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Exact matches: 20
Exact matches1
CD, LP, Vinyl record album cover art
✨✧ Nat Adderley & The Three SoundsBranching Out ... CD
Riverside/OJC, 1958. Used ... $3.99
Nat and Johnny Griffin front The Three Sounds in this easy-going soul jazz session with a nice rolling groove. The set's got a couple of originals – "Sister Caroline" and "Branching Out" – plus versions of "Well You Needn't" and "I've Got Plenty Of Nothin". Gene Harris & The Three Sounds make for a nice backing, and Johnny Griffin's solos are as sharp as they ever were at this point. CD

Exact matches2
CD, LP, Vinyl record album cover art
Gene Harris3 Sounds/Gene Harris Of The Three Sounds ... CD
Blue Note/Dusty Groove, 1971/1972. New Copy ... $9.99 15.99
A pair of killers from keyboardist Gene Harris – both recorded for Blue Note, and back to back on a single CD! First up is Gene Harris/The 3 Sounds – the last Three Sounds album for Blue Note – and the funkiest too – thanks to lots more electrification than usual, and some killer arrangements from the mighty Monk Higgins! Monk's really at the top of his game here – going past even his great previous work for the group, and working with a tight, sharp edge that recalls his funky 45 brilliance of the 60s – yet tuned a bit more towards the electric Cali jazz of early 70s Blue Note! Gene Harris plays loads of funky piano lines – and in addition to the trio's core electric bass and drums, the set also features some added work on percussion from Paul Humphrey – who really brings in a kick – plus added guitar, congas, and even a bit of Hammond from Higgins too! Some cuts even have a bit of vocals too – sung in this offbeat way that's a wild approach to soul. There's some killer breaks on the set – including the massive "Put On Train" and "What's The Answer" – but the whole set smokes, and other cuts include "I'm Leaving", "You Got To Play The Game", "Your Love Is Just Too Much", "Did You Think", "Hey Girl", and a mad version of "Eleanor Rigby". On the second album – Gene Harris Of The Three Sounds – Gene really steps into the solo spotlight – moving away from his work with the Three Sounds trio, and headed into even more righteous territory – as you might guess from the trippy image on the cover! The set features Harris mostly on acoustic piano, but amidst larger arrangements from Wade Marcus that really round things out with a warm, soulful edge – mixing guitar from Sam Brown and Cornell Dupree with Gene's lines on piano – and giving things an extra kick at the bottom with drums from Freddie Waits, and percussion from Johnny Rodriguez and Omar Clay. The record echoes Harris' older roots at some points, yet comes across with a richer 70s vibe too – a hip 70s style that's strongly due to the contributions of Marcus' arrangements. Tracks include a great remake of "Listen Here", which begins with a great funky break; a sweet steppers version of "Killer Joe"; and the tracks "Lean On Me", "Day In The Life Of A Fool", "Django", "Emily", and "C Jam Blues". CD
(On the Dusty Groove label.)

Exact matches3
CD, LP, Vinyl record album cover art
Three SoundsBlack Orchid ... LP
Blue Note, 1962. Good+ ... $34.99
Maybe the most evocative title of all the Three Sounds albums of the 60s – and one that really gets at the dark beauty of the entire record! By the time of this release (the group's 7th for Blue Note), Gene Harris and the trio had really come into their own – and were moving past simple soul jazz modes into this wonderful blend of grooviness and lyricism – still very much beholden to Harris' rhythmic approach to the keys, but also filled with loads of complicated lines, especially from the group's wonderful bassist Andrew Simpkins – whose round tone is especially great on the mellow numbers. Titles include Randy Weston's "Saucer Eyes" , Neal Hefti's "Black Orchid", and the tracks "Don't Go Don't Go" and "Oh Well Oh Well", both originals by Gene Harris. LP, Vinyl record album
(New York mono pressing. Cover has some wear.)
Also available Black Orchid (with bonus tracks) ... CD 16.99

Exact matches4
CD, LP, Vinyl record album cover art
Three SoundsBlack Orchid (with bonus tracks) ... CD
Blue Note (Japan), 1962. New Copy ... $16.99
Maybe the most evocative title of all the Three Sounds albums of the 60s – and one that really gets at the dark beauty of the entire record! By the time of this release (the group's 7th for Blue Note), Gene Harris and the trio had really come into their own – and were moving past simple soul jazz modes into this wonderful blend of grooviness and lyricism – still very much beholden to Harris' rhythmic approach to the keys, but also filled with loads of complicated lines, especially from the group's wonderful bassist Andrew Simpkins – whose round tone is especially great on the mellow numbers. Titles include Randy Weston's "Saucer Eyes" , Neal Hefti's "Black Orchid", and the tracks "Don't Go Don't Go" and "Oh Well Oh Well", both originals by Gene Harris. CD reissue adds in 6 bonus tracks – including "Nature Boy", "Tadd's Delight", "For Dancers Only", "Babe's Blues", and "Azule Serape". CD
(SHMCD pressing.)
Also available Black Orchid ... LP 34.99

Exact matches5
CD, LP, Vinyl record album cover art
Three SoundsBottoms Up! ... LP
Blue Note, 1959. Fair ... $4.99
The bottom is certainly "up" on this one – as the Three Sounds groove things from the ground up, taking soul jazz piano to the next level with an approach that quickly made them one of the most popular Blue Note acts of the early 60s! Gene Harris leads the group on piano – and also plays celeste on one track (!) – and the other Sounds at this point are Andrew Simpkins on bass and Bill Dowdy on drums – a really great rhythm section that have a way of being soulfully quiet, with a very subtle groove – one that's much more understated than you might find in the Ramsey Lewis trio, but equally hip. Tracks include "Jinne Lou", "Besame Mucho", "Love Walked In", "Angel Eyes", "Falling In Love With Love", and "Time After Time". LP, Vinyl record album
(63rd street pressing with RVG stamp and ear – and deep groove on one side. Vinyl plays with various pops & crackles. Cover has wear, aging and splitting.)

Exact matches6
CD, LP, Vinyl record album cover art
Three SoundsFeelin' Good ... LP
Blue Note, Early 60s. Good+ ... $12.99
With a sound like this, these guys have gotta be Feelin Good! The album's one of the first few Blue Notes by Gene Harris and his mighty Three Sounds combo – and is done in the group's very successful blend of soul jazz and piano trio musing – a key shift in styles from the 50s to the 60s, and one that always sounds nice! There's a great rhythmic approach to the work, augmented by Harris' chunky style of hitting the keys – and the album's filled with nice numbers that include "Parker's Pad", "Two Bass Hit", "Straight No Chaser", and "Blues After Dark". LP, Vinyl record album
(New York mono pressing. Cover has some wear.)

Exact matches7
CD, LP, Vinyl record album cover art
Three SoundsMoods ... LP
Blue Note, 1960. Very Good+ ... $12.99
"Moods" is right – as the album's got a wonderfully dark undercurrent, one that makes it one of the most captivating early Three Sounds albums for Blue Note! Pianist Gene Harris leads a trio that includes Andrew Simpkins on bass and Bill Dowdy on drums – and even though the set list includes a few familiar tunes, the overall pitch of the album makes the music really unique. The group play some sweet renditions of "Love For Sale" and "Green Dolphin Street", plus a great reading of Clifford Brown's "Sandu", which works very well as a piano tune. Also includes the tracks "Loose Walk" and "Tammy's Breeze". LP, Vinyl record album
(70s pressing. Cover has a small cut corner and a small peeled spot.)

Exact matches8
CD, LP, Vinyl record album cover art
Three SoundsOut Of This World (75th anniversary edition) ... LP
Blue Note, 1962. New Copy (reissue)... $16.99 19.99
Go out of the world with The Three Sounds on this sweet little set for Blue Note – as the trio are at their early best, and working with a care of craft that you won't find on other 60s albums for labels like Verve or Mercury! The mighty Gene Harris is in the lead on piano, moving between a great blend of lyrical and more soul-based styles – given great accompaniment from Bill Dowdy on drums and Andy Simpkins on bass – the latter of whom is an overlooked genius, with this round tone and solid touch that really holds the group together! Titles are a nice mix of exotic standards and gutbuckety originals – and tunes include "My Silent Love", "Just In Time", "Out Of this World", "Out Of the Past", "Sanctified Sue", and "Girl Of My Dreams". LP, Vinyl record album

Exact matches9
CD, LP, Vinyl record album cover art
✨✧ Three SoundsVibrations ... LP
Blue Note, 1966. Very Good+ ... $18.99
A pivotal album from the Three Sounds – one that has the group moving past the straighter trio format of their initial Blue Note sides, really hinting at the funkier sounds to come on their classic albums of the late 60s! Gene Harris is definitely taking a page from the Ramsey Lewis bag at times – playing the piano with a wonderfully heavy left hand, which makes for a killer groove, and a feel that's a lot more soul jazz than usual. Plus, a few tracks also feature Harris working on organ – which really changes up the sound nicely too, and almost puts the album somewhere in the territory that Cadet and Prestige Records were hitting at the time! Titles include "Fever", "Pavane", "Charade", "Let's Go Get Stoned", and "Something You Got", plus a nice original called "The Frown". LP, Vinyl record album
(Liberty pressing, with a Van Gelder stamp. Vinyl and cover are nice, but label is washed out a bit – still readable and clear overall.)

Exact matches10
CD, LP, Vinyl record album cover art
✨✧ Stanley Turrentine with The Three SoundsBlue Hour ... LP
Blue Note, 1960. Near Mint- ... $16.99
During the early 60s, Blue Note wisely cut a number of sessions that took advantage of their soulful in-house rhythm trio The Three Sounds. The group recorded more than a few successful albums under their own name – but they also did a few great records that feature them backing up a more famous soloist. Such is the case with this one, in which Gene Harris and crew back up Stanley Turrentine for a beautifully mellow set of late nite tracks, played with an easy rolling groove missing from some of Turrentine's other, more full-on sessions at the time. Titles include "Blue Riff", "I Want A Little Girl", and "Willow Weep For Me". LP, Vinyl record album
(70s pressing. Cover has a stain on one corner, with some waviness and flaking.)

Exact matches11
CD, LP, Vinyl record album cover art
Three SoundsBottoms Up! ... CD
Blue Note (Japan), 1959. New Copy ... On June 3, 2015
The bottom is certainly "up" on this one – as the Three Sounds groove things from the ground up, taking soul jazz piano to the next level with an approach that quickly made them one of the most popular Blue Note acts of the early 60s! Gene Harris leads the group on piano – and also plays celeste on one track (!) – and the other Sounds at this point are Andrew Simpkins on bass and Bill Dowdy on drums – a really great rhythm section that have a way of being soulfully quiet, with a very subtle groove – one that's much more understated than you might find in the Ramsey Lewis trio, but equally hip. Tracks include "Jinne Lou", "Besame Mucho", "Love Walked In", "Angel Eyes", "Falling In Love With Love", and "Time After Time". CD
Also available Bottoms Up! ... LP 4.99

Exact matches12
CD, LP, Vinyl record album cover art
Three SoundsGood Deal ... CD
Blue Note (Japan), 1959. New Copy ... On July 1, 2015
Good deal indeed – always soulful sounds from Gene Harris and his early incarnation of The Three Sounds – served up with a tightness that few other trios could match at the time! Harris is very strongly in the lead on the keys – hitting hard enough on the left hand that he hardly needs a rhythm section to back him up – which leaves drummer Bill Dowdy and bassist Andy Simpkins plenty of space to take off on their own inflections during the set. Titles include a few great original tunes – like "Down The Track" and "Tracy's Blue" – but the band also does nice versions of "That's All", "St. Thomas", and "Robbin's Nest". CD

Exact matches13
CD, LP, Vinyl record album cover art
Three SoundsMoods ... CD
Blue Note (Japan), 1960. New Copy ... On June 3, 2015
"Moods" is right – as the album's got a wonderfully dark undercurrent, one that makes it one of the most captivating early Three Sounds albums for Blue Note! Pianist Gene Harris leads a trio that includes Andrew Simpkins on bass and Bill Dowdy on drums – and even though the set list includes a few familiar tunes, the overall pitch of the album makes the music really unique. The group play some sweet renditions of "Love For Sale" and "Green Dolphin Street", plus a great reading of Clifford Brown's "Sandu", which works very well as a piano tune. Also includes the tracks "Loose Walk" and "Tammy's Breeze". CD
Also available Moods ... LP 12.99

Exact matches14
CD, LP, Vinyl record album cover art
Three SoundsThree Sounds (Blue Note 1600) ... CD
Blue Note (Japan), 1958. New Copy ... On July 1, 2015
Great early work by the Three Sounds, before they'd lapsed a bit too much into their formulaic trio style on Blue Note – and when they were adding some excellent little flourishes to the music to distinguish themselves from the rest of the crowd. Drummer Bill Dowdy's in great shape here, working his way across the kit with the ferocity of a bossa drummer – adding in lots of great fills that bring out the best in Gene Harris sharp piano work. Plus, the album even features a bit of Harris on the celeste – creating a cool vibes-y sound on the track "Blue Bells". Other titles include "O Sole Mio", "Goin Home", "It's Nice", and "Both Sides". CD

Exact matches15
CD, LP, Vinyl record album cover art
Gene Harris & The Three SoundsLive At The It Club Vol 2 ... CD
Blue Note, 1970. Used ... Just Sold Out!
Although Gene Harris and the Three Sounds sometimes were big sleepers on studio sessions, the trio could always groove nicely in a live setting – as you'll hear on this great part 2 to their Live At The It Club set! Recorded in LA in 1970, the set captures Harris at his funky best – primed with a nice hard style after a few years of working with funk maestro Monk Higgins. Higgins produced this live set, and also contributed a number of excellent funky cuts – like "Black Fox", "Down Home", "Apollo 21", and "Put On Train". Plus, the CD also features 3 great soul jazz Beatles tunes – "Come Together", "Get Back", and "Eleanor Rigby". And if that's not enough, this material was never issued until now – making the CD reissue even more essential! CD

Exact matches16
CD, LP, Vinyl record album cover art
Three SoundsHere We Come (with bonus tracks) ... CD
Blue Note (Japan), 1960. New Copy ... Just Sold Out!
The Three Sounds pull away from the curb in a sweet sports car – a great cover image that really sets the tone for the entire record! The album's the epitome of early 60s class and cool that the group had to offer – as they effortlessly mix soulful groovers with mellower, more introspective pieces – all delivered by the godlike hands of Gene Harris on acoustic piano – already a giant in jazz, even at the start of his long career. The rhythm is great, too – sublime bass from Andy Simpkins, whose round, warm tone we always love – and just the right sort of work on drums from Bill Dowdy, who always keeps things on track. Titles include "Now's The Time", "Summertime", "Poinciana", "Here We Come", and "Sonnymoon For Two". Great cover too – with one of the all-time best "car jazz" images! CD features two bonus tracks – "The Girl Next Door" and "This Is The Way Tis". CD
(SHMCD pressing.)

Exact matches17
CD, LP, Vinyl record album cover art
Three SoundsHey There (with bonus tracks) ... CD
Blue Note (Japan), 1961. New Copy ... Just Sold Out!
Wonderful work from the Three Sounds – a tight little combo who weren't out to break any rules in jazz, but who made some excellent albums for Blue Note in the early 60s! The groove here is hard-edge soul jazz piano at its best – similar to early Les McCann work of the same vintage, with a strong sense of rhythm on the left hand, and some wonderfully complicated lines on the right – an early example of the genius of Gene Harris. Harris also shows a nice sense of thoughtfulness on the mellower cuts, too – which still swing in their own sort of way, thanks to the work of Andrew Simpkins on bass and Bill Dowdy on drums. Titles include the great original "Dap's Groove" – plus "Sermonette", "Hey There", "Nothin But The Blues", "Street Of Dreams", and "Little Girl Blue". CD features an insane amount of bonus tracks from the same session – 10 more tracks that include "Blue Daniel", "Lazy Cat", "Wait A Minute", "Work Song", "Billy Boy", and "Sweet & Lovely". CD
(SHMCD pressing.)

Exact matches18
CD, LP, Vinyl record album cover art
✨✧ Three SoundsThree Moods ... LP
Limelight, Mid 60s. Used Gatefold ... Temporarily Out Of Stock
A pretty great little record that has the Three Sounds usual piano trio sound backed by some larger arrangements – mostly floating strings that soar along and take the group into a whole sound! The addition of the arrangements really breaks things up from the standard soul jazz trio format – and keeps the proceedings nice and fresh, moving from mellow groovers to lighter bossa tunes. Titles include "Hittin The Jug", "The Second Time Around", "Invitation", "Justerini", and "Our Theme". LP, Vinyl record album
(Japanese pressing.)

Exact matches19
CD, LP, Vinyl record album cover art
✨✧ Three SoundsThree Sounds (Blue Note 1600) ... LP
Blue Note, 1958. Used ... Out Of Stock
Great early work by the Three Sounds, before they'd lapsed a bit too much into their formulaic trio style on Blue Note – and when they were adding some excellent little flourishes to the music to distinguish themselves from the rest of the crowd. Drummer Bill Dowdy's in great shape here, working his way across the kit with the ferocity of a bossa drummer – adding in lots of great fills that bring out the best in Gene Harris sharp piano work. Plus, the album even features a bit of Harris on the celeste – creating a cool vibes-y sound on the track "Blue Bells". Other titles include "O Sole Mio", "Goin Home", "It's Nice", and "Both Sides". LP, Vinyl record album
(63rd Street pressing with deep groove, RVG stamp, and "ear". Cover has moderate wear, spliting and has aging, stains and peeling due to moisture on the back, along the spine.)

Exact matches20
CD, LP, Vinyl record album cover art
✨✧ Three SoundsSermonette/Dap's Groove ... 7-inch
Blue Note, Mid 60s. Used ... Out Of Stock
7-inch, Vinyl record
 
Possible matches: 93
Possible matches21
CD, LP, Vinyl record album cover art
Muhal Richard AbramsLevels & Degrees Of Light ... CD
Delmark, 1967. New Copy ... $8.99 12.99
Although recorded early in the career of Muhal Richard Abrams, this brilliant LP shows the pianist/composer turning away from the stock jazz and studio work of earlier years – to develop into one of the richest talents to rise from the Chicago avant underground of the 60s! At the time of the recording, Abrams was the president of the recently-founded AACM – and for the session, he's surrounded himself with some of the best young talents from Chicago, including Thurman Barker, Anthony Braxton, Leroy Jenkins, and Maurice McIntyre – all of whom help to create a complicated web of colors, shapes, and sounds, that prove that the youthful energy of the underground scene was more than capable of crafting sophisticated modernist documents. The album features three long works – "Levels & Degrees Of Light", "The Bird Song", and "My Thoughts Are My Future". CD

Possible matches22
CD, LP, Vinyl record album cover art
AirAir (Japanese paper sleeve edition) ... CD
Three Blind Mice/Think (Japan), 1977. New Copy ... $21.99
Not the Chicago group of AACM fame, but a completely different Japanese combo from the 70s – a very cool outfit who are equally avant in their approach – and work together in a very spiritual blend of acoustic and electric sounds! The album features one long track, improvised in a very organic way – so that the spare sounds build up into these parts rich in meaning, but still with plenty of sharp edges – based on work from Yasuo Shimura on flute, amplified soprano sax, Arp, and radio; Renkichi Hayashi on guitar, ring modulator, and other effects; Nobuyoshi Ino on electric and acoustic bass, Turkish guitar, and tape recorder; Hiroshi Murakami on drums and percussion; and Yuji Imamura on amplified and acoustic tabla, plus other percussion. The sound's as compelling as the instrumental lineup – and the album's comprised of one long jamming track "Air (parts 1 & 2)", with a groove that ranges from funky and break-oriented, to wild and free out-oriented soloing. CD
(Blu Spec CD.)

Possible matches23
CD, LP, Vinyl record album cover art
✨✧ Bird Show BandBird Show Band ... CD
Amish, 2010. Used ... $5.99
A very nice set of avant synth sounds from The Bird Show Band – featuring Ben Vida on Moog Voyager and some of the most adventurous accompaniment a guy could ask for – including Jim Baker on ARP 2600, Josh Abrams on acoustic bass and a pair of Tortoise players on drums, John Herndon and Dan Bitney. This synth centered set of improvisations are pretty insistent and inviting, steering clear of the more minimalist tendencies of some of Vida's work. Excellent! Titles include "Quintet" (parts One, Two, Three & Four), ""Little Song", "Quartet" and "BSB Synthesizer Solo". CD
(Out of print. Barcode has the word "Promo" written in marker.)

Possible matches24
CD, LP, Vinyl record album cover art
Bobby BradfordLove's Dream (with bonus tracks) ... CD
Emanem (UK), 1973. New Copy ... $16.99 19.99
Seminal sounds from cornet player Bobby Bradford – a date recorded in the UK in the early 70s, but with all the free-thinking and imaginative energy as his best sessions in LA! The group pits Bobby's horn against three young modernists – Trevor Watts on alto and soprano sax, Kent Carter on bass, and John Stevens on drums – all working in these long-flowing, very rhythmic numbers that lie somewhere between Bradford's work with John Carter, and the early 60s sound of Ornette Coleman. The alto/cornet interplay is especially nice – very mesmerizing over the course of the album's very long tracks – and Watts turns out to be a great musical partner for Bobby. Titles include "Love's Dream", "Coming On", and "Roswita's Dance". CD features bonus tracks ""She", "HM Louis 1", and an alternate take of "Coming On". CD

Possible matches25
CD, LP, Vinyl record album cover art
Peter Brotzmann/Keiji Haino/Jim O'RourkeTwo City Blues 1 ... LP
Trost (Austria), 2010. New Copy ... $22.99
Three legendary improvisers, working here at the height of their powers – in a set that really shows that when greats like this come together, the overall sound is way more than the sum of its parts! Keiji Haino sounds especially great here – still raw and bold, both on guitar and vocals (plus a bit of shamisen as well) – but finding this deeper, more rooted quality next to the saxophone work of Peter Brotzmann, which oddly acts as this core anchor to the performance – while still finding space to reach freedoms of his own. Jim O'Rourke reminds us that his command of guitar sounds is still incredible after all these years – trained in the avant underground for years, given a bit of focus in some more mainstream lights – but still extremely inventive and completely mindblowing. LP features different material than the CD – a shorter "Two City Blues 1", and "Eyes Stay The Same". LP, Vinyl record album

Possible matches26
CD, LP, Vinyl record album cover art
Peter Brotzmann/Keiji Haino/Jim O'RourkeTwo City Blues 2 ... CD
Trost (Austria), 2015. New Copy ... $16.99
Three legendary improvisers, working here at the height of their powers – in a set that really shows that when greats like this come together, the overall sound is way more than the sum of its parts! Keiji Haino sounds especially great here – still raw and bold, both on guitar and vocals (plus a bit of shamisen as well) – but finding this deeper, more rooted quality next to the saxophone work of Peter Brotzmann, which oddly acts as this core anchor to the performance – while still finding space to reach freedoms of his own. Jim O'Rourke reminds us that his command of guitar sounds is still incredible after all these years – trained in the avant underground for years, given a bit of focus in some more mainstream lights – but still extremely inventive and completely mindblowing. CD features the very long "Two City Blues", and the shorter "One Fine Day". CD

Possible matches27
CD, LP, Vinyl record album cover art
Gary BurtonSeven Songs For Quartet & Chamber Orchestra (180 gram pressing) ... LP
ECM (Germany), 1974. New Copy (reissue)... $16.99 25.99
A really wonderful setting for the vibes of Gary Burton – a special ECM session that pairs his quartet with larger orchestral backdrops – all conducted by Michael Gibbs, who also wrote the music for the date! Gibbs had already risen to fame by the time of this record – thanks to some groundbreaking albums for large ensembles on the British jazz scene of the late 60s – where he demonstrated a tremendous ear for intimate tones and subtle sounds amidst a larger group. Here, that talent turns out to work perfectly for the rich tones of Burton's vibes – allowing them to develop slowly and spaciously, despite the larger orchestra. The core quartet also features Michael Goodrick on guitar, Steve Swallow on bass, and Ted Seibs on drums – and titles include "The Rain Before It Falls", "Three", "Phases", "Throb", and "Nocturne Vulgaire/Arise Her Eyes". LP, Vinyl record album

Possible matches28
CD, LP, Vinyl record album cover art
CerroneLove In C Minor/Cerrone's Paradise/Supernature (3LP/3CD set) ... LP
Malligator/Because (France), 1976/1977. New Copy 3LP & 3CD (reissue)... $79.99
A wonderful package – a very limited set that includes the first three albums from Cerrone, with bonus CD versions as well! First up is Love In C Minor – the fantastic first album by Cerrone – a landmark disco record that features the 16 minute long "Love In C Minor" – a swirling bit of strings, beats, and female voices – one of those tunes that forever went onto change the face of dance music in the 70s! Cerrone really set up a whole new blueprint for club here – stretching things out plenty, and layering in subtle time and chord shifts that expose the proggish influences that filtered into French club as the 70s wore on! The title track's got some nice keyboards by the great Alan Hawkshaw – who sounds even better on the album's cool disco version of "Black Is Black" and the tight snare-beat original, "Midnite Lady". Cerrone's Paradise is Cerrone's second album – a swirling mix of disco beats and strings that follows very clearly on the spirit of his landmark first one! Like that album, this one's got a title track that runs well over 15 minutes long – building in a slowly dancing way that says everything about European disco styles that one track could ever hope to do! Other tunes on the album are shorter and tighter – with soulful vocals dancing in and out, and some nice keyboard work that makes the tunes sparkle with a sweet electric groove. Titles include "Take Me", "Time For Love", and "Cerrone's Paradise". Supernature is the height of French disco – a huge worldwide hit for Cerrone, a nutty bit of space disco that actually holds up pretty darn well over the years! The guy's not really a looker – and the strange "animal operation" cover almost makes this look like a prog rock album – which is where Cerrone probably got his inspiration for the incredible keyboard work on the set – but the record's a killer bit of club that went onto influence generations to come – and is arguably one of Cerrone's best moments ever! Includes the classic "Supernature", a catchy disco groover you'll recognize instantly – plus the tracks "Love Is Here", "Love Is The Answer", and "Sweet Drums". LP, Vinyl record album
(Limited, numbered edition of 1000 – pressed on colored vinyl.)

Possible matches29
CD, LP, Vinyl record album cover art
Avishai CohenDark Nights ... CD
Anzic, 2014. New Copy ... $14.99 16.98
Beautiful sounds from the Triveni trio of trumpeter Avishai Cohen – and maybe the most freewheelingly creative record from the group so far! The recording approach was to only do a take or two of each tune – with some immediate post-performance electronics added by Cohen, as if he's working off the immediate spontaneity of the group's music – and you can definitely hear that approach as all three players have this open sense of imagination that really moves ahead into a rich field of sonic surprises. Cohen's electric touches could be stiff and too Miles-like – but instead they really help integrate his sound with the bass of Omer Avitel and drums of Nasheet Waits – and the record also features a bit of guest clarinet from Anat Cohen and piano from Gerald Clayton. Titles include "Dark Nights Darker Days", "You In All Directions", "Betray", "Goodbye Porkpie Hat", "The OC", "Old Soul", and a beautiful version of "I Fall In Love Too Easily" – with vocals by Keren Ann! CD

Possible matches30
CD, LP, Vinyl record album cover art
DetailFirst Detail ... CD
Rune Grammafon (Norway), 1982. New Copy ... $16.99
One of the earliest recordings of the avant group Detail – heard here without the bassist Johnny Dyani, who was such a part of their later albums! The absence of bass makes for a beautifully free sound – the drums of John Stevens, piano of Eivin One Pedersen, and reeds of Frode Gjersted ambling easily in open space, but always with this sense of cohesion that's completely sublime – sounds that are unusual and exploratory, but never egoistic at a level that leaves the other trio members behind – quite rare for a meeting of minds as great as these. Gjerstad plays tenor, soprano, bass clarinet, and alto flute – and the recording features three long titles – "This Is The", "First Version", and "Of Detail". CD
Also available First Detail (with bonus CD) ... LP 22.99

Possible matches31
CD, LP, Vinyl record album cover art
DetailFirst Detail (with bonus CD) ... LP
Rune Grammafon (Norway), 1982. New Copy LP & CD ... $22.99
One of the earliest recordings of the avant group Detail – heard here without the bassist Johnny Dyani, who was such a part of their later albums! The absence of bass makes for a beautifully free sound – the drums of John Stevens, piano of Eivin One Pedersen, and reeds of Frode Gjersted ambling easily in open space, but always with this sense of cohesion that's completely sublime – sounds that are unusual and exploratory, but never egoistic at a level that leaves the other trio members behind – quite rare for a meeting of minds as great as these. Gjerstad plays tenor, soprano, bass clarinet, and alto flute – and the recording features three long titles – "This Is The", "First Version", and "Of Detail". LP, Vinyl record album
(First 500 copies include CD.)
Also available First Detail ... CD 16.99

Possible matches32
CD, LP, Vinyl record album cover art
English BeatVinyl Collection (I Just Can't Stop/Wha'ppen/Special Beat Service/Dub Album) (180 gram vinyl – 4LP box set) ... LP
Edsel (UK), Early 80s. New Copy 4LP ... $53.99
An amazing document of one of the grooviest groups to emerge from the UK at the start of the 80s – not just their three full albums, but almost as much rare bonus material as well! The English Beat came a bit later than the initial wave of Two Tone ska revival groups – and they came with a difference, too – a bit more soul, and a slightly more contemporary approach to their music – one that pushed Jamaican roots into mod London modes – particularly the best sorts that were bubbling up in the post-punk generation! The group really helped revive some warmer sounds in British music – yet without just copying older modes from the other side of the Atlantic, too – and these three great albums definitely went onto set a fire in a host of other groups as well – the first wave of some surprisingly soulful moments from the UK in the 80s. The box set features the full albums I Just Can't Stop It, Wha'ppen, and Special Beat Service – plus a rare bonus dub album, with dub versions of 7 more tracks! LP, Vinyl record album

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James FalzoneSign & The Thing Signified ... CD
Allos Documents, 2006. Used Gatefold ... $7.99
Haunting sounds from the Chicago scene – a mix of modern chamber jazz and more avant composition – played by a group with a very unusual texture overall! The lineup features clarinetist James Falzone in the lead – working with drums and percussion from Tim Mulvenna, plus bassoon, viola, cello, and double bass! The mix of one reed and multiple strings makes for some mighty unique sounds – and Mulvenna's sensitive percussion does a good job of holding the whole thing together, especially at some of the few really rhythmic moments. Titles include "Godric", "Ten Months", "Cut Tear Curl", "A Chord Of Three Strands Broken", "Akrasia", and "The Tipping Point". CD

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Isoo FukuiSunrise Sunset (Japanese paper sleeve edition) ... CD
Three Blind Mice/Think (Japan), 1976. New Copy ... $21.99
Mindblowing sounds from Japanese bassist Isoo Fukui – one of a handful of 70s players on that scene who really helped reinvent the sound of his instrument in jazz! Isoo really drives the group here up from the bottom – by playing both bass and cello with these well-inflected notes that are heavy on soul and rhythm, and which often enforce a modal sensibility that's carried out perfectly by the vibes of Kazuhiro Matsuishi and piano of Hideo Ichikawa! A few numbers feature guitar from Shoji Yokouchi, who plays with this chromatic style that really works well with the vibes – and titles include "Lady T", "Happy Walk", "7th Avenue Sunrise", "Early Summer", and "7th Avenue Sunset". CD
(Blu Spec CD.)

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✨✧ Stan GetzStan Getz & The Cool Sounds ... LP
Verve, 1953/1954/1955. Very Good+ ... $38.99
An odd little album in the Stan Getz catalog of the 50s – not just because of the cheesy cover and title, but also because it features a range of unusual material recorded over a three year period with a variety of different players! Some of the dates here definitely fit the "cool sounds" title of the record – in that they feature Getz with the west coast lineup of Loy Levy on piano, Shelly Manne on drums, and Leroy Vinnegar on bass – heard more famously on Stan's West Coast album of the same time. But other sides feature a different grouping – with Jimmy Rowles on piano, Bobby Whitlock on bass, and Max Roach on drums – offering up a different side of the west coast altogether. And still others take things back to more of an east coast modern style – by featuring either Tony Fruscella on trumpet or Bob Brookmeyer on trombone, in groups with John Williams on piano. The mix of material makes for a nicely-rounded portrait of Getz's talents in the mid 50s years – and the album features 10 tracks that include "Nobody Else But Me", "Serenade In Blue", "Of Thee I Sing", "Love Is Here To Stay", "Blue Bells", "Roundup Time", "Rustic Hop", and "A Handful Of Stars". LP, Vinyl record album
(Verve Inc Clef Series pressing, with trumpeter logo and deep groove! Cover has a tiny bit of seam splitting on the top, but is very nice overall.)

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Jef GilsonJef Gilson Archives – A Collection Of Previously Unreleased Recordings, Rehearsals, Demos & Alternate Takes ... LP
Jazzman (UK), 1960s/1970s. New Copy 2 LP Gatefold ... $16.99
Amazing sounds from Jef Gilson – one of the coolest, hippest jazz musicians working on the European scene of the 60s and 70s! Gilson has his own label – Palm Records – and was noted for his keen sense of collaboration, and openness to new ideas – not just modern elements that were moving around the postwar scene, but also some crucial crossovers with other global styles as well – and his list of collaborators over the years included reedman Michel Portal, trumpeter Bernard Vitet, prog rocker Christian Vander, and exotic jazz musician Lloyd Miller. Gilson's music was often issued in small pressings over the years, or buried under the names of bigger stars in his collaborations – but this wonderful package finally shows the genius in his full light – by bringing forth a host of rare tracks from Gilson's own archives, carefully selected by the Jazzman Records team. There's a really wonderful array of sounds going on here – some straighter jazz grooves, some offbeat rhythms, some exotic instrumental passages, and some occasional forays into Latin or African modes – all instantly compelling, and with the sort of unique sounds that are bound to have you digging for some of Gilson's commercially released music. Titles include "Choro In Blue", "Chant Inca", "Lamento", "Three Four One", "Anamorphose", "Java", "Agnus Dei", "Java Pour Raspail", and "La Cigale Et La Fourmi". LP, Vinyl record album

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✨✧ Group (Gruppo D'Improvvisazione Nuova Consonanza)Feed-Back (with bonus CD) ... LP
RCA/Schema (Italy), Early 70s. New Copy ... $24.99
One of the best records ever from the Gruppo D'Improvvisazione Nuova Consonanza – an obscure side project of Ennio Morricone and other Italian composers – working here in a freaky, psychedelic setting! The album mixes sonic experiments with fuzzy guitars, freaky keyboards, and some surprisingly funky rhythms at times – at a level that's even more compelling than some of the group's other projects – especially given that the album's three tracks are all quite long, with lots of room for instrumental experimentation! Yet as in some of the best prog work of the period – such as by Can or Faust – there's a sense of focus and groove that really holds the whole thing together. And given that these guys had already had years of experience in the studio – on both sides of the production booth – they really have a wonderful ear for extremely inventive sounds. Titles include "Kumalo", "The Feed-Back", and "Quasars". LP, Vinyl record album
(Includes the album on CD!)

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Gene Harris3 Sounds ... LP
Blue Note, 1971. Very Good ... $36.99
The last Three Sounds album for Blue Note – and the funkiest too – thanks to lots more electrification than usual, and some killer arrangements from the mighty Monk Higgins! Monk's really at the top of his game here – going past even his great previous work for the group, and working with a tight, sharp edge that recalls his funky 45 brilliance of the 60s – yet tuned a bit more towards the electric Cali jazz of early 70s Blue Note! Gene Harris plays loads of funky piano lines – and in addition to the trio's core electric bass and drums, the set also features some added work on percussion from Paul Humphrey – who really brings in a kick – plus added guitar, congas, and even a bit of Hammond from Higgins too! Some cuts even have a bit of vocals too – sung in this offbeat way that's a wild approach to soul. There's some killer breaks on the set – including the massive "Put On Train" and "What's The Answer" – but the whole set smokes, and other cuts include "I'm Leaving", "You Got To Play The Game", "Your Love Is Just Too Much", "Did You Think", "Hey Girl", and a mad version of "Eleanor Rigby". LP, Vinyl record album
(Liberty/UA pressing. Label of side 2 has some peeled spots. NOTE: bottom half of cover has staining & peeling. Bottom seam is split.)

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✨✧ Gene HarrisYesterday, Today & Tomorrow ... LP
Blue Note, 1973. Very Good- 2LP Gatefold ... $4.99
Gene Harris in three different periods – the past, present, and future – served up here in a record issued under Gene's name as a leader, but which still continues the vibe of the later records by the Three Sounds! Most of the work is trio material – with just Gene on acoustic piano, John Halton on acoustic and electric bass, and Carl Burnett on drums and percussion – but there's a fluid, reaching sort of feel that definitely echoes some of the larger productions that Harris was recording at the time – not full strings or heavy electrics, but a really complex approach to the material nonetheless! Tracks include "Judy Judy Judy", "Trieste", "How Insensitive", "Love For Sale", "Sawin Wood", "Something", and "Monk's Tune". LP, Vinyl record album
(Note: two sides have marks that click across the whole side – but the other two sides are almost perfect!)

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Monk HigginsHeavyweight ... LP
United Artists, 1972. Very Good- ... $26.99
Quite possibly the best album ever from funky maestro Monk Higgins! The record's got some of his tighest work of the time – with plenty of tight breaks, nice keyboards, and soulful sax riffs – and Monk is going full-out on the arrangements, in the manner that he used for his best late Blue Note work with The Three Sounds or Blue Mitchell. The group's listed as "The Specialties" on the cover, and they vamp along nicely, like some of Monk's funky groups from the late 60s funky 45 days. Titles include "Gotta Be Funky", "Big Water Bed", "Up On The Hill", "Last Flight To Dallas", and "Libra's Way". LP, Vinyl record album
(Cover has some waviness & a cut corner.)
 
 
 



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