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Possible matches: 19
Possible matches1
CD, LP, Vinyl record album cover art
Dorothy AshbyAfro-Harping ... CD
Cadet/Verve, 1968. New Copy ... $7.99 11.98
One of the grooviest records ever – a sublime blend of African percussion, soulful orchestrations, and Dorothy Ashby's amazing electric harp! By the time of this landmark album, Dorothy had been knocking around the jazz world for a number of years, but it wasn't until she hooked up with Richard Evans at Cadet Records that her sound really began to cook – breaking down genres and expectations in the trademark style of the best late 60s sides from the Chicago underground. The record's got a bit of funk, a bit of jazz, and a heck of a lot of soul – and the setting works perfectly for Dorothy's harp, giving it a lot more room to work around than some of her smaller jazz combo albums. The album includes two great originals – "Soul Vibrations" and "Afro-Harping" – both of which have a nice funky edge, and a groovy soulful bounce – and other tunes include "Lonely Girl", "Life Has Its Trials", "Look Of Love", "Come Live With Me", and a great version of Freddie Hubbard's "Little Sunflower". CD

Possible matches2
CD, LP, Vinyl record album cover art
Dorothy AshbyDorothy's Harp ... CD
Cadet (Japan), 1969. New Copy ... $13.99
One of the grooviest Dorothy Ashby albums of the 60s – a set that has her already-great jazz work on harp backed by Chicago soul arrangements from Richard Evans – all in a blend that's somewhere in the territory of the Soulful Strings, but even groovier! And as an added bonus, Odell Brown even plays a bit of Fender Rhodes on the record – which sounds especially great! Both Ashby and Evans are at the height of their powers here – mixing together bits of jazz, soul, and trippier elements in a sublime late 60s Cadet Records blend – one that's carried off perfectly on the original tunes "Truth Spoken Here", "Tornado", "Cause I Need It", and "Just Had To Tell Somebody" – but which also sounds great on some of the album's cool covers too! Other titles include Brazilian numbers "Reza" and "Canto De Ossanha" – both of which are transformed in Dorothy's hands – plus "This Girl's In Love", "By the Time I Get to Phoenix", and "Windmills of Your Mind"! CD

Possible matches3
CD, LP, Vinyl record album cover art
Perry & SanlinFor Those Who Love/We're The Winners ... CD
Capitol/FTG, Early 80s. New Copy ... $11.99 16.98
A sublime double-header – both rare albums from Perry & Sanlin, together on one CD! First up is For Those Who Love – the first Capitol effort from Phil Perry & Kevin Sanlin – two excellent harmony soul singers who were part of the legendary Montclairs who recorded for Paula earlier in the 70s – and it's a slick batch of modern soul tracks produced with a nice jazzy tinge. Charles (ex-Independents) Jackson handled the album, as he did work for Natalie Cole on Capitol, and so much other great stuff for the label around this time – and the record sparkles with the best modern soul that was coming out on Capitol at the time. The duet style is a bit in the mode of The Valentine Brothers, with either singer taking the lead, and the other coming in on the choruses – and the album's very well handled throughout. Includes a great remake of "Can't Hide Love", plus "Since You (Came Into My Life)", "I'm So Glad There's You", "We Belong Together", and "It's Alright". We're The Winners features production by Richard Evans, and feels very much like work issued under his name in the late 70s – tight, grooving, and nicely funky – but also with a sophisticated edge that has some undercurrents of jazz in the mix, too. Keyboards are by Les McCann, who plays Fender Rhodes on the set – and the whole album has a cool and jazzy feel – with that great early 80s Capitol Rare style – mixing up smooth production, tight soul songwriting, and some nice instrumental elements under the vocals. Tracks include "We're the Winners", "Special to Me", "Shake Down", "Show Stopper", "Wait Till The Next Time", and "Just Like Magic". CD
Also available For Those Who Love/We're The Winners ... CD 9.99

Possible matches4
CD, LP, Vinyl record album cover art
✨✧ Perry & SanlinFor Those Who Love/We're The Winners ... CD
Capitol/FTG, Early 80s. Used ... $9.99
A sublime double-header – both rare albums from Perry & Sanlin, together on one CD! First up is For Those Who Love – the first Capitol effort from Phil Perry & Kevin Sanlin – two excellent harmony soul singers who were part of the legendary Montclairs who recorded for Paula earlier in the 70s – and it's a slick batch of modern soul tracks produced with a nice jazzy tinge. Charles (ex-Independents) Jackson handled the album, as he did work for Natalie Cole on Capitol, and so much other great stuff for the label around this time – and the record sparkles with the best modern soul that was coming out on Capitol at the time. The duet style is a bit in the mode of The Valentine Brothers, with either singer taking the lead, and the other coming in on the choruses – and the album's very well handled throughout. Includes a great remake of "Can't Hide Love", plus "Since You (Came Into My Life)", "I'm So Glad There's You", "We Belong Together", and "It's Alright". We're The Winners features production by Richard Evans, and feels very much like work issued under his name in the late 70s – tight, grooving, and nicely funky – but also with a sophisticated edge that has some undercurrents of jazz in the mix, too. Keyboards are by Les McCann, who plays Fender Rhodes on the set – and the whole album has a cool and jazzy feel – with that great early 80s Capitol Rare style – mixing up smooth production, tight soul songwriting, and some nice instrumental elements under the vocals. Tracks include "We're the Winners", "Special to Me", "Shake Down", "Show Stopper", "Wait Till The Next Time", and "Just Like Magic". CD
(Out of print.)
Also available For Those Who Love/We're The Winners ... CD 11.99

Possible matches5
CD, LP, Vinyl record album cover art
Linda WilliamsCity Living (with bonus tracks) ... CD
Arista/Big Break (UK), 1979. New Copy ... $3.99
A killer bit of modern soul – one of the standout classics from the best years of Arista! Richard Evans produced and arranged this excellent set of smooth soul grooves for Linda Williams. Linda plays keyboards and sings, and the album was recorded in 2 different sessions – one in LA, and one in Chicago. The album's got a nice jazzy sound, with a similar feel to the Breakwater LPs on Arista at the time. Linda's voice is as wonderful on this set as on anything we've heard from her, and with her depth of talents on the piano & keys, and on the songwriting tip, she's a real creative force at the top of her game here! Tracks include "No Love, No Where, Without You", "Oh Honey", "Loving You Forever", and the great groover "Elevate Our Minds", which is worth the price of the record alone! This Big Break UK remastered edition has 2 bonus tracks: "No Love, No Where, Without You (Single Version)" and "City Living (Single Version)". CD

Possible matches6
CD, LP, Vinyl record album cover art
✨✧ Dorothy AshbyRubaiyat Of Dorothy Ashby ... CD
Cadet/Dusty Groove, 1970. Used ... Temporarily Out Of Stock
Incredible work from the amazing Dorothy Ashby – a brilliant set of funky and spiritual tunes, set to full backings from Chicago soul arranger Richard Evans! This album is easily one of Ashby's greatest, and it's dedicated to the writings of Omar Khayyam – one of the forces guiding Dorothy's more spiritual sound at the end of the 60s, clearly opened up in a way that's not unlike the direction of Alice Coltrane's work, but a lot more focused and a lot more funky! Ashby not only plays her usual jazz harp, but also koto as well, and even sings a bit too – and the larger group directed by Evans features work by Stu Katz on vibes and kalimba, Lenny Druss on flutes, and Cash McCall on guitar – all in a groove that's really a precursor to the Earth Wind & Fire generation of the Chicago scene! Titles include the amazing break "The Moving Finger" – worth the price of the album alone – plus "Dust", "Joyful Grass & Grape", "Heaven & Hell", "Wax & Wane", "Shadow Shapes", "For Some When Young", "Myself When Young", and "Drink". CD
(Out of print. On the Dusty Groove label.)

Possible matches7
CD, LP, Vinyl record album cover art
✨✧ Natalie ColeInseparable/Natalie/Unpredictable ... CD
Capitol/BGO (UK), 1975/1976/1977. Used 2CD ... Temporarily Out Of Stock
A triple pack of early magic from Natalie Cole! Inseparable is Natalie's stunning debut for Capitol Records in the mid 70s – a real surprise, and a set that should have had the singer blossoming even more than she did at the time! As with some of the other Capitol soul sessions of the time, the album's done very firmly under the guidance of Charles Jackson and Marvin Yancey – a pair who give Natalie just the right sort of backing to launch her career – a sound that's full and rich, deeply sophisticated – but also still plenty soulful, almost in the mode of some of Minnie Riperton's work at the time. Given the pair's Chicago roots – and the arrangement help from Richard Evans – that comparison is no surprise, and Natalie rises to the occasion nicely. Titles are all originals too – and include "Needing You", "Joey", "I Can't Say No", "Something For Nothing", "I Love Him So Much", "You", "Your Face Stays On My Mind", and the huge hit "This Will Be". Next up is Natalie – a record that really has Natalie Cole finding her groove – not needing any help from her famous familial legacy, thank you – and instead stepping out with a tight, proud mode that really helped refine the sound of female soul in the 70s! The album's got plenty of influences from the Chicago soul scene – including songwriting and production from the team of Chuck Jackson and Marvin Yancy – and work from key session players like Richard Evans and Gene Barge, who worked in the Curtom Studios to craft the grooves on the set! Titles include "Keep Smiling", "Mr. Melody", "Heaven Is With You", "Can We Get Together", "Touch Me", "Hard To Get Along", and "Good Morning Heartache". Unpredictable is an album that reunites Natalie Cole with the smooth soul team of Chuck Jackson and Marvin Yancey – the team who did such a great job with Natalie's Capitol debut, and who really continue the groove here too! The album's got a rock-solid approach through and through – a quality that has Natalie really standing out on her own as a positive young artist in soul – without any need to nod towards her father, as in later years. And Jackson and Yancey bring a nice dose of Chicago soul class to the affair – which turns out to be a perfect match for Natalie's vocals! Titles include "Be Mine Tonight", "Party Lights", "This Heart", "I've Got Love On My Mind", and "Still In Love". CD
(Slipcase has some wear.)

Possible matches8
CD, LP, Vinyl record album cover art
✨✧ Ahmad JamalPittsburgh ... CD
Atlantic, 1990. Used ... Temporarily Out Of Stock
Sweet piano and soaring strings – a wonderful little record that brings the keyboard work of Ahmad Jamal into play with larger arrangements from Richard Evans, both working together here in an update of the sound from earlier albums at Chess! Although a later Jamal recording, the sound here is surprisingly great – and Ahmad's on acoustic piano throughout, playing in bold tones and strong colors – while Evans shades things in with just the right amount of orchestrations to expand on the themes without smothering them. There's very few "modern" touches here, save for perhaps the careful recording of Jamal's grand piano – and titles include "Fly Away", "Apple Avenue", "Pittsburgh", "Bellows", "Mellowdrama", "Divertimento", and "Foolish Ways". CD

Possible matches9
CD, LP, Vinyl record album cover art
✨✧ NotationsNotations – Superpeople ... CD
Curtom/Sequel (UK), Mid 70s. Used ... Temporarily Out Of Stock
This is the one and only album released by this great Chicago vocal group – and it's packaged here with extra tracks! The whole thing's filled with classic 70's Chicago soul sounds, arranged by Rich Tufo, Tom Washington, and Richard Evans, and with production that's very much in the Curtom vein. The LP includes loads of sweet soulful Chicago tracks, including "I'm Losing", "Make Me Twice The Man", "Take It Slow", and "It Only Hurts For A Little While". Great to have on CD, and this cool reissue also includes their classic funk track "Superpeople", plus "The Chopper", a nice cut that was never issued before! CD
(Out of print.)

Possible matches10
CD, LP, Vinyl record album cover art
✨✧ Natalie ColeThankful/I Love You So/Don't Look Back ... CD
Capitol/BGO (UK), 1977/1979/1980. Used ... Out Of Stock
Classic early work from Natalie Cole – packaged here in a sweet 2CD set! First up is the album Thankful – the third record in a tremendous early creative and commerical winning streak for Natalie! Thankful has her sweet, soulful voice out from of prodcution by Chuck Jackson and Marvin Yancy of the Independents, and they give her a nice jazzy sound that made the record one of her best of the 70s. Richard Evans and Gene Barge arranged, which probably had something to do with that, too – but Natalie truly deserves most of the credit of the strength of this set. It includes the standout groovers "La Costa" and"Annie Mae", but the whole record is really sweet – with "Lovers", "Our Love", "Be Thankful", "Just Can't Stay Away" and "Keeping A Light". I Love You So is a Capitol killer from Natalie Cole – a really great record from the time when she really seemed to be starting out her career with a bang! As with other gems on Capitol, the record features some great production work from Marvin Yancy and Chuck Jackson, getting a bit of help here from Gene Barge too – all wrapped up with a strong, sophisticated sound that shows plenty of Chi-soul touches in the music – a great approach for Natalie's maturing vocals. The sound is wonderfully balanced, and really stays away from easy hit modes – leaving the lady in a space that's all her own, on tracks that include "The Winner", "I Love You So", "Oh Daddy", "Sorry", "Stand By", and "Who Will Carry On". Don't Look Back is an overlooked gem from Natalie Cole – a set that still has her working strongly with songwriter Marvin Yancy, who really helped her find her sound and style during the early years of her career! Natalie actually helped with writing a fair bit on the record herself – sometimes with Yancy, sometimes alone – and the result is a surprisingly personal batch of tunes that really show a deepening of spirit in the singer, especially in the mellower moments. Gene Barge handles the arrangements – still bringing a bit of Chicago soul roots to the record – that mix of deep and sophisticated modes that always brought out the best in Natalie. Titles include "Don't Look Back", "I'm Getting In To You", "Paradise", "Hold ON", "Danger UP A head", and "Someone That I Used To Love". CD

Possible matches11
CD, LP, Vinyl record album cover art
✨✧ Natalie ColeInseparable/Natalie/Unpredictable ... CD
Capitol/BGO (UK), 1975/1976/1977. New Copy 2CD ... Out Of Stock
A triple pack of early magic from Natalie Cole! Inseparable is Natalie's stunning debut for Capitol Records in the mid 70s – a real surprise, and a set that should have had the singer blossoming even more than she did at the time! As with some of the other Capitol soul sessions of the time, the album's done very firmly under the guidance of Charles Jackson and Marvin Yancey – a pair who give Natalie just the right sort of backing to launch her career – a sound that's full and rich, deeply sophisticated – but also still plenty soulful, almost in the mode of some of Minnie Riperton's work at the time. Given the pair's Chicago roots – and the arrangement help from Richard Evans – that comparison is no surprise, and Natalie rises to the occasion nicely. Titles are all originals too – and include "Needing You", "Joey", "I Can't Say No", "Something For Nothing", "I Love Him So Much", "You", "Your Face Stays On My Mind", and the huge hit "This Will Be". Next up is Natalie – a record that really has Natalie Cole finding her groove – not needing any help from her famous familial legacy, thank you – and instead stepping out with a tight, proud mode that really helped refine the sound of female soul in the 70s! The album's got plenty of influences from the Chicago soul scene – including songwriting and production from the team of Chuck Jackson and Marvin Yancy – and work from key session players like Richard Evans and Gene Barge, who worked in the Curtom Studios to craft the grooves on the set! Titles include "Keep Smiling", "Mr. Melody", "Heaven Is With You", "Can We Get Together", "Touch Me", "Hard To Get Along", and "Good Morning Heartache". Unpredictable is an album that reunites Natalie Cole with the smooth soul team of Chuck Jackson and Marvin Yancey – the team who did such a great job with Natalie's Capitol debut, and who really continue the groove here too! The album's got a rock-solid approach through and through – a quality that has Natalie really standing out on her own as a positive young artist in soul – without any need to nod towards her father, as in later years. And Jackson and Yancey bring a nice dose of Chicago soul class to the affair – which turns out to be a perfect match for Natalie's vocals! Titles include "Be Mine Tonight", "Party Lights", "This Heart", "I've Got Love On My Mind", and "Still In Love". CD

Possible matches12
CD, LP, Vinyl record album cover art
✨✧ Natalie ColeThankful (with bonus tracks) ... CD
Capitol/Soulmusic.com (UK), 1977. New Copy ... Out Of Stock
Great earlier stuff from Natalie Cole – actually her third great album in a row – a tremendous early creative and commerical winning streak for Natalie! Thankful has her sweet, soulful voice out from of prodcution by Chuck Jackson and Marvin Yancy of the Independents, and they give her a nice jazzy sound that made the record one of her best of the 70s. Richard Evans and Gene Barge arranged, which probably had something to do with that, too – but Natalie truly deserves most of the credit of the strength of this set. It includes the standout groovers "La Costa" and"Annie Mae", but the whole record is really sweet – with "Lovers", "Our Love", "Be Thankful", "Just Can't Stay Away" and "Keeping A Light". This Soulmusic.com edition includes a bonus track: "Our Love (US Single Edit). CD

Possible matches13
CD, LP, Vinyl record album cover art
✨✧ Natalie ColeThankful/I Love You So/Don't Look Back ... CD
Capitol/BGO (UK), 1977/1979/1980. New Copy 2 CDs ... Out Of Stock
Classic early work from Natalie Cole – packaged here in a sweet 2CD set! First up is the album Thankful – the third record in a tremendous early creative and commerical winning streak for Natalie! Thankful has her sweet, soulful voice out from of prodcution by Chuck Jackson and Marvin Yancy of the Independents, and they give her a nice jazzy sound that made the record one of her best of the 70s. Richard Evans and Gene Barge arranged, which probably had something to do with that, too – but Natalie truly deserves most of the credit of the strength of this set. It includes the standout groovers "La Costa" and"Annie Mae", but the whole record is really sweet – with "Lovers", "Our Love", "Be Thankful", "Just Can't Stay Away" and "Keeping A Light". I Love You So is a Capitol killer from Natalie Cole – a really great record from the time when she really seemed to be starting out her career with a bang! As with other gems on Capitol, the record features some great production work from Marvin Yancy and Chuck Jackson, getting a bit of help here from Gene Barge too – all wrapped up with a strong, sophisticated sound that shows plenty of Chi-soul touches in the music – a great approach for Natalie's maturing vocals. The sound is wonderfully balanced, and really stays away from easy hit modes – leaving the lady in a space that's all her own, on tracks that include "The Winner", "I Love You So", "Oh Daddy", "Sorry", "Stand By", and "Who Will Carry On". Don't Look Back is an overlooked gem from Natalie Cole – a set that still has her working strongly with songwriter Marvin Yancy, who really helped her find her sound and style during the early years of her career! Natalie actually helped with writing a fair bit on the record herself – sometimes with Yancy, sometimes alone – and the result is a surprisingly personal batch of tunes that really show a deepening of spirit in the singer, especially in the mellower moments. Gene Barge handles the arrangements – still bringing a bit of Chicago soul roots to the record – that mix of deep and sophisticated modes that always brought out the best in Natalie. Titles include "Don't Look Back", "I'm Getting In To You", "Paradise", "Hold ON", "Danger UP A head", and "Someone That I Used To Love". CD

Possible matches14
CD, LP, Vinyl record album cover art
✨✧ VariousChicago Soul – Electric Blues, Funk & Soul – The New Sound Of Chicago In The 1960's ... CD
Soul Jazz (UK), Late 60s. New Copy ... Out Of Stock
A massive overview of the genius Chicago scene of the late 60s – and a set that's overflowing with some of the heaviest music ever recorded! The collection focuses on the most groundbreaking work from the later Chess years – particularly the funky blues, psychedelic soul, and tripped out jazz that was coming out of the Cadet Concept studios in the hands of producers like Charles Stepney, Richard Evans, and Marshall Chess! The Chess groups were ahead of their time by decades – blending together styles without a thought of simple genre restrictions, often forsaking chart fame and record sales in pursuit of an adventurous groove. And while some of the artists on the set may be familiar names, we can promise that most of them are presented in styles that you may not have heard before – as the collection features many unreissued numbers that are making their first reappearance here! CD set comes with a 40 page set of notes – and features 20 tracks in all, including "Please Newsboy" by Eve Barnum, "Burning Spear" by Soulful Strings, "More & More" by Little Milton, "Baltimore Oriole" by Lorez Alexandria, "Soul Vibrations" by Dorothy Ashby, "Evil" by Howlin Wolf, "Stereo Freeze" by The Stereos, "The Way I Feel" by Phil Upchurch, "Mama's Got A Good Thing" by Laura Lee, "The Wailer" by Sonny Cox, "Leave It In The Hands Of Love" by Fontella Bass, "Why Am I Treated So Bad" by The Majestic Choir & The Soul Stirrers, "She Suits Me To A Tee" by Buddy Guy, "Memory Band" by Rotary Connection, and "In My Body's House" by Gene Chandler. CD

Possible matches15
CD, LP, Vinyl record album cover art
✨✧ ImpressionsLoving Power/It's About Time ... CD
Curtom/American Beat, 1976. New Copy ... Out Of Stock
Overlooked 70s genius from The Impressions – 2 killer albums back to back on a single CD! Loving Power is later Curtom work from the group – but still plenty darn nice, with a super-dope vocal harmony approach on the best tracks! The title cut is worth the price of admission alone – as it's a slow-stepping harmony tune that really burns with a sweet mellow feel – sung to perfection by a quartet lineup that includes younger singers Ralph Johnson and Reggie Torian working with older Impressions Fred Cash and Sam Gooden. Chuck Jackson and Marvin Yancy had a good hand in much of the record – bringing it into the warm, sophisti-soul style they were using at the time – and arrangements include some great work by Richard Evans and Rich Tufo. Titles include "Loving Power", "If You Have To Ask", "Sunshine", and "I Can't Wait To See You". It's About Time is The Impressions first album for Cotillion, cut after a great 70s run on Curtom – but one that's done with a sound that still carries on the groove nicely! The more righteous tones of the earlier work are shaken loose a bit, to be replaced by a fuller approach to the music built from arrangements by HB Barnum, Gene Page, and Gil Askey – a bit more LA than Chicago, but with a soaringly soulful quality that almost recalls the sound of The Spinners during their best Philly years. As with that work, the harmonies here are all right on the money, and get plenty of space to sparkle amidst the full strings and tight rhythms – and new group member Nate Evans really brings a deep sense of soul to the group's work. Many tunes were written by the team of Mervin Seals and Melvin Steals – and titles include "I'm A Fool For Love", "Same Old Heartaches", "This Time", "Stardust", "I Need You", and "What Might Have Been". CD

Possible matches16
CD, LP, Vinyl record album cover art
✨✧ ImpressionsLoving Power/It's About Time ... CD
Curtom/American Beat, 1976. Used ... Out Of Stock
Overlooked 70s genius from The Impressions – 2 killer albums back to back on a single CD! Loving Power is later Curtom work from the group – but still plenty darn nice, with a super-dope vocal harmony approach on the best tracks! The title cut is worth the price of admission alone – as it's a slow-stepping harmony tune that really burns with a sweet mellow feel – sung to perfection by a quartet lineup that includes younger singers Ralph Johnson and Reggie Torian working with older Impressions Fred Cash and Sam Gooden. Chuck Jackson and Marvin Yancy had a good hand in much of the record – bringing it into the warm, sophisti-soul style they were using at the time – and arrangements include some great work by Richard Evans and Rich Tufo. Titles include "Loving Power", "If You Have To Ask", "Sunshine", and "I Can't Wait To See You". It's About Time is The Impressions first album for Cotillion, cut after a great 70s run on Curtom – but one that's done with a sound that still carries on the groove nicely! The more righteous tones of the earlier work are shaken loose a bit, to be replaced by a fuller approach to the music built from arrangements by HB Barnum, Gene Page, and Gil Askey – a bit more LA than Chicago, but with a soaringly soulful quality that almost recalls the sound of The Spinners during their best Philly years. As with that work, the harmonies here are all right on the money, and get plenty of space to sparkle amidst the full strings and tight rhythms – and new group member Nate Evans really brings a deep sense of soul to the group's work. Many tunes were written by the team of Mervin Seals and Melvin Steals – and titles include "I'm A Fool For Love", "Same Old Heartaches", "This Time", "Stardust", "I Need You", and "What Might Have Been". CD

Possible matches17
CD, LP, Vinyl record album cover art
✨✧ Shirley ScottSuperstition ... CD
Cadet/Soul Brother (UK), 1973. New Copy ... Out Of Stock
One of the coolest, grooviest albums ever from Hammond giant Shirley Scott – a set that's got a fair bit of funk in the mix, and a really rich array of inventive lines on the keyboards too! The tracks are longer than usual, and really step past the more familiar Shirley Scott modes of the 60s – opening up into more righteous 70s territory in the company of Chess/Cadet Records – with arrangements from Richard Evans that are as sophisticated as they are funky! Evans plays bass on the record – in a combo that also features both Jimmy Ponder and David Spinozza on guitar, Jimmy Owens and Art Hoyle on trumpets, and Grady Tate on drums. The album features some great drum breaks on Shirley's versions of "Superstition" and "Lady Madonna", and includes a totally great cover of "People Make The World Go Round", the killer originals "Hanky's Panky" and "Liberation Song", and a sweet take on "Last Tango In Paris". CD

Possible matches18
CD, LP, Vinyl record album cover art
✨✧ Shades Of BrownS.O.B. ... CD
Cadet (Japan), 1970. New Copy ... Out Of Stock
Amazing soul from Chess Records – and an album that almost feels like some lost small-label soul set, or a batch of rare funky 45s! Shades Of Brown are an ultra-hip male group from Chicago – a quartet of singers with the range and depth of The Temptations or Dells at their best, supported by a small combo of very lively instrumentalists who bring a really funky edge to their music – that sort of self-contained sound than you might find more in the hinterlands of the 60s soul scene than at Chess. But there's also plenty of key Chess touches too – including production by Dells maestro Bobby Miller, who also penned all the tunes for the record, giving the group some wonderful material to work with. Richard Evans handled most of the arrangements, but Charles Stepney also did a few too – and titles include "Man's Worst Enemy", "Girl I'm Coming Home", "Falling In Love Too Hard", "Lite Y'All Up", "Lie #2", "Little Girl", "Ho-Hum World", "He Didn't Leave Me A Name", "Garbage Man", and "The Soil I Tilled For You" – which has an amazing break! CD

Possible matches19
CD, LP, Vinyl record album cover art
✨✧ Sylvia St JamesMagic/Echoes & Images ... CD
Elektra/Expansion (UK), 1980/1981. New Copy ... Out Of Stock
Two great albums from singer Sylvia St James – back to back on a single CD! Magic is a stunning solo set from Sylvia St James – previously known as a singer in the great group Side Effect – but an even better act on her own! Sylvia gets lots of great help here from the jazz fusion side of the spectrum – including drummer Lenny White, plus keyboardists Don Blackman and Larry Dunn – the latter from Earth Wine & Fire, the former a soulful powerhouse in his own right! Both Dunn and White produced the record, and the latter gives it the vibe of some of his Twennynine albums – a great blend of jazz and modern soul that really works perfectly for Sylvia's vocals – and which recalls some of her previous work with Wayne Henderson. Titles include "Can't Make You Mine", "Let Love Groove Me", "So I Say To You", "Magic Minstrel", "Motherland", "Black Diamond", and "Ghetto Lament". Echoes & Images is an album that's got a richer soul feel than some of Sylvia St James' previous work – and a record that really has the singer coming into her own, with a setting that's out to rival the bigger mainstream soul divas of the time! Richard Evans and McKinley Jackson handle the arrangements – and bring all their rich experience in modern soul to play – creating these full charts that push Sylvia's vocals forward strongly, yet still with lots of hip touches that avoid some of the more commercial chart soul cliches of the time. The arrangements have really kept the record fresh over the years – as has the lesser-known status of St James' as a singer – and titles include "Prime Time", "Behind My Back", "If You Let Me Love You", "The Bottom Line", and "Eastern Man". CD
 
 
 



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