Shirley Horn's definitely swinging here – in a set of tracks that features groovy numbers from two different points in her career! Some of the work on the set is from her early 60s years on Mercury and ABC Records – and the other half's from that great stretch in the 90s when her career had really been revived, thanks to a host of excellent recordings for Verve! The mix of material is really great, and shows a wider range of Horn's talents than you'll normally find on other collections – mixing 60s swingers in with some more mature numbers from the later years. Titles include "Big City", "The Great City", "Mack The Knife", "That's No Joke", "I Got Plenty O Nuttin", "Hard Hearted Hannah", "Peel Me A Grape", "How Am I To Know", "Come Dance With Me", and "The Best Is Yet To Come". CD

... CD

With some nice guest tenor work from Buck Hill! Titles include "Get Out Of Town", "Beautiful Friendship", "I Got Lost In His Arms", "Come Fly With Me", and "So I Love You". CD

... CD

... CD

Features former Davis band members Ron Carter and drummer Al Foster – plus guest trumpet from Roy Hargrove. CD

With special guest Gary Bartz on alto sax! Titles include "Just A Little Lovin", "Drown In My Own Tears", "The Sun Died", "Bye Bye Love", "Green", "I Got A Man", and "Light Out Of Darkness". CD

Shirley Horn caught right at the height of her great revival years in the 90s – a time when she was arguably even more expressive and deeply soulful than before! Like most of Horn's best recordings of the time, this live date features a trio – with Shirley herself on piano, Charles Ables on bass, and Steve Williams on drums – all working in warmly swinging territory that's totally great! Horn's vocals are wonderful throughout – very well-recorded, despite the festival setting – and there's an intimacy and sense of personality to the record that you'll be hard pressed to find in some of the other Monterey live dates. Titles include "Blues For Big Scotia", "A Song For You", "How Am I To Know", "Foolin Myself", "The Look Of Love", "Nice N Easy", and the sublime "LA Breakdown". CD

2 early albums by the great Shirley Horn – back to back on one CD! On Loads Of Love, Shirley sings some somber ballads over large orchestrations by Jimmy Jones – in a mode that's different from recent work, but which also shows that she's a great singer with a really sensitive style. The groove's not as open as on some of her small combo recordings, but that also brings out a side of Shirley that you don't always hear on record – a committed, honest, slightly sad style that's quite striking, considering that this was one of Shirley's first albums. Titles include "That's No Joke", "Love For Sale", "Ten Cents A Dance", "Who Am I?", "Only The Lonely", and "Wild Is Love". Horn With Horns is hip stuff from Shirley – very mature and swinging jazz, despite any hokiness you might expect from the "with horns" tag. Arrangements are by Quincy Jones, Thad Jones, and Billy Byers – and the set list features some good current numbers, and a bunch of standards, all redone nicely in a 60s sophistijazz style. Tracks include "Wee Small Hours", "That Old Black Magic", "The Great City", "On The Street Where You Live", and "Let Me Love You". CD

... CD

Features Joe Henderson and Buck Hill on tenor, Billy Hart and Elvin Jones on drums, and trumpet from Roy Hargrove! CD

Stunning – and some of the best work we've ever heard from Shirley Horn! We know, we know – you've seen a bit too much of her in the jazz racks of late – but don't let that stop you from picking up this album, because it's amazing! Shirley returns to the spare, subtle simplicity of older albums like Travelin Light and Where Are You Going – working in a trio format that's so stripped down, so mellow, most of the work on the set is really just done by Shirley's vocals. And as when Shirley's singing at her best, the album is filled with tunes that you might have heard before – but which take on a whole new life and imagination in Shirley's hands. For some reason, she seems to find words in these songs we've never heard before – putting them over with new meanings, new emotions, and a sound that's incredibly sublime! Ahmad Jamal and Roy Hargrove make some slight guest appearances on the set, but forget about them – because the real magic is Shirley, sounding greater here than ever! Titles include "Forget Me", "Maybe September", "Everything Must Change", "May The Music Never End", "Take Love Easy", and "Watch What Happens". CD

Produced and arranged by Johnny Mandel – with guest trumpet from Wynton Marsalis on two tracks! Titles include "Isn't It A Pity", "Here's to Life", "Come A Little Closer/Wild Is The Wind", "You're Nearer", "Summer", "Quietly There", and "A Time For Love". CD

Features guest work from Branford Marsalis on tenor, Wynton Marsalis on trumpet, Toots Thielemans on harmonica, Buster Williams on bass, and Miles Davis on trumpet! CD

Titles include "Billie's Bounce", "Love Is Here To Stay", "Shirley's Blues", and "Cherry". CD

With Charles Ables on bass and Steve Williams on drums. Titles include "Something Happens To Me", "I Got It Bad And That Ain't Good", "Nice 'N' Easy", "The Great City", "I Thought About You", and "Our Love Is Here To Stay". CD includes two bonus tracks – "I Wish I Didn't Love You So", and "Quiet Nights (Instrumental)". CD

Nice album recorded during a time when Shirley Horn's talents were lesser-known to the world than in her current revival. The set's got Shirley playing piano and singing in a very sweet trio with Buster Williams and Billy Hart. The material's mostly standards, but as usual, Shirley manages to get a whole new level of emotion and feeling out of them! Titles include "Lazy Afternoon", "Gentle Rain", "New York's My Home", and "Why Did I Choose You". CD

Unissued live work from the great Shirley Horn – recorded in Las Vegas right before her big comeback recordings of the 90s – at a time when Shirley was hardly getting a chance to make an album! That lack of attention hardly matters to Horn, though – as she faces this performance with all of the class, charm, and undeniable soul of her bigger label material – both singing and playing piano with that unique sense of phrasing that made her a standout from the 60s onward – easily one of the coolest jazz talents of her generation – and an artist that we'd rank up there with Betty Carter, Abbey Lincoln, and a rare few others. The album's got a few especially nice long tracks – which have Shirley stretching out with great long solos on piano, too – in a trio that features Charles Ables on bass and Steve Williams on drums. Titles include "Meditation", "The Boy From Ipanema", "Hi Fly", "Just For A Thrill", "Blues For Big Scotia", "Lover Man", and "Isn't It Romantic". CD

An overlooked gem from the great Shirley Horn – a record from a time right before she burst into bigger fame, thanks to Verve Records – but was still working strongly in the underground, cutting fantastic records like this! Horn's got this mature, thoughtful approach that makes her way more than just another jazz singer – this well-developed mixture of sophistication and swing that's got the same very personal level of Betty Carter at this point – even though Shirley's a completely different singer – with the lady herself playing piano, alongside bass from Charles Ables and drums from Steve Williams. Titles include a great version of "Summer" (aka "Estate") – plus "Since I Fell For You", "You're My Thrill", "Dindi", "Softly As I Leave You", "Forget Me", and "I Watch You Sleep". CD

Two excellent early albums from Shirley Horn – back to back on a single CD! Travelin Light is one of the greatest jazz vocal albums of the 60s, and probably the greatest album ever by Shirley Horn! The session's got a beautiful lively sound, with extremely interesting arrangements by Johnny Pate, and a flute/piano/guitar sound that works perfectly with Shirley's lovely voice. The material is a great mix of lesser-known songs, sung with a maturity and honesty that will make your heart break. We love this one way better than any of Shirley's recent albums, and we can't recommend it highly enough! Titles include "Sunday In New York", "Yes, I Know When I've Had It", "Someone You've Loved", "I Could Have Told You", "Travelin Light", and "Don't Be On The Outside". Horn Of Plenty is hip stuff from Shirley Horn – very mature and swinging jazz! The set features the sharp early vocals of Shirley Horn nicely set up with some larger backings – hip arrangements handled by Quincy Jones, Thad Jones, and Billy Byers – with all the groovy 60s punch you can imagine from a lineup like that! And although Horn later became well known for some gentler, mellower cuts, we're huge fans of her singing like this – which has a righteous power that really tops some of the vocalists from the previous generation. Titles include "Wee Small Hours", "That Old Black Magic", "The Great City", "On The Street Where You Live", and "Let Me Love You". CD

A record that's virtually the blueprint for the sound of Hammond organ and tenor sax in soul jazz– the first of Eddie Lockjaw Davis' great run of cookbook albums for Prestige! The record features Lockjaw's gutsy tenor in a group alongside Jerome Richardson's lighter flute – both dancing wonderfully together over organ lines from a young Shirley Scott – playing here with a style that's a bit earthier and more bluesy than some of her later work. Rhythm is by George Duviver on bass and Arthur Edgehill on drums – and tracks include the classic 12 minute jammer "In The Kitchen", plus shorter tracks "Three Deuces", "The Chef", and "Have Horn, Will Blow". CD features bonus track "Avalon". CD

One of the strangest things about Abbey Lincoln's career is the fact that, despite her hip affiliations with the left end of the jazz spectrum, she's actually been slotted into a fair number of straighter projects, not only in music, but in film as well. This album's a perfect example of that – and may well be the reason for Abbey's later leanings towards the left – as here, in her debut LP, she comes off as a dreamy girl singer, recorded by Liberty almost in a mode that's similar to Julie London or some of their other gal stars – with complicated backings from Benny Carter and Marty Paich. The record is lacking the stark captivating quality of Abbey's later records, but it does have a certain kind of charm – especially as the love themes in the set are all-adult, at a mature level that you'd really only hear from a rare few other singers, like Shirley Horn or Lorez Alexandria. Titles include "Two Cigarettes In The Dark", "Take Me In Your Arms", "No More", "Affair", "This Can't Be Love", "I Wake Up Smiling", and "Love Walked In". CD

A late 50s Verve session by Stuff Smith – one in which the jazz violinist does a wonderful job shaking off his often quite hammy persona for a strong, straight up set of standards and well-known bop era cuts! He's got a great crew for these sessions, with the great Shirley Horn on piano on a number of cuts, Red Mitchell on bass, and Harry Saunders on the kit. Stuff does his vocal thing on "Oh, Lady, Be Good" and "Somebody Loves Me", but the by-and-large focus of the set is to shine a light on his skills as a leader. Other tracks include "Undecided", "The Man I Love", "Take The 'A' Train", "'S Wonderful" and more! CD

Toots Thielemans on harmonica, Shirley Horn on piano, Charles Ables on bass, and Steve Williams on drums. CD

A really great later Blue Note session from Stanley Turrentine – a small combo set that's almost a return to the format of earlier years! The group's a strong one – and features Shirley Scott on organ, Jimmy Ponder on guitar, and Idris Muhammad on drums – playing in a style that's subtler and more laidback than his work with Lou Donaldson, but which still has a nice funk undercurrent. Stan's horn is in wonderful form on the record – really taking advantage of the longer tracks to open up with a mellow and exploratory tone – and the team of Scott and Ponder especially sounds great next to each other on the album. Tracks include "Boogaloo", "Buster Brown", and "Common Touch". CD also features a bonus 11 minute version of Carolyn Franklin's fiesty cut "Ain't No Way"! CD

A really great later Blue Note session from Stanley Turrentine – a small combo set that's almost a return to the format of earlier years! The group's a strong one – and features Shirley Scott on organ, Jimmy Ponder on guitar, and Idris Muhammad on drums – playing in a style that's subtler and more laidback than his work with Lou Donaldson, but which still has a nice funk undercurrent. Stan's horn is in wonderful form on the record – really taking advantage of the longer tracks to open up with a mellow and exploratory tone – and the team of Scott and Ponder especially sounds great next to each other on the album. Tracks include "Boogaloo", "Buster Brown", and "Common Touch". CD also features a bonus 11 minute version of Carolyn Franklin's fiesty cut "Ain't No Way"! CD

12 songs from Ella Fitzgerald, Sarah Vaughan, Nina Simone, Dinah Washington, Shirley Horn and Betty Carter. CD

Features vocals by Shirley Horn, Bill Henderson, and even Charlie himself on one tracks! CD

A very groovy idea! This sparkling set takes older vocal jazz tunes from the Verve catalog, and uses the songs as the basis for new tracks by some of the better producers in the global groove underground. The mix of styles and eras is quite compelling – as torchy vocals drift over the top of cutting edge beats – creating a sound that's bound to get you digging through the crates for some of these singers, and reevaluating work from the past like never before! Titles include "Who Needs Forever" by Astrud Gilberto remixed by Thievery Corporation, "Strange Fruit" by Billie Holiday remixed by Tricky, "Hare Krishna" by Tony Scott remixed by King Britt, "See Line Woman" by Nina Simone remixed by Masters At Work, "Return To Paradise" by Shirley Horn remixed by Mark De Clive-Lowe, "Feelin Good" by Nina Simone remixed by Joe Claussell, "Is You Is Or Is You Ain't My Baby?" by Dinah Washington remixed by Rae & Christian, and "How Long Has This Been Going On" by Carmen McCrae remixed by MJ Cole. And don't miss the super-low priced Verve Unmixed CD! CD

A great set of older tracks – at a really nice price! The package features 12 older jazz and vocal tunes that formed the basis for the slick new set Verve Remixed – the original versions of tracks on that set, offered here without any remixing, so that you can put the classics back to back with the new ones, for comparison! And even if you haven't heard Verve Remixed, the package is still a wonderfully priced set of tunes – with a wealth of great vocal jazz performances that are a treat to listen to, no matter what the setting. Titles include "Who Needs Forever" by Astrud Gilberto, "Strange Fruit" by Billie Holiday, "Hare Krishna" by Tony Scott, "See Line Woman" by Nina Simone, "Return To Paradise" by Shirley Horn, "Feelin Good" by Nina Simone, "Is You Is Or Is You Ain't My Baby?" by Dinah Washington, and "How Long Has This Been Going On" by Carmen McCrae. CD

Music from Joe Williams, Shirley Horn, Anita O'Day, Louis Armstrong, Blossom Dearie, Dinah Washington, Sarah Vaughan, Mel Torme, Ella Fitzgerald, Bing Crosby, Helen Merrill, and more. CD

The final recordings of Miles Davis – and music that shows that the legendary trumpeter was still continuing to grow strongly in his later years! The set features a great scope of sounds – from soundtrack projects with Marcus Miller and Michel Legrand, a live tribute to Gil Evans recorded with Quincy Jones, other excellent live material, and some important records that show the late Davis embracing new rhythms of the 80s, in the same way he worked with funk, soul, and rock styles in the 70s! Includes the albums Tutu, Music From Siesta, Amandla, Dingo, Doo Bop, Miles & Quincy Live At Montreux, and Live Around The World – plus a final CD collecting rarities and guest appearances with Cameo, Kenny Garrett, Chaka Khan, Shirley Horn, and others. CD

With a great lineup of guest artists including Joe Henderson, Herbie Hancock, Ron Carter, Gal Costa, and Shirley Horn! CD

A much-needed look at an overlooked side of the genius of Quincy Jones – not his jazz work, not his productions for famous soul artists, but instead his huge legacy of soundtrack material – a part of Q's career that really took off in the 60s! By the time he started working in films, Jones had already had a decade under his belt as one of the hippest arrangers, leaders, and composers in jazz – and the film business really respected those talents, and allowed Quincy to bring some really fresh styles into play – modes that really opened up the vibe of American cinema, and also paved the way for the funky styles of the 70s! As that decade approached, Jones left behind the cinema to take on some more higher-profile records of his own – but all the charms of those great albums can be found here at their roots – in this stunning collection of soundtrack material, some of which has never been on CD. The package is way more than just a sampler – and includes an album's worth of material from the films The Pawnbroker, Slender Thread, Mirage, The Deadly Affair, In The Heat Of The Night, In Cold Blood, Walk Don't Run, The Italian Job, Lost Man, and John & Mary – plus two versions of the love theme from The Getaway, and a bonus CD with 18 tracks – titled Q's highlights, and featuring tracks from his Mercury records – plus more by Billy Preston, Arthur Prysock, Bill Cosby, Shirley Horn, Letta Mbulu, Toots Thielemans, and others. Even features the "Sanford & Son" and "Ironside" themes! CD

A much-needed look at an overlooked side of the genius of Quincy Jones – not his jazz work, not his productions for famous soul artists, but instead his huge legacy of soundtrack material – a part of Q's career that really took off in the 60s! By the time he started working in films, Jones had already had a decade under his belt as one of the hippest arrangers, leaders, and composers in jazz – and the film business really respected those talents, and allowed Quincy to bring some really fresh styles into play – modes that really opened up the vibe of American cinema, and also paved the way for the funky styles of the 70s! As that decade approached, Jones left behind the cinema to take on some more higher-profile records of his own – but all the charms of those great albums can be found here at their roots – in this stunning collection of soundtrack material, some of which has never been on CD. The package is way more than just a sampler – and includes an album's worth of material from the films The Pawnbroker, Slender Thread, Mirage, The Deadly Affair, In The Heat Of The Night, In Cold Blood, Walk Don't Run, The Italian Job, Lost Man, and John & Mary – plus two versions of the love theme from The Getaway, and a bonus CD with 18 tracks – titled Q's highlights, and featuring tracks from his Mercury records – plus more by Billy Preston, Arthur Prysock, Bill Cosby, Shirley Horn, Letta Mbulu, Toots Thielemans, and others. Even features the "Sanford & Son" and "Ironside" themes! CD

Carmen McRae pays tribute to Sarah Vaughan – backed by a piano trio led by Shirley Horn! CD

Music from Louis Armstrong With Ella Fitzgerald, Shirley Horn, Chet Baker, Astrud Gilberto, Dinah Washington, Ella Fitzgerald, Antonio Carlos Jobim, Nina Simone, Anita O'Day, Jack Teagarden, Sarah Vaughan, and more. CD

Features Stan Getz, Joao Gilberto, Sarah Vaughan, Billy Eckstine, Luiz Bonfa, Astrud Gilberto, Wes Montgomery, Shirley Horn, Ella Fitzgerald, and Dizzy Gillestpie – 15 tracks in all. CD

Music by Dinah Washington, John Coltrane, Stan Getz, Shirley Horn, Erroll Garner, Clifford Brown, Blossom Dearie, and Chet Baker – 18 tracks total. CD

The roots of the Verve Remixed Christmas album – but a set that stands strongly on its own as a sweet batch of classic Holiday tunes! Most of the numbers here are jazz and vocal chestnuts pulled from the Verve catalog of the 40s through the 60s – and although most are familiar, they're put together nicely – with the same sort of hip undercurrent that informs the remix project. Titles include "Chilly Winds" by Nina Simone, "Good Morning Blues" by Count Basie, "Zat You Santa Claus" by Louis Armstrong, "Winter Wonderland" by Shirley Horn, "God Rest Ye Merry Gentlemen" by Jimmy Smith, "I Am Blessed" by Nina Simone, "Silent Night" by Dinah Washington, "What Are You Doing New Years Eve" by Ella Fitzgerald, "I've Got My Love To Keep Me Warm" by Billie Holiday, "The Christmas Song" by Mel Torme, and "What A Wonderful World" by Louis Armstrong. CD

Tim Warfield on tenor and soprano sax – with Terell Stafford trumpet and flugelhorn, Pat Bianchi on Hammond, Byron Landham on drums, and Daniel Sadownick on percussion. CD