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Rufus Harley Edit search Phrase match

 
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Exact matches: 3
Exact matches1
CD, LP, Vinyl record album cover art
Rufus HarleyCourage – The Complete Atlantic Recordings ... CD
Atlantic/Rhino Handmade, Late 60s. Used 2 CDs ... $32.99
A treasure trove of music from one of the hippest jazz players ever – the legendary Rufus Harley, a saxophonist by trade, but one who could also play the bagpipes as well! Harley had a really unique way of using the bagpipes as a free-flowing modal soloing instrument – one that's clearly influenced by the best work of John Coltrane in the early 60s, and which really takes the instrument back to its original pre-Scottish roots in Africa! This wonderful set brings together 4 of Harley's best albums ever – Bagpipe Blues, Tribute To Courage, Kings/Queens, and Scotch & Soul – all gems recorded for Atlantic Records in the 60s, and which are presented here with 2 bonus tracks as well! Harley plays both bagpipes and saxophone on the record – the latter in a way that's equally compelling as the former – and the 2CD set features a whopping 28 tracks in all, supported by liner notes and other details. Titles include "Ali", "Where Have All The Flowers Gone", "Pipin The Blues", "Sufur", "Scotch & Soul", "Feeling Good", "Taurus The 20th", "Bagpipe Blues", "Kerry Dancers", "More", "Sunny", "A Tribute To Courage", "About Trane", "Eight Miles High", and "Love Is Blue". CD
(Out of print.)
Also available Courage – The Complete Atlantic Recordings ... CD 8.99

Exact matches2
CD, LP, Vinyl record album cover art
Rufus HarleyPied Piper Of Jazz ... CD
Atlantic/Label M, Late 60s. Used ... $7.99
Fantastic work from one of the most unique talents in jazz! Rufus Harley plays bagpipes – yes, that's right, bagpipes – in a modal Coltrane-esque way that's simply got to be heard to be believed. He uses the drone capability of the instrument to explore reed patterns in the same way that Coltrane did, inspired a bit by Eastern sounds, especially Indian music, but also working in an Afro-centric mode that reclaims the bagpipes as an instrument rooted in the middle east (where it was first picked up by soldiers during the crusades, and brought north to Scotland.) The whole thing might sound incredibly silly, but when you hear the music, you'll be convinced – and this CD is set up to do just that. The collection takes 9 tracks from Rufus glory days at Atlantic Records during the late 60s – and features Harley not only on bagpipes, but on tenor, soprano, and flute – playing in groups that feature players like Roy Ayers, Herbie Mann, Sonny Stitt, James Glenn, and Don Patterson. Titles include "Feelin Good", "Flute Bag", "Taurus The 20th", "More", "Sufur", and "Pipin The Blues". CD
(Out of print.)

Exact matches3
CD, LP, Vinyl record album cover art
✨✧ Sonny Stitt with Rufus Harley & Robin KenyattaDeuces Wild ... CD
Atlantic/Collectables, 1967. Used ... Temporarily Out Of Stock
A great little Sonny Stitt album – very different than any of his other sets from the 60s! The album has a number of interesting aspects – from hard-wailing organ by Wilmer Mosby (who we think is Don Patterson under a fake name), to some screaming guest work by Rufus Harley and Robin Kenyatta. Sonny and Kenyatta sound especially great together, and on the track "In The Bag" Stitt's alto blends right in with Kenyattas, for an hard-wailing sound that's enough to shatter your windows, glasses, and contact lenses. Harley's work is equally great on the cut "Pipin The Blues", and with Sitt playing the sax parts, Rufus is free to really work those jazz bagpipes! Other tracks include "Deuces Wild", "Blues Ahead", and "Sittin In With Stitt". CD
 
Possible matches: 3
Possible matches4
CD, LP, Vinyl record album cover art
Paul Dunmall & Chris CorsanoIdentical Sunsets ... CD
ESP, 2010. Used ... $4.99
A great return to the ESP Records avant jazz tradition – a new recording that features spare duets between tenor saxophonist Paul Dunmall and drummer Chris Corsano! Dunmall actually starts out the record on border pipes – a bagpipe-like instrument that makes for a weird, wild Rufus Harley-esque solo jam – before he switches to tenor, and works with Corsano in just the sort of freewheeling, hard-edged jazz that ESP first started recording back in the 60s! Tracks are long, and titles include "Identical Sunsets", "Living Proof", "Better Get Another Lighthouse", and "Out Of Sight". CD

Possible matches5
CD, LP, Vinyl record album cover art
✨✧ Laurie AndersonBig Science ... CD
Warner, 1982. Used ... Temporarily Out Of Stock
One of the greatest albums to come from the New York underground of the early 80s – even if it was a relatively big "hit" on a major label! Laurie Anderson is in perfect form here – drawing on a strong tradition of avant garde performance, but without any of the indulgences that would mire down performance art in years to come. Instead, she's got a clean, clear style that's simply amazing – spoken passages that are poetic and pointed, but which also have a slight undercurrent of wit – a charming quality that never takes itself too seriously, even when the sounds and styles are somewhat dark. Instrumentation includes some great rhythm passages from David Van Tieghem, plus surprising performances from Rufus Harley on bagpipes and George Lewis on trombone. Titles include "From The Air", "Big Science", "O Superman", "Born Never Asked", "Walking & Falling", "Example #22", "Let X = X", and "It Tango". CD

Possible matches6
CD, LP, Vinyl record album cover art
✨✧ Sonny RollinsCutting Edge ... CD
Milestone/OJC, 1974. Used ... Temporarily Out Of Stock
An underrated 70s effort from Sonny Rollins, featuring him fronting a dynamite group with Stanley Cowell and Mtume at the height of their Afro-centric electric jazz period. Longtime sideman Bob Cranshaw plus David Lee round out the rhythm section, and this is one of Rollins' LPs featuring the excellent Japanese guitarist Masuo, plus Rufus Harley guests on one number, so you can guess this is one righteous affair. Rollins sounds awesome, laying extended solos over some tremendous funky vamps by the group on numbers like "The Cutting Edge" and "First Moves", and working in a more contemplative vein on "To A Wild Rose" and "A House Is Not A Home". Also includes a lengthy take on "Swing Low, Sweet Chariot". CD
(Out of print.)
 
 
 



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