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CD, LP, Vinyl record album cover art
Afro Blues Quintet Plus OneNew Directions In Sound ... CD
Mira/BGP (UK), Late 60s. New Copy ... $8.99 18.99
Smoking grooves from an incredible group – the amazing Afro Blues Quintet, a combo with a sound like no other! These guys were never one for stardom, but during the mid and late 60s, they burned up the west coast scene with an incredible blend of vibes, piano, and reeds – often kicked up nicely with some hard-rolling rhythm work that gave their tracks a similar mod groove to classics by Johnny Lytle, Ramsey Lewis, or Pucho & The Latin Soul Brothers! But the real difference with the ABQ (if we can call them that!) is that they had a really spacious approach to their sound – never putting too much into the mix, and instead using the space between the notes every bit as much as the notes themselves. The grooves are great, and since most of this work has never been reissued, the set's totally fresh to the ears of most listeners! As usual, the folks at BGP have done a great job with the notes – and the set features 22 tracks from the group's Mira, Surrey, and Crestview recordings – titles that include "Monkey Time", "Freaks", "La La La", "Southside Habit", "Mirror Image", "Afro Rock", "Evening Of The Beast", "Spartacus", "Candie Luv", and "Our Mambo". CD

Close matches2
CD, LP, Vinyl record album cover art
✨✧ Teddy Charles New Directions QuartetMetronome Presents Jazz In The Garden At The Museum Of Modern Art ... CD
Fresh Sound (Spain), 1960. Used ... $14.99
The inventive vibist caught live in New York at a Metronome sponsored gig featuring Mingus alums Mal Waldron, Booker Ervin and Booker Little. The set includes one expansive Charles original, "Take Three Parts Jazz", a Little original "The Confined Few", Ervin's "Scoochie" and Waldron's "Cycles", along with a few standards. The music is fantastic, and is a mix of modernist modal themes with rich soul jazz playing. Ervin and Little are fantastic, and their sharp edgey sounds are a perfect contrast with Charles' moody vibes. Very little of Teddy Charles' work, which ranged from introspective avant garde pieces with Jimmy Giuffre to more swing based collaborations with Mingus, has been documented, this piece showcases his New Directions Quartet in a unique setting, with inspired guests. CD
(Out of print.)
 
Possible matches: 25
Possible matches3
CD, LP, Vinyl record album cover art
Nicola ConteOther Directions ... CD
Blue Note (France), 2004. Used ... $11.99
Incredible work from Nicola Conte – Schema records maestro making his Blue Note debut with this set – and giving the label one of their best new albums of the 21st Century! The record's quite different than Nicola's programmed dancefloor work for Schema – and is much more of an organic jazz-based session – with instrumentation by a wide arrangement of hip European jazzers (including Till Bronner and Rosario Giuliani!), plus sweet vocals from a variety of different singers! The groove is still very much in the Conte/Schema spirit – often in a loping modal approach to jazz, with a strong inspiration from the best European scenes of the late 60s and early 70s. The sound is wonderful – with players from the larger lineup playing in differing groups from track to track – showcasing instrumentation that includes vibes, flute, trombone, tenor, alto, and even a bit of guitar from Nicola himself. Vocalists include Bembe Segue, Lucia Minetti, Cristina Zavalloni, and Till Bronner – and titles include "Sea & Sand", "Nefertiti", "Wanin Moon", "A Time For Spring", "Kind Of Sunshine", "Aphrodite's Dream", "The Dharma Bums", "All Gone", "Le Depart", "The In Between", and "Several Shades Of Dawn". Imagine the best work of Schema or Compost done in an all-organic, all-natural mode – and you've got the beautiful sound of this set! CD

Possible matches4
CD, LP, Vinyl record album cover art
DirectionsDirections ... CD
Brunswick/Solid (Japan), 1975. Used ... $13.99
One of the rarest soul records on Brunswick! This one was cut during the mid 70s – when the label was really having some rough times financially, but also was cutting some of its most groundbreaking soul work. The Directions are a tight harmony quintet – equipped, it appears, with their own band (The Directions Band) who give the group a nice rough soul sound. The vocal cuts on the record have sort of a Philly harmony style – with many uptempo numbers that are sort of a rougher version of work by Blue Magic or The Spinners. The instrumental tracks are smooth funk – with lots of tight keyboard work over heavy riffing and vamping, mostly in an uptempo vein. Titles include "Too Many Secrets", "Soup Line", "I Want To Be Your Special Man", "If You Ever", "We Need Love", and "I Love You So". CD
(Includes obi. Out of print.)

Possible matches5
CD, LP, Vinyl record album cover art
✨✧ TavaresNew Directions (plus bonus tracks) ... CD
RCA/Big Break (UK), 1982. Used ... Temporarily Out Of Stock
Tavares chill things out nicely, definitely heading for the "new directions" in the title, and going for more of a mellow sound that was clearly going to help them reach new audiences in the post-disco years. The harmonies are as great as they always were in the early days, taking a nicely smoothed out approach in place of the somewhat gritter groove of some of the earlier work – moving fearlessly into the 80s groove with excellent results! Titles include "Mystery Lady", "Abra Ca Dabra Love You Too", "Maybe We'll Fall In Love Again", "The Skin You're In", "I Hope You'll Be Very Unhappy Without Me", "A Penny For Your Thoughts", "Got To Find My Way Back To You", and "Wanna Be Close to You". This CD edition has 4 bonus tracks: "Got To Find My Way Back To You (12" Dance Mix)", "A Penny For Your Thoughts (Single Version)", "The Skin You're In (Single Version)" and "Got To Find My Way Back To You (Single Version)". CD

Possible matches6
CD, LP, Vinyl record album cover art
✨✧ TavaresNew Directions (with bonus tracks) ... CD
RCA (Japan), 1982. New Copy ... Out Of Stock
Tavares chill things out nicely, definitely heading for the "new directions" in the title, and going for more of a mellow sound that was clearly going to help them reach new audiences in the post-disco years. The harmonies are as great as they always were in the early days, taking a nicely smoothed out approach in place of the somewhat gritter groove of some of the earlier work – moving fearlessly into the 80s groove with excellent results! Titles include "Mystery Lady", "Abra Ca Dabra Love You Too", "Maybe We'll Fall In Love Again", "The Skin You're In", "I Hope You'll Be Very Unhappy Without Me", "A Penny For Your Thoughts", "Got To Find My Way Back To You", and "Wanna Be Close to You". This CD edition has 4 bonus tracks: "Got To Find My Way Back To You (12" Dance Mix)", "A Penny For Your Thoughts (Single Version)", "The Skin You're In (Single Version)" and "Got To Find My Way Back To You (Single Version)". CD
(Part of the great AOR City series from Japan!)

Possible matches7
CD, LP, Vinyl record album cover art
BlackbyrdsAction/Better Days ... CD
BGP (UK), Late 70s. New Copy ... $11.99 18.99
Two of the later Blackbyrds LPs on one CD! Action is a great little sleeper from the Blackbyrds – a record that never gets as much due as their earlier records that have a hard funky feel, but offer instead a tasty batch of smoother jazz funk numbers that show the group still continuing to grow. Donald Byrd's still at the production helm – and the band's got a nice spacey sound that almost reflects directions that other funk groups, like Kool & The Gang, were taking at the time. The best case of this is the massive cut "Mysterious Vibes", a slow jazzy stepper that was sampled to great fame a few years back – but you can also hear it on the cuts "Supernatural Feeling", "Soft & Easy", and "Dreaming About You". Better Days is filled with sweet warm grooves from the mighty Blackbyrds – a set that has George Duke working with the group, giving them some of the electric vibe of his own great work! The sound is less sharply funky than the early days of the group, but still mighty nice – and titles include "Do It Girl", "Love Don't Strike Twice", "What We Have Is Right", and "What's On Your Mind". CD

Possible matches8
CD, LP, Vinyl record album cover art
Miles DavisIn A Silent Way (Japanese paper sleeve edition) ... CD
Sony (Japan), 1969. Used ... $11.99
There's nothing "silent" here – as the album's a bold entry in the electric years of Miles Davis – one that still features contributions from Herbie Hancock, Wayne Shorter, and Tony Williams – but which also expands the lineup considerably – really reaching out towards the sound of Bitches Brew! Herbie's on electric keys here, working alongside Chick Corea and Joe Zawinul, who really help increase the flow of the tunes and enforce the "directions in music" stated on the cover of the set! Shorter's on soprano sax, playing in an even more angular way – and Dave Holland is on bass, replacing the sound of Ron Carter, getting some rhythmic assistance at times from John McLaughlin, whose sound really helps to shape the record! Titles include 2 side-long tracks – "Shhh/Peaceful" and "In A Silent Way/It's About Time" – both long, and both beautiful! CD
(Out of print. Includes obi.)

Possible matches9
CD, LP, Vinyl record album cover art
Herbie Hancock5 Original Albums (Takin Off/My Point Of View/Inventions & Dimensions/Speak Like A Child/The Prisoner) (5CD set) ... CD
Blue Note (Germany), Mid 60s. New Copy 5CD ... $26.99
The early genius of Herbie Hancock – perfectly summed up here in five classic albums for Blue Note – each presented in a tiny LP-styled sleeve! Takin Off has Herbie Hancock stepping into the limelight with an excellent batch of soul jazz tunes, including the first recording of his classic "Watermelon Man", the one track that probably put all his kids through school! Although that one went on to become a standard within a few short years in 60s jazz, it still sounds great here in the original – a very fresh take on the sound of soul jazz in the 60s – offered up here in a 7 minute version that has more sharp soloing than most other takes on the tune! The group here is great too – with Dexter Gordon on tenor, Freddie Hubbard on trumpet, Butch Warren on bass, and Billy Higgins on drums – and the tracks are all also originals by a young Herbie – including "Watermelon Man", "The Maze", "Driftin", "Three Bags Full", "Alone & I", and "Empty Pockets". My Point Of View is a great mix of soul jazz and modernism! The record include a nice groovy "hit", Herbie's "Blind Man, Blind Man" – an obvious follow-up to "Watermelon Man", but still a standout track with a lot of imagination, and a fierce soul jazz hook that just won't quit! The rest of the record, while still groovy, also shows much more signs of Herbie's far-reaching conception – especially shared with players like Tony Williams, Grachan Moncur, Chuck Israels, and Grant Green – all of whom work with Herbie, Donald Byrd, and Hank Mobley – in a larger than usual group that makes for a really great sound! Titles include "A Tribute To Someone", "King Cobra", and "The Pleasure Is Mine". Inventions & Dimensions is really unique little record from Herbie Hancock – one that's almost completely improvised over Latin percussion! The setup is quite spare – and quite different than Herbie's other Blue Note work – and the group features improvised backgrounds by bassist Paul Chambers and 2 Latin percussionists, Willie Bobo and Osvaldo "Chihuahau" Martinez. Herbie only wrote simple sketches for the songs on the album, and most of the work on the tracks was done live, spontaneously, in the studio – creating a very free groove that never goes too far out, but which is far more adventurous than usual. All tracks are long, and titles include "Succotash", "Triangle", and "Mimosa". Speak Like A Child is an oft-overlooked session that has Herbie mixing a nice dose of lyricism into his usual soul jazz approach from the 60s! The sound's a bit farther-reaching than on some of Herbie's smaller group sessions – and the record features a sextet that includes Ron Carter, Mickey Roker, Jerry Dodgion, Thad Jones, and Peter Phillips – all soaring with the warmth and introspection that was showing up in some of the best Blue Notes from the time. The harder-hitting soul jazz riffs and hooks are nicely replaced by more thoughtful lines that get a bit deeper, soufully – and nearly all tracks on the set are originals by Hancock! The album's filled with great moments – and tracks include "The Sorcerer", "Riot", and "Goodbye To Childhood". Last up is The Prisoner – a nice late Blue Note change from Herbie Hancock – a very different album than his previous sets for the label – in that it features a slightly larger group, and a sound that really points the way towards his directions in the 70s! There's a slightly ambitious feel to some of these cuts – not in a way that's over-arranged, but just a new sort of thinking for Herbie's kind of groove – a mode that's partially informed by the seriousness of 60s jazz soundtracks, but which also has the beginnings of some more righteous modes of expression too. Players are all great – and include Joe Henderson on tenor and flute, Johnny Coles on flugelhorn, Garnett Brown on trombone, Hubert Laws on flute, Jerome Richardson on bass clarinet, Buster Williams on bass, and Tootie Heath on drums. Herbie plays both acoustic and electric piano – using the latter here in one of his first recordings on the instrument – and titles include "Firewater", "I Have A Dream", "The Prisoner", and "He Who Lives In Fear". CD

Possible matches10
CD, LP, Vinyl record album cover art
✨✧ Herbie HancockPrisoner (non RVG edition) ... CD
Blue Note, 1969. Used ... $3.99
A nice late Blue Note change from Herbie Hancock – a very different album than his previous sets for the label – in that it features a slightly larger group, and a sound that really points the way towards his directions in the 70s! There's a slightly ambitious feel to some of these cuts – not in a way that's over-arranged, but just a new sort of thinking for Herbie's kind of groove – a mode that's partially informed by the seriousness of 60s jazz soundtracks, but which also has the beginnings of some more righteous modes of expression too. Players are all great – and include Joe Henderson on tenor and flute, Johnny Coles on flugelhorn, Garnett Brown on trombone, Hubert Laws on flute, Jerome Richardson on bass clarinet, Buster Williams on bass, and Tootie Heath on drums. Herbie plays both acoustic and electric piano – using the latter here in one of his first recordings on the instrument – and titles include "Firewater", "I Have A Dream", "The Prisoner", and "He Who Lives In Fear". CD

Possible matches11
CD, LP, Vinyl record album cover art
Nina SimoneForbidden Fruit ... CD
Colpix/Warner (Japan), 1961. New Copy ... $14.99
A classic album from Nina Simone's early period! The tracks feature prime work from Nina, caught at the point when she was turning her style from straight jazz into more of a folk-inspired soulful sound – filled with power, anger, and sheer raw emotion – played by a small combo of piano, bass, guitar, and drums, but in a way that opens up in so many different musical directions! There's a really strong genre-crossing approach at work here – and titles include "Rags & Old Iron", "I Love To Love", "Work Song", "No Good Man", "Gin House blues", "Memphis In June" and "Forbidden Fruit". CD
(SHM-CD pressing!)

Possible matches12
CD, LP, Vinyl record album cover art
Vaudou GameKidayu ... CD
Hot Casa (France), 2016. New Copy ... $14.99
A contemporary combo from Togo, but one who've got a hard-riffing sound that takes us back to the James Brown band of the late 60s – which is then mixed with a lot of sweet touches of their own, to create one of the freshest strands of Afro Funk we've heard in years! These guys are hardly content to copy modes of the 70s – and instead, they work with a sense of instrumental craftsmanship that's clearly informed by the giants of the past, but set loose in all these great new directions – especially given the paths that the flowing French vocals seem to open up! There's a sense of joy and pride in the music right from the start – a soaring sort of energy that's a great counterpoint to the gritty grooves at the bottom – and a combination that has us loving the group way more than before. Titles include "Natural Vaudou", "La Vie C'Est Bon", "On Se Pousse", "La Dette", "Elle Decide", "Locataire", "Cherie Nye", and "Lonlon". CD

Possible matches13
CD, LP, Vinyl record album cover art
Weather ReportColumbia Albums 1971 to 1975 (Weather Report/I Sing The Body Electric/Live In Tokyo/Sweetnighter/Mysterious Traveller/Tale Spinnin (7CD set) ... CD
Columbia, Early 70s. Used 7 CDs ... $39.99
6 classics from Weather Report – presented in cool tiny LP-sleeve covers! First up is the original Weather Report album from 1971 – a massive session that took fusion to a whole new level for the 70s! Most of the players here had been associated with Miles Davis at some point in the year or two beforehand – and Miles' electric work is definitely a starting point for this group – but they quickly flow off in whole new directions, thanks to the mighty legacy of their own talents on previous records! Next is I Sing The Body Electric – one of the finest statements ever uttered by group, and a set that's got a bit more soul and warmth than their first album! The lineup's changed slightly at this point – still Wayne Shorter on reeds, Joe Zawinul on keyboards, and Miroslav Vitous on bass – but Eric Gravatt has replaced Alphonse Mouzon on drums, and Dom Um Romao's taken over for Airto on percussion – giving the record an even earthier feel at times! Then, you get the 2CD set Live In Tokyo – an album that was only ever issued in Japan at the time of recording, and which really shows a searing side of the Weather Report sound! Sweetnighter is one of our favorite albums ever from Weather Report – an album that has them picking up a bit more soul than before, and shaking off some of the experimental sounds of their roots – yet all in a way that still makes them one of the most revolutionary fusion combos of the time! There's an incredible sense of tightness between the reeds of Wayne Shorter, the keyboards of Joe Zawinul, and the bass of Miroslav Vitous – and even when things go a bit outside, there's always a sense of focus and groove that brings them back together – a style that's never entirely funky, but which has plenty of funky elements to please our ears! Mysterious Traveller brings a new sense of focus in the Weather Report sound – that building, soaring groove that would become the group's trademark in the mid 70s – offered up here in one of it's first and finest examples! The approach is one to describe accurately on paper – but which is instantly recognizable as the Weather Report sound of the time – a flowing, stretching, organic vibe that builds equally from the talents of all players, and turns it into a wonderfully righteous groove! And last up is Tale Spinnin – a beautiful title for a beautiful little record – one that really does have Weather Report spinning out musical tales in sound – with a free-flowing and soulful sense of energy! The groove's definitely tighter than the earlier years, but it's never slick – and Joe Zawinul handled the overall orchestrations for the record, with an approach that's often highly rhythmic, vamping, and building up nicely as the tunes roll on. CD
(Out of print.)

Possible matches14
CD, LP, Vinyl record album cover art
James ZitroZitro ... CD
ESP, 1967. Used ... $6.99
One of the only albums we've ever seen from drummer James Zitro – a player who'd worked as a percussionist for one of the Sonny Simmons' albums on ESP Records, then was invited to cut his own date for the label! There's a really groundbreaking sound here – an approach to percussion that's almost melodic at times, and which prefaces some of the more famous experiments in those modes to come both from the Chicago AACM and the New York loft jazz scene of the 70s. Zitro's really got a way around the kit, leaping around with a style that reminds us of Andrew Cyrille at his best – yet in ways that often go in other directions. The rest of the group here is relatively obscure too – and players include Allan Praskin on alto, Bert Wilson on tenor, Warren Gale on trumpet, Michael Cohen on piano, and Bruce Cale on bass. Titles include "Freeken", "Happy Pretty", and "Fourth". CD
(Out of print.)

Possible matches15
CD, LP, Vinyl record album cover art
Zombies (solo material too)Into The Afterlife ... CD
Big Beat (UK), Late 60s. New Copy ... $11.99 18.99
A true treasure trove for any fan of the Zombies, Rod Argent, or Colin Blunstone – magical material recorded in the immediate post-Zombies years – offered up here with a few rare late Zombies tracks as well! The genius of Odessey & Oracle still hangs heavy here on most of the tracks – as does the earliest solo work of Colin Blunstone – an airy mix of pop harmonies, spacey instrumentation, and baroquely psychedelic touches – all strung together lightly, but slowly pulling in the different directions the members were taking after the breakup of the original group. Perhaps the greatest bits here are Colin Blunstone tracks recorded under the name of Neil MacArthur for Decca – titles that predate his brilliant Year One album, but which have a very similar feel. Neil MacArthur tracks include "Hung Upside Down", "Without Her", "Twelve Twenty Nine", "World Of Glass", "Never My Love", "It's Not Easy", "Don't Try To Explain", and "She's Not There". Also great are some Rod Argent & Chris White tracks – again pre-Argent material, but with a strong Zombies link in their sound – on tracks that include "It Never Fails To Please Me", "I Could Spend The Day", "She Loves The Way They Love Her", "Telescope", "To Julia", and "Unhappy Girl". CD also features some great "orchestral mix" titles by The Zombies – "If It Don't Work Out" and "Walking In The Sun" – both of which sound beautiful with added strings! CD

Possible matches16
CD, LP, Vinyl record album cover art
✨✧ Billy BangInvitation ... CD
Soul Note (Italy), 1982. Used ... Temporarily Out Of Stock
Great work from Billy Bang's early 80s years on Soul Note Records – a time when he really seemed to find a new focus in his music – totally taking off in great new directions that are always a joy to discover! There's a positive feel to this record that's undeniable – a pushed-forward quality that has Bang leading a host of avant players through some mostly straighter territory – often vamping nicely with a rhythmic pulse, then letting themselves free at points to reach the outer limits of their sound. Players include Charles Tyler on alto and baritone sax, Curtis Clark on piano, Wilber Morris on bass, and Dennis Charles on drums – and the set features a sublime reading of "Invitation", plus "An Addition To Tradition", "A Pebble Is A Small Rock", "In A Minute", and "Secret Society". CD

Possible matches17
CD, LP, Vinyl record album cover art
✨✧ Miles DavisIn A Silent Way ... CD
Columbia, 1969. Used ... Temporarily Out Of Stock
There's nothing "silent" here – as the album's a bold entry in the electric years of Miles Davis – one that still features contributions from Herbie Hancock, Wayne Shorter, and Tony Williams – but which also expands the lineup considerably – really reaching out towards the sound of Bitches Brew! Herbie's on electric keys here, working alongside Chick Corea and Joe Zawinul, who really help increase the flow of the tunes and enforce the "directions in music" stated on the cover of the set! Shorter's on soprano sax, playing in an even more angular way – and Dave Holland is on bass, replacing the sound of Ron Carter, getting some rhythmic assistance at times from John McLaughlin, whose sound really helps to shape the record! Titles include 2 side-long tracks – "Shhh/Peaceful" and "In A Silent Way/It's About Time" – both long, and both beautiful! CD
(Out of print Columbia Jazz Masterpieces pressing.)

Possible matches18
CD, LP, Vinyl record album cover art
✨✧ Alan HavenHaven For Sale/St Elmo's Fire ... CD
Columbia/RPM (UK), 1969/1971. Used ... Temporarily Out Of Stock
Two amazing groovers from organist Alan Haven – rare Brit jazz groovers, of the sort we never find in the US! First up is Haven For Sale – a sublime organ jazz set that's quite different than anything coming out of the US scene at the end of the 60s – a wonderful little record that draws strongly from Haven's soundtrack work with John Barry, and his placement in the UK mod scene of the late 60s! Haven's organ has this fantastically clean tone – kind of like Jimmy Smith in the Verve years, but a bit different too – and backed here with some wonderful charts by Keith Mansfield, of Brit sound library fame. Titles are covers, and very groovy ones at that – and cuts include "Norwegian Wood", "Deep Purple", "Our Day Will Come", "Goin Outta My Head", "What The World Needs Now", and "Exodus" – all swung in very groovy ways. Next up is St Elmo's Fire – a completely wonderful set that has UK organist Alan Haven taking off in amazing new directions! The rhythms here are really set loose – no longer tied to conventional organ jazz modes, and filled with lots of new freedoms – yet still keeping things pretty groovy and swinging throughout! Haven plays organ, piano, and instrumental effects too – and percussion is by Robin Jones on drums and timbales, and Tony Uter on additional Latin Percussion – no other instrumentation at all, which makes for a very rhythmic set. Many tunes are originals by Haven – real standout numbers that sparkle beautifully – and titles include "Flying Free", "St Elmo's Fire", "Charade", "Green Iguana", "Last Of The Wild", "Ace One Johnson", and "Soliloquy". CD

Possible matches19
CD, LP, Vinyl record album cover art
✨✧ Lee KonitzFigure & Spirit (with bonus track) ... CD
Progressive, 1976. New Copy ... Temporarily Out Of Stock
A subtle 70s gem from the great Lee Konitz – a record that almost returns to the spare, simple, sublime sound of his best 50s recordings – but with a few more modern edges too! Lee's alto is superb throughout – every bit as sharp as when we love it the best – and the tenor of Ted Brown provides wonderful counterpoint at many spots, moving with Lee a bit like Warne Marsh – but with a sound that shows all the lessons that both players have learned over the years. Rhythm is from a well-chosen trio of younger players, who always seem expectant to new directions – Albert Dailey on piano, Rufus Reid on bass, and Joe Chambers on drums – and titles include "Figure & Spirit", "Dream Stepper", "Smog Eyes", "April", "Without You Man", and "Dig It". CD features the bonus track "Feather Bed". CD

Possible matches20
CD, LP, Vinyl record album cover art
✨✧ VariousDodgy Bossa & Silly Sambas ... CD
Warner (Australia), Late 60s. New Copy ... Temporarily Out Of Stock
A great little collection – even though we almost resent the title for mis-stating the quality of these tunes! We'd hardly call these cuts "dodgy" or "silly" – as most of them are pretty darn wonderful, and represent a fresh new flowering of the bossa sound from Brazil – taken in all sorts of very cool directions by American artists who fell in love with the rhythms, then decided to do something new! Only a handful of these tunes are by Brazlian artists – but they all share a real love of bossa nova changes, and take the sound into some wonderful directions – including forays into American jazz and soul. The choice of cuts is wonderful – and the package features 20 tracks that include "Caravan" by Lonnie Satin, "Comin Home Baby" by Marian McPartland, "Jive Samba" by Jon Hendricks, "The Girl From Ipanema" by Lou Rawls, "Crickets Sing For Anamaria" by Marcos VAlle, "Bossa Nova Blues" by Doris Troy, "Stormy" by Duke Pearson, "The Bossa Nova" by Tippie & The Clovers, "Something In My Eye" by Corduroy, "Who Will Buy" by Jon Lucien, "Carcara" by Nancy Ames, "Mas Que Nada" by Dizzy Gillespie, and "Bossa Nova Baby" by Elvis Presley. CD

Possible matches21
CD, LP, Vinyl record album cover art
✨✧ VariousFollow Me To The Popcorn – The Untold History Of The Belgian Popcorn Scene ... CD
Jazzman (UK), Late 50s/Early 60s. New Copy ... Temporarily Out Of Stock
A wonderful tribute to a music scene that got going in Belgium during the 60s, but which was completely fueled by American soul, jazz, and R&B – spun in jam-packed clubs by DJs in that nation's equivalent of the Northern Soul scene in the UK! Yet while Northern Soul has an upbeat, uptempo groove, popcorn has one that's a lot more laidback – often slinky and vamping, with a mode that might well have been birthed by the tune "Fever" – taken to hundreds of different directions, but always handled with an equally sinister vibe! Instrumentation is as important here as the vocals – and many tunes often have slight Latin or exotic touches, a slight current of jazz, and a rock-solid lead singer who holds the whole thing together. The notes tell the tale of the Belgian DJs who first hooked into this groove – but for our ears, it's the sound that makes the set – early soul music, late rhythm and blues, and some sweet jazzy moments that provide more than a bit of variety. Titles include "Spooky" by George Barnes, "Downstairs" by Plas Johnson, "I'd Think It Over" by Sam Fletcher, "You Need To Fall In Love" by Little Jimmy Ray, "Yeah My Baby Loves Me" by Dav Kipp, "It's A Sweet World" by Gloria Grey, "Fever" by Earl Grant, "Summertime" by Monty & The Cyclones, "I Want That" by Bobby Hendricks, "Harlem Nocturne" by JJ Jones, "Sweet Little Love" by Al Brown & His Tunetoppers, "Boss Bossa Nova" by Bellino, "I Dreamed About My Baby Last Night" by Lillian Vines, "Palm Of Your Hand" by Dolly Lyon, "Barricuda" by The Page Boys, and "Any Way You Wanta" by Harvey. CD

Possible matches22
CD, LP, Vinyl record album cover art
✨✧ Miles DavisIn A Silent Way ... CD
Columbia, 1969. Used ... Out Of Stock
There's nothing "silent" here – as the album's a bold entry in the electric years of Miles Davis – one that still features contributions from Herbie Hancock, Wayne Shorter, and Tony Williams – but which also expands the lineup considerably – really reaching out towards the sound of Bitches Brew! Herbie's on electric keys here, working alongside Chick Corea and Joe Zawinul, who really help increase the flow of the tunes and enforce the "directions in music" stated on the cover of the set! Shorter's on soprano sax, playing in an even more angular way – and Dave Holland is on bass, replacing the sound of Ron Carter, getting some rhythmic assistance at times from John McLaughlin, whose sound really helps to shape the record! Titles include 2 side-long tracks – "Shhh/Peaceful" and "In A Silent Way/It's About Time" – both long, and both beautiful! CD
Also available In A Silent Way (Japanese paper sleeve edition) ... CD 11.99
 
Partial matches: 4
Partial matches28
CD, LP, Vinyl record album cover art
Serge Gainsbourg/Jean-Claude VannierCannabis/Ce Sacre Grand Pere ... CD
Universal (France), 1970. New Copy ... $13.99
2 incredible soundtracks from Serge Gainsbourg – both of them from his best period of work! Cannabis is a tremendously funky set of tunes – and some real standout soundtrack material from the legendary Serge Gainsbourg! Serge is working here with some great help from Jean-Claude Vannier – the guiding force behind Melody Nelson – and Vannier brings some great grooves to the record, really going for those sexy riffs and breaks that make us love Gainsbourg's music so much! There's a bit of vocals, but the main focus is on the instrumentation – which shifts nicely from track to track, taking the themes in some very nice directions – all of them definitely up to the sexy standard of Serge. The score to Ce Sacre Grand Pere is included here as bonus work – and features tracks written by both Serge and Michel Colombier. The overall feel is more orchestral and traditionally soundtrack-styled, but there are a few really sly funky tracks that offer up Serge at his sexy best! The set's got 21 tracks in all, and titles include "Cannabis", "Jane Dans La Nuit", "Danger", "Avant De Mourir", "Cannabis-bis", "Piege", "I Want To Feel Crazy", "Le Deuxieme Homme", "Champetre Et Pop 1", "Nous Les Jericho", and "L'Herbe Tendre". CD

Partial matches29
CD, LP, Vinyl record album cover art
Serge Gainsbourg/Jean-Claude VannierCannabis/Ce Sacre Grand Pere ... CD
Rambling (Japan), 1967/1970. New Copy ... $16.99
2 incredible soundtracks from Serge Gainsbourg – both of them from his best period of work! Cannabis is a tremendously funky set of tunes – and some real standout soundtrack material from the legendary Serge Gainsbourg! Serge is working here with some great help from Jean-Claude Vannier – the guiding force behind Melody Nelson – and Vannier brings some great grooves to the record, really going for those sexy riffs and breaks that make us love Gainsbourg's music so much! There's a bit of vocals, but the main focus is on the instrumentation – which shifts nicely from track to track, taking the themes in some very nice directions – all of them definitely up to the sexy standard of Serge. The score to Ce Sacre Grand Pere is included here as bonus work – and features tracks written by both Serge and Michel Colombier. The overall feel is more orchestral and traditionally soundtrack-styled, but there are a few really sly funky tracks that offer up Serge at his sexy best! The set's got 21 tracks in all, and titles include "Cannabis", "Jane Dans La Nuit", "Danger", "Avant De Mourir", "Cannabis-bis", "Piege", "I Want To Feel Crazy", "Le Deuxieme Homme", "Champetre Et Pop 1", "Nous Les Jericho", and "L'Herbe Tendre". CD

Partial matches30
CD, LP, Vinyl record album cover art
✨✧ RodriguezComing From Reality (plus bonus tracks) ... CD
Sussex/Light In The Attic, 1971. Used ... Out Of Stock
An amazing second set from Sixto Rodriguez – recorded in the legendary Landsdowne Studios in London, with a groove that's a great extension from his debut! All of Rodriguez's best elements are in place here – his folksy guitar, personal lyrical style, and surprisingly biting approach to a variety of topics – and the London setting provides him with an even more sophisticated backdrop than before, one that creates a rich palette of sounds that takes the music in some really wonderful directions! There's a bit of strings at times, but most instrumentation is by a small combo – which includes Chris Spedding on guitar and Tony Carr on percussion – so that Rodriguez's vocals and guitar are really right up front in the mix, recorded with a brilliant balance between sharpness and compassion. Titles include "Climb Up On My Music", "Silver Words", "Heikki's Suburbia Bus Tour", "I Think Of You", "To Whom It May Concern", "Halfway Up The Stairs", and "Cause". CD

Partial matches31
CD, LP, Vinyl record album cover art
VariousDust On The Nettles – A Journey Through The British Underground Folk Scene 1967 to 1972 (3CD set) ... CD
Grapefruit (UK), Late 60s/Early 70s. New Copy 3 CDs ... $24.99
British folk music got really weird and wonderful at the end of the 60s – light years from the crew cut versions of The Kingston Trio, or the twangy modes of Bob Dylan wannabees – but also very different from the more rockish directions that American folk acts were taking at the time! If anything, the British artists showed an even deeper commitment to acoustic modes – and far more ancient ones than American groups had access too – a thousand year legacy of British Isles music, but reworked into an often-trippy style would find more famous iterations in groups from Fairport Convention through Current 93, and even in the Wicker Man soundtrack as well! Most of the music here is much more obscure than those references – groups that were big in the UK, but maybe didn't have as much of an impact over here during the period – which makes this 63 track box set a real treasure trove of discovery – filled with many tunes we'd never heard before, and put together in a very special way. Titles include "Black Girl" by Mary Anne, "Till The Morning Comes" by Dando Shaft, "Roses For Columbus" by Mark Frhy, "Love Is A Funny Thing" by Spyrogyra, "Come All You Travellers" by Wight, "Willow's Song" by Nagnet, "Cruious Crystals Of Unusual Purity" by Bridget St John, "Prisoners Victims Strangers Friends" by Paper Bubble, "Gabilan" by Duncan Browne, "Meeting By The Moonlight Mill" by Dry Heart, "Silence Returns" by Beau, "Me & My Kite" by Fuschia, "The Colour Is Blue" by Country Sun, "Welcome To The Citadel" by Marc Brierley, "Garden Song (demo)" by Bill Fay, and "Upon Reflection" by Heron. CD
 
 
 



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