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Exact matches: 1
Exact matches1
CD, LP, Vinyl record album cover art
Three DegreesStrategy – Our Tribute To Philadelphia ... CD
Soulmusic.com (UK), 2016. New Copy ... About March 4, 2016
CD
 
Possible matches: 11
Possible matches2
CD, LP, Vinyl record album cover art
Muhal Richard AbramsLevels & Degrees Of Light ... CD
Delmark, 1967. New Copy ... $8.99 12.99
Although recorded early in the career of Muhal Richard Abrams, this brilliant LP shows the pianist/composer turning away from the stock jazz and studio work of earlier years – to develop into one of the richest talents to rise from the Chicago avant underground of the 60s! At the time of the recording, Abrams was the president of the recently-founded AACM – and for the session, he's surrounded himself with some of the best young talents from Chicago, including Thurman Barker, Anthony Braxton, Leroy Jenkins, and Maurice McIntyre – all of whom help to create a complicated web of colors, shapes, and sounds, that prove that the youthful energy of the underground scene was more than capable of crafting sophisticated modernist documents. The album features three long works – "Levels & Degrees Of Light", "The Bird Song", and "My Thoughts Are My Future". CD

Possible matches3
CD, LP, Vinyl record album cover art
✨✧ Roy BuddDiamonds ... LP
Cinephile/Castle (UK), 1975. New Copy Gatefold (reissue)... $6.99
Heist films always provided some of the best soundtracks of the 70's, and this one (starring Robert Shaw and Richard Roundtree, and issued in the US as Diamond Shaft) is no exception! Roy Budd rises to the groovy occasion and scores some excellent moments that match a light orchestral sound with a throbbing electric bass and percussion underground – in a style that's like Lalo Schifrin's best work from the time. The LP's overflowing with tracks, including a few bonus mixes, and there's even 2 vocal numbers that feature The Three Degrees. Titles include "The Thief", "Beauty & The Bass", "Diamonds", "Party Piece", "Thief On the Prowl", and more! Nice notes, and some nicely funky crime themes, too! Nice gatefold cover, too! LP, Vinyl record album

Possible matches4
CD, LP, Vinyl record album cover art
Paul Desmond with Jim HallComplete Recordings Of Paul Desmond With Jim Hall (4CD set) ... CD
Mosaic, Early 60s. Used 4CDs ... $69.99
Ahhh . . . The genius of Paul Desmond and Jim Hall! Desmond was the icy alto tone behind Dave Brubeck's legendary quartet of the late 50s and early 60s – and although we always liked his work with Dave, Paul's even better on his own! Desmond has a lanquid, lyrical tones that's simply beyond compare – and in the right setting, he crafts these snaking, inching, arcing lines that take the alto sax to a whole new level of expression. In these sides with guitarist Jim Hall, he's certainly in the right setting – as modernist Hall, fresh from work with the Jimmy Guiffre 3, really helps set the mode on these recordings, painting colors with a subtle brush, filling in spaces ever so gently as Desmond angles his way around tunes that have an increasingly Latin bent to them. The first album in the set features tracks from Desmond's rare 1959 Warner Brothers album , plus an obscure tune ("Susie") that was only ever issued on a 1959 Playboy compilation. The remaining 5 LPs feature tracks from Desmond's sublime RCA sessions from the early 60s - sparely recorded with only bass and drums behind work by him and Hall. Titles include "All Across The City", "East Of The Sun", "Greensleeves", "Rude Old Man", "Samba Cantina", "Two Degrees East, Three Degrees West", "Samba De Orfeu", and loads more. CD
(Note: Does not include book or slipcase. Out of print.)

Possible matches5
CD, LP, Vinyl record album cover art
MFSBLove Is The Message (with bonus tracks) ... CD
Philadelphia International/Big Break (UK), 1973. New Copy ... $14.99
A key moment for the Philly soul scene of the 70s – and the first album to feature the MFSB backing group as a solo act on their own! The ensemble were responsible for key sounds on countless soul singles of the time – yet also find a way to soar beautifully on their own – in a sweet instrumental groove that matches the strength of Barry White's Love Unlimited Orchestra, and which was definitely a key inspiration for the sound of the Salsoul Orchestra! There's definitely a bit of early disco in the mix, but the style's more uptempo east coast overall – that pre-disco groove that was going down in the clubs – with larger strings added to a core group of funky rhythm players. Gamble & Huff production make the whole thing sparkle, and arrangements are by Vince Montana, Bobby Martin, and Jack Faith – on titles that include "Love Is The Message", "Cheaper To Keep Her", "TSOP", "Zack's Fanfare", "Touch Me In The Morning", and "My One & Only Love". CD features bonus tracks – "Love Is The Message (single version – with Three Degrees)", "TSOP (with Three Degrees)", and "Love Is The Message (Tom Moulton mix)". CD

Possible matches6
CD, LP, Vinyl record album cover art
✨✧ High InergySteppin Out ... LP
Gordy, 1978. Used ... Temporarily Out Of Stock
A really nice little record from High Inergy – one that sounds a lot better than we remember from some of the girls' other sets! There's almost a bit of a softening going on here – less "inergy" in the grooves, and more of a warm approach to soul that still works in the Philly-inspired girl group 70s style, but kicks things back a bit more – making a shift from Three Degrees into The Jones Girls, if that makes any sense. Titles include "Everytime I See You I Go Wild", "Didn't Wanna Tell You", "Lovin Fever", "Hi", "Fly Little Blackbird", "Beware", "We Are The Future", and "Peaceland". LP, Vinyl record album
(Cover has a promo stamp.)

Possible matches7
CD, LP, Vinyl record album cover art
✨✧ John LewisEuropean Windows ... LP
RCA, 1958. Used ... Temporarily Out Of Stock
A bit of an obscure session, but the first of John Lewis' works for a larger jazz orchestra – recorded with a lineup that includes larger strings and woodwinds next to rhythm backing by Percy Heath and Connie Kay of the MJQ! The tracks are all longer originals arranged by Lewis – except for one track orchestrated by Gunther Schuller – and the album's especially noteworthy for its extensive solo work by British baritone saxophonist Ronnie Ross, a player who's been one of the great under-discovered sides of the European scene of the late 50s and 1960s for years – and who really steps out here in some wonderful moments. The only other major soloist on the set is flute player Gerry Weinkopf – who provides a nice lighter tone next to that of Ross. Titles include "Midsommer", "The Queen's Fancy", "Cortege", "Three Windows", "England's Carol", and "Two Degrees East Three Degrees West". LP, Vinyl record album
(Black label mono pressing, with deep groove. Cover has light wear and clear tape on the sides.)

Possible matches8
CD, LP, Vinyl record album cover art
✨✧ VariousMama's Got A Bag Of Her Own – 25 Songs From The Original Sassy Stateside Soul Sisters ... CD
Stateside (UK), 1960s/Early 70s. Used ... Out Of Stock
One of the coolest collections of female soul tracks we've ever seen – a package that goes way past the obvious to bring together a range of great bits from the early 60s through the early 70s! Half the work here is quite obscure, but even the better-known tracks are still ones that don't show up that often – and together the tunes resonate with a depth and quality that easily blows away other sets of this nature – a great sound that goes way past easy hits and common cliches to showcase a really full range of female soul! Tons of great tracks – with titles that include "I'm My Own Doctor" by Debbie Dovale, "Don't Stop The Wedding" by Ann Cole, "Groovin At The Go Go" by The Four Larks, "Let Me Down Easy" by Betty Lavette, "Mama's Got A Bag Of Her Own" by Anna King, "One Of Those Good For Crying Over You Days" by Clydie King, "You're No Good" by Dee Dee Warwick, "You Got Em Beat" by Soul Sisters, "Hard To Handle" by Patti Drew, "Beatmaker" by Doris, "Expressway To Your Heart" by Margo Thunder, "There's So Much Love All Around Me" by Three Degrees, "Feel Like Makin Love" by Marlena Shaw, "I Love You More Than You'll Ever Know" by Tina Britt, "I'm Just Not Ready For Love" by The Ikettes, and "Just Not Ready" by The Exciters. CD

Possible matches9
CD, LP, Vinyl record album cover art
✨✧ VariousPhiladelphia Classics ... LP
Philadelphia International, Mid 70s. Used 2LP Gatefold ... Out Of Stock
A classic collection of hits from Philly International – issued at the height of the label's popularity, and featuring some of the biggest tracks from the years 1973 to 1975! Titles include "I'll Always Love My Mama" by The Intruders, "Love Train" by The O'Jays, "Dirty Ol Man" by Three Degrees, "I Love Music" by The O'Jays, "Don't Leave Me This Way" by Harold Melvin & The Blue Notes, "Love Is The Message" by MFSB, "TSOP" by MFSB, and "Bad Luck" by Harold Melvin & The Blue Notes. LP, Vinyl record album
(White label promo. Cover has a tracklist sticker & promo stamp.)

Possible matches10
CD, LP, Vinyl record album cover art
✨✧ VariousPhiladelphia International Classics – The Tom Moulton Remixes (4CD set) ... CD
Philadelphia International/Harmless (UK), 1970s. New Copy 4CD ... Out Of Stock
Massive mixes from the mighty Tom Moulton – a huge 4CD package that not only includes some classic lost and rare mixes from the 70s, but also a whopping 17 previously unreleased Moulton mixes, appearing here for the first time ever! If there's anyone who's ever been well-suited to reworking a Philly groove, it's Tom – given his long standing association with the soul scene in the City Of Brotherly Love – and his crucial role in pushing soul tracks into the clubs during the 70s. As with most of Tom's best work, the mixes here are richly faithful to the originals – and never try to overstate themselves at all, just focus on the best elements, and bring them to the forefront of the groove! 4CDs, 31 tracks, and Moulton remixes of "Back Stabbers" by The O'Jays, "Dirty Ol Man" by Three Degrees, "Trusting Heart" by The Trammps, "Do It Any Way You Wanna" by People's Choice, "Nights Over Egypt" by The Jones Girls, "I Don't Love You Anymore" by Teddy Pendergrass, "Year Of Decision" by Three Degrees, "Slow Motion" by Johnny Williams, "The Love I Lost" by Harold Melvin & The Blue Notes, "She's A Winner" by The Intruders, "Trammps Disco Theme/Zing Went The Strings" by The Trammps, "Let's Groove" by Archie Bell & The Drells, "The Devil Made Me Do It" by Robert Upchurch, "Love Is The Message" by MFSB, "Party Time Man" by The Futures, and "See You When I Get There" by Lou Rawls. CD

Possible matches11
CD, LP, Vinyl record album cover art
✨✧ Gloria GaynorNever Can Say Goodbye ... CD
MGM/Universal (Japan), 1975. New Copy ... Out Of Stock
The start of a very successful run for Gloria Gaynor – a seminal bit of crossover 70s soul – one that perfectly linked the dancefloor with the airwaves, and managed to take on more than a few living rooms as well! Gloria's not entirely in full blown disco-diva mode yet, and works here with a soaring Philly-styled groove – of the sort you'd hear with groups like First Choice or Three Degrees – almost grounded a bit in earlier female soul, especially in the vocals and overall changes in the grooves – yet sparkled up plenty with some fuller, richer 70s arrangements. Those are handled by Norman Harris and Harold Wheeler – who do plenty to warm up the production by Meco – and the set includes the stunning 6 minute version of Gloria's big hit "Never Can Say Goodbye", plus "All I Need Is Your Sweet Lovin", "We Belong Together", "Real Good People", "Honey Bee", and "Reach Out I'll Be There". CD

Possible matches12
CD, LP, Vinyl record album cover art
✨✧ StratavariousStratavarious ... LP
Roulette, 1977. Used ... Out Of Stock
A great album of jazzy club tracks – put together by John Usry Jr, who'd done some work with other 70s club acts like Three Degrees, Love Committee, and First Choice. Most of the tracks on the record feature female backing vocals – in the style of work by those other groups – but the real standout aspect is a jazzy harp, played in a manner that makes us think of Dorothy Ashby going disco. The best cut on the album is the 8 minute "Nightfall", which has some great trumpet work by Guido Basso – and other nice moments include the mellow "Touching", and the cuts "I Got Your Love" and "Love Me", which both have some nice guitar. Recorded in Canada, and very typical of that baroque Canadian approach to disco. LP, Vinyl record album
 
 
 



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