A really cool collection of cuts that we might never have encountered otherwise – all brought together in celebration of 20 years of work from the If Music shop, who clearly just keep on refining their ears over the years! There's so many cuts here that fall in a special space between familiar genres – jazzy instrumentation mixed with folksy vocals, electronic rhythms mixed with warmer instrumentation, ethnic instrumentation fused with jazzy expression, and blends that really keep things interesting throughout – especially as most of these cuts are nice and long, and really explore the ideas at their core! Titles include "We Are Not Invisible" by Ola Szmidt, "Big Kalimba" by Greetje Bijma Kwintet, "Fidji" by Christine Schaller, "Sunday Sea Improvisation" by Tamar Osborn, "Fall In To Me (alt version)" by Emanative & Liz Elensky, "Turkish Showbiz" by Atilla Engin Group, "Dennison Point" by Tenderlonious, and "At The Speed Of Light" by Sarathy Korwar. LP, Vinyl record album

The classic batch of instrumentals from J Dilla – one that strongly transcends the hip hop genre – and perhaps his rawest, and most adventurous listening experience ever! The loopy soul samples, rich synth/electro shine, and thumping bass and soul beats that Dilla largely made his name on are laced throughout, but he also takes things a step into stranger territory – with spacey elements that buzz as much as they groove! The cuts are never less than soulful and funky, and never really steps into his peer Madlib's brand of the weeded out style, either. We love how raw this all feels, too! It's easily identifiable as the work of Jay Dee, but at the same time, wholly unpredictable! One of the best releases that Stone's Throw ever released – instrumental or vocal! Includes "Donuts (Intro & Outro)", "Workinonit", "Waves", "Light It", "People", "Mash", "Airworks", "Lightworks", "Stepson Of The Clapper", "One Eleven", "Don't Cry", "Geek Down", "Thunder", "Gobstopper", "Walkinonit", "U-Love", "Last Donut Of The Night" and more. LP, Vinyl record album

A really well-titled set, especially given that as a drummer, Pierre Alain Dahan lent his talents to a whole host of French jazz, funk, and soul outings in the 70s – although his approach here is different than on some of his more famous work! The album's a set of duets with electronic musician/keyboardist Mat Camison, and the tunes have a sound that's rhythmic – sometimes very funky, with great drum breaks in the mix – other times maybe a bit darker or spacier, with the rhythms moving off into nicely moody territory! There's a great sense of variety here, even though the instrumentation is relatively spare on most numbers – and titles include "Rythmiques" numbered 4 through 11 – plus "Piano + Piano", "Gay Shopping", "Auto Rythmiques", and "Ocean Horizon". LP, Vinyl record album

A stone classic from Supersax – a record with plenty of classic bop elements, despite a very 70s-styled group name and cover! The combo's a large one, and features tight horn formation deftly cutting through a host of bop classics – lots of ensemble passages at the start, then breakout solos that really get things going! Horn players include Conte Candoli on trumpet, Carl Fontana on trombone, and supersax players Med Flory and Joe Lopes on alto, Warne Marsh and Jay Migliori on tenor, and Jack Nimitz on baritone. Ronnell Bright, Lou Levy, and Walter Bishop Jr handle the piano – and titles include "Confirmation", "Lover Man", "Salt Peanuts", "The Bird", "Groovin High", and "Yardbird Suite". LP, Vinyl record album

Fantastic live material from a very unique group – the instantly-legendary meeting of reedman Peter Brotzmann with the leading lights of the Chicago avant jazz scene in the 90s – brought together into a tremendous tentet that's maybe even better than the sum of its parts! The group features Brotzmann on tenor and clarinet, Ken Vandermark on tenor and bass clarinet, Jeb Bishop on trombone, Fred Lomberg-Holm on cello and violin, Michael Zerang and Hamid Drake on drums, Kent Kessler on bass – and "honorary Chicagoan" Mats Gustafsson on tenor and flutophone, plus Toshinori Kondo on trumpet and electronics, and William Parker on bass. Phew, that's one heck of a lineup – the kind that rivals some of the European or British improvising ensembles of decades past – but one that has its own very specific flavor, and a sound that's brimming over with youth – so much so that the non-Chicago guests really seem to gain inspiration from the core. This Okka disc set captures the band live at the 16th Victoriaville Festival in 1999. LP, Vinyl record album

Still one of THE standout records of the post-punk years – the simple but effective dub statement of three London ladies with decidedly left wing politics! The record's in a format that would later be copped by dozens of groups – one that mixes together post-punk and heavy dub – the former of which is served up with some nice rough guitars and crackly vocals, and the latter which is done even better with some super-solid production by Dennis Bovell! Titles include "Shoplifting", "Spend Spend Spend", "Instant Hit", "Newtown", "Ping Pong Affair", and the seminal "Typical Girls"! LP, Vinyl record album

A killer diller of a live set from Brother Jack McDuff – a cut that burns with energy that almost beats his studio 60s classics for Prestige! The group is one of Jack's best ever – a lineup that includes the twin tenors of Red Holloway and Harold Vick, plus incredibly sharp guitar from a young George Benson, and some of the most unique soul jazz drum work you'll ever hear – courtesy of the amazing Joe Dukes. Despite their individual strengths, which might make this whole thing an ego-fest – all players fit perfectly into place on the album's hard wailing batch of groovers, and groove together with a sympathetic energy that's simply amazing! Titles include a great remake of "Jive Samba", plus "Dink's Blues", "Grease Monkey", "Passing Through", and "Vas Dis". This is the kind of thing live recording equipment was made for! LP, Vinyl record album

A beautiful early session on Charles Mingus' Debut Records label – one that features singer Ada Moore – a thin-voiced, yet soulful songstress with an edgey sort of tone! The album's got lots of nice rough edges that take it away from the cliched vocal album of the time – including searingly modern solos from LaPorta, slightly muted guitar work from Farlow, and an overall recording style that's very "roomy" – with almost a loft-like feel to the set. Titles include "Something To Live For", "Strange Fascination", "Devil Is A Woman", and "Lass From The Low Country". LP, Vinyl record album

The cover might look a bit understated, but the album's got plenty of depth and power – a rare set from the Texas underground of the early 80s – cut by a group who've clearly drunk deep from the same musical well that inspired Stevie Wonder, Roy Ayers, and other cosmic soul talents of the 70s! As with Stevie and Roy, there's plenty of jazzy currents in the music of The People's Workshop – warm keyboards, sweet sax and flute, and waves of color that really come through the grooves and illuminate the deeper spirit of the vocals. There's a sense of collaboration here that's really special – almost a James Mason vibe at times – all with a sense of sophistication that's quite different than the rootsier sounds you might normally expect from Texas soul groups. Titles include "Save Your Money", "A Song For The Children", "Love Love", "Let's Get High", "Chocolate Coated People Song", and "This Song". LP, Vinyl record album

An amazing record – one of the best on Motown's short-lived Workshop Jazz subsidiary! The album is the first to feature Roy Brooks as a leader – and the super-hip drummer from Detroit really knows what to do with the opportunity! He's working here with a hip group that includes members of the Horace Silver quintet – including Blue Mitchell on trumpet, Junior Cook on tenor, and Gene Taylor on bass – as well as Detroit contemporaries George Bohannon on trombone and Hugh Lawson on piano. The overall style of the record is quite different from Brooks' work with Silver – and has a much more open-ended feeling emotionally – an early hint at the qualities that Roy would unveil on his rare indie sides at the start of the 70s. The tracks are a mix of soul jazz numbers and others with a rougher-hewn sense of modernism – almost like the excellent work coming out of Chicago during the early 60s, from artists like Gene Shaw or the MJT+3. All the players are at their best, and the album features some of the nicest tenor work we've ever heard from Cook. Titles include "Soulsphere", "Soulin", "Homestretch", "Passin The Buck", and "My Secret Passion". LP, Vinyl record album

A killer little set that's as heavy as it sounds from the title – a wealth of rare material pulled from the studio of Detroit producer Dave Hamilton – a good deal of it never issued at the time! Hearing this set is like finding a pile of rare 45s stuffed in the back corner of a long-lost record shop – because although much of the work was never issued, it crackles with the intensity of the best funky 45s – lots of funky drums, offbeat guitar, and raspy soul vocals – produced with a real edge to all the work, so that all of the hardest elements of the tunes really come through in the mix! The album features one track appearing here for the first time ever – "Remember" by Chico – plus other rare tracks that include "Marriage Is A State Of Mind" by James Carpenter, "Soul Suite" by Dave Hamilton, "You Fool You Fool" by Prophet & His Disciples, "The Deacons" by Dave Hamilton, "Funky Trip" by Johnny Walker, "A Drop In The Bucket" by The Deacons, "Brand New Girl" by Billy Garner, "The Devil Is Gonna Get You" by The Future Kind, "Party Time" by James Carpenter, and "Grown Folks Thing" by OC Tolbert. LP, Vinyl record album

The live anthology of punk pioneers The Slits – featuring raucous London recordings from as early as '77 up to their last gig in Paris, 1981! The recording and performance quality from track-to-track may not be representative of the group at it's best. What the set does do, inarguably, is provide a solid snapshot of the Slits' growth over the years from sneering punkers to far more stylistically ambitious dark dub & funk influenced originals. Includes "Vindictive", "A Boring Life", "Slime", "Love & Romance", "Shoplifting", "I Heard It Through The Grapevine", "Typical Girls", "Fade Away" and "In The Beginning". LP, Vinyl record album

Ghostface brings some real hip hop to latter day Def Jam – his best album since Supreme Clientele – and possibly '06 hip hop album of the year! Fishscale features appearances by the Wu Tang Clan & Theodore Unit, Ne-Yo, Megan Ward and others on the mic – but it's the stable of producers that helps make this one of the best above ground hip hop albums we've heard in a long time. MF Doom puts his Metal Fingerz behind the boards for a bunch of tracks, and the legendary Pete Rock handles a few – with additional work by J Dilla, Just Blaze, Lewis Parker and others. Ghost brings a literal lyrical focus to a number of the tracks – but he's still spraying words all over the damn place – and the best tracks are just as thrilling as his surreal word bombs of yore. Tracks include "Shakey Dog", "Kilo" feat Raekwon, the excellent Just Blaze-produced anthem "The Champ", "9 Milli Bros" feat Wu Tang Clan, "Beauty Jackson", "RAGU" feat Raekwon, "Be Easy" feat Trife, "Dogs of War" feat Raekwon & Theodore Unit, "Barbershop" and more. LP, Vinyl record album