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Possible matches: 17
Possible matches1
CD, LP, Vinyl record album cover art
BlackbyrdsAction/Better Days ... CD
BGP (UK), Late 70s. New Copy ... $10.99 18.99
Two of the later Blackbyrds LPs on one CD! Action is a great little sleeper from the Blackbyrds – a record that never gets as much due as their earlier records that have a hard funky feel, but offer instead a tasty batch of smoother jazz funk numbers that show the group still continuing to grow. Donald Byrd's still at the production helm – and the band's got a nice spacey sound that almost reflects directions that other funk groups, like Kool & The Gang, were taking at the time. The best case of this is the massive cut "Mysterious Vibes", a slow jazzy stepper that was sampled to great fame a few years back – but you can also hear it on the cuts "Supernatural Feeling", "Soft & Easy", and "Dreaming About You". Better Days is filled with sweet warm grooves from the mighty Blackbyrds – a set that has George Duke working with the group, giving them some of the electric vibe of his own great work! The sound is less sharply funky than the early days of the group, but still mighty nice – and titles include "Do It Girl", "Love Don't Strike Twice", "What We Have Is Right", and "What's On Your Mind". CD

Possible matches2
CD, LP, Vinyl record album cover art
Tom BrowneLove Approach ... CD
GRP/Sony (Japan), 1980. New Copy ... $13.99
An early gem from trumpeter Tom Browne – a set that not only firmly established Browne as one of the best young players of his generation, but which also paved the way for a whole new direction for jazz funk in the 80s! The record is a perfect example of how great the mix of R&B rhythms and jazz fusion instrumentation could be – groovy enough to capture a whole new audience from the soul market, but still more than respectful of the solo talents of the leader – but all without any attempt at smooth jazz commercialism at all! There's some great hard funk moments on the set – and Browne approaches the music in a way that's nicely different than Donald Byrd or Freddie Hubbard, two older players who first helped forge this sound in the 70s – and whose path Tom's clearly taking, but with new directions of his own. There's almost more of a street-worthy vibe to the set – quite a surprise if you only know later records on the GRP label – and the arrangements are by Tom, Weldon Irvine, Lesette Wilson, and Dave Grusin. Titles include the funky classic "Funkin' For Jamaica", plus "Her Silent Smile", "Moon Rise", "Nocturne", "Forever More", and "Weak In The Knees". CD
(Part of the great AOR City series from Japan!)

Possible matches3
CD, LP, Vinyl record album cover art
Miles DavisMiles In The Sky (Original Master Recording) ... CD
Columbia/Mobile Fidelity, 1968. Used Gatefold ... $19.99
Miles Davis makes the electric transition – in this groundbreaking set from the late 60s! The classic mid 60s quintet is still in place here – Wayne Shorter on tenor, Herbie Hancock on piano, Ron Carter on bass, and Tony Williams on drums – but the sound is looser, freer, and more spacious – often echoing some of the rhythmic concerns that would dominate Miles' music in a few more years, but without as much of a bombastic sound. Williams' drums are amazing – fierce one minute, then fading the next – and Herbie Hancock's use of both electric and acoustic piano really points at his own directions in coming years. George Benson plays one one track – "Paraphernalia" – introducing electric guitar to the Miles Davis sound – and other long tracks on the set include "Stuff", "Black Comedy", and "Country Son". CD
(Limited, numbered edition. SACD pressing.)

Possible matches4
CD, LP, Vinyl record album cover art
Lee KonitzFigure & Spirit (with bonus track) ... CD
Progressive, 1976. Used ... $7.99
A subtle 70s gem from the great Lee Konitz – a record that almost returns to the spare, simple, sublime sound of his best 50s recordings – but with a few more modern edges too! Lee's alto is superb throughout – every bit as sharp as when we love it the best – and the tenor of Ted Brown provides wonderful counterpoint at many spots, moving with Lee a bit like Warne Marsh – but with a sound that shows all the lessons that both players have learned over the years. Rhythm is from a well-chosen trio of younger players, who always seem expectant to new directions – Albert Dailey on piano, Rufus Reid on bass, and Joe Chambers on drums – and titles include "Figure & Spirit", "Dream Stepper", "Smog Eyes", "April", "Without You Man", and "Dig It". CD features the bonus track "Feather Bed". CD
Also available Figure & Spirit (with bonus track) ... CD 12.99

Possible matches5
CD, LP, Vinyl record album cover art
Lee KonitzFigure & Spirit (with bonus track) ... CD
Progressive, 1976. New Copy ... $12.99 15.99
A subtle 70s gem from the great Lee Konitz – a record that almost returns to the spare, simple, sublime sound of his best 50s recordings – but with a few more modern edges too! Lee's alto is superb throughout – every bit as sharp as when we love it the best – and the tenor of Ted Brown provides wonderful counterpoint at many spots, moving with Lee a bit like Warne Marsh – but with a sound that shows all the lessons that both players have learned over the years. Rhythm is from a well-chosen trio of younger players, who always seem expectant to new directions – Albert Dailey on piano, Rufus Reid on bass, and Joe Chambers on drums – and titles include "Figure & Spirit", "Dream Stepper", "Smog Eyes", "April", "Without You Man", and "Dig It". CD features the bonus track "Feather Bed". CD
Also available Figure & Spirit (with bonus track) ... CD 7.99

Possible matches6
CD, LP, Vinyl record album cover art
✨✧ Sonny Rollins TrioSt Thomas – Sonny Rollins Trio In Stockholm 1959 (with bonus tracks) ... CD
Dragon (Sweden), 1959. New Copy ... $11.99 16.99
An amazing live performance from Sonny Rollins – one we'd rank right up there with his legendary Village Vanguard recordings on Blue Note – thanks to its stripped-down trio presentation, and its ability to let Rollins open up in some wonderfully modern tones! As with the Vanguard sides, these tracks feature a superb trio – Henry Grimes on bass and Pete LaRoca on drums – both wonderfully loose players, at the start of a budding legacy of creativity – and well-matched with Rollins, whose really changing his sound and style, and using the open space of the performance to move in directions that nobody would have expected at the start of the decade. Most tracks are standards, but really transformed – and titles include "Paul's Pal", "St Thomas", "There Will Never Be Another You", "Stay As Sweet As You Are", "How High The Moon", "Oleo", and "I've Told Every Little Star". Also features some bonus tracks – a brief interview with Sonny – plus drummer Joe Harris instead of LaRoca – on the titles "Paul's Pal", "It Don't Mean A Thing", and "Love Letters". CD

Possible matches7
CD, LP, Vinyl record album cover art
✨✧ Herbie Hancock5 Original Albums (Takin Off/My Point Of View/Inventions & Dimensions/Speak Like A Child/The Prisoner) (5CD set) ... CD
Blue Note (Germany), Mid 60s. New Copy 5CD ... Out Of Stock
The early genius of Herbie Hancock – perfectly summed up here in five classic albums for Blue Note – each presented in a tiny LP-styled sleeve! Takin Off has Herbie Hancock stepping into the limelight with an excellent batch of soul jazz tunes, including the first recording of his classic "Watermelon Man", the one track that probably put all his kids through school! Although that one went on to become a standard within a few short years in 60s jazz, it still sounds great here in the original – a very fresh take on the sound of soul jazz in the 60s – offered up here in a 7 minute version that has more sharp soloing than most other takes on the tune! The group here is great too – with Dexter Gordon on tenor, Freddie Hubbard on trumpet, Butch Warren on bass, and Billy Higgins on drums – and the tracks are all also originals by a young Herbie – including "Watermelon Man", "The Maze", "Driftin", "Three Bags Full", "Alone & I", and "Empty Pockets". My Point Of View is a great mix of soul jazz and modernism! The record include a nice groovy "hit", Herbie's "Blind Man, Blind Man" – an obvious follow-up to "Watermelon Man", but still a standout track with a lot of imagination, and a fierce soul jazz hook that just won't quit! The rest of the record, while still groovy, also shows much more signs of Herbie's far-reaching conception – especially shared with players like Tony Williams, Grachan Moncur, Chuck Israels, and Grant Green – all of whom work with Herbie, Donald Byrd, and Hank Mobley – in a larger than usual group that makes for a really great sound! Titles include "A Tribute To Someone", "King Cobra", and "The Pleasure Is Mine". Inventions & Dimensions is really unique little record from Herbie Hancock – one that's almost completely improvised over Latin percussion! The setup is quite spare – and quite different than Herbie's other Blue Note work – and the group features improvised backgrounds by bassist Paul Chambers and 2 Latin percussionists, Willie Bobo and Osvaldo "Chihuahau" Martinez. Herbie only wrote simple sketches for the songs on the album, and most of the work on the tracks was done live, spontaneously, in the studio – creating a very free groove that never goes too far out, but which is far more adventurous than usual. All tracks are long, and titles include "Succotash", "Triangle", and "Mimosa". Speak Like A Child is an oft-overlooked session that has Herbie mixing a nice dose of lyricism into his usual soul jazz approach from the 60s! The sound's a bit farther-reaching than on some of Herbie's smaller group sessions – and the record features a sextet that includes Ron Carter, Mickey Roker, Jerry Dodgion, Thad Jones, and Peter Phillips – all soaring with the warmth and introspection that was showing up in some of the best Blue Notes from the time. The harder-hitting soul jazz riffs and hooks are nicely replaced by more thoughtful lines that get a bit deeper, soufully – and nearly all tracks on the set are originals by Hancock! The album's filled with great moments – and tracks include "The Sorcerer", "Riot", and "Goodbye To Childhood". Last up is The Prisoner – a nice late Blue Note change from Herbie Hancock – a very different album than his previous sets for the label – in that it features a slightly larger group, and a sound that really points the way towards his directions in the 70s! There's a slightly ambitious feel to some of these cuts – not in a way that's over-arranged, but just a new sort of thinking for Herbie's kind of groove – a mode that's partially informed by the seriousness of 60s jazz soundtracks, but which also has the beginnings of some more righteous modes of expression too. Players are all great – and include Joe Henderson on tenor and flute, Johnny Coles on flugelhorn, Garnett Brown on trombone, Hubert Laws on flute, Jerome Richardson on bass clarinet, Buster Williams on bass, and Tootie Heath on drums. Herbie plays both acoustic and electric piano – using the latter here in one of his first recordings on the instrument – and titles include "Firewater", "I Have A Dream", "The Prisoner", and "He Who Lives In Fear". CD

Possible matches8
CD, LP, Vinyl record album cover art
✨✧ Paul JeffreyWatershed ... CD
Mainstream/Solid (Japan), 1973. New Copy ... Out Of Stock
An unusual sort of setting for tenor saxophonist Paul Jeffrey – an overlooked player from the east coast scene of the early 70s, and one who only cut a handful of records at the time! The date features Jack Wilkins on guitar, playing with these bright chromatic hues next to Jeffrey's sharper horn – a pairing that makes for an unusual sound, despite a familiar quartet setting – one that's even different from other matches of this nature, such as the work between Sonny Rollins and Jim Hall! Jeffrey's clearly got some bop roots here, but also opens up in other directions too – and the group features Thelonious Monk Jr on drums and Richard Davis on bass – on titles that include "Brand X", "Moon Madness", "Brand New Day", and "Minor Scene". CD

Possible matches9
CD, LP, Vinyl record album cover art
✨✧ Paul MotianConception Vessel ... CD
ECM, 1973. Used ... Out Of Stock
Paul Motian didn't always record that much as a leader, but the dates under his own name are always compelling ones – and quite a change from his more famous work with Bill Evans! This set is a sparkling showcase of original tunes by Motian – played by a shifting array of players that includes Charlie Haden on bass, Sam Brown on guitar, Keith Jarrett on piano and flute, and Leroy Jenkins on violin – all with a much freer, more out sound than you might expect to hear on ECM in later years. The set's one of the standouts from the time when the label was nodding more in the free jazz directions of some of their European contemporaries – and Motion proves to be a surprisingly great choice for the session. Titles include "Georgian Bay", "Ch'I Energy", "Rebica", "Conception Vessel", and "American Indian Song Of Sitting Bull". CD
(Barcode has a cutout mark.)

Possible matches10
CD, LP, Vinyl record album cover art
✨✧ DirectionsDirections (Japanese paper sleeve edition) ... CD
Brunswick (Japan), 1975. Used ... Temporarily Out Of Stock
One of the rarest soul records on Brunswick! This one was cut during the mid 70s – when the label was really having some rough times financially, but also was cutting some of its most groundbreaking soul work. The Directions are a tight harmony quintet – equipped, it appears, with their own band (The Directions Band) who give the group a nice rough soul sound. The vocal cuts on the record have sort of a Philly harmony style – with many uptempo numbers that are sort of a rougher version of work by Blue Magic or The Spinners. The instrumental tracks are smooth funk – with lots of tight keyboard work over heavy riffing and vamping, mostly in an uptempo vein. Titles include "Too Many Secrets", "Soup Line", "I Want To Be Your Special Man", "If You Ever", "We Need Love", and "I Love You So". CD
(Out of print.)

Possible matches11
CD, LP, Vinyl record album cover art
Stan Getz5 Original Albums (West Coast Jazz/In Stockholm/Steamer/Cool Sounds/Stan Meets Chet) (5CD set) ... CD
Verve (Germany), Late 50s. New Copy 5 CDs ... $19.99
Five classic Stan Getz albums for Verve – all in a special package, in little LP-styled covers! First up is West Coast Jazz – a classic pairing of the tenor of Stan Getz and the gentle rhythms of the LA scene of the 50s – and a record that stands up beautifully over the years! Tracks are all a bit longish, and the group features Lou Levy on piano, Leroy Vinnegar on bass, and Shelly Manne on drums – plus Conte Candoli on trumpet, somewhat in the frontline, but never in a way that overshadows Stan's tenor. The album's got a great David Stone Martin cover – and titles include "East Of The Sun (West Of The Moon)," "Four," "Night In Tunisia," and "Summertime." Stan Getz In Stockholm allows Stan to showcase his affection for a jazz scene that had been growing strongly in the postwar years – often in directions that were similar to Stan's own sound at the time! The session is one of the first to pair Stan's tenor with a Swedish group – in this case the bass of Gunnar Johnson, drums of Anders Burman, and piano of Bengt Hallberg – the last of which brings sharper, more angular style to the music than some of Stan's accompanists on earlier American dates – pointing the way towards new experiments to come in his music! Next is Steamer – not a word that we'd necessarily think to use with the gently flowing tenor tone of Stan Getz – but that doesn't stop the album from being a great one, and perhaps in Getz-like terms, it might well have a bit more steam than usual! The album features Getz in a quartet with a nicely flowing groove – nicely vamping piano from Lou Levy in the background on most numbers, and a definite edge in the lead tenor solos – still blown with the warmth of earlier Getz recordings, but perhaps showing some of the modern flourishes to come. Bass is by Leroy Vinnegar and drums are by Stan Levey – and titles include "Blues For Mary Jane", "There'll Never Be Another You", and "You're Blase". Cool Sounds features a range of unusual material recorded over a three year period with a variety of different players! Some of the dates here definitely fit the "cool sounds" title of the record – in that they feature Getz with the west coast lineup of Lou Levy on piano, Shelly Manne on drums, and Leroy Vinnegar on bass – heard more famously on Stan's West Coast album of the same time. But other sides feature a different grouping – with Jimmy Rowles on piano, Bobby Whitlock on bass, and Max Roach on drums – offering up a different side of the west coast altogether. And still others take things back to more of an east coast modern style – by featuring either Tony Fruscella on trumpet or Bob Brookmeyer on trombone, in groups with John Williams on piano. The mix of material makes for a nicely-rounded portrait of Getz's talents in the mid 50s years! Last up is Stan Meets Chet – Stan Getz meets Chet Baker – A classic meeting of these two talents – recorded in Chicago with a Chicago rhythm section of Jodie Christian, Victor Sproles, and Marshall Thompson. The album's an odd one, and is recorded with less of the impeccability of some of Verve's other sessions (which is probaby how the Chicago team got in the action) – but given Baker's harder-edged proclivities at the time, the set's a very interesting one to hear, and the relaxed nature of the tracks brings out some important solo moments from both players. 4 long tracks – including "I'll Remember April", "Jordu", and "Half-Breed Apache". CD

Possible matches12
CD, LP, Vinyl record album cover art
Kandinsky EffectPax 6 ... CD
Ropeadope, 2017. New Copy ... $8.99 12.98
A jazz trio, but one with a very unique vibe – given that, in addition to familiar saxes, bass, and drums – the group also uses a fair bit of effects as well! The drums are often echoey and thunderous, the basslines nicely bumping, and the tones of the saxophone can go off in all sorts of directions – always tuneful, but often with darker currents too – nice little sonic twists and turns that certainly make the instrument sound different than usual! Saxophonist Warren Walker also plays a bit of keyboards too, although those often seem wrapped up with the larger electronic palette of the album – and titles include "Astoria", "We Make Our Own Holidays", "Loops", "Iron Lion", "Re: Jungle", "Musicbox", and "Glass Bottles". CD

Possible matches13
CD, LP, Vinyl record album cover art
Max RoachDeeds Not Words (with bonus track) ... CD
Riverside/OJC, 1958. Used ... $5.99
A seminal set from Max Roach – the start of his more righteous stretch in jazz, as you might guess from the title of the album! At some level, the record's got a bit of the feel of the post-Clifford Brown Mercury years from Roach – but at another, it's stretching out towards the directions Max would explore fully on the Candid, Impulse, and Fantasy labels in the 60s – an approach to hardbop that often really pushes its limits – not content to simply set up solos for the players, and instead moving with a much more forceful energy overall! Group members include Booker Little on trumpet, George Coleman on tenor, Ray Draper on tuba, and Art Davis on bass – and the lack of a piano makes for a very exciting sound! The album's got 2 great originals by Bill Lee – "Jodie's Cha Cha" and "Deeds Not Words" – plus Draper's classic "Filide", and the groundbreaking "Conversation" – a very cool solo by Roach on the drums! CD also features the bonus track "There Will Never Be Another You" – with Oscar Pettiford on bass instead of Davis. CD

Possible matches14
CD, LP, Vinyl record album cover art
VariousSpaced Out – The Story Of Mushroom Records ... CD
Grapefruit (UK), Early 70s. Used ... $12.99
A totally groovy look at London's Mushroom Records – a tiny imprint that flourished briefly in the early 70s – and gave home to a much wider array of sounds and styles than you might expect! There's a great post-60s approach going on here – a bit similar to the many directions that American FM freeform radio was taking at the time – as bits of rock, jazz, Indian, folk, and other styles come together – all resonating together beautifully with each other, and really creating a mind-expanding sound in the process! The range of artists here is as wonderful as their many styles – and rather than come across like a label with a confusing approach, Mushroom seems to have a really visionary way of putting all these many moments together. The set also features some related work from the Maximum Sound Productions project of label owner Vic Keary – for a whopping 46 tracks in all. Titles include "Cham Cham Cham Cham" by Nitai Dasgupta, "Or Alternatively Nine" by Lol Coxhill, "Where's Your Master Gone" by Simon Finn, "Evil Ways" by Les Flambeaux, "Hangin On An Eyelid" by Second Hand, "Puckaree" by Urban Clearway, "Land Of A Thousand Dreams" by Chillum, "The Phoenix" by Magic Carpet, "The Ould Triangle" by Liverpool Fishermen, "Folk Piece In Kharwa" by Pandit Kanwar Sain Trikha, "Rainbow Chasing" by Andromeda, "Knock On Wood" by Oliver Bone, "My Ways Are Set" by John Williams, "Taboo Man" by Alexis Korner's Blues Incorporated, "Never Gonna Love Again" by New Faces, "Summer Leaves Me With A Sigh" by Tuesday's Children, and "I Am Nearly There" by Denis Couldry & The Next Collection. CD

Possible matches15
CD, LP, Vinyl record album cover art
✨✧ Kandinsky EffectPax 6 ... CD
Ropeadope, 2017. Used ... Temporarily Out Of Stock
A jazz trio, but one with a very unique vibe – given that, in addition to familiar saxes, bass, and drums – the group also uses a fair bit of effects as well! The drums are often echoey and thunderous, the basslines nicely bumping, and the tones of the saxophone can go off in all sorts of directions – always tuneful, but often with darker currents too – nice little sonic twists and turns that certainly make the instrument sound different than usual! Saxophonist Warren Walker also plays a bit of keyboards too, although those often seem wrapped up with the larger electronic palette of the album – and titles include "Astoria", "We Make Our Own Holidays", "Loops", "Iron Lion", "Re: Jungle", "Musicbox", and "Glass Bottles". CD
Also available Pax 6 ... CD 8.99

Possible matches16
CD, LP, Vinyl record album cover art
✨✧ Weather ReportWeather Report (1971) ... CD
Columbia, 1971. Used ... Out Of Stock
The groundbreaking first album from Weather Report – a massive session that took fusion to a whole new level for the 70s! Most of the players here had been associated with Miles Davis at some point in the year or two beforehand – and Miles' electric work is definitely a starting point for this group – but they quickly flow off in whole new directions, thanks to the mighty legacy of their own talents on previous records! The group features an intense lineup with Wayne Shorter on saxes, Joe Zawinul on keyboards, Miroslav Vitous on bass, Alphonse Mouzon on drums, and Airto on percussion – all coming together in a groove that's often incredibly raw and free – with plenty of sharp electronic bits from Zawinul crackling under the acoustic elements in the music. The sound is still quite revolutionary all these years later – and titles include "Tears", "Eurydice", "Orange Lady", "Umbrellas", and "Milky Way". CD
(Out of print. Booklet has a small sticker.)

Possible matches17
CD, LP, Vinyl record album cover art
✨✧ VariousSpaced Out – The Story Of Mushroom Records ... CD
Grapefruit (UK), Early 70s. New Copy 2CD ... Out Of Stock
A totally groovy look at London's Mushroom Records – a tiny imprint that flourished briefly in the early 70s – and gave home to a much wider array of sounds and styles than you might expect! There's a great post-60s approach going on here – a bit similar to the many directions that American FM freeform radio was taking at the time – as bits of rock, jazz, Indian, folk, and other styles come together – all resonating together beautifully with each other, and really creating a mind-expanding sound in the process! The range of artists here is as wonderful as their many styles – and rather than come across like a label with a confusing approach, Mushroom seems to have a really visionary way of putting all these many moments together. The set also features some related work from the Maximum Sound Productions project of label owner Vic Keary – for a whopping 46 tracks in all. Titles include "Cham Cham Cham Cham" by Nitai Dasgupta, "Or Alternatively Nine" by Lol Coxhill, "Where's Your Master Gone" by Simon Finn, "Evil Ways" by Les Flambeaux, "Hangin On An Eyelid" by Second Hand, "Puckaree" by Urban Clearway, "Land Of A Thousand Dreams" by Chillum, "The Phoenix" by Magic Carpet, "The Ould Triangle" by Liverpool Fishermen, "Folk Piece In Kharwa" by Pandit Kanwar Sain Trikha, "Rainbow Chasing" by Andromeda, "Knock On Wood" by Oliver Bone, "My Ways Are Set" by John Williams, "Taboo Man" by Alexis Korner's Blues Incorporated, "Never Gonna Love Again" by New Faces, "Summer Leaves Me With A Sigh" by Tuesday's Children, and "I Am Nearly There" by Denis Couldry & The Next Collection. CD
Also available Spaced Out – The Story Of Mushroom Records ... CD 12.99
 
Partial matches: 9
Partial matches18
CD, LP, Vinyl record album cover art
Beach BoysBeach Boys 1967 – Sunshine Tomorrow (Wild Honey stereo/Smiley Smile sessions/live unreleased tracks) ... CD
Capitol, 1967. New Copy 2CD ... $19.99 21.99
An amazing treasure for fans of the Beach Boys during their highest moment of genius – a huge batch of unreleased tracks from their important year of 1967 – plus the rare stereo mix of Wild Honey! We love the Wild Honey album – a back-to-basics album of sorts – shorter, catchier songs recorded by the group after the collapse of Smile – but a record that still has some really wonderful moments overall – and which shows that The Beach Boys would never be the same after Pet Sounds! There's a mix of older rock themes and new adult ones here – sung by a group who's really growing into their emotions, and approaching things from new directions than in the past. Heartbreak and happiness are both center stage here – often at the same time – on titles that include "Wild Honey", "Country Air", "I'd Love Just Once To See You", "Darlin", and "How She Boogalooed It". The 2CD set features 20 more amazing tracks from the sessions for the record – all very cool alternate songs or in progress compositions – of the sort that you've heard in the Smile or Pet Sounds collections – really showing Brian Wilson's genius in the studio. Plus, there's also 10 more songs from the Smiley Smile sessions – which are equally wonderful too – never issued before! Then, there's a full unissued live album – Lei'd In Hawaii - with a total of 13 tracks – then 5 more live tracks from Hawaii in 1967, and another 5 more unreleased tracks from an east coast tour late in the year! The total for the set is 30 unreleased studio tracks, 23 unreleased live tracks – and 11 more numbers from the Wild Honey album! CD

Partial matches19
CD, LP, Vinyl record album cover art
Gary McFarlandSoft Samba ... CD
Verve (Japan), 1964. New Copy ... $18.99
A dream of a record from Gary McFarland – lightly jazzy instrumentals with a warm bossa nova undercurrent! The style is incredible – a sweet blend of vibes, guitar, and even some light whistling – often also featuring wordless jazz vocals – scatting along with the groove in a melodic and lovely kind of way! The whole thing's incredibly charming, and even familiar tunes come across sounding quite different in McFarlands hands. Titles include "From Russia With Love", "More", "Emily", "La Vie En Rose", "The Love Goddess", and even a groovy take on "I Want To Hold Your Hand". For you true swingers, the cover includes directions for mixing a "Soft Samba Cocktail" (courtesy Spanish Sherry Institute)! CD
(SHM-CD pressing!)

Partial matches20
CD, LP, Vinyl record album cover art
RodriguezComing From Reality (plus bonus tracks) ... CD
Sussex/Light In The Attic, 1971. Used ... $8.99
An amazing second set from Sixto Rodriguez – recorded in the legendary Landsdowne Studios in London, with a groove that's a great extension from his debut! All of Rodriguez's best elements are in place here – his folksy guitar, personal lyrical style, and surprisingly biting approach to a variety of topics – and the London setting provides him with an even more sophisticated backdrop than before, one that creates a rich palette of sounds that takes the music in some really wonderful directions! There's a bit of strings at times, but most instrumentation is by a small combo – which includes Chris Spedding on guitar and Tony Carr on percussion – so that Rodriguez's vocals and guitar are really right up front in the mix, recorded with a brilliant balance between sharpness and compassion. Titles include "Climb Up On My Music", "Silver Words", "Heikki's Suburbia Bus Tour", "I Think Of You", "To Whom It May Concern", "Halfway Up The Stairs", and "Cause". CD

Partial matches21
CD, LP, Vinyl record album cover art
VariousTo The Outside Of Everything – A Story Of UK Post-Punk 1977 to 1981 (5CD set) ... CD
Cherry Red (UK), Late 70s/Early 80s. New Copy 5CD ... $39.99
Great sounds from some of our favorite years of the British scene – those moments right after punk first exploded, and a generation of young English artists took off in so many different musical directions! The era's been labeled as post-punk, but what makes it really unique is that the label hardly does the music justice – as the time had such a rich array of sounds and styles, it would be impossible to sum of the vibe in just a few short words! There's definitely some punk elements in the music, but there's also electronic moments, sweeter songs, noisy bits, compressed prog inspirations, and even some occasional witty elements – with songwriting that's really stood the test of time over the years. There have been other collections of post-punk work over the years, but we've never seen a package like this – as the 5CD set features 111 tracks in all, packaged inside a book-style cover that's overflowing with notes and images – all with a track selection that includes lots of lost gems. In other words, even if you're like us, and already love this period, you'll still find plenty of greatness here – as the whole thing's balanced well enough to please both newcomers and longtime collectors. Includes work by Dif Juz, Glaxo Babies, The Homosexuals, Ultravox, Swell Maps, Clock DVD, Maximum Joy, Section 25, The Cravats, Native Hipsters, Josef K, Art Objects, The Passions, Big In Japan, Fischer-Z, Family Fodder, Girls At Our Best, Ludus, Boots For Dancing, In Camera, The Disco Zombies, Medium Medium, Alternative TV, The Nightingales, My Captains, Five Or Six, Steve Diggle, Dance Chapter, Fire Engines, Spoon Fazer, and many others! CD

Partial matches22
CD, LP, Vinyl record album cover art
Rosemary ClooneyLove ... CD
Reprise, 1961. Used ... $3.99
A really unusual album from Rosemary Clooney – recorded with lush backings from Nelson Riddle, in a style that gets past the lighter mode of earlier years! Clooney really opens up in Riddle's company – and hits a mature, adult mode that almost points the way towards directions Morgana King would take in later years. The tunes are all extremely well-chosen – and even the older numbers seem to have a more contemporary feel here, thanks to Riddle's unified arrangements throughout – an overall approach that avoids the "fast then slow then fast" mode that sometimes kept other Clooney albums from sounding like more serious vocal efforts. Titles include "Invitation", "I Wish It So", "Yours Sincerely", "Find The Way", "If I Forget You", "More Than You Know", and "Why Shouldn't I". CD
(Out of print.)

Partial matches23
CD, LP, Vinyl record album cover art
Gilberto GilFe Na Festa ... CD
Facil (Brazil), 2010. New Copy ... $3.99
One of the freshest albums we've heard in years from Gilberto Gil – a set that seems to shake off some of the misdirections of recent records, and really get back the sharper style of his roots – while still also heading off into a new mode as well! There's a definite forro undercurrent here, especially in the rhythms – and Gil uses the style to strip things down, get a bit rootsy, and really bring up these great earthy grooves alongside his vocals – moving things towards the spirit of his late 70s music, even though things here sound totally different! Production is never too slick, and titles include "Marmundo", "Assim Sim", "Fe Na Festa", "Marla Minha", "Aprendi Com O Rei", "La Vem Ela", and "Sao Jao Carioca". CD

Partial matches24
CD, LP, Vinyl record album cover art
VariousDust On The Nettles – A Journey Through The British Underground Folk Scene 1967 to 1972 (3CD set) ... CD
Grapefruit (UK), Late 60s/Early 70s. New Copy 3 CDs ... $22.99
British folk music got really weird and wonderful at the end of the 60s – light years from the crew cut versions of The Kingston Trio, or the twangy modes of Bob Dylan wannabees – but also very different from the more rockish directions that American folk acts were taking at the time! If anything, the British artists showed an even deeper commitment to acoustic modes – and far more ancient ones than American groups had access too – a thousand year legacy of British Isles music, but reworked into an often-trippy style would find more famous iterations in groups from Fairport Convention through Current 93, and even in the Wicker Man soundtrack as well! Most of the music here is much more obscure than those references – groups that were big in the UK, but maybe didn't have as much of an impact over here during the period – which makes this 63 track box set a real treasure trove of discovery – filled with many tunes we'd never heard before, and put together in a very special way. Titles include "Black Girl" by Mary Anne, "Till The Morning Comes" by Dando Shaft, "Roses For Columbus" by Mark Frhy, "Love Is A Funny Thing" by Spyrogyra, "Come All You Travellers" by Wight, "Willow's Song" by Nagnet, "Cruious Crystals Of Unusual Purity" by Bridget St John, "Prisoners Victims Strangers Friends" by Paper Bubble, "Gabilan" by Duncan Browne, "Meeting By The Moonlight Mill" by Dry Heart, "Silence Returns" by Beau, "Me & My Kite" by Fuschia, "The Colour Is Blue" by Country Sun, "Welcome To The Citadel" by Marc Brierley, "Garden Song (demo)" by Bill Fay, and "Upon Reflection" by Heron. CD

Partial matches25
CD, LP, Vinyl record album cover art
✨✧ Bobby HutchersonStick-Up! ... CD
Blue Note, 1966. Used ... Temporarily Out Of Stock
The sticks are up, and Bobby Hutcherson is at the top of his game – hitting a whole new groove here in this sublime session of modal numbers for Blue Note – a slightly warmer set than his more modern albums of the "new thing" years, and a great indication of the directions he'd take in the 70s! Bobby's vibes are set up wonderfully here in a quintet that includes Joe Henderson on tenor sax, McCoy Tyner on piano, Herbie Lewis on bass, and Billy Higgins on drums – all players who bring key elements to the groove. Tyner's got an obvious ear for the modal rhythms that Hutcherson's heading for; Higgins' drum work is freely lyrical in all the best ways; and Henderson's horn sharpens the edges of the tunes a bit, bringing in some nice darker sounds. The kickoff track is an amazing modal reading of Ornette's "Una Muy Bonita", and the rest tracks are all Hutcherson originals, including "Summer Nights", "8/4 Beat", "Black Circle", "Verse", and "Blues Mind Matter". CD
(Spine has a cutout notch.)

Partial matches26
CD, LP, Vinyl record album cover art
✨✧ VariousMr Santa Claus (Bring Me My Baby) – Classic Soul & R&B Christmas Cuts 1961 to 1963 ... CD
Contrast, Early 60s. New Copy ... Out Of Stock
Great Christmas tunes from the early years of soul music – tracks that have their roots in the R&B Christmas modes of the 50s, but also burst out in great new directions too! Some of the tracks feature harmony groups, others feature single artists – and in addition to some of the bluer sounds of the season, there's lots of titles here that sparkle with a newly festive vibe – that upbeat style that you'd also hear on dancefloor soul singles of the period. There's plenty of unfamiliar numbers here – which makes the set a delight to our ears – and titles include "Santa Claus Is Coming" by The Midnighters, "Don't Cry For Me This Xmas" by The Marcels, "New Year Greeting" by Gene McDaniels, "I'll Stay Home" by The Jaynells, "Wish You A Merry Christmas" by Kim Weston, "I Wish You A Merry Christmas" by Big Dee Irwin & Little Eva, "Mr Santa Claus" by Nathaniel Mayer, "Merry Christmas Darling" by The Uniques, "White Christmas" by Darlene Love, "Drive Slow" by Johnny Flamingo, "Christmas Time" by Jan Bradley, "Blue Holiday" by The Shirelles, "Merry Christmas Darling" by Poppa Hop, and "Christmas Greeting" by Gene McDaniels. CD
 
 
 



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