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Exact matches: 15
Exact matches1
CD, LP, Vinyl record album cover art
Three SoundsBlack Orchid ... LP
Blue Note, 1962. Very Good ... $11.99
Maybe the most evocative title of all the Three Sounds albums of the 60s – and one that really gets at the dark beauty of the entire record! By the time of this release (the group's 7th for Blue Note), Gene Harris and the trio had really come into their own – and were moving past simple soul jazz modes into this wonderful blend of grooviness and lyricism – still very much beholden to Harris' rhythmic approach to the keys, but also filled with loads of complicated lines, especially from the group's wonderful bassist Andrew Simpkins – whose round tone is especially great on the mellow numbers. Titles include Randy Weston's "Saucer Eyes" , Neal Hefti's "Black Orchid", and the tracks "Don't Go Don't Go" and "Oh Well Oh Well", both originals by Gene Harris. LP, Vinyl record album
(70s pressing. Cover has some wear & splitting.)

Exact matches2
CD, LP, Vinyl record album cover art
Three SoundsBoth Sides/Mo-Ge ... 7-inch
Blue Note, 1958. Very Good ... $3.99
... 7-inch, Vinyl record
(Label has an address sticker.)

Exact matches3
CD, LP, Vinyl record album cover art
Three SoundsGene Harris & The Three Sounds Groovin' Hard - Live At The Penthouse 1964 to 1968 ... CD
Resonance, Mid 60s. New Copy ... $11.99 18.99
Rare live work from the legendary Three Sounds trio – tracks recorded at a small jazz club in Seattle, at a time when the group were turning out their classic albums on Blue Note and Verve! There's a looser, more laidback vibe to some of these cuts than those studio records – and Gene Harris is especially amazing on his solos – blowing our mind even more than before with his deft, soulful approach to the keys – almost hitting Bobby Timmons territory on some of these tracks, given his non-stop ability to groove while still opening up on the melody! All tracks also feature the great Andy Simpkins on bass – a wonderfully warm player who really shapes the sound – and drummers include Carl Burnett, Bill Dowdy, and Kalil Madi – depending on the tunes. Material was recorded in 1964, 1966, and 1968 – and very well-recorded, too – presented here with a clarity that rivals their albums of the decade. Titles include "AM Blues", "Girl Talk", "Blue Genes", "Night Has A Thousand Eyes", "Rat Down Front", "The Boogaloo", "Caesar & Cleopatra", and "The Shadow Of Your Smile". CD

Exact matches4
CD, LP, Vinyl record album cover art
Three SoundsHere We Come ... LP
Blue Note, 1960. Good ... $8.99
The Three Sounds pull away from the curb in a sweet sports car – a great cover image that really sets the tone for the entire record! The album's the epitome of early 60s class and cool that the group had to offer – as they effortlessly mix soulful groovers with mellower, more introspective pieces – all delivered by the godlike hands of Gene Harris on acoustic piano – already a giant in jazz, even at the start of his long career. The rhythm is great, too – sublime bass from Andy Simpkins, whose round, warm tone we always love – and just the right sort of work on drums from Bill Dowdy, who always keeps things on track. Titles include "Now's The Time", "Summertime", "Poinciana", "Here We Come", and "Sonnymoon For Two". Great cover too – with one of the all-time best "car jazz" images! LP, Vinyl record album
(Mono New York pressing, with RVG stamp and ear. Cover has light wear, with some pencil on the back.)

Exact matches5
CD, LP, Vinyl record album cover art
Three SoundsIt's Nice/Angel Eyes ... 7-inch
Blue Note, 1958. Very Good ... $1.99
... 7-inch, Vinyl record

Exact matches6
CD, LP, Vinyl record album cover art
Three SoundsNow's The Time/Just Squeeze Me ... 7-inch
Blue Note, Late 50s. Very Good+ ... $2.99
One of the rare early 45s by the legendary trio led by pianist Gene Harris! 7-inch, Vinyl record

Exact matches7
CD, LP, Vinyl record album cover art
Three SoundsToday's Sounds ... LP
Limelight, 1966. Very Good- Gatefold ... $4.99
A great little set from Gene Harris and his soul jazz trio – recorded live at Chicago's London House, in a setting that always has the band working at their best. Somehow, Harris' solos are always a lot freer and more driven in this sort of an environment – stronger than his work on Blue Note studio sides, and with a good interplay with the rest of the group. Titles include "Simple Simon", "Mohair Sam", "Downtown", "The Way I Feel", "AM Blues", and "The Good Life". LP, Vinyl record album
(Original pressing with deep groove. Cover has two cutout holes, a name in marker, and a small index label.)

Exact matches8
CD, LP, Vinyl record album cover art
Stanley Turrentine with the Three SoundsBlue Hour – The Complete Sessions ... CD
Blue Note, 1960. Used 2 CDs ... $4.99
During the early 60s, Blue Note wisely cut a number of sessions that took advantage of their soulful in-house rhythm trio The Three Sounds. The group recorded more than a few successful albums under their own name – but they also did a few great records that feature them backing up a more famous soloist. Such is the case with this one, in which Gene Harris and crew back up Stanley Turrentine for a beautifully mellow set of late nite tracks, played with an easy rolling groove missing from some of Turrentine's other, more full-on sessions at the time. At the time, Blue Note recorded enough material for 2 albums – but only one was ever issued in the US (although a second has recently come out from Japan.) Now, all the tracks are combined on a very nice 2CD set that includes all the original material – with tracks that include "Alone Together", "There Is No Greater Love", "Blue Hour", "I Want A Little Girl", and "Blue Riff". CD
(Out of print.)

Exact matches9
CD, LP, Vinyl record album cover art
✨✧ Gene Harris & His Three SoundsElegant Soul ... LP
Blue Note, 1968. Used ... Temporarily Out Of Stock
A key meeting between the Three Sounds trio and the amazing Monk Higgins – done at a time when Higgins was taking his Chicago-crafted grooves to work on the west coast – and doing some really wonderful productions with Dee Ervin! The set features full Higgins backings throughout – a mix of jazz and strings that takes the usual Gene Harris sound into territory that you'd be much more likely to hear on Cadet Records back in Chi-town – a very hip, very soulful style that's totally great throughout, and a much-needed break from the straighter piano trio sound of other 60s albums the group did on Blue Note. Some tracks are laidback, but others are hard and funky – the kind of sock-solid cuts that have made the album a favorite with sample heads and soul dancers over the years – much heavier keyboard work than we'd ever heard before from Gene Harris, and a great precursor to funky favorites to come. Cuts include the excellent numbers "Sitting Duck", "Sugar Hill", "Black Gold", and "Book of Slim" – plus "Elegant Soul", "African Sweets", and "Walls Of Respect". LP, Vinyl record album
(Liberty pressing.)

Exact matches10
CD, LP, Vinyl record album cover art
✨✧ Three Sounds8 Classic Albums – Introducing Vols 1 & 2/Branching Out/Bottoms Up/Moods/Hey There/Here We Come/Blue Hour (4CD set) ... CD
Real Gone (UK), Late 50s/Early 60s. Used 4 CDs ... Temporarily Out Of Stock
... CD

Exact matches11
CD, LP, Vinyl record album cover art
✨✧ Stanley Turrentine with The Three SoundsBlue Hour ... LP
Blue Note, 1960. Used ... Temporarily Out Of Stock
During the early 60s, Blue Note wisely cut a number of sessions that took advantage of their soulful in-house rhythm trio The Three Sounds. The group recorded more than a few successful albums under their own name – but they also did a few great records that feature them backing up a more famous soloist. Such is the case with this one, in which Gene Harris and crew back up Stanley Turrentine for a beautifully mellow set of late nite tracks, played with an easy rolling groove missing from some of Turrentine's other, more full-on sessions at the time. Titles include "Blue Riff", "I Want A Little Girl", and "Willow Weep For Me". LP, Vinyl record album
(Stereo pressing, with New York label on Side 1, 47 West 63rd on Side 2, and RVG Stereo stamps. Cover has some corner wear.)

Exact matches12
CD, LP, Vinyl record album cover art
✨✧ Three SoundsBottoms Up! ... LP
Blue Note, 1959. Used ... Out Of Stock
The bottom is certainly "up" on this one – as the Three Sounds groove things from the ground up, taking soul jazz piano to the next level with an approach that quickly made them one of the most popular Blue Note acts of the early 60s! Gene Harris leads the group on piano – and also plays celeste on one track (!) – and the other Sounds at this point are Andrew Simpkins on bass and Bill Dowdy on drums – a really great rhythm section that have a way of being soulfully quiet, with a very subtle groove – one that's much more understated than you might find in the Ramsey Lewis trio, but equally hip. Tracks include "Jinne Lou", "Besame Mucho", "Love Walked In", "Angel Eyes", "Falling In Love With Love", and "Time After Time". LP, Vinyl record album
(Liberty/UA pressing.)

Exact matches13
CD, LP, Vinyl record album cover art
✨✧ Three SoundsLive At The Lighthouse ... CD
Blue Note, 1967. Used ... Out Of Stock
A great little session by The Three Sounds – and one that features the band grooving away in a style that's a lot more lively than some of their studio recordings from the time! The whole thing was captured live at the legendary Lighthouse – and Gene Harris plays both piano and organ, while the group runs through some lively material that includes "Still I'm Sad", "Blues March", "Makin Bread Again", and "I Held My Head In Shame". Plus, this CD reissue includes a huuuuuuuge amount of extra tracks – for a total of 17 cuts that also includes "Sunny", "Bad Bad Whiskey", "River Shadow", and "Why Am I Treated So Bad". Much more gutbuckety than even the LP version! CD
(Out of print.)

Exact matches14
CD, LP, Vinyl record album cover art
Gene Harris3 Sounds/Gene Harris Of The Three Sounds ... CD
Blue Note/Dusty Groove, 1971/1972. New Copy ... $6.99 13.98
A pair of killers from keyboardist Gene Harris – both recorded for Blue Note, and back to back on a single CD! First up is Gene Harris/The 3 Sounds – the last Three Sounds album for Blue Note – and the funkiest too – thanks to lots more electrification than usual, and some killer arrangements from the mighty Monk Higgins! Monk's really at the top of his game here – going past even his great previous work for the group, and working with a tight, sharp edge that recalls his funky 45 brilliance of the 60s – yet tuned a bit more towards the electric Cali jazz of early 70s Blue Note! Gene Harris plays loads of funky piano lines – and in addition to the trio's core electric bass and drums, the set also features some added work on percussion from Paul Humphrey – who really brings in a kick – plus added guitar, congas, and even a bit of Hammond from Higgins too! Some cuts even have a bit of vocals too – sung in this offbeat way that's a wild approach to soul. There's some killer breaks on the set – including the massive "Put On Train" and "What's The Answer" – but the whole set smokes, and other cuts include "I'm Leaving", "You Got To Play The Game", "Your Love Is Just Too Much", "Did You Think", "Hey Girl", and a mad version of "Eleanor Rigby". On the second album – Gene Harris Of The Three Sounds – Gene really steps into the solo spotlight – moving away from his work with the Three Sounds trio, and headed into even more righteous territory – as you might guess from the trippy image on the cover! The set features Harris mostly on acoustic piano, but amidst larger arrangements from Wade Marcus that really round things out with a warm, soulful edge – mixing guitar from Sam Brown and Cornell Dupree with Gene's lines on piano – and giving things an extra kick at the bottom with drums from Freddie Waits, and percussion from Johnny Rodriguez and Omar Clay. The record echoes Harris' older roots at some points, yet comes across with a richer 70s vibe too – a hip 70s style that's strongly due to the contributions of Marcus' arrangements. Tracks include a great remake of "Listen Here", which begins with a great funky break; a sweet steppers version of "Killer Joe"; and the tracks "Lean On Me", "Day In The Life Of A Fool", "Django", "Emily", and "C Jam Blues". CD
(On the Dusty Groove label.)

Exact matches15
CD, LP, Vinyl record album cover art
Three SoulsSoul Sounds ... LP
Argo, 1965. Very Good+ ... $24.99
Tight little organ/sax combo led by Chicago alto player Sonny Cox. The groove is tight and hot, like you might have heard in a lounge in this city in the early 60's (and still can on a good night, if you're lucky). Features a pre-Pharoahs/EWF Louis Satterfield on bass. A lost classic from the Chess studios! With the cuts "You're No Good", "Armageddon", "Chittlins Con Carne", "Black Nile", and "Big Jim". LP, Vinyl record album
(Blue label stereo Cadet pressing with deep groove.)
 
Possible matches: 109
Possible matches16
CD, LP, Vinyl record album cover art
Raymond ScottManhattan Research Inc – New Plastic Sounds & Electronic Abstractions (180 gram 3LP set – with bonus download) ... LP
Basta/Music On Vinyl (UK), 1950s/1960s. New Copy 3LP (reissue)... $39.99 44.98
Amazing! This is one of the coolest sets we've seen in years – and everything about it is fantastic, from the package right down to the triple-length set of music! The set features rare unreleased recordings from Raymond Scott's legendary Manhattan Research electronic music studios – originally set up in 1946, and home to some of Scott's landmark early work on non-acoustic music during the 50s and 60s. Far from being the sort of turgid, dark knob-twiddling that computer music later became in the academy, Scott's early experiments are filled with a sense of whimsy and joy – exported directly from his early cartoon-based work, and applied in a fantastic way to his evolving musical inventions! The LP edition comes as three separate records, plus a great 8 page booklet of notes, in a brilliant graphic style that complements the package even further! Don't forget the music, though – because it's totally fantastic – and kind of reminds us of bits of Jon Appleton's Syntonic Menagerie, Pierre Henry's early Musique Concrete, and later punk-era DIY electronics. That doesn't even come close to pinning it down, though – and with 3 LPs worth of material, the scope of the work is amazing! LP, Vinyl record album
(Limited edition of 1000 – on red, white & blue vinyl – plus download!)

Possible matches17
CD, LP, Vinyl record album cover art
Raymond ScottThree Willow Park – Electronic Music From Inner Space 1961 to 1971 (2CDs/book) ... CD
Basta (Netherlands), 1960s. New Copy 2CD ... $18.99 21.98
An amazing lost trove of work by electronic music Raymond Scott – sounds that were never issued commercially, and which may well represent the last corner of his genius yet to be explored! The music here was all created in Scott's home studio on Long Island – and is a fantastic blend of playful modes and more exploratory sounds – very much in the spirit of Bruce Haack or Perry & Kingsley at the time, and maybe a bit like the electronic work of Piero Umiliani – but with a weirder, wilder vibe overall! There's definitely a few noisy moments – ala Soothing Sounds For Baby – but many of the tracks are short experiments, and also include some jingles or commercial music too – which makes for a fantastically large array of analogue elements throughout. The package also features detailed notes, and a look at this obscure chapter of Scott's career – a time when he was maybe at his most experimental, with amazing results. Titles include "Ohio Bell Mystery", "Idea 35", "Nice Sound 3", "Cindy Alternate", "The Toy Trumpet (demo 1)", "Rhythm Sample", "Tone Stepper", "Super Cheer", "Baltimore Gas & Electric Test", "Nice Set Up 7", "Cyclic Bit 3", "Sparrows (part 1)", "Ripples (fugue)", and "Auto Lite Wheels (effects)". CD

Possible matches18
CD, LP, Vinyl record album cover art
✨✧ Stan GetzStan Getz & The Cool Sounds (LP sleeve edition) ... CD
Verve, Early/Mid 50s. Used ... Temporarily Out Of Stock
An odd little album in the Stan Getz catalog of the 50s – not just because of the cheesy cover and title, but also because it features a range of unusual material recorded over a three year period with a variety of different players! Some of the dates here definitely fit the "cool sounds" title of the record – in that they feature Getz with the west coast lineup of Loy Levy on piano, Shelly Manne on drums, and Leroy Vinnegar on bass – heard more famously on Stan's West Coast album of the same time. But other sides feature a different grouping – with Jimmy Rowles on piano, Bobby Whitlock on bass, and Max Roach on drums – offering up a different side of the west coast altogether. And still others take things back to more of an east coast modern style – by featuring either Tony Fruscella on trumpet or Bob Brookmeyer on trombone, in groups with John Williams on piano. The mix of material makes for a nicely-rounded portrait of Getz's talents in the mid 50s years – and the album features 10 tracks that include "Nobody Else But Me", "Serenade In Blue", "Of Thee I Sing", "Love Is Here To Stay", "Blue Bells", "Roundup Time", "Rustic Hop", and "A Handful Of Stars". CD
(Out of print.)

Possible matches19
CD, LP, Vinyl record album cover art
✨✧ Raymond ScottThree Willow Park – Electronic Music From Inner Space 1961 to 1971 (3LP set/book) ... LP
Basta (Netherlands), 1960s. New Copy 3LP ... Temporarily Out Of Stock
An amazing lost trove of work by electronic music Raymond Scott – sounds that were never issued commercially, and which may well represent the last corner of his genius yet to be explored! The music here was all created in Scott's home studio on Long Island – and is a fantastic blend of playful modes and more exploratory sounds – very much in the spirit of Bruce Haack or Perry & Kingsley at the time, and maybe a bit like the electronic work of Piero Umiliani – but with a weirder, wilder vibe overall! There's definitely a few noisy moments – ala Soothing Sounds For Baby – but many of the tracks are short experiments, and also include some jingles or commercial music too – which makes for a fantastically large array of analogue elements throughout. The package also features detailed notes, and a look at this obscure chapter of Scott's career – a time when he was maybe at his most experimental, with amazing results. Titles include "Ohio Bell Mystery", "Idea 35", "Nice Sound 3", "Cindy Alternate", "The Toy Trumpet (demo 1)", "Rhythm Sample", "Tone Stepper", "Super Cheer", "Baltimore Gas & Electric Test", "Nice Set Up 7", "Cyclic Bit 3", "Sparrows (part 1)", "Ripples (fugue)", and "Auto Lite Wheels (effects)". LP, Vinyl record album
(3LPs in their individual sleeves – plus 20 page book and download!)
Also available Three Willow Park – Electronic Music From Inner Space 1961 to 1971 (2CDs/book) ... CD 18.99

Possible matches20
CD, LP, Vinyl record album cover art
✨✧ VariousBrazilian Disco Boogie Sounds EP (extended 12" versions) ... 12-inch
Favorite (France), Late 70s/Early 80s. New Copy ... Out Of Stock
A sweet vinyl sampler EP from the excellent Brazilian Disco Boogie Sounds collection – one that offers up three great tracks from the collection in new extended versions! The music echoes some of the best underground American club of the time – and all the instrumentation is nice and tight, and done in styles you might know from bigger Brazilian groups like Banda Black Rio or Unaio Black – but served up here by more focused solo vocal artists in the lead. These extended versions are great – not messed-up remixes, but more like the kind of old school disco edits – and tracks include "Labirinto (ext Nick The Record version)" by Famks, "Ripa Na Xulipa (ext Charles Maurice version)" by Rabio De Saia, and "Relax (ext Waxist version)" by Paniel De Controle. 12-inch, Vinyl record

Possible matches21
CD, LP, Vinyl record album cover art
✨✧ Stan Getz5 Original Albums (West Coast Jazz/In Stockholm/Steamer/Cool Sounds/Stan Meets Chet) (5CD set) ... CD
Verve (Germany), Late 50s. New Copy 5 CDs ... Out Of Stock
Five classic Stan Getz albums for Verve – all in a special package, in little LP-styled covers! First up is West Coast Jazz – a classic pairing of the tenor of Stan Getz and the gentle rhythms of the LA scene of the 50s – and a record that stands up beautifully over the years! Tracks are all a bit longish, and the group features Lou Levy on piano, Leroy Vinnegar on bass, and Shelly Manne on drums – plus Conte Candoli on trumpet, somewhat in the frontline, but never in a way that overshadows Stan's tenor. The album's got a great David Stone Martin cover – and titles include "East Of The Sun (West Of The Moon)," "Four," "Night In Tunisia," and "Summertime." Stan Getz In Stockholm allows Stan to showcase his affection for a jazz scene that had been growing strongly in the postwar years – often in directions that were similar to Stan's own sound at the time! The session is one of the first to pair Stan's tenor with a Swedish group – in this case the bass of Gunnar Johnson, drums of Anders Burman, and piano of Bengt Hallberg – the last of which brings sharper, more angular style to the music than some of Stan's accompanists on earlier American dates – pointing the way towards new experiments to come in his music! Next is Steamer – not a word that we'd necessarily think to use with the gently flowing tenor tone of Stan Getz – but that doesn't stop the album from being a great one, and perhaps in Getz-like terms, it might well have a bit more steam than usual! The album features Getz in a quartet with a nicely flowing groove – nicely vamping piano from Lou Levy in the background on most numbers, and a definite edge in the lead tenor solos – still blown with the warmth of earlier Getz recordings, but perhaps showing some of the modern flourishes to come. Bass is by Leroy Vinnegar and drums are by Stan Levey – and titles include "Blues For Mary Jane", "There'll Never Be Another You", and "You're Blase". Cool Sounds features a range of unusual material recorded over a three year period with a variety of different players! Some of the dates here definitely fit the "cool sounds" title of the record – in that they feature Getz with the west coast lineup of Lou Levy on piano, Shelly Manne on drums, and Leroy Vinnegar on bass – heard more famously on Stan's West Coast album of the same time. But other sides feature a different grouping – with Jimmy Rowles on piano, Bobby Whitlock on bass, and Max Roach on drums – offering up a different side of the west coast altogether. And still others take things back to more of an east coast modern style – by featuring either Tony Fruscella on trumpet or Bob Brookmeyer on trombone, in groups with John Williams on piano. The mix of material makes for a nicely-rounded portrait of Getz's talents in the mid 50s years! Last up is Stan Meets Chet – Stan Getz meets Chet Baker – A classic meeting of these two talents – recorded in Chicago with a Chicago rhythm section of Jodie Christian, Victor Sproles, and Marshall Thompson. The album's an odd one, and is recorded with less of the impeccability of some of Verve's other sessions (which is probaby how the Chicago team got in the action) – but given Baker's harder-edged proclivities at the time, the set's a very interesting one to hear, and the relaxed nature of the tracks brings out some important solo moments from both players. 4 long tracks – including "I'll Remember April", "Jordu", and "Half-Breed Apache". CD

Possible matches22
CD, LP, Vinyl record album cover art
✨✧ Lou Donaldson & The 3 SoundsLD + 3 (2 LP 180gram 45 RPM pressing) ... LP
Blue Note/Music Matters, 1959. Used 2LP Gatefold (reissue)... Out Of Stock
A classic meeting between alto giant Lou Donaldson and Blue Note's crack Three Sounds combo – the great piano trio led by the mighty Gene Harris! The formula was one that Blue Note employed on a number of sessions from the time – and it makes a lot of sense, because the Three Sounds are a very tight rhythm group, just waiting for a strong soloist to front their rolling soulful grooves – in ways that really set sessions like this apart from their standard albums for the label. On this one, the Sounds give Lou a nice tight backing, and he repays the favor by laying down some very tight, very in-the-pocket solos with a good soul jazz groove. Tracks include "Jump Up", "Confirmation", "Smooth Groove", and "Blue Moon". LP, Vinyl record album
(Test pressing, in separate plain covers with catalog number stamps. Disc 2 is still sealed.)

Possible matches23
CD, LP, Vinyl record album cover art
✨✧ Max RichterThree Worlds – Music From Woolf Works ... CD
Deutsche Grammophon, 2017. New Copy ... Out Of Stock
A beautiful larger concept work from Max Richter – based on the writings of Virginia Woolf, which are read at three short points in the set – to introduce the kind of subtle sonic spectrums that we've really come to love in Richter's music! The album mixes together Max's own sounds on piano and modular synthesizer with the larger sounds of the German Film Orchestra, conducted by Robert Ziegler – plus shorter string quartet passages, and occasional solo cello, violin, and soprano voice – layered together in Richter's own studio, with that post-performance sensitivity that's made him one of the key forces transforming the sound of classical performance on record. Gillian Anderson reads some text on "The Waves", Sarah Sutcliffe makes an appearance on "Orlando", and the voice of Woolf herself is heard on "Mrs Dalloway" – but most of the album is instrumental. CD

Possible matches24
CD, LP, Vinyl record album cover art
✨✧ VariousBritxotica Box – Three Amazing Albums Of Primitive Pop & Savage Jazz From The Wild British Isles (3CD set) ... CD
Trunk (UK), Late 50s/Early 60s. New Copy 3CD ... Out Of Stock
Not exotica, but Britxotica – a cool variant of the American postwar love of the sounds of the islands and the jungles – served up here in a really hip batch of tracks from the UK scene of the late 50s and early 60s! Many of these numbers are rooted in jazz, and there's definitely some key jazz musicians in the mix – but you'll also hear lots of the percussion, global instruments, and moody orchestrations you'd find on American records by folks like Les Baxter or Martin Denny – although sometimes with an even groovier vibe, and a nice London twist – similar to some of the Croydon Municipal compilations from Cherry Red! The package is one of the coolest collections we've seen from Trunk Records in a long time – and this special box features all three of the vinyl volumes. Titles include "Zambezi" by Tony Mansell & Johnny Dankworth, "The Green Eye Of The Little Yellow God" by Harry H Corbett, "Street Of A Thousand Bongos" by Brian Fahey, "Taboo" by Sounds Incorporated, "Follow Me" by Lucille Mapp, "Jungle Drums" by Ted Heath, "The Hat" by Jerry Allen, "Cha Cha Cha Calypso" by Maxine Daniels, "Sphinx Won't Tell" by Beverley Sisters, "Caravan" by Stanley Black, "Persian Twist" by Charles Blackwell, "Marrakesh" by Tony Osborne, "Climb Up The Wall" by Yana, "Miserlou" by Stanley Black, "Turkish Coffee" by Tony Osborne, "The Sultan Of Bezaaz" by Ray Ellington, "Heatwave" by Geoff Love, "Mangoes" by Lucille Mapp, "Hawaiian Honeymoon" by Frank Weir, "Tropical Mirage" by Ron Goodwin, "Run See Jerusalem" by George Melly & Kenny Graham, "Stormy Weather" by Betty Smith, "Milk From The Coconut" by Johnny Gentle, and "Quiet Village" by Martinas & His Music. CD

Possible matches25
CD, LP, Vinyl record album cover art
Terry AllenLubbock (On Everything) (deluxe edition) ... CD
Fate/Paradise Of Bachelors, 1978. New Copy 2CD ... $13.99 18.98
Fantastic sounds from Terry Allen – one of the key underground Texas talents who were helping transform the style of country music in the 70s – and one of the few who maybe never fully got his due! Terry's from the same scene as David Allen Coe, Billy Joe Shaver, and Guy Clark, but his music is much more underground than theirs – maybe only ever designed to be put forth in an intimate club setting, late in the night – where the very conversational style of Allen's songs almost make them feel like barroom musings of a cat who's seen a heck of a lot of life on this planet, but still very able to peer into the souls of those he comes across. This double-length set is Allen's masterpiece – originally issued on a small pressing back in the 70s, and very much an alt-country relic – but from a time when such a thing didn't even exist. Titles include "Cocktails For Three", "High Plains Jamboree", "Amarillo Highway", "Lubbock Woman", "Rendezvous USA", "The Girl Who Danced Oklahoma", "Truckload Of Art", and "The Pink & Black Song". Great reissue – with corrected sound, and a huge booklet of notes on Allen – with essays by David Byrne and others. CD

Possible matches26
CD, LP, Vinyl record album cover art
Bobby BradfordLove's Dream (with bonus tracks) ... CD
Emanem (UK), 1973. New Copy ... $16.99 19.99
Seminal sounds from cornet player Bobby Bradford – a date recorded in the UK in the early 70s, but with all the free-thinking and imaginative energy as his best sessions in LA! The group pits Bobby's horn against three young modernists – Trevor Watts on alto and soprano sax, Kent Carter on bass, and John Stevens on drums – all working in these long-flowing, very rhythmic numbers that lie somewhere between Bradford's work with John Carter, and the early 60s sound of Ornette Coleman. The alto/cornet interplay is especially nice – very mesmerizing over the course of the album's very long tracks – and Watts turns out to be a great musical partner for Bobby. Titles include "Love's Dream", "Coming On", and "Roswita's Dance". CD features bonus tracks ""She", "HM Louis 1", and an alternate take of "Coming On". CD

Possible matches27
CD, LP, Vinyl record album cover art
Brother AhhDivine Music (Sea/Meditation/Searching) (3CD set) ... CD
Manufactured, 1978/1981/1985. New Copy 3CD ... $26.99
Three never-issued albums from Brother Ah – the enigmatic musician who may be known best for his work with Sun Ra, and his rare album on Strata East! Both of those moments date from earlier years, though – and past that time, Brother Ah was still working strongly on some amazing musical ideas of his own – work that includes the three albums presented in this package, which together really mark a shift for both Ah and some of his spiritual jazz contemporaries as the 70s moved on! The set begins with the beautiful set The Sea – recorded in 1978, with a long-flowing sound that's quite hypnotic, and very much in the spiritual territory of post-Coltrane material – including work by Trane's wife Alice. Brother Ah plays flute, in these fantastic lines that spin out slowly and echo strongly – amidst a mix of percussion, violin, mbira, bass, and drums – often used in ways that build beautifully, and which provide a great introduction to both the sung and spoken passages – presented by Abena Walker, Jeanean Gibbs, and Nataska Hassan Youssef. Titles include "Nuba", "Far Away", "The Village Drum", "Visoins", and "Africa We Are Your Children". Meditation is from a few years later, and has a different makeup – a sound that's much more spare overall, and which just features Brother Ah on flute, zither, and "nature sounds" – with help from Cleo Jomo Faulks on mbira and gong! The tunes have an earthier feel than you might guess from the album's title – still somewhat meditative, but also more open to the vibes of nature than the space of the studio – with moments that feel more more like the organic sounds of the young Moondog, or maybe some of Alice Coltrane's more home-made moments. Titles include "Stillness", "Spirit World", "Close Your Eyes & See", and "Song Of The Unseen". Last up is Searching – a record from 1985 that maybe moves the spiritual agenda from the political to the personal – that shift towards more interior solutions that some musicians took in the 80s, especially as funding for some kinds of spiritual jazz albums fell by the wayside, and some artists had to adapt to the new age underground. Yet although that shift might be in place here, Brother Ah is still as righteous as ever – just equipped with a slightly different voice – as he works alongside some electronics and percussion from Richard Ashman, and blows trumpet and a variety of flutes, while also handling percussion and harmonica in very spacious ways. The record is more about extended sound textures than individual instrumentation – and titles include "I Am", "Going Within", "Inner Voice", and "Know Thyself". First time release for all three records – presented in a really great package! CD
Also available Divine Music (Sea/Meditation/Searching) (5LP set) ... LP 89.99

Possible matches28
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Brother AhhDivine Music (Sea/Meditation/Searching) (5LP set) ... LP
Manufactured, 1978/1981/1985. New Copy 5LP ... $89.99
Three never-issued albums from Brother Ah – the enigmatic musician who may be known best for his work with Sun Ra, and his rare album on Strata East! Both of those moments date from earlier years, though – and past that time, Brother Ah was still working strongly on some amazing musical ideas of his own – work that includes the three albums presented in this package, which together really mark a shift for both Ah and some of his spiritual jazz contemporaries as the 70s moved on! The set begins with the beautiful set The Sea – recorded in 1978, with a long-flowing sound that's quite hypnotic, and very much in the spiritual territory of post-Coltrane material – including work by Trane's wife Alice. Brother Ah plays flute, in these fantastic lines that spin out slowly and echo strongly – amidst a mix of percussion, violin, mbira, bass, and drums – often used in ways that build beautifully, and which provide a great introduction to both the sung and spoken passages – presented by Abena Walker, Jeanean Gibbs, and Nataska Hassan Youssef. Titles include "Nuba", "Far Away", "The Village Drum", "Visoins", and "Africa We Are Your Children". Meditation is from a few years later, and has a different makeup – a sound that's much more spare overall, and which just features Brother Ah on flute, zither, and "nature sounds" – with help from Cleo Jomo Faulks on mbira and gong! The tunes have an earthier feel than you might guess from the album's title – still somewhat meditative, but also more open to the vibes of nature than the space of the studio – with moments that feel more more like the organic sounds of the young Moondog, or maybe some of Alice Coltrane's more home-made moments. Titles include "Stillness", "Spirit World", "Close Your Eyes & See", and "Song Of The Unseen". Last up is Searching – a record from 1985 that maybe moves the spiritual agenda from the political to the personal – that shift towards more interior solutions that some musicians took in the 80s, especially as funding for some kinds of spiritual jazz albums fell by the wayside, and some artists had to adapt to the new age underground. Yet although that shift might be in place here, Brother Ah is still as righteous as ever – just equipped with a slightly different voice – as he works alongside some electronics and percussion from Richard Ashman, and blows trumpet and a variety of flutes, while also handling percussion and harmonica in very spacious ways. The record is more about extended sound textures than individual instrumentation – and titles include "I Am", "Going Within", "Inner Voice", and "Know Thyself". First time release for all three records – presented in a really great package! LP, Vinyl record album
Also available Divine Music (Sea/Meditation/Searching) (3CD set) ... CD 26.99

Possible matches29
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✨✧ Clarence CarterTestifyin/Patches (with bonus tracks) ... CD
Atlantic/Kent (UK), 1969/1970. New Copy ... $11.99 18.98
A pair of classic albums from Clarence Carter – back to back, and with bonus tracks too! Testifyin is excellent early work from Clarence Carter – recording here with production and arrangements by Rick Hall – in that sweet Muscle Shoals style that never sounded better than it did with Clarence! Carter had a way of working with Hall that was really beyond some of the cliches that crept into the scene at the time – a blend of bluesier roots and leaner soul that was totally great – and which was always touched by Clarence's keen sense of wit and personality! The record's got a slightly funky sound in parts – especially on the great cut "Snatching It Back" – and the rest of the titles are all killer southern soul material, with classics that include "Making Love (At The Dark End Of The Street)", "Soul Deep", "Doin' Our Thing", "I Smell a Rat", and "I Can't Do Without You". Patches is the album that very firmly put Clarence Carter on the mainstream soul map – thanks to his brilliant version of the title tune! By the time of this set, Carter was already one hell of a soul singer – and really brought amazing sounds to play with classic production from Rick Hall and the Fame Studios gang. But when he pointed those talents towards the country soul story "Patches", he really found his groove – mixing southern roots from both sides of the fence into one really unique groove – and following it up with a host of other well-chosen tunes that really helped establish Carter's unique place in music. George Jackson co-wrote a number of the best tunes – a few with Clarence – and titles include "Patches", "I'm Just A Prisoner", "Till I Can't Take It Anymore", "Changes", "Say Man", "Willie & Laura Mae Jones", "CC Blues", and "Getting the Bills (But No Merchandise)". CD features three bonus tracks – on CD for the first time ever – "Say A Little Prayer", "Johnny Poverty", and "I Found What I Wanted". CD

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Ray ConniffComplete Columbia Christmas Recordings (Christmas With Coniff/We Wish You A Merry Christmas/Here We Come A-Caroling/bonus track) ... CD
Columbia/Real Gone, 1959/1962/1965. New Copy 2CD ... $18.99 19.99
Ray Conniff is looking a bit serious on the cover here, but the music within is anything but – and instead is aflurry in that playful style of arranging that made Ray such a big hit during his time at Columbia Records! The set features three full albums, plus bonus tracks – all from a time when Conniff was turning out a huge range of instrumental releases for Columbia – music that helped set a whole new standard for easy listening, with Ray's smooth blend of horns, sometimes light voices, and that impeccable pop punch that paved the way for groovier sounds to come. Most of this material hasn't been issued properly on CD – and the set features 31 tracks that include "Greensleeves", "Christmas Bride", "Sleigh Ride", "Silver Bells", "My Favorite Things", "Here We Come A Caroling", "Silent Night", "Ring Christmas Bells", "Jolly Old St Nicholas/The Little Drummer Boy", "White Christmas", "Rudolph The Red Nosed Reindeer", "The Real Meaning Of Christmas", and "Winter Wonderland". CD

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Miles DavisComplete Concert 1964 – My Funny Valentine/Four & More ... CD
Columbia, 1964. Used 2 CDs ... $3.99
One of those key cases where Miles Davis took a familiar song and made it his own! The set's a live one, and features a famous 15 minute version of "My Funny Valentine" – played by Davis in a spacious, open sort of way – and one that has key hints of the modernism to come in his music, yet still rings out with some of his more easygoing late 50s appeal. The group here features George Coleman on tenor alongside the rhythm section of Herbie Hancock piano, Ron Carter bass, and Tony Williams on drums – all three of whom help Davis edge into darker territory, even when things are ostensibly sweet! Apart from the version of "My Funny Valentine", other titles include "All Blues", "All Of You", "I Thought About You", and "Stella By Starlight". Four & More is breakneck live work from Miles Davis – and proof that his famous 60s quintet wasn't only just about mellow and spacious sounds! The set was recorded at the same concert as the album My Funny Valentine – and while that one's mostly ballads, this one's mostly high tempo numbers that skip along with incredible ease – crackling with modern touches on the rhythm from Herbie Hancock, Ron Carter, and Tony Williams – and featuring some really excellent work by George Coleman on tenor sax! Titles include "Four", "So What", "Joshua", and "Seven Steps To Heaven". CD

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Georgie FameWhole World's Shaking – Complete Recordings 1963 to 1966 (Rhythm & Blues At/At Last/Sweet Things/Sound Venture/Rarities/bonus) (5CD set) ... CD
Universal (UK), 1960s. New Copy 5 CDs ... $84.99 86.99
Four incredible albums from the young Georgie Fame – plus a bonus CD of rare material, bonus tracks on all CDs, and 18 previously unreleased tracks – all in a box set with a 48 page book, 5 postcards, and a poster too! First up is Rhythm & Blues At The Flamingo – blistering early work from a young Georgie Fame – a set that definitely lives up to the Rhythm & Blues in the title! The set was recorded live at London's hip Flamingo club – and Georgie and The Blue Flames are very much in command of the crowd – burning with the intensity of a American small organ combo, especially the early 60s variety that often played equal parts soul jazz and R&B! Georgie's on the Hammond, and also sings with a rough-edged style that's plenty soulful, and incredibly appealing – a mode that oozes charisma, but never sounds fake or forced. Titles include "Do The Dog", "Eso Beso", "Work Song", "Baby Please Don't Go", "Shop Around", "Humpty Dumpty", and "You Can't Sit Down". Fame At Last is a brilliant mix of jazz, soul, and R&B – all filtered through a mod sort of London freshness, as early proof that the city could always take some great things from our own musical roots, and feed it back to us with a whole new flavor! Georgie's no copycat here, though – and the sound is instantly Fame-like – a style that's really not the sort that any Americans were doing at the time, and certainly never this well. Hard-burning Hammond colors most of the tunes here – played with a tightly vamping quality – but it's Georgie's charmingly crackling vocals that really win us over! Titles include "Gimme That Wine", "Pink Champagne", "Monkeying Around", "Green Onions", "Let The Sunshine In", "Get On The Right Track Baby", "I'm In The Mood For Love", and "I Love The Life I Live". Sweet Things is a definite sweet thing from Georgie Fame – a record that has him filling in his sound even more than before, with tremendously soulful results! The backings here are bigger than before – a bit tooled in an American soul mode, but still with that beautifully raspy Georgie Fame touch – lots of jazzy inflections on the vocals, and a way of handling a tune, even a familiar one, and really working it on his own level. Hammond still fills in most of the tunes, but other instrumentation includes some nice African percussion from Speedy Acquaye, saxes from Pete Coe, and some nice bold drums from John Mitchell. These come out to the forefront on the classic funky tune "Music Talk" – and still sound great on other numbers that include "The World Is Round", "Last Night", "Dr Kitch", "My Girl", "Ride Your Pony", and "Sweet Thing". Sound Venture is one of the jazziest early albums from Georgie Fame – a set that has him singing with the big band of Harry South, at a level that's a lot more complicated than some of his other work with The Blue Flames! The style here still has that mod 60s London feel, but it also has some deeper inflections as well – modes borrowed a bit from Jon Hendricks or Mose Allison, yet served up with even greater complexity – at a level that really points towards the tremendous growth Fame would unleash over the next few years. Members of the group include Tubby Hayes, Ronnie Scott, Tony Coe, Dick Morrisey, Kenny Wheeler, and many other key Brit jazz figures of the time – and titles include "Three Blind Mice", "Dawn Yawn", "Feed Me", "Lovey Dovey", "Lil Darlin", "Lil Pony", "I Am Missing You", and "Many Happy Returns". CD5 is Bend A Little – a package with 20 unusual titles – demos, rare tracks, and outtakes – including unreleased tracks, IBC recordings, and even two German tracks too! Plus, each individual CD comes with bonus tracks – 40 bonus tracks, in addition to the 20 more titles on the Bend A Little set – a huge amount of material! CD
(Includes a hardcover book, 5 postcards & a poster.)

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✨✧ Mort GarsonElectronic Hair Pieces ... LP
A&M, Late 60s. Near Mint- ... $36.99
One of the best Hair records, and a wonderful bit of electronica perfectly in keeping with the mad talents of Mort Garson! Garson's the moogy genius behind so many classic sides of the late 60s and early 70s, and working with the great Galt MacDermot score to hair, he really goes to town – using loads of groovy little sounds, all set up in spare arrangements that have a great late 60s moog sound, with no other nonsense in the mix. Titles include "Frank Mills", "Good Morning Sunshine", "Easy To Be Hard", "Hair", "Walking In Space", and "Three-Five-Zero-Zero". LP, Vinyl record album
(Original pressing – in great shape!)

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Jimmy GiuffreNew York Concerts – The Jimmy Giuffre 3 & 4 ... CD
Elemental, 1965. Used 2CD ... $11.99
Amazing music from Jimmy Giuffre – and a much-needed document of this under-recorded time in his career! The 2CD set brings together two different live performances – each done two years after his groundbreaking Free Fall album for Columbia, and with a sound that's even more far-reaching than that classic set! The Giuffre heard here is extremely free on his reeds – especially clarinet, which is blown at a level that prefaces countless European free jazz work to come – with an incredible range of sounds, colors, and tones. Giuffre also plays tenor – with more bite and soul than ever before – almost at an ESP sort of level – and the accompaniment on both sessions is very loose and free, too – with Joe Chambers on drums on both concerts – working with Richard Davis on bass on a trio set, and with a quartet that includes Don Friedman on piano and Barre Phillips on bass. The whole thing is mindblowing – a chapter of this amazing musician's career that demands to be heard – and stands as even more of a revelation than other Giuffre releases in recent years. Titles include "Cry Want", "Syncopate", "Drive", "Angles", "Quadrangle", "Crossroads", and "Three Bars In One". CD

Possible matches35
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Philip GlassComplete Sony Recordings (24CD set) ... CD
Sony, Late 70s/1980s/1990s/Early 2000s. New Copy 24CD ... $89.99 119.98
A stunning collection of sounds from the legendary Philip Glass – a complete set of every single one of his recordings for Columbia Records – which is the label at which he did most of his important music! The set's a treasure trove of modernist musical moments – not just a blueprint for minimalist composition near the end of the 20th century, but also a showcase for the many different paths that mode followed over the years – from vocal performances, through solo moments, ensemble explorations, soundtracks, and more. The box features 24 CDs in all, each with mini LP-styled covers, plus all the original liner notes, more discographical notes, and even librettos for all of the operas. In addition to the three important operas – Einstein On The Beach, Satygraha, and Akhnaten – plus early albums like Glassworks, Dance Pieces, and The Photographer – and the soundtrack to Naqoyqatsi, Solo Piano, Dance Nos 1 to 5, Itaipu, Passages, Organ Works, and more – as well as a bonus CD of recent recordings. A beautiful package – and the only time these works have been presented completely together. CD
 
 
 



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