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Exact matches: 1
Exact matches1
CD, LP, Vinyl record album cover art
New VariousWhich Way Does The Blood Red River Flow? – Some Of The Best Songs Recorded For The Testament Label 1963 to 1970 ... LP LP format
Mississippi, 1960s. New Copy ... Temporarily Out Of Stock
A wonderful sampling of work from the Testament label of the 60s – mostly recorded in the south by aging players who never would have gotten their due, had the label not gone out of their way to capture them in these years! The assortment of tracks is really well-chosen – and most of the work is very rootsy and acoustic – with guitar and vocals as the core elements that drive the sound throughout. The package is a great illustration of the fact that although blues was getting pretty electrified up north during the 60s, it still had a very traditional sound back down closer to the delta. Titles include "She's Mine She's Yours" by Eddie Lee Jones, "Jack Ain't Had No Water" by Jack Owens, "Low Bonnie" by Jimmie Tarlton, "Blood Red River" by Peg Leg Howell, "Windin Ball" by Elijah Brown, "Must Have Been The Devil" by Jack Owens, and "Amazing Grace" by Fred McDowell. LP, Vinyl record album
 
Close matches: 3
Close matches2
CD, LP, Vinyl record album cover art
Linda CliffordMy Heart's On Fire ... LP LP format
Red Label, 1985. Sealed ... $1.99
Titles include "Real Love", "If You Want My Love To Last", "Wrap Your Arms Around Me", "Sweet Distraction", and "First Offense". LP, Vinyl record album
(Cover has a cutout notch.)

Close matches3
CD, LP, Vinyl record album cover art
EmotionsSincerely ... LP LP format
Red Label, 1984. Very Good+ ... $1.99
A great comeback for The Emotions – a post-Columbia album issued after a few years away from the business – but one that still has the girls' very much at the top of their game! The record's got a wonderful feel that's quite different from other directions the group might have pursued at the time – and most tracks are free from the too-commercial sounds that other female artists were shouldered with at the time – styles that oddly were often inspired by The Emotions' big successes of the late 70s. The vocals are great throughout – mixing leads and harmonies nicely – and arrangements are handled by Benjamin Wright, Billy Osborne, and Wayne Vaughn. Most tunes have a mellow or midtempo groove – with definite 80s instrumentation on keyboards and beats, but never in a way that's too over the top. Titles include "All Things Come In Time", "Sincerely", "Can't Blow Out The Candle", "You're The One", "Are You Through With My Heart", "Never Let Another", and "I Can Do Anything". LP, Vinyl record album

Close matches4
CD, LP, Vinyl record album cover art
New Chicago Bears Shufflin' CrewSuper Bowl Shuffle (vocal, ext vocal, inst) ... 12-inch 12-Inch
Red Label, 1985. Used (pic cover)... Temporarily Out Of Stock
12-inch, Vinyl record
 
Possible matches: 235
Possible matches5
CD, LP, Vinyl record album cover art
Laurindo AlmeidaLaurindo Almeida Quartet Featuring Bud Shank ... LP LP format
Pacific Jazz, 1955. Very Good ... $29.99
A landmark set of recordings cut for the Pacific Jazz label in the early 50s, and supposedly a major influence on the early bossa artists in Brazil! The tracks were cut by a quartet led by LA altoist Bud Shank, and featuring Brazilian guitarist Laurindo Almeida, who was living in LA at the time. The mix of alto and guitar, in a jazzy vien, but with Latiny rhythms, is very similar to the early bossa jazz recordings – and even more so to the later American ones by Stan Getz and Charlie Byrd. Supposedly, original 10" LPs of the material made their way to Brazil, and later influenced Jobim and Gilberto. Although we can't confirm that rumor entirely, you'll sure hear a similarity, and even if you don't, the stuff's still pretty darn great. Titles include "Terra Seca", "Amor Flamenco", "Atabaque", "Nono", "Noctambulism", "Tocata", and "Carinoso". Full LP that reissues the original 10" sets. LP, Vinyl record album
(Black label Pacific Jazz pressing in a red cover – with deep groove! Vinyl and cover are nice – both heavy and in good shape – just a bit of clear tape in the corner of the cover, but intact and nice overall.)

Possible matches6
CD, LP, Vinyl record album cover art
New Gene Ammons & Sonny StittDig Him (aka We'll Be Together Again) ... LP LP format
Argo, 1961. Very Good- ... $5.99
Nothing fancy – but some great straight-ahead blowing from Stitt and Jug! The album's a quintet session, with John Houston piano, Buster Williams bass, and George Brown drums providing all the rhythm. But the real focus is on the twin-sax frontline – with Sitt taking up the alto on a few numbers, but mostly blowing tenor head to head with Jug. Recorded in 1961 during Jug's great year of contract-breaking – and issued later in the 60s by Prestige under a different title. Titles include "A Mess", "Water Jug", "New Blues Up & Down", "Red Sails In The Sunset", and "A Pair Of Red Pants". LP, Vinyl record album
(Blue label Argo pressing, with deep groove. Cover has some wear, seam spllitting, and staining, with some splitting and tape on the top and bottom seams.)

Possible matches7
CD, LP, Vinyl record album cover art
Gene Ammons & Sonny Stitt with Jack McDuffSoul Summit – Vols 1 & 2 ... CD CD format
Prestige (Germany), 1962. New Copy ... $13.99 18.98
The brain trust of soul jazz in the early 60s – led by tenorist Gene Ammons on both albums! Soul Summit Volume one features Ammons and Sonny Stitt on tenor, plus Jack McDuff on Hammond – a definite soul summit for the time – with 3 top-shelf players in the lead, all getting plenty of room to do their thing! Both Gene Ammons and Sonny Stitt are on tenor in the front, working with the respect and confidence they'd forged together on other co-led sessions from the time – and Jack McDuff's a great addition to the set, playing Hammond with his newly-lean tone, and really helping things move along nicely. Drummer Charlie Persip has a nicely booming style here – one that gets the group out of the box from the get-go, and McDuff's handling all the bass work on the organ, which always makes for a tight rhythmic romp! Most tunes are in that great raw Prestige mode from the old days, as you'd guess by titles like "Tubby", "Dumplin", and "Shuffle Twist" – alongside other numbers that include "Sleeping Susan" and "Out In The Cold Again". Soul Summit Vol 2 is a set that's less a "summit" than a great collection of groovy work for Prestige Records in the 60s – tracks that didn't make it onto other full albums of the time, but which feature material by some of the most soulful talents on the label! Tenorist Gene Ammons is the main star here – stretching out wonderfully on most numbers on the record – although the set also features added tenor work from Red Holloway, George Barrow, and Harold Vick! The mighty Jack McDuff lends his Hammond to a few tunes, Etta Jones sings on three numbers, and the record even features trumpet from Clark Terry, alto from Oliver Nelson, and congas from Ray Barretto too – on cuts that include "Scram", "Cool Cool Daddy", "Ballad For Baby", "If You Are But A Dream", "But Not For Me", and "Love I've Found You". CD

Possible matches8
CD, LP, Vinyl record album cover art
Australian Jazz QuintetAustralian Jazz Quintet + 1 ... LP LP format
Bethlehem, 1957. Very Good ... $8.99
One of the coolest records ever from this unique 50s group – not just for the presence of drummer Osie Johnson, who's the "plus one" in the title – but also for the range of interesting material in the set! Side one features the extended "Jazz In D Minor" suite – penned by Bill Holman, and a great showcase for the group's creative reed work from Dick Healey and Errol Buddle – the latter of whom plays some bassoon at a level that's a lot more swinging than you might expect. And as on other albums, the real highligh comes from the enigmatic piano of Bryce Rhode and vibes of Jack Brokensha – who shade things in wonderfully, and create a sense of color that's hard to match. In addition to the large suite on side one, other tracks include "Cubano Chant", "Star Eyes", and "You'd Be So Nice To Come Home To". LP, Vinyl record album
(Red label pressing with deep groove. Cover has some light wear & a name in pen.)

Possible matches9
CD, LP, Vinyl record album cover art
Count BasieBasic Basie ... CD CD format
MPS/Edel (Germany), 1969. New Copy ... $9.99
Nothing basic about this album by Count Basie – as the album has the legend working for the MPS label – whose own big band scene he really helped inspire! The band here is really dynamic – working with great arrangements from Chico O'Farrill, who's inherent sense of groove really gets things going from the start – which creates plenty of energy for the horn work by players who include Bobby Plater and Marshall Royal on alto, Eric Dixon on flute and tenor, Eddie Lockjaw Davis on additional tenor, Grover Mitchell on trombone, and Oscar Brashear and Sonny Cohn on trumpets. Basie himself plays piano – with that legendary punctuated style that's still quite strong at this point – and titles include "M Squad", "Blues In My Heart", "Sweet Lorraine", "Red Roses For A Blue Lady", "As Long As I Live", and "I've Got The World On A String". CD

Possible matches10
CD, LP, Vinyl record album cover art
Count BasieBasie ... LP LP format
Clef, Early 50s. Very Good+ ... $44.99
A beautiful early Verve recording by Basie – one that's packaged here in a great David Stone Martin cover, with a red and blue watercolor of Basie himself. Players include Frank Foster, Frank Wess, Ernie Wilkins, Marshall Royal, Joe Newman, Thad Jones, Bennie Powell, and Freddie Green – plus Basie, of course. Titles include "Two Franks", "Ska Di Didle Dee Bee Doo", "Rails", "Blues Backstage", and "Perdido" – and there's a very strong focus on the best soloists in the group! (Note: this material was also issued under the title The Band Of Distinction – but this is the first version.) LP, Vinyl record album
(Original black label Clef pressing with a trumpeter logo & deep groove! Cover has wear and aging with a sticker in one corner. Vinyl plays with some clicks & crackles.)

Possible matches11
CD, LP, Vinyl record album cover art
Dave BrubeckJazz At The College Of The Pacific (10 inch LP) ... LP LP format
Fantasy, 1953. Very Good ... $9.99
Classic early live material from the Dave Brubeck Quartet – already humming along nicely with some great alto sax from Paul Desmond! The group's in fine form here – a bit more relaxed and open than on their Columbia recordings – with plenty of creative piano lines from Dave, showing just a slight dose of modernism, and lots more of that cool, icy alto sax work that made Desmond a standout right from the start. Rhythm is by Ron Crotty on bass and Joe Dodge on drums – and titles include "Laura", "Lullaby In Rhythm", "For All We Know", "All The Things You Are", and "I'll Never Smile Again". LP, Vinyl record album
(Red vinyl pressing, with red label. Cover has some wear.)

Possible matches12
CD, LP, Vinyl record album cover art
Dave BrubeckJazz Interwoven – Concert Versions (10 inch LP) ... LP LP format
Fantasy, Early 50s. Very Good ... $11.99
Sublime early work from the team of Dave Brubeck and Paul Desmond – working here in an hand-in-glove relationship that's every bit as interwoven as the title might imply! The notes don't list too much to support the "concert versions" in the way of dates or location – but the recording does appear to be live, with a bit more room, and a bit more openness than on some of the group's studio recordings. Desmond sounds wonderful on a version of "Stardust" – and other titles include "At A Perfume Counter" and "Crazy Chris". LP, Vinyl record album
(Red vinyl pressing with maroon label. Vinyl has a mark that clicks a bit on "Stardust". Cover has split seams and some wear.)

Possible matches13
CD, LP, Vinyl record album cover art
Helen CarrWhy Do I Love You ... CD CD format
Bethlehem/Solid (Japan), 1955. New Copy ... $13.99
A real gem from the glory days of the Bethlehem Records jazz scene! Although the Bethlehem label had some great success with some of its vocal stars – like Chris Connor or Mel Torme – they also had a strong commitment to jazz vocals that stretched way past the big names, to include many excellent under-recognized singers, like Helen Carr. This rare album from the mid 50s is a perfect example of the label's commitment at work – as it features Carr in a beautifully no-nonsense setting, with spare instrumental backing by just a trio – Howard Roberts on guitar, Red Mitchell on bass, and Cappy Lewis on trumpet – a really unusual mix that helps make the album something special. The tracks are very well-selected – and move past the usual nuggets found on lackluster vocal jazz sessions, to include nice little tunes like "Symphony", "Lonely Street", "My Kind Of Trouble Is You", "Do I Worry", and "Then You've Never Been Blue". A nice lost vocal jazz treasure! CD

Possible matches14
CD, LP, Vinyl record album cover art
Joe CarrollMan With A Happy Sound ... LP LP format
Charlie Parker, Early 60s. Very Good ... $5.99
Dizzy's longtime bebop partner cut this album of vocal tracks in the early 60s, when he was no longer recording with Diz. The record's a good batch of vocalese tracks with a strong bop edge – in the traditon of singers like Eddie Jefferson, Jon Hendricks, and King Pleasure, and the band features a young Grant Green on guitar. The best track is the goofy "Land Of Ooh Bla Dee", but there's lots of other nice ones, like "Wha Wha Blues", "Have You Got A Penny Benny", and "New School Days". LP, Vinyl record album
(Red label pressing. Cover has a light stain on one corner.)

Possible matches15
CD, LP, Vinyl record album cover art
Chocolate MilkVideo Queen (stereo, mono) ... 12-inch 12-Inch
RCA, 1981. Very Good+ ... $1.99
12-inch, Vinyl record
(Promo. Label has a bit of red marker.)

Possible matches16
CD, LP, Vinyl record album cover art
Arnett CobbBallads By Cobb ... LP LP format
Moodsville/Prestige, Early 60s. Very Good ... $11.99
Arnett Cobb's Texas tenor turns to a smoky set of soulful ballads, played here in an intimate setting with Red Garland leading up a small rhythm trio. The tracks are all standards – like "Blue & Sentimental", "Willow Weep For Me", and "P.S. I Love You" – but they're all played nicely, in the impossible-to-duplicate style of these obscure Moodsville sessions. LP, Vinyl record album
(Blue label Prestige pressing with deep groove. Cover has some wear and a sticker remnant on the back.)

Possible matches17
CD, LP, Vinyl record album cover art
Nat King ColeKing Cole Trio With Lester Young & Red Callender ... LP LP format
Score, Late 40s. Very Good ... $8.99
A great collection of bop sides from 40s LA – tracks that ostensibly feature Cole on piano, jamming with Lester Young on tenor and Red Callender on bass! Oddly, no other players are listed in the notes – even though there's clearly a drummer and trumpeter on the session – so it's a bit hard to date the material, or figure out the actual source of the work. But we can say that Young's tone alone is more than worth the price of admission – beautifully firm and strong – blown in a way that rivals his best early performances for Verve, but perhaps even with a bit more grit and soul. Titles include "SM Blues", "Jammin With Lester", "Can't Get Started", "Body & Soul", and "Indiana". LP, Vinyl record album
(Heavy maroon label pressing. Cover has a split spine & top seam.)

Possible matches18
CD, LP, Vinyl record album cover art
Dick Collins & Runaway HerdHorn of Plenty ... LP LP format
RCA, 1954. Very Good Gatefold ... $6.99
Trumpeter Dick Collins plays with a "runaway herd" of saxophonists culled from the band of his boss, Woody Herman – a really great lineup that features Al Cohn on tenor, Med Flory on alto, Jack Nimitz on baritone, and Bill Perkins on flute and tenor too! The blend of reeds is totally great – often used tightly to offset Collins' trumpet solos in the lead – well-blown and economical, but allowing for a bit of solo space at points for the reed players too. Rhythm is by Nat Pierce on piano, Red Kelly on bass, and Chuck Flores on drums – and the album's got a surprisingly easygoing feel at times, more so than other RCA dates of this type. Titles include "Angel Eyes", "Why Was I Born", "Tricky Dick", "No Soap", "Very Shifty", and "The Long Night". LP, Vinyl record album
(Black label pressing with deep groove. Cover has seam splitting.)

Possible matches19
CD, LP, Vinyl record album cover art
John ColtraneBahia ... LP LP format
Prestige/OJC, 1958. New Copy (reissue)... $15.99 17.98
An album issued in the years after John Coltrane left the Prestige Records label – but a set that includes some very compelling sounds from the early years, really showing the tenorist in a strongly spiritual transition! Coltrane plays tenor throughout, and the record also features the Red Garland trio, with Red on piano, Paul Chambers on bass, and either Art Taylor or Jimmy Cobb on drums – but the set also features trumpet from the great Wilbur Harden on half the record – Coltrane's frequent partner over at Savoy Records, who comes into the music here with the sort of searching, open style that works so well with Trane's tenor! The music is partly in the Garland/Coltrane late 50s Prestige mode, but also has some of the deeper spiritual vibe of the Savoy years too – and titles include "I'm A Dreamer Aren't We All", "Something I Dreamed Last Night", "Bahia", and "Goldsboro Express". LP, Vinyl record album

Possible matches20
CD, LP, Vinyl record album cover art
New John ColtraneBlue Train ... CD CD format
Blue Note, 1957. Used ... $1.99
John Coltrane's classic – and only – recording as a leader for Blue Note! The album's no throwaway date, though – as it stands strongly with both Coltrane's other label work of the time, and with the best of the late 50s Blue Note scene – a time when the label was really cooking at full strength! The groove here is a bit harder, heavier, and hardbop-inflected than some of Trane's late 50s sides with Red Garland – thanks to a lineup that features Lee Morgan on trumpet, Curtis Fuller on trombone, Kenny Drew on piano, Paul Chambers on bass, and Philly Joe Jones on drums. There's a crisp modern edge to the record that really holds up beautifully – even after years of play – and titles include "Blue Train, "Locomotion", "Moment's Notice", and "Lazy Bird". CD
Also available Blue Train (RVG remaster edition) ... CD 6.99

Possible matches21
CD, LP, Vinyl record album cover art
John ColtraneBlue Train (RVG remaster edition) ... CD CD format
Blue Note, 1957. New Copy ... $6.99 9.98
John Coltrane's classic – and only – recording as a leader for Blue Note! The album's no throwaway date, though – as it stands strongly with both Coltrane's other label work of the time, and with the best of the late 50s Blue Note scene – a time when the label was really cooking at full strength! The groove here is a bit harder, heavier, and hardbop-inflected than some of Trane's late 50s sides with Red Garland – thanks to a lineup that features Lee Morgan on trumpet, Curtis Fuller on trombone, Kenny Drew on piano, Paul Chambers on bass, and Philly Joe Jones on drums. There's a crisp modern edge to the record that really holds up beautifully – even after years of play – and titles include "Blue Train, "Locomotion", "Moment's Notice", and "Lazy Bird". This newly remastered edition includes additional notes and photos, and alternate takes of "Blue Train" and "Lazy Bird"! CD
Also available Blue Train ... CD 1.99

Possible matches22
CD, LP, Vinyl record album cover art
Eddie Lockjaw DavisEddie Lockjaw Davis Cookbook – Vol 1 (red cover) ... LP LP format
Prestige, 1958. Good ... $9.99
A record that's virtually the blueprint for the sound of Hammond organ and tenor sax in soul jazz– the first of Eddie Lockjaw Davis' great run of cookbook albums for Prestige! The record features Lockjaw's gutsy tenor in a group alongside Jerome Richardson's lighter flute – both dancing wonderfully together over organ lines from a young Shirley Scott – playing here with a style that's a bit earthier and more bluesy than some of her later work. Rhythm is by George Duviver on bass and Arthur Edgehill on drums – and tracks include the classic 12 minute jammer "In The Kitchen", plus shorter tracks "Three Deuces", "The Chef", and "Have Horn, Will Blow". LP, Vinyl record album
(Yellow & black label NJ pressing, with deep groove and RVG stamp.)

Possible matches23
CD, LP, Vinyl record album cover art
Miles DavisChronicle – The Complete Prestige Recordings 1951 to 1956 (8 CD set) ... CD CD format
Prestige, Mid 50s. Used 8CDs ... $59.99
Wow! An incredible collection of seminal recordings from one of the most important figures in modern music! All of Miles' recordings fro the Prestige label in one place, bound up in a well annotated box, and given a complete discography and lots of excellent photos. It's almost too much astounding jazz in one place! The list of sidemen and great LPs is almost too long to go over, but in addition to Miles' remarkable Cookin'/Relaxin'/Walkin'/Workin' sessions, there's all of the material issued as Bags' Groove, with the Modern Jazz Giants and loads more, and some of the stellar accompanists includes John Coltrane, Sonny Rollins, Charlie Parker, Lee Konitz, Red Garland, Thelonious Monk, Horace Silver, Milt Jackson, Paul Chambers, Art Blakey, Philly Joe Jones, and Max Roach, just to name a few. There's far too many tracks to list here, but there's takes of "Blue Room", "Conception", "Compulsion", "Miles Ahead", "Blue Haze", "Airegin", "Bag's Groove", "The Man I Love", "Green Haze", "Dr Jackle", "The Theme", "Trane's Blues", "'Round About Midnight", "Half Nelson", "My Funny Valentine" and loads more! CD
(Includes original book and box. Box has a small spot of sticker remnants.)

Possible matches24
CD, LP, Vinyl record album cover art
Earth OperaEarth Opera ... LP LP format
Elektra, 1968. Very Good+ Gatefold ... $19.99
A great debut LP by a near-forgotten act that blossomed briefly at the end of the 60s folk-rock boom – and deserve more than sidebar status in the book of modern music history! Earth Opera incorporated many styles into a sound that may not seem uncommon today, but was idiosyncrastic and unique in it's day, and still sounds great! The group was born from the collaboration of Peter Rowan and a young David Grisman, who recruited the rest of the members from the Boston Be-In and built an east coast take on the sounds that were sweeping California in the mid and late 60s. There's some nice jazzy influence creeping in to the bands singer/songwriter-plus vibe, with 10 songs in all, including "The Red Sox Are Winning", "As It Is Before", "Dreamless", "To Care At All", "Home OF The Brave", "The child Bride", "Close Your Eyes & Shut The Door", "Time & Again", "When You Were Full Of Wonder", and "Death By Fire". LP, Vinyl record album
(Tan label pressing in a Uni Pak gatefold sleeve. Cover has an unglued top seam.)
 
 
 



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