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Exact matches: 8
Exact matches1
CD, LP, Vinyl record album cover art
Gene Harris3 Sounds/Gene Harris Of The Three Sounds ... CD
Blue Note/Dusty Groove, 1971/1972. New Copy ... $10.99 13.98
A pair of killers from keyboardist Gene Harris – both recorded for Blue Note, and back to back on a single CD! First up is Gene Harris/The 3 Sounds – the last Three Sounds album for Blue Note – and the funkiest too – thanks to lots more electrification than usual, and some killer arrangements from the mighty Monk Higgins! Monk's really at the top of his game here – going past even his great previous work for the group, and working with a tight, sharp edge that recalls his funky 45 brilliance of the 60s – yet tuned a bit more towards the electric Cali jazz of early 70s Blue Note! Gene Harris plays loads of funky piano lines – and in addition to the trio's core electric bass and drums, the set also features some added work on percussion from Paul Humphrey – who really brings in a kick – plus added guitar, congas, and even a bit of Hammond from Higgins too! Some cuts even have a bit of vocals too – sung in this offbeat way that's a wild approach to soul. There's some killer breaks on the set – including the massive "Put On Train" and "What's The Answer" – but the whole set smokes, and other cuts include "I'm Leaving", "You Got To Play The Game", "Your Love Is Just Too Much", "Did You Think", "Hey Girl", and a mad version of "Eleanor Rigby". On the second album – Gene Harris Of The Three Sounds – Gene really steps into the solo spotlight – moving away from his work with the Three Sounds trio, and headed into even more righteous territory – as you might guess from the trippy image on the cover! The set features Harris mostly on acoustic piano, but amidst larger arrangements from Wade Marcus that really round things out with a warm, soulful edge – mixing guitar from Sam Brown and Cornell Dupree with Gene's lines on piano – and giving things an extra kick at the bottom with drums from Freddie Waits, and percussion from Johnny Rodriguez and Omar Clay. The record echoes Harris' older roots at some points, yet comes across with a richer 70s vibe too – a hip 70s style that's strongly due to the contributions of Marcus' arrangements. Tracks include a great remake of "Listen Here", which begins with a great funky break; a sweet steppers version of "Killer Joe"; and the tracks "Lean On Me", "Day In The Life Of A Fool", "Django", "Emily", and "C Jam Blues". CD
(On the Dusty Groove label.)

Exact matches2
CD, LP, Vinyl record album cover art
✨✧ Three SoundsBlack Orchid ... CD
Blue Note, 1962. Used ... $18.99
Maybe the most evocative title of all the Three Sounds albums of the 60s – and one that really gets at the dark beauty of the entire record! By the time of this release (the group's 7th for Blue Note), Gene Harris and the trio had really come into their own – and were moving past simple soul jazz modes into this wonderful blend of grooviness and lyricism – still very much beholden to Harris' rhythmic approach to the keys, but also filled with loads of complicated lines, especially from the group's wonderful bassist Andrew Simpkins – whose round tone is especially great on the mellow numbers. Titles include Randy Weston's "Saucer Eyes" , Neal Hefti's "Black Orchid", and the tracks "Don't Go Don't Go" and "Oh Well Oh Well", both originals by Gene Harris. CD reissue adds in 6 bonus tracks – including "You Dig It", "Nature Boy", "Theme From M Squad", "Back Home", and "Azule Serape". CD
(Out of print.)

Exact matches3
CD, LP, Vinyl record album cover art
Three SoundsBottoms Up! ... LP
Blue Note, 1959. Poor ... $4.99
The bottom is certainly "up" on this one – as the Three Sounds groove things from the ground up, taking soul jazz piano to the next level with an approach that quickly made them one of the most popular Blue Note acts of the early 60s! Gene Harris leads the group on piano – and also plays celeste on one track (!) – and the other Sounds at this point are Andrew Simpkins on bass and Bill Dowdy on drums – a really great rhythm section that have a way of being soulfully quiet, with a very subtle groove – one that's much more understated than you might find in the Ramsey Lewis trio, but equally hip. Tracks include "Jinne Lou", "Besame Mucho", "Love Walked In", "Angel Eyes", "Falling In Love With Love", and "Time After Time". LP, Vinyl record album
(Mono 63rd Street pressing, with deep groove, RVG stamp, and ear. NOTE – Vinyl is in POOR condition. Cover has completely split seams and comes in two pieces, with some light stains & old price sticker on the back panel.)

Exact matches4
CD, LP, Vinyl record album cover art
Three SoundsFeelin' Good ... LP
Blue Note, Early 60s. Poor ... $3.99
With a sound like this, these guys have gotta be Feelin Good! The album's one of the first few Blue Notes by Gene Harris and his mighty Three Sounds combo – and is done in the group's very successful blend of soul jazz and piano trio musing – a key shift in styles from the 50s to the 60s, and one that always sounds nice! There's a great rhythmic approach to the work, augmented by Harris' chunky style of hitting the keys – and the album's filled with nice numbers that include "Parker's Pad", "Two Bass Hit", "Straight No Chaser", and "Blues After Dark". LP, Vinyl record album
(POOR CONDITION. New York mono pressing. Cover has some wear and aging.)

Exact matches5
CD, LP, Vinyl record album cover art
Three SoundsHey There ... LP
Blue Note, 1961. Very Good ... $39.99
Wonderful work from the Three Sounds – a tight little combo who weren't out to break any rules in jazz, but who made some excellent albums for Blue Note in the early 60s! The groove here is hard-edge soul jazz piano at its best – similar to early Les McCann work of the same vintage, with a strong sense of rhythm on the left hand, and some wonderfully complicated lines on the right – an early example of the genius of Gene Harris. Harris also shows a nice sense of thoughtfulness on the mellower cuts, too – which still swing in their own sort of way, thanks to the work of Andrew Simpkins on bass and Bill Dowdy on drums. Titles include the great original "Dap's Groove" – plus "Sermonette", "Hey There", "Nothin But The Blues", "Street Of Dreams", and "Little Girl Blue". LP, Vinyl record album
(New York mono pressing, with Van Gelder stamp & 'ear'. Cover has a cutout hole, a name in pen, and a price sticker remnant.)

Exact matches6
CD, LP, Vinyl record album cover art
Three SoundsMoods ... LP
Blue Note, 1960. Good+ ... $19.99
"Moods" is right – as the album's got a wonderfully dark undercurrent, one that makes it one of the most captivating early Three Sounds albums for Blue Note! Pianist Gene Harris leads a trio that includes Andrew Simpkins on bass and Bill Dowdy on drums – and even though the set list includes a few familiar tunes, the overall pitch of the album makes the music really unique. The group play some sweet renditions of "Love For Sale" and "Green Dolphin Street", plus a great reading of Clifford Brown's "Sandu", which works very well as a piano tune. Also includes the tracks "Loose Walk" and "Tammy's Breeze". LP, Vinyl record album
(Mono 63rd street pressing, with deep groove, RVG stamp, and ear. Cover has clear tape on the top seam.)

Exact matches7
CD, LP, Vinyl record album cover art
✨✧ Gene HarrisGene Harris & The Three Sounds Groovin' Hard - Live At The Penthouse 1964 to 1968 (180 gram pressing) (2016 Black Friday Release) ... LP
Resonance, Mid/Late 60s. New Copy ... On November 25, 2016
(Note: This item is not for sale online until after the opening of business on Saturday, November 26. It is in limited supply – and by nature of the Record Store Day rules, it will be offered for sale first to customers who visit the Dusty Groove retail outlet in Chicago on Black Friday. It will not be pre-sold, or reserved in any way. However, the day after Black Friday, we will offer up whatever we have left for sale online.) LP, Vinyl record album

Exact matches8
CD, LP, Vinyl record album cover art
✨✧ Anita O'Day & The Three Sounds/Cal TjaderAnita O'Day & The Three Sounds/Time For Two ... CD
Verve (Germany), 1962. New Copy ... Temporarily Out Of Stock
Two unusual vocal sessions from Anita O'Day – each with a different jazz star in tow! Anita O'Day & The Three Sounds brings together a great singer and a great trio – a unique Verve outing that has vocalist Anita O'Day joining forces with the Three Sounds combo of pianist Gene Harris! The Three Sounds were always happy to serve as a rhythm combo on dates like this – and they really bring a lot of their own flavor to the record – standing out on a few instrumental selections that highlight their own brief relationship with Verve – but mostly backing Anita with a groove that's tight and always soulful! O'Day's vocals are as confident as Harris' work on the keys – making for a very nice match – and titles include "Fly Me To The Moon", "All Too Soon", "My Ship", and "Whisper Not", which also features a guest solo by Roy Eldridge. Time For Two is a great little meeting of two of the better talents on Verve Records in the early 60s – one that pairs the warm vocals of Anita O'Day with the cool vibes of Cal Tjader – in a sweet little session that's actually one of O'Day's best from the time! The feel here is lively, and slightly Latinesque – as Cal's smal combo features Johnny Rae on drums, and Lonnie Hewitt on piano – both players who are well-tuned towards a more rhythmic approach. Includes a great version of "An Occasional Man", plus the tracks "Mr. Sandman", "I Believe In You", "Peel Me A Grape", and a nice take of "Thanks For The Memory". CD
Close matches: 1
Close matches9
CD, LP, Vinyl record album cover art
✨✧ Andy Akiho/Sean Friar/Daniel Wohl/Alex Mincek/TrisNonextraneous SoundsThree Shades Foreshadows/Teaser/Saint Arc/Flutter/Formations – Mariel Roberts ... CD
Innova, 2012. Used ... Out Of Stock
(Digipack has what appears to be an autograph by Mariel Roberts.)
Possible matches: 111
Possible matches10
CD, LP, Vinyl record album cover art
Muhal Richard AbramsLevels & Degrees Of Light ... CD
Delmark, 1967. New Copy ... $8.99 12.99
Although recorded early in the career of Muhal Richard Abrams, this brilliant LP shows the pianist/composer turning away from the stock jazz and studio work of earlier years – to develop into one of the richest talents to rise from the Chicago avant underground of the 60s! At the time of the recording, Abrams was the president of the recently-founded AACM – and for the session, he's surrounded himself with some of the best young talents from Chicago, including Thurman Barker, Anthony Braxton, Leroy Jenkins, and Maurice McIntyre – all of whom help to create a complicated web of colors, shapes, and sounds, that prove that the youthful energy of the underground scene was more than capable of crafting sophisticated modernist documents. The album features three long works – "Levels & Degrees Of Light", "The Bird Song", and "My Thoughts Are My Future". CD

Possible matches11
CD, LP, Vinyl record album cover art
AkikoMood Indigo ... CD
Verve (Japan), 2004. New Copy ... $16.99
One of our favorite albums from Japanese jazz singer Akiko – a warmly acoustic affair that still manages to groove nicely, thanks to some excellent production by Sunaga T! Many of the tracks are reworked jazz standards, but there's also a few fresh new tunes – all nicely sewn together with a style that clearly respects the sounds of the past, but which also has the sharper edge of other recent work from Japan. Includes a sublime version of Bobby Hutcherson's classic "Little B's Poem", plus the cuts "So Tired", "Far Beyond", "I Love You", "He Knows Everything", "We Three", and "Straight No Chaser". CD
(SHM-CD pressing!)

Possible matches12
CD, LP, Vinyl record album cover art
Gato BarbieriChapter Three – Viva Emiliano Zapata ... CD
Impulse/GRP, 1974. Used ... $4.99
Amazing work from Gato Barbieri's legendary exploration of Latin American sounds for Impulse Records – a set that's heavy on Cuban influences, thanks to arrangements from the mighty Chico O'Farrill! The sound is sublime – a bit fuller than some of Gato's other albums in the run, but never with any slick or commercial styles – just more of a richness from O'Farrill's backings, matched perfectly by Barbieri's amazing tones on the tenor! There's a lot of Latin percussion in the backings – courtesy of Ray Mantill, Luis Mangual, and Ray Armando – and Eddie Martinez mixes in some sweet electric piano with his acoustic lines, deepening the soul of the record in a really 70s way. Titles include "Milonga Triste", "Lluvia Azul", "La Padrida", "Viva Emiliano Zapata", and "El Sublime" – the last of which is a good description of the record! CD
(Out of print.)

Possible matches13
CD, LP, Vinyl record album cover art
Heinie BeauMoviesville Jazz ... LP
Coral, Mid 50s. Very Good ... $24.99
An obscure west coast session led by reedman Heinie Beau – a player who mostly recorded with film orchestras of the 50s, but who sounds great here in the company of better-known LA names like Howard Roberts, John Graas, Don Fagerquist, Buddy Collette, and Red Callender! The style here is a bit like some of Graas' albums of the time – especially for Decca – tightly arranged, with lots of bold colors and rhythms – but still plenty of space for breakout solo moments on flute, alto, trumpet, tenor, and other reeds. Beau's conception is really wonderful – filled with modern influences, but always strongly swinging – almost in the jazz soundtrack mode you might expect from the title! Tracks include "The Three Heads Of Adam", "In Your Private Eye", "Scotland Yardbird", "The Cool Tin Roof Story", "Moonset Boulevard", "Gullible Travels", and "The Gina Pastrami Cha Cha Cha". LP, Vinyl record album
(Cover has a small spot of tape.)

Possible matches14
CD, LP, Vinyl record album cover art
Archie Bell & The DrellsI Can't Stop Dancing (with bonus tracks) ... CD
Atlantic (UK), 1968. New Copy ... $8.99
Fantastic work from Archie Bell & The Drells – an important record that bridges their earlier and later sounds! It's a key transitional album for the crew – as most of the album's in the harder rawer Texas funk groove of earlier year, but some of it features newer production by Gamble & Huff, in that excellent smooth dancing style that took Archie light years from his roots. The Gamble & Huff tracks are the most obvious – the singles "I Can't Stop Dancing" and "Do The Choo Choo" – and the album's got other great cuts like the original tunes "Do You Feel It?", "You're Such A Beautiful Child", "Jammin In Houston", and "Love Will Rain On You", plus versions of Curtis Mayfield's "I've Been Trying" and "Sometimes I Wonder". CD also features three bonus tracks – "Low Down", "Going Out Of My Head (demo)", and "Who's Loving You (demo)". CD

Possible matches15
CD, LP, Vinyl record album cover art
Bobby BradfordLove's Dream ... LP
Emanem (UK), 1973. Near Mint- ... $24.99
Seminal sounds from cornet player Bobby Bradford – a date recorded in the UK in the early 70s, but with all the free-thinking and imaginative energy as his best sessions in LA! The group pits Bobby's horn against three young modernists – Trevor Watts on alto and soprano sax, Kent Carter on bass, and John Stevens on drums – all working in these long-flowing, very rhythmic numbers that lie somewhere between Bradford's work with John Carter, and the early 60s sound of Ornette Coleman. The alto/cornet interplay is especially nice – very mesmerizing over the course of the album's very long tracks – and Watts turns out to be a great musical partner for Bobby. Titles include "Love's Dream", "Coming On", and "Roswita's Dance". LP, Vinyl record album
(US pressing.)

Possible matches16
CD, LP, Vinyl record album cover art
Peter Brotzmann/Harry Miller/Louis MoholoNearer The Bone, The Sweeter The Meat ... LP
FMP (Germany), 1979. Near Mint- ... $84.99
The title sounds like an old R&B song from the 50s, but the album's a searing collaboration between three of the boldest improvisers in 70s European jazz – Peter Brotzmann on reeds, Harry Miller on bass, and Louis Moholo on drums! Although Miller and Moholo can have warmer moments when working in British Ogun modes, they're definitely well-matched here with the young Brotzmann's energy – very freewheeling on both of their instruments, and rising to Peter's challenge to find new sounds at just about every twist and turn of the record! Titles include "Long Time Service", "Kucken und Drucken", "Schnell Im Biss", and "The Nearer The Bone The Sweeter The Meat". LP, Vinyl record album
(Original pressing!)

Possible matches17
CD, LP, Vinyl record album cover art
Peter Brotzmann/John Edwards/Steve NobleSoulfood Available ... CD
Clean Feed (Portugal), 2014. New Copy Gatefold ... $14.99
The title's a very apt one – as saxophonist Peter Brotzmann somehow sounds even more soulful than ever – almost at a level that evokes John Coltrane and Albert Ayler with his searing, searching tones on the album's very long title track! "Soulful Available" is worth the price of admission alone – as Brotzmann blows this very spiritual tenor over bass from John Edwards and drums from Steve Noble – as all three players build intensity and resonate together, almost with a 60s ESP sort of vibe – quite different than usual for Peter, but really appreciated as well! Some of the more familiar Brotzmann sense of tone and timing come through on the album's two shorter tracks, both of which are great too – "Nail Dogs By Ears" and "Don't Fly Away". CD

Possible matches18
CD, LP, Vinyl record album cover art
Gary Burton, Sonny Rollins, Clark Terry3 In Jazz ... CD
RCA, 1963. Used ... $18.99
A great record that features work not on any other album! The set's a compilation of sorts – but it's really more of a "showcase", one that features the work of three of RCA's brightest jazz stars at the time. A young Gary Burton plays "Hello Young Lovers", "Gentle Wind & Falling Tear", "Blue Comedy", and "Stella By Starlight" with a group that includes Jack Sheldon on trumpet. Sonny Rollins blows on "You Are My Lucky Star", "I Could Write A Book", and "There Will Never Be Another You" with the great group that included Don Cherry, Henry Grimes, and Billy Higgins. And Clark Terry rounds out the set with "Blues Tonight", "Sounds Of The Night", and "Cielito Lindo". CD
(Out of print, punch through barcode & booklet.)

Possible matches19
CD, LP, Vinyl record album cover art
✨✧ Lol Coxhill & Fred FrithFrench Gigs ... CD
AAA (France), 1978/1981. Used ... $11.99
A compilation of unissued live recordings made by Frith and Coxhill in France. Side one features the extended "Reims", which was recorded in that city in 1981 – and the work's kind of a cold exploration of sounds and gimmicks. Side two, though, is really fantastic – and features three shorter pieces from 1978, with that mixture of spaciness, soul, and humor that Coxhill brought to his best 70s performances. Titles include "Limogenes 1", "Limogenes 2", and "Poitiers". CD
(Out of print.)

Possible matches20
CD, LP, Vinyl record album cover art
Francois De RoubaixComment Les Sedurire/Les Strip Teaseuses/Les Combinards ... CD
Music Box (France), 1964/1965/1967. New Copy ... $19.99
Three mad soundtracks from the great Francois DeRoubaix – all penned during his formative years of the 60s! Even at this early point, Francois shows a great ear for bringing up more inventive sounds from his orchestrations – sometimes great jazzy flairs on flute or vibes, sometimes playful tuning of familiar instruments, and sometimes incredibly groovy vocal passages that rival some of our favorite French pop of the period! The whole thing's wonderful – nearly 80 minutes of music that's filled with joy and delight – and plenty of sweet twists and turns along the way – with titles that include "Juke Box De La Drague", "Cover Girl", "Maquettes", "Nos Les Play-Boys", "Peggy", "Le Roi Du Yeye", "La Proposition", "Miracle A L'Italienne", "Brigade Du Twist", "Rendez-Vous Au Ritz", and "Session Jam". CD
(Limited to 1000 copies.)

Possible matches21
CD, LP, Vinyl record album cover art
Georgie FameWhole World's Shaking – Ground Breaking Albums 1963 to 1966 (Rhythm & Blues At/At Last/Sweet Things/Sound Venture) (4LP set) ... LP
Fontana/Universal (UK), Early 60s. New Copy 4LP ... $109.99
Four incredible albums from the young Georgie Fame – served up here in one tremendous package – with all oiriginal artwork, nice heavy vinyl, and even new remastering from the original tapes! First up is Rhythm & Blues At The Flamingo – blistering early work from a young Georgie Fame – a set that definitely lives up to the Rhythm & Blues in the title! The set was recorded live at London's hip Flamingo club – and Georgie and The Blue Flames are very much in command of the crowd – burning with the intensity of a American small organ combo, especially the early 60s variety that often played equal parts soul jazz and R&B! Georgie's on the Hammond, and also sings with a rough-edged style that's plenty soulful, and incredibly appealing – a mode that oozes charisma, but never sounds fake or forced. Titles include "Do The Dog", "Eso Beso", "Work Song", "Baby Please Don't Go", "Shop Around", "Humpty Dumpty", and "You Can't Sit Down". Fame At Last is a brilliant mix of jazz, soul, and R&B – all filtered through a mod sort of London freshness, as early proof that the city could always take some great things from our own musical roots, and feed it back to us with a whole new flavor! Georgie's no copycat here, though – and the sound is instantly Fame-like – a style that's really not the sort that any Americans were doing at the time, and certainly never this well. Hard-burning Hammond colors most of the tunes here – played with a tightly vamping quality – but it's Georgie's charmingly crackling vocals that really win us over! Titles include "Gimme That Wine", "Pink Champagne", "Monkeying Around", "Green Onions", "Let The Sunshine In", "Get On The Right Track Baby", "I'm In The Mood For Love", and "I Love The Life I Live". Sweet Things is a definite sweet thing from Georgie Fame – a record that has him filling in his sound even more than before, with tremendously soulful results! The backings here are bigger than before – a bit tooled in an American soul mode, but still with that beautifully raspy Georgie Fame touch – lots of jazzy inflections on the vocals, and a way of handling a tune, even a familiar one, and really working it on his own level. Hammond still fills in most of the tunes, but other instrumentation includes some nice African percussion from Speedy Acquaye, saxes from Pete Coe, and some nice bold drums from John Mitchell. These come out to the forefront on the classic funky tune "Music Talk" – and still sound great on other numbers that include "The World Is Round", "Last Night", "Dr Kitch", "My Girl", "Ride Your Pony", and "Sweet Thing". Sound Venture is one of the jazziest early albums from Georgie Fame – a set that has him singing with the big band of Harry South, at a level that's a lot more complicated than some of his other work with The Blue Flames! The style here still has that mod 60s London feel, but it also has some deeper inflections as well – modes borrowed a bit from Jon Hendricks or Mose Allison, yet served up with even greater complexity – at a level that really points towards the tremendous growth Fame would unleash over the next few years. Members of the group include Tubby Hayes, Ronnie Scott, Tony Coe, Dick Morrisey, Kenny Wheeler, and many other key Brit jazz figures of the time – and titles include "Three Blind Mice", "Dawn Yawn", "Feed Me", "Lovey Dovey", "Lil Darlin", "Lil Pony", "I Am Missing You", and "Many Happy Returns". LP, Vinyl record album
(Includes download – which gives an additional 60 tracks that were on the CD version, 18 of which are previously unissued!)

Possible matches22
CD, LP, Vinyl record album cover art
Stan GetzStan Getz & The Cool Sounds ... CD
Verve (Japan), 1953/1954/1955. Used ... $6.99
An odd little album in the Stan Getz catalog of the 50s – not just because of the cheesy cover and title, but also because it features a range of unusual material recorded over a three year period with a variety of different players! Some of the dates here definitely fit the "cool sounds" title of the record – in that they feature Getz with the west coast lineup of Loy Levy on piano, Shelly Manne on drums, and Leroy Vinnegar on bass – heard more famously on Stan's West Coast album of the same time. But other sides feature a different grouping – with Jimmy Rowles on piano, Bobby Whitlock on bass, and Max Roach on drums – offering up a different side of the west coast altogether. And still others take things back to more of an east coast modern style – by featuring either Tony Fruscella on trumpet or Bob Brookmeyer on trombone, in groups with John Williams on piano. The mix of material makes for a nicely-rounded portrait of Getz's talents in the mid 50s years – and the album features 10 tracks that include "Nobody Else But Me", "Serenade In Blue", "Of Thee I Sing", "Love Is Here To Stay", "Blue Bells", "Roundup Time", "Rustic Hop", and "A Handful Of Stars". CD
(Includes obi.)

Possible matches23
CD, LP, Vinyl record album cover art
Jef GilsonLe Massacre Du Printemps ... CD
Futura (France), 1971. New Copy ... $14.99 16.99
One of the most striking albums ever from French experimentalist Jef Gilson – and one of the most outside as well! The album's from the same vintage as some of Gilson's world jazz experiments on the Palm label, but the overall feel here is much more free – with Jef working on a fuzzy Electra Hohner piano, which sounds very stark and trippy – alongside organ from Pierre Moret and drums from Jean Claude Pourtier – as well as other instrumentation from all three members of the trio! There's lots of percussion and extra elements that come into the mix – creating an organic feel that's different than other freer jazz work of the time – and Gilson's use of the electric keyboard is strongly resonant, with bold sounds that never overlap – but hang in the air nicely amidst the percussion. Claude Jeanmarie also plays prepared piano on one track – and titles include "Les Cigales", "Faut Qu'on", "Tournant Decisif", and "Le Massacre Du Printemps". CD

Possible matches24
CD, LP, Vinyl record album cover art
✨✧ Philip GlassComplete Sony Recordings (24CD set) ... CD
Sony, Late 70s/1980s/1990s/Early 2000s. New Copy 24CD ... $105.99 119.98
A stunning collection of sounds from the legendary Philip Glass – a complete set of every single one of his recordings for Columbia Records – which is the label at which he did most of his important music! The set's a treasure trove of modernist musical moments – not just a blueprint for minimalist composition near the end of the 20th century, but also a showcase for the many different paths that mode followed over the years – from vocal performances, through solo moments, ensemble explorations, soundtracks, and more. The box features 24 CDs in all, each with mini LP-styled covers, plus all the original liner notes, more discographical notes, and even librettos for all of the operas. In addition to the three important operas – Einstein On The Beach, Satygraha, and Akhnaten – plus early albums like Glassworks, Dance Pieces, and The Photographer – and the soundtrack to Naqoyqatsi, Solo Piano, Dance Nos 1 to 5, Itaipu, Passages, Organ Works, and more – as well as a bonus CD of recent recordings. A beautiful package – and the only time these works have been presented completely together. CD
This item will not be delivered to you before Friday, October 28.

Possible matches25
CD, LP, Vinyl record album cover art
Joe Haider/Fritz Pauer/Horace ParlanEgo Recordings Vol 3 (Reconciliation/Katzenvilla/Water Plants/One For Wilton) (4CD set) ... CD
Ego/Organic (Germany), Late 70s. New Copy 4 CDs ... $44.99
Four ultra-rare records – all brought together in one incredible CD set – the third collection to document the brilliant sounds of Germany's Ego Recordings label from the 70s! First up is the album Reconciliation from Joe Haider – one of the 70s gems on the mighty German Ego label – an incredible small company who seemed to put out nothing but excellent music! The set's led by pianist Joe Haider, and features a quintet with Andy Scherrer on tenor and soprano sax, Ack Van Rooyen on flugelhorn, Gunter Lenz on bass, and Todd Canedy on drums – all of them together welling up as way more than the sum of their parts, and cooking up an amazingly soulful set of tunes! There's bits of modal and American 70s spiritual soul jazz in the set – all played with a proud and buoyant style that unfolds majestically through the course of the album, never faltering in its vision or creativity. A under-acknowledged gem, with tracks that include "Mas De Serles", "Magdalena", "Reconciliation", "Crossover", and "Spanish Groove". Katzenvilla features the amazing trio of pianist Joe Haider, bassist Isla Eckinger, and drummer Pierre Favre – three very individual musicians who come together here as a group, but still retain a lot of their special energy! Haider's a lot more dynamic than usual – still with warm chords on the piano, but also some sharper edges – which seem pushed on by Favre's deft drum work, and his flowing sense of both melody and rhythm at the same moment. Eckinger's bass has these deep, soulful currents that we always love – and really grounds the whole thing in a wonderful way – on titles that include "Capricorn", "My Little Darling", "And Now", "Katzenvilla", and "Fate Of A Child" – all originals by Haider! Pianist Fritz Pauer steps out on Water Plants – a trio date that's got a lot more warmth and soul than some of the musician's previous work from the German scene – a beautiful little session that balances the deep bass work of Isla Eckinger and the subtle drums of Billy Brooks. There's a loose, lyrical vibe to the record that shows a side of Pauer we might not have expected – and Fritz wrote some wonderful tunes for the album, including "Water Plants", "Sagittarius", "Tribal Dance", "For La Rives", and "Autumn Evening". Last up is One For Wilton – one of the hippest later albums from pianist Horace Parlan – a set recorded with the saxophonist Wilton Gaynair, who'd contributed heavily to the UK scene in the late 50s/early 60s, then made great waves in Germany during the 70s! The set features Wilton on tenor and soprano sax, Parlan on piano, and great rhythms from Isla Eckinger on bass and Billie Brooks on drums – all coming together with a sense of warmth and imagination that's completely sublime – much richer than some of Gaynair's other performances from the 70s, and with a sense of flow and soul that makes the album one of Parlan's best. Titles include "Billie's Bossa", "One For Wilton", "Shade", "Firm Roots", and "Pananika". All albums come in tiny LP-style covers, and the box also features a bookle of notes! CD

Possible matches26
CD, LP, Vinyl record album cover art
✨✧ Herbie Hancock5 Original Albums (Takin Off/My Point Of View/Inventions & Dimensions/Speak Like A Child/The Prisoner) (5CD set) ... CD
Blue Note (Germany), Mid 60s. New Copy 5CD ... $26.99
The early genius of Herbie Hancock – perfectly summed up here in five classic albums for Blue Note – each presented in a tiny LP-styled sleeve! Takin Off has Herbie Hancock stepping into the limelight with an excellent batch of soul jazz tunes, including the first recording of his classic "Watermelon Man", the one track that probably put all his kids through school! Although that one went on to become a standard within a few short years in 60s jazz, it still sounds great here in the original – a very fresh take on the sound of soul jazz in the 60s – offered up here in a 7 minute version that has more sharp soloing than most other takes on the tune! The group here is great too – with Dexter Gordon on tenor, Freddie Hubbard on trumpet, Butch Warren on bass, and Billy Higgins on drums – and the tracks are all also originals by a young Herbie – including "Watermelon Man", "The Maze", "Driftin", "Three Bags Full", "Alone & I", and "Empty Pockets". My Point Of View is a great mix of soul jazz and modernism! The record include a nice groovy "hit", Herbie's "Blind Man, Blind Man" – an obvious follow-up to "Watermelon Man", but still a standout track with a lot of imagination, and a fierce soul jazz hook that just won't quit! The rest of the record, while still groovy, also shows much more signs of Herbie's far-reaching conception – especially shared with players like Tony Williams, Grachan Moncur, Chuck Israels, and Grant Green – all of whom work with Herbie, Donald Byrd, and Hank Mobley – in a larger than usual group that makes for a really great sound! Titles include "A Tribute To Someone", "King Cobra", and "The Pleasure Is Mine". Inventions & Dimensions is really unique little record from Herbie Hancock – one that's almost completely improvised over Latin percussion! The setup is quite spare – and quite different than Herbie's other Blue Note work – and the group features improvised backgrounds by bassist Paul Chambers and 2 Latin percussionists, Willie Bobo and Osvaldo "Chihuahau" Martinez. Herbie only wrote simple sketches for the songs on the album, and most of the work on the tracks was done live, spontaneously, in the studio – creating a very free groove that never goes too far out, but which is far more adventurous than usual. All tracks are long, and titles include "Succotash", "Triangle", and "Mimosa". Speak Like A Child is an oft-overlooked session that has Herbie mixing a nice dose of lyricism into his usual soul jazz approach from the 60s! The sound's a bit farther-reaching than on some of Herbie's smaller group sessions – and the record features a sextet that includes Ron Carter, Mickey Roker, Jerry Dodgion, Thad Jones, and Peter Phillips – all soaring with the warmth and introspection that was showing up in some of the best Blue Notes from the time. The harder-hitting soul jazz riffs and hooks are nicely replaced by more thoughtful lines that get a bit deeper, soufully – and nearly all tracks on the set are originals by Hancock! The album's filled with great moments – and tracks include "The Sorcerer", "Riot", and "Goodbye To Childhood". Last up is The Prisoner – a nice late Blue Note change from Herbie Hancock – a very different album than his previous sets for the label – in that it features a slightly larger group, and a sound that really points the way towards his directions in the 70s! There's a slightly ambitious feel to some of these cuts – not in a way that's over-arranged, but just a new sort of thinking for Herbie's kind of groove – a mode that's partially informed by the seriousness of 60s jazz soundtracks, but which also has the beginnings of some more righteous modes of expression too. Players are all great – and include Joe Henderson on tenor and flute, Johnny Coles on flugelhorn, Garnett Brown on trombone, Hubert Laws on flute, Jerome Richardson on bass clarinet, Buster Williams on bass, and Tootie Heath on drums. Herbie plays both acoustic and electric piano – using the latter here in one of his first recordings on the instrument – and titles include "Firewater", "I Have A Dream", "The Prisoner", and "He Who Lives In Fear". CD

Possible matches27
CD, LP, Vinyl record album cover art
Judy Henske & Jerry YesterFarewell Aldebaran (starburst vinyl pressing) ... LP
Straight/Omnivore, 1969. New Copy Gatefold (reissue)... $22.99 24.98
An album as tripped-out as its cover – served up by ex-folkie Judy Henske, and underground talent Jerry Yester – who you may know from his work in the studio, and his stint in The Lovin Spoonful! The sounds here, though, are completely different from anything you might expect from the duo's heritage – weird and wild enough to get original issue on Frank Zappa's Straight label – and years ahead of its time! Henske can draw vocally on a longer legacy of folk, but transform her approach with much more of a mind-blown late 60s style – which really gets opened up by Yester's contributions, which really have that special spark he brought to his production work for other artists – and which can bring sinister currents to some of the songs. Titles include "Snowblind", "Horses On A Stick", "Three Ravens", "Raider", "Rapture", "Charity", and "Farewell Aldebaran". LP, Vinyl record album
(Deluxe 1st pressing of 1500 on multi colored vinyl – with 8 page booklet of notes!)
Also available Farewell Aldebaran (with bonus tracks) ... CD 14.99

Possible matches28
CD, LP, Vinyl record album cover art
Judy Henske & Jerry YesterFarewell Aldebaran (with bonus tracks) ... CD
Straight/Omnivore, 1969. New Copy ... $14.99 16.98
An album as tripped-out as its cover – served up by ex-folkie Judy Henske, and underground talent Jerry Yester – who you may know from his work in the studio, and his stint in The Lovin Spoonful! The sounds here, though, are completely different from anything you might expect from the duo's heritage – weird and wild enough to get original issue on Frank Zappa's Straight label – and years ahead of its time! Henske can draw vocally on a longer legacy of folk, but transform her approach with much more of a mind-blown late 60s style – which really gets opened up by Yester's contributions, which really have that special spark he brought to his production work for other artists – and which can bring sinister currents to some of the songs. Titles include "Snowblind", "Horses On A Stick", "Three Ravens", "Raider", "Rapture", "Charity", and "Farewell Aldebaran". Also features 5 bonus tracks – "Merry Go Round", "Zanzibar", "Moods For Cellos", "Divers Asleep", and an instrumental demo of "Charity". CD
Also available Farewell Aldebaran (starburst vinyl pressing) ... LP 22.99

Possible matches29
CD, LP, Vinyl record album cover art
High InergySteppin Out ... LP
Gordy, 1978. Very Good+ ... $3.99
A really nice little record from High Inergy – one that sounds a lot better than we remember from some of the girls' other sets! There's almost a bit of a softening going on here – less "inergy" in the grooves, and more of a warm approach to soul that still works in the Philly-inspired girl group 70s style, but kicks things back a bit more – making a shift from Three Degrees into The Jones Girls, if that makes any sense. Titles include "Everytime I See You I Go Wild", "Didn't Wanna Tell You", "Lovin Fever", "Hi", "Fly Little Blackbird", "Beware", "We Are The Future", and "Peaceland". LP, Vinyl record album
(Cover has a sticker in one corner.)

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