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Possible matches: 19
Possible matches1
CD, LP, Vinyl record album cover art
Bee Gees/Richard Hewson OrchestraLove Melody ... CD
Universal (Japan), 1971. New Copy ... $13.99
A very groovy soundtrack to this cool British film – starring a young Jack Wild in his pre-HR Puffenstuff days! The film's kind of a mod kids film – with a number of bright and peppy tunes mixed with others that are either more serious or more jazzy – a blend of rock and more familiar soundtrack instrumentation that really keeps things interesting! The Bee Gees contribute a number of great tracks – like "Melody Fair", "In The Morning", "First Of May", and "To Love Somebody". Even better, though, are the instrumental bits by the Richard Hewson Orchestra – which include "Teacher's Chase", a killer groover with some sweet electric harpsichord and strings, plus the cuts "Working On It Night & Day", "Spicks & Spacks", and "Melody Fair". Peter Knight put the whole thing together, too! CD

Possible matches2
CD, LP, Vinyl record album cover art
✨✧ Russ Freeman/Richard TwardzikTrio ... CD
Pacific Jazz/Capitol, 1954. Used ... Temporarily Out Of Stock
One of the rarest albums on the Pacific Jazz label from the 50s – featuring a side apiece of trio material by pianists Russ Freeman and Richard (aka Dick) Twardzik. Both players were known as accompanists of Chet Baker during his sublime mid 50s run at Pacific Jazz – and although Freeman is well-remembered today as the strong player he always was, Twardzik has quickly fallen into obscurity, due to a young death in the mid 50s – and this album features some of the few tracks he recorded as a leader on his own. Freeman plays with Joe Mondragon on bass and Shelly Manne on drums, and Twardzik plays with Carson Smith and Peter Littman – and titles include "Yellow Tango", "Round Midnight", "Abuquerque Social Swim", "Backfield In Motion", "Bock's Tops", and "Yesterday's Gardenias". CD
(Out of print.)

Possible matches3
CD, LP, Vinyl record album cover art
✨✧ Russ Freeman/Richard TwardzikTrio (Japanese paper sleeve edition – with bonus tracks) ... CD
Pacific Jazz (Japan), 1954. Used ... Out Of Stock
One of the rarest albums on the Pacific Jazz label from the 50s – featuring a side apiece of trio material by pianists Russ Freeman and Richard (aka Dick) Twardzik. Both players were known as accompanists of Chet Baker during his sublime mid 50s run at Pacific Jazz – and although Freeman is well-remembered today as the strong player he always was, Twardzik has quickly fallen into obscurity, due to a young death in the mid 50s – and this album features some of the few tracks he recorded as a leader on his own. Freeman plays with Joe Mondragon on bass and Shelly Manne on drums, and Twardzik plays with Carson Smith and Peter Littman – and titles include "Yellow Tango", "Round Midnight", "Abuquerque Social Swim", "Backfield In Motion", "Bock's Tops", and "Yesterday's Gardenias". With 9 bonus tracks! CD
(Out of print, includes obi.)

Possible matches4
CD, LP, Vinyl record album cover art
Dorothy AshbyRubaiyat Of Dorothy Ashby ... CD
Cadet/Universal (Japan), 1970. New Copy ... About January 24, 2018
Incredible work from the amazing Dorothy Ashby – a brilliant set of funky and spiritual tunes, set to full backings from Chicago soul arranger Richard Evans! This album is easily one of Ashby's greatest, and it's dedicated to the writings of Omar Khayyam – one of the forces guiding Dorothy's more spiritual sound at the end of the 60s, clearly opened up in a way that's not unlike the direction of Alice Coltrane's work, but a lot more focused and a lot more funky! Ashby not only plays her usual jazz harp, but also koto as well, and even sings a bit too – and the larger group directed by Evans features work by Stu Katz on vibes and kalimba, Lenny Druss on flutes, and Cash McCall on guitar – all in a groove that's really a precursor to the Earth Wind & Fire generation of the Chicago scene! Titles include the amazing break "The Moving Finger" – worth the price of the album alone – plus "Dust", "Joyful Grass & Grape", "Heaven & Hell", "Wax & Wane", "Shadow Shapes", "For Some When Young", "Myself When Young", and "Drink". CD

Possible matches5
CD, LP, Vinyl record album cover art
Oscar Brown Jr.Movin' On ... CD
Atlantic/Collectables, 1972. Used ... $9.99
A sweet bit of funky jazz vocals from Oscar Brown Jr – recorded during his early 70s stay at Atlantic Records, in a style that's very different than his early work! The tracks are all still original numbers by Oscar – penned with that clever bad-rapping approach to the lyrics that always earned him a huge audience in the cognoscenti. The feel is a bit more electric than before, with Richard Tee on electric piano, Cornell Dupree on guitar, and percussion by Ralph MacDonald. A few cuts have female backing vocals, and titles include "Gang Bang", "Feel the Fire", "Dime Away from a Hot Dog", and "Young Man". CD
(Out of print.)

Possible matches6
CD, LP, Vinyl record album cover art
Augustus PabloKing Tubbys Meets Rockers Uptown – Deluxe Edition ... CD
Shanachie, 1975. Used ... $6.99
Essential dub material from the legendary King Tubby – a set that's one of the best of the genre during the classic years – and which stands as a true testament to how great the format can be when handled right! The watchword here is simplicity – as the key elements are almost isolated in little sonic chambers, then set to resonate alongside each other – pulled from rhythms from tracks initially done as vocal productions, but reworked through the mixing talents of Erroll "ET" Thompson and Tubby. Players include Bobby Ellis on trumpet, Richard "Dirty Harry" Hall on tenor, and Augustus Pablo on organ and piano, plus a bit of clarinet. Titles include "Keep On Dubbing", "Stop Them Jah", "Young Generation Dub", "Each One Dub", "555 Dub Street", "Braces Tower Dub", "King Tubby Meets Rockers Uptown", "Corner Crew Dub", "Say So", "Skanking Dub", and "Frozen Dub". CD
(Out of print. Includes slipcase.)

Possible matches7
CD, LP, Vinyl record album cover art
✨✧ Joe Henderson5 Original Albums (Our Thing/In N Out/Inner Urge/State Of The Tenor 1 & 2) (5CD set) ... CD
Blue Note (Germany), Mid 60s/Mid 80s. New Copy 5CD ... Out Of Stock
The start of a great run of genius from Joe Henderson – plus a seminal 80s return to form – served up here on five different albums recorded for Blue Note! First up is Our Thing – a classic straight session by Joe Henderson – cut during his early years, when he was breaking out of the box with a heck of a lot of fire! Kenny Dorham's subdued lyricism complements Joe's impassioned playing over the angular, yet still-swinging rythm section of Andrew Hill, Eddie Kahn and Pete La Roca. The track "Pedro's Time" reflects Joe's fascination with Latin-flavored pieces (as evidenced by Joe's previous effort Page One, and his work on Dorham's Una Mas), while pieces like "Teeter Totter", "Our Thing" and "Back Road" play with time and structure in subtle ways. In N Out is a stone killer from the early Blue Note years of tenorist Joe Henderson – a key example of why the label had so much faith in him right from the start, and why Henderson's horn was quite different than so many other players of the 60s! Echoes of "new thing" modes lie in the background of the record, but upfront things have a sharp 60s Blue Note punch – thanks in part to a great lineup that also includes Kenny Dorham on trumpet, McCoy Tyner on piano, Richard Davis on bass, and Elvin Jones on drums. Henderson's tone is rough and young – but in a great way, one that's perfect for the exploratory nature of his original tunes on the set, and which matches the mood of Dorham's compositions as well. Tracks include "In N Out", "Short Story", "Brown's Town", and "Punjab". Inner Urge is a fantastic session of 60s "new thing" jazz – and one of our favorite early records by Joe Henderson! The album features some incredibly hard playing from Joe – with a very dark edge to his solos that's nicely offset by McCoy Tyner's lyrical piano, and the supple rhythms of Bob Cranshaw and Elvin Jones. It's hard to look at the lineup and not feel this group is approaching the tunes in a very post-Coltrane mode, but Henderson's voice on the tenor is completely singular, and puts that short-sighted theory to rest with his first bold note of the session. The album features 5 numbers in all – 3 originals showcasing Henderson's strong songwriting "Inner Urge", "Isotope" and "El Barrio" – plus the great Duke Pearson ballad "You Know I Care" and the standard "Night & Day". Last up are the two live Village Vanguard albums State Of The Tenor Vols 1 & 2 – a real moment of genius for Joe Henderson from the 80s – a spare trio session, recorded live at the Village Vanguard, in a mode that recalls Sonny Rollins classic sets there for Blue Note! And while Sonny often performed heavily in a trio setting, unfettered by chords in the rhythm section – this is a unique date for Joe, and he sounds brilliant throughout! Ron Carter and Al Foster provide a crisp but elastic foundation for Henderson's burnished melodies and solos in a very spacious setting. Titles include"The Bead Game", "Soulville", "Portrait", "Beatrice", "Friday The Thirteenth", "Happy Reunion", "Loose Change", "Ask Me Now" and "Isotope". CD

Possible matches8
CD, LP, Vinyl record album cover art
David YoungDavid Young ... CD
Mainstream/Ultra Vybe (Japan), Early 70s. New Copy ... About December 6, 2017
Nice, if fairly straight set from lesser known tenor man David Young for Bob Shad's Mainstream imprint. While you may not have heard many sides by Young, you'll certainly know his sidemen, Sonny Fortune and Virgil Jones up front, and Richard Davis, Harold Mabern and Idris Muhammad in the rhythm section. The playing is bright and energetic, in a modern bop style, with numbers mostly contributed by band members, 6 tracks in all: "Pisces On The Cusp", "For You With Love", "Down Yonder", "Joe Splivingates", "Friday The Fourteenth" and "Animated Suspension". CD

Possible matches9
CD, LP, Vinyl record album cover art
Brother AhhDivine Music (Sea/Meditation/Searching) (3CD set) ... CD
Manufactured, 1978/1981/1985. New Copy 3CD ... $26.99
Three never-issued albums from Brother Ah – the enigmatic musician who may be known best for his work with Sun Ra, and his rare album on Strata East! Both of those moments date from earlier years, though – and past that time, Brother Ah was still working strongly on some amazing musical ideas of his own – work that includes the three albums presented in this package, which together really mark a shift for both Ah and some of his spiritual jazz contemporaries as the 70s moved on! The set begins with the beautiful set The Sea – recorded in 1978, with a long-flowing sound that's quite hypnotic, and very much in the spiritual territory of post-Coltrane material – including work by Trane's wife Alice. Brother Ah plays flute, in these fantastic lines that spin out slowly and echo strongly – amidst a mix of percussion, violin, mbira, bass, and drums – often used in ways that build beautifully, and which provide a great introduction to both the sung and spoken passages – presented by Abena Walker, Jeanean Gibbs, and Nataska Hassan Youssef. Titles include "Nuba", "Far Away", "The Village Drum", "Visoins", and "Africa We Are Your Children". Meditation is from a few years later, and has a different makeup – a sound that's much more spare overall, and which just features Brother Ah on flute, zither, and "nature sounds" – with help from Cleo Jomo Faulks on mbira and gong! The tunes have an earthier feel than you might guess from the album's title – still somewhat meditative, but also more open to the vibes of nature than the space of the studio – with moments that feel more more like the organic sounds of the young Moondog, or maybe some of Alice Coltrane's more home-made moments. Titles include "Stillness", "Spirit World", "Close Your Eyes & See", and "Song Of The Unseen". Last up is Searching – a record from 1985 that maybe moves the spiritual agenda from the political to the personal – that shift towards more interior solutions that some musicians took in the 80s, especially as funding for some kinds of spiritual jazz albums fell by the wayside, and some artists had to adapt to the new age underground. Yet although that shift might be in place here, Brother Ah is still as righteous as ever – just equipped with a slightly different voice – as he works alongside some electronics and percussion from Richard Ashman, and blows trumpet and a variety of flutes, while also handling percussion and harmonica in very spacious ways. The record is more about extended sound textures than individual instrumentation – and titles include "I Am", "Going Within", "Inner Voice", and "Know Thyself". First time release for all three records – presented in a really great package! CD
Also available Divine Music (Sea/Meditation/Searching) (5LP set) ... LP 89.99

Possible matches10
CD, LP, Vinyl record album cover art
Fairport ConventionWho Knows Where The Time Goes – The Essential Fairport Convention (3CD set) ... CD
Island/Universal (UK), Late 60s/1970s. New Copy 3CD ... $11.99
The genius of Fairport Convention knows no bounds – as the group were an ever-vibrant, ever-creative ensemble – often changing membership as much as they experimented with new styles – in a fantastic range that's very well captured on this 3CD set! Fairport are way more than the folk rock outfit that they're most easily identified as – because although the group certainly draws a lot from folk traditions, both ancient and modern, they bring so much more to their music as well – including especially compelling use of electric guitar and bass (the former on many of these tracks by the young Richard Thompson) – and transcendent vocals from Sandy Denny that really helps take the music to a new dimension. The set offers about a decade's worth of recordings by the group – 52 tracks in all – including some more unusual moments, and even some rarer tracks too – a great selection of titles that includes "Sir Patrick Spens", "Fotheringay", "Suzanne", "Chelsea Morning", "Ballad Of Easy Rider", "Quiet Joys Of Brotherhood", "Matty Groves", "Genesis Hall", "The Plainsman", "The Hens March Through The Midden & The Four Poster Bed", "Cropredy Capers", "When First Into This Country", "Farewell Farewell", "Angles Brown", "The Last Waltz", "John Lee", "Breakfast In Mayfair", "Sailor's Alphabet", and "Banks Of The Sweet Primroses". CD

Possible matches11
CD, LP, Vinyl record album cover art
Yusef LateefLive At Pep's (with bonus tracks) ... CD
Impulse, 1964. Used ... $10.99
One of Yusef Lateef's most fantastic albums, and one that grooves in a way that few of his other albums do! The session is an amazing live set from 1964, recorded at Pep's Nightclub in Philly, and it features some amazing playing by a young Mike Nock on piano and the brilliant Richard Williams on trumpet. The sound is a great mix of Lateef's weird reeds with a rolling soul jazz backing that adds a lot to the mix. This CD adds 3 long extra cuts to the original release – and titles include "The Magnolia Triangle", "Sister Mamie", "Number 7", "Gee Sam Gee", "Oscarlypso", "The Weaver", and "Slippin' & Slidin'". Great stuff! CD
(Out of print. Punch through barcode.)

Possible matches12
CD, LP, Vinyl record album cover art
✨✧ Hubert LawsLaws Of Jazz/Flute By-Laws ... CD
Atlantic/Collectables, 1964/1966. Used ... Temporarily Out Of Stock
Killer soul jazz from the mighty Hubert Laws – two of his earliest moments of genius on record, back to back on one CD! The Laws of Jazz includes a young Chick (then called "Armando") Corea on piano, then a much more Latin-tinged player – and the rest of the group includes Richard Davis on bass and Bobby Thomas on drums. Laws' flute is the main solo vehicle – and tracks include "Bimbe Blue", "Miss Thing", "All Soul", and "Black Eyed Peas & Rice". A great little set of Latin jazz! At the time of Flute By-Laws, Hubert Laws was playing with Mongo Santamaria's group – and for this second solo outing, Laws borrows a lot of grooves from Mongo's bag, and also hits a few tasty lines of his own. There's some killer tight Latin numbers with a groovy 60s feel – like "Bloodshot", "Let Her Go", "Baila Cinderella", and "No You'd Better Not" – plus some other tasty jazz numbers like "Mean Lene" and "Strange Girl". Players include a host of Latin jazz crossover talents like Chick Corea, Jimmy Owens, Garnett Brown, and Ray Lucas – as well as strict Latin players like Cachao and Victor Pantoja – and the album's one of Laws' best ever! CD

Possible matches13
CD, LP, Vinyl record album cover art
✨✧ Hubert LawsLaws Of Jazz/Flute By-Laws (Rhino pressing) ... CD
Atlantic, 1964/1966. Used ... Temporarily Out Of Stock
Although Hubert Laws went onto cut some pretty snoozy fusion records in later years, these early Atlantic albums find him playing with a great soul jazz groove, laying down nice slightly-funky flute solos with a very good groove. The group on the Laws of Jazz includes a young Chick (then called "Armando") Corea on piano, then a much more Latin-tinged player – and the rest of the group includes Richard Davis on bass and Bobby Thomas on drums. Laws' flute is the main solo vehicle – and tracks include "Bimbe Blue", "Miss Thing", "All Soul", and "Black Eyed Peas & Rice". A great little set of Latin jazz! At the time of Flute By-Laws, Hubert Laws was playing with Mongo Santamaria's group – and for this second solo outing, Laws borrows a lot of grooves from Mongo's bag, and also hits a few tasty lines of his own. There's some killer tight Latin numbers with a groovy 60s feel – like "Bloodshot", "Let Her Go", "Baila Cinderella", and "No You'd Better Not" – plus some other tasty jazz numbers like "Mean Lene" and "Strange Girl". Players include a host of Latin jazz crossover talents like Chick Corea, Jimmy Owens, Garnett Brown, and Ray Lucas – as well as strict Latin players like Cachao and Victor Pantoja – and the album's one of Laws' best ever! CD
(Out of print.)

Possible matches14
CD, LP, Vinyl record album cover art
✨✧ Sun RaSun Song (aka Jazz By Sun Ra) ... CD
Transition/Delmark, 1956. Used ... Temporarily Out Of Stock
Sun Ra's first album as a leader – originally issued on the Transition label, but presented here in its better-known incarnation by Delmark Records! Even at this early point, Ra had a sound unlike any of his contemporaries – large group and modern, but not in a way that showed any similarities to work going on in New York or LA – a voice that was all his own, and already quite boldly stated, even in these early years! The format might be somewhat familiar – an ensemble with horns and rhythm – but the overall execution really starts to open up as the album moves on – with odd phrasings, timings, and unusual moments that live up to all the promise you might expect from Ra. Even Mingus and some of his better-known contemporaries weren't heading in these directions in the mid 50s – and the record is a proud showcase of the freedoms that players were often accorded in the less-trafficked Chicago scene of the time. Horns include Art Hoyle & Dave Young on trumpets, John Gilmore on tenor sax, Pat Patrick on baritone, Julian Priester on trombone, and James Scales on alto sax – and rhythm includes Jim Herndon on tympani, Robert Barry on drums, Wilbur Green on electric bass, and a young Richard Evans on acoustic bass! Titles include "Brainville", "Call For All Demons", "Transition", "Lullaby For Realville", "Street Named Hell", "New Horizons", "Fall Off The Long", "Possession", and "Future". CD
Also available Sun Song (aka Jazz By Sun Ra) ... LP 12.99

Possible matches15
CD, LP, Vinyl record album cover art
✨✧ Tony WilliamsLife Time ... CD
Blue Note, 1964. Used ... Temporarily Out Of Stock
The pinnacle of Blue Note's "new thing" era! This amazing album was led by drummer Tony Williams (then just a wee lad, playing with Miles Davis, in his legendary 60s quintet) – but it's more of a "roundtable" session that features equal contributions by some of Blue Note's best avant garde players from the time, all of them young firey geniuses like Williams. The configurations of the players change drastically from track to track – and some feature Sam Rivers, Richard Davis, and Gary Peacock playing in a 2-bass and tenor lineup with Williams; others feature Bobby Hutcherson and Herbie Hancock playing heavily percussive vibes and piano solos next to Williams' assorted percussion playing; and one track doesn't even feature Williams at all, but has Herbie Hancock and Ron Carter in a beautifully moody bass and piano duet! The record is a treasure – and it's a landmark recording that's probably one of the greatest that Blue Note (or any other label) released during the 60s! Titles include "Barb's Song to The Wizard", "Memory", and "Two Pieces Of One: Red & Green". CD
(Out of print. Pre-RVG version.)
Also available Life Time ... LP 59.99

Possible matches16
CD, LP, Vinyl record album cover art
✨✧ Tony WilliamsLife Time (RVG remaster edition) ... CD
Blue Note, 1964. Used ... Temporarily Out Of Stock
The pinnacle of Blue Note's "new thing" era! This amazing album was led by drummer Tony Williams (then just a wee lad, playing with Miles Davis, in his legendary 60s quintet) – but it's more of a "roundtable" session that features equal contributions by some of Blue Note's best avant garde players from the time, all of them young firey geniuses like Williams. The configurations of the players change drastically from track to track – and some feature Sam Rivers, Richard Davis, and Gary Peacock playing in a 2-bass and tenor lineup with Williams; others feature Bobby Hutcherson and Herbie Hancock playing heavily percussive vibes and piano solos next to Williams' assorted percussion playing; and one track doesn't even feature Williams at all, but has Herbie Hancock and Ron Carter in a beautifully moody bass and piano duet! The record is a treasure – and it's a landmark recording that's probably one of the greatest that Blue Note (or any other label) released during the 60s! Titles include "Barb's Song to The Wizard", "Memory", and "Two Pieces Of One: Red & Green". CD
Also available Life Time ... LP 59.99

Possible matches17
CD, LP, Vinyl record album cover art
✨✧ Andrew HillJudgment! (RVG remaster edition) ... CD
Blue Note, 1964. Used ... Out Of Stock
A seminal "new thing" session from pianist Andrew Hill, and one of the greatest performances ever from a young Bobby Hutcherson! The record features a stunning quartet that includes Hill on piano, Hutcherson on vibes, and Richard Davis and Elvin Jones on rhythm – coming together with the stark, raw energy that made the key Blue Note modern sides from this time so great. Hutcherson hits these amazing tones on the vibes, similar to those that he uses on some of the Jackie McLean albums from the same time – and those tones work perfectly with Hill's fractured piano lines. Titles are all originals by Hill, including "Alfred", "Reconciliation", "Siete Ocho", "Yokada Yokada", and "Flea Flop". CD features a bonus alternate of "Yokada Yokada". CD

Possible matches18
CD, LP, Vinyl record album cover art
✨✧ PentanglePentagle – The Albums 1968 to 1972 (Pentangle/Sweet Child/Basket Of Light/Cruel Sister/Reflection/Solomon's Seal – plus bonus tracks) (7CD ... CD
Cherry Red (UK), Late 60s/Early 70s. New Copy 7CD ... Out Of Stock
An incredible run of music from a really legendary band – a quintet who were as important to the British folk scene as Fairport Convention – and one who worked with an equally hip sort of vibe! Where that group featured key work from a young Richard Thompson and Sandy Denny, this one features mindblowing guitars from John Renbourn and Bert Jansch – a duo who would already be fantastic enough on their own, but who really open up in the sound of the group – way past their own wonderful albums of just a few years before! Part of the strength of Pentangle likes in the vocals of Jaqui McShee – a singer who's clearly got an ear for jazz, and brings in a strong sense of improvisation and extrapolation – as do both guitarists in the music. The bass is also fantastic – handled by Danny Thompson, who also seems to be a jazzman at heart – given the way he bends and shades things, at a level that no folk group ever would do. Percussionist Terry Cox is the remaining member of the group – nicely understated, and working with Thompson in this way that makes for these cool gentle grooves that Renbourn or Jansch never would have hit on their own. Every record here is a gem – and the set not only includes all six albums (one of which is a double) in these tiny LP-styled sleeves, it also features an insane number of bonus tracks too – and a huge book on the group and their music. 115 tracks in all – including 54 bonus tracks, a number of which are previously unreleased! CD

Possible matches19
CD, LP, Vinyl record album cover art
✨✧ Pharoah SandersTauhid/Jewels Of Thought ... CD
Impulse (Germany), 1967/1969. New Copy ... Out Of Stock
Two Pharoah Sanders classics – back to back on a single CD! Tauhid is one of the first moments of genius from a young Pharoah Sanders – a set that builds on the energy of John Coltrane's Love Supreme generation – but takes it in a much more expansive direction! The album's got a sense of majesty that's years ahead of its time – righteous, positive, spiritual jazz that flows out with a timeless power, and a quality that almost out-Coltrane's Coltrane! All tracks are long, expressive, and freely flowing – building with a very organic sense of energy – totally free from any gimmicks or cliche. Players include Dave Burrell on piano, Henry Grimes on bass, and Sonny Sharrock on guitar – and Pharoah plays alto, tenor, and piccolo – and even vocalizes a bit. The album begins with the amazing "Upper & Lower Egypt" – which is a perfect illustration of the two sides of Pharoah's genius – free/out & spiritual/modal – and other titles include "Japan", and "Capricorn Rising". Jewels Of Thought is a wonderful reunion of Pharoah Sanders and vocalist Leon Thomas – and a set that captures a lot of the same energy as the pair's previous record – Karma! Thomas' vocals are in wonderful form for the set – stretching out soulfully on the extended classic "Hum-Allah-Hum-Allah-Hum-Allah" – a title that has much of the same grace and power as "The Creator Has A Master Plan. The rest of the players on the date include Lonnie Liston Smith on piano, Richard Davis and Cecil McBee on basses, and Idris Muhammad and Roy Haynes on drums – and unusually enough, each of the double bassists and drummers gets their own channel of sound to work with! The other long track on the album is the extended "Sun In Aquarius" – which is a bit more outside, but still pretty great! CD
 
Partial matches: 5
Partial matches20
CD, LP, Vinyl record album cover art
Gil EvansSvengali ... CD
Atlantic/Koch, 1973. Used ... $5.99
A great example of the way that Gil Evans really opened up his groove in the 70s – moving here way way past the cool jazz and third stream of earlier years – into a soulful style that's far groovier than might be expected! Part of the strength of the set is because of the players – as Gil's working with a group of younger soul jazz and spiritual soloists that include Ted Dunbar, Billy Harper, and Hannibal Marvin Peterson – as well as the older soul modernist Richard Williams. But there's also some other specifically Evans-like touches to the record that stand out – like Gil's stark notes on acoustic piano and his lighter work on the electric keys – plus a bit of inventive synthesizer from David Horowitz, who makes a few tracks really crackle with energy. Tracks include "Zee Zee", "Blues In Orbit", "Cry Of Hunger", and "Thoroughbred" – the latter two of which are lovely compositions by Billy Harper! CD
(Out of print.)
Also available
Svengali ... CD 7.99
Svengali ... CD 5.99

Partial matches21
CD, LP, Vinyl record album cover art
Gil EvansSvengali ... CD
Atlantic (Japan), 1973. Used ... $5.99
A great example of the way that Gil Evans really opened up his groove in the 70s – moving here way way past the cool jazz and third stream of earlier years – into a soulful style that's far groovier than might be expected! Part of the strength of the set is because of the players – as Gil's working with a group of younger soul jazz and spiritual soloists that include Ted Dunbar, Billy Harper, and Hannibal Marvin Peterson – as well as the older soul modernist Richard Williams. But there's also some other specifically Evans-like touches to the record that stand out – like Gil's stark notes on acoustic piano and his lighter work on the electric keys – plus a bit of inventive synthesizer from David Horowitz, who makes a few tracks really crackle with energy. Tracks include "Zee Zee", "Blues In Orbit", "Cry Of Hunger", and "Thoroughbred" – the latter two of which are lovely compositions by Billy Harper! CD
(SHM-CD pressing! Includes obi.)
Also available
Svengali ... CD 7.99
Svengali ... CD 5.99

Partial matches22
CD, LP, Vinyl record album cover art
Gil EvansSvengali ... CD
Atlantic (Germany), 1973. Used ... $7.99
A great example of the way that Gil Evans really opened up his groove in the 70s – moving here way way past the cool jazz and third stream of earlier years – into a soulful style that's far groovier than might be expected! Part of the strength of the set is because of the players – as Gil's working with a group of younger soul jazz and spiritual soloists that include Ted Dunbar, Billy Harper, and Hannibal Marvin Peterson – as well as the older soul modernist Richard Williams. But there's also some other specifically Evans-like touches to the record that stand out – like Gil's stark notes on acoustic piano and his lighter work on the electric keys – plus a bit of inventive synthesizer from David Horowitz, who makes a few tracks really crackle with energy. Tracks include "Zee Zee", "Blues In Orbit", "Cry Of Hunger", and "Thoroughbred" – the latter two of which are lovely compositions by Billy Harper! CD
(Out of print.)
Also available
Svengali ... CD 5.99
Svengali ... CD 5.99

Partial matches23
CD, LP, Vinyl record album cover art
✨✧ Herbie Hancock5 Original Albums (Takin Off/My Point Of View/Inventions & Dimensions/Speak Like A Child/The Prisoner) (5CD set) ... CD
Blue Note (Germany), Mid 60s. New Copy 5CD ... Out Of Stock
The early genius of Herbie Hancock – perfectly summed up here in five classic albums for Blue Note – each presented in a tiny LP-styled sleeve! Takin Off has Herbie Hancock stepping into the limelight with an excellent batch of soul jazz tunes, including the first recording of his classic "Watermelon Man", the one track that probably put all his kids through school! Although that one went on to become a standard within a few short years in 60s jazz, it still sounds great here in the original – a very fresh take on the sound of soul jazz in the 60s – offered up here in a 7 minute version that has more sharp soloing than most other takes on the tune! The group here is great too – with Dexter Gordon on tenor, Freddie Hubbard on trumpet, Butch Warren on bass, and Billy Higgins on drums – and the tracks are all also originals by a young Herbie – including "Watermelon Man", "The Maze", "Driftin", "Three Bags Full", "Alone & I", and "Empty Pockets". My Point Of View is a great mix of soul jazz and modernism! The record include a nice groovy "hit", Herbie's "Blind Man, Blind Man" – an obvious follow-up to "Watermelon Man", but still a standout track with a lot of imagination, and a fierce soul jazz hook that just won't quit! The rest of the record, while still groovy, also shows much more signs of Herbie's far-reaching conception – especially shared with players like Tony Williams, Grachan Moncur, Chuck Israels, and Grant Green – all of whom work with Herbie, Donald Byrd, and Hank Mobley – in a larger than usual group that makes for a really great sound! Titles include "A Tribute To Someone", "King Cobra", and "The Pleasure Is Mine". Inventions & Dimensions is really unique little record from Herbie Hancock – one that's almost completely improvised over Latin percussion! The setup is quite spare – and quite different than Herbie's other Blue Note work – and the group features improvised backgrounds by bassist Paul Chambers and 2 Latin percussionists, Willie Bobo and Osvaldo "Chihuahau" Martinez. Herbie only wrote simple sketches for the songs on the album, and most of the work on the tracks was done live, spontaneously, in the studio – creating a very free groove that never goes too far out, but which is far more adventurous than usual. All tracks are long, and titles include "Succotash", "Triangle", and "Mimosa". Speak Like A Child is an oft-overlooked session that has Herbie mixing a nice dose of lyricism into his usual soul jazz approach from the 60s! The sound's a bit farther-reaching than on some of Herbie's smaller group sessions – and the record features a sextet that includes Ron Carter, Mickey Roker, Jerry Dodgion, Thad Jones, and Peter Phillips – all soaring with the warmth and introspection that was showing up in some of the best Blue Notes from the time. The harder-hitting soul jazz riffs and hooks are nicely replaced by more thoughtful lines that get a bit deeper, soufully – and nearly all tracks on the set are originals by Hancock! The album's filled with great moments – and tracks include "The Sorcerer", "Riot", and "Goodbye To Childhood". Last up is The Prisoner – a nice late Blue Note change from Herbie Hancock – a very different album than his previous sets for the label – in that it features a slightly larger group, and a sound that really points the way towards his directions in the 70s! There's a slightly ambitious feel to some of these cuts – not in a way that's over-arranged, but just a new sort of thinking for Herbie's kind of groove – a mode that's partially informed by the seriousness of 60s jazz soundtracks, but which also has the beginnings of some more righteous modes of expression too. Players are all great – and include Joe Henderson on tenor and flute, Johnny Coles on flugelhorn, Garnett Brown on trombone, Hubert Laws on flute, Jerome Richardson on bass clarinet, Buster Williams on bass, and Tootie Heath on drums. Herbie plays both acoustic and electric piano – using the latter here in one of his first recordings on the instrument – and titles include "Firewater", "I Have A Dream", "The Prisoner", and "He Who Lives In Fear". CD

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CD, LP, Vinyl record album cover art
Nat AdderleyThat's Nat ... CD
Savoy/Columbia (Japan), 1955. Used ... $11.99
A real smoker from a young Nat Adderley – a session that has the leader on cornet, working in a tight hardbop combo with Jerome Richardson on tenor and flute, Hank Jones on piano, Wendell Marshall on bass, and Kenny Clarke on drums! The tracks are all nicely sharp-edge – that soulful Savoy sound of the mid 50s – and Richardson is especially nice, really getting a great sound from both his tenor and flute. Tracks are somewhat long, with good room for solos – and titles include "Porky", "I Married An Angel", "Kuzzin's Buzzin's", and "You Better Go Now". CD
(Out of print. Includes Denon Remaster obi.)
 
 
 



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