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Possible matches: 13
Possible matches1
CD, LP, Vinyl record album cover art
Cannonball AdderleyJump For Joy/Julian Cannonball Adderley & Strings ... CD
Mercury/Verve, 1955/1958. Used ... $6.99
2 early experiments by Cannonball Adderley – both of which feature him as the main soloists in front of larger backings! Jump For Joy is an interesting early side by Cannonball that captures him before he'd really found his voice – and when the folks at Mercury still didn't really know what to do with him. The record's a tightly arranged set of tracks from Duke Ellington's musical "Jump For Joy" – with arrangements by Bill Russo, and small group playing that includes Emmett Berry, Bill Evans, Barry Gabraith, Jimmy Cobb, and a small string section. The sound's actually quite haunting – and Cannon's alto solos remind us more of some of the best "with strings" soloing heard on Verve in the early 50s than they do his later soul jazz classics on Riverside or Capitol. That's ok with us, though – because the session's still got a lot to offer in that respect, and Cannonball handles the solos wonderfully! Titles include "Bli Blip", "Just Squeeze Me", "Nothin", and "The Tune Of The Hickory Stick". Cannonball & Strings features Adderley's beautifully edgey alto sliding nicely through a set of standards conducted by Richard Hayman. The album's not as strikingly emotive as other Verve "with strings"outings – such as the Charlie Parker & Strings sessions – but it is a great platform for the youthful Cannonball to do more than wail in a soul jazz kind of way, and it unlocks a much more thoughtful, introspective side of his playing not usually heard on record. A nice divergence from the usual – with titles that include "I Cover The Waterfront", "Two Sleepy People", "I'll Never Stop Loving You", and "Street Of Dreams". CD features 22 titles in all. CD
(Out of print.)

Possible matches2
CD, LP, Vinyl record album cover art
✨✧ Natalie ColeThankful/I Love You So/Don't Look Back ... CD
Capitol/BGO (UK), 1977/1979/1980. New Copy 2 CDs ... $18.99
Classic early work from Natalie Cole – packaged here in a sweet 2CD set! First up is the album Thankful – the third record in a tremendous early creative and commerical winning streak for Natalie! Thankful has her sweet, soulful voice out from of prodcution by Chuck Jackson and Marvin Yancy of the Independents, and they give her a nice jazzy sound that made the record one of her best of the 70s. Richard Evans and Gene Barge arranged, which probably had something to do with that, too – but Natalie truly deserves most of the credit of the strength of this set. It includes the standout groovers "La Costa" and"Annie Mae", but the whole record is really sweet – with "Lovers", "Our Love", "Be Thankful", "Just Can't Stay Away" and "Keeping A Light". I Love You So is a Capitol killer from Natalie Cole – a really great record from the time when she really seemed to be starting out her career with a bang! As with other gems on Capitol, the record features some great production work from Marvin Yancy and Chuck Jackson, getting a bit of help here from Gene Barge too – all wrapped up with a strong, sophisticated sound that shows plenty of Chi-soul touches in the music – a great approach for Natalie's maturing vocals. The sound is wonderfully balanced, and really stays away from easy hit modes – leaving the lady in a space that's all her own, on tracks that include "The Winner", "I Love You So", "Oh Daddy", "Sorry", "Stand By", and "Who Will Carry On". Don't Look Back is an overlooked gem from Natalie Cole – a set that still has her working strongly with songwriter Marvin Yancy, who really helped her find her sound and style during the early years of her career! Natalie actually helped with writing a fair bit on the record herself – sometimes with Yancy, sometimes alone – and the result is a surprisingly personal batch of tunes that really show a deepening of spirit in the singer, especially in the mellower moments. Gene Barge handles the arrangements – still bringing a bit of Chicago soul roots to the record – that mix of deep and sophisticated modes that always brought out the best in Natalie. Titles include "Don't Look Back", "I'm Getting In To You", "Paradise", "Hold ON", "Danger UP A head", and "Someone That I Used To Love". CD

Possible matches3
CD, LP, Vinyl record album cover art
Perry & SanlinFor Those Who Love/We're The Winners ... CD
Capitol/FTG, Early 80s. Used ... $9.99
A sublime double-header – both rare albums from Perry & Sanlin, together on one CD! First up is For Those Who Love – the first Capitol effort from Phil Perry & Kevin Sanlin – two excellent harmony soul singers who were part of the legendary Montclairs who recorded for Paula earlier in the 70s – and it's a slick batch of modern soul tracks produced with a nice jazzy tinge. Charles (ex-Independents) Jackson handled the album, as he did work for Natalie Cole on Capitol, and so much other great stuff for the label around this time – and the record sparkles with the best modern soul that was coming out on Capitol at the time. The duet style is a bit in the mode of The Valentine Brothers, with either singer taking the lead, and the other coming in on the choruses – and the album's very well handled throughout. Includes a great remake of "Can't Hide Love", plus "Since You (Came Into My Life)", "I'm So Glad There's You", "We Belong Together", and "It's Alright". We're The Winners features production by Richard Evans, and feels very much like work issued under his name in the late 70s – tight, grooving, and nicely funky – but also with a sophisticated edge that has some undercurrents of jazz in the mix, too. Keyboards are by Les McCann, who plays Fender Rhodes on the set – and the whole album has a cool and jazzy feel – with that great early 80s Capitol Rare style – mixing up smooth production, tight soul songwriting, and some nice instrumental elements under the vocals. Tracks include "We're the Winners", "Special to Me", "Shake Down", "Show Stopper", "Wait Till The Next Time", and "Just Like Magic". CD
(Out of print.)

Possible matches4
CD, LP, Vinyl record album cover art
Gordon Staples & The String ThingStrung Out ... CD
Motown/Reel Music, 1970. New Copy ... $14.99
A damn funky record – way more so than you might expect from the "string" in the title! The group's kind of an answer to the Soulful Strings ensemble headed by Richard Evans for Cadet/Concept in Chicago – and like that group, it mixes up funky rhythms with some sweet large orchestrations – in a style that's almost a precursor of blacksploitation funk to come in the 70s! Paul Riser handles arrangements – very much in the same spirit of Evans – and he picks up a hip Motown groove that bridges sweeping soul and gritty funk – all played to perfection by an ensemble led by Gordon Staples, and featuring players from the Detroit Symphony Orchestra! There's lots of funky nuggets in the set – and titles include excellent originals like "Strung Out", "Toonie", and "Sounds of the Zodiac" – plus "The April Fools", "The Look Of Love", "Get Down", "If Your Love Were Mine", "Someday We'll Be Together", and "From A Heart That's True To Only You". Beautiful high-quality reissue – of a record that's darn hard to find on wax! CD

Possible matches5
CD, LP, Vinyl record album cover art
✨✧ Dorothy AshbyDorothy's Harp ... CD
Cadet (Japan), 1969. New Copy ... Just Sold Out!
One of the grooviest Dorothy Ashby albums of the 60s – a set that has her already-great jazz work on harp backed by Chicago soul arrangements from Richard Evans – all in a blend that's somewhere in the territory of the Soulful Strings, but even groovier! And as an added bonus, Odell Brown even plays a bit of Fender Rhodes on the record – which sounds especially great! Both Ashby and Evans are at the height of their powers here – mixing together bits of jazz, soul, and trippier elements in a sublime late 60s Cadet Records blend – one that's carried off perfectly on the original tunes "Truth Spoken Here", "Tornado", "Cause I Need It", and "Just Had To Tell Somebody" – but which also sounds great on some of the album's cool covers too! Other titles include Brazilian numbers "Reza" and "Canto De Ossanha" – both of which are transformed in Dorothy's hands – plus "This Girl's In Love", "By the Time I Get to Phoenix", and "Windmills of Your Mind"! CD

Possible matches6
CD, LP, Vinyl record album cover art
✨✧ Dorothy AshbyAfro-Harping ... CD
Cadet/Verve, 1968. Used ... Temporarily Out Of Stock
One of the grooviest records ever – a sublime blend of African percussion, soulful orchestrations, and Dorothy Ashby's amazing electric harp! By the time of this landmark album, Dorothy had been knocking around the jazz world for a number of years, but it wasn't until she hooked up with Richard Evans at Cadet Records that her sound really began to cook – breaking down genres and expectations in the trademark style of the best late 60s sides from the Chicago underground. The record's got a bit of funk, a bit of jazz, and a heck of a lot of soul – and the setting works perfectly for Dorothy's harp, giving it a lot more room to work around than some of her smaller jazz combo albums. The album includes two great originals – "Soul Vibrations" and "Afro-Harping" – both of which have a nice funky edge, and a groovy soulful bounce – and other tunes include "Lonely Girl", "Life Has Its Trials", "Look Of Love", "Come Live With Me", and a great version of Freddie Hubbard's "Little Sunflower". CD

Possible matches7
CD, LP, Vinyl record album cover art
✨✧ Natalie ColeInseparable/Natalie/Unpredictable ... CD
Capitol/BGO (UK), 1975/1976/1977. New Copy 2CD ... Temporarily Out Of Stock
A triple pack of early magic from Natalie Cole! Inseparable is Natalie's stunning debut for Capitol Records in the mid 70s – a real surprise, and a set that should have had the singer blossoming even more than she did at the time! As with some of the other Capitol soul sessions of the time, the album's done very firmly under the guidance of Charles Jackson and Marvin Yancey – a pair who give Natalie just the right sort of backing to launch her career – a sound that's full and rich, deeply sophisticated – but also still plenty soulful, almost in the mode of some of Minnie Riperton's work at the time. Given the pair's Chicago roots – and the arrangement help from Richard Evans – that comparison is no surprise, and Natalie rises to the occasion nicely. Titles are all originals too – and include "Needing You", "Joey", "I Can't Say No", "Something For Nothing", "I Love Him So Much", "You", "Your Face Stays On My Mind", and the huge hit "This Will Be". Next up is Natalie – a record that really has Natalie Cole finding her groove – not needing any help from her famous familial legacy, thank you – and instead stepping out with a tight, proud mode that really helped refine the sound of female soul in the 70s! The album's got plenty of influences from the Chicago soul scene – including songwriting and production from the team of Chuck Jackson and Marvin Yancy – and work from key session players like Richard Evans and Gene Barge, who worked in the Curtom Studios to craft the grooves on the set! Titles include "Keep Smiling", "Mr. Melody", "Heaven Is With You", "Can We Get Together", "Touch Me", "Hard To Get Along", and "Good Morning Heartache". Unpredictable is an album that reunites Natalie Cole with the smooth soul team of Chuck Jackson and Marvin Yancey – the team who did such a great job with Natalie's Capitol debut, and who really continue the groove here too! The album's got a rock-solid approach through and through – a quality that has Natalie really standing out on her own as a positive young artist in soul – without any need to nod towards her father, as in later years. And Jackson and Yancey bring a nice dose of Chicago soul class to the affair – which turns out to be a perfect match for Natalie's vocals! Titles include "Be Mine Tonight", "Party Lights", "This Heart", "I've Got Love On My Mind", and "Still In Love". CD

Possible matches8
CD, LP, Vinyl record album cover art
✨✧ Woody Herman & His Thundering HerdKeep On Keepin' On: 1968 - 1970 ... CD
Chess, Late 60s. Used ... Temporarily Out Of Stock
This is the kind of reissue that restores our faith in the American music industry! Although you think he'd be in some sort of snoozy deep-freeze during the groovy 60s, Woody Herman cut some amazing sides for Chess records during the end of the decade. The recordings were done with the help of Chess' great soul arranger Richard Evans – and the material has an amazing big-band funky groove quality that you won't hear in any other of Herman's work. Evans' arrangements are incredibly tight, and they make the best of the band's screaming sound – especially as it's applied to groovy material like "Light My Fire", "I Say A Little Prayer", "Hush", "My Cherie Amour", "Aquarius", and "I Can't Get Next To You". The album includes one of the greatest versions we've ever heard of Edu Lobo's "Ponteio", plus some great original material by the band. A great collection of tracks, with 14 titles in all, and a sound that we never expected to be resurrected by the American majors! CD
(Out of print.)

Possible matches9
CD, LP, Vinyl record album cover art
✨✧ Gene ShawCarnival Sketches ... CD
Argo/MCA (Japan), 1964. Used ... Out Of Stock
Excellent LP by one of the lost trumpet talents of the 60's! Gene "Clarence" Shaw played with Mingus, until the big one scared him away, and he fled to Chicago and started recording LPs for Argo. All of the LPs are great, and this one's a rare treat featuring a cool set of compositions and arrangements by Richard Evans that have a groovy Latiny feel to them. Evans plays bass, and Charles Stepney's on vibes. Shaw is stunning throughout, and this set makes you wonder why Mingus didn't come out to Chicago and re-hire him on the spot. Cuts include "Ain't That Soul", "Goin Back Home", "Goin' Downtown", and "Cha Bossa". Tough one to find – and a beautiful album throughout! CD
(Includes obi.)

Possible matches10
CD, LP, Vinyl record album cover art
✨✧ Linda WilliamsCity Living (with bonus tracks) ... CD
Arista/Big Break (UK), 1979. New Copy ... Out Of Stock
A killer bit of modern soul – one of the standout classics from the best years of Arista! Richard Evans produced and arranged this excellent set of smooth soul grooves for Linda Williams. Linda plays keyboards and sings, and the album was recorded in 2 different sessions – one in LA, and one in Chicago. The album's got a nice jazzy sound, with a similar feel to the Breakwater LPs on Arista at the time. Linda's voice is as wonderful on this set as on anything we've heard from her, and with her depth of talents on the piano & keys, and on the songwriting tip, she's a real creative force at the top of her game here! Tracks include "No Love, No Where, Without You", "Oh Honey", "Loving You Forever", and the great groover "Elevate Our Minds", which is worth the price of the record alone! This Big Break UK remastered edition has 2 bonus tracks: "No Love, No Where, Without You (Single Version)" and "City Living (Single Version)". CD
Also available City Living ... LP 18.99

Possible matches11
CD, LP, Vinyl record album cover art
✨✧ Dorothy AshbyAfro-Harping ... CD
Cadet/Verve, 1968. New Copy ... Out Of Stock
One of the grooviest records ever – a sublime blend of African percussion, soulful orchestrations, and Dorothy Ashby's amazing electric harp! By the time of this landmark album, Dorothy had been knocking around the jazz world for a number of years, but it wasn't until she hooked up with Richard Evans at Cadet Records that her sound really began to cook – breaking down genres and expectations in the trademark style of the best late 60s sides from the Chicago underground. The record's got a bit of funk, a bit of jazz, and a heck of a lot of soul – and the setting works perfectly for Dorothy's harp, giving it a lot more room to work around than some of her smaller jazz combo albums. The album includes two great originals – "Soul Vibrations" and "Afro-Harping" – both of which have a nice funky edge, and a groovy soulful bounce – and other tunes include "Lonely Girl", "Life Has Its Trials", "Look Of Love", "Come Live With Me", and a great version of Freddie Hubbard's "Little Sunflower". CD

Possible matches12
CD, LP, Vinyl record album cover art
✨✧ ImpressionsLoving Power/It's About Time ... CD
Curtom/American Beat, 1976. New Copy ... Out Of Stock
Overlooked 70s genius from The Impressions – 2 killer albums back to back on a single CD! Loving Power is later Curtom work from the group – but still plenty darn nice, with a super-dope vocal harmony approach on the best tracks! The title cut is worth the price of admission alone – as it's a slow-stepping harmony tune that really burns with a sweet mellow feel – sung to perfection by a quartet lineup that includes younger singers Ralph Johnson and Reggie Torian working with older Impressions Fred Cash and Sam Gooden. Chuck Jackson and Marvin Yancy had a good hand in much of the record – bringing it into the warm, sophisti-soul style they were using at the time – and arrangements include some great work by Richard Evans and Rich Tufo. Titles include "Loving Power", "If You Have To Ask", "Sunshine", and "I Can't Wait To See You". It's About Time is The Impressions first album for Cotillion, cut after a great 70s run on Curtom – but one that's done with a sound that still carries on the groove nicely! The more righteous tones of the earlier work are shaken loose a bit, to be replaced by a fuller approach to the music built from arrangements by HB Barnum, Gene Page, and Gil Askey – a bit more LA than Chicago, but with a soaringly soulful quality that almost recalls the sound of The Spinners during their best Philly years. As with that work, the harmonies here are all right on the money, and get plenty of space to sparkle amidst the full strings and tight rhythms – and new group member Nate Evans really brings a deep sense of soul to the group's work. Many tunes were written by the team of Mervin Seals and Melvin Steals – and titles include "I'm A Fool For Love", "Same Old Heartaches", "This Time", "Stardust", "I Need You", and "What Might Have Been". CD

Possible matches13
CD, LP, Vinyl record album cover art
✨✧ Perry & SanlinFor Those Who Love/We're The Winners ... CD
Capitol/FTG, Early 80s. New Copy ... Out Of Stock
A sublime double-header – both rare albums from Perry & Sanlin, together on one CD! First up is For Those Who Love – the first Capitol effort from Phil Perry & Kevin Sanlin – two excellent harmony soul singers who were part of the legendary Montclairs who recorded for Paula earlier in the 70s – and it's a slick batch of modern soul tracks produced with a nice jazzy tinge. Charles (ex-Independents) Jackson handled the album, as he did work for Natalie Cole on Capitol, and so much other great stuff for the label around this time – and the record sparkles with the best modern soul that was coming out on Capitol at the time. The duet style is a bit in the mode of The Valentine Brothers, with either singer taking the lead, and the other coming in on the choruses – and the album's very well handled throughout. Includes a great remake of "Can't Hide Love", plus "Since You (Came Into My Life)", "I'm So Glad There's You", "We Belong Together", and "It's Alright". We're The Winners features production by Richard Evans, and feels very much like work issued under his name in the late 70s – tight, grooving, and nicely funky – but also with a sophisticated edge that has some undercurrents of jazz in the mix, too. Keyboards are by Les McCann, who plays Fender Rhodes on the set – and the whole album has a cool and jazzy feel – with that great early 80s Capitol Rare style – mixing up smooth production, tight soul songwriting, and some nice instrumental elements under the vocals. Tracks include "We're the Winners", "Special to Me", "Shake Down", "Show Stopper", "Wait Till The Next Time", and "Just Like Magic". CD
Also available For Those Who Love/We're The Winners ... CD 9.99
 
 
 



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