A killer funky group from early 70s Japan – a slightly large ensemble, but one with some really heavy drums at the bottom – plus some great use of organ and electric guitar! There's a tight brace of horns at the top – flute, tenor, trumpets, and trombone – but the rhythms are what really drive the record, and give the whole thing a sometimes-funky, always-groovy quality that never lets up! The mode is almost soundtrack funk at times – jazz, but filled with some rich colors and expansive tones too – and there's a sophistication here that really rewards repeated listenings, but never gets in the way of the groovier moments too. Titles include "Theme Mustache", "Tak's Tune", "Joint", "Monster", "Lullaby For Yuh", and "Scotland Scene". LP, Vinyl record album

Not European rock, but funky jazz instead – served up by a very cool Japanese group with a lot of funky undercurrents! The approach here is similar to some of the other Sound Ltd albums from Takeshi Inomata – a reworking of an older big band mode, with more electric and groovy elements – including standout work on electric bass, guitar, and Hammond! There's some of the usual instrumentation in the mix too – trumpet, tenor, and some mighty nice flute – and many of the tunes are reworkings of late 60s rock numbers, but given a funky jazz twist that's mighty nice. The album's worth it alone for a sublime remake of Donovan's "Barabajagal" – and other tracks include "Something", "London Bridge Is Falling Down", "Goodbye", "Greensleeves", "Mustache", and "Hurdy Gurdy Man". LP, Vinyl record album

Nothing innocent about this record – because the groove is hard and heavy, wild and trippy – a really heady brew of funky jazz and more psychedelic influences – all recorded with some weird sounds in the background too! The album's a great one from Japanese groove pioneer Takeshi Inomata – and it's almost a fusion of earlier 60s funky band jazz with some of the more tripped-out modes of the jazz rock era. Vamping rhythms and full-on organs are undercut by wiggy guitar parts and soaring organ lines – all augmented by spoken Japanese passages, sound effects, and production styles that abstract out some instruments into very unusual modes. There's plenty of soulful and funky moments throughout – and titles include "The Death Of Janis", "Child & I", "Blue", "Alone", and "Go For Nothing". LP, Vinyl record album

Not sure what they mean by "Ameriachi" in the title – but from the sound of the music, there's definitely a great A&M Records-styled mix of jazz, Latin, and South American modes! The set begins with a set of cookers from drummer Hideo Shiraki – working with an excellent group that features tenorist Hidehiko Matsumoto handling arrangements – often in ways that have this upbeat, swinging, and pretty darn groovy way of moving along – sometimes with a bold Herb Alpert-styled trumpet in the lead – other times with a bit of marimba vibes. Titles include "Ashita Ni Nareba", "Akasaka After Dark", "You & Me", and "Ginza Wa Koi No Jujiro". The second half is handled by Takeshi Inomata & His West Liners Plus All-Stars – a group that has an equally great A&M approach to the groove – thanks to arrangements from pianist Masao Yagi! The whole thing's a great illustration of the way that 60s Japanese jazzmen could also work in some groovy instrumental styles in the right setting – and titles include "One Rainy Night In Tokyo", "Omoide", "Goodbye Mr Tears", "Koi Wa Akaibara", and "Aitakute Aitakute". CD

All-star jazz from the Japanese scene of the early 60s – a record that's almost in the Verve Records jam session or JATP style – as it features some of the greatest players on the Japanese scene of the time, coming together on some really long tracks that take off in a beautiful way! The set features two cuts, each taking up a side of the record – and that leaves plenty of room for long solo contributions from musicians who include Sadao Watanabe on alto, Akira Miyazawa on tenor, Norio Maeda on piano, Takeshi Inomata on drums, Shungo Sawada on guitar, and Akira Nakano on trumpet. Players are different on each side of the record – changing things up nicely, to present the range of new Japanese jazz voices that were making the start of the 60s such a key part of the scene – and the titles include extended takes on "Moanin" and "Walkin". LP, Vinyl record album

Japanese jazz in the 70s was certainly a sensational thing – as you'll hear on this incredible double-length package! The album's a wonderful document of the way that the Tokyo jazz scene really exploded at the start of the decade – and offers up a range of special live performances, exclusive to the set, which really get at the depth and complexity that was going on at the time! Some cuts have a brilliantly free sound – that moment when Japanese avant jazz was finally finding its own voice – while others focus a bit more on funk, in ways that are clearly picked up from the US, but then set free on their own paths here. The lineup includes "Twilight In Nemu" by Miyami Toshiuki, "Toko" by Terumasa Hino, "Blue Soul" by Akira Ishikawa & Count Buffalo, "Mira" by Hiroshi Suzuki, "Score" by Jiro Inagaki & Soul Media, and "Mustache" by Takeshi Inomata & Sound Ltd. LP, Vinyl record album

An essential collection of work from the Japanese scene of the 70s – as set that really gets at the "something special" that made jazz from this generation so unique! Japanese musicians were early adopters of American modes – and the scene had great bop recordings from the 50s onward – but as the 70s approached, old and young musicians really started experimenting with a whole new range of styles – some mixed older Japanese instrumental modes with contemporary jazz, others tried a poetic approach to modal jazz, some were spiritual, and a few even got downright funky – but in ways that were very different than American jazz funk! This set brings together key examples of all those great styles – in a package that features detailed notes from Yusuke Ogawa, the man who's taught us plenty over the years – with titles that include "Mustache (live)" by Takeshi Inomata & Sound Ltd, "Fourth Expression" by Masahiko Togashi, "Do It" by Jiro Inagaki & Soul Media, "Romance" by Hiroshi Suzuki, "Tochi Mo Kurumi Mo Fukiotose" by Masahiko Sato, "Breeze" by Soul Media, "Adult's Day" by Toshiyuki Miyama & The New Herd, "Sakura Sakura" by Tadaki Misago & Tokyo Cuban Boys, "Muraiki" by Minoru Muraoka, "Mago Uta" by Count Buffalo & The Jazz Rock Band, "D51" by Kiyoshi Sugimoto, and "Breath Prologue" by Hozan Yamamoto, Masahiko Togashi, and Yosuke Yamashita. LP, Vinyl record album

A rare Japanese-only live date from Anita O'Day – material recorded for television with a groove that's quite similar to some of her best late work for Verve! Most of the tracks here are arranged by Buddy Bregman – who handled some of Anita's best studio sessions – and backings are by Japanese bandleaders Toshiyuki Miyama and Takeshi Inomata – both of whom bring just the right of hard-swinging energy to the date to match O'Day's great vocals. Titles include a great version of "Four Brothers", plus "Stella By Starlight", "Tea For Two", "Night & Day", "You'd Be So Nice To Come Home To", "Boogie Blues", "Travelin Light", "Bewitched", "Avalon", and "Let's Fall In Love". LP, Vinyl record album

A rare Japanese session from vocalist Helen Merrill – one of a few key 60s recordings she cut on the Tokyo scene, after initial fame in the US! The album features a great small group arranged by drummer Takeshi Inomata, played by a combo that includes alto, baritone, and trumpet – all used in a cool and laidback mode that resonates nicely with Merrill's more familiar 50s sides on Mercury – but which also stretches out more, too – not as "cool", and with a sense of inflection that's mighty nice. Helen's in great form vocally – often singing in that almost-effortless mode that we love in her classic work – and titles include "It Never Entered My Mind", "Bewitched", "You Do Something To Me", "Teach Me Tonight", "Good Morning Heartache", and "My Favorite Things". CD

A rare soundtrack session from Japanese jazz legend Hideo Shiraki – maybe one of the earliest recordings we've ever seen from the drummer – and one that also features work from pianist Takeshi Inomata and saxophonist Hidehiko "Sleepy" Matsumoto as well! The cover's somewhat unassuming, but the music inside is quite vivid and rich – jazz tracks used as a film score, often with a quality that's like the best jazz soundtracks coming out of French and Italian cinema at the end of the 50s – with a very different vibe than some of Shiraki's later albums as a leader! There's a nicely moody, late nite quality to many of the tracks – and instrumentation shifts throughout, but includes vibes, tenor, guitar, and piano – all elements used without as much heavy drum work from Hideo as you might expect. The set features dozens of short tunes, and runs for over 70 minutes in length – a huge document of this rare Japanese jazz material from the postwar years. CD