A pretty hip album – despite a stupid title – and one that proves the Harris was always willing to keep on growing as an artist. The record does include a few blues numbers, and Eddie does sing a bit – but he does so through his electric saxophone, which creates this cool flanged-out sound that barely lets you hear the lyrics, and which feels a lot more like some snakey sax solo than it does singing. Muhal Richard Abrams is on piano for most of the record, and most of the arrangements were done by Richard Evans – bringing together the Chicago avant garde and studio scenes in a unique blend of far-reaching tracks that would have been perfect in the Cadet years of Charles Stepney. Includes a swinging version of "Giant Steps", plus "Please Let Me Go", "Walk With Me", "Ten Minutes To Four", and "A Child Is Born". LP, Vinyl record album

Something wonderful happened to Coleman Hawkins at the end of his career – record companies started letting him record in really long formats, stretching out creatively on extended solos that continued to push the boundaries of his talents! This set is a prime example of that shift – as it features Hawkins alongside Roy Eldridge and Johnny Hodges – all working with trio backing by Tommy Flanagan, Major Holley, and Eddie Locke in a live setting at the Village Gate. Tracks are all well over ten minutes long – 2 at eleven minutes, and 1 at sixteen – and they allow the three lead soloists to really stretch out in a warmly improvisatory manner that surpasses even the easygoing Verve studio sessions of the 50s. Titles include "Satin Doll", "Perdido", and "The Rabbit In Jazz". Plus, added to these 3 are 4 more bonus tracks from the Hawkins Alive album – recorded at the same time, but without the other 2 soloists. These titles include "It's The Talk Of The Town", "Mack The Knife", "Caravan", and "Bean & The Boys". CD

Fantastic work by this excellent 70s combo – a quintet whose leaders recorded famously with Horace Silver in the 60s, then took his inspiration to very different spiritual territory on their own! Both drummer Louis Hayes and tenorist Junior Cook are fantastic – but the whole group here is completely sublime – with Woody Shaw on trumpet, Ronnie Matthews on piano, and the great Stafford James on bass – a really rich player who gives the album a whole lot of depth – whether things are swinging straight, or taking off in new spiritual dimensions! The combo handles both modes wonderfully – and the long, open space of the live recording has Cook and Shaw turning out some very soulful standard solos, then soaring to the skies on some of the hipper numbers. All tracks are over ten minutes long – some much longer than that – and titles include "Moment To Moment", "Moontrane", "Ichi Ban", "All The Things You Are", "Four For Nothing", "Pannonica", and "When Sunny Gets Blue". CD

A very very cool live set from the great tenorist Tubby Hayes – one that has him working in an unusual quartet with Louis Stewart on guitar – a setting that makes a really nice change for Hayes! The track are all very long and open – three of the four are past the ten minute mark – and Stewart's guitar often provides this rhythmic comping while Tubby solos – creating blocks of chromatic sound that make for a wonderful counterpart to the sharper, soulful lines from Hayes as he creates with the sort of non-stop energy we love in his live performances. The rest of the group includes Kenny Baldock on bass and Spike Wells on drums – and titles include "The Syndicate", "Gingerbread Boy", "The Inner Splurge", and "The Gentle Rain". CD

A very very cool live set from the great tenorist Tubby Hayes – one that has him working in an unusual quartet with Louis Stewart on guitar – a setting that makes a really nice change for Hayes! The track are all very long and open – three of the four are past the ten minute mark – and Stewart's guitar often provides this rhythmic comping while Tubby solos – creating blocks of chromatic sound that make for a wonderful counterpart to the sharper, soulful lines from Hayes as he creates with the sort of non-stop energy we love in his live performances. The rest of the group includes Kenny Baldock on bass and Spike Wells on drums – and titles include "The Syndicate", "Gingerbread Boy", "The Inner Splurge", and "The Gentle Rain". LP, Vinyl record album

A lucky number 13 from Lee Hazlewood – one of the artist's last albums during his legendary LHI run of creativity – and a set that marks a really groovy step forward! The music here has all the wit and sharpness of Lee's better-known late 60s material, but there's also a bit of a groove too – some currents that were brought to the record by Larry Marks, then given a special Hazlewood touch when Lee's vocals were added – all in a way that almost makes for a soulful 70s update to his 60s sound! The set was only issued during Lee's time in Sweden during the early 70s – which makes it one of his rarest records ever – and titles include "You Look Like A Lady", "Tulsa Sunday", "Ten Or 11 Towns Ago", "And I Loved You Then", and "I Move Around". Features the bonus tracks "Drums", "Susie", and "Cold Hard Times (outtake)". 2LP edition features 30 tracks in all – including acoustic demos, unreleased tracks, and more – including the rare tunes "Peppermint Morning", "Miracle On 19th Street", and "I'm Riding". LP, Vinyl record album

2 early albums by the great Shirley Horn – back to back on one CD! On Loads Of Love, Shirley sings some somber ballads over large orchestrations by Jimmy Jones – in a mode that's different from recent work, but which also shows that she's a great singer with a really sensitive style. The groove's not as open as on some of her small combo recordings, but that also brings out a side of Shirley that you don't always hear on record – a committed, honest, slightly sad style that's quite striking, considering that this was one of Shirley's first albums. Titles include "That's No Joke", "Love For Sale", "Ten Cents A Dance", "Who Am I?", "Only The Lonely", and "Wild Is Love". Horn With Horns is hip stuff from Shirley – very mature and swinging jazz, despite any hokiness you might expect from the "with horns" tag. Arrangements are by Quincy Jones, Thad Jones, and Billy Byers – and the set list features some good current numbers, and a bunch of standards, all redone nicely in a 60s sophistijazz style. Tracks include "Wee Small Hours", "That Old Black Magic", "The Great City", "On The Street Where You Live", and "Let Me Love You". CD

A fantastic package of work – material that not only helped kick off the career of the legendary Howlin Wolf, but also the Memphis powerhouse Sun Records too! The material here was all cut in the Sun Studios right at the start of its famous run – material recorded by Sam Phillips long before Elvis, Johnny Cash, and Jerry Lee Lewis – at a time when he was deeply interested in the shifts taking place in southern blues at the time, and was willing to take a chance on the mighty talents of Howlin Wolf! Wolf was no newcomer to the scene, but hadn't gotten recorded much before – especially not at this level, which brings out qualities that really ignited a long stretch of important 50s sessions after Sun licensed a few key tracks to other labels before they got their own imprint up and running. This very cool 10" package features titles not issued at the time – ten great tracks that were in the Sun Records vaults for years – presented here in a very cool vintage-styled LP. Titles on this second volume include "Color & Kind", "My Baby Walked Off", "Baby Ride With Me", "Smile At Me", "California Blues", "Well That's All Right", "Mr Highway Man/Cadillac Daddy", "Decoration Day Blues", "Dorothy Mae #2", and "CV Wine Blues/Drinkin CV Wine". LP, Vinyl record album

A great little record from the Japanese scene of the 70s – a set that not only shows the great blend of acoustic and electric styles that was happening at the time, but which also really illustrates the inventive approach of the Three Blind Mice label at their best! The vibe here is very different than the usual Japanese fusion album of the time – a bit more relaxed and open-ended, and really free to play around with different rhythms and tonal changes – yet all while still moving forward, and avoiding some of the proggy, jamming modes of the European scene. Tracks all push past the ten minute mark – and in addition to both piano and electric piano from Masaru Imada, the set also features guitar from Kazumi Watanabi, bass from Osoo Fukui, drums from Tetsujiro Obara, and percussion from Yuji Imamura. Titles include "A Green Caterpillar", "Straight Flash", "Blue Impulse", and "Spanish Flower". CD

2 early gems from The Impressions – back to back on a single CD! First up is the self-titled Impressions – fantastic soul from the Chicago scene of the 60s – the legendary first ABC album by Curtis Mayfield and The Impressions! Although the group first broke big on Vee Jay Records, it was at ABC that their genius really took flight – tightening up the harmonies of the earlier singles, and hitting a mode that was a lot more soul than the doo wop of their roots! The sound here is a great bridge between the two eras of the group's career – and a number of the best tracks here are done in a mellow, gentle sort of way that relies heavily on the harmonies – crackling out with beautifully human sounds throughout. Nearly every tune is an original by Curtis Mayfield – and there's not a spot of filler on the album! Titles include "Minstrel & Queen", "Gypsy Woman", "Never Let Me Go", "Sad Sad Girl & Boy", "Little Young Lover", "Can't You See", and "I Need Your Love". Nice cover, too – with Curtis smiling the biggest ol' bucktoothed smile you'll ever see! Never-Ending Impressions is a major winner from The Impressions! Virtually all of their material for ABC was excellent – and this LP is no exception, as it's got loads of original Curtis Mayfield compositions, and plenty of great arrangements by Chicago soul legend Johnny Pate. The group is extremely soulful at this point – and they sound great on just about every cut. Titles include "Ten To One", "I'm So Proud", "Sister Love", "Little Boy Blue", "Girl You Don't Know Me", "I Gotta Keep Movin", and "A Woman Who Loves Me". CD

2 early gems from The Impressions – back to back on a single CD! First up is the self-titled Impressions – fantastic soul from the Chicago scene of the 60s – the legendary first ABC album by Curtis Mayfield and The Impressions! Although the group first broke big on Vee Jay Records, it was at ABC that their genius really took flight – tightening up the harmonies of the earlier singles, and hitting a mode that was a lot more soul than the doo wop of their roots! The sound here is a great bridge between the two eras of the group's career – and a number of the best tracks here are done in a mellow, gentle sort of way that relies heavily on the harmonies – crackling out with beautifully human sounds throughout. Nearly every tune is an original by Curtis Mayfield – and there's not a spot of filler on the album! Titles include "Minstrel & Queen", "Gypsy Woman", "Never Let Me Go", "Sad Sad Girl & Boy", "Little Young Lover", "Can't You See", and "I Need Your Love". Nice cover, too – with Curtis smiling the biggest ol' bucktoothed smile you'll ever see! Never-Ending Impressions is a major winner from The Impressions! Virtually all of their material for ABC was excellent – and this LP is no exception, as it's got loads of original Curtis Mayfield compositions, and plenty of great arrangements by Chicago soul legend Johnny Pate. The group is extremely soulful at this point – and they sound great on just about every cut. Titles include "Ten To One", "I'm So Proud", "Sister Love", "Little Boy Blue", "Girl You Don't Know Me", "I Gotta Keep Movin", and "A Woman Who Loves Me". CD

A rock-solid record – kind of a later version of the Five Stairsteps, heard here in groove that's much more grown up! The album's got a feel that really shows the evolution of the Burke family – way past their kiddie soul roots, and even some of their offshoot projects of the 70s – into a style that's pretty complex at times, and which really shows a mature approach to rhythms. The vibe is hard to describe accurately – because while there are some clubby elements, the overall sound is deeper and more complicated too – showing some of the quirkier elements of the Island Records contemporaries alongside which the group were placed for this debut. The feel is quite different than the second album from the group – which is much more straight ahead – and titles include "9 Times Out Of Ten", "Full Moon", "All Night Thing", "Rent Strike", and "Love Can't Come/Love Has Come". LP, Vinyl record album

A totally great package – one that brings together some of the coolest cuts ever from the early solo years of Weldon Irvine! Side one of the record features two takes on his great "Deja Vu" – the initial short version, which has more of a take on the catchy jazzy lyrics – and the longer version, which runs for almost ten minutes, and has more jazzy solo work! The flipside features the totally wonderful "Feelin Mellow" – a cut with a few singers working next to Weldon's electric piano lines, giving the whole thing a very righteous vibe – which is carried through on the cool "Watergate Don't Bug Me" – complete with melodica from Weldon, Fender Rhodes from George Cables, and some cool extemporaneous lyrics about Watergate! LP, Vinyl record album

An amazing little album from the Isley Brothers – one in which the group manage to explore their growing love of the electric guitar, yet somehow sound even more soulful than before! The music is slinky and seductive, with a wonderful style that's never too overly funky – just laidback and flowing, with a vibe that's sometimes mellow, sometimes a bit more upbeat – but never too over the top or rocking. Titles include the group's the monster cut "That Lady" (parts 1 & 2) – a totally righteous groover, even if it has been in a million commercials over the years – and their cover of Seals & Croft's epic "Summer Breeze", which is ten times doper than the original! Other tracks include "Listen To The Music", "If You Were There", "What It Comes Down To", and "Sunshine (Go Away Today)". LP, Vinyl record album

A wonderful pairing of these two modern boppers from the 50s – heard here on a set of rare Parisian recordings originally issued under the leadership of Henri Renaud! There's a really wonderful feel to the record – the sharp edges of Cohn and Renaud's original compositions, played with a great degree of soul by the soloists. Renaud plays piano on all tracks – and the first batch feature both Johnson's trombone and Cohn's tenor, alongside Gigi Gryce on baritone and Jerry Hurwitz on trumpet – on titles that include "Wallington Special", "Lisa", "Boo Wah", and "Something For Lili". Two more tracks – "Once In A While" and "The Things We Did Last Summer" – feature Cohn in a quartet with Renaud. And one more title – "If I Had You" – is presented in a ten minute long take, played by a group that features Johnson and Cohn with Renaud, plus Milt Jackson on vibes and Percy Heath on bass. CD

Soul singer Ruby Johnson never recorded a full album back in the day – and this set nicely corrects that fact, by bringing together some of her rare singles as a wonderful ten track album! Ruby's got a richness that's in the best southern soul mode of the time – a voice that would fit easily right next to the best Chess material by Etta James, but occasionally giving a slight uptown pitch in the backings – maybe a bit like Maxine Brown at moments too! Yet whatever the case, Johnson's a wonderfully expressive singer – and really knocks it out of the park on this set of heartbreaking gems – titles that include "No No No", "If I Ever Needed Love", "It's Not That Easy", "I'll Run Your Heart Away", "Let Me Apologize", "I'd Better Check Myself", "Come To Me My Darling", and "How Strong Is My Love". LP, Vinyl record album

Jeremiah Chiu and Marta Sofia Honer gave us an excellent previous record on the International Anthem label – one that mixed field recordings with sounds of their own – an approach that's continued here as the pair are joined by Ariel Kalma, whose instrumentation really adds a wonderful new layer to the process! There's a mix of live instrumentation, sounds from sources, and processing going on here that takes us back to some of the best fourth world experiments from the EG/Eno years – almost like Jon Hassell, but with a lighter, airier vibe – and maybe more understated brilliance – an ego-less recording that has the musicians swirling together in beautifully sensitive territory. The set's never too quiet to be ambient, but has some of the appeal of that mode too – and titles include "Ten Hour Wave", "Dizzy Ditty", "Une Ombre Legere", "New Air", "Ecoute Au Loin", and "Stack Attack". CD

Jeremiah Chiu and Marta Sofia Honer gave us an excellent previous record on the International Anthem label – one that mixed field recordings with sounds of their own – an approach that's continued here as the pair are joined by Ariel Kalma, whose instrumentation really adds a wonderful new layer to the process! There's a mix of live instrumentation, sounds from sources, and processing going on here that takes us back to some of the best fourth world experiments from the EG/Eno years – almost like Jon Hassell, but with a lighter, airier vibe – and maybe more understated brilliance – an ego-less recording that has the musicians swirling together in beautifully sensitive territory. The set's never too quiet to be ambient, but has some of the appeal of that mode too – and titles include "Ten Hour Wave", "Dizzy Ditty", "Une Ombre Legere", "New Air", "Ecoute Au Loin", and "Stack Attack". LP, Vinyl record album

Jeremiah Chiu and Marta Sofia Honer gave us an excellent previous record on the International Anthem label – one that mixed field recordings with sounds of their own – an approach that's continued here as the pair are joined by Ariel Kalma, whose instrumentation really adds a wonderful new layer to the process! There's a mix of live instrumentation, sounds from sources, and processing going on here that takes us back to some of the best fourth world experiments from the EG/Eno years – almost like Jon Hassell, but with a lighter, airier vibe – and maybe more understated brilliance – an ego-less recording that has the musicians swirling together in beautifully sensitive territory. The set's never too quiet to be ambient, but has some of the appeal of that mode too – and titles include "Ten Hour Wave", "Dizzy Ditty", "Une Ombre Legere", "New Air", "Ecoute Au Loin", and "Stack Attack". LP, Vinyl record album

A treasure trove of rare guitar instrumentals from The Keymen – a group who cooked up some mighty nice work in the New Mexico scene of the 60s! A fair bit of these cuts have never been issued before, but they're all pretty darn great – and recorded with a strong sense of echo that continues that southwest trend that Lee Hazlewood first helped forge back at the end of the 50s! The guitar is nice out front, and the echo really emphasizes its place on the tunes – on titles that include ten unreleased tracks, a few live numbers, and a rare single too. Titles include "Walkin Talkin", "Getting Together", "A Yank In London", "Surf Breeze", "One More Chance", "Penetration", and "By The Lonely Shore". CD