that include "I Can't Help It (I Just Do Do Do)", "Good Good Lovin", "I've Got Money", "Three Hearts In A Tangle", "You've Got The Power", and "Love Don't Love Nobody" – all on the rougher side of the JB spectrum. CD

Possible matches24
CD, LP, Vinyl record album cover art
Sylvester Cotton/Andrew DurhamBlues Sensation – Detroit Downhome Recordings 1948/1949 ... CD
Ace (UK), 1948/1949. New Copy ... $11.99 18.99
Raw sounds you'd never expect from Detroit – postwar blues by two overlooked artists, presented here with a fair bit of unissued tracks as well! Sylvester Cotton's got a sound that's much more southern than you'd guess – raw, stripped down performances that bring together hard-ringing lines on acoustic guitar with very plaintive vocals – much more a Texas style than a midwestern one, and a good indication of all the southern influences that were hitting the motor city in the years after the war. Cotton's music takes up 19 of the 25 tracks on the set – and titles include "Single Man's Blues", "Brown Skin Woman", "Three Cent Stamp Blues", "When I'm Gone", "Ugly Woman Blues", "I Tried", and "Stranger In Your Own Town Blues". Andrew Dunham follows with six more tracks – really mindblowing in the way he uses spare electric lines with the kind of formation you'd expect to here more from a country blues acoustic guitar – sometimes with such force it feels like the strings are going to rasp right off the frets, while his own vocals seem to work equally hard to blow out the microphone. Titles include "She Don't Walk", "Rocky Mountain", "Corinne", "I Found Out", and two takes of "Little Bitty Woman". CD

Possible matches25
CD, LP, Vinyl record album cover art
Martinho Da Vila4.5 Atual ... CD
Sony (Brazil), 2012. Used ... $8.99
Really timeless sounds from Martinho Da Vila – the kind of classic-styled samba he first was bringing to his work in the 70s – and which still stands strong after all these years! The album's got a beautifully rootsy feel – acoustic instrumentation with lots of percussion at the core – all arranged by Rildo Hora, who himself also has quite a strong legacy in samba – and really knows how to present Martinho in a way that lives up to his legacy. Titles include "Casa De Bamba", "O Pequeno Burgues", "Amor Pra Que Nasceu", "Tom Maior", and "Brasil Mulato" – and CD features three bonus tracks too! CD

Possible matches26
CD, LP, Vinyl record album cover art
Dave DouglasThree Views (Rare Metals/Orange Afternoons/Bad Mango) (3CD box – with postcards) ... CD
Greenleaf, 2011. Used 3CD ... $33.99
Three views – all of them great, and all a rich testimony to the always-inventive sounds of trumpeter Dave Douglas! The package features three very different albums, wrapped up in a multi-faceted demonstration of Douglas' talents – the first a compelling session titled Rare Metals – which features the trumpet working with other brass from Vincent Chaney on French horn, Luis Bonilla on trombone, and Marcus Rojas on tuba – all working together with drummer Nasheet Waits as if they were a more regularly-constructed combo – with all the swing that might imply! Titles include "Town Hall", "Night Growl", "Lush Life", "Thread", and "Safeway". Orange Afternoon is an especially beautiful record – very rich in feeling, and with a tone and pacing that really fits the title! Douglas still has some sharp edges on his horn, but also relaxes into a more gentle groove too – working with Ravi Coltrane on tenor, Vijay Iyer on piano, Lindah Oh on bass, and Marcus Gilmore on drums. Coltrane's horn provides just the right sort of soulful companionship to Douglas' trumpet – and Iyer's piano still has that way of blocking out the sound, yet with less forcefulness than on some of his own records – leaving Dave to be the real creative guiding force of the set. Titles include "The Gulf", "Valori Bollati", "Solato", and "Frontier Justice". Bad Mango features Dave's So Percussion group – a quintet that has Douglas' trumpet working with some nicely skittish rhythms – in ways that really bring out a lot of sharp changes to the tunes – ones that Dave is only happy to meet with quick, inventive lines on his horn. There also might be a bit of electronics, although we can't tell for sure – as it may be some acoustic sounds, handled playfully – and titles include "One More News", "Bad Mango", "Nome", "Witness", "Spider", and "One Shot". CD
(Out of print. Includes original box and postcards!)

Possible matches27
CD, LP, Vinyl record album cover art
Earth & StoneKool Roots ... LP
Pressure Sounds (UK), Mid 70s. New Copy 2LP ... $23.99 24.98
Great duo vocals from the team of Albert Bailey and Clifton Howell – recording here with some excellent rhythms from Sly & Robbie and the rest of the Channel One crew! The music is mostly mellow, with a stepping groove that works great for the harmonies of the pair – and there's a fair bit of roots numbers here, mixed with some warmer lovers' rock titles too. Like other great titles on Pressure Sounds, this one does a great job of giving Earth & Stone the showcase they deserve – with excellent sound, and notes on the music – and titles that include "False Ruler", "Once Bitten Twice Shy", "Black Roots", "Three Wise Men", "Holy Land Of Home", "Jail House Set Me Free", "Devil Wise", "House Of Dub", "Wiser Dub", and "Jester Not". LP, Vinyl record album

Possible matches28
CD, LP, Vinyl record album cover art
Exploding Star OrchestraStars Have Shapes ... LP
Delmark, 2010. New Copy ... $12.99 15.99
The most amazing records to date from Rob Mazurek's Exploding Star Orchestra – just the kind of cosmic, spiritual session you'd expect from the group's name – perfectly placed in a Chicago lineage that includes Sun Ra's Arkestra and the best years of the AACM! The group's got all the collaborative spirit of the latter reference – a largeish ensemble made up of some of the city's most important avant musicians in recent years – including Nicole Mitchell on flute, Jeb Bishop on trombone, Jason Adasiewicz on vibes, Josh Abrams on acoustic bass, Matt Bauder on clarinet and tenor, Jason Stein on bass clarinet, and Mike Reed and John Herndon on drums – all players who know each others strengths through countless gigs together – coming together under the visionary leadership of Rob Mazurek on cornet. There's some slight electro-acoustic elements, which further complicate the sound of the record – but all without ever taking it off base – and the whole thing's got a righteous sort of energy that makes us mighty proud that sounds this great came from our hometown. Titles include "ChromoRocker", "Impression #1", "Ascenscion Ghost Impression #2", and "Three Blocks Of Light". LP, Vinyl record album

Possible matches29
CD, LP, Vinyl record album cover art
Georgie FameWhole World's Shaking – Complete Recordings 1963 to 1966 (Rhythm & Blues At/At Last/Sweet Things/Sound Venture/Rarities/bonus) (5CD set) ... CD
Universal (UK), 1960s. New Copy 5 CDs ... $89.99
Four incredible albums from the young Georgie Fame – plus a bonus CD of rare material, bonus tracks on all CDs, and 18 previously unreleased tracks – all in a box set with a 48 page book, 5 postcards, and a poster too! First up is Rhythm & Blues At The Flamingo – blistering early work from a young Georgie Fame – a set that definitely lives up to the Rhythm & Blues in the title! The set was recorded live at London's hip Flamingo club – and Georgie and The Blue Flames are very much in command of the crowd – burning with the intensity of a American small organ combo, especially the early 60s variety that often played equal parts soul jazz and R&B! Georgie's on the Hammond, and also sings with a rough-edged style that's plenty soulful, and incredibly appealing – a mode that oozes charisma, but never sounds fake or forced. Titles include "Do The Dog", "Eso Beso", "Work Song", "Baby Please Don't Go", "Shop Around", "Humpty Dumpty", and "You Can't Sit Down". Fame At Last is a brilliant mix of jazz, soul, and R&B – all filtered through a mod sort of London freshness, as early proof that the city could always take some great things from our own musical roots, and feed it back to us with a whole new flavor! Georgie's no copycat here, though – and the sound is instantly Fame-like – a style that's really not the sort that any Americans were doing at the time, and certainly never this well. Hard-burning Hammond colors most of the tunes here – played with a tightly vamping quality – but it's Georgie's charmingly crackling vocals that really win us over! Titles include "Gimme That Wine", "Pink Champagne", "Monkeying Around", "Green Onions", "Let The Sunshine In", "Get On The Right Track Baby", "I'm In The Mood For Love", and "I Love The Life I Live". Sweet Things is a definite sweet thing from Georgie Fame – a record that has him filling in his sound even more than before, with tremendously soulful results! The backings here are bigger than before – a bit tooled in an American soul mode, but still with that beautifully raspy Georgie Fame touch – lots of jazzy inflections on the vocals, and a way of handling a tune, even a familiar one, and really working it on his own level. Hammond still fills in most of the tunes, but other instrumentation includes some nice African percussion from Speedy Acquaye, saxes from Pete Coe, and some nice bold drums from John Mitchell. These come out to the forefront on the classic funky tune "Music Talk" – and still sound great on other numbers that include "The World Is Round", "Last Night", "Dr Kitch", "My Girl", "Ride Your Pony", and "Sweet Thing". Sound Venture is one of the jazziest early albums from Georgie Fame – a set that has him singing with the big band of Harry South, at a level that's a lot more complicated than some of his other work with The Blue Flames! The style here still has that mod 60s London feel, but it also has some deeper inflections as well – modes borrowed a bit from Jon Hendricks or Mose Allison, yet served up with even greater complexity – at a level that really points towards the tremendous growth Fame would unleash over the next few years. Members of the group include Tubby Hayes, Ronnie Scott, Tony Coe, Dick Morrisey, Kenny Wheeler, and many other key Brit jazz figures of the time – and titles include "Three Blind Mice", "Dawn Yawn", "Feed Me", "Lovey Dovey", "Lil Darlin", "Lil Pony", "I Am Missing You", and "Many Happy Returns". CD5 is Bend A Little – a package with 20 unusual titles – demos, rare tracks, and outtakes – including unreleased tracks, IBC recordings, and even two German tracks too! Plus, each individual CD comes with bonus tracks – 40 bonus tracks, in addition to the 20 more titles on the Bend A Little set – a huge amount of material! CD
(Includes a hardcover book, 5 postcards & a poster.)

Possible matches30
CD, LP, Vinyl record album cover art
Georgie FameWhole World's Shaking – Ground Breaking Albums 1963 to 1966 (Rhythm & Blues At/At Last/Sweet Things/Sound Venture) (4LP set) ... LP
Fontana/Universal (UK), Early 60s. New Copy 4LP ... $109.99
Four incredible albums from the young Georgie Fame – served up here in one tremendous package – with all oiriginal artwork, nice heavy vinyl, and even new remastering from the original tapes! First up is Rhythm & Blues At The Flamingo – blistering early work from a young Georgie Fame – a set that definitely lives up to the Rhythm & Blues in the title! The set was recorded live at London's hip Flamingo club – and Georgie and The Blue Flames are very much in command of the crowd – burning with the intensity of a American small organ combo, especially the early 60s variety that often played equal parts soul jazz and R&B! Georgie's on the Hammond, and also sings with a rough-edged style that's plenty soulful, and incredibly appealing – a mode that oozes charisma, but never sounds fake or forced. Titles include "Do The Dog", "Eso Beso", "Work Song", "Baby Please Don't Go", "Shop Around", "Humpty Dumpty", and "You Can't Sit Down". Fame At Last is a brilliant mix of jazz, soul, and R&B – all filtered through a mod sort of London freshness, as early proof that the city could always take some great things from our own musical roots, and feed it back to us with a whole new flavor! Georgie's no copycat here, though – and the sound is instantly Fame-like – a style that's really not the sort that any Americans were doing at the time, and certainly never this well. Hard-burning Hammond colors most of the tunes here – played with a tightly vamping quality – but it's Georgie's charmingly crackling vocals that really win us over! Titles include "Gimme That Wine", "Pink Champagne", "Monkeying Around", "Green Onions", "Let The Sunshine In", "Get On The Right Track Baby", "I'm In The Mood For Love", and "I Love The Life I Live". Sweet Things is a definite sweet thing from Georgie Fame – a record that has him filling in his sound even more than before, with tremendously soulful results! The backings here are bigger than before – a bit tooled in an American soul mode, but still with that beautifully raspy Georgie Fame touch – lots of jazzy inflections on the vocals, and a way of handling a tune, even a familiar one, and really working it on his own level. Hammond still fills in most of the tunes, but other instrumentation includes some nice African percussion from Speedy Acquaye, saxes from Pete Coe, and some nice bold drums from John Mitchell. These come out to the forefront on the classic funky tune "Music Talk" – and still sound great on other numbers that include "The World Is Round", "Last Night", "Dr Kitch", "My Girl", "Ride Your Pony", and "Sweet Thing". Sound Venture is one of the jazziest early albums from Georgie Fame – a set that has him singing with the big band of Harry South, at a level that's a lot more complicated than some of his other work with The Blue Flames! The style here still has that mod 60s London feel, but it also has some deeper inflections as well – modes borrowed a bit from Jon Hendricks or Mose Allison, yet served up with even greater complexity – at a level that really points towards the tremendous growth Fame would unleash over the next few years. Members of the group include Tubby Hayes, Ronnie Scott, Tony Coe, Dick Morrisey, Kenny Wheeler, and many other key Brit jazz figures of the time – and titles include "Three Blind Mice", "Dawn Yawn", "Feed Me", "Lovey Dovey", "Lil Darlin", "Lil Pony", "I Am Missing You", and "Many Happy Returns". LP, Vinyl record album
(Includes download – which gives an additional 60 tracks that were on the CD version, 18 of which are previously unissued!)

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✨✧ FelaFela Live In Detroit 1986 (3CD set) ... CD
Knitting Factory, 1986. Used 3 CDs ... $9.99
Amazing sounds from Fela – a previously-unreleased live show from the mid 80s – almost three times as long as a studio album, and appearing here for the first time ever! Given that there's very few live recordings of Fela at all, the album's quite a treasure – and is almost even more important, as it's one of the few from a time when Fela was hardly recording at all – yet clearly, from the concert performance, able to groove as strongly in the 80s as he could back in his heyday of 70s Afro Funk! Recording quality is a bit "live", but the album more than makes up for that fact with some very extended performances – tracks that usually spin out past the half hour mark, with even more jamming than on Fela's studio albums. Titles include "Beast Of No Nation", "Just Like That", "Confusion Break Bones", and "Teacher Don't Teach Me Nonsense". CD

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✨✧ Group (Gruppo D'Improvvisazione Nuova Consonanza)Feed-Back (with bonus CD) ... LP
RCA/Schema (Italy), Early 70s. New Copy ... $22.99
One of the best records ever from the Gruppo D'Improvvisazione Nuova Consonanza – an obscure side project of Ennio Morricone and other Italian composers – working here in a freaky, psychedelic setting! The album mixes sonic experiments with fuzzy guitars, freaky keyboards, and some surprisingly funky rhythms at times – at a level that's even more compelling than some of the group's other projects – especially given that the album's three tracks are all quite long, with lots of room for instrumental experimentation! Yet as in some of the best prog work of the period – such as by Can or Faust – there's a sense of focus and groove that really holds the whole thing together. And given that these guys had already had years of experience in the studio – on both sides of the production booth – they really have a wonderful ear for extremely inventive sounds. Titles include "Kumalo", "The Feed-Back", and "Quasars". LP, Vinyl record album
(Includes the album on CD!)

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Joe Haider/Fritz Pauer/Horace ParlanEgo Recordings Vol 3 (Reconciliation/Katzenvilla/Water Plants/One For Wilton) (4CD set) ... CD
Ego/Organic (Germany), Late 70s. New Copy 4 CDs ... $44.99
Four ultra-rare records – all brought together in one incredible CD set – the third collection to document the brilliant sounds of Germany's Ego Recordings label from the 70s! First up is the album Reconciliation from Joe Haider – one of the 70s gems on the mighty German Ego label – an incredible small company who seemed to put out nothing but excellent music! The set's led by pianist Joe Haider, and features a quintet with Andy Scherrer on tenor and soprano sax, Ack Van Rooyen on flugelhorn, Gunter Lenz on bass, and Todd Canedy on drums – all of them together welling up as way more than the sum of their parts, and cooking up an amazingly soulful set of tunes! There's bits of modal and American 70s spiritual soul jazz in the set – all played with a proud and buoyant style that unfolds majestically through the course of the album, never faltering in its vision or creativity. A under-acknowledged gem, with tracks that include "Mas De Serles", "Magdalena", "Reconciliation", "Crossover", and "Spanish Groove". Katzenvilla features the amazing trio of pianist Joe Haider, bassist Isla Eckinger, and drummer Pierre Favre – three very individual musicians who come together here as a group, but still retain a lot of their special energy! Haider's a lot more dynamic than usual – still with warm chords on the piano, but also some sharper edges – which seem pushed on by Favre's deft drum work, and his flowing sense of both melody and rhythm at the same moment. Eckinger's bass has these deep, soulful currents that we always love – and really grounds the whole thing in a wonderful way – on titles that include "Capricorn", "My Little Darling", "And Now", "Katzenvilla", and "Fate Of A Child" – all originals by Haider! Pianist Fritz Pauer steps out on Water Plants – a trio date that's got a lot more warmth and soul than some of the musician's previous work from the German scene – a beautiful little session that balances the deep bass work of Isla Eckinger and the subtle drums of Billy Brooks. There's a loose, lyrical vibe to the record that shows a side of Pauer we might not have expected – and Fritz wrote some wonderful tunes for the album, including "Water Plants", "Sagittarius", "Tribal Dance", "For La Rives", and "Autumn Evening". Last up is One For Wilton – one of the hippest later albums from pianist Horace Parlan – a set recorded with the saxophonist Wilton Gaynair, who'd contributed heavily to the UK scene in the late 50s/early 60s, then made great waves in Germany during the 70s! The set features Wilton on tenor and soprano sax, Parlan on piano, and great rhythms from Isla Eckinger on bass and Billie Brooks on drums – all coming together with a sense of warmth and imagination that's completely sublime – much richer than some of Gaynair's other performances from the 70s, and with a sense of flow and soul that makes the album one of Parlan's best. Titles include "Billie's Bossa", "One For Wilton", "Shade", "Firm Roots", and "Pananika". All albums come in tiny LP-style covers, and the box also features a bookle of notes! CD

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✨✧ Gene HarrisNexus ... LP
Blue Note, 1976. Very Good+ ... $8.99
A great little solo set from Gene Harris – and a perfect example of that magical time after he'd left the Three Sounds, but hadn't yet hit the more standard styles of later years – a period when Harris was really experimenting with a wide range of keyboards and sounds! The set has arranger Jerry Peters weighing in – bringing some of his own quirky touches into play with Gene's wonderful work on keyboards – which includes plenty of Fender Rhodes and moog, as well as other keys of the time too. Funky titles include "Koko & Lee Rose", "Funky Business", "Rushin Roulette", "HRD (Boogie)", and "Gettin Down Country" – and the set's got a great mellow moody soul track called "Prayer 76", with a bit of a Roy Ayers feel. LP, Vinyl record album

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Gene HarrisTribute To Count Basie ... LP
Concord, 1988. Very Good ... $3.99
An unusual large group recording from this legendary pianist from the Three Sounds – definitely done in a Basie mode, with Gene on piano – and other players who include Jon Faddis and Snooky Young on trumpets, Marshal Royal on alto, Bob Cooper on tenor, Jack Nimitz on baritone, Thurman Green and Garnett Brown on trombones, Herb Ellis on guitar, and Ray Brown on bass. LP, Vinyl record album

Possible matches36
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✨✧ Monk HigginsHeavyweight ... LP
United Artists, 1972. Very Good+ ... $29.99
Quite possibly the best album ever from funky maestro Monk Higgins! The record's got some of his tighest work of the time – with plenty of tight breaks, nice keyboards, and soulful sax riffs – and Monk is going full-out on the arrangements, in the manner that he used for his best late Blue Note work with The Three Sounds or Blue Mitchell. The group's listed as "The Specialties" on the cover, and they vamp along nicely, like some of Monk's funky groups from the late 60s funky 45 days. Titles include "Gotta Be Funky", "Big Water Bed", "Up On The Hill", "Last Flight To Dallas", and "Libra's Way". LP, Vinyl record album
(Cover has a cut corner and split spine.)

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✨✧ I GresI Gres Vol 1, 2, & 3 ... CD
Cometa (Italy), 1976. New Copy 2CD Gatefolod ... $24.99
A sublime selection of work from this legendary sound library ensemble – an Italian group who were so cool, so groovy, they were virtually a genre unto themselves – able to step easily between funky numbers, jazzy groovers, and these odd, offbeat styles that are especially nice! These three albums wonderfully wrap together a legacy of Italian sounds from the whole late 60s/early 70s soundtrack era – served up here without any sense of ego or need for identity at all – just a commitment to cool, compelling music – filled with plenty of grooves in the process. 2CD set features all the tracks from Vols 1, 2, & 3 of the I Gres series – 38 numbers that include "Yellow Green", "Duo Balls", "Minor Bossa", "Ronde Bosse", "Hot Dogs", "Sweet Steel", "Shadow", "Wordless", "Country Point", "Corale Ostinato", "Ritmo Pampa", "To Wes", "To Jimmy", and "Moaning". CD

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✨✧ Rinsyoe Kida with Akira Ishikawa & His Count BuffalosTsugaru Jongara Bushi Drum & Tusgaru Jamisen ... CD
Teichiku/Clinck (Japan), 1973. New Copy ... $29.99
Shamisen never sounded so groovy before – thanks to excellent work from Akira Ishikawa & His Count Buffalos – who are working here at their funky 70s best! The album mixes great sounds from Count Buffalos with the solo talents of Rinsoye Kida on shamisen – the traditional Japanese three-stringed instrument that's usually used in much more conservative settings – but which is recorded here in a style that's right up front in the mix, and able to step out nicely in front of the fuller, groovier backings from Ishikawa and his group! Given the nature of the instrument, the style is quite different than some other jazz albums from the time that try to mix with Japanese folkloric styles – maybe a bit like Dorothy Ashby on the koto, but more striking overall. Notes and titles are all in Japanese – and the whole thing's pretty darn compelling! CD
(Part of the Deep Jazz Reality series!)

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Roland KirkVolunteered Slavery ... LP
Atlantic, 1969. Very Good+ ... $9.99
Our favorite album ever from Roland Kirk – and a beautiful mix of two different sides of his genius! Side one's got Roland doing these crazy takes on late 60's pop cuts like "My Cherie Amour" and "Say a Little Prayer", plus his own "songs", done with soulful vocals and a straight-on approach that shows him trying to break out of the avant jazz underground, and reach a wider audience with a spiritual message on tracks like "Search For The Reason Why" and "Spirits Up Above". If this description sounds like a mess, it's not – because this side of the album is one of Kirk's most brilliant statements ever about jazz, soul, love and freedom! Side two has Roland in a straighter vein – running through a tight live set from Newport 1968, handled with fire and imagination, the kind of boundless energy he always brought to his public appearances. Tracks on that set include "One Ton", "Three For The Festival", "Afro Blue", and some great remarks by Roland! LP, Vinyl record album
(Red & green label pressing.)
 
 
 



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