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Exact matches: 2
Exact matches1
CD, LP, Vinyl record album cover art
George RussellEzz-Thetics (Riverside) ... LP
Riverside, 1961. Very Good+ ... $11.99
Angular modernism from George Russell – a record that's still strongly preoccupied with his interest in modes and tones, but which also manages to swing nicely as well! The group here is a sextet – with Eric Dolphy making a great appearance on alto and bass clarinet – alongside Dave Baker on trombone, Don Ellis on trumpet, Steve Swallow on bass, and Joe Hunt on drums. Although the leader, Russell never lets his piano dominate, but instead mostly punctuates – pointing the way forward to the horn players, who group together in tremendous formation – the slide off into separate space for their solos! Titles include Russell standards "Ezz-Thetic" and "Lydiot", plus great readings of "Nardis" and "Round Midnight". LP, Vinyl record album
(OJC pressing.)

Exact matches2
CD, LP, Vinyl record album cover art
✨✧ Zoot SimsZoot! (Riverside) ... LP
Riverside, 1956. Used ... Temporarily Out Of Stock
Simple and elegant genius from Zoot Sims – an overlooked quartet session recorded with George Handy on piano, Wilbur Ware on bass, and Osie Johnson on drums. Handy was the famous arranger for the Boyd Rayburn group in the 40s, and here he arranges the whole set – and also contributes a number of original tunes – making for a very fresh session that gets Zoot far past the usual bag of well-worn standards. And with Ware on bass, there's an extra depth to the set in the rhythm department that opens things up nicely – not dramatically, but enough to allow for some more emphatic playing on the part of Sims! Titles include "Osmosis", "Here & Now", "Swim Jim", "Why Cry", and "Echoes Of You". LP, Vinyl record album
(OJC pressing. Cover has a cut corner, some creases, and tape remnants.)
 
Close matches: 63
Close matches3
CD, LP, Vinyl record album cover art
✨✧ Chet BakerPolka Dots & Moonbeams (aka Chet Baker In New York) ... LP
Riverside/Jazzland, 1958. Near Mint- ... $58.99
Quite a great session for Chet Baker – one that has him recording in New York, with a hip lineup that includes some incredibly soulful players! The tunes on the set feature Chet in either quartet or quintet formation – working with Johnny Griffin on tenor, Al Haig on piano, Paul Chambers on bass, and Philly Joe Jones on drums. Tracks are longish, and the sound is much more in the mode of Riverside at the time, than the sound of Chet's earlier Pacific Jazz records – and Chet holds his own nicely in this company, giving a hint of the style to come in a few more years. Titles include "Fair Weather", "Hotel 49", "When Lights Are Low", "Solar", and "Blue Thoughts". LP, Vinyl record album
(Maroon label Orpheum Productions Jazzland pressing – in beautiful shape! One corner of the cover has a very slight bump.)

Close matches4
CD, LP, Vinyl record album cover art
Evans BradshawPieces of Eighty Eight ... LP
Riverside, 1959. Very Good ... $29.99
A killer set of trio work from pianist Evans Bradshaw – an obscure player we only know from his two rare dates for Riverside Records! Bradshaw's got a nicely angular approach to the piano – and a romping left hand that reminds us a lot of the hipper pianists working in Chicago at the end of the 50s! As with Jamal, King Fleming, and John Wright – Evans has an inherently rhythmic approach to his work – a gentle groove and focused flow that really takes off from the very first note, and keeps us hanging on all the way through! There's no overdone soul jazz cliches here – as Bradshaw also complicates things nicely over the top – and titles include versions of "Night In Tunisia", "Foggy Day", and "It Ain't Necessarily So" – plus two originals called "Pushing the Blues" and "Blues For Jim". Trio features Alvin Jackson on bass and Richard Allen on drums. LP, Vinyl record album
(Blue label Bill Grauer Productions with deep groove.)

Close matches5
CD, LP, Vinyl record album cover art
Bill EvansHow My Heart Sings ... LP
Riverside, 1962. Good+ ... $29.99
Magical music from the very first note – the kind of record you need to hear if you've ever doubted the genius of Bill Evans! The sound here is subtle, and supple – but still often more revolutionary than that of the countless albums it inspired in years to come – and Evans is completely at home on the record, working with bassist Chuck Israels and drummer Paul Motian – both players who helped to re-invent the role of rhythm in the piano combo of the time! Titles include a sublime reading of "How My Heart Sings", plus "Walking Up", "Show Type Tune", "Summertime", "34 Skidoo", and "In Your Own Sweet Way". LP, Vinyl record album
(Blue label Bill Grauer pressing with deep groove. Back cover has a name in pen.)

Close matches6
CD, LP, Vinyl record album cover art
Don FriedmanCircle Waltz ... LP
Riverside, 1962. Near Mint- ... $19.99
A great little set from Friedman – a vastly underrated pianist who's working here as a bright young modernist in a trio with Chuck Israels on bass and Pete LaRoca on drums. The tracks have a freedom that reminds us a lot of Bill Evans' early work, with a warm lyricism that never gets too hokey – yet isn't afraid to show itself in Friedman's original compositions. Titles include "Sea's Breeze", "Loves Parting", "Modes Pivoting", and "Circle Waltz". LP, Vinyl record album
(Japanese pressing.)

Close matches7
CD, LP, Vinyl record album cover art
Don FriedmanFlashback ... LP
Riverside, 1963. Near Mint- ... $19.99
There's nothing "flashback" about this one – because the record's about as in-the-moment as you could be for jazz piano in the early 60s! Don Friedman's a really tremendous player at this point in his career – a sometimes unsung hero in the space between Bill Evans and Keith Jarrett – and one who played with the sensitivity of the former and some of the pre-cliche sense of freedom of the latter. There's a fresh voice to nearly all the tunes on the set – even when they're not originals – and Don has a way of making the keys of the piano step forth in waves of sound that are subtle, but seductive – although not in any too-romantic or too-flowery ways. Rhythm is by Dick Kniss on bass and Dick Berk on drums – on titles that include "News Blues", "Flashback", "How Deep Is The Ocean", "Ochre", and "Ballade In C Sharp Minor". LP, Vinyl record album
(Japanese pressing, with obi, still in the shrink, including the insert.)

Close matches8
CD, LP, Vinyl record album cover art
Benny GolsonModern Touch ... LP
Riverside, 1957. Very Good- ... $14.99
The modern touch indeed! You can't get any more classic Benny Golson than this – a sublime late 50s album that features Benny with a sextet, working out amazing versions of the sorts of material that set him apart from every other jazz arranger of the time! The tracks here are complicated, yet have a rootsy soulfulness that makes them instantly compelling – and Benny's tone on tenor sax is sharp and angular, yet also has a raspiness that gives it a degree of honesty you wouldn't expect from a budding young modernist. The rest of the players – Max Roach, Paul Chambers, Wynton Kelly, JJ Johnson, and Kenny Dorham – are equally great, too – and amidst Benny's arrangements, they come together as if they'd been playing in this format for years! Titles include "Out Of The Past", "Venetian Breeze", "Reunion", "Hymn To The Orient", and "Blues On Down". LP, Vinyl record album
(Small blue label with silver text, microphone logo, and deep groove! Cover has some wear and a split top seam.)

Close matches9
CD, LP, Vinyl record album cover art
Cynthia GoodingLanguages Of Love ... LP
Riverside, 1958. Very Good+ ... $1.99
LP, Vinyl record album

Close matches10
CD, LP, Vinyl record album cover art
Johnny GriffinBig Soul (Big Soul Band & White Gardenia) ... LP
Riverside/Milestone, 1960. Near Mint- 2LP Gatefold ... $7.99
One of those ubiquitous Milestone 70s two-fers combining two nice sides from the little giant. The first set is Big Soul Band, a sweet little album from Johnny – quite different than most of his other sessions at the time, as this one features a big band, as the title says – filled with some strong Chicago and soul jazz players, and featuring killer arrangements by the great Norman Simmons! Simmons' was just bubbling up at the time – and he had a sock soul jazz sound that was part of his time on the Chicago scene, and which, unfortunately, rarely achieved as strong of recorded expression as it did on this album. Griffin's a heck of a great player, even at this age, and the strength of his horn sits nicely in the front of a great ensemble that also includes Pat Patrick, Matthew Gee, Julian Priester, Frank Strozier, Bobby Timmons, Harold Mabern, Vic Sproles, and Charlie Persip. Titles include a number of Simmons originals – like "Meditation", "Panic Room Blues", and "Holla" – plus a great reading of Timmons' "So Tired"! The second LP is Johnny's tribute to Billie Holiday – with Johnny's tenor fronting some larger backing on strings and brass – but hipper than most efforts of this type, thanks to some great arrangements by Melba Liston and Norman Simmons! The record's a nice change from some of Johnny's more full-on bop sessions from the same time – and it's nice to hear that his tenor works equally well on mellow tracks and ballads like "God Bless The Child", "Gloomy Sunday", "Travelin' Light", "Left Alone", and "Detour Ahead". LP, Vinyl record album

Close matches11
CD, LP, Vinyl record album cover art
Johnny GriffinDo Nothing 'Til You Hear From Me ... LP
Riverside, 1963. Very Good- ... $34.99
A moodier session than usual for Griff – but in a nice way – and one that's cut with Buddy Montgomery on vibes and piano, and handled in a laidback soul jazz mode that's a refreshing change from some of his sharper hardbop sides! Highlights include the extended original "Slow Burn", plus renditions of the classics "Do Nothing Till You Hear From Me" and "The Midnight Sun Will Never Set". The group's completed by Monk Montgomery on bass and Art Taylor on drums – and in a way, the album sort of feels like one of Monk and Buddy's Mastersounds sessions, with the added touch of a horn player! LP, Vinyl record album
(Blue label Bill Grauer Productions pressing, with microphone logo & deep groove. Cover has splitting on the seams & some wear.)

Close matches12
CD, LP, Vinyl record album cover art
✨✧ Johnny GriffinLittle Giant ... LP
Riverside, 1959. Very Good ... $19.99
One of Johnny Griffin's hard blowing LPs as a leader for Jazzland – recorded with a crack lineup that includes Blue Mitchell on trumpet, Julian Priester on trombone, Wynton Kelly on piano, Sam Jones on bass, and Albert Heath on drums! This is the kind of work that the term "hard bop" was coined for – sharp-edged jazz at its best – informed strongly by earlier bop and modern modes, but also played with a deeper dose of soul overall. The six players come together perfectly throughout – working with a tightness that matches most Blue Note work of the time – and titles are a great set of tracks that includes 3 by Chicago pianist Norman Simmons, and 1 by the great Babs Gonzales. Tunes include "Olive Refractions", "The Message", "Lonely One", "Playmates", and "63rd Street Theme". LP, Vinyl record album
(Maroon label stereo Orpheum pressing.)

Close matches13
CD, LP, Vinyl record album cover art
Johnny GriffinLittle Giant (2 LP set) ... LP
Riverside, Late 50s/Early 60s. Very Good 2LP Gatefold ... $1.99
An excellent 2LP set that features material pulled from a number of Griffin's early albums for the Jazzland/Riverside label – including The Little Giant, The Kerry Dancers, Way Out, and The Johnny Griffin Sextet. The material is played by a number of groups – with musicians that include Donald Byrd, Pepper Adams, Kenny Drew, Wibur Ware, Blue Mitchell, Julian Priester, Barry Harris, and Sam Jones – but it's united by Griffin's souful approach to bop, and by a youthful energy that made him one of the most striking tenor soloists of his generation, despite a young age. Titles include "Catharsis", "Hot Sausage", "The Message", "Playmates", "63rd Street Theme", "The Kerry Dancers", and "Little John". LP, Vinyl record album
(Cover has a promo stamp, some marker, edge wear, tape remnants on the spine, and a card pocket on front.)

Close matches14
CD, LP, Vinyl record album cover art
Johnny GriffinWhite Gardenia ... LP
Riverside, 1961. Very Good ... $14.99
A tribute to Billie Holiday – with Johnny Griffin's tenor fronting some larger backing on strings and brass – but hipper than most efforts of this type, thanks to some great arrangements by Melba Liston and Norman Simmons! The record's a good change from some of Johnny's more full-on bop sessions from the same time – and it's nice to hear that his tenor works equally well on mellow tracks and ballads, stretching out with a deep edge and a wonderful tone. Other players include Clark Terry on trumpet, Barry Galbraith on guitar, and Ron Carter on bass – and titles include "God Bless The Child", "Gloomy Sunday", "Travelin' Light", "Left Alone", and "Detour Ahead". LP, Vinyl record album
(Blue label Bill Grauer pressing with microphone logo & deep groove. Cover has some wear and a name in marker in one corner.)

Close matches15
CD, LP, Vinyl record album cover art
Jimmy HeathThumper ... LP
Riverside, 1959. Very Good- ... $28.99
A definite thumper from the young Jimmy Heath – proof that he was always one of the hippest cats in his scene, even at the start! The record's ostensibly a blowing session with a handful of like-minded hardboppers from the late 50s – but as usual for Heath, the overall sound is something deeper in the end – way more than just some simple solo moments over straight rhythms, and instead a record that really takes off with a well-arranged sense of energy! Even at this early date, Jimmy's showing a great talent for putting a group together – and he works the sextet with an feeling that hints strongly at soul jazz modes to emerge in the 60s – especially the deeper-toned styles of some of the groups in which Heath would work as a sideman later on in the decade. Players here include Nat Adderley on cornet, Curtis Fuller on trombone, Wynton Kelly on piano, Paul Chambers on bass, and Albert Tootie Heath on drums – but 2 of the album's tracks feature Jimmy alone with the rhythm section. Titles include "For Minors Only", "Who Needs It?", "Don't You Know I Care", "Two Tees", "The Thumper", "Newkeep", "For All We Know", "I Can Make You Love Me", and "Nice People". LP, Vinyl record album
(Original small blue label Bill Grauer pressing with deep groove. Cover has wear, a split spine and tape residue on the seams.)

Close matches16
CD, LP, Vinyl record album cover art
Milt JacksonBig Band Bags (Big Bags/For Someone I Love – Milt Jackson & Big Brass) ... LP
Riverside/Milestone, 1962. Very Good+ 2LP Gatefold ... $7.99
Two excellent early 60s sides from Bags, both casting him in a larger setting than the smaller, tighter ensembles he typically worked in. On Big Bags Jackson takes on a set of 10 standards (mostly) with some help from Tadd Dameron and Ernie Wilkins on larger group arrangements! Milt's the primary soloist, buoyed by an orchestra built around a rhythm section of Hank Jones, Ron Carter and either Connie Cay or Philly Joe on drums, plus loads of great horn players like Clark Terry, Nat Adderley, Melba Liston, James Moody and Jimmy Heath among others. Includes renditions of "Old Devil Moon", "'Round Midnight", "The Dream Is You", "You'd Be So Nice To Come Home To", "Echoes", "If You Could See Me Now", "Star Eyes", "Namesake", "If I Should Lose You", and "Later Than You Think". The second album of this set is also a surprisingly nice pairing – the vibes of Milt Jackson and some larger horn backings that fall heavy on the trumpet and trombone side of the spectrum! The sound's not nearly as heavy or hokey as you'd expect – thanks to arrangements by Melba Liston – and the horns do a nice job of setting a scene that lets Milt's vibes sneak in and out with effortless ease – coloring things with a great one, and a very rhythmic feel. The album's worth it for one track alone – the really great "Bossa Bags", which grooves with a sound that's everything you'd expect from the title! Other tracks include "Extraordinary Blues", "Save Your Love For Me", "For Someone I Love", "Days Of Wine & Roses", and "Just Waiting". LP, Vinyl record album

Close matches17
CD, LP, Vinyl record album cover art
Eddie JeffersonLetter From Home ... LP
Riverside, 1962. Very Good+ ... $16.99
The beginning of a whole new chapter of greatness for singer Eddie Jefferson – a record that took his older style of putting words to jazz solos, and updated it nicely for a new generation in the 60s! Eddie's got a rootsy look on the cover, but the sound here is snappingly hip and sophisticated throughout – a cool soul jazz take on vocalese that's right up there with the best solo work by Jon Hendricks, and sung in a similarly raspy style. The group shifts a bit from track to track – between small combo and larger ensemble arranged by Ernie Wilkins – and players include Clark Terry and Joe Newman on trumpets, Johnny Griffin on tenor, James Moody on alto and flute, Junior Mance and Joe Zawinul on piano, and Barry Galbraith on guitar. Titles include some great original lyrics by Jefferson on the tunes "Soft & Furry", "Keep Walkin", "Things Are Getting Better", and "Back In Town" – and equally great vocals on versions of "Letter From Home", "Billie's Bounce", and "Night In Tunisia". LP, Vinyl record album
(Blue label Bill Grauer pressing with microphone logo. Back cover has a DJ stamp & a name in pen.)

Close matches18
CD, LP, Vinyl record album cover art
Bev KellyLove Locked Out ... LP
Riverside, 1959. Near Mint- ... $14.99
The first Riverside album by Bev Kelly – an obscure ice-blond singer from the late 50s, with a sound that's much more in keeping with some of the vocalists on the Bethlehem label, than the few singers who cut sides for Riverside. Bev's got the great fortune to be working here with Jimmy Jones, who's done some great work for Sarah Vaughn over the years – and the small group backing on the album includes strong players like Kenny Burrell, Jerome Richardson, Milt Hinton, Roy Haynes, and Jones himself. Titles include "My Ship", "Lonelyville", "Lost April", "Love Look Away", "Thursday's Child", "Love Locked Out", and "Gloomy Sunday". A nice sad one – in case you couldn't guess by the titles! LP, Vinyl record album
(Early 80s Japanese pressing – with insert.)

Close matches19
CD, LP, Vinyl record album cover art
Wynton KellyWynton Kelly Piano ... LP
Riverside, 1958. Very Good ... $16.99
A surprisingly wonderful set from Wynton Kelly – really fluid and swinging, and with a unique approach on half the material! The core group of the set features Kenny Burrell on guitar, Paul Chambers on bass, and Philly Joe Jones on drums – but then Jones sits it out on the second side of the record, making for a drum-less approach that's looser and freer than we might expect from Kelly. Not necessarily Ahmad Jamal, but really nice and fresh – and with tracks that include "Action", "Dark Eyes", "Strong Man", "Ill Wind", and "Whisper Not". LP, Vinyl record album
(Japanese pressing on Victor. Cover has a little marker.)

Close matches20
CD, LP, Vinyl record album cover art
✨✧ Yusef LateefMany Faces Of Yusef Lateef (The Three Faces Of Yusef Lateef/The Centaur & The Phoenix) ... LP
Riverside/Milestone, 1960. Near Mint- 2LP Gatefold ... $9.99
A 70s Milestone 2-fer reissue collecting two great 60s sides from Yusef Lateef. The Three Faces Of Yusef Alteef is a sublime piece of work, proof that he could be exotic and swinging at the same time. The three "faces" of the set are Lateef's work on tenor, flute, and oboe – each of which get a few tracks to themselves – as Lateef works with a core Detroit group of Hugh Lawson on piano, Herman Wright on bass, and Lex Humphries on drums – to further refine the already great sound of his earlier albums for Savoy! Tunes are set up in such a way as to vary the instrumentation without varying the mood too much – making for a record with many voices, but a really unified sound overall – and one that's incredibly soulful on the best numbers. Ron Carter joins the group on cello on a few tracks, and Lawson even plays a bit of celeste on the set as well. Titles include "Lateef Minor 7th", "Salt Water Blues", "Adoration", and "Quarantine". The second LP, The Centaur & The Phoenix is an ambitious larger group album, one that's carried off with all the genius of his smaller group sessions from the time. Yusef is working again with a variety of reed instruments – including tenor sax, oboe, flute, and argol – amongst a larger horn section that also features Josea Taylor on bassoon, Tate Houston on baritone sax, Curtis Fuller on trombone, and Clark Terry and Richard Williams on trumpet. Rhythm is by the trio of Joe Zawinul piano, Ben Tucker bass, and Lex Humphries drums – and although the horn arrangements are complicated, they're always soulfully swinging – never too academic, and really done on a way that just expands the mixture of exoticism and hardbop expressed on other Lateef albums! Titles include "Iqbal", "Apathy", "Summer Song", "Revelation", and "The Centaur & The Phoenix". LP, Vinyl record album
(French pressing. Cover has center splits on the bottom seams.)

Close matches21
CD, LP, Vinyl record album cover art
Gene Mayl's Dixieland Rhythm KingsAt The Hi Fi Jazz Band Ball ... LP
Riverside, 1953. Very Good+ ... $2.99
LP, Vinyl record album
(Heavy original pressing – deep groove, with silver text and microphone logo!)

Close matches22
CD, LP, Vinyl record album cover art
Blue MitchellBrasses & Strings (aka Smooth As The Wind) (record plays from the INSIDE OUT) ... LP
Fortissimo/Riverside, 1961. Very Good Gatefold ... $49.99
A rare one from Blue Mitchell – issued on the Riverside offshoot label Fortissimo – and a record that plays from the INSIDE OUT – starting at the inner label and playing through to the outer groove – backwards from conventional albums! The re-titled set features music from Blue's Riverside date Smooth As The Wind – a slightly different record than usual for Blue – not as down-n-dirty and funky, but more "smooth as the wind" – with Blue blowing solos over larger arrangements by Tadd Dameron and Benny Golson, a small string group mixed with jazz and horn backings. Given the hipness of the arrangers, the session's still got a nice edge – and the choice of material takes it past the realm of stringy standards, into a more complex mode that shows a very different side of Blue. Titles include "Strollin", "A Blue Time", "For Heaven's Sake", "Peace", and "Smooth As The Wind". As noted above, this record plays opposite from most of the records you own – from the INSIDE OUT. To start play you must drop the needle on what would normally be the runout groove! LP, Vinyl record album
(Clear red vinyl pressing. PLEASE NOTE: THIS RECORD PLAYS FROM THE INSIDE OUT! Cover has a partially split top seam.)
 
Possible matches: 13
Possible matches66
CD, LP, Vinyl record album cover art
Albert AylerSwing Low Sweet Spiritual ... LP
Osmosis (Netherlands), 1964. Very Good+ ... $39.99
Pre-ESP Records work from the legendary Albert Ayler – and a really special set that definitely shows his strong ties to a previous legacy of African-American music! Ayler always clamed blues and other roots in his sound, but didn't always show them as clearly – given his free-thinking, forward-moving approach – yet this set has Albert really reworking an older influence, by taking older songs from gospel and secular sources, and using them as a completely compelling springboard for his new ideas on tenor and soprano sax! The album's the sort that David Murray might have cut in the mid 80s – but conceived by Ayler two decades before – and sadly unissued for years after its recording, possibly because it's a very sensitive, soulful set that's different than the frenetic power of later albums on ESP. A real treasure throughout – with work from Call Cobbs Jr on piano, Henry Grimes on bass, and Sonny Murray on drums – on titles that include "Swing Low Sweet Chariot", "Deep River", "Goin Home", "Ol Man River", "Down By The Riverside", and "Nobody Knows The Trouble I've Seen". LP, Vinyl record album
(Original pressing.)

Possible matches67
CD, LP, Vinyl record album cover art
Milt JacksonPlenty, Plenty Soul ... LP
Atlantic, 1957. Very Good+ ... $7.99
Plenty plenty soul here – as Milt Jackson's moving away from the Modern Jazz Quartet, and working with a great group of players that really expand his sound! The session's a bit like some of Milt's soul jazz work for Riverside and other labels – in that it's got rhythms, timings, and solos that all are much more gutbuckety than you'd expect from the other side of his career – a real nod towards the nascent soul jazz sound in the late 50s, served up with lots of undercurrents from R&B and gospel in the mix. Side one features players that include Ronnie Peters on alto sax, Frank Foster on tenor, and Sahib Shihab on baritone – plus Horace Silver on piano – and Silver makes a return appearance on side two, alongside a group that includes Lucky Thompson on tenor and Joe Newman on trumpet. Titles include "Plenty, Plenty Soul", "Boogity Boogity", "Heartstrings", "Sermonette", "The Spirit Feel", "Ignunt Oil", and "Blues At Twilight". LP, Vinyl record album
(Red & green pressing. Cover has a cutout notch.)
Also available Plenty, Plenty Soul ... CD 6.99

Possible matches68
CD, LP, Vinyl record album cover art
Blue MitchellBring It Home To Me ... LP
Blue Note, 1966. Very Good ... $69.99
Genius work from trumpeter Blue Mitchell – one of his most solid sides as a leader from the 60s, and a well-deserved treasure in the Blue Note catalog! The album's quite different than the straight soul jazz of Blue's early days on Riverside – or the more arranged dates of the late 60s – and it features him moving in a soulful, lyrical, modal style – quite similar to Horace Silver in conception, but with a fresh execution that's mighty nice – and which marks Mitchell as one of the fresher trumpet voices of his generation! The whole group's great, too – and the lineup includes Junior Cook on tenor, Blue's old bandmate from Horace Silver's group – plus Harold Mabern on piano, who really helps shape the sound of the record, Gene Taylor on bass and Billy Higgins on drums. Tracks include gems from Mitchell, Jimmy Heath, and Tom McIntosh – titles that include "Bring It Home To Me", "Blues 3 For 1", "Port Rico Rock", and "Ginger Bread Boy". LP, Vinyl record album
(New York stereo pressing. Cover has some wear.)

Possible matches69
CD, LP, Vinyl record album cover art
Sonny RollinsShadow Waltz ... LP
Jazzland, Late 50s/Early 60s. Very Good+ ... $24.99
Early 60's album that repackages Rollins' classic Freedom Suite recording for Riverside. The record is exactly the same – and features Rollins on tenor, in a spare stripped-down trio that include Oscar Pettiford and Max Roach. His playing is amazing – especially on the extended "Freedom Suite", which shows just how much Rollins could push his solos, even back in the early days. Amazing stuff, and as free as you can get without being free! LP, Vinyl record album
(Orange label Bill Grauer Productions pressing. Cover has clear tape along the top seam on back, a light crease, some splitting on the spine, and a bumped corner.)

Possible matches70
CD, LP, Vinyl record album cover art
✨✧ Sonny RollinsWay Out West ... LP
Contemporary, 1957. Very Good ... $24.99
A classic set that brings the east coast tenor of Sonny Rollins into contact with a west coast rhythm section of Ray Brown and Shelly Manne! Despite Rollins' silly look on the cover, and the album's overall "western" theme, the session's a brilliant one – right up there with Sonny's strongest trio sides of the late 50s, and a key link in a string of excellent recordings for Blue Note, Prestige, and Riverside! The lack of a piano really opens up the style of the set – letting Sonny explore freely on his solos, while Brown's bass and Manne's drums do more than enough to keep the rhythms going on their own. Solos aren't as "out" as on the Village Vanguard sessions, but certainly every bit as inspired – and titles include "I'm An Old Cowhand", "Solitude", "Come, Gone", "Way Out West", and "Wagon Wheels". LP, Vinyl record album
(70s yellow label pressing, pre-OJC.)

Possible matches71
CD, LP, Vinyl record album cover art
✨✧ Randy WestonZulu (2LP set) ... LP
Milestone, Mid 50s/1977. Near Mint- 2LP Gatefold ... $6.99
2LP set that brings together a host of classic trio sides by Randy Weston, all recorded for Riverside in the 50's, and culled from a number of different LPs and 10" releases. One LP in the set features the added bonus of Cecil Payne on baritone, but most of the material is spare trio stuff, in Randy's definite modern idiom. Titles include "Little Niles", "Solemn Meditation", "Zulu", "Pam's Waltz", "Lifetime", and more! LP, Vinyl record album
(Cover has a cut corner.)

Possible matches72
CD, LP, Vinyl record album cover art
✨✧ Kenny DorhamBut Beautiful ... LP
Milestone, Late 50s/1976. Used 2LP Gatefold ... Temporarily Out Of Stock
Nice 2 LP collection of some of Kenny Dorham's beautiful lyrical trumpet work for the Riverside label from the late 50's. The set features material from the albums Jazz Contrasts, Two Horns/Two Rhythms, Blue Spring, and This Is The Moment – plus one track from Abbey Lincoln's album That's Him. The focus is largely on Dorham's sweeter moments, and the set features a host of great original compositions by him, including "Poetic", "Spring Cannon", "La Villa", and "Blue Spring". There's a good set of notes, too, which were written not too long after Dorham's early death in 1972. LP, Vinyl record album
(Library copy with splitting seams, aged masking tape and a checkout card.)

Possible matches73
CD, LP, Vinyl record album cover art
✨✧ Jimmy HeathPeer Pleasure ... LP
Landmark, 1987. Used ... Temporarily Out Of Stock
The title's a bit obtuse, but the music is warm and soulful throughout – a really tremendous session that carries on the strong legacy of solo work that Jimmy Heath was doing in the 70s! The feel here is a lot like some of Heath's dates for the Muse or Xanadu labels – and Jimmy's working here with a great rhythm section that includes Larry Willis on piano, Stafford James on bass, and Akira Tana on drums – players who provide a very soulful grounding for the set. Heath blows alto, tenor, and soprano sax – and remaining players include Tom Williams on trumpet and Tony Purrone on guitar. The groove is in a classic Prestige/Riverside mode – not hard hardbop, but soulful, with touches of post-Coltrane blowing, and the mix of lyricism and soul jazz that Heath's always brought to his best work. Titles include "Trane Connections", "Forever Sonny", "You Can See", "I Waited For You", and "Song For Ben Webster". LP, Vinyl record album

Possible matches74
CD, LP, Vinyl record album cover art
✨✧ Milt JacksonPlenty, Plenty Soul (Atlantic Jazzlore pressing) ... LP
Atlantic, 1957. Used ... Temporarily Out Of Stock
Plenty plenty soul here – as Milt Jackson's moving away from the Modern Jazz Quartet, and working with a great group of players that really expand his sound! The session's a bit like some of Milt's soul jazz work for Riverside and other labels – in that it's got rhythms, timings, and solos that all are much more gutbuckety than you'd expect from the other side of his career – a real nod towards the nascent soul jazz sound in the late 50s, served up with lots of undercurrents from R&B and gospel in the mix. Side one features players that include Ronnie Peters on alto sax, Frank Foster on tenor, and Sahib Shihab on baritone – plus Horace Silver on piano – and Silver makes a return appearance on side two, alongside a group that includes Lucky Thompson on tenor and Joe Newman on trumpet. Titles include "Plenty, Plenty Soul", "Boogity Boogity", "Heartstrings", "Sermonette", "The Spirit Feel", "Ignunt Oil", and "Blues At Twilight". LP, Vinyl record album
(80s pressing.)

Possible matches75
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✨✧ KinksKinks Are The Village Green Preservation Society ... LP
Reprise, 1968. Used Gatefold ... Temporarily Out Of Stock
One of the greatest albums from The Kinks – the kind of material that pulled them strongly past their bluesy, garagey roots – into a role that has them giving some of the clearest, keenest visions of 20th Century British society – with all of its joys and worries! The tunes here are wonderful – well-penned little odes to the common man and fading scenes and styles of the UK – presented together as a sublime portrait of a late 60s England that hardly any other group would try to touch – all with wit and wisdom from the great Ray Davies, and loads of tuneful work from the rest of the band. Titles include "Do You Remember Walter?", "Picture Book", "Sitting By The Riverside", "Village Green", "All Of My Friends Were There", and "The Village Green Preservation Society". LP, Vinyl record album
(Tan label Warner Communications pressing.)
Also available Kinks Are The Village Green Preservation Society (mono) ... LP 32.99

Possible matches76
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✨✧ Sun RaHeliocentric Worlds Of Sun Ra Vol 1 ... LP
ESP, 1965. Used ... Temporarily Out Of Stock
A seminal set from Sun Ra – even if it's one of his few 60s albums not on the Saturn label! The set was done for ESP during the glory days of that avant powerhouse – a perfect match, given the Arkestra's relocation to New York, and the label's ability to reach out to big new audiences for exciting music – a fact that certainly made this album one of the most widely-circulated Ra albums for many years to come. The group here works in formation that holds up strongly with the Saturn sides – John Gilmore on tenor, Marshall Allen on alto, Teddy Nance on trombone, Chris Capers on trumpet, Danny Davis on flute and alto, and Ra on piano, bass marimba, and some especially nice electronic celeste! Things get quite out at points – freer almost than other Arkestra sides of the time – and titles include "Outer Nothingness", "Other Worlds", "Nebulae", "Dancing In the Sun", "The Cosmos", and "Of Heavenly Things". LP, Vinyl record album
(White label pressing with a 5th Ave address, in a black & white cover with Riverside Drive address.)

Possible matches77
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✨✧ Sonny RollinsWay Out West In Stereo ... LP
Contemporary, 1957. Used ... Temporarily Out Of Stock
A classic set that brings the east coast tenor of Sonny Rollins into contact with a west coast rhythm section of Ray Brown and Shelly Manne! Despite Rollins' silly look on the cover, and the album's overall "western" theme, the session's a brilliant one – right up there with Sonny's strongest trio sides of the late 50s, and a key link in a string of excellent recordings for Blue Note, Prestige, and Riverside! The lack of a piano really opens up the style of the set – letting Sonny explore freely on his solos, while Brown's bass and Manne's drums do more than enough to keep the rhythms going on their own. Solos aren't as "out" as on the Village Vanguard sessions, but certainly every bit as inspired – and titles include "I'm An Old Cowhand", "Solitude", "Come, Gone", "Way Out West", and "Wagon Wheels". LP, Vinyl record album
(Black label stereo pressing with deep groove. Cover has light wear.)

Possible matches78
CD, LP, Vinyl record album cover art
✨✧ Jimmy Smith & Wes MontgomeryJimmy & Wes – The Dynamic Duo ... LP
Verve, 1966. Used Gatefold ... Temporarily Out Of Stock
Excellent meeting between 2 mighty talents who rarely recorded together! Oliver Nelson did the arrangements and leads a big band, but the real focus is on Jimmy and Wes' solos, which are given a lot of room to roam in long tracks like "James & Wes", "Night Train", and "Down By The Riverside". Nice hard playing from Jimmy, with that great tone that he was getting in the mid 60's, and lots of very clean Hammond lines on his solos. LP, Vinyl record album
(Cover has a cut corner.)
 
 
 



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