One of the best-ever soul albums to come out of Chicago – and it may well be one of the best soul albums ever! The set's the deepest that Syl Johnson ever recorded – and it takes all the hard, raw soul he forged on previous funky 45s – and spins it out in longer album format – with some wicked backings that more than keep up the funk from before, but which also help Johnson deepen the message of his tunes! The political vibe of the album comes through right away in the striking cover and title – and the title track is a 7 and a half minute gem – one of the boldest songs ever about disempowerment. Backings are by Jimmy Jones & The Pieces Of Peace – who really keep the sound deep throughout – and in addition to the classic title track "Is It Because I'm Black", other tunes include "Right On", "Together Forever", "Concrete Reservation", "Walk A Mile In My Shoes", "Black Balloons", and "I'm Talkin About Freedom". LP, Vinyl record album

One of the best-ever soul albums to come out of Chicago – and it may well be one of the best soul albums ever! The set's the deepest that Syl Johnson ever recorded – and it takes all the hard, raw soul he forged on previous funky 45s – and spins it out in longer album format – with some wicked backings that more than keep up the funk from before, but which also help Johnson deepen the message of his tunes! The political vibe of the album comes through right away in the striking cover and title – and the title track is a 7 and a half minute gem – one of the boldest songs ever about disempowerment. Backings are by Jimmy Jones & The Pieces Of Peace – who really keep the sound deep throughout – and in addition to the classic title track "Is It Because I'm Black", other tunes include "Right On", "Together Forever", "Concrete Reservation", "Walk A Mile In My Shoes", "Black Balloons", and "I'm Talkin About Freedom". LP, Vinyl record album

A different sound than usual for Syl Johnson – but a record that still has loads of those amazing vocals we love from Syl! The style's mostly modern soul – with a tightness that's different from the grit of earlier Johnson albums – that mode in which other singers of the time were tightening up their bag too. The approach works especially well on the midtempo groovers – which have the bite of Johnson's vocals providing a great contrast tot he smoother grooves of the instrumentation – in ways that really deepen the feel of the tunes, but in ways that are very different than classic work from Syl. Titles include "Mystery Lady", "Blue Water", "Who's Gonna Love You", "You're The Star Of The Show", "Gimme Little Sign", and a 9 minute "Otis Redding Medley". LP, Vinyl record album

A bit of a comeback for Chicago soul legend Syl Johnson – a set initially recorded for the smaller indie Erect, but picked up for bigger distribution by Boardwalk thanks to a catchy title hit! The sound here is quite different from Syl's Twinight or Hi Records years – still a bit bluesy overall, but also going for a much tighter boogie-based groove – in keeping with the sound of Erect at the time. Johnson's vocals still retain that nice kind of pinch that shows his down home roots, but the instrumentation is much tighter than before – often in an electric mode that's a bit like Malaco in the 80s, only slicker. Syl produced the record with General Crook – and titles include the nice groover "Ms Fine Brown Frame", plus "Sweet Thing", "You Don't Have To Go", "It Ain't Easy", "Groove Me", and "Keep On Loving Me". LP, Vinyl record album

The funkiest album that Syl Johnson ever recorded – filled with short, tight cuts that play more like a stack of funky 45s than the standard soul album of the time! The record draws from the great run of singles that Syl cut for Twinight Records at the end of the 60s – some of the hardest soul coming out of Chicago at the time, with a gritty feel that's right up there with some of James Brown's best late 60s work – or even better, some of the other obscure acts working in the American underground at the time. A few tunes are familiar from their popularity as classic 45s – but the album's got lots more wonderful numbers that are lesser-known – and all of them are great! Titles include the classic Syl Johnson sample cut "Different Strokes" – plus "Dresses Too Short", "I Can Take Care of Business", "Soul Drippin", "Sorry Bout Dat", "Same Kind Of Thing", and "Come On Sock It To Me". LP, Vinyl record album

One of the best funk albums of the 2010s – and one that really does an amazing job of putting equal emphasis on instrumentation and deep soul vocals! Slim Moore comes across like some lost singer from the early 70s funky 45 generation – gritty and upfront, with a quality that's instantly infectious – almost like Syl Johnson during his Twinight years. Then the Mar-Kays play with this depth that's equally wonderful – mixing funky licks with more complicated soul touches – some of the vibes we've gotten from the Daptone scene – slower grooves mixed with faster ones, touches of hip instrumentation, like vibes – all wrapped up in a production style that really recalls the best days of indie soul. The whole thing's wonderful – a record we'd put right up there with Lee Fields' My World, or the Charles Bradley full-length – and a set we'll be digging for years! Titles include "How Long", "Cityscape", "Slim's Theme", "Reachin Higher", "Mar-Kays Theme", "Cool Breeze", and Help Me Now". LP, Vinyl record album

Classic funk, rare soul, and contemporary goodies too – all served up in a beautiful package designed by the folks at Seth Rogan's Houseplant! As with the previous set, this one is divided into three modes – one record sativa, one indica, and the third a hybrid – capturing different moods with each record, but with an all-soul, rock-solid selection of tunes throughout! As with previous volumes, the classic and contemporary come into play in a really great way – and this volume also features some great international titles too – a set list that includes "Follow The Wind" by Coletta Woodson, "Cookin" by Tortilla Factory, "Bra" by Cymande, "High Beams" by Tkay Maidza, "Lupita" by Nico Gomez, "Pretty Woman Pass On By" by Richard Marks, "Norma Jean" by Napoleon Demps, "Bizness" by Tune Yards, "Right On" by Carleen & The Groovers, "The Love You Left Behind" by Syl Johnson, "Groovy Babe" by Durand Jones & The Indications, "Kill Dem" by Jamie XX, "Aminata Du The" by Amadou Balake, "Help Me To Understand" by Harlem Gospel Travelers, "Will I See You Again" by Thee Sacred Souls, "Grow Forever" by Lizette & Quevin, "Tearz" by El Michels Affair & Lee Fields, "Everything That Looks Good" by Charles Suggs, "Raggio Verde" by Il Quadro Di Troisi, "Let's Do It Today" by The US, and "When We Would Ride" by Kendra Morris & Eraserhood Sound. LP, Vinyl record album

A lost bit of southern soul from Sound Stage Seven – featuring sublime production by the great John Richbourg, and a sound that's simply out of this world! Sam Baker has a strong deep soul style – a bit like Otis Redding, filtered through the rougher edges of Syl Johnson – and this rare album of deep soul tracks is one of the few records of his fantastic work. Arrangements are by Dan Penn, Cliff Parman, and Aaron Varnell – and tracks include "It's All Over", "Sometimes You have To Cry", "That's All I Want From You", "I Believe In You", "Someone", "Just A Glance Away", and "Safe In The Arms Of Love". LP, Vinyl record album

Way more than just a typical collection of rare funk and soul – as the selections here not only meet the stunningly high standards of the BGP label – but they've also been sampled in more recent years for hip hop records and other contemporary recordings! Essentially, you've got the best of both worlds – vintage funk from the late 60s and early 70s – brought together in a great collection – and work that's gone onto form the blueprint for contemporary urban sounds as well – which means you'll probably recognize some or part of most of these songs from their use in more contemporary recordings. Nearly every cut's been sampled at least more than once – and titles include "Blind Alley" by The Emotions, "Chick A Boom" by Pazant Brothers, "Eva" by Jean Jacques Perry, "Walk Tall" by Cannonball Adderley, "Baby Let Me Take You In My Arms" by Detroit Emeralds, "Bouncy Lady" by Pleasure, "Tramp" by Lowell Fulson, "Take Yo Praise" by Camille Yarbrough, "Thinking Single" by The Counts, "Different Strokes" by Syl Johnson, "Ike's Mood" by Isaac Hayes, "What A Man" by Linda Lynell, and "Smokey Joe's La La" by Googie Rene. Funky funky! LP, Vinyl record album

One of the most soulful voices in Jamaican music – presented here in a wonderful collection that includes some of Ken Boothe's early rocksteady material, then runs through his bigger famous cuts of the 70s! Ken wasn't nearly as big a hit over here as artists like Jimmy Cliff or Bob Marley, but his vocals here easily match theirs for sheer, raw, soulful power – and maybe show an even more direct inspiration from American music, especially on the earlier cuts – or his great covers of cuts by artists like Syl Johnson and Bill Withers. Boothe can also sing as sweetly with a groove as his bigger 70s reggae counterparts, but knows how to draw an edge when the song calls for it – and this 40 track set is overflowing with Trojan Records gems from the vocalist – with titles that include "Crying Over You", "Freedom Street", "Speak Softly Love", "Ain't No Sunshine", "African Lady", "You Send Me", "Black, Gold & Green", "Is It Because I'm Black", and "Everything I Own". LP, Vinyl record album

Great work from R&B legend Percy Mayfield – one of the singer's most obscure sessions, and really more of a soul record overall! The album was done for Brunswick at the end of the 60s – and has lots of work from Chicago soul arrangers like Johnny Cameron and Willie Henderson – both of whom give the set a nice sort of west side kick, with a groove that's somewhere in between Syl Johnson and Tyrone Davis! Mayfield's vocals definitely still hang onto an older school of singing – but the arrangements can't help but update his groove – and a number of the tracks have this great funky crackle at the bottom that's a mighty nice surprise. Titles include "I Made It Just The Same", "Alma Lee", "My Baby's Gone", "To Me Your Name Is Love", "PM Blues", and "Danger Zone". LP, Vinyl record album

Kanye West finally dropped the full length in early '04 – and it's one of the best hip hop albums of the year. Kanye is probably the hottest beats producer of the year, too, having dug through the greatest soul hooks of the past few decades for his samples, and piled on the chunkiest, catchiest, thickest beats anywhere. And if he doesn't have the greatest vocal delivery in hop hop (if he did, he'd be Superman considering his production pedigree), he makes up for it with some masterful lines, like "I gotta apologize to Mos and Kweli/is it cool to rap about gold if I told the world I copped it from Ghana and Mali?" from "Breath In Breath Out". Hilariously, Kanye also found just about the sharpest theme for a record that we've scene in a while – the tangential connection between gang bangers and frat boys! He ain't granola, he ain't bling bling, he's just a guy from Chicago with a sometimes astoundingly strong production aesthetic, very smart rhymes and a lot of people who owe him great guest spots, and deliver. Were you looking for more than that? It's a triumph, one that Chicago couldn't be more proud of! "We Don't Care", "Graduation Day", "All Falls Down" with Syleena Johnson, "Spaceship" with GLC & Consequence, "Never Let Me Down" with Jay-Z, "Get 'Em High" with Talib Kweli & Common,"New Work Out Plan", the great single "Slow Jamz" with Twista & Jamie Foxx and more. LP, Vinyl record album

Kanye West finally dropped the full length in early '04 – and it's one of the best hip hop albums of the year. Kanye is probably the hottest beats producer of the year, too, having dug through the greatest soul hooks of the past few decades for his samples, and piled on the chunkiest, catchiest, thickest beats anywhere. And if he doesn't have the greatest vocal delivery in hop hop (if he did, he'd be Superman considering his production pedigree), he makes up for it with some masterful lines, like "I gotta apologize to Mos and Kweli/is it cool to rap about gold if I told the world I copped it from Ghana and Mali?" from "Breath In Breath Out". Hilariously, Kanye also found just about the sharpest theme for a record that we've scene in a while – the tangential connection between gang bangers and frat boys! He ain't granola, he ain't bling bling, he's just a guy from Chicago with a sometimes astoundingly strong production aesthetic, very smart rhymes and a lot of people who owe him great guest spots, and deliver. Were you looking for more than that? It's a triumph, one that Chicago couldn't be more proud of! "We Don't Care", "Graduation Day", "All Falls Down" with Syleena Johnson, "Spaceship" with GLC & Consequence, "Never Let Me Down" with Jay-Z, "Get 'Em High" with Talib Kweli & Common,"New Work Out Plan", the great single "Slow Jamz" with Twista & Jamie Foxx and more. LP, Vinyl record album

Kanye West finally dropped the full length in early '04 – and it's one of the best hip hop albums of that year. Kanye is probably the hottest beats producer of the year, too, having dug through the greatest soul hooks of the past few decades for his samples, and piled on the chunkiest, catchiest, thickest beats anywhere. And if he doesn't have the greatest vocal delivery in hop hop (if he did, he'd be Superman considering his production pedigree), he makes up for it with some masterful lines, like "I gotta apologize to Mos and Kweli/is it cool to rap about gold if I told the world I copped it from Ghana and Mali?" from "Breath In Breath Out". Hilariously, Kanye also found just about the sharpest theme for a record that we've scene in a while – the tangential connection between gang bangers and frat boys! He ain't granola, he ain't bling bling, he's just a guy from Chicago with a sometimes astoundingly strong production aesthetic, very smart rhymes and a lot of people who owe him great guest spots, and deliver. Were you looking for more than that? It's a triumph, one that Chicago couldn't be more proud of! "We Don't Care", "Graduation Day", "All Falls Down" with Syleena Johnson, "Spaceship" with GLC & Consequence, "Never Let Me Down" with Jay-Z, "Get 'Em High" with Talib Kweli & Common,"New Work Out Plan", the great single "Slow Jamz" with Twista & Jamie Foxx and more. LP, Vinyl record album

Features Jimmy Dawkins on guitar and vocals – with Jimmy Johnson on guitar, Sylvester Boines on bass, and Tyrone Centuray on drums! Sonny Thompson plays a bit of guest piano too. LP, Vinyl record album

The aura here is spreading wide – as George Duke really grows his sound strongly from the early years, and takes hold of a whole host of cosmic influences! The record's one of Duke's biggest for MPS – a beautiful balance between jazzy fusion and spacey soul – served up with help from an array of great singers and players from the west coast scene. Duke's still stretching out plenty on keyboards – but never in a too-jamming, too-indulgent way – always sensitive enough to never mess up the groove, and always with a sense of space and timing that never showed up this well in his later records. Players include Airto on percussion, Alphonso Johnson on bass, Ndugu Chancler on drums, and Duke himself on more keyboards than we could ever hope to list here! Vocals are by Sylvia St James, Gee Janzen, and Kathy Woehrle – as well as Duke himself – and titles include "Foosh", "For Love", "Uncle Remus", "Fools", "The Aura", "Enchinda's Arf", "Floop De Loop", and "Dawn". LP, Vinyl record album