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A funky bit of blues from Otis Rush – the guitarist's debut album, and a surprisingly great batch of tracks recorded at Fame Studios! Production is by Mike Bloomfield and Nick Gravenites, who are clearly going for more of a crossover sound than Rick Hall might have given the set – but that approach is a strong one, as it really brings a hard focus on Rush's guitar, and sets his slyly sliding vocals a bit more back in the mix. Sweet electric Chicago blues before it got over-Alligatorized – with tracks that include "Feel So Bad", "Baby I Love You So", "Me", "Working Man", "You're Killing My Love", and "Can't Wait No Longer". CD

Maybe the biggest album ever from Tom Rush – a set that pushes the singer strongly past his more folksy roots, and seems to set him up for a bigger career in the 70s mainstream! And yet the record's not commercial at all – done with a laidback instrumental style that moves into rock from folk, with occasional rootsy elements, but passages of softer phrasing that really work well with Tom's vocals too. Titles include "Old Man Song", "Livin In The Country", "Driving Wheel", "Rainy Day Man", "Drop Down Mama", and a really great take on "These Days". CD

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24 tracks including "I Can't Quit You Baby", "My Love Will Never Die", "Groaning The Blues", "Double Trouble", "Three Times A Fool", "She's A Good 'Un", and "It Takes Time". CD

With Jim Massoth on saxophone and flute. CD

A split album of early recordings by Otis Rush and Albert King – both featured here in early Chicago sides done for Chess Records in the years before their bigger late 60s fame! The style here is mostly stripped down, but still pretty tight – not as rough-edged as some of their Chess contemporaries, and with a fair bit of electric guitar driving most tunes along with a nice little groove. Albert King titles include "Searchin For A Woman", "Bad Luck", "Won't Be Hangin Around", and "Merry Way" – and Otis Rush titles include "So Close", "I Can't Stop", "I'm Satisfied", "So Many Roads", and "All Your Love". CD

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A sharp live set, recorded in 1975 by Trio Records in Tokyo – with Rush on guitar and vocals, Jimmy Johnson on second guitar, Sylvester Boines on bass, and Tyrone Centuray on drums! CD

A record that's more important to us than we might care to admit! CD

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Titles include "Hold That Train", "Got To Be Some Changes Made", "You Got Me Runnin", "I Miss You So", "Please Love Me", and "Trouble Trouble". CD

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The second great live album from Rush – with versions of "La Villa Strangiato", "Tom Sawyer", "Spirit Of Radio", "Red Barchetta", "Passage To Bangkok", "YYZ", "Closer To The Heart", and "Jacob's Ladder". CD

The first half of the "Cynus X1" journey – plus "Closer To The Heart", "Xanadu", and "A Farewell To Kings". Includes the original album remasters plus Live At Hammersmith Odeon - February 20, 1978. CD

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Fly By Night album includes a DVD with 5.1 surround and stereo mixes. CD

The gritty and heavy debut of Onyx – mostly produced by the mighty Jam Master Jay – and whether you dig the style or not, it's one of the most distinctive group rap records of the early 90s! Back in the day, "Slam" got overplayed on cable TV rap video shows, to the point that you could be forgiven the think they were a one trick pony, but nowadays this is a fun record to revisit. A loud, brash, grimy good time, if you ask us! Includes "Bacdafucup", "Bichasniguz", "Throw Ya Gunz", "Blac Vagina Finda", "Slam", "Shifftee" and more – 18 cuts in all. CD

Redman at an early peak – raw cosmic funk-steeped hip hop from the wildly creative, gritty-voiced man himself! Like a lot of the greatest 90s hip hop, there's a strong George Clinton influence to the beats – but the thick atmosphere is really on another level – then and now, there's nothing exactly like Redman's flow, which is crazy and charismatic at the same time. The great Erick Sermon co-produces and probably had a big hand in keeping it funky and from going to far into the murky deep end, it's a straight up classic to this day. Tracks include "Dr Trevis", "Bobyahed2dis", "Journey Throo Da Darkside", "A Million And 1 Buddah Spots", "Noorotic", "Cosmic Slop", "Rockafella (R.I.P.)", "Rockafella", "Can't Wait", "Wuditlooklike", Sooperman Luva II", "We Run N.Y.", "Da Journee", "Slide And Rock On" and more. 19 tracks in all. CD

Jane Ira Bloom on soprano saxophone, Dawn Clement on piano, Mark Helias on bass, Bobby Previte on drums, with vocals from Deborah Rush. CD

A nice album compiling of some of the less-collected work by Clifford Brown – 1953 recordings done in Europe for the Metronome and Vogue labels, recorded with a great larger group. Sides feature Brown working with Quincy Jones, Gigi Gryce, Anthony Ortega, Juimmy Cleveland, and others alongside Parisian and European players that include Henri Renaud and Pierre Michelot. The set features "Brown Skins", "Keeping Up With Jonesy", "Bum's Rush", "Chez Moi", "All Weird" and "No Start No End". CD

A nice album compiling of some of the less-collected work by Clifford Brown – 1953 recordings done in Europe for the Metronome and Vogue labels, recorded with a great larger group. Sides feature Brown working with Quincy Jones, Gigi Gryce, Anthony Ortega, Juimmy Cleveland, and others alongside Parisian and European players that include Henri Renaud and Pierre Michelot. The set features 9 tracks in all – with a couple of multiple takes, and titles include "Brownskins", "Keeping Up With Jonesy", "Bum's Rush", "Chez Moi", "All Weird" and "No Start No End". CD

Features Jimmy Dawkins on guitar – and on vocals on one track – alongside Big Voice Odom on main vocals, Otis Rush on guitar, Sonny Thompson on piano, and Jim Conley on tenor sax! CD

The second album in Denny's legendary Exotica trilogy – a set of records that provided the extreme definition of the small sub-genre that today has become the stuff of legend! Denny's still working here in his classic format – a small group with heavy piano lines, playful percussion, and some birdcalls sung by the members of the group! The set's a mix of strange songs from strange sources, all given the sublime Denny twist – and titles include "Singing Bamboos", "Escales", "August Bells", "Ebb Tide", "Rush Hour In Hong Kong", and "Soshu Night Serenade". Japanese CD features full stereo and mono mixes of all tunes on the set! CD

An unlikely pairing – but that's what makes the record so great! Mulligan and Hodges come together in this rare Verve set from the late 50s – an inspired combination of talents that really work some magic together. Hodges' tone is in the lead in our ears, always wonderful, especially in a set of open-ended tracks like this – but Mulligan's sweet and careful blowing works surprisingly well as a foil, giving the set a nice bottom, and a good overall approach. Backing is by a trio that features Claud Williamson, Buddy Clark, and Mel Lewis – and titles include "Bunny", "Back Beat", "What's The Rush", and "18 Carrots For Rabbit". CD

Music from Muddy Waters, Magic Sam, Jimmy Reed, Elmore James, Eddie Taylor, Howlin' Wolf, Junior Wells, Otis Spann, J.B. Lenoir, Little Walter, Otis Rush, Earl Hooker, Sunnyland Slim, Sonny Boy Williamson, Robert Lockwood Jr, Billy Boy Arnold, Luther Allison, and Hound Dog Taylor & The House Rockers. CD

A rare solo outing from vocalist Maria Cole – quite possibly because she was best known to the rest of the world as Mrs Nat King Cole! Maria's a dusky-voiced singer who worked with Duke Ellington in the 50s, but is getting a much sweeter touch here from arranger Billy Vaughn – who uses additional backing vocals next to Cole on the record, in that singer-meets-chorus style that was fading at the time, but still done by Vaughn better than most of his peers. The approach is fine, although it does overshadow Cole's unusual vocal style a bit – but given the strange and moody feel of her voice, the added singers actually create this odd sense of counterpoint that's pretty unique, and which makes the record stand out from most of the other work on Dot at the time. Titles include "My Heart Cries For You", "Fools Rush In", "I Get The Blues When It Rains", "I Get So Lonely", "You're Not Alone", and "My Personal Possession". CD

Essential early work by Stan – a 3 CD collection of his early 50s recordings for the Roost label, either under his own name and group, or with guitarist Johnny Smith. The Smith sides only make up a very small portion of the package – as most of the work are by Getz's quartet or quintet, the groundbreaking assemblage that featured Jimmy Raney on guitar, whose icy clear tone was a perfect counterpart for Getz's sweet breathy work on the tenor. The quality of the material is really great – and the package does a great job of presenting the work freshly, without an overload of alternate takes or tunes you don't want to hear. There's a total of 59 tracks in all – and titles include "Potter's Luck", "Tenderly", "Budo", "Signal", "Fools Rush In", "Lullaby Of Birdland", "It Might As Well Be Spring", "Yvette", "Melody Express", "Split Kick", "Hershey Bar", and "Penny". CD

An excellent batch of rare material by vocalist Johnny Hartman, and a very strong set of tracks that shows a side of his work that's often ignored! Usually, Hartman gets cited for his slow, moody, syrupy sound – such as that which he used in his classic recordings with Coltrane. However, we really dig the side that's exposed on this CD – the shorter, livelier, more uptempo jazz numbers, done with a swing that you don't normally get with Johnny, and proof that he really was a tremendously versatile singer. There's 17 cuts on here, culled from 2 rare albums on ABC, and they show Hartman in a completely new light. Titles include "Fools Rush In", "Down In The Depths", "Bidin' My Time", "The More I See You", "Once In A While", "That Old Black Magic", and a very groovy version of "Girl Talk", with an excellent monologue by Johnny! CD

The first-ever album from the legendary Hi-Lo's – a landmark indie debut that went onto transform the sound of vocal harmony in the 20th century! The record's got a subtle brilliance that's hard to catch at first – a way of putting together the tunes that's often only slightly different than some of the group's contemporaries, but which already shows the rich talents that leader Gene Puerling would bring to later vocal experiments with Singers Unlimited in the 70s. As with most of the group's famous records, backings here are by Frank Comstock – perfectly poised on the gentle tunes, and nicely jazzy on the more swinging ones! Titles include "June in January", "Little White Lies", "I Don't Want to Cry Anymore", "She's Funny that Way", "Whatever Lola Wants", "Island of Desire", "You Brought a New Kind Of Love", "Fools Rush In", "Have You Met Miss Jones", "Where Are You", and "You Can't Hardly Get Them No More". CD

Anonymous experimentalists The Residents cover, satirize and stage an arty assault on the classic rock and pop regime! The group dispenses with all subtlety here, mocking the heck out of a couple decades worth of American pop culture soundtrack fodder. Anything that could be construed as "the sound of an era" gets skewered mercilessly – drag strip rockers become car crashes, pop songs are recast as creepy noise and other clearly satirical waves rush in throughout the 2 long pieces, but other movements are less obviously sarcastic, and even more innovative. It'd be smug if it wasn't so damn good! CD

Three killer albums from pianist Frank Strazzeri – all brought together in a wonderful demonstration of his genius during the 70s! First up is Taurus, a record that's also known as View From Within – a date that has Frank playing Fender Rhodes with a wonderful sound – that open quality he always had in acoustic piano, stretched out even more with the space allowed by The Rhodes! The group features work from Conte Candoli on trumpet, Frank Rosolino on trombone, and Don Menza on tenor and flute, in a nicely laidback vibe – with tracks that include "Strazzatonic", "Taurus", "Lazy Moments", "View From Within", "Calcutta", and "Sphinx". Frames is a great overlooked set from the 70s – one that has the mighty Frank Strazzeri working some real magic on Fender Rhodes – with an open style that's completely wonderful, and warmed up even more with help from Don Menza on soprano sax and flute, Frank Rosolino on trombone, and Gary Barone on trumpet. Titles include "Frames", "Injun Jo", "Jo Gee", "Ballad Of The Matador", and "La Mosca". After The Rain is filled with funky keyboard work from Frank Strazzeri – a player who's really stretching out here in the 70s, with a massively cosmic vibe you'd never have guessed from his earlier work! Strazzeri had recorded and played heavily around the LA scene by the time of this mid 70s release – but most of his other work was a bit restrained, and hardly as wonderfully soulful as this! Frank's working here on moog and electric piano – in a group that includes Sam Most on tenor, Bobby Shew on trumpet, and Don Alias on percussion – grooving with Frank in a gently funky way that's got a heck of a lot of soul, and which makes for some nice extended tunes. Titles include "After The Rain", "Rush Hour", "Philadelphia Flyer", "Cloudburst", and "The Third Eye". CD

The power of love, and the power of Luther – working here with all of his hitmaking talents in place! The album's possibly a bit more commercial and crossover than some of the earlier work from Vandross – but there's no denying Luther's amazing vocal talents, which shine and shimmer beautifully, even amidst some of the more conventional backings on the set. Marcus Miller's at the helm again this time, co-producing the record, and handling some keyboards – and titles include "The Rush", "Sometimes It's Only Love", "Emotional Love", "She Doesn't Mind", "Power Of Love/Love Power", and a version of "I (Who Have Nothing)", done as a duet with Martha Wash. CD

Includes music by Magic Sam, Luther Allison, Jimmy Dawkins, Lonnie Brooks, Otis Rush, Lurrie Bell, Sleepy John Estes, JB Hutto, and others. CD

Music from Sonny Boy Williamson, Muddy Waters, Howlin' Wolf, Robert Johnson, Otis Rush, Henry Thomas, Elmore James, Snooky Pryor, Jimmy Reed, Bo Diddley, Little Walter, and more. CD

Music from Junior Wells, Big Joe Williams, Jimmie Lee Robinson, Big Time Sarah, Robert Jr Lockwood, Arthur Crudup, Otis Rush, JB Hutto, Jimmy Johnson, Curtis Jomes, Speckled Red and more. CD

The great Harold Mabern kicks it hard with a key core group – then finds a way to open up with some surprise guest artists as well – including singers Gregory Porter, Kurt Elling, Jane Monheit, and Norah Jones! The core of the album features Mabern's piano rocketing out with rhythm from John Webber on bass and Joe Farnsworth on drums – and getting some strong tenor work from the mighty Eric Alexander – and as the set goes on, the group also brings in Jeremy Pelt on trumpet, Peter Bernstein on guitar, and Steve Turre on trombone. But the key force here is the singers – especially Porter and Elling, who seem to find an old school space with the group that really takes them back to their roots. Elling sings on "You Needed Me", "Portrait Of Jennie", and "Billie's Bounce"'; Porter sings on "Afro Blue" and "The Man From Hyde Park"; Monheit sings on "I'll Take Romance" and "My One & Only Love"; and Norah Jones sings on "Don't Misunderstand" and "Fools Rush In". CD also features Alexis Cole on "Such Is Life" – and the instrumental tracks "The Chief", "Mozzin", and "Bobby Benny Jymie Lee Bu". CD

Includes the songs "The Blues", "Tales", "Eric", "True Geminis", "Rush Over", "Running Through My Dreams (Interlude)", "Ethiopia", "Strange Fruit", "Visions", "Brazilian Rhyme", "Forevermore", "Infatuation", "Tales (Reprise)", and "Come Together". CD

Say hello to our little friend – the classic soundtrack to Scarface – a record that showed a whole new side of the talents of the legendary Giorgio Mororder! By the time of this set, Moroder had already broken the charts with disco productions, and turned out to be a groundbreaking soundtrack artist too – but Scarface has Giorgio finding new ways to bring his electronic ideas into play – working with a variety of singers on some tunes that really echo the mad vibe of the narrative – including "Rush Rush" by Deborah Harry, "Vamos A Bailar" by Maria Conchita, "She's On Fire" by Amy Holland, and "Shake It Up" by Elizabeth Daily. The set also features Moroder instrumentals – "Tony's Theme" and "Gina & Elvira's Theme" – and the Paul Engemann performance of "Scarface (Push It To The Limit)". CD

Tracks include "Mister Roberts' Roost", "Seventh Avenue Express", "Sophisticated Swing", and "House Rent Boogie". CD

One of the coolest collaborations of Dave Brubeck's years at Columbia Records – and one of the greatest jazz sessions from vocalist Jimmy Rushing too! On paper, the modernist Brubeck and Kansas City roots singer Rushing would seem to be a very unlikely pair – but by this time in his career, Jimmy had gotten extremely inventive and was very open to new ideas – and manages to lend his amazing vocals to some sublime instrumental backdrops from the Brubeck quartet! Dave unlocks a whole host of bluesy tones for the session, and really matches Rushing's energy – and Paul Desmond's alto sounds somewhat unusual in that setting, but with a real appeal too – a very unusual sound for a record like this. Titles include "There'll Be Some Changes Made", "My Melancholy Baby", "Blues In The Dark", "I Never Knew", "Ain't Misbehavin", "Evenin", "All By Myself", "River Stay Way From My Door", "You Can Depend On Me", and "Am I Blue". CD features the previously unreleased bonus track "Shine On Harvest Moon". CD

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Vocalist Jimmy Rushing first came to fame working with Count Basie in the 30s, but it wasn't until the 50s that he really got the chance to step out on his own and cut a number of great sessions in the studio! This set features one of Jimmy's finest moments of the 50s – material recorded for Vanguard Records in 1954 and 1955, respectively, and featuring Rushing in the company of great small group trad players like Buddy Tate, Pat Jenkins, Emmett Berry, Lawrence Brown, and Freddie Green. The format is laidback and simple on both records – a style that clearly hearkens back to the Kansas City swing of the 30s, but which is delivered here with a more stripped-down approach that lets us focus even more on Rushing's earthy vocal presentation. Titles include the original tracks "Good Morning Blues", "Take Me Back Baby", "Sent For You Yesterday", and "Goin To Chicago" – plus versions of "How Long", "See See Rider", "Evenin". CD

Arranged and conducted by Oliver Nelson with Clark Terry on trumpet, Dicky Wells on trombone, Hank Jones on organ, and Grady Tate on drums. CD

One of Jimmy Rushing's last truly great albums – a jazz-tinged session of bluesy material, one that gets at his best work of the 50s! The arrangements are by Al Cohn, and have a fluid swing that pushes Jimmy past cliche – working with players that include Zoot Sims, Budd Johnson, Freddie Green, and Gene Quill in a style that's got all the leaner touches of the Basie band at the same time. Titles include "Heartaches", "Please Come Back", "My Bucket's Got a Hole In it", "Did You Ever", and "Just Because". CD

Notable sidemen include Pete Johnson, Freddie Green, and Buddy Tate. CD

Myra Melford on piano and harmonium, Stomu Takeishi on bass, and Kenny Wollesen on drums and percussion. CD

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Mostly instrumental tracks from hip hop djs and producers including Rob Swift, Prince Paul, DXT, Invisible Scratch Pickles, Q-Bert, DJ Krush, New Kingdom, all overseen by Bill Laswell. Much better than your average Axiom stuff. Cover art by Rammellzee. 14 tracks in all, including "Reanimation" by Rob Swift, "ShinKi Row" by DJ Krush, "If 9 Was 6" by Prince Paul, "Invasion Of The Octopus People" by the Invisible Scratch Pickles and "Embryo" by DXT (formerly know as D. St). CD

The first 2 albums as a leader from keyboardist Patrice Rushen! Prelusion is a great set from Patrice – very different than her later R&B work from the 80s! The record's her first, and at the time, Patrice was much more of a jazz artist – working here with a cool west coast set of players (Joe Henderson on tenor, Hadley Caliman on alto and soprano, and Oscar Brashear on trumpet), playing a range of keyboards, from acoustic and electric piano, to ARP, and clavinet. The tracks are long, and have a wonderfully composed soul jazz vibe – feeling a heck of a lot like work on labels like Strata East, deeply dipping into a soulful bag that's solid and real, with no fakery or tricks to make the mood happen. Includes "Traverse", "Shortie's Portion", "7/73", and "Haw Right Now". Before The Dawn has Patrice working in a groove that's almost like that of Herbie Hancock at the time – using lots of electric piano, clavinet, and synth to craft some mighty fine jazz funk grooves. The group's a monster assemblage of Fantasy jazz players like Hubert Laws, Lee Ritenour, Hadley Caliman, and Harvey Mason – and the session crackles with a tight edge that you'll never find in any of Patrice's later work. Tracks are long, with lots of great spacey grooves, and titles include "Razzia", "Before The Dawn", "Kickin Back", and "Jubilation". Note: CD omits the track "Puttered Bopcorn" from Prelusion – due to space restrictions. CD

Patrice Rushen in a crisp 80s soul mode! Watch Out finds Patrice really cutting down the keyboards in favor of stronger vocals right out front – breaking all the rules, as the title of second song tells it – and it works really well! Most of the arrangements, synth and drum programming are by Patrice herself, and she has a more sure-footed control of the era's R&B style than we remembered! The title track is fantastic, with a tight synth funk undercurrent and hooky, insistent vocals from Patrice – facets that carry throughout the album – plus strong ballads in "Somewhere" and "Till She's Out Of Your Mind". Patrice's only album for Arista – and it's a nice one! Other tracks include "All My Love", "Anything Can Happen", "Burnin", "Breakin All The Rules" and "Come Back To Me". CD

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The latest salvo from Krush, and he keeps getting more and more out, but that's always been the best thing about his approach – the way he can take abstract sounds, and snap them into a dope beat. We thought from the first half of this disc that he's been listening to a lot of the noisier new breed of underground hip hop, like the Def Jux camp, and you can tell by who he's selected to collaborate with this go 'round that he's feeling the leftfield approach: Anticon, the Opus and Anti Pop Consortium, but he pulls in Sly & Robbie, vocalists Angelina Esparza and Abijah too, for the jazzier half of the disc. Eleven tracks in all, including "Trihedron", "Sanity Requiem", "The Blackhole", "D'You Hear That", "The Lost Voices" and "What About Tomorrow". CD

One of the most spiritual albums to come from the young AACM movement in Chicago – a session that's somewhat equal in expression to some of the best post-Coltrane work on Impulse Records! Maurice McIntyre plays here with a sound that's already fully formed – an approach to the tenor that's as searingly human as that of Pharoah Sanders or Albert Ayler – but which is also played with a sharpness at times that recalls a young Marion Brown. The rest of the group is equally well-matched – a tremendous array of talent from the Chicago scene, with Malachi Favors on bass, Thurman Barker and Ajaramu on drums, Leo Smith on trumpet and flugelhorn, John Stubblefield on soprano sax, and Amina Claudine Myers on piano. George Hines vocalizes a bit on a few tracks – singing in a spiritual tone that's somewhat like Leon Thomas, but much freer and more abstract – and the album beautifully balances shorter musical statements with a fuller suite on side two – showing the deeper, more ambitious expressions that were starting to well up in the AACM. Titles include the tremendous "Humility In The Light Of Creator", plus "Hexagon", "Kcab Emoh", "Pluto Calling", "Life Force", and "Suite – Ensemble Fate". CD also features a bonus version of the title track! CD

Beautiful work from Kalaparusha Maurice McIntyre – a rare Japanese-only album, recorded for the Baystate label with style that's a perfect summation of the AACM approach at the time! The record rivals Kalaparusha's greatest in the US – and has a building, spiritual approach that's out, but never free – keenly directed by the master's musical vision, and superbly conveyed by a well-matched group of players that includes Malachi Thompson on trumpet, Hakim Jami on bass, John Betsch on drums, and Juma Sultan on percussion. There's a sadness and depth here that's extremely compelling – and an off-beat sense of timing that creates sudden surprise and charms as the set rolls on. Titles include "Buumba", "Leo", "Kwanza", and "Around We Go". CD

A landmark record from Patrice Rushen – one of those albums that completely cemented her standing in the world of jazz, funk, and soul – and a wonderful summation of everything she'd done in the years before! The young Patrice was already a breakout keyboardist on the west coast scene of the mid 70s – turning out great work on her own, and adding her talents to plenty of others – but here, she emerges as a soaring soul star in her own right – a talent who's really worked her way up, with a quality level that's head and shoulders above most of her peers! Rushen produced the set with Charles Mims, and there's a righteous blend of jazz and soul that's at the level of Minnie Riperton, so that even the catchiest cuts come off with a sense of sophistication and warmth that's so different than so much other 80s soul and fusion. Titles include the classic "Forget Me Nots", plus "Number One", "I Was Tired Of Being Alone", "Where There Is Love", "Breakout", "If Only", and "Remind Me". Includes 5 bonus remixes! CD

One of Jimmy Rushing's last truly great albums – a jazz-tinged session of bluesy material, one that gets at his best work of the 50s! The arrangements are by Al Cohn, and have a fluid swing that pushes Jimmy past cliche – working with players that include Zoot Sims, Budd Johnson, Freddie Green, and Gene Quill in a style that's got all the leaner touches of the Basie band at the same time. Titles include "Heartaches", "Please Come Back", "My Bucket's Got a Hole In it", "Did You Ever", and "Just Because". CD

Two excellent albums from Jimmy Rushing – packed together on one CD, with extra tracks and great liner notes! Rushing Lullabies is a killer album by Jimmy – and certainly one of his best later records! The album includes the amazing track "Russian Lullaby", done in a totally swinging jazz version with Ray Bryant, Buddy Tate, and Sir Charles Thompson on organ. The track's incredible, and still sends shivers down our spines when we hear it – even though we've owned it for years! Other material's pretty darn great, too – including "Three Long Years", "Did You Ever", "I Cried for You", and "You Can't Run Around". Great organ by Thompson really makes the set swing! Jimmy & The Big Brass is another excellent session – and his approach to the material is extremely thoughtful, and always tinged with a good sense of jazz, making it swing a bit more than on earlier recordings. On this album, he's singing to a set of arrangements by Jimmy Mundy, Buck Clayton, and Nat Pierce – and titles include "Jimmy's Blues", "It's A Sin To Tell A Lie", "I'm Coming Virginia", and "Knock Me A Kiss". 25 tracks in all! CD