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Exact matches: 4
Exact matches1
CD, LP, Vinyl record album cover art
Shawn PhillipsCollaboration ... LP
A&M, 1971. Very Good+ Gatefold ... $6.99
... LP, Vinyl record album

Exact matches2
CD, LP, Vinyl record album cover art
Shawn PhillipsFurthermore ... LP
A&M, 1974. Very Good+ ... $3.99
Not as completely sublime as some of Phillips' other records from the 70s, but with some jazzy touches that takes it past the hippy folk sound, into the farther reaches of the cosmic soul universe. Includes the jazzy instrumental "Planscape", which has a heavy fusion groove – plus the funky "Furthermore", and the cuts "Starbright", "Breakthrough", "Troof", "Cape Barras", and "Song For Northern Ireland". LP, Vinyl record album
(In the die-cut cover, including the heavy inner sleeve. Cover has a cut corner, light wear, and faded initials on front.)

Exact matches3
CD, LP, Vinyl record album cover art
Shawn PhillipsSecond Contribution ... LP
A&M, 1971. Very Good+ Gatefold ... $4.99
A great one from Shawn Phillips – a set that has more of the jazzy tones of his later work coming to the forefront – in a sound that's fuller, richer than before – with larger orchestrations by Paul Buckmaster and Ian Green, and a growing sense of groove that's made Shawn one of the best examples of the early 70s folk funk generation! There's a tightly vamping energy to most of the best numbers that's really great – and a slightly jazzy sensibility too, even when things still sound mostly folksy overall. Titles include "Song For Mr C", "Sleepwalker", "Keep On", "Song For Sagittarians", "Steel Eyes", "Schmaltz Waltz", and "F Sharp Splendor". LP, Vinyl record album

Exact matches4
CD, LP, Vinyl record album cover art
✨✧ Shawn PhillipsSpaced ... LP
A&M, 1977. Used ... Out Of Stock
Wonderful! Shawn Phillips started his career as a shaggy folk rocker with a bit of a jazzy twinge – but this album collects odd bits and pieces that were left off of earlier albums, and works perfectly as a record that shows a whole new side of his genius! The album shows Phillips as a master of the funky jazz groove – and although he's still singing on some of the songs, he also lets loose with a number of instrumental cuts, laid out in a tight well-produced mode that puts them up there with some of the best work coming out on labels like Fantasy or Blue Note during the mid 70s. The centerpiece of these is the massive long cut "We Came To Say Goodbye", which builds and builds over the course of 15 minutes, with cool keyboards, great guitar, and the kind of tightly compressed grooves you'd expect to find on a Headhunters album (no surprise, since Headhunters Mike Clark, Bill Summers, and Paul Jackson are on the cut!) Other instrumental tracks include "Prelude To A Leaving" and "Italian Phases" – and strong vocal numbers include "Parisian Plight 1" and "Your Eyes". LP, Vinyl record album
(White label promo, including the printed inner sleeve. Cover has a promo sticker and cutout hole. Labels have ink stamps.)

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