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Possible matches: 27
Possible matches1
CD, LP, Vinyl record album cover art
Muhal Richard AbramsLevels & Degrees Of Light ... CD
Delmark, 1967. New Copy ... $8.99 12.99
Although recorded early in the career of Muhal Richard Abrams, this brilliant LP shows the pianist/composer turning away from the stock jazz and studio work of earlier years – to develop into one of the richest talents to rise from the Chicago avant underground of the 60s! At the time of the recording, Abrams was the president of the recently-founded AACM – and for the session, he's surrounded himself with some of the best young talents from Chicago, including Thurman Barker, Anthony Braxton, Leroy Jenkins, and Maurice McIntyre – all of whom help to create a complicated web of colors, shapes, and sounds, that prove that the youthful energy of the underground scene was more than capable of crafting sophisticated modernist documents. The album features three long works – "Levels & Degrees Of Light", "The Bird Song", and "My Thoughts Are My Future". CD

Possible matches2
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Dorothy AshbyRubaiyat Of Dorothy Ashby (Japanese paper sleeve edition) ... CD
Cadet/Universal (Japan), 1970. New Copy ... $31.99
Incredible work from the amazing Dorothy Ashby – a brilliant set of funky and spiritual tunes, set to full backings from Chicago soul arranger Richard Evans! This album is easily one of Ashby's greatest, and it's dedicated to the writings of Omar Khayyam – one of the forces guiding Dorothy's more spiritual sound at the end of the 60s, clearly opened up in a way that's not unlike the direction of Alice Coltrane's work, but a lot more focused and a lot more funky! Ashby not only plays her usual jazz harp, but also koto as well, and even sings a bit too – and the larger group directed by Evans features work by Stu Katz on vibes and kalimba, Lenny Druss on flutes, and Cash McCall on guitar – all in a groove that's really a precursor to the Earth Wind & Fire generation of the Chicago scene! Titles include the amazing break "The Moving Finger" – worth the price of the album alone – plus "Dust", "Joyful Grass & Grape", "Heaven & Hell", "Wax & Wane", "Shadow Shapes", "For Some When Young", "Myself When Young", and "Drink". CD
(SHM-CD pressing!)

Possible matches3
CD, LP, Vinyl record album cover art
Oscar Brown Jr.Movin' On ... CD
32 Jazz, 1972. Used ... $4.99
A sweet bit of funky jazz vocals from Oscar Brown Jr – recorded during his early 70s stay at Atlantic Records, in a style that's very different than his early work! The tracks are all still original numbers by Oscar – penned with that clever bad-rapping approach to the lyrics that always earned him a huge audience in the cognoscenti. The feel is a bit more electric than before, with Richard Tee on electric piano, Cornell Dupree on guitar, and percussion by Ralph MacDonald. A few cuts have female backing vocals, and titles include "Gang Bang", "Feel the Fire", "Dime Away from a Hot Dog", and "Young Man". CD
(Out of print.)

Possible matches4
CD, LP, Vinyl record album cover art
DreamersThey Sing Like Angels ... CD
Ace (UK), Mid 50s. New Copy ... $11.99 18.99
They may sing like angels, but the Dreamers also bring out plenty of devil as well – given the slinky, soulful sound they hit here on an assortment of important recordings from mid 50s LA! The group later morphed into The Blossoms – who had some great soul records of their own – but here, they're working mostly with the great Richard Berry – either backing him on his own recordings, or having him along on vocals for some of theirs – and helping Berry out on a few other group recordings too. Most cuts often mix Berry's deep voice with the girls' lighter harmonies – in a blend that's really sublime, and which makes for a nice change from some of Richard's brasher work on his own. A young Gloria Jones is in the group – and titles include "Daddy Daddy" by Richard Berry & The Dreamers, "Good Love" by Richard Berry & The Dreamers, "At Last" by The Dreamers with Richard Berry, "More Than You Realize" by The Rollettes, "Do Not Forget" by The Dreamers, "Have Love Will Travel" by Richard Berry & The Pharoahs, "Wham Bam" by Googie Rene, "Sad Fool" by The Rollettes, "Wait For Me" by Richard Berry & The Dreamers, "Since You've Been Gone" by The Dreamers, and "The Mess Around" by Jennell Hawkins with Richard Berry & The Lockettes. CD

Possible matches5
CD, LP, Vinyl record album cover art
FlairsUltimate Flairs ... CD
Ace (UK), Mid 50s. New Copy ... $11.99 18.99
Stormin 50s material by one of our favorite west coast 50s groups – the mighty Flairs, a key group in the pre-soul sound of R&B – and one that featured some stunning vocals by Cornel Gunter, Richard Berry, and Young Jessie Belvin! This well-done compilation is the best collection of the group's work we've ever seen – and brings together 29 titles from their years on the Flair and RPM labels – including many hard to find singles, and related material by groups names that include The Chimes, The Rams, The Hunters, The Five Hearts, and The Whips. Great notes and excellent sound throughout – and a total of 29 tunes that include "She Wants To Rock", "Down At Haydens", "Rabbit On A Log", "Tell Me You Love Me", "Baby Wants", "Getting High", "Love Me Love Me Love Me", "Hold Me Thrill Me Chill Me", "Sweet Thing", "Lonesome Desert", "Real Good Lovin", and "I Want You To Be Mine". CD

Possible matches6
CD, LP, Vinyl record album cover art
Joe HendersonIn N Out (Japanese pressing) ... CD
Blue Note, 1964. Used ... $2.99
A stone killer from the early Blue Note years of tenorist Joe Henderson – a key example of why the label had so much faith in him right from the start, and why Henderson's horn was quite different than so many other players of the 60s! There's a sharp edge here, but there's also a soulful sense of swing – that balance that Joe had more than most of his contemporaries – and which he only continued to develop as the years went on. Echoes of "new thing" modes lie in the background of the record, but upfront things have a sharp 60s Blue Note punch – thanks in part to a great lineup that also includes Kenny Dorham on trumpet, McCoy Tyner on piano, Richard Davis on bass, and Elvin Jones on drums. Henderson's tone is rough and young – but in a great way, one that's perfect for the exploratory nature of his original tunes on the set, and which matches the mood of Dorham's compositions as well. Tracks include "In N Out", "Short Story", "Brown's Town", and "Punjab". CD
(Note: CD is missing back artwork in case – and is priced accordingly.)

Possible matches7
CD, LP, Vinyl record album cover art
✨✧ Andrew HillJudgment! ... CD
Blue Note, Mid 60s. Used ... $2.99
A seminal "new thing" session from pianist Andrew Hill, and one of the greatest performances ever from a young Bobby Hutcherson! The record features a stunning quartet that includes Hill on piano, Hutcherson on vibes, and Richard Davis and Elvin Jones on rhythm – coming together with the stark, raw energy that made the key Blue Note modern sides from this time so great. Hutcherson hits these amazing tones on the vibes, similar to those that he uses on some of the Jackie McLean albums from the same time – and those tones work perfectly with Hill's fractured piano lines. Titles are all originals by Hill, including "Alfred", "Reconciliation", "Yokada Yokada", and "Flea Flop". CD
(Note: CD is missing back artwork in case – and is priced accordingly. Out of print.)

Possible matches8
CD, LP, Vinyl record album cover art
Thad Jones & Mel LewisLive On Tour – Switzerland 1969 ... CD
Groove Merchant/LRC, 1969. Used ... $4.99
Great work from the legendary big band of Thad Jones and Mel Lewis – a live performance recorded in Switzerland at the same time as the group's classic recordings for the Solid State label! Given that the date was recorded by Solid State producer Sonny Lester, the feel here is quite similar – and the album stands strongly alongside the better-known live dates by the group at the Village Vanguard from the same time. As on those records, there's a tremendous blend of driving energy and lyrical musing going on here – qualities that are very hard to balance this well in such a big band, but which became the trademark sounds of the Jones/Lewis group as they helped redirect large ensemble jazz towards new ends as the 60s drew to a close. Players are all top-shelf – with rhythm by Roland Hanna on piano and Richard Davis on bass, alongside the drums of Lewis – plus saxes from Joe Henderson, Pepper Adams, Jerome Richardson, and Jerry Dodgion; trumpets from Richard Williams, Thad Jones, and Snooky Young; and trombones from Eddie Bert and Jimmy Knepper. Titles include "Second Race", "Don't Ever Leave Me", "Come Sunday", "Don't Get Sassy", "Groove Merchant", "Ahh That's Freedom", "The Waltz You Swang For Me", and "Bible Story". CD
Also available Live On Tour – Switzerland 1969 (180 gram pressing) ... LP 14.99

Possible matches9
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Charles MingusJazz Portraits – Mingus In Wonderland ... CD
Blue Note, 1959. Used ... $6.99
One of the great lost sessions in the Mingus canon! Mingus leads a sharp small group here, a quintet featuring Booker Ervin, John Handy, Richard Wyands, and Dannie Richmond, of course. The session was recorded live at the Nonagon Gallery in New York, and has that sort of arch-modernist groove that was Mingus' hallmark in these key late 50's years. Ervin, as always, is amazing, and John Handy, who makes his recording debut here, demonstrates the genius that Mingus had for spotting brilliant young players as he plays with the sort of imagination and intensity that he only ever managed to hit again on one or two of his own records as a leader. The record's got 4 long tracks, including long takes of "Nostalgia In Times Square", "Alice's Wonderland", and "No Private Income Blues". CD
(Out of print.)

Possible matches10
CD, LP, Vinyl record album cover art
Tiny TimComplete Singles Collection 1966 to 1970 ... CD
Reprise/Now Sounds (UK), Late 60s. New Copy ... $13.99
Incredible work from Tiny Tim – exactly the kind of set to show the world that he was way more than just a novelty act and a one-hit wonder! Tim's a goofball, to be sure – a long-haired cat who plays ukulele and sings in this weirdly high voice – but he's also got this darker side, and a biting wit that also serves to undermine the larger world of pop and 20th Century American culture – at the same time he's slyly weaving himself into the fabric! Tim's star rose fast, and burnt out quickly – but during the short time covered by these singles, he made some really amazing music in the same Warner Brothers realm that gave the world Van Dyke Parks and Harper's Bizarre – often working with similar studio talents, and getting help from hip arrangers who include Artie Butler, Perry Botkin, Richard Perry, John Andrews Tartaglia, Nick DeCaro, and other hip young forces in the groovy late 60s LA scene. Tiny Tim's got a surprisingly great range, one that's demonstrated perfectly in these singles and flipsides – on a batch of 22 titles that include "Spaceship Song", "Neighborhood Children", "Mickey The Monkey", "Little Girl", "Fill Your Heart", "Hello Hello", "As Time Goes By", "America I Love You", "I'm A Lonesome Little Raindrop", "What The World Needs Now Is Love", "Movies", and "What Kind Of American Are You". CD

Possible matches11
CD, LP, Vinyl record album cover art
VariousCosmic Machine The Sequel – A Voyage Across French Cosmic & Electronic Avantgarde ... CD
Because (France), 1970s. New Copy Gatefold ... $16.99
Sweet electronic sounds from 70s France – pulled from a range of sources that include disco records, prog rock sets, sound library sessions, and even film soundtracks – all served up with a very cool, very cosmic sort of vibe! The French scene took its electronics differently than some of the other European scenes of the period – and often mixed in bits of keyboards or moog with more conventional instrumentation – or sometimes worked in an all-electronic mode, but with a warmth that was different than the colder sounds to come in the post-punk years! As a result, the music here is surprisingly soulful at times, and often nice and funky – while still having some of the edgier modes you might expect from soundtracks or spacier records of the period. The range of talents here is wonderful – and this second volume in the series might be even more revelatory than the first – with tracks that include "Young Freedom" by Francis Lai, "Mouvement Decompose D'Un Coup De Marteau" by Pascal Comelade, "Moonshine" by Stereo, "Cristal No 3" by Moon Birds, "Indian Love Melody" by Georges Rodi, "Grand Prix" by Grand Prix, "Vadrouillard 3" by Roger Roger, "Main Theme From More" by Rosebud, "Signaux Codes Non Identifes" by Michel Magne, "Love Is All" by Pierre Porte, "Pepper Box" by The Peppers, "Ruitor" by Richard Pinhas, "Monkey Star" by Arpady's, "Les Soucoupes Volantes Vertes" by Heldon, and "Take A Chance (rmx inst)" by Queen Samantha. CD
Also available Cosmic Machine The Sequel – A Voyage Across French Cosmic & Electronic Avantgarde (with bonus CD) ... LP 28.99

Possible matches12
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VariousGlen Brown – Boat To Progress – The Original Pantomine Vocal Collection 1970 to 1974 ... CD
Greensleeves, Early 70s. New Copy ... $12.99 14.98
The first-ever album appearance of a set of wonderful tracks from Glen Brown's Pantomine label – an overlooked early 70s imprint from the Kingston scene – smart enough to record some really great music at the grass roots, but unable to get gems like this out to a wider global audience! This wicked collection really corrects that mistake – as it pulls together some of the sharpest, most soulful tracks on Brown's label – singles with a depth to match bigger records on labels like Trojan or Studio One, all from crucial early 70s years when the music was really hitting new heights. Titles include the Glen Brown tracks "Take A Step", "Away With The Bad Forward With The Good", "Tell It Like It Is", and "Save Our Nation" – plus additional tracks "Father's Call" by Ewan Ian Gardiner, "Never Too Young To Learn" by Roman Stewart, "Do Your Thing" by Richard McDonald, "You Really Got A Hold On Me" by Johnny Clarke, "Get Together" by Keith Poppin, and "One One Coco" by Gregory Issacs. CD
Also available Glen Brown – Boat To Progress – The Original Pantomine Vocal Collection 1970 to 1974 ... LP 14.99

Possible matches13
CD, LP, Vinyl record album cover art
VariousModern Vocal Groups Vol 2 ... CD
Modern/Ace (UK), Mid 50s. New Copy ... $11.99 18.99
A huge discovery in vocal group material from the 50s – served up in this excellent series of tracks from the vaults of LA's Modern Records label! Most folks associate the early vocal group sounds with the east coast or Chicago scenes of the postwar years – but there was also plenty of harmonizing and doo wop on the west coast, too – although sometimes not as well-exposed as the bigger hits back east! This series really corrects that mistake – and serves up a stunning wealth of work from the early Cali scene – tracks recorded by the Modern Records label, a company with a rich legacy in jump blues, R&B, and other hip postwar styles – all of which they brought to play on their recordings in a vocal group mode. The Modern approach often has some wonderful arrangements that further empower the vocals – a harder swing that gives the singers the same push as some of the label's solo acts – and as usual for Ace Records, this collection moves way past the hits, to include some unreleased tracks, and rare singles from the Modern, RPM, Crown, and Flair labels. Volume 2 features 24 tracks that include "Key To My Heart" by The Robins, "Oochie Pachie" by Arthur Lee Maye & The Crowns, "What Difference Does It Make" by Shirley Gunter & The Queens, "You Won't Let Me Go" by The Original Jubalaires, "All I Do Is Rock" by The Robins, "Tell Me Thrill Me" by The Chanters, "Sindy" by The Cobras, "Don't Think I Will" by Young Jessie, "Oop Shoop" by Shirley Gunter & The Queens, "At Last" by Richard Berry & The Dreamers, and "Love Me Girl" by The Flairs. CD

Possible matches14
CD, LP, Vinyl record album cover art
VariousSurefire Hits On Central Avenue – The South Central R&B Scene ... CD
Ace (UK), 1940s/1950s. New Copy ... $11.99 18.99
A fantastic overview of the LA scene at the end of the 40s and into the 50s – seminal R&B work that made the city one of the greatest sources of music at the time! Before WWII, LA's recorded output was nothing much to speak of – but after the end of the war, the city really exploded as a host of small labels brought the rest of the nation work by the rich array of jazz, soul, and blues talents in the scene that had slowly been building with wartime migration from points south. The LA approach was a lot more sophisticated than that of other scenes – as audiences from previous down-home locales sought a hipper, cooler style to emphasize their new mode of living in the bigger city. Every track on here's a classic – and although you may have heard a few before, we've never seen an overview like this done so well! Titles include "Get Out Of The Car" by Richard Berry, "The Honeydripper" by Joe Liggins, "You Won't Let Me Go" by Johnny Moore, "Once There Lived A Fool" by Jimmy Grissom, "Decon's Hop" by Big Jay McNeely, "Ookey Ook" by The Penguins, "Heaven & Paradise" by Don Julian & The Meadowlarks, "Mary Lou" by Young Jessie, "Three Hours Past Midnight" by Johnny Guitar Watson, and "Pachuko Hop" by Chuck Higgins. 26 tracks in all! CD

Possible matches15
CD, LP, Vinyl record album cover art
VariousVanguard Folk Rock Album ... CD
Big Beat (UK), Late 60s. New Copy ... $11.99 18.99
An amazing little set that will completely transform your understanding of folk music in the 60s – one that picks up with a second waves of folkies who were really opening their minds to the changes in rock music at the time! The styles here all blur wonderfully – as more standard 60s folk music comes into play with psychedelic instrumentation, tripped-out production, harmony pop, and a range of different modes that all make for some incredibly far-reaching work. All tunes come from the Vanguard Records catalog – a label who were making some initial waves in the early 60s, but who really came into their own during this heady era – and helped set the tone for the huge singer/songwriter boom in the mainstream years to come. The set features a total of 22 tracks from Vanguard – titles that include "Honey" by Eric Anderson, "Back On The Street Again" by Steve Gillette, "Someone To Talk My Troubles To" by Judy Roderick, "No Rest For The Weary" and "You'll Never Know What's In My Heart" by The Hi-Five, "Reason To Believe" by Patrick Sky, "Young Blues" by The Vagrants, "Changes" by Jonathan & Leigh, "Reno Nevada" by Richard & Mimi Farina, "January Morning" and "When I Was A Cowboy" by Ian & Sylvia, and "Long Black Cadillac" by Jackie Washington. CD

Possible matches16
CD, LP, Vinyl record album cover art
✨✧ Joe Henderson5 Original Albums (Our Thing/In N Out/Inner Urge/State Of The Tenor 1 & 2) (5CD set) ... CD
Blue Note (Germany), Mid 60s/Mid 80s. New Copy 5CD ... Just Sold Out!
The start of a great run of genius from Joe Henderson – plus a seminal 80s return to form – served up here on five different albums recorded for Blue Note! First up is Our Thing – a classic straight session by Joe Henderson – cut during his early years, when he was breaking out of the box with a heck of a lot of fire! Kenny Dorham's subdued lyricism complements Joe's impassioned playing over the angular, yet still-swinging rythm section of Andrew Hill, Eddie Kahn and Pete La Roca. The track "Pedro's Time" reflects Joe's fascination with Latin-flavored pieces (as evidenced by Joe's previous effort Page One, and his work on Dorham's Una Mas), while pieces like "Teeter Totter", "Our Thing" and "Back Road" play with time and structure in subtle ways. In N Out is a stone killer from the early Blue Note years of tenorist Joe Henderson – a key example of why the label had so much faith in him right from the start, and why Henderson's horn was quite different than so many other players of the 60s! Echoes of "new thing" modes lie in the background of the record, but upfront things have a sharp 60s Blue Note punch – thanks in part to a great lineup that also includes Kenny Dorham on trumpet, McCoy Tyner on piano, Richard Davis on bass, and Elvin Jones on drums. Henderson's tone is rough and young – but in a great way, one that's perfect for the exploratory nature of his original tunes on the set, and which matches the mood of Dorham's compositions as well. Tracks include "In N Out", "Short Story", "Brown's Town", and "Punjab". Inner Urge is a fantastic session of 60s "new thing" jazz – and one of our favorite early records by Joe Henderson! The album features some incredibly hard playing from Joe – with a very dark edge to his solos that's nicely offset by McCoy Tyner's lyrical piano, and the supple rhythms of Bob Cranshaw and Elvin Jones. It's hard to look at the lineup and not feel this group is approaching the tunes in a very post-Coltrane mode, but Henderson's voice on the tenor is completely singular, and puts that short-sighted theory to rest with his first bold note of the session. The album features 5 numbers in all – 3 originals showcasing Henderson's strong songwriting "Inner Urge", "Isotope" and "El Barrio" – plus the great Duke Pearson ballad "You Know I Care" and the standard "Night & Day". Last up are the two live Village Vanguard albums State Of The Tenor Vols 1 & 2 – a real moment of genius for Joe Henderson from the 80s – a spare trio session, recorded live at the Village Vanguard, in a mode that recalls Sonny Rollins classic sets there for Blue Note! And while Sonny often performed heavily in a trio setting, unfettered by chords in the rhythm section – this is a unique date for Joe, and he sounds brilliant throughout! Ron Carter and Al Foster provide a crisp but elastic foundation for Henderson's burnished melodies and solos in a very spacious setting. Titles include"The Bead Game", "Soulville", "Portrait", "Beatrice", "Friday The Thirteenth", "Happy Reunion", "Loose Change", "Ask Me Now" and "Isotope". CD

Possible matches17
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✨✧ Gary BartzLibra/Another Earth ... CD
Milestone, 1967/1968. Used ... Temporarily Out Of Stock
Early soul jazz brilliance from a young Gary Bartz – music that pre-dates his Ntu Troup, and his work with Larry Mizell! Libra is fantastic early work from Gary – and probably his rarest record ever! The album was cut at a time when the young Bartz was first coming to prominence in the hip late 60s soul jazz group of Max Roach – and Bartz's playing at the time is a perfect model of mid-Coltrane searching with some of the tighter sides of soul jazz that were being forged at labels like Blue Note by players like Hank Mobley or Lee Morgan. The record's a masterpiece of youthful soulful energy – and the group includes Jimmy Owens on trumpet, Richard Davis on bass, Albert Dailey on piano, and Billy Higgins on drums, all players who are perfectly matched to fit Bartz's stridently creative vision. His solos on alto are impeccable – some of the most meaningful we've ever heard on the instrument from the time – and the album's a great one all the way through! Titles include "Air & Fire", "Eastern Blues", "Libra", "Freedom Of The Day", and "Cabin In The Sky". Another Earth is amazing too – one of the first that Gary Bartz ever cut – done during a time when he'd been working with Max Roach and a super-hip group of younger soul jazz players who would go onto shape the sound of the 70s. Bartz leads a group that includes Stanley Cowell, Freddy Waits, Charles Tolliver, Pharoah Sanders, and Reggie Workman – and the music sounds like it was lifted from one of the best albums on Strata East from the 70s. There's no funk, no vocals, no weird rhythms – just pure spiritual jazz, played to perfection, and filled with a creative vitality that most of the players had lost a few years later. Tracks include the album-side "Another Earth", plus "Dark Nebula", "UFO", and "Perihelion & Aphelion". Note: CD omits the track "Disjunction" from Libra – due to space restrictions. CD

Possible matches18
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✨✧ Jaki ByardFreedom Together ... CD
Prestige/OJC, 1966. Used ... Temporarily Out Of Stock
A beautiful bit of insanity that properly displays why we think Jaki Byard is one of the greatest overlooked talents of the 60's! Jaki plays here not just on his usual piano – but also electric piano, celeste, vibes, and even a bit of tenor – shifting wonderfully to match the spirit of his changing moods on the set – and working with superb backing from the team of Richard Davis (on both bass and cello) and Alan Dawson (on drums, vibes, and tympani). Junior Parker joins in on the record – singing on 2 tracks on the set plus playing the unusual "lagerphone" – and arrangements are very weird, with a memorable mix of modernist ideas, all handled with the down-to-earth sensibility that made Byard so great. Titles include "Ode To Prez", "Nocturne For Contrabass", "Freedom Together", and a great version of "Young At Heart", cut a few years before Muhal Richard Abrams did his nutty version! CD
(Out of print.)

Possible matches19
CD, LP, Vinyl record album cover art
✨✧ Richard Groove HolmesGroovin With Groove (aka New Groove – plus bonus tracks) ... CD
Groove Merchant/LRC, Early 70s. Used ... Temporarily Out Of Stock
Funky funky Groove Holmes – one of his tightest albums ever! The set's a monumental batch of organ jazz groovers – recorded with some larger backings from Manny Albam, and a super-dope, super-funk sort of 70s feel that's really outta site! The tracks are lean and very rhythmically oriented – all instruments grooving very strictly on the beat, except for Groove's wailing Hammond – which takes off over the top in some fierce musical flights! Bernard Purdie chops up some wicked drums on the set, and titles include "Red Onion", "Meditation", "Good Vibrations", "Chu Chu", and the solid groover "You've Got it Bad". And like most LRC titles, the dates and information on this one are a bit suspect – because the CD definitely contains the 7 tracks from the New Groove album – but also features 5 more bonus tunes too – including "Go Away Little Girl", "Young & Foolish", "It's Impossible", "It's Gonna Take Some Time", and "Groove's Groove". And note that the cover lists the dates for the sessions as 1978 and 1979, but the music is definitely the same as that on Groove's early 70s album New Groove. CD
(Out of print.)

Possible matches20
CD, LP, Vinyl record album cover art
✨✧ Yusef LateefLive At Pep's (with bonus tracks) ... CD
Impulse, 1964. Used ... Temporarily Out Of Stock
One of Yusef Lateef's most fantastic albums, and one that grooves in a way that few of his other albums do! The session is an amazing live set from 1964, recorded at Pep's Nightclub in Philly, and it features some amazing playing by a young Mike Nock on piano and the brilliant Richard Williams on trumpet. The sound is a great mix of Lateef's weird reeds with a rolling soul jazz backing that adds a lot to the mix. This CD adds 3 long extra cuts to the original release – and titles include "The Magnolia Triangle", "Sister Mamie", "Number 7", "Gee Sam Gee", "Oscarlypso", "The Weaver", and "Slippin' & Slidin'". Great stuff! CD
(Note: CD is missing back artwork in case – and is priced accordingly. Out of print.)
Partial matches: 4
Partial matches28
CD, LP, Vinyl record album cover art
Bobby DarinSings Shadow Of Your Smile (plus bonus tracks) ... CD
Atlantic/Edsel (UK), 1966. New Copy ... $16.99
A sweet set that has Bobby Darin working partially in that more adult 60s mode that was influenced strongly by changes in soundtrack styles – especially that 60s trend towards letting some serious younger songwriters pen important tunes for the titles. There's also a few older tracks as well, and these dominate on the second half, but combine really nicely with the more contemporary ones in sound and spirit – arranged by Shorty Rogers and Richard Wess with a lightly easygoing approach. Titles include "The Shadow Of Your Smile", "I Will Wait For You", "The Sweetheart Tree", "Cute", "After You've Gone", "Liza", "What's New Pussycat", and the Darin original "Rainin". This 50th Anniversary CD edition has 4 bonus tracks, too: "We Didn't Ask To Be Brought Here", "Funny What Love Can Do", "The Breaking Point" and "Silver Dollar". CD
(50th anniversary edition – with bonus tracks.)

Partial matches29
CD, LP, Vinyl record album cover art
Bobby DarinSings Shadow Of Your Smile/In A Broadway Bag ... CD
Atlantic/Diabolo, 1966. Used ... $11.99
Two mature sides by Bobby Darin – both recorded right before his move over to folk music, and both showing a nicely sophisticated side of his talents! The Shadow Of Your Smile has Bobby working partially in that more adult 60s mode that was influenced strongly by changes in soundtrack styles – especially that 60s trend towards letting some serious younger songwriters pen important tunes for the titles. There's also a few older tracks as well, and these dominate on side two, but these are nicely folded into the contemporary ones in sound and spirit – arranged by Shorty Rogers and Richard Wess with a lightly easygoing approach. Titles include "The Shadow Of Your Smile", "I Will Wait For You", "The Sweetheart Tree", "Cute", "After You've Gone", "Liza", "What's New Pussycat", and the Darin original "Rainin". In A Broadway Bag is exactly that – Bobby Darin taking on some of the biggest Broadway tunes of his generation – and doing a pretty darn good job as well! Arrangements are by Shorty Rogers and Perry Botkin, both of whom bring a hip flair to the proceedings – a sound that's usually a fair bit more swinging and jazz-based than you'd hear if you were catching these songs in their original settings. Darin's finger-snapping style is a great one for these tunes – bringing out all their sharper edges in ways that other 60s performers don't always get. Titles include "Night Song", "Try To Remember", "Once Upon A Time", "The Other Half Of Me", "I Believe In You", "It's Today", and "Everybody Has The Right To Be Wrong". CD also features 7 more great bonus tracks – including "We Didn't Ask To Be Brought Here", "Funny What Love Can Do", "The Breaking Point", "Silver Dollar", "Walking In The Shadow Of Love", and "Merci Cherie". CD
(Out of print.)

Partial matches30
CD, LP, Vinyl record album cover art
Gil EvansSvengali ... CD
Atlantic (Japan), 1973. New Copy ... $14.99
A great example of the way that Gil Evans really opened up his groove in the 70s – moving here way way past the cool jazz and third stream of earlier years – into a soulful style that's far groovier than might be expected! Part of the strength of the set is because of the players – as Gil's working with a group of younger soul jazz and spiritual soloists that include Ted Dunbar, Billy Harper, and Hannibal Marvin Peterson – as well as the older soul modernist Richard Williams. But there's also some other specifically Evans-like touches to the record that stand out – like Gil's stark notes on acoustic piano and his lighter work on the electric keys – plus a bit of inventive synthesizer from David Horowitz, who makes a few tracks really crackle with energy. Tracks include "Zee Zee", "Blues In Orbit", "Cry Of Hunger", and "Thoroughbred" – the latter two of which are lovely compositions by Billy Harper! CD
(SHM-CD pressing!)

Partial matches31
CD, LP, Vinyl record album cover art
✨✧ Herbie Hancock5 Original Albums (Takin Off/My Point Of View/Inventions & Dimensions/Speak Like A Child/The Prisoner) (5CD set) ... CD
Blue Note (Germany), Mid 60s. New Copy 5CD ... Just Sold Out!
The early genius of Herbie Hancock – perfectly summed up here in five classic albums for Blue Note – each presented in a tiny LP-styled sleeve! Takin Off has Herbie Hancock stepping into the limelight with an excellent batch of soul jazz tunes, including the first recording of his classic "Watermelon Man", the one track that probably put all his kids through school! Although that one went on to become a standard within a few short years in 60s jazz, it still sounds great here in the original – a very fresh take on the sound of soul jazz in the 60s – offered up here in a 7 minute version that has more sharp soloing than most other takes on the tune! The group here is great too – with Dexter Gordon on tenor, Freddie Hubbard on trumpet, Butch Warren on bass, and Billy Higgins on drums – and the tracks are all also originals by a young Herbie – including "Watermelon Man", "The Maze", "Driftin", "Three Bags Full", "Alone & I", and "Empty Pockets". My Point Of View is a great mix of soul jazz and modernism! The record include a nice groovy "hit", Herbie's "Blind Man, Blind Man" – an obvious follow-up to "Watermelon Man", but still a standout track with a lot of imagination, and a fierce soul jazz hook that just won't quit! The rest of the record, while still groovy, also shows much more signs of Herbie's far-reaching conception – especially shared with players like Tony Williams, Grachan Moncur, Chuck Israels, and Grant Green – all of whom work with Herbie, Donald Byrd, and Hank Mobley – in a larger than usual group that makes for a really great sound! Titles include "A Tribute To Someone", "King Cobra", and "The Pleasure Is Mine". Inventions & Dimensions is really unique little record from Herbie Hancock – one that's almost completely improvised over Latin percussion! The setup is quite spare – and quite different than Herbie's other Blue Note work – and the group features improvised backgrounds by bassist Paul Chambers and 2 Latin percussionists, Willie Bobo and Osvaldo "Chihuahau" Martinez. Herbie only wrote simple sketches for the songs on the album, and most of the work on the tracks was done live, spontaneously, in the studio – creating a very free groove that never goes too far out, but which is far more adventurous than usual. All tracks are long, and titles include "Succotash", "Triangle", and "Mimosa". Speak Like A Child is an oft-overlooked session that has Herbie mixing a nice dose of lyricism into his usual soul jazz approach from the 60s! The sound's a bit farther-reaching than on some of Herbie's smaller group sessions – and the record features a sextet that includes Ron Carter, Mickey Roker, Jerry Dodgion, Thad Jones, and Peter Phillips – all soaring with the warmth and introspection that was showing up in some of the best Blue Notes from the time. The harder-hitting soul jazz riffs and hooks are nicely replaced by more thoughtful lines that get a bit deeper, soufully – and nearly all tracks on the set are originals by Hancock! The album's filled with great moments – and tracks include "The Sorcerer", "Riot", and "Goodbye To Childhood". Last up is The Prisoner – a nice late Blue Note change from Herbie Hancock – a very different album than his previous sets for the label – in that it features a slightly larger group, and a sound that really points the way towards his directions in the 70s! There's a slightly ambitious feel to some of these cuts – not in a way that's over-arranged, but just a new sort of thinking for Herbie's kind of groove – a mode that's partially informed by the seriousness of 60s jazz soundtracks, but which also has the beginnings of some more righteous modes of expression too. Players are all great – and include Joe Henderson on tenor and flute, Johnny Coles on flugelhorn, Garnett Brown on trombone, Hubert Laws on flute, Jerome Richardson on bass clarinet, Buster Williams on bass, and Tootie Heath on drums. Herbie plays both acoustic and electric piano – using the latter here in one of his first recordings on the instrument – and titles include "Firewater", "I Have A Dream", "The Prisoner", and "He Who Lives In Fear". CD

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