One of the most solid albums we've ever heard on the Sublime Frequencies label – a studio recording by a group with a really great approach to their music – a style that mixes classic Afro Funk elements with rootsier elements on the instrumentation! The grooves are tight, but the sound has some nice earthy qualities at times – especially in Baba Commandment's use of ngoni, which rings out in a way that's both melodic and rhythmic at the same time – echoing an older mandingo tradition, but coming across with a lot of punch! Other instrumentation includes lots of percussion, fuzzy guitars, and balafon too – and most of the vocals have a call/response style, in which other singers call out alongside Baba's lead. Really great stuff – with titles that include "Tile", "Folon", "Wasso", "Juguya", "Siguisso", and "Ntijiguimorola". CD

Baba Commandant serves up a wonderful blend here – tight Afro Funk mixed with rootsier elements from mandingue – all at a level that really makes the album stand out from the pack! There's some especially great performances on ngoni and balafon, both instruments that get some key placement on the album's leaner tracks – which have the fuller sound of the driving numbers step back slightly, but all without ever losing the groove! The recording quality is great – never too polished, and the music is put forth in a way that makes the whole thing feel like some under-discovered nugget from years past – with titles that include "Wariko", "Semayala", "Afro Mandingo", "Serejugu", and "Chasser Les Sachets". CD

A great collection of non-LP material and other rare gems from one of the key figures in the Turkish psychedelic scene – an amazing artist who managed to take rootsy themes and melodies, and mix them with some really heavy duty guitar – all to create a freaky, fuzzy batch of music that forever changed his scene! Much of Koray's music never got circulation outside of the Mid-East back in the day, and we've been lucky enough to have 21st Century interest lead to a great wave of reissues – as Koray's albums have come out in various packages over the years – leading to this really well-done collection of 45rpm-only tracks, and even more obscure music too! Titles include "Mechul", "Kendim Ettim Kendim Buldom,", "Gun Dogmuyor", "Goca Dunya", "Kraller", "Cumbur Cemaat", "Hadi Hadi Ordan", "Dusunus", "Olmayinca Olmuyor" and "Sevdigim". CD

A great collection of non-LP material and other rare gems from one of the key figures in the Turkish psychedelic scene – an amazing artist who managed to take rootsy themes and melodies, and mix them with some really heavy duty guitar – all to create a freaky, fuzzy batch of music that forever changed his scene! Much of Koray's music never got circulation outside of the Mid-East back in the day, and we've been lucky enough to have 21st Century interest lead to a great wave of reissues – as Koray's albums have come out in various packages over the years – leading to this really well-done collection of 45rpm-only tracks, and even more obscure music too! Titles include "Mechul", "Kendim Ettim Kendim Buldom,", "Gun Dogmuyor", "Goca Dunya", "Kraller", "Cumbur Cemaat", "Hadi Hadi Ordan", "Dusunus", "Olmayinca Olmuyor" and "Sevdigim". LP, Vinyl record album

A record that offers way more than just the vocal delights promised in the title – as there's definitely singing on the album, but it's often mixed in with all sorts of unusual instrumentation – which, along with the phrasing of the vocals, makes for a sound that's completely otherworldly overall! At times, the group are using unusual bowed or lute-like instruments, at other times flutes and other reeds – and there's seven use of tree leaves alongside the vocals at points, which creates these really offbeat tones that are enhanced by the singers! The whole thing is maybe one of the most striking, most unusual records we've ever heard from the Sublime Frequencies label – and that's really saying a lot – and titles include "Wu Chu Aci", "Azha Tse", "Tudza", "Sha Tsi Gu", and "Bia Tsa Tsa". LP, Vinyl record album

A beautiful set of ragas on the rudra veena – a sitar-like instrument, but one that has a deeper sound overall, and an additional resonator on the bottom – all of which makes for a really wonderful sound throughout! The album's billed as the first recording of a female musician on the instrument, yet whatever the gender, the sound here is completely sublime –very spare, without any percussion at all – and with moments that move between more familiar Indian music sounds to sections that have a really resonant minimalism – almost in the territory of the enigmatic sun harp by Laraaji! The set features two long performances over 40 minutes in length – the selections "Todi" and "Bhairavi". LP, Vinyl record album

You might not be able to understand the lyrics, but you'll definitely be moved by the instant charm of Malaysian rocker Adnan Othman – a singer who works here in a groovy blend of fuzzy guitar, mod rhythms, and all the other great sounds we love from late 60s French and British tracks of the time! In fact, there may be more French elements at work here than some of the more typical Anglo-influenced singers in Southeast Asia at the time – especially those romping rhythms and jangly guitar lines of the yeh-yeh generation, which really get these tunes moving even before Othman comes in with his vocals. By the end of the set, Adnan's expanding his sound a bit – moving from the work with The Rhythmn Boys that takes up most of the collection, to singing with The Wanderers and Flamingoes – all documented nicely in the notes and images in the package. Titles include "Bila Kah Gembira", "Doa Ku", "Bershukor", "Sapu Tangan", "Hari Bahagia", "Berlenggang", "Merana", "Mormah", and "Hidupu Tambah Gembira". LP, Vinyl record album

A fuzzed out guitar and heavy drums anchored set from Group Doueh – fusing traditional Saharan instruments and western rock influences as brilliantly and excitingly as ever on this fourth set of their evolving sound to appear on the vital Sublime Frequencies label! The blazing electric guitar sound is as heavy as ever on this, matched in itensity by the drums – with passionate male lead and female chorus back vocals, great songs, and entrancing Afro-Saharan elements. Amazing! Titles include "Zayna Jumma", "Ishadlak Ya Khey", "Zaya Koum", "Met-Ha", "Jagwar Doueh", "Aziza", "Ana Lakweri" and "Wazan Doueh". CD