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Exact matches: 8
Exact matches1
CD, LP, Vinyl record album cover art
✨✧ Roy HaynesCymbalism ... LP
Prestige, 1963. New Copy (reissue)... $9.99
A cracker of an album – as fresh today as it was when it was first released in 1963! Roy Haynes is probably best known to the world for his bop work, but in the early 60s, he was a budding modernist with a real sense for lyrical improvisation. As part of a generation that was working on newly musical ways of using the drums – players that included Andrew Cyrille and Chico Hamilton – Haynes had a way of making the kit talk that's quite different than his roots in 50s jazz. Here, he's playing with a very hip quartet that includes Frank Strozier on alto and flute, Ronnie Matthews on piano, and Larry Ridley on bass – crafting tunes that swing at a lovely level, yet also have far-reaching and exploratory passages. The whole album's a delight – and titles include "Modette", "Go N Git It", "La Palomeinding", and "Hag". LP, Vinyl record album

Exact matches2
CD, LP, Vinyl record album cover art
Roy HaynesPeople ... LP
Pacific Jazz, Early 60s. Near Mint- ... $38.99
One of our favorite records ever by Roy Haynes – a lyrical masterpiece that stands with his best work of the 60s! The set features some wonderful playing by Frank Strozier – who's handling both alto and flute on the set, grooving around like he did on his own great Riverside albums of the period, or on Haynes' excellent Cymbalism set, to which this one is a nice partner. The songs on here are a bit less hip than on that album – as many of them are 60s standards, like "People", "Mr Lucky", "Wives & Lovers", "Invitation", and "What Kind Of Fool Am I" – but they're done with a lot imagination, and a soulful modal groove that really opens them up! LP, Vinyl record album
(Nice Japanese pressing, on King – with obi!)

Exact matches3
CD, LP, Vinyl record album cover art
Roy HaynesRoy Haynes Hip Ensemble ... CD
Mainstream/Ultra Vybe (Japan), 1971. New Copy ... $13.99
Drummer Roy Haynes works here with an ensemble that's definitely as hip as the title promises – a really righteous group that makes the album one of Roy's most spiritual records ever! Haynes was always a drummer who was really a cut above, even back at the start – but here, he really steps out strongly with a new musical vision for the 70s – working with a lineup that includes George Adams on tenor and flute and Marvin Hannibal Peterson on trumpet – but players who give the music a really bold feel, right from the start! The rest of the lineup is wonderful, too – as Carl Schroeder plays Fender Rhodes with this flowing vibe that's plenty soulful – alongside bass from Terud Nakamura and Mervin Bronson, conga from Lawrence Kilian, bongo from Elwood Johnson, and more drums from Haynes himself. Titles include a sublime reading of Stanley Cowell's "Equipoise" – plus "Tangiers", "You Name It", and "Satan's Mysterious Feeling". CD

Exact matches4
CD, LP, Vinyl record album cover art
Roy HaynesSenyah ... LP
Mainstream, 1972. Very Good+ Gatefold ... $24.99
A real standout in the career of drummer Roy Haynes – and a sweet set of spiritual jazz from the 70s, unlike most other albums that Haynes ever cut! The lineup here is totally great – with George Adams on tenor, Marvin Peterson on trumpet, and Roland Prince on guitar – and the set has a slightly electric groove that blends beautifully with the soaring acoustic solo work by the main players – in a style that's strongly reminiscent of the best work on Strata East, Black Jazz, or Muse at the time! This album's definitely one of the few times that Mainstream really got things "right" in the studio – and Haynes is superb at the helm of the group, making things come off with a great sense of exploratory creativity! Tracks are long – and titles include "Full Moon", "Senyah", "Brujeira Con Salsa", and "Little Titan". LP, Vinyl record album

Exact matches5
CD, LP, Vinyl record album cover art
✨✧ Roy Haynes/Jimmy JonesRoy Haynes' Modern Group (with Jimmy Jones Trio) ... CD
Swing/Sony (France), 1954. New Copy ... $8.99 11.99
A very early date as a leader from drummer Roy Haynes – already showing some very strong ability on the overseas scene – where he works here with some of the cream of the crop of the Paris scene of the 50s! The album's a surprising effort that has Haynes at the helm of some great horn players – the mighty Barney Wilen on tenor, plus Jay Cameron on baritone – as well as Henri Renaud on piano, Jimmy Gourley on guitar, and Joe Benjamin on bass – all coming together under Haynes' leadership in a freshly inventive way! Gourley brings some modern colors to the music, while Roy keeps things swinging – and even at this early age, Wilen is a treat throughout. Titles include "Red Rose", "Laffin & Crying", "Minor Encamp", "Dillon", and "Subscription". The CD also features one of the few albums as a leader from pianist Jimmy Jones – a musician who was best known for his backing work for a few famous singers – but a player who really shines on this rare French session from the 50s! Jimmy's got a really great command of the keys – still that rhythmic vamp that made him nice and soulful when working with a vocalist – but also a really open, lyrical groove on the melody – one that has some surprisingly deep touches at times, this level of sophistication that we might never have expected otherwise. The trio features Joe Benjamin on bass and the great Roy Haynes on drums – and titles include "Lush Life", "Squeeze Me", "Good Heartache", "Easy To Love", and "Little Girl Blue". CD

Exact matches6
CD, LP, Vinyl record album cover art
✨✧ Roy Haynes QuartetLive At The Riverbop ... CD
Blue Marge (France), 1979. New Copy ... Out Of Stock
A hip 70s session from Roy Haynes – recorded in Paris, and a fair bit different than some of his few American dates of the time! The group's a very cool one – with alto and flute from Ricardo Strobert, plus guitar, electric bass, and Roy's drums – a groove that's partly electric, but not really in a fusion way – more a semi-spiritual jazz vibe, with almost a Strata East or Black Jazz undercurrent at times! Haynes wrote most of the tunes for the record, and they're some very sharp-edged numbers – never as arch-modern as some of his work in later years, and instead handled with a wicked sense of rhythm – almost a deeper 70s extension of the wonderful groove that Roy brought to his few dates as a leader in the 60s. The whole thing's a key lost chapter in Haynes career – and titles include versions of Freddie Hubbard's "Little Sunflower" and Wayne Shorter's "Foot Prints" – plus the originals "I'm So High", "Bull Fight", "Riverbop Blues", and "True or False". CD

Exact matches7
CD, LP, Vinyl record album cover art
✨✧ Roy Haynes With Booker ErvinCracklin' ... CD
Prestige/OJC, 1963. Used ... Out Of Stock
A monster! This is a stellar session that has Booker Ervin's tenor fronting a tight group led by drummer Roy Haynes – all with an amazing sense of rhythm that's made the album a standout for years! Ervin is playing in his best modernist vein, and the rhythm section features the excellent pianist Ronnie Matthews – who's playing here in a very funky modal style that makes for some really wonderful grooves. Haynes is the real star, though, as his lively, lyrical drumming breaks from any tight time constraints – and adds an extra-musical edge to the whole session with some quick changes and an undercurrent of lyrical energy. The group's completed by bassist Larry Ridley, also a key force in the sound – and the set includes the track "Dorian", a massive modal groover, plus the killer "Scoochie" – and the cuts "Under Paris Skies", "Honeydew", "Bad News Blues", and "Sketch Of Melba". CD
(Out of print.)

Exact matches8
CD, LP, Vinyl record album cover art
✨✧ Hampton Hawes, Cecil McBee, Roy HaynesLive At The Jazz Showcase In Chicago Vol 1 ... CD
Enja (Germany), 1981. New Copy ... Out Of Stock
A hell of a great live set from pianist Hampton Hawes – thanks especially to the other members of the trio! Hawes is at his free, open, 70s best on the piano – but bassist Cecil McBee really takes the record to the next level – spinning out these amazing lines that are as rhythmic as they are melodic – often crafted with that rounded tone that was his important calling card during this stretch! Drummer Roy Haynes is a bundle of energy – bursting out in surprising ways, occasionally in counterpoint to the piano and bass – and the whole thing cooks nicely on a set of extended tracks. Titles include "Stella By Starlight", "Blue Bird", "St Thomas", and "Spanish Mood". CD
Possible matches: 70
Possible matches9
CD, LP, Vinyl record album cover art
Nick Brignola featuring Pepper AdamsBaritone Madness ... LP
Beehive, 1977. Sealed ... $5.99
Baritone madness, and a lot more too – a set that's full of surprises, and which may well be one of the most striking records on the Beehive label from Chicago! The date not only features twin terrors on baritone sax – Nick Brignola and Pepper Adams, both blowing at the height of their powers – but it also includes a very unusual group of players alongside them – modern giant Ted Curson on trumpet and flugelhorn, avant bassist Dave Holland, incredible drummer Roy Haynes, and British pianist Derek Smith. The unlikely meeting of players comes off wonderfully here – and most tracks are nice and long, with lots of blowing session room for solos! Tracks include "Billie's Bounce", "Donna Lee", "Marmeduke", "Alone Together", and "Body & Soul". LP, Vinyl record album

Possible matches10
CD, LP, Vinyl record album cover art
Kenny BurrellNight At The Vanguard ... LP
Argo, 1959. Good+ ... $14.99
A hip live date from Kenny Burrell – recorded with a trio that includes Richard Davis on bass and Roy Haynes on drums – both of whom help Kenny find a groove that's a bit lighter and more fluid than usual! The rhythms here are quite gentle, almost spare at times – and always touched with Haynes' great sense of lyricism. Kenny's guitar lines are right out front, freely flowing with plenty of warm chromatic hues, and styles that echo a bit more modernism than we've heard in other work of his from the late 50s. Titles include "Well You Needn't", "Trio", "All Night Long", and "Soft Winds". LP, Vinyl record album
(Gray label Argo pressing. Cover has a split top seam, and mostly split bottom.)

Possible matches11
CD, LP, Vinyl record album cover art
Gary BurtonTennessee Firebird ... LP
RCA, 1966. Near Mint- ... $16.99
Quite an unusual session from Gary Burton – recorded in Nashville, with a mix of jazz and country session players – coming together in an open-ended sound that's got lots of complicated touches. Gary's jazz side is represented by Roy Haynes on drums, Steve Swallow on bass, and Steve Marcus on sax – and the Nashville side of things is handled by players that include Buddy Emmons, Ray Edenton, Charlie McCoy, and Chet Atkins, who duets with Burton on two spare tracks. The sound is hard to describe, but quite different from, and equally striking as, Burton's 60s albums for RCA. Titles include "Epilogue", "Alone & Forsaken", "Walter L", "I Want You", "Just Like A Woman", "Gone", "Tennessee Firebird", "Beauty Contest", and "Born To Lose". LP, Vinyl record album
(Black label stereo pressing with deep groove. Cover has light wear.)

Possible matches12
CD, LP, Vinyl record album cover art
Gary Burton QuartetCountry Roads & Other Places ... LP
RCA, 1969. Very Good ... $6.99
Hardly the kind of country roads you'd find traveled by other musicians – as Gary Burton's sound here is incredibly fresh – still as groundbreaking now as it was back in the 60s! The title might be a reference to Burton's Nashville roots, and the music does have a slightly pastoral vibe – but the overall execution is extremely modern, and filled with the kind of bold tones and sharp turns that always made Burton so wonderful at the start! The group includes Jerry Hahn on guitar, Steve Swallow on bass, and Roy Haynes on drums – all very freewheeling, open players – with an equal balance between rhythm and melody. Burton, Swallow, and Hahn composed a good many of the tracks – and titles include "A Singing Song", "Wichita Breakdown", "Country Roads", "The Green Mountains", "True Or False", and "Gone But Forgotten". LP, Vinyl record album
(Orange label pressing. Cover has some ring & edge wear and seam splitting.)

Possible matches13
CD, LP, Vinyl record album cover art
Larry CoryellBarefoot Boy ... LP
Flying Dutchman, 1972. Very Good+ Gatefold ... $16.99
One of Larry Coryell's greatest albums ever! Barefoot Boy is a much more expansive session than some of Coryell's others, fueled in part by the spiritual intensity of the Impulse Records generation. It's got a momentum that's pretty darn exciting throughout – but the compositions are nice and long, which gives the players plenty of space to explore. Personnel includes Steve Marcus on tenor and soprano sax, Mike Mandel on piano, Roy Haynes on drums, and Larry Killian on congas – working with Coryell on long trippy tracks that remind us a bit of 60s work by Chico Hamilton, Charles Lloyd, and Gabor Szabo. Titles include "Call To The Higher Consciousness", "The Great Escape", and "Gypsy Queen". LP, Vinyl record album

Possible matches14
CD, LP, Vinyl record album cover art
Eddie Lockjaw Davis Big BandTrane Whistle ... LP
Prestige, 1960. Very Good- ... $14.99
Don't pass this one up! Although lots of other albums by Eddie Lockjaw Davis are laidback quartet and quintet sessions, done in a soul jazz organ/tenor mode – this session features Eddie working with stunning bigger band backings, in a searingly soulful sound that's simply incredible! The leadoff track, "Trane Whistle", has Lockjaw really working new waves of sound into his tenor sax – screaming the horn in a way that you thought you'd never hear, and playing with tones that are a lot darker than usual! The set moves on from there in a nice batch of material that includes "Whole Nelson" and "Stolen Moments", two fantastic originals by Oliver Nelson, who also arranged the album – and takes a great deal of responsibility for the strength of the set. The record shows a whole new side of Davis' talents – one that was barely if ever recorded like this again – and which is made even better by the presence of freshly modern players that include Eric Dolphy, Richard Williams, Melba Liston, and Roy Haynes. Great stuff! LP, Vinyl record album
(Yellow & black label NJ pressing with deep groove and RVG stamp. Cover and labels have a drillhole through the center.)

Possible matches15
CD, LP, Vinyl record album cover art
Miles DavisMiles Davis & Horns ... LP
Prestige, 1951/1953. Good ... $49.99
Don't let the "horns" in the title put you off – because the record's not a hokey "with horns" record by Miles, but a batch of all-star sessions that has him playing with some really tremendous contemporaries! The set compiles early Miles Davis sides from two different Prestige sessions of the early 50s – material originally issued as 10 inch LPs, but brought together here in a very cool full length package with a cover image by Mad Magazine's Don Martin! Side one features Miles with a sextet that includes Sonny Rollins, Bennie Green, John Lewis, Percy Heath, and Roy Haynes – on the tracks "Morpheus", "Down", "Blue Room", and "Whispering" – all taken in a boppish mode, but with slight modern touches. Side two features the compositions of Al Cohn – "Tasty Pudding", "Floppy", "Willie The Wailer", and "For Adults Only" – played by a septet that features Cohn, Zoot Sims, John Lewis, Kenny Clarke, Leonard Gaskin, and Sonny Truitt – a very nice match to the sound of side one, and a surprisingly unified record overall! LP, Vinyl record album
(Yellow & black label 50th Street NYC pressing with RVG etch! Cover has some wear, with the opening taped closed, but bottom & top seam are split/open. Vinyl plays with clicks & crackles but plays nice & loud.)

Possible matches16
CD, LP, Vinyl record album cover art
Eric Dolphy & Ron CarterMagic ... LP
Prestige, 1961/1975. Very Good+ 2LP Gatefold ... $13.99
Excellent Prestige double LP reissue that pairs Eric Dolphy's classic Far Cry LP with Ron Carter's early Where? set. Dolphy and Carter play on both records, and they're joined by players like Jaki Byard, Roy Haynes, Booker Little, and Mal Waldron. Classic genius Dolphy material, with the tracks "Rally", "Miss Ann", "Far Cry", "Saucer Eyes", and a great version of "Softly, As In A Morning Sunrise". LP, Vinyl record album
(Cover has light wear & a small stain the bottom right corner.)

Possible matches17
CD, LP, Vinyl record album cover art
✨✧ Art FarmerPortrait Of Art Farmer ... LP
Contemporary, 1958. Very Good ... $39.99
A beautiful set from Art – stripped-down and elegant, cut right at that time when his tone on trumpet was evolving into something sublime. The group's a perfect one for Farmer at this point – Hank Jones, Addison Farmer, and Roy Haynes, all lyrically-minded players with just the right touch to accompany Farmer without getting in the way of his sound. Titles include "Back In The Cage", "Stablemates", "Earth", and "Nita". LP, Vinyl record album
(Yellow label pressing with deep groove. Cover has some ring & edge wear and a mostly split spine.)

Possible matches18
CD, LP, Vinyl record album cover art
Curtis FullerImages Of Curtis Fuller ... CD
Savoy/Jazz Heritage, Late 50s. Used ... $9.99
An incredibly hip batch of tracks from Curtis Fuller – leading a group here that includes Lee Morgan, McCoy Tyner, Milt Hinton, and Roy Haynes. The vibe is straight hardbop – but there's also a darker edge than usual for a Savoy session, perhaps because of Lateef's presence on the set. Tracks are long with lots of solo space – and titles include "Accident", "Be Back Ta Reckla", "Darryl's Minor", and "New Date". CD

Possible matches19
CD, LP, Vinyl record album cover art
Stan GetzStan Getz Vol 2 (10 inch LP – photo cover) ... LP
New Jazz/Prestige, Early 50s. Good+ ... $19.99
Sublime early Getz all the way through – material that shows why even right out of the gate, Stan's sound on the tenor was one to be reckoned with! Side one features a quartet with Al Haig on piano, Tommy Potter on bass, and Roy Haynes on drums – all giving Stan plenty of room to dominate with tenor on tunes that include "What's New", "There's A Small Hotel", "Too Marvelous For Words", and "I've Got You Under My Skin". Side two features a different larger group – a modern ensemble with plenty of bop touches, and players that include Terry Gibbs on vibes, Shorty Rogers on trumpet, Earl Swope on trombone, and George Wallington on piano. Titles include "T & S", "Terry's Tune", and "Speedway". LP, Vinyl record album
(Cover has light wear and a few small stains. Vinyl plays with some clicks & crackles.)

Possible matches20
CD, LP, Vinyl record album cover art
Stan Getz QuartetStan Getz Quartet In Paris ... CD
Verve (Japan), 1966. New Copy ... $16.99
A rare set from one of Stan Getz's hippest groups! The album was recorded in Paris in 1966, during a time in which Stan was working with a groundbreaking quartet that included Gary Burton on vibes, Steve Swallow on bass, and Roy Haynes on drums – a combo that unfortunately got a bit overshadowed by Stan's bossa work, which was recorded in earlier years, but still getting issued and played heavily during the time of the Burton quartet's reign. The upshot of that situation was that the combo weren't nearly as exposed, or recorded, as much as they should have been – making the record an essential look at this under-documented side of Stan's career. Getz's tone is fantastic – and he glides freely with the young modernists in a way that you barely ever hear on any of his sides from the 60s, save for, perhaps, the sublime Sweet Rain LP. Titles include the long "The Knight Rides Again" – plus the tracks "Singing Song", "On Green Dolphin Street", "Edelweiss", and "Manha De Carnaval". CD
(SHM-CD pressing!)

Possible matches21
CD, LP, Vinyl record album cover art
Stan Getz/Bob BrookmeyerStan Getz/Bob Brookmeyer – Recorded Fall 1961 (Verve master edition) ... CD
Verve, 1961. Used ... $14.99
A great lost Verve album that stands as one of Stan Getz's best sessions from the early 60s – a brilliant pairing with Bob Brookmeyer that shows just how much each player had grown in the past decade! There's a strongly modernist feel to the record – more Brookmeyer's influence than Getz's usual bag – with long tracks that move almost airily at times, and which feature some beautiful interplay between tenor and trombone. Rhythm is by a very hip trio of Steve Kuhn on piano, Roy Haynes on drums, and John Neves on bass – and the work's got a great balance between freedom and more focused blowing! Titles include "Minuet Circa 61", "Thump, Thump, Thump", and "Who Could Care". CD
(Out of print – still sealed! Barcode has a cutout mark.)

Possible matches22
CD, LP, Vinyl record album cover art
Babs GonzalesBabs ... LP
Chiaroscuro, Early 60s/1981. Very Good ... $8.99
Hard to find reissue of one of Babs' earlier sides, recorded most likely for the Dauntless/Audio Fidelity label in the early 60s. The session appears to be a mix of live and studio tracks, with a group that features some of Babs' hip friends – like Johnny Griffin, Charlie Rouse, Roy Haynes, and Horace Parlan. Babs is in fine form on the album (is he ever not?) – and the record includes some of his best moody originals, like "Lullaby Of The Doomed" and "Lonely One" – plus more uptempo tracks like "Cool Cooking", "Speedy Gonzales", "Babs Mood For Love" and a hip rendition of "Le Continental". LP, Vinyl record album
(Cover has light wear.)

Possible matches23
CD, LP, Vinyl record album cover art
Andrew HillBlack Fire ... LP
Blue Note, 1963. Very Good ... $149.99
Insanely wonderful music from Andrew Hill – a lean, stripped-down session that has Hill working at his firey best – in a space that's somewhere between the "new thing" recordings of Jackie McLean, and the brooding brilliance of Andrew's later Smokestack session! The group here has some key figures fleshing out the sound – a young Joe Henderson, blowing tenor with a very edgey quality – the very versatile Richard Davis on bass – and the great Roy Haynes on drums, very much at his most fluid interpretation of rhythm! The whole set's pretty darn great – one of the more mindblowing Blue Notes you'll ever hope to buy – and tracks include "Pumpkin", "Subterfuge", "Cantarnos", and "McNeil Island". LP, Vinyl record album
(Mono New York pressing with Van Gelder stamp and ear. Cover has some aging on back.)

Possible matches24
CD, LP, Vinyl record album cover art
Bev KellyLove Locked Out ... LP
Riverside, 1959. Near Mint- ... $49.99
The first Riverside album by Bev Kelly – an obscure ice-blond singer from the late 50s, with a sound that's much more in keeping with some of the vocalists on the Bethlehem label, than the few singers who cut sides for Riverside. Bev's got the great fortune to be working here with Jimmy Jones, who's done some great work for Sarah Vaughn over the years – and the small group backing on the album includes strong players like Kenny Burrell, Jerome Richardson, Milt Hinton, Roy Haynes, and Jones himself. Titles include "My Ship", "Lonelyville", "Lost April", "Love Look Away", "Thursday's Child", "Love Locked Out", and "Gloomy Sunday". A nice sad one – in case you couldn't guess by the titles! LP, Vinyl record album
(Black label Bill Grauer Productions pressing, with microphone logo and deep groove. Cover has clear tape holding the top seam and a split bottom seam.)

Possible matches25
CD, LP, Vinyl record album cover art
Roland KirkDomino ... LP
Mercury, 1962. Very Good ... $14.99
A key early album from reedman Roland Kirk – at set that really has him strongly finding his voice in jazz, and transforming most of modern music in the process! The set's a perfect illustration of the way that Roland could swing with soul, yet still reach out with bold new ideas too – mixing up work on tenor sax, manzello, stritch, flute, and even nose flute – instruments often played at the same time, with this amazing multi-reed style that's really mindblowing – and which follows the soaring sheets of sound of the Coltrane generation, yet completely in its own way too! There's a sharp modern edge to most of the rhythms – thanks in part to the presence of Andrew Hill on piano and celeste on a few cuts – alongside from Vernon Martin on bass and Roy Haynes and Henry Duncan on drums – and a bit of additional piano from Wynton Kelly. The whole thing's amazing – one of those records that never fails to delight us – and titles include "3 In 1 Without The Oil", "ED", "Domino", "Meeting On Termini's Corner", and "A Stritch In Time". LP, Vinyl record album
(White label promo. Bottom half of cover has staining.)

Possible matches26
CD, LP, Vinyl record album cover art
Steve LacyStraight Horn Of Steve Lacy ... CD
Candid (UK), 1960. Used ... $9.99
The only thing "straight" about Steve Lacy's horn is its shape – as the soprano sax here is used in some extremely inventive and modern ways, especially for the date of the session! We don't think we're going out on a limb to say Lacy is one of the foremost melodic improvisors of his time, and easily one of the most talented soprano players too – and his early date as a leader shows both his forward looking involvement with the avant garde (he'd played with Cecil Taylor just before this date and does a couple of his compositions here) and a career-long fascination with Thelonious Monk. Although the group here is piano-less – with Charles Davis on baritone sax, John Ore on bass, and Roy Haynes on drums – there's a definite Monk-like edge to many of the numbers, carried off especially by the sharp turns in Lacy's horn! Titles include "Criss Cross", "Air", "Donna Lee", "Louise", "Played Twice", and "Inrospection". CD

Possible matches27
CD, LP, Vinyl record album cover art
Booker LittleBooker Little ... CD
Time/Solid (Japan), 1960. New Copy ... $16.99
A killer from trumpeter Booker Little – one of the last few records that Book cut before his early death, and one of his only ones as a leader! The album features an excellent soulbop quintet with Wynton Kelly and Tommy Flanagan on piano, Scott LaFaro on bass, and Roy Haynes on drums – working with that dark, sharp edge that always seemed to characterize Little's sessions – kind of an added fire he always brought to the studio when working as a leader. Little's trumpet has some of those great modern tones he blew with Max Roach – and the album's got some great little tracks like "Bee Tees Minor Plea", "Opening Statement", "Minor Sweet", and "The Grand Valse". Excellent stuff all around – and a record that would have been bigger, had it been issued on a larger label! CD

Possible matches28
CD, LP, Vinyl record album cover art
Jackie McLeanIt's Time! (180 gram pressing) ... LP
Blue Note (Spain), 1964. New Copy (reissue)... Just Sold Out!
It certainly was time – time for Jackie McLean to break out of his older bop mode, and hit a whole new level of playing with a tight group of "new thing" compatriots like Herbie Hancock on piano, Cecil McBee on bass, and Charles Tolliver on trumpet! The record isn't as totally "out there" as some of his other ones from this period, but it's a seminal release in Jackie's modernist period – and it's one of the hardest to find from the era. Filled with warmly wonderful original compositions like "Revillot", "Snuff", "Truth", and "Das Dat" – the record is unpacked and remodeled nicely by the trio of young players, aided by Jackie's moody alto, and given a great spin by Roy Haynes on drums. Striking cover, too – with a huge field of exclamation points! LP, Vinyl record album
(Limited edition!)

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