Larry Graham and crew are definitely going for a fuller sound on this set – starting off the record with a funky marching band, in Tusk-like fashion – then rolling into some bass-heavy funk that tops even their previous records for tightness! The groove is a key element in the growth of west coast funk in the 70s – bass in the lead, but keyboards percolating in all over the place, in a style that's almost got touches of jazz – and which sets the stage for many of the Zapp-sounding projects of the future. Titles include "Love", "Mirror", "Entrow", "Do Yah", "Save Me", and "I Got A Reason". LP, Vinyl record album

Lost genius from trumpeter Lee Morgan – a session recorded for Blue Note in 1967, but not issued until the late 70s – and even then, only for a very short time! The session has Morgan moving into that wonderful last stage of his career – working in tight formation towards a sound that still had that groovier hardbop styles of earlier recordings, but which also unfolds towards a more ambitious spiritual jazz mode. The writing on the session is superb – original tunes that crackle with energy in a surge of dark notes and shadowy moods, inspiring the soloists to express themselves at levels that rank with their best work of the time! The group features David Newman on tenor – sounding completely different, and far more righteous, than on his Atlantic sides of the 60s – plus Cedar Walton on piano, Ron Carter on bass, and Billy Higgins on drums. A great sound overall – right up there with Tom Cat or The Gigolo for lyrical modernism – and with titles that include "Sneaky Pete", "The Mercenary", "Sonic Boom", and "Mumbo Jumbo". LP, Vinyl record album

Essential 90s material from Smif N Wessun – one of those key records that was not only great in and of itself, but also as part of a larger tapestry of top shelf talents finally getting to shine in the spotlight! Previously, Smif N Wessun had shown up on Black Moon's first album – and here, they take center stage, but also give key exposure to Boot Camp Clik – in a standard-setting album that features great production from Beatminerz, who really keep things at the right level for the harder-edged lyrics of the set! The album cover is a bit of a Roy Ayers reference – and the set makes a key early use of the Ayers classic "We Live In Brooklyn" on the track "Home Sweet Home" – amidst other cuts that include "Wrekonize", "Timz N Hood Check", "Wrektime", "Wontime", "Sound Bwoy Bureill", "Shinin Next Sh*t", "Wipe Ya Mouf", "PNC", "Bucktown", and "Let's Git It On". LP, Vinyl record album

Way more than just a live album – as the record features material from the film of the same name – a tremendous stage performance that begins with solo David Byrne, then has the group building up as the set moves on – adding in more musicians and instruments with each new step, at a level that traces the richness of the group's sound as it emerged on the Speaking In Tongues album that was the tour that spawned the concert and the film! Because of that shift throughout, the record's way more than just a live concert – and very different than the group's previous live album too – as the performances here are markedly different, and distinct from their studio renditions – with very unusual takes on titles that include "Psycho Killer", "Swamp", "Slippery People", "Burning Down The House", "Girlfriend Is Better", "Once In A Lifetime", "What A Day That Was", "Life During Wartime", and "Take Me To The River". LP, Vinyl record album

One long composition for a solo performer (Braxton on soprano sax), a photograph, and a prepared stage! LP, Vinyl record album

One of the greatest albums by this super-stylized funkster from Chicago! Captain Sky followed very firmly in the P-Funk footsteps – using lots of bass and rocking rhythms to carve out a space-themed groove that had plenty of cool touches! And more than that, the Captain's style was equally well suited to the emerging 80s groove era – and worked well with a nice dose of slight electric touches – not totally wikki-wikki, but certainly setting the stage for that sound! Titles include "Elementary School Of Funk", "Sir Jam A Lot", "Trace Of Love", "Bubble Gum (I Chewz You)", "Tootsie Rock", and "Let Me Come Inside". LP, Vinyl record album

Man, it's like a talent bomb exploded! This set's stuffed with work by some of the greatest jazz funk players of the early 70s – Johnny Hammond, Bob James, Deodato, George Benson, Joe Farrell, Stanley Turrentine, Freddie Hubbard, Grover Washington Jr, Hubert Laws, and others – all playing together at a massive live concert recorded in Hollywood in 1972! And although you might worry that the collection of so many great talents on one stage might just create confusion – don't! The quality of the work is excellent – almost better than the best of the CTI studio sides, with a lean, clean sound that's really really tight – never overblown, just sweet electric funk with loads of great space for solo work. This first volume of the 3 LP set includes takes of "First Light", "California Dreaming" and a medley of "Inner City Blues" and "What's Going On". LP, Vinyl record album

Man, it's like a talent bomb exploded! This set's stuffed with work by some of the greatest jazz funk players of the early 70s – Johnny Hammond, Bob James, Deodato, George Benson, Joe Farrell, Stanley Turrentine, Freddie Hubbard, Grover Washington Jr, Hubert Laws, and others – all playing together at a massive live concert recorded in Hollywood in 1972! And although you might worry that the collection of so many great talents on one stage might just create confusion – don't! The quality of the work is excellent – almost better than the best of the CTI studio sides, with a lean, clean sound that's really really tight – never overblown, just sweet electric funk with loads of great space for solo work. This third volume of the 3 LP set includes takes of "Funkfathers", "Cherry", "Bowl Full Of Blues", "Cherry Red" and "God Bless The Child". LP, Vinyl record album

A 70s issue of one of Kenny's best records – The Arrival Of Kenny Dorham – one of Kenny Dorham's best records ever – and one of his rarest too! The set was cut for the short-lived Jaro label, home to a few great jazz sides during its short-lived American tenure – and the set features Kenny grooving at a level that's extremely tight, very much in the best spirit of his work for Blue Note or Prestige – and recorded here with equally top-shelf sound! The record shows Kenny at his lyrical best – working alongside the piano of Tommy Flangan, who really helps enforce this side of his music – and also getting some help from Charles Davis on baritone, who brings in some darker edges to the record. Other players include Butch Warren on bass and Buddy Enlow on drums – on tracks that include the original entitled "Stage West", plus another sweet tune by Davis entitled "Turbo" – as well as the numbers "Butch's Blues", "Six Bits", and "Stella By Starlight". LP, Vinyl record album

An amazing record, and one that forever transformed the sound of opera in the US – the amazing summation of all the many musical ideas that Philip Glass had been cooking up since the 60s, done as a mindblowing stage presentation with Robert Wilson! Voices, organ, reeds, and piano come together in wonderful lines that go on and on, seemingly forever, in endless variations and rivulets of sound – as simple in structure as the leaner small combo minimalist work from Glass – but with a very different style in the fuller setting, with a sonic quality that still is as groundbreaking today as it was back in the 70s! LP, Vinyl record album

One of the finer Dead studio albums of the mid 70s for sure – managing to catch a bit of the spontaneous energy that made them such a vaunted live band on some tunes, really delivering on the wry yet easygoing songcraft they don't really get enough credit for, and even some cool facets of their far-reaching sound they captured better in the studio than they ever did on stage. Those include the lightly lush ballad-y "China Doll" and the eccentric sounds that weave in and out of the standout "Unbroken Chain", but the whole thing is solid! Other cuts include "US Blues", "Loose Lucy", "Scarlet Begonias", "Pride Of Cucamonga", "Money Money" & "Ship Of Fools". LP, Vinyl record album

Although these days, Parliament's best remembered for their classic studio albums, back in the 70s, the real P-Funk experience was the incredible live shows served up by George Clinton and the group! George, Bootsy, and the rest were undeniably at the top of their game at the time – rolling into cities and taking them by storm with their space-themed sets, wild costumes, and intense ability to jam live with a force that even blew away their records! This double live set is a great document of the P-Funk sound of the time – and features some great tunes from mid 70s Parliament, served up in modes that range from straight to very long and drawn out. Titles include "Give Up The Funk", "Get Off Your Ass & Jam", "Night Of The Thumpasorous Peoples", "Let's Take It To The Stage", and "Gamin' On Ya!" – all done with the sort of live jamming feel that made their shows go on forever and groove all night long. LP, Vinyl record album

A great little Lou Rawls album from his short-lived time at Bell Records – and like most of his smaller stints at 70s labels, work that really stands out from the rest! The album was cut in LA with smooth production from Norman Ratner – but the overall sound is still pretty darn hip – a nice update of Lou's earlier style at Capitol and MGM, and almost a precursor to his late 70s fame at Philly International. The vocals are still given strong center stage – and are as magnificent as always – and the track selection is slinky smooth at times, in ways that give a subtle sophistication to the record that's really great. Titles include a great cover of "She's Gone", plus "Feel Like Makin Love", "Now You're Coming Back Michelle", "You're A Lady", "Keep The Faith", "Baby You Don't Know How Good You Are", and "Let It Be Now". LP, Vinyl record album

One of the key classics from the Jimmy Smith years at Blue Note Records – a really groundbreaking time for the Hammond organ in jazz, as Jimmy helped take it from backrooms in bars to center stage of jazz with a record like this! The album's about as iconic as you can get for Jimmy at the label – from the fantastic cover image, to the well-crafted tunes – many of which are shorter than some of Smith's earlier jam session-styled work, and help forge a bridge between soul jazz and the emerging soul instrumental sound of the early 60s. The album features some excellent work from the obscure Percy France on tenor on most of the tracks – a player we only know from a handful of dates – next to other quartet members who include Kenny Burrell on guitar and Donald Bailey on drums. Titles include "Sugar Hill", "I Got A Woman", "Motoring Along", "Gracie", and "Messin Around". LP, Vinyl record album

Way more than just a live album – as the record features material from the film of the same name – a tremendous stage performance that begins with solo David Byrne, then has the group building up as the set moves on – adding in more musicians and instruments with each new step, at a level that traces the richness of the group's sound as it emerged on the Speaking In Tongues album that was the tour that spawned the concert and the film! Because of that shift throughout, the record's way more than just a live concert – and very different than the group's previous live album too – as the performances here are markedly different, and distinct from their studio renditions – with very unusual takes on titles that include "Psycho Killer", "Swamp", "Slippery People", "Burning Down The House", "Girlfriend Is Better", "Once In A Lifetime", "What A Day That Was", "Life During Wartime", and "Take Me To The River". LP, Vinyl record album

A seminal jazz rock statement from drummer Tony Williams – one that has him stepping out quite far from his original "new thing" recordings of the mid 60s! The album's got a genre-forming sound that's incredibly fierce – a power trio churning of Williams drums, John McLaughlin's guitar, and Larry Young's free-thinking work on organ. The tunes are long and jamming, but also have a tight rhythmic focus that never gets too sloppy – and which virtually set the stage for a whole generation of 70s fusion players in years to come! Young and McLaughlin are especially great – working here with Williams to pound out sheets of sound in a cosmic trippy maze of riffs and grooves, certainly enough to inspire the most addled rocker to head over to the jazz section! Though this set was released as two separate volumes, this double LP version has both albums, and features 8 tracks in all "Emergency", "Beyond Games", "Where", "Vashkar", "Sangria For Three", "Something Spiritual", "Spectrum", and "Via The Spectrum Road". LP, Vinyl record album

One of many volumes in Charly's great series of reissue compilations exploring the huge independent urban soul legacy of the 60's – covering ground from east to (mid)west! This set, like the others, has a huge amount of hard to get 45-only tracks, and features tracks originally issued on labels like SSS International, Mellow, Vee jay,. Sound Stage 7, Diamond and USA. 16 numbers in all, including "You'll Always Be In Style" by Sidney Barnes, "Now I'm In Love With You" by Marvin L Sims, "I Won't Stop To Cry" by Stormy, "I Don't Want To Hurt Nobody" by Ruby Winters, "Why Don't You Write" by Lee Bates, "I Can't Be Your Part Time Baby" by Gwen Davis, "Just Like A Yo Yo" by Ruby Winters, "My Love Is Gone" by the Shadows, "I Better Run" by Barrett Strong, "My Man Don't think I Know" by Gwen Davis, and "But I Couldn't" by Willie Harper. LP, Vinyl record album

Gerry's second 10" album for the Pacific Jazz label – and almost as groundbreaking as the first! Not only is the quartet with Chet Baker featured strongly on side 1 – with classics that include "Cherry", "Carson City Stage", and "Motel" – but Lee Konitz joins the group on side two, cutting things up with his angular alto sax – a sound that's beautifully placed next to the poised horns of Mulligan and Baker, in a way that really gives the record even more life! Titles on that side include "Sextet", "I Can't Believe That You're In Love With Me", "Lover Man", and "Lady Be Good". LP, Vinyl record album

Shoes maybe look a bit too new wave on the cover, but still sound perfect within – very much in charge of that perfect yet understated approach to a tune that has gone on to make them legends in all the many years since this album was released! The group were never out to change the world, and maybe that held them back at the time – but they were also never trying for big chart success, or too-slick modes – and there's a wonderfully honest, down to earth approach to the songwriting and production that clearly sets the stage for all the bigger late 80s groups that would follow in their wake. Nearly every tune is a completely catchy mofo – and titles include "Curiosity", "In Her Shadow", "Double Talk", "The Summer Rain", "Under The Gun", "The Tube", and "What Love Means". LP, Vinyl record album