Sound, space, tone, and color – a tremendous effort from trombonist Bob Brookmeyer, and a record with a really unique feel! The album features a wonderful group that includes Brookmeyer on valve trombone, Stan Getz
on tenor, Gary Burton on vibes, Herbie Hancock on piano, Ron Carter on bass, and Elvin Jones on drums – all coming together in a way that's extremely equally-weighted – with less of Brookmeyer as the leader, than as a warm friend, gathering together a few key players in the studio. Given that Getz
worked with Brookmeyer back in the early 50s, and had Burton in his group at the time, the album's always a link between both sides of a decade in Stan
's career – but with the presence of the modernists on the rhythm team, there's a sound here that's much more unique – one that has a place for Stan
's wonderful tone, and Brookmeyer's airy phrasing – but which also drives along in a rhythmically pulsing mode that almost puts Burton's vibes at the top of the set on some numbers. There's a change in mood from tune to tune that gives the record a remarkable depth, but without sounding schizophrenic – and titles include "Bracket", " Wrinkle Time", "Jive Hoot", "Skylark", "Sometime Ago", and "Who Cares".
(Mono 2 eye pressing. Cover has stuck-on cellophane on front and a stain on one corner.)