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Close matches: 18
Close matches1
CD, LP, Vinyl record album cover art
Brenda & The TabulationsI Keep Coming Back For More ... CD
Chocolate City/Reel Music, 1977. New Copy ... $5.99 12.99
Sublime second generation soul from Brenda & The Tabulations – a sweet set of Philly grooves, recorded at Sigma sound with help from Norman Harris, Bobby Eli, and John Davis! The album's every bit as groove-heavy as you'd expect from work by those dancefloor heavyweights – and the record's a great change from the earlier style of Brenda and the group – more positive and progressive, yet still with a few of the fragile ballads that first got them noticed! There's a great sense of class and poise to the record – a progression from the early years that's similar to that which many other Philly artists experienced with Gamble & Huff – almost more surprising here, given that sometimes a Casablanca record didn't come out with the same sort of care. Titles include "Superstar", "Home To Myself", "I Keep Coming Back For More", "Let's Go All The Way Down", "Leave Me Alone", and "Everybody's Fool". CD also features a bonus 12" mix of "Let's Go All The Way Down" – and an excellent Reel Music job of mastering and liner notes! CD
Also available I Keep Coming Back For More ... CD 7.99

Close matches2
CD, LP, Vinyl record album cover art
Brenda & The TabulationsI Keep Coming Back For More ... CD
Chocolate City/Reel Music, 1977. Used ... $7.99
Sublime second generation soul from Brenda & The Tabulations – a sweet set of Philly grooves, recorded at Sigma sound with help from Norman Harris, Bobby Eli, and John Davis! The album's every bit as groove-heavy as you'd expect from work by those dancefloor heavyweights – and the record's a great change from the earlier style of Brenda and the group – more positive and progressive, yet still with a few of the fragile ballads that first got them noticed! There's a great sense of class and poise to the record – a progression from the early years that's similar to that which many other Philly artists experienced with Gamble & Huff – almost more surprising here, given that sometimes a Casablanca record didn't come out with the same sort of care. Titles include "Superstar", "Home To Myself", "I Keep Coming Back For More", "Let's Go All The Way Down", "Leave Me Alone", and "Everybody's Fool". CD also features a bonus 12" mix of "Let's Go All The Way Down" – and an excellent Reel Music job of mastering and liner notes! CD
(Out of print.)
Also available I Keep Coming Back For More ... CD 5.99

Close matches3
CD, LP, Vinyl record album cover art
Gloria JonesShare My Love (with bonus track) ... CD
Motown/Reel Music, 1973. Used ... $9.99
A heavy heavy set from Gloria Jones – a record that features some killer Paul Riser arrangements that are right up there with the deepest Motown work of the early 70s! Jones' groove is always a bit different than most of her contemporaries – not the usual Motown bag, and really far-reaching for the label – heavy funk one minute, more sophisticated the next – and almost pointing the way towards her later association with T Rex, and Gloria's time in the UK. Riser really pushes himself strongly here – backing Gloria with full strings on some tracks, soaring in the trademark upbeat Riser groove – then dropping into heavier rhythms at other points, with complicated elements that make the album a treasure trove of fresh surprises with each new track! Cuts include "Share My Love", "Oh Baby", "Old Love New Love", "Try Love", "So Tired", "Baby Don't Cha Know", and "Why Can't You Be Mine". CD also features a bonus demo version of "I I Were Your Woman" – and comes with a 16 page booklet, filled with notes, album details, photos, and even a short essay by Rolan Bolan – the son of Gloria Jones and Marc Bolan. CD
(Out of print.)

Close matches4
CD, LP, Vinyl record album cover art
Bettye LavetteTell Me A Lie ... CD
Motown/Reel Music, 1982. New Copy ... $5.99 15.98
A rare set from legendary southern soul diva Betty Lavette – recorded as a one-off for Motown in the early 80s, but done in a deep soul style that has plenty of 70s touches! The feel here is almost in the Malaco mode – southern soul, but with some more sophisticated modern touches – an approach which takes Betty's great vocals and makes them come across with a warm, sensuous glow that's really great. And if you've got any doubts about the date of the record, or the label it's on, shelve them now – because this is a great record with plenty of wonderful mellow soul numbers that display a whole new side of Betty's talents – every bit as great as her earlier work for rootsier labels, and proof that she was always a shining star in the deep soul scene, no matter what the setting! Titles include "I Like It Like That", "Tell Me A Lie", "Right In The Middle", "Either Way We Lose", "Suspicions", and "Before I Knew Your Name". CD

Close matches5
CD, LP, Vinyl record album cover art
Sisters LoveWith Love ... CD
MoWest/Reel Music/P&C, Early 70s. New Copy ... $14.99 15.98
The incredible lost album from the group Sisters Love – material slated for release in the early 70s, but never saw the light of day, save for a handful of singles – a mix of rootsier southern soul and impeccable west coast funk styles, finally brought to light and with bonus tracks, to boot! Sisters Love came to Motown/MoWest at a transitional time for the label(s), who sent the group on tour, released a rare few singles in the US & UK, but didn't get the group over into the public consciousness the way it deserved. Soul Jazz UK released a stellar compilation of great Sisters Love recordings, but the complete album that they recorded for MoWest that never saw an official release remained in the dark – until now! Reel Music/P&C Records dove into Motown's vaults and came out with the 10 tracks intended for the With Love album in the early 70s – and pulls together 5 more. 8 of the 15 tracks have never been released officially before this essential release – and each one is a straight up stunner! Great songs that were written, produced & arranged by the cream of the crop of soulful talents – Willie Hutch, Hal Davis, Gene Page, Gloria Jones & Pamela Sawyer – but this is the Sisters Love show, and they shine brilliantly! Titles include the amazing "Fast Mack" (purportedly submitted for the soundtrack to The Mack – and it's funky enough!), "Communication", "Mr Fix-It Man", "I'm Learning To Trust My Man", "Giving Up", "I Ain't That Easy To Lose", ""Do What You Gotta Do", "Sweet Inspiration", "Give Me Your Love" and more. CD

Close matches6
CD, LP, Vinyl record album cover art
Kim TolliverCome & Get Me I'm Ready ... CD
Chess/Reel Music, 1973. New Copy ... $5.99 12.99
One of the deepest soul records ever issued by Chess Records – and the album wasn't even done in Chicago! The album's the only full effort issued under the name of Kim Tolliver – a singer who'd worked previously for Fantasy as Kimberley Briggs – and it's a sublime effort from Tolliver and husband Fred Briggs, who'd worked together previously on work for Stax by Margie Joseph! The style here is quite unique – a mix of Kim's southern soul-styled vocals with some fuller, richer touches – almost in the same way that Gloria Scott comes across on her classic album with Barry White – but a bit more rough around the edges overall. The production is amazing – with a great sense of space and style – and some key use of echo that really underscores the emotion of the tunes. A good part of the album was recorded in Miami – with echoes of the TK modes of the time – but other recording was also done in Cleveland, which might account for the more unique aspects of the set. Regardless of location, though, the album's a tremendously individual effort – a bold, raw statement from Tolliver – filled with emotion that few of her contemporaries could match, and free of any crossover soul cliches that were really bogging down other artists at the time. Most tracks here are original – as original in conception as the sound of the record – and titles include "The Other Side Of Town", "The Way He Used To", "She Don't Know You Like I Do", "Takin A Woman's Stand", "I'm Losing The Feeling", "Learn To Get Along Without You", and "I Need You/Drop Whatever You're Doing". CD

Close matches7
CD, LP, Vinyl record album cover art
Mary WellsIn & Out Of Love (with bonus tracks) ... CD
Epic/Reel Music, 1981. New Copy ... $5.99 12.99
Mary Wells has come a long way from Motown by the time of this sweet early 80s set – really changing up her style to go for a mature, sophisticated groove – that best side of modern soul at the time, put together with superb production by the great Greg Perry! The sound is warm, and plenty darn groovy – a mode that's almost in the same style that some of the hippest Philly International artists were hitting at the same point – really refining their sound, but still holding onto the best soulful elements of years before! But there's still a nice Detroit legacy going on too – that undercurrent of Motown togetherness that you might find in later work by Lamont Dozier – no surprise, since McKinley Jackson's helping Perry arrange the rhythms on the record. Titles include the great groover "These Arms", plus "Spend The Nights With Me", "You Make Me Feel So Good Inside", "Gigolo", "I'm Changing My Ways", and "I'm Not The One". Beautiful Reel Music reissue, too – loads of detailed notes – and bonus tracks that include 12" versions of "Gigolo" and "These Arms". CD

Close matches8
CD, LP, Vinyl record album cover art
Deniece WilliamsNiecy ... CD
Columbia/Reel Music, 1982. New Copy ... $5.99 12.98
Totally great work from Deniece Williams – still mostly free from the tinny pop of later years, and done in a solidly soulful style at Sigma Sound, with arrangements and production from the mighty Thom Bell! The groove is almost an update of 70s Philly, with traces of the maturing mellow side of Williams – all wrapped up with a good degree of confidence on the vocals, but enough tenderness to remind us of the greatness of Williams' roots. Deniece at her early 80s best! Titles include "I Believe In Miracles", "Waiting By The Hotline", "It's Gonna Take A Miracle", "Love Notes", "How Does It Feel", "Now Is The Time For Love", "Waiting" and "A Part Of Love". CD

Close matches9
CD, LP, Vinyl record album cover art
Tony WilliamsJoy Of Flying ... CD
Columbia/Reel Music, 1979. Used ... $6.99
A key record in the evolution of Tony Williams as a drummer – and kind of a powerful summation of all the changes he'd made in the 70s – before a return to straighter jazz in the next decade! Williams' drumming here is incredibly fierce at points – almost at a Billy Cobham level – but he also shows the sensitivity to deeper sounds that he first brought into play during the 60s – and manages to mix an ear for fusion modes with some freer elements too – thanks to help from a lineup of players that includes Herbie Hancock and Brian Auger on keyboards, Cecil Taylor on piano, Jan Hammer on Fender Rhodes, Stanley Clarke on bass, Ton Scott on lyricon, and Ronnie Montrose on guitar. Titles include "Tony", "Coming Back Home", "Morgan's Motion", "Eris", "Open Fire", and "Hittin On 6". Great CD reissue – full notes, and a 20 page booklet with the usual Reel Music attention to detail! CD
(Out of print.)
Also available Joy Of Flying ... LP 7.99

Close matches10
CD, LP, Vinyl record album cover art
✨✧ Gwen McCraeLay It On Me – The Columbia Years ... CD
Columbia/Reel Music/P&C, Early 70s. New Copy ... Temporarily Out Of Stock
Amazing rare soul from Gwen McCrae – little-known material recorded for Columbia records in the years before her later 70s fame at TK! The style here is nice and rootsy – very southern soul in its approach, even more so than Gwen's earliest work at TK – thanks, perhaps, to less of a club or pop crossover need in the production. Yet there's also a key link with the TK years, too – production by Steve Alaimo, who's really finding his way here in a great way – borrowing bits from other southern soul modes, moving them down to Miami, and helping forge a whole new chapter in southern soul for the 70s. Gwen's vocals are incredible – arguably even deeper and more hard-hitting than on some of her bigger hits – and the freshness of the material further makes the set great. Plus, since Columbia never issued a full album of this work in the US (although there was one rare record of the singles in Europe in the 70s), this package makes the first-ever full length Columbia album from Gwen – put together with stunning sound, very detailed notes, and some great vintage images. Titles include "Leave The Driving To Us", "Ain't Nothing You Can Do", "Lay It On Me", "Lead Me On", "Lovin In The Lay A Way", "I'm Losing The Feeling", and "Been So Long". CD

Close matches11
CD, LP, Vinyl record album cover art
✨✧ Tony WilliamsJoy Of Flying ... CD
Columbia/Reel Music, 1979. New Copy ... Temporarily Out Of Stock
A key record in the evolution of Tony Williams as a drummer – and kind of a powerful summation of all the changes he'd made in the 70s – before a return to straighter jazz in the next decade! Williams' drumming here is incredibly fierce at points – almost at a Billy Cobham level – but he also shows the sensitivity to deeper sounds that he first brought into play during the 60s – and manages to mix an ear for fusion modes with some freer elements too – thanks to help from a lineup of players that includes Herbie Hancock and Brian Auger on keyboards, Cecil Taylor on piano, Jan Hammer on Fender Rhodes, Stanley Clarke on bass, Ton Scott on lyricon, and Ronnie Montrose on guitar. Titles include "Tony", "Coming Back Home", "Morgan's Motion", "Eris", "Open Fire", and "Hittin On 6". Great CD reissue – full notes, and a 20 page booklet with the usual Reel Music attention to detail! CD
Also available
Joy Of Flying ... LP 7.99
Joy Of Flying ... CD 6.99

Close matches12
CD, LP, Vinyl record album cover art
✨✧ LabellePressure Cookin' ... CD
RCA/Reel Music, 1973. New Copy ... Out Of Stock
An early classic from LaBelle – wonderful vocals mixed with both heavy funk and laidback spacey soul touches! The group had really hit their stride by this point – as the trio of Nona Hendryx/Sarah Dash/Patti Labelle push way past their girl group roots – and even some of the slightly less-formed modes of their Warner Brothers years – finding a really badass sort of territory that would serve them well for the rest of the 70s! The shift really pays off – as there's a number of good funky numbers on the album – and some righteous political lyricism in the mix, too – but also some mellower moments that really round things out nicely. The trio riff on a version of "The Revolution Will Not Be Televised", as led into by the cut "Something In The Air" – and other numbers include "Sunshine (Woke Me Up This Morning)", "Mr. Music Man", "Goin' On a Holiday", "Open Up Your Heart", "Let Me See You In The Light", and "Can I Speak to You Before You Go to Hollywood". CD

Close matches13
CD, LP, Vinyl record album cover art
✨✧ Edna WrightOops! Here I Go Again ... CD
RCA/Reel Music, 1976. New Copy ... Out Of Stock
A stunner of a solo set from Edna Wright – once the lead singer for Honey Cone, but almost even better on this smooth soul masterpiece from the 70s! The album's got an immediately recognizeable moment in the leadoff cut "Oops Here I Go" – sampled famously by De La Soul and others – but the whole thing's amazing, a killer bit of warm, modern soul put together by the legendary Greg Perry – who makes the whole thing shine every bit as much as his own great Smokin album of the time! Edna's vocals are wonderful – more mature than before, and really stepping out with a proud, sophisticated sort of groove – almost in territory of Jean Carn or Gloria Scott, particularly the latter on some of the album's more grooving cuts. In addition to "Oops Here I Go", other cuts include "Come On Down", "You Can't See the Forest", "Nothing Comes to a Sleeper", "If The Price Is Right", and "Spend the Nights With Me". Great reissue package, too – with full notes and beautiful remastering! CD
Also available Oops! Here I Go Again ... LP 25.99

Close matches14
CD, LP, Vinyl record album cover art
✨✧ Yvonne FairBitch Is Black ... CD
Tamla/Reel Music, 1975. New Copy ... Out Of Stock
Heavy heavy funk from the mighty Yvonne Fair – a 70s bad soul sister that we'd rank right up there with Betty Davis! Yvonne got her start working with James Brown in a sweeter mode, but by the time of this mid 70s debut, she'd hit a really hard-wailing sort of style – one that had the righteous vocal lead of singers like Davis, Maxayn, or a rare few others – and which gets support here from some really full, rich production from Norman Whitfield! Whitfield brings in bits of strings alongside the heavier bass, drums, and keyboards – and makes for a unique mix that almost goes a bit southern soul, while still staying in the hipper styles of 70s Motown – letting Yvonne get a bit personal on a few tear-jerking numbers, and come wailing back with full force on the funkier ones. Titles include the classics "Funky Music Sho Nuff Turns Me On" and "It Should Have Been Me" – plus "Let Your Hair Down", "Love Ain't No Toy", "Tell Me Something Good", "It's Bad For Me To See You", "Stay A Little Longer", and "Walk Out The Door If You Wanna". CD

Close matches15
CD, LP, Vinyl record album cover art
✨✧ Phyllis HymanSomewhere In My Lifetime (with bonus tracks) ... CD
Arista/Reel Music, 1978. New Copy ... Out Of Stock
Warm and wonderful work from Phyllis Hyman – a set that's a lot more mainstream soul than her music of a few years before, but she delivers it with a strong commitment to the more complicated styles of her roots! The sound here is full and proud – a nice extension of the work that Hyman did with Norman Connors, and not nearly as much in a disco mode as it might be, given the time of the release. And although many of the tracks are somewhat upbeat, they've got a bit more complication in the rhythms than conventional club – thanks to the presence of jazz players who include Herbie Hancock, Monty Alexander, Azar Lawrence, and others. The best production on the record is by T Life, and the team of Skip Scarborough and Larry Alexander – and titles include "Kiss You All Over", "Living Inside Your Love", "Soon Come Again", "Here's That Rainy Day", "So Strange", "Lookin For A Lovin", and "Be Careful (How You Treat My Love)". This edition on the irreplaceable Reel Music label is newly remastered and includes bonus 12" promo mixes of "Kiss You All Over" and "So Strange". CD
Also available Somewhere In My Lifetime ... LP 5.99

Close matches16
CD, LP, Vinyl record album cover art
✨✧ Gloria JonesShare My Love (with bonus track) ... CD
Motown/Reel Music, 1973. New Copy ... Out Of Stock
A heavy heavy set from Gloria Jones – a record that features some killer Paul Riser arrangements that are right up there with the deepest Motown work of the early 70s! Jones' groove is always a bit different than most of her contemporaries – not the usual Motown bag, and really far-reaching for the label – heavy funk one minute, more sophisticated the next – and almost pointing the way towards her later association with T Rex, and Gloria's time in the UK. Riser really pushes himself strongly here – backing Gloria with full strings on some tracks, soaring in the trademark upbeat Riser groove – then dropping into heavier rhythms at other points, with complicated elements that make the album a treasure trove of fresh surprises with each new track! Cuts include "Share My Love", "Oh Baby", "Old Love New Love", "Try Love", "So Tired", "Baby Don't Cha Know", and "Why Can't You Be Mine". CD also features a bonus demo version of "I I Were Your Woman" – and comes with a 16 page booklet, filled with notes, album details, photos, and even a short essay by Rolan Bolan – the son of Gloria Jones and Marc Bolan. CD
Also available Share My Love (with bonus track) ... CD 9.99

Close matches17
CD, LP, Vinyl record album cover art
✨✧ Cheryl LynnCheryl Lynn (with bonus tracks) ... CD
Columbia/Reel Music, 1978. New Copy ... Out Of Stock
Massive work from the great Cheryl Lynn – and a key bridge between late 70s disco and the newer grooves of the 80s club scene! The album's a mix of midtempo groovers with a few mellower tracks – and it's got a tight, slightly jazzy sound that was very fresh at the time, and which still holds up incredibly well today – really a cut above most of Cheryl's contemporaries, and most of her later work too! The standout cut on the record is the landmark groover "Got To Be Real" – but there's loads of other great ones, like "Star Love", "Daybreak (Storybook Children)", "Give My Love To You", "All My Lovin", and "Come In From The Rain". Great CD reissue – with excellent notes, remastering, and two bonus tracks – "Got To Be Real (7" version – with different vocals)" and "You Saved My Day (12" version)". CD

Close matches18
CD, LP, Vinyl record album cover art
✨✧ Jimmy RuffinRuff 'N Ready ... CD
SOUL/Reel Music, 1969. New Copy ... Out Of Stock
A tremendous little album from Jimmy Ruffin – as "ruff" as the title implies, with a much deeper groove than you might find from other Motown releases at the time! The style here is really wonderful – rich, heartfelt vocals from Jimmy that easily match the best of the Detroit underground of the time – a style that's a bit like Darrell Banks or JJ Barnes, with echoes of the southern sound of the 60s – but produced to perfection with all the best that Motown could muster! Jimmy gets lots of heavy help from Norman Whitfield – who produced about half the tracks on the set, and gives Ruffin a sound that's somewhere between his righteous soul with the Temptations, and the best Motown grooves of his earlier work for the label. Other production is by Brian Holland & Lamont Dozier, William Weatherspoon & James Dean, and Richard Morris – all of whom follow Whitfield's lead nicely – and although the album's got few runaway hits, it's a rock-solid effort throughout – just the kind of album that makes us love the Motown full-length scene even more than the label's singles! Titles include "Lonely Lonely Man Am I", "It's Wonderful (To Be Loved By You)", "Don't Let Him Take Your Love From Me", "Everybody Needs Love", "Sad & Lonesome Feeling", "Love Gives Love Takes Away", and "Farewell Is A Lonely Sound". Great reissue package too – with excellent sound, very detailed notes, and some great vintage images! CD
 
Possible matches: 9
Possible matches19
CD, LP, Vinyl record album cover art
✨✧ VariousWonder Of Stevie 3 – Presented By DJ Spinna ... CD
BBE (UK), 1970s/2016. New Copy 2 CDs ... Out Of Stock
An incredible collection of Stevie Wonder cover versions – different versions of familiar tunes, but ones that really manage to sparkle with all the righteous soul of the Stevie himself! It's been over a decade since DJ Spinna brought us the last version of his Wonder Of Stevie series – and during that time, he's managed to come up with a huge amount of great tracks that make the whole thing go way way deeper than before – not just cuts that copy the Wonder mode, but which seem to draw strong inspiration from its genius, and really soar to the skies! Much of the music here resonates with a charm that's located around the years of albums like Music Of My Mind and Innervisions, with all the jazzy currents that might imply – and some cuts are 70s vintage, others are more contemporary. Titles include "Bird Of Beauty" by US Atlantic First Navy Show Band, "It's My Pleasure" by Billy Preston, "Love's In Need Of Love Today" by John Minnis Big Bone Band, "As" by Tony Sherman, "Buttercup" by Jackson 5, "Have A Talk With God" by East St Louis Gospelettes, "Betcha Wouldn't Hurt Me" by Quincy Jones, "Golden Lady" by Reel People with Tony Momrelle, "If You Don't Love Me" by GC Cameron, "If She Breaks Your Heart Again" by Foreign Exchange, "Don't You Worry Bout A Thing" by Black Sugar, "Go Home" by Jrod Indigo, and "Make My Water Boil" by David Ruffin. 2CDs – one of the cuts unmixed, one with the tracks in a continuous mix by Spinna! CD

Possible matches20
CD, LP, Vinyl record album cover art
✨✧ VariousWonder Of Stevie 3 – Presented By DJ Spinna ... LP
BBE (UK), 1970s/2016. New Copy 2LP Gatefold ... Out Of Stock
An incredible collection of Stevie Wonder cover versions – different versions of familiar tunes, but ones that really manage to sparkle with all the righteous soul of the Stevie himself! It's been over a decade since DJ Spinna brought us the last version of his Wonder Of Stevie series – and during that time, he's managed to come up with a huge amount of great tracks that make the whole thing go way way deeper than before – not just cuts that copy the Wonder mode, but which seem to draw strong inspiration from its genius, and really soar to the skies! Much of the music here resonates with a charm that's located around the years of albums like Music Of My Mind and Innervisions, with all the jazzy currents that might imply – and some cuts are 70s vintage, others are more contemporary. Titles include "Bird Of Beauty" by US Atlantic First Navy Show Band, "It's My Pleasure" by Billy Preston, "Love's In Need Of Love Today" by John Minnis Big Bone Band, "As" by Tony Sherman, "Buttercup" by Jackson 5, "Have A Talk With God" by East St Louis Gospelettes, "Betcha Wouldn't Hurt Me" by Quincy Jones, "Golden Lady" by Reel People with Tony Momrelle, "If You Don't Love Me" by GC Cameron, "If She Breaks Your Heart Again" by Foreign Exchange, "Don't You Worry Bout A Thing" by Black Sugar, "Go Home" by Jrod Indigo, and "Make My Water Boil" by David Ruffin. LP, Vinyl record album

Possible matches21
CD, LP, Vinyl record album cover art
Tim BuckleyLady Give Me Your Key – The Unissued 1967 Solo Acoustic Sessions ... CD
Future Days, 1967. New Copy Gatefold ... $12.99 14.98
A lost treasure for any fan of Tim Buckley – material from two different sessions recorded in 1967, both of which include a few songs that never appeared elsewhere! As the title implies, the recordings here are acoustic – mostly with guitar and Buckley's vocals very much upfront in the mix, at a level that traces an even deeper line back to folk music – but which, throughout, is always graced by that amazing sense of phrasing that made Tim unlike any of his contemporaries! The stripped-down setting is a fantastic one for his vocals – which are possibly even more mindblowing without any sort of studio arrangement or fancy production. Material comes from one rare reel-to-reel tape, only recently discovered – and a rare acetate of another session – and the sound quality for both is great. The package comes with detailed notes on the material, and an in-depth interview with co-lyricism Larry Beckett – and titles include "Sixface", "Contact", "Pleasant Street", "Lady Give Me Your Key", "Once Upon A Time", "Marigold", "Carnival Song", "She's Back Again", and "I Can't Leave You Lovin Me". CD
Also available Lady Give Me Your Key – The Unissued 1967 Solo Acoustic Sessions ... LP 22.99

Possible matches22
CD, LP, Vinyl record album cover art
Tim BuckleyLady Give Me Your Key – The Unissued 1967 Solo Acoustic Sessions ... LP
Future Days, 1967. New Copy ... $22.99 24.98
A lost treasure for any fan of Tim Buckley – material from two different sessions recorded in 1967, both of which include a few songs that never appeared elsewhere! As the title implies, the recordings here are acoustic – mostly with guitar and Buckley's vocals very much upfront in the mix, at a level that traces an even deeper line back to folk music – but which, throughout, is always graced by that amazing sense of phrasing that made Tim unlike any of his contemporaries! The stripped-down setting is a fantastic one for his vocals – which are possibly even more mindblowing without any sort of studio arrangement or fancy production. Material comes from one rare reel-to-reel tape, only recently discovered – and a rare acetate of another session – and the sound quality for both is great. The package comes with detailed notes on the material, and an in-depth interview with co-lyricism Larry Beckett – and titles include "Sixface", "Contact", "Pleasant Street", "Lady Give Me Your Key", "Once Upon A Time", "Marigold", "Carnival Song", "She's Back Again", and "I Can't Leave You Lovin Me". LP, Vinyl record album
Also available Lady Give Me Your Key – The Unissued 1967 Solo Acoustic Sessions ... CD 12.99

Possible matches23
CD, LP, Vinyl record album cover art
Miles DavisFreedom Jazz Dance – The Bootleg Series Vol 5 (3LP set) ... LP
Columbia, Late 60s. New Copy 3LP Gatefold ... $44.99 48.99
One of the coolest entries so far in this excellent series of rare material from legendary trumpeter Miles Davis – a set that brings together unheard studio sessions from the years 1966 to 1968 – some tracks from the recordings that gave the world the Miles Smiles, Nefertiti, and Water Babies albums! The group here is that legendary lineup that includes Wayne Shorter on tenor, Herbie Hancock on piano, Ron Carter on bass, and Tony Williams on drums – a group who, by this point, was quite comfortable with both each other, and the new ideas that Miles was bringing to his music – very ready to step out with the rich sense of imagination they brought to music like this. There's definitely a new current of darkness here – that brooding quality that Davis had on some of his pre-electric dates – and it's wonderful to hear his ideas develop over a few performances of some tunes, and also through some of the studio chatter too. Titles include a long session reel performance of "Freedom Jazz Dance", three versions of "Circle", session reel takes of "Dolores", "Orbits", "Footprints", "Gingerbread Boy", "Nefertiti", "Fall", and "Water Babies" – plus the tracks "Play Your Eight (Miles speaks)", "Blues In F", "Country Son (rhythm section rehearsal)", and "Masqualero (alt take – take 3)". LP, Vinyl record album
(Inlcudes download!)
Also available Freedom Jazz Dance – The Bootleg Series Vol 5 (3CD set) ... CD

Possible matches24
CD, LP, Vinyl record album cover art
Tony WilliamsBelieve It/Million Dollar Legs/Joy Of Flying ... CD
Columbia/BGO (UK), 1975/1976/1979. New Copy 2 CDs ... $16.99
A trio of excellent albums from master drummer Tony Williams – all brought together in a single package! Believe It is crackling funky fusion from Tony Williams' "new" version of his classic Lifetime group – a quartet that featured some smoking guitar work by jazz rock legend Allan Holdsworth! The sound on the set is very full-on and jamming – fuzzed-out guitars taking over most of the tracks, and Tony jumping into the fray with some really frenetic work on drums – miles away from his earlier jazz work in the 60s, and really taking off with the best sort of rock/jazz fusion energy! Titles include "Snake Oil", "Fred", "Proto Cosmos", "Red Alert", and "Mr Spock". On Million Dollar Legs, Tony Williams is a million miles from his work with the Miles Davis Quintet on this record – grooving in a heavy rock/fusion mode with his New Lifetime group that includes Allan Holdsworth on guitar, Tony Newton on bass and vocals, and Alan Pasqua on keyboards! The tracks have a post Jeff Beck kind of approach – lots of heavy riffing in a way that does create a bit of funk at the right moments, almost in the Alphonze Mouzon/Tommy Bolin mode – and Williams' drums are right at home in the setting, and somehow filled with as much imagination and creativity as before! Titles include "Sweet Revenge", "Inspirations Of Love", "Lady Jade", "What You Do To Me", and "Joy Filled Summer". Joy Of Flying is a key record in the evolution of Tony Williams as a drummer – and kind of a powerful summation of all the changes he'd made in the 70s – before a return to straighter jazz in the next decade! Williams' drumming here is incredibly fierce at points – almost at a Billy Cobham level – but he also shows the sensitivity to deeper sounds that he first brought into play during the 60s – and manages to mix an ear for fusion modes with some freer elements too – thanks to help from a lineup of players that includes Herbie Hancock and Brian Auger on keyboards, Cecil Taylor on piano, Jan Hammer on Fender Rhodes, Stanley Clarke on bass, Ton Scott on lyricon, and Ronnie Montrose on guitar. Titles include "Tony", "Coming Back Home", "Morgan's Motion", "Eris", "Open Fire", and "Hittin On 6". Great CD reissue – full notes, and a 20 page booklet with the usual Reel Music attention to detail! CD

Possible matches25
CD, LP, Vinyl record album cover art
✨✧ Hampton HawesHampton HawesTrio & Quartet 1951 to 1956 – Live & Studio Sessions ... CD
Fresh Sound (France), Early/Mid 50s. Used 2CD ... Temporarily Out Of Stock
A great overview of the early work of LA pianist Hampton Hawes – featuring obscure sides recorded in the years before his groundbreaking albums for Contemporary Records! The first disc in the set features live recordings from the LA scene of the early 50s – mostly recorded in 1951 and 1952 by jazz fan Bob Andrews at the Haig and the Surf Club. Despite Andrews' primitive reel to reel recorder, the sound is surprisingly strong – thanks to a boppish approach by Hawes that makes his piano work explode onto tape – and the disc features 18 tunes, all trio numbers with Hawes in the company of bassists Joe Mondragon and Harper Crosby, and drummers Lawrence Marable, Larry Bunker, and Shelly Manne. Titles include "Blue Bird", "Again", "I'll Remember April", "Buzzy", "Another Air Do", and "Hawes Paws". Disc 2 features studio sessions done for the Prestige and Discovery label – again in trio format, but occasionally with interesting twists that include some great vibes by Larry Bunker, and cello by Harry Babasin. Other players include Shelly Manne, Joe Mondragon, Clarence Jones, and Lawrence Marable – and the disc features 18 more titles that include "Night & Day", "Jumpin Jacques", "Hamp's Paws", "Buzzy", "Move", "Terrible T", "Fanfare", "Thou Swell", and "I Hear Music". CD
(Out of print.)

Possible matches26
CD, LP, Vinyl record album cover art
✨✧ Tony WilliamsBelieve It/Million Dollar Legs/Joy Of Flying ... CD
Columbia/BGO (UK), 1975/1976/1979. Used 2 CDs ... Temporarily Out Of Stock
A trio of excellent albums from master drummer Tony Williams – all brought together in a single package! Believe It is crackling funky fusion from Tony Williams' "new" version of his classic Lifetime group – a quartet that featured some smoking guitar work by jazz rock legend Allan Holdsworth! The sound on the set is very full-on and jamming – fuzzed-out guitars taking over most of the tracks, and Tony jumping into the fray with some really frenetic work on drums – miles away from his earlier jazz work in the 60s, and really taking off with the best sort of rock/jazz fusion energy! Titles include "Snake Oil", "Fred", "Proto Cosmos", "Red Alert", and "Mr Spock". On Million Dollar Legs, Tony Williams is a million miles from his work with the Miles Davis Quintet on this record – grooving in a heavy rock/fusion mode with his New Lifetime group that includes Allan Holdsworth on guitar, Tony Newton on bass and vocals, and Alan Pasqua on keyboards! The tracks have a post Jeff Beck kind of approach – lots of heavy riffing in a way that does create a bit of funk at the right moments, almost in the Alphonze Mouzon/Tommy Bolin mode – and Williams' drums are right at home in the setting, and somehow filled with as much imagination and creativity as before! Titles include "Sweet Revenge", "Inspirations Of Love", "Lady Jade", "What You Do To Me", and "Joy Filled Summer". Joy Of Flying is a key record in the evolution of Tony Williams as a drummer – and kind of a powerful summation of all the changes he'd made in the 70s – before a return to straighter jazz in the next decade! Williams' drumming here is incredibly fierce at points – almost at a Billy Cobham level – but he also shows the sensitivity to deeper sounds that he first brought into play during the 60s – and manages to mix an ear for fusion modes with some freer elements too – thanks to help from a lineup of players that includes Herbie Hancock and Brian Auger on keyboards, Cecil Taylor on piano, Jan Hammer on Fender Rhodes, Stanley Clarke on bass, Ton Scott on lyricon, and Ronnie Montrose on guitar. Titles include "Tony", "Coming Back Home", "Morgan's Motion", "Eris", "Open Fire", and "Hittin On 6". Great CD reissue – full notes, and a 20 page booklet with the usual Reel Music attention to detail! CD
Also available Believe It/Million Dollar Legs/Joy Of Flying ... CD 16.99

Possible matches27
CD, LP, Vinyl record album cover art
✨✧ VariousSoul Love 2016 – A Collection Of The Finest Modern Soul ... CD
Reel People (UK), 2016. New Copy ... Out Of Stock
An excellent collection of underground soul – one that brings together tracks from both the British and American scene, including a number of titles that we've never seen on CD before! The set comes from the Reel People label, and has the same depth of sound as that group's wonderful music – styles that are certainly contemporary, but filled with a rich sense of soulful heritage – and an undeniable amount of positive energy! You'll recognize a few tracks here, but there's probably a number of others you don't already own, too – and titles include "Falling In Love With You" by Kim Burrell, "Smile" by Portia Monique, "Unconditional Love" by Greg Dean with Chantae Cann & Jarrod Lawson, "Talk To Me" by Jordan Rakei, "Because We Love It" by Louie Vega with Zara McFarlane, "Over The Sun" by Dilouya with Omar, "Make Believe" by Brandon Williams with Deborah Bond & Bamm Davis, "Optimistic" by Zepherin Saint with Ann Nesby, "Alone With You" by Kraak & Smaak with Cleopold, "All The Things You Are (Louie Vega rmx)" by Tony Momrelle, "Lifelines (Reel People rmx)" by Zo with Dornik, and "Slippin On Ya Pimpin" by Amp Fiddler with Dames Brown. CD
 
Partial matches: 54
Partial matches28
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Archie SheppLife At The Donaueschingen Music Festival ... LP
MPS, 1967. Very Good+ Gatefold ... $11.99
Some of Archie Shepp's most freewheeling material of the 60s – a long, extended, single-song album recorded at the Donaueschingen festival a few years before his classic work for BYG/Actuel – and very much in the same bold spirit as his recordings for that label! The single tune – "One For The Trane" – is opened up, stretched out, and run freely by Shepp on tenor, Roswell Rudd and Grachan Moncur on trombones, Jimmy Garrison on bass, and Beaver Harris on drums – a very unique lineup that benefits not just from the presence of two trombones, which gives the record a very deep, rich sound – but also from the creative rhythms of Garrison and Harris, a really great team for a session like this! Shepp is wonderful – still with this inherent sense of soul that also ties the performance to some of his brightest moments for Impulse Records – this structure, even when blowing free, that creates an amazing sense of swing somewhere back in the music. LP, Vinyl record album
(Cover has some edge wear.)

Partial matches29
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Jimmy GiuffreFree Fall (plus unreleased tracks) ... CD
Columbia/Legacy, 1963. Used ... $14.99
An incredible batch of freely crafted tracks from Jimmy Giuffre's legendary early 60s trio! The group features Steve Swallow on bass and Paul Bley on piano, and the two young modernists were a perfect match of Giuffre's ever-developing ideas of freedom and harmony. The music is beautiful – with a sound that's like nothing else we can describe, and an approach that's free floating (or free falling), but never directionless, and never overindulgent. Perfectly measured, with a strong sense of melody and rhythm, even amidst the more outside moments. Titles include "Propulsion", "Threewe", "Dichotomy", "Man Alone", and "Divided Man" – plus 5 bonus cuts not issued on the original album! CD
(Out of print.)

Partial matches30
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✨✧ Gruppo D'Improvvisazione Nuova ConsonanzaGruppo D'Improvvisazione Nuova Consonanza (1973) ... LP
Cinevox/Superior Viaduct, 1973. New Copy (reissue)... $16.99
A rare one from Italian experimental pioneers Gruppo D'Improvvisazione Nuova Consonanza – led by Franco Evangelisti and featuring the great Ennio Morricone on trumpet, who might feel a little bit liberated from the conventions of film soundtrack compositions in this setting, and is making some of the most freely creative music of his career! The sound is improv-based and always compelling, ranging from tense interplay between noisy percussion and Morricone's playful trumpet, to sparer, eerie atmospheric bits, to freeform exploration that clearly influenced many of the avant garde musicians to come. Other players include Walter Branchi, Mario Bertoncini, John Heinemann and Egisto Macchi – and the titles include "Collage 5", "Percussione per Tutti", "Mirage" and "Macroforma". LP, Vinyl record album

Partial matches31
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Gruppo D'Improvvisazione Nuova ConsonanzaGruppo D'Improvvisazione Nuova Consonanza 1973 ... CD
Beat (Italy), 1973. New Copy ... $18.99
A rare one from Italian experimental pioneers Gruppo D'Improvvisazione Nuova Consonanza – led by Franco Evangelisti and featuring the great Ennio Morricone on trumpet, who might feel a little bit liberated from the conventions of film soundtrack compositions in this setting, and is making some of the most freely creative music of his career! The sound is improv-based and always compelling, ranging from tense interplay between noisy percussion and Morricone's playful trumpet, to sparer, eerie atmospheric bits, to freeform exploration that clearly influenced many of the avant garde musicians to come. Other players include Walter Branchi, Mario Bertoncini, John Heinemann and Egisto Macchi – and the titles include "Collage 5", "Percussione per Tutti", "Mirage" and "Macroforma". CD

Partial matches32
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✨✧ Roy HaynesJust Us ... LP
New Jazz, 1960. Very Good+ ... $44.99
Seminal work from the Roy Haynes Trio – one of the hippest groups of its type at the time! Roy's work on the drums is miles ahead of many of his contemporaries – and here, he swings freely with a style that presages a number of modernists who'd emerge in the mid to late 60s – almost melodic at moments, with a style that's open-ended, but still quite swinging – and held down wonderfully with the soulful piano of Richard Wyands and contemplative bass work of Eddie DeHaas. Titles include "Well Now", "Cymbalism", "Con Alma", "As Long As There's Music", and "Sweet & Lovely". LP, Vinyl record album
(Very nice Japanese pressing – with insert! Cover has a very small bit of splitting on the spine, but is nice overall.)

Partial matches33
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Joe McPhee & Raymond BoniLive From The Magic City ... CD
Trost (Austria), 1985. New Copy ... $16.99
A lost duet between Joe McPhee and Raymond Boni – done at a time when both musicians were making some incredible contributions to the early Hat Art Records catalog! The sound here is maybe sharper and starker than either of their studio sets from the time – improvised freely in two different sets, with Joe on soprano sax, electronics, and a bit of voice – and Boni on electric guitar and electronics, the latter of which sometimes seem to be processing his sounds on guitar. On the back cover photo, McPhee also appears to be electrifying his soprano – and together, the pair definitely hit some more abstract sonic passages as they improvise. The original concert was inspired by a quote by Eric Dolphy – "When you hear music, after it's over, it's gone, in the air, you can never capture it again" – but fortunately, we have this album to help with that! CD

Partial matches34
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✨✧ Roscoe MitchellConversations II – With Craig Taborn & Kikanju Baku ... CD
Wide Hive, 2014. New Copy ... $9.99 13.99
Roscoe Mitchell returns to a mode that he explored freely back in the 70s – loose, improvised collaborations with other musicians – done at a level that offers up a richly organic blend of sonic elements and musical moments! Some of Mitchell's later work has been more structured, but the approach here is very much in the best early AACM mode – or maybe a bit like Roscoe's classic Sackville recordings – extended "conversations" between his own flutes and saxes, the drums and percussion of Kikanju Baku, and the piano, organ, and keyboards of Craig Taborn. All players are nicely restrained – and as with Mitchell and the Art Ensemble, the mix of instruments is never used in any way that's gimmicky at all – but with subtle shifts that really emphasize the need of the players to communicate together. Titles on this second volume include "Frenzy House", "Chipper & Bing", "Stay Hayfer", "They Rode For Them", "Just Talking", "I'll See You Out There", "Next Step", and "Fly Over & Stay Awhile". CD

Partial matches35
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✨✧ Roscoe MitchellConversations With Craig Taborn & Kikanju Baku ... CD
Wide Hive, 2014. New Copy ... $9.99 13.99
Roscoe Mitchell returns to a mode that he explored freely back in the 70s – loose, improvised collaborations with other musicians – done at a level that offers up a richly organic blend of sonic elements and musical moments! Some of Mitchell's later work has been more structured, but the approach here is very much in the best early AACM mode – or maybe a bit like Roscoe's classic Sackville recordings – extended "conversations" between his own flutes and saxes, the drums and percussion of Kikanju Baku, and the piano, organ, and keyboards of Craig Taborn. All players are nicely restrained – and as with Mitchell and the Art Ensemble, the mix of instruments is never used in any way that's gimmicky at all – but with subtle shifts that really emphasize the need of the players to communicate together. Titles on this first volume include include "Splatter", "Rub", "Cracked Roses", "Last Trane To Clover Five", and "Knock & Roll". CD

Partial matches36
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Ronnie ScottLive At The Jazz Club ... CD
Esquire/Solid (Japan), 1952/1953. New Copy ... $15.99
Early live material from British tenor giant Ronnie Scott – sides not recorded at his own famous club, but by the BBC for broadcast – which maybe makes them some of Scott's first recordings of this nature, and certainly some of the best from the time! The first large chunk of material features Ronnie heading up an octet – not only blowing freely, in some of his best bop modes of the time – but also really showing off his talent as an arranger – in front of musicians who include Jimmy Deuchar on trumpet, Derek Humble on alto, Benny Green on baritone sax, and Norman Stenfalt on piano. The same group plays on the rest of the tracks, with the addition of Peter King on tenor sax – and titles include "All The Things You Are", "The Champ", "Popo", "Pantagrulian", "Mullenium", "The Nearness Of You", and "Nemo". CD

Partial matches37
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Blaise Siwula/Nobu Stowe/Ray SageBrooklyn Moments ... CD
Konnex (Germany), 2005. Used ... $13.99
Freely expressive work from the Total Improvisation unit of Blais Siwula on saxes, Nobu Stowe on piano, and Ray Sage on drums – but played with a sense of soul and cohesion that's quite surprising! Although improvised, the work is still strongly song-based – often quite tuneful, and never too out for out's sake – with a sensitivity that's evident on some of the album's best numbers. Despite the wide array of reeds from Siwula – including alto, tenor, bass clarinet, and bamboo flute – Stowe's piano almost seems to be the driving force here, given its bold tone, texture, and innate sense of rhythm. CD features 5 segments of music in all – parts 1 through 5. CD
(Out of print.)

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✨✧ Nate WooleyArgonautica ... CD
Firehouse 12, 2016. New Copy ... Just Sold Out!
One of the most ambitious records we've heard from Nate Wooley in a long time – a single extended performance that features the trumpeter in a sextet – with additional trumpet from Ron Miles, piano from Cory Smythe, double drums from Rudy Royston and Devin Gray, and some especially nice Fender Rhodes and electronics from Jozef Dumoulin! Another record with such a setting might be freely improvised, but there's definitely a sense of structure here – a core idea from Wooley that flows out in a beautiful way as each of the musicians pick up the "Argonautica" spirit – adding their own shades and voices, but dominating too much – and instead, providing the right sort of inspiration to drive each other onward! There's a really beautiful sound to the whole thing – and the Fender Rhodes are especially nice next to Wooley's trumpet. CD

Partial matches39
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VariousInternational New Jazz Meeting – Burg Altena 1972 to 1973 (8CD set) ... CD
Be! (Germany), 1972/1973. New Copy 8CD ... $129.99 153.99
A double-whammy of a package – one that's like attending a totally hip festival of avant jazz, and finding a time machine to take you there in the process! This overstuffed box brings together recordings from two years' worth of the Burg Altena International New Jazz Meeting in Germany – 4CDs from 1972, and 4 from 1973 – packaged in a very cool box that features loads of photos, and reprints of pages from the programs to both festivals too! But the music here is what really matters – as the performances are all long, often freely improvised, and usually much more way-out than the material you'd hear from any of these players on record. Plus, the choice of musicians is quite unique – some familiar faces from the European underground, but also some real surprises, too – at a level that makes this collection a bit different than others of its nature. The 1972 discs features full sets by Chris McGregor's Brotherhood Of Breath, a quintet led by keyboardist Wolfgang Dauner with guitarist Attila Zoller, reedman Phil Woods European Rhythm Machine with Gordon Beck on electric piano, a duet between Jan Frederyk Dobrowolski on piano and Jacec Bednarek on bass, a quintet led by reedman/violinist Michal Urbaniak with Urszula Dudziak on voice and Adam Makowicz on electric piano, a quartet led by vibist/pianist Karl Berger with Ingrid Berger on voice and Peter Kowald on bass, and the Scandinavia New Jazz Group – with Bobo Stenson on electric piano, Lennart Aberg on tenor, Kjell Westling on soprano sax, Palle Danielsson on bass, and Bengt Berger on drums. 1973 is equally exciting – a performance of the fantastic Anima trio with Paul Fuchs on reeds, Limpe Fuchs on drums and voice, and Friedrich Gulda on acoustic and electric piano; a quintet led by trumpeter Terumasa Hino with Mikio Masuda on piano and Motohiko Hino on drums; the Theo Loevendie Consort, with Theo on alto and soprano, Hans Dulfer on tenor and flute, Martin Altena on bass, and Leo Cuypers on piano; Tune For Bassclarinets with the named instrument played by the quartet of Gunter Hampel, Willem Breuker, Michel Pilz, and Jef Sicard; and the Reform Art Unit, which includes Franz Kogelmann on trumpet, Fritz Novotny on reeds, Sepp Mitterbauer on pocket and regular trumpet, and Giselherr Smekal on organ and piano. Hours of music – and a wonderful package overall! CD

Partial matches40
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✨✧ John Butcher & Stale Liavik SolebergSo Beautiful It Starts To Rain ... CD
Clean Feed (Portugal), 2016. New Copy ... Temporarily Out Of Stock
They certainly got the "beautiful" in the title right – because although the set's a series of freely-improvised duets between reedman John Butcher and drummer Stale Liavik Solberg – the pair handle their music with a lot more care and sensitivity than you might hear from any other duo! Butcher is especially great on tenor and soprano sax – shaping sounds as much as creating notes – often with an approach that's darkly poetic, and very beautiful throughout – always filled with surprise, and very well matched with Solberg's inventive percussion. Titles include "So Beautiful", "It Starts", and "To Rain". CD

Partial matches41
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✨✧ Hans Koller Free SoundNome ... CD
Be! (Germany), 1974. New Copy ... Temporarily Out Of Stock
Fantastic work from avant saxophonist Hans Koller – rare material that stands with the best Free Sound albums he released for MPS in the 70s! By this point in his career, Koller was really exploding with talent – a sax player who first begun in the postwar years with modes that were more California modern, but expanded and changed throughout the 60s – to the point where Hans was one of the most open-minded, freely-creative musicians on the central European scene! If you've only heard Koller's straighter tenor, you'll really be blown away here – as Hans blows both that horn and soprano sax, in a freewheeling group that also features Wolfgang Dauner on piano, Zbigniew Siefert on alto and violin, Adelhard Rodinger on bass, and Janusz Stefanski on drums. And while the music definitely lives up to the Free Sound name of the group, it's also not entirely free jazz – as there's a sense of structure and larger modern ideals that hearkens back to some of Koller's earlier music, even while the soloists are taking off. Titles include the 40 minute workout on "Nome", the 11 minute "Ulla M Kompanie 22/8", and the surprisingly spiritual "Kunstkopfindianer/Adea". CD

Partial matches42
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✨✧ Mostly Other People Do The KillingBlue ... CD
Hot Cup, 2014. New Copy ... Temporarily Out Of Stock
One of the greatest records we've heard so far from this ultra-hip ensemble – the group's own version of the classic Miles Davis album Kind Of Blue – played in track by track sequence, but with a lot of the group's own flavors on the solos, even though they follow the originals very strongly too! The tracks are all long and wonderful – and done in a style that's quite faithful to the original, but as a way of showing these guys' continuing commitment to working jazz roots into their freely expressive music – a path that's taken them through a run of music from Ornette Coleman to trad jazz, before landing them here at Miles Davis! Peter Evans handles trumpet – quite a heady role, but done well – and Jon Irabagon blows both the alto and tenor sax parts, alongside Ron Stabinsky on piano, Moppa Elliott on bass, and Kevin Shea on drums. Titles include – of course – "So What", "Freddie Freeloader", "All Blues", "Blue In Green", and "Flamenco Sketches". CD

Partial matches43
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✨✧ Wadada Leo SmithWadada Leo Smith – The Kabell Years 1971 to 1979 (4CD set) ... CD
Tzadik, 1970s. Used 4CD ... Temporarily Out Of Stock
A window into a near-lost side of American avant jazz of the 70s – the self-produced albums issued by Leo Smith on his Kabell label – presented here as a beautiful 4CD set, complete with over 2 hours of previously unreleased material! The original albums have always been incredibly hard to find, and they show a side of Smith that is one of the purest on record from the time – displaying him as a key innovator in the tradition of Chicago musicians of the AACM, and the New York players of the loft scene – both of whom Smith interacted with freely. Players on the set include Oliver Lake, Anthony Davis, and Pheerokan Ak Laff – and the set features music from the albums Creative Music 1, Song Of Humanity, Reflectativity, and Akhreanvention – as well as unreleased tracks from those sessions! CD

Partial matches44
CD, LP, Vinyl record album cover art
✨✧ Miles DavisKind Of Blue – 50th Anniversary Collector's Edition (2CDs + LP + DVD box set) ... CD
Columbia, 1959. Used Box Set ... Temporarily Out Of Stock
A massive package that's a stunning tribute to Kind Of Blue – served up in one of the most comprehensive album reissues we've ever seen! The core record is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". Yet the reissue package takes things even further – with a high-quality vinyl version of the album, and 2CDs worth of music, with 21 tracks in all – including some alternate takes and rare studio bits too! The whole thing comes with a beautiful booklet, filled with photos and other inserts – and there's also a DVD too – one that features the 81 minute film "Celebrating A Masterpiece – Kind Of Blue". CD
(Out of print – and in nice shape! Outer box has a small cutout mark.)

Partial matches45
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✨✧ Sun RaQuiet Place In The Universe ... CD
Leo (UK), 1976/1977. Used ... Temporarily Out Of Stock
Rare 70s live work by the Sun Ra Arkestra – and a great example of why Sun Ra fanatics tend to favor tapes of his concerts as much as his studio albums! The work here is of mysterious origin – and even the notes aren't sure of the venue of exact date of the set – but the details aside, the music is totally great – a really freely creative performance from the Arkestra, one that captures their real talents for spontaneous musicality in any setting! Players most likely include Ahmed Abdullah on trumpet, Vincent Chaney on French horn, Craig Harris on trombone, Marshall Allen on alto sax, and John Gilmore on tenor – and Sun Ra himself plays some great organ and synthesizer, further adding to the other-worldly sound of the set! Titles include "I'll Never Be The Same", "Love In Outer Space", "I Pharoah", "A Quiet Place In The Universe", and "Images". CD
(Out of print.)

Partial matches46
CD, LP, Vinyl record album cover art
✨✧ Solidarity Unit, IncRed, Black & Green (180 gram pressing) ... LP
Charles Shaw/Eremite, 1972. New Copy (reissue)... Out Of Stock
Landmark work from the St Louis scene – a pivotal album by Solidarity Unit – an offshoot of that city's groundbreaking Black Artists Group! The style here is very much in the mode of AACM work coming out of Chicago at the time – freely creative, and very exploratory – although often presented here with a sense of tightness and power that's even more impressive. Charles Bobo Shaw is the key musical vision here – having wrote, arranged, and produced the record – a bold vehicle for his own creative work on percussion, alongside other players who include Oliver Lake on flute and alto, Joseph Bowie on trombone, Danny Trice on congas, Richard Martin on guitar, and Baikida Yaseen (Carroll?) on trumpet. Tracks are all long, and quite free – and titles include "Beyond The New Horizon", "Floreo", and "Something To Play On". LP, Vinyl record album
(Limited pressing of 600 copies – done with very heavy, high quality vinyl, in a very heavy cover!)

Partial matches47
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✨✧ Charles MingusCumbia & Jazz Fusion ... CD
Atlantic (Japan), 1976. New Copy ... Out Of Stock
One of the most enigmatic albums that Charles Mingus ever recorded – especially in his later years! The set features two very long tracks done by Mingus for use in a film about cocaine traffic between New York and Columbia – but considering the nature of the music, and the freely exploratory style, both numbers here stand very well on their own! Although touched with some of the Latin influences you might expect from the title, the sounds are often darker and more brooding than, say, the Mingus style on the classic Tijuana Moods set. And instead, there's a very serious soundtrack-like vibe going on through most of the set – larger jazz orchestrations used to beautifully underscore subtle themes, and breakout solo moments from players who include Mauricio Smith on flute, Paul Jeffrey on tenor sax, Jack Walrath on trumpet, and Jimmy Knepper on trombone. The album also features a fair bit of added percussion – and features two long tracks, "Cumbia & Jazz Fusion" and "Music For Todo Modo". CD
(SHM-CD pressing!)
 
 
 



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