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Possible matches: 2
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CD, LP, Vinyl record album cover art
✨✧ Kentucky ColonelsKentucky Colonels 1966 (with bonus tracks) ... CD
Shiloh/Americana Anthropology, 1966. New Copy ... Out Of Stock
The only studio album ever recorded by this important acoustic group – a west coast bluegrass combo whose contributions to the scene were a key influence on the birth of country rock in Los Angeles! The group here are definitely hardcore – a lineup that features work from Clarence White on guitar, Roland White on mandolin, and Erick White on bass – and vocals from all three – served up at a level that's even leaner and grittier than 60s recordings by bigger names in the field, like Jimmy Martin or Bill Monroe – yet also maybe free of any "too folk" approaches as well, given that these guys really dive into the music without any sort of pose or artifice at all. Titles include a great version of Merle Haggard's "Fugitive" – plus "One Tear", "Take Off Your Cheaters", "Earl's Breakdown", "I Might Take You Back Again", and "Soldier's Joy". This reissue adds some great unissued bonus material – including "Head Over Heels In Love With You", "I'll Go Steppin Too", "Flint Hill Special", "Shuckin The Corn", and "Shady Grave". CD
Also available Kentucky Colonels 1966 (with bonus tracks) ... LP 22.99

Possible matches2
CD, LP, Vinyl record album cover art
✨✧ TogetherTogether (Tiger Lily) (Japanese paper sleeve edition) ... CD
Tiger Lily/P-Vine (Japan), 1975. New Copy ... Out Of Stock
A really obscure bit of soul from the 70s – served up by a younger group with a very positive vibe – and more than enough energy to make the record special, even if it instantly dropped beneath the shifting sands of time! The group recorded for the short-lived and shady Tiger Lily label – also home to the Jackson Sisters – and there's energy here that resonates with the work of that classic group – soul that's soaring out with great harmonies and plenty of upbeat, positive vibes – rough around the edges at times, but in all the best ways! Titles include "What Am I Gonna Do Now", "The Disguise Of A Baby Girl", "Can I Be The Woman", "We Got The Love", "I'll Tell You I Love You", "Love Take Me High Above", "All The Time You Blow My Mind", and "We're Together". CD
 
Partial matches: 2
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CD, LP, Vinyl record album cover art
✨✧ Cheyenne's Comin'Cheyenne's Comin' ... CD
Shadybrook/Ultra Vybe (Japan), 1976. New Copy ... Just Sold Out!
A totally righteous little record – the only set we've ever seen from Native American vocalist Cheyenne Fowler – and a wicked blend of jazz, soul, and funk – tied together with a really positive spirit! Gene Russell had a hand in putting the set together, and you can definitely hear some echoes of his more spiritual work in the music – and like some of the best underground acts of the 70s, Cheyenne has a way of mixing up all the hippest elements of the left side of the spectrum – then coming up with a sound that's deeply personal, and really unique! The best cuts on the record have a jazz funk approach to soul – with funky keyboard grooving, wah-wah guitar, and tasty horn flourishes over the top – and although Cheyenne's not the greatest vocalist in the world technically, she's got a strong and proud style that really carries the record. Titles include "I Don't Speak With Forked Tongue", "Cheyenne's Coming", "Grooving With You", "It Ain't All About That", "Come Back To Me", "I Love You But I Gotta Go", and "Dream Street". CD

Partial matches4
CD, LP, Vinyl record album cover art
✨✧ Kellee PattersonKellee (with bonus track) ... CD
Shadybrook/Ultra Vybe (Japan), 1976. New Copy ... Just Sold Out!
Kellee Patterson's amazing first album for the Shadybrook label – a total killer all the way through, and much harder and heavier than any of her later sides for the label! The record's got a nice jazzy vibe that's a good bridge between her earlier work on Black Jazz, and her later, straighter soul material – a dose of funk in all the right places, and a touch of spiritual leanings too – really put together with a wonderful feel that sets the album apart from much other work of the time! Includes a sublime breakbeat version of "I'm Gonna Love You Just a Little More Baby" – with killer drums, and an excellent monologue at the beginning – plus a great cover of Grover Washington's "Mister Magic", with some interesting vocals. Other titles include "Time To Space", "What You Don't Know", and "I Love Music". Gene Russell handled production and arrangements, too – giving the whole thing a nice tie to her album for Black Jazz. CD
 
 
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