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Exact matches: 4
Exact matches1
CD, LP, Vinyl record album cover art
Bob HelmBob Helm's Riverside Roustabouts (10 inch LP) ... LP
Riverside, 1954. Very Good+ ... $14.99
LP, Vinyl record album
(Back cover has light wear and a bit of pen.)

Exact matches2
CD, LP, Vinyl record album cover art
Race CarsGrand Prix USA – Sebring, Riverside, & Watkins Glen ... LP
Riverside/Battle, Early 60s. Very Good+ ... $4.99
LP, Vinyl record album
(Note: record has a small chip on the edge, but plays fine. Cover has light wear and a few small bits of tape.)

Exact matches3
CD, LP, Vinyl record album cover art
✨✧ Charlie ByrdAt The Village Vanguard (Riverside pressing) ... LP
Riverside, 1960. Used ... Temporarily Out Of Stock
A trio set from Charlie Byrd – with Keter Bets on bass and Butty Deppenschmidt on drums – with titles that include "Fantasia On What Side Are You On", "Just Squeeze Me", and "Why Was I Born". LP, Vinyl record album
(Turquoise label Orpheum Productions pressing. Cover has light wear.)

Exact matches4
CD, LP, Vinyl record album cover art
✨✧ George RussellEzz-Thetics (Riverside) ... LP
Riverside, 1961. Used ... Out Of Stock
Angular modernism from George Russell – a record that's still strongly preoccupied with his interest in modes and tones, but which also manages to swing nicely as well! The group here is a sextet – with Eric Dolphy making a great appearance on alto and bass clarinet – alongside Dave Baker on trombone, Don Ellis on trumpet, Steve Swallow on bass, and Joe Hunt on drums. Although the leader, Russell never lets his piano dominate, but instead mostly punctuates – pointing the way forward to the horn players, who group together in tremendous formation – the slide off into separate space for their solos! Titles include Russell standards "Ezz-Thetic" and "Lydiot", plus great readings of "Nardis" and "Round Midnight". LP, Vinyl record album
(OJC pressing. Cover has some light wear.)
 
Close matches: 62
Close matches5
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyKnow What I Mean? ... LP
Riverside, 1961. Very Good ... $7.99
Beautiful early work from Cannonball Adderley – and a record that's quite different than most of his better known sets from the time! The album's more spare and stripped-down than usual – with Cannon's alto in a quartet alongside Bill Evans on piano, Percy Heath on bass, and Connie Kay on drums. The style is almost more that of Evans than it is Cannonball – lightly lyrical, with a good sense of space – in a way that has Adderley playing out front very strongly, cutting some beautiful lines with his solos, in a really unfettered way! Titles include versions of two of Evans' tracks – "Waltz For Debby" and "Know What I Mean?" – plus nice moody takes on other material, like John Lewis' "Venice", Clifford Jordan's "Toy", and Gordon Jenkins' "Goodbye". LP, Vinyl record album
(Blue label Bill Grauer Productions pressing. NOTE – Cover is heavily stained and peeled on the bottom half,with a split bottom seam. Labels are stained.)

Close matches6
CD, LP, Vinyl record album cover art
Ray BarrettoBarretto Para Bailar (aka Pachanga In Percussion) ... LP
Riverside, 1961. Near Mint- ... $19.99
Early work as a leader from Ray Barretto – a set that was originally issued on the Riverside subsidary of Fortissimo – which featured pressings on which the record plays from the inside out! That's right, you put the needle near the center, and the record pulls it towards the edge. This pressing, however, is the "regular" version – and plays from the outside in – and over and above that, this is a just a great record of early 60's Pachanga stuff, played by Ray Barretto with a tight little group. Recorded around the same time as Ray's other Riverside stuff, and with a similar Latin Jazz feel, the recording includes the tracks "Oye Heck", "Los Cueros", "Pachanga Oriental", and "Cumbamba". LP, Vinyl record album
(Turquoise label pressing.)

Close matches7
CD, LP, Vinyl record album cover art
Billy Bean/Walter Norris/Hal GaylorTrio ... LP
Riverside, 1961. Very Good ... $33.99
An ultra-hip trio with a very unique approach – Billy Bean on guitar, Walter Norris on piano, and Hal Galor on bass! LP, Vinyl record album
(Black label pressing with deep groove and silver text and microphone logo. The first track has a short click, but the record is very nice overall.)

Close matches8
CD, LP, Vinyl record album cover art
Sidney Bechet/Abert Nicholas/Wild Bill DavisonCreole Reeds ... LP
Riverside, Late 40s. Near Mint- ... $14.99
LP, Vinyl record album
(Blue label Bill Grauer pressing with deep groove & microphone logo. Cover has clear tape on the top seam and near the opening.)

Close matches9
CD, LP, Vinyl record album cover art
Sharkey Bonano/Paul BarbarinNew Orleans Contrasts – Paul Barbarin & Sharkey Bonano ... LP
Riverside, 1951. Very Good ... $1.99
LP, Vinyl record album
(Original pressing. Cover has some wear, seam splitting, masking tape on the top and bottom seams, a small peeled mark from sticker removal, and an ink stamp on the back.)

Close matches10
CD, LP, Vinyl record album cover art
✨✧ Charlie ByrdGuitar Artistry Of Charlie Byrd ... LP
Riverside, 1960. Very Good+ ... $4.99
Artistry is a word that's not used lightly here – as the album gives Charlie Byrd plenty of space to show off his deepest talents on the acoustic guitar – in a spare trio setting with Keter Betts on bass and the lesser-known Buddy Deppenschmidt on drums! The format is one that was rare at the time – used for only a handful of virtuoso players, such as Laurindo Almeida – but the setting is a perfect one for Byrd's introspective approach, and gives him plenty of room to illustrate the rich array of influences that go into his sound. Tracks are short, and Byrd's guitar is upfront – and titles include "Django", "Nice Work If You Can Get It", "The House Of The Rising Sun", "Taboo", and "Ring Them Harmonics". LP, Vinyl record album
(Blue label Bill Grauer pressing. Cover has some wear and a sticker remnant in one corner.)

Close matches11
CD, LP, Vinyl record album cover art
Junie C Cobb & His New Hometown BandChicago – The Living Legends ... LP
Riverside, 1961. Near Mint- ... $11.99
A trad-revival set recorded on Chicago's south side in the early 60s – part of an excellent series on Riverside, seeking to re-discover some older jazz and blues greats who were languishing in the Windy City at the time! Junie C Cobb plays mostly piano on the date, but also sings on one number too – in a style that's got plenty of bluesy undercurrents, particularly on the numbers that feature vocals by Annabelle Calhoun. Other group members include Leon Washington on tenor, Fortunatus Fip Ricard on trumpet, and Harlen Bobby Floyd on trombone – and titles include "Be Mine", "Just Because Of You", "Swing Your Hurdy Gurdy", "Once Or Twice", and "Belligerent Blues". LP, Vinyl record album
(Blue label Bill Grauer pressing with microphone logo & deep groove.)

Close matches12
CD, LP, Vinyl record album cover art
Louis Cottrell TrioBourbon Street – New Orleans The Living Legends ... LP
Riverside, 1961. Very Good ... $9.99
LP, Vinyl record album
(Original pressing. Cover has light wear and a split top seam held with a small piece of red tape.)

Close matches13
CD, LP, Vinyl record album cover art
Johnny DoddsNew Orleans Clarinet ... LP
Riverside, 1920s. Very Good- ... $14.99
Seminal recordings of the trad clarinetist, recorded in Chicago in a variety of settings, mostly smaller bluesy groups of the sort that were inhabiting the south and west sides of town. Like Louis Armstrong, he supplanted his New Orleans style to Chicago, meshing it with the urban black musics that would become the roots of jazz. A dozen numbers in all, recorded with Jasper Taylor's State Street Boys, Junie Cobb's Hometown Band, Viola Bartlette, Blind Blake, the State Street Rqamblers and Lovie Austin's Blues Serenaders, including "It Must Be The Blues", "State Street Blues", "East Coast Trot", "Chicago Buzz", "Walk Easy 'Cause My Papa's Here", 'Southbound Rag", "Bohunkus Blues", "Buddy Burton's Jazz", "Cootie Stomp", "Weary Way Blues", "Chicago Mess Around" and "Gallion Stomp". LP, Vinyl record album
(White & blue label Bill Grauer Productions pressing, with microphone logo and deep groove. Vinyl has a mark that clicks on Side 2. Cover has a split top seam and spine, and a peeled spot from sticker removal.)

Close matches14
CD, LP, Vinyl record album cover art
Father Joseph DustinSongs Father Taught Me ... LP
Riverside, Early 60s. Near Mint- ... $4.99
LP, Vinyl record album
(Cover has a center split on the bottom seam, and appears to have been signed by the artist on back.)

Close matches15
CD, LP, Vinyl record album cover art
Harry Sweets Edison & Eddie Lockjaw DavisJawbreakers ... LP
Riverside, 1962. Near Mint- ... $6.99
Edison and Davis team up for this record that features Edison on trumpet, Davis on tenor sax, Hugh Lawson on piano, Ike Isaac on bass and Clarence Johnston on drums. Tracks include three Edison originals "Oo-ee!", "Jawbreakers", and "Moolah". The album also contains Miles Davis' "Four" and "Broadway", "A Gal In Calico", "I've Got A Crush On You", and "Close Your Eyes". LP, Vinyl record album
(OJC pressing.)

Close matches16
CD, LP, Vinyl record album cover art
Bob GibsonCarnegie Concert ... LP
Riverside, 1957. Very Good+ ... $4.99
LP, Vinyl record album
(Cover has a bit of light wear.)

Close matches17
CD, LP, Vinyl record album cover art
✨✧ Johnny GriffinLittle Giant ... LP
Riverside, 1959. Near Mint- ... $19.99
One of Johnny Griffin's hard blowing LPs as a leader for Jazzland – recorded with a crack lineup that includes Blue Mitchell on trumpet, Julian Priester on trombone, Wynton Kelly on piano, Sam Jones on bass, and Albert Heath on drums! This is the kind of work that the term "hard bop" was coined for – sharp-edged jazz at its best – informed strongly by earlier bop and modern modes, but also played with a deeper dose of soul overall. The six players come together perfectly throughout – working with a tightness that matches most Blue Note work of the time – and titles are a great set of tracks that includes 3 by Chicago pianist Norman Simmons, and 1 by the great Babs Gonzales. Tunes include "Olive Refractions", "The Message", "Lonely One", "Playmates", and "63rd Street Theme". LP, Vinyl record album
(Nice Japanese pressing – with insert!)

Close matches18
CD, LP, Vinyl record album cover art
Johnny GriffinStudio Jazz Party ... LP
Riverside, 1960. Very Good+ ... $24.99
Stellar early Riverside session put together by Johnny Griffin's friend (and impresario) Babs Gonzales. Babs decided that the session would be real swingin', real groovy, if they had sort of a "party" in the studio, so he opened up the session, invited a lot of guests, got a lot of food (and booze), and let the festivities begin. The result is one of Johnny Griffin's best recordings, special not only because it's got the vibe that we're describing, but also because it features great performances by underrecorded talents like trumpeter Dave Burns and pianist Norman Simmons. Great stuff! Titles include "Party Time", "Low Gravy", "You've Changed", and "Toe Tappin". LP, Vinyl record album
(Nice Japanese pressing, with insert!)

Close matches19
CD, LP, Vinyl record album cover art
Tommy Gwaltney's Kansas City Nine with Buck ClaytoGoin To Kansas City ... LP
Riverside, 1960. Very Good ... $14.99
Trad revival material by this group that featured Buck Claton on trumpet, Dickie Wells on trombone, Tommy Newson on tenor, Charlie Byrd on guitar, and Gwaltney on alto, clarinet, and vibes. Tracks are short and include some originals, written in a classic 30s KC mode – plus a few older tunes. Titles include "Midnight Mama", "Hello Babe", "Kansas City Ballad", "The Jumping Blues", "Walter Page", and "The New Tulsa Blues". LP, Vinyl record album
(Blue label Bill Grauer pressing, with microphone logo & deep groove. Vinyl has a mark that clicks a bit on "Steppin' Pretty". Cover is in nice shape.)

Close matches20
CD, LP, Vinyl record album cover art
Percy Humphrey's Crescent City Joy MakersNew Orleans – Living Legends ... LP
Riverside, 1965. Very Good+ ... $2.99
LP, Vinyl record album
(Blue label pressing with deep groove. Bottom 3 inches of cover has some staining & peeling.)

Close matches21
CD, LP, Vinyl record album cover art
Milt JacksonMilt Jackson Live At The Village Gate ... LP
Riverside, 1963. Very Good+ ... $9.99
A great little set from that time when Milt Jackson was fronting a group that also included Jimmy Heath on tenor – a wonderful pairing of talents that made for some of Milt's most soulful sides of the 60s! Heath's sharp-edged tone is a great contrast to Jackson's smoother touch on the vibes – and the pair are supported here by rhythm from Hank Jones on piano, Bob Cranshaw on bass, and Albert Heath on drums – all great players who bring plenty of personal inflection to their work on this live date. Titles include a great version of Heath's "Gemini" – plus Jackson's "Bags Of Blue", "Gerri's Blues", and "Ignunut Oil" – plus takes on "Little Girl Blue" and "Time After Time". LP, Vinyl record album
(OJC pressing.)

Close matches22
CD, LP, Vinyl record album cover art
Budd JohnsonBudd Johnson & The Four Brass Giants ... LP
Riverside, 1960. Good+ ... $11.99
Budd Johnson was one of those players from the old days who was continually drawing praise from younger and hipper musicians – crediting Budd with a tone and talent that was forever an inspiration to them. Case in point is this 1960 session, issued as part of the hip Cannonball Adderley Presents series on Riverside – one in which Budd is given free reign to arrange the albums tracks, coming up with a nice batch of originals and interesting tunes that show him to be a much more complex player than might be expected. The players include a four piece trumpet section with Nat Adderley, Clark Terry, Harry Edison, and Ray Nance – and rhythm is by Tommy Flanagan, Joe Benjamin, and Herb Lovelle. Tracks include "Blues For Lester", "All My Love", "Trinity River Bottom", and "Driftwood". LP, Vinyl record album
(Heavy blue label Bill Grauer pressing with microphone logo and deep groove – nice and clean! Vinyl has a few light marks from the old paper sleeve, but is nice overall – as is cover.)

Close matches23
CD, LP, Vinyl record album cover art
Inez JonesHave You Met Inez Jones? ... LP
Riverside, 1957. Very Good+ ... $24.99
Inez was an obscure west coast singer – but she's got a nice soulful approach that reminds us of some of the warmer singers on the Bethlehem label from the same time. This session (perhaps her only one) features small group backing by Oscar Moore, Carl Perkins, Curtis Counce, and Bill Douglass. 2 tracks feature Moore soloing instrumentally on guitar – "Tangerine" and "There's A Small Hotel" – and the other tracks include "Where Or When", "Moonlight In Vermont", "Happy", "Don't Take Your Love From Me", and "Since I Fell For You". Nice stuff, with that mix of jazz and bluesy singing that graced the postwar work of LA vocalists like Charles Brown or Nat Cole. LP, Vinyl record album
(Blue label Bill Grauer pressing with microphone logo and deep groove.)

Close matches24
CD, LP, Vinyl record album cover art
Rod Levitt OrchestraDynamic Sound Patterns Of The Rod Levitt Orchestra ... LP
Riverside, 1964. Very Good ... $9.99
"Dynamic" is right – as Rod's one of the hippest large group arrangers of his time! The album's a really wonderful record that features Rod leading an octet with a distinctly modern touch – almost building off the styles of Kenton groups of the 50s, but with more of the energetic twists and turns of some of the west coast groups of later years. Players are mostly lesser-known names – save for trumpeter Rolf Ericson – and the album features some really great tenor work by George Marge, who we only know from this record. Tracks are angular and fresh, but always nicely swinging – and titles include "Holler", "Jelly Man", "El General", "Upper Bay", and "Ah! Spain" – all by Levitt! LP, Vinyl record album
(Black label Bill Grauer pressing with microphone logo.)
 
Possible matches: 12
Possible matches67
CD, LP, Vinyl record album cover art
Pepper Adams & Jimmy KnepperPepper-Knepper Quintet ... LP
Metrojazz, Late 50s. Good+ ... $19.99
A gem of a session from both players – and one of the long-lost sides on the short-lived Metrojazz label from MGM! Adams and Knepper head up a soulful group that features Wynton Kelly on piano (and a bit of organ!), Doug Watkins on bass, and Elvin Jones on drums. The real charm, though, is from Adams' solos, which are in that perfect gutbuckety mode that he could hit when he wanted to – a deep, dark drink the best tone the bari could offer, never getting clumsy at all, thanks to some lively rhythm playing. Titles include "Minor Catastrophe", "Riverside Drive", "Primrose Path", and "Adams In The Apple". LP, Vinyl record album
(Original pressing – with deep groove! Cover has some wear, aging, and old tape over some splitting seams.)

Possible matches68
CD, LP, Vinyl record album cover art
Cannonball Adderley & Nat AdderleyWhat Is This Thing Called Soul – The Cannonball Adderley/Nat Adderley Quintet In Europe Live ... LP
Pablo, 1960. Very Good+ ... $7.99
A real treat for Cannonball Adderley fans in the years after his passing – vintage live material recorded in 1960, right at a time when Adderley was really finding his groove! The lineup here features a classic quintet – with brother Nat on cornet, Victor Feldman on piano, Sam Jones on bass, and Louis Hayes on drums – rolling out in a heavy soul jazz groove that's right up there with Cannon's best Riverside albums from the time! The tracks are longish, given the live setting – with energy to match his Live In San Francisco or Japan albums – and titles include "Big P", "One For Daddy O", "The Chant", "Azule Serape", and "What Is This Thing Called Love". LP, Vinyl record album
(Cover has some creases.)

Possible matches69
CD, LP, Vinyl record album cover art
Ornette ColemanTown Hall 1962 ... LP
ESP, 1962. Near Mint- ... $34.99
A really unique chapter in the career of Ornette Coleman – an album that he produced by himself in 1962, away from any other label – as an effort to showcase the newly freer sounds of his music! The recording's the first in a really groundbreaking stretch for the 60s – and it was fortunately finally issued by ESP Records a few years after the recording – providing a nice link between Coleman's earlier experiments and the sound of the younger generation usually showcased by the label. The group's a trio, with a sound that's quite different than the more rhythmic modes of Coleman on Atlantic Records – a freer, less structured lineup that features percussion from Charles Moffett and bass from David Izenzon. One track also adds in a string quartet – making the record one of Coleman's first experiments with this format – and titles include a 23 minute recording of "The Ark", plus "Doughnut", "Sadness", and "Dedication To Poets and Writers". LP, Vinyl record album
(Red label pressing, with a Riverside Drive address – and back cover images advertising titles up to ESP 1014. Cover has a light crease on one corner.)

Possible matches70
CD, LP, Vinyl record album cover art
Milt JacksonOpus De Funk (Milt Jackson Quartet aka Soul Pioneers/Milt Jackson Quintet/Invitation) ... LP
Prestige, 1954/1955/1962. Near Mint- 2LP Gatefold ... $5.99
A 70s double LP issue of a variety of sides Milt cut as a leader for Prestige and Riverside. The first batch of numbers were originally released as a couple of 10"s, then repackaged under various guises in LP format, and feature a slightly different take on the Modern Jazz Quartet sound of the early years – as the album features Milt Jackson's vibes in the company of MJQ bandmates Percy Heath and Connie Kay, but also includes Horace Silver on piano – in the spot normally reserved for John Lewis! The presence of Silver on piano gives a bit of a harder edge to the set, one that almost recalls some of Jackson's work on Blue Note in the early 50s, yet which is rounded out here by a few lighter and more lyrical touches on rhythm. The set includes a great reading of "Moonray", the Jackson original "Stonewall", and the tracks "Wonder Why", "I Should Care", and "My Funny Valentine". There's also 4 numbers with the same group adding Henry Boozier on trumpet, performing "Soma", "Buhaina", "Opus De Funk" and "I've Lost Your Love". The second LP is from almost a decade on, a very nice little Milt Jackson album – cut in the mode of some of his excellent soul jazz group sides from the mid 60s. This set pushes Milt past the format of much of his other work – especially that of the MJQ – as it features him in a very soulful sextet, working with Tommy Flanagan on piano, Kenny Dorham on trumpet, Jimmy Heath on tenor, Ron Carter on bass, and Connie Kay on drums. The presence of Dorham and Heath give the album a light lyrical swing that really opens things up – and there's a fair bit of modally-oriented tunes on the set that hint at the more soulful playing of most of the players in the 70s. Tracks include a great version of "Invitation", plus "The Sealer", "Poom A Loom", "Ruby", and "None Shall Wander". LP, Vinyl record album
(Cover has some light wear.)

Possible matches71
CD, LP, Vinyl record album cover art
Milt JacksonPlenty, Plenty Soul ... LP
Atlantic, 1957. Very Good+ ... $7.99
Plenty plenty soul here – as Milt Jackson's moving away from the Modern Jazz Quartet, and working with a great group of players that really expand his sound! The session's a bit like some of Milt's soul jazz work for Riverside and other labels – in that it's got rhythms, timings, and solos that all are much more gutbuckety than you'd expect from the other side of his career – a real nod towards the nascent soul jazz sound in the late 50s, served up with lots of undercurrents from R&B and gospel in the mix. Side one features players that include Ronnie Peters on alto sax, Frank Foster on tenor, and Sahib Shihab on baritone – plus Horace Silver on piano – and Silver makes a return appearance on side two, alongside a group that includes Lucky Thompson on tenor and Joe Newman on trumpet. Titles include "Plenty, Plenty Soul", "Boogity Boogity", "Heartstrings", "Sermonette", "The Spirit Feel", "Ignunt Oil", and "Blues At Twilight". LP, Vinyl record album
(Red & green label pressing. Cover has light wear and a cutout notch.)

Possible matches72
CD, LP, Vinyl record album cover art
Eddie JeffersonThere I Go Again ... LP
Prestige, Early 50s/1960s. Very Good+ 2LP Gatefold ... $4.99
A really great overview of the career of Eddie Jefferson – one that begins with his first few vocal singles of the 50s, and follows him through album work for Riverside and Prestige in the 60s! Jefferson's contribution to jazz is tremendous – as he was one of the first to set lyrics to solos by famous players of the time, giving them deeper meaning with his own new lyrics and his warmly raspy vocal presentation of the material. Here, he's working with a top-shelf array of jazz players who really appreciate his work – including Seldon Powell, Clark Terry, Charles McPherson, Barry Harris, Johnny Griffin, and James Moody – the last of whom was a longtime friend and collaborator of Jefferson. Titles include "Soft & Furry", "Old Shoes", "Baby Girl", "Come Along With Me", "There I Go There I Go Again", "Filthy McNasty", "Mercy Mercy Mercy", "Now's The Time", "Things Are Getting Better", and "Disappointed". Great notes and session information too! LP, Vinyl record album
(Cover has some wear.)

Possible matches73
CD, LP, Vinyl record album cover art
Johnny LytleHappy Ground! (Jazzland LP – 1961) ... LP
Jazzland, 1961. Good+ ... $4.99
One of Johnny Lytle's monster vibes 'n organ LPs from the early 60's. Released on the Jazzland subsidiary of Riverside, and a tough one to find! The album comes complete with the great original track "Lela", a jazz dance classic if there ever was one, and other nice tracks like "Happy Ground" and "Tag Along". Milt Harris plays organ, and Peppy Hinnant's on drums, giving the session the same great jumpy feel that he adds to all of Lytle's work. LP, Vinyl record album
(Blue label Bill Grauer pressing. Cover has some wear and a fully split top seam.)

Possible matches74
CD, LP, Vinyl record album cover art
✨✧ Sonny RollinsShadow Waltz ... LP
Jazzland, Late 50s/Early 60s. Very Good+ ... $19.99
Early 60's album that repackages Rollins' classic Freedom Suite recording for Riverside. The record is exactly the same – and features Rollins on tenor, in a spare stripped-down trio that include Oscar Pettiford and Max Roach. His playing is amazing – especially on the extended "Freedom Suite", which shows just how much Rollins could push his solos, even back in the early days. Amazing stuff, and as free as you can get without being free! LP, Vinyl record album
(Orange label Bill Grauer Productions pressing. Cover has a name in marker on back.)

Possible matches75
CD, LP, Vinyl record album cover art
✨✧ Cannonball Adderley with Sergio MendesQuiet Nights Of Quiet Stars ... LP
Capitol/Pickwick, 1962. Used ... Out Of Stock
Cannonball Adderley recorded this nice little groover in 1962, when American musicans were just getting on the bossa tip, and still keeping things pretty authentic. The record was cut in New York with Sergio Mendes' early Bossa Rio group – the legendary Brazilian jazz ensemble that featured Paulo Moura, Dom Um Romao, and Durval Ferreira. The mixture of tight bossa rhythms and Cannon's soulful sax is totally great – and it's only because the Riverside label was folding at the time that the record never got bigger fame. Includes the cuts "Joyce's Samba", "Clouds", "Minha Saudade", "Corcovado", "Batida Diferentes", and "Sambops". LP, Vinyl record album
(Cover has wear.)

Possible matches76
CD, LP, Vinyl record album cover art
✨✧ Mongo SantamariaWatermelon Man (2LP) ... LP
Milestone, 1962/1963. Used 2LP Gatefold ... Out Of Stock
Excellent Milestone 2-fer of sides Mongo cut for Battle, then licensed to Riverside, and finally collected here. These sessions are from the early 60s, and feature a gang of the best jazz and Latin sidemen around at the time, including Pat Patrick (of Sun Ra's Arkestra!), Nat Adderley and Bobby Capers and a massive rhythm section with Victor Venagas, Kako, Chihuahua Martinez and Julian Cabrera. There's a hot hard Latin vibe throughout, whether it's the tunes from the first two studio sides, issued as Watermelon Man or the live set captured as Mongo At The Village Gate which makes up the second LP. 22 slammin' tracks including "Yeh, Yeh", "Funny Money", "Go Git It!", "Bayou Roots", "Mongo's Groove", "The Jungle Bit", "Fatback", and "Nothing For Nothing". LP, Vinyl record album
(Cover has some wear.)

Possible matches77
CD, LP, Vinyl record album cover art
✨✧ Charlie ByrdBlues For Night People ... LP
Savoy, Late 50s. Used ... Out Of Stock
One of the earthiest albums ever cut by guitarist Charlie Byrd – a session that predates his better-known sides on Riverside and Columbia, and which definitely earns the "blues" in the title! Byrd's working here with his familiar trio of Keeter Betts on bass and Gus Johnson on drums – playing acoustic guitar, but in a way that's nicely laidback, and quite open overall – almost like Tiny Grimes, but a bit less hard-edged overall. Titles include the "Blues For Night People" suite on side one, plus "Blues My Naughtie Sweetie Taught Me", "Blue Prelude", and "Jive At Five". LP, Vinyl record album
(Maroon label pressing with deep groove. Cover has split seams with remnants of stickers.)

Possible matches78
CD, LP, Vinyl record album cover art
✨✧ MetronomesFabulous Metronomes Sing The Standard Hits (aka And Now The Metronomes) ... LP
Wynne, Early 60s. Used ... Out Of Stock
A great little vocal group – quite different from most of their contemporaries, and with a swinging jazz harmony style that really sounds great! The group may have also issued another album for Riverside (although we're not sure about that), and they're backed here by a small group that features vibes, alto, guitar, bass, and drums. Tracks include "Don't Blame Me", "Lady Be Good", "Age Of Miracles", "Embraceable You", "Foggy Day", and "April In Paris". LP, Vinyl record album
 
 
 



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