If you've only heard George Jones in later years, when he was the king of the heartbreaking ballad, you'll find plenty here to discover – as his early recordings for Starday Records are something else entirely – and almost have George hitting a rockabilly mode at times! This set's got some of Jones' best early singles for the Texas label, plus some overlooked gems – wrapped together to offer a wonderfully vibrant picture of a superstar in the making – already a singer with a voice that few folks could match, equally well-suited to catchy upbeat numbers and some of the more heartfelt tracks that offset things nicely. Titles include "Accidentally On Purpose", "Tall Tall Trees", "No Money In This Deal", "Too Much Water", "If I Don't Love You", "Why Baby Why", "Eskimo Pie", "How Come It", "Accidentally On Purpose", "Hold Everything", "Maybe Little Baby", "Rock It", "Mexican Boogie", "Gonna Come Get You", "Taggin Along", "That's The Way I Feel", and "You Gotta Be My Baby". CD

Some real heavy-hitters from one of the hippest indies of the 50s – with work by Sonny Fisher, Link Davis, Groovey Joe Poovey, Thumper Jones, Bill Mack, Bob Doss, Cliff Blakely, and Rudy Tutti Grayzell! LP, Vinyl record album

Stringbean may look a bit silly on the cover, but he's a dead serious banjo player – one of the greats of his generation, and an artist who's sometimes overlooked on his instrument, because of a penchant for humor in his live performances! And although some of the songs here have a bit of wit at the start, once things get going, Stringbean's in that great mix of old time styles that the Starday Records label was hitting hard in the 60s – one of the few strong outlets for more country-flavored work on banjo, at a time when so many of the folk revival kids wanted things steered a bit more their way! Needless to say, you probably never would have caught Stringbean headlining a club in the Village – but that difference is what makes a record like this so great to discover – as you'll hear on titles that include "Birdie", "Don't Bob Your Hair Girls", "Herdin Cattle", "Keep My Skillet Good & Greasy", "Give Me Back My Five Dollars", and "Wake Up Little Betty". CD

That's a mighty classy truck stop on the cover of this album – and the set's a mighty classy batch of trucker-themed tunes from the catalog of Starday Records! These aren't the shlocky truck country tunes of the 70s, but instead some great material from the postwar years – a time when the interstates were really opening up, and the role of the truck was about to surpass the role of the train. The tunes here all mark the new challenges of the time, sometimes with a good deal of humor – and titles include "Gears" by Johnny Bond, "Man Behind The Wheel" by George Morgan, "Long Haul Weekend" by The Willis Brothers, "Big Footed Dan" by Benny Martin, "Big Rig Guitar" by Joe Maphis, "Truck Driving Buddy" by Frankie Miller, "Sleeper Cab Blues" by Tom O'Neal, and "Pinball Machine" by Lonnie Irving. CD

... LP, Vinyl record album

One of the coolest entries in the Starday Records series of truck-themed collections in the 60s – partly because this one features material by just a small core of artists, and also because there's a fair bit of bluegrass in the mix as well! The tunes still have the truck-heavy tones of the other work of the time – but the vibe here is much more bluegrass than country (although we love country truck records too!) – and showcases some of the excellent artists who were being recorded by Starday at the time, with a very lean, respectful sound that holds up wonderfully over the years! Titles include "Truck Driver's Queen", "Hot Rod Kids & Women Drivers", "Truck Driver's Woman", and "Long White Line" by Moore & Napier; "Little Mountain Road", "Crossroads", and "Brand New Road" by Reno & Smiley; and "Gear Jammer" and "Truck Drivin Daddy" by Jimmy Logsdon. CD

A collection of unreleased recordings from Glen's early years. LP, Vinyl record album

About as close as you'll get to a debut album from the great Dave Dudley – as the set takes his classic title track, mixes it with a few other indie singles – and adds in a few other truck-themed tunes from the Starday catalog for good measure! Dudley's got one of our favorite voices ever in country music – and his landmark "Six Days On The Road" set a whole new standard for road-based tunes – a winning track about a pill-popping, cop-dodging trucker heading home at the end of a long run! Dave sings some other great ones here – including "Last Day In The Mines", "Where Do I Go From Here", "It's Gotta Be That Way", "Cry Baby", and "Taxi Cab Driver" – and the set also features the instrumentals "Lee Highway Swing" by Chubby Wise, and "Hot Rod Guitar" and "Big Rig Guitar" by Joe Maphis. CD

About as close as you'll get to a debut album from the great Dave Dudley – as the set takes his classic title track, mixes it with a few other indie singles – and adds in a few other truck-themed tunes from the Starday catalog for good measure! Dudley's got one of our favorite voices ever in country music – and his landmark "Six Days On The Road" set a whole new standard for road-based tunes – a winning track about a pill-popping, cop-dodging trucker heading home at the end of a long run! Dave sings some other great ones here – including "Last Day In The Mines", "Where Do I Go From Here", "It's Gotta Be That Way", "Cry Baby", and "Taxi Cab Driver" – and the set also features the instrumentals "Lee Highway Swing" by Chubby Wise, and "Hot Rod Guitar" and "Big Rig Guitar" by Joe Maphis. CD

... 78 RPM, Vinyl record

A really early record by a young, fresh-faced George Jones – his full length debut, actually – released in 1957 by Starday, not too long after his debut appearance at the Grand Ole Opry! George had been recording some artistically promising, if underselling singles for a couple years prior, including the now legendary rockabilly sides (on which he was billed as "Thumper" Jones), but this was his first full length showcase as a rising country singer. The title is pure showbiz, as George wouldn't be a big star for a couple more years. He was ready, though! The songs are great, and he wrote or co-wrote most of 'em – and oh man, that VOICE – this is where the legend begins, people! Includes the early classic "Why, Baby, Why", and a whole bunch of great tunes, including "You Gotta Be My Baby", "Ragged But Right", "It's OK", "Still Hurtin'", "Boat Of Life", "Let Him Know", "Play It Cool" and more. LP, Vinyl record album

... LP, Vinyl record album

... LP, Vinyl record album

Includes George Jones, Minnie Pearl, Bob Wills, Moon Mulligan, and more! LP, Vinyl record album

... 7-inch, Vinyl record

You might know Ace Records as home to a fair bit of jazz, funk, and soul reissues over the years – but right from the start, the label's also had a keen ear for rockabilly – and can boast a decades-long devotion to the music, with releases that have really blown us away! This set digs back over material that Ace has reissued in previous decades – cuts that are both rare original singles, or unissued tracks – from important labels like Starday, Chess, Goldband, and Meteor – all hand-picked by Keb Darge – another British force in turning us on to great music over the years! The vinyl-only collection is full of gems – and titles include "All Dressed Up" by Jimmy Johnson, "Let's Go Bopping Tonight" by Al Ferrier & His Bopping Billies, "Nuthin But A Nuthin" by Jimmy Stewart & His Nighthawks, "Blue Jeans & A Boy's Shirt" by Glen Glenn, "The Woman I Love" by Gene Terry & His Kook Kats, "Jello Sal" by Benny Ingram, "Lonesome Baby Blues" by David Ray, and "Do Me No Wrong" by Pat Cupp & The Flying Saucers. LP, Vinyl record album

James Brown cooking it live – recorded (as the cover says) "at home in Augusta, Georgia with his bad self"! The groove here is a nice extension of earlier Apollo modes – one that shows the increasing funkiness of the James Brown Band, captured with a raw power that few other groups could match – in a style that really paves the way for the James Brown/JBs sound of the 70s – with long tracks, and some killer fast versions of some of the best funky cuts from the late King Records years! The set includes a smoking 10 minute version of "Sex Machine" –plus other groovers like "I Got the Feeling", "Mother Popcorn", "Licking Stick", and a great version of "I Don't Want Nobody to Give Me Nothing". LP, Vinyl record album

Stunning early sounds from the legendary George Jones – material recorded in the years before his bigger fame on the Musicor and Epic labels – and tracks that show that Jones was already a hell of a well-developed talent right from the start! The cuts here sparkle with that trademark George Jones vocal sound – but also have a nice sort of an edge, as George hasn't settled down into that totally smooth approach of later years – and instead here moves between rocking moments and more twang-heavy tunes – served up on an assortment of singles and rare tracks recorded for the Mercury, Starday, and Dixie labels. Titles include "Too Much Water", "Seasons Of My Heart", "Gonna Come Get You", "I'm Ragged But I'm Right", "Eskimo Pie", "No No Never", "Play It Cool", "Take The Devil Out Of Me", "Just One More", and "No Money In This Deal". A hell of a collection – 29 tracks in all! CD

Allstar Records was a great Texas indie back in the day – and although not as well-known as Sun or Starday, the company issued some killer singles in the late 50s! As you might guess from their location in Houston, Allstar often has a bit of country in the mix – and this collection is a wonderful illustration of the thin line between hillbilly and rockabilly during the early years of rock and roll – a balance that's covered here in great detail in the notes, which as with the rest of this series, are as illuminating as the music on the CD! There's a whopping 35 tracks in all – including surprising early gems from artists like Link Davis, Eddie Noack, and Johnny Bush – plus lots more from Larry Butler, Daniel James, Tommy Graham, Barney Vardeman, Red Mansel, Smilin Jerry Jericho, and many others. CD

The single's a great lost pre-People single by The JBs – and it's sort of an introduction to the group, as James shouts "These Are The JBs" at the beginning, then the band launches into a nice sinister loping funky groove that's quite different from some of their later work. A real gem. 7-inch, Vinyl record

The Chicago R&B coverage includes an in depth exploration of Chicago's local after school TV show Soul Train show – which ran from 1970-1979 – and a conversation with Chicago's radical Sounds of Black. Plus 30 pages exploring all aspects of truck driving music including lengthy interviews with Jerry Reed and Joe Stampley. Also features Dave Dudley, Red Sovine, Del Reeves, Red Simpson, Stompin' Tom Connors, CW McCall, Starday Records, Sweet Charles Sherrel and more. Plus Flavor Flav interviewed by Nardwuar, Incredible Stage Wrestling, Joe E., and tons of comix and countless reviews. Magazine

An excellent James Brown single, and a rare one too! Vicki Anderson, for some strange reason recording under the name Myra Barnes, gives her answer to James' "Super Bad". The track's nice and funky, with a good stretched out groove, and backing by the James Brown band. 7-inch, Vinyl record