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Exact matches: 1
Exact matches1
CD, LP, Vinyl record album cover art
✨✧ PoguesYeah Yeah Yeah Yeah Yeah (voc, long version)/Limerick Rake ... 12-inch
Island, 1988. Used (pic cover)... Temporarily Out Of Stock
12-inch, Vinyl record
(Cover has a cutout notch and a few creases on one corner.)
 
Possible matches: 2
Possible matches2
CD, LP, Vinyl record album cover art
VariousUncompromising Expression – The Story Of Blue Note In 75 Singles (5CD set) ... CD
Blue Note, 1940s/1950s/1960s/1970s/1980s/1990s/2000s. New Copy 5CD ... $44.99 69.99
A surprisingly cool package from Blue Note Records – especially given its unassuming cover! The 5CD set looks at a really overlooked side of the Blue Note legacy – the label's strong line of 78 and 45 rpm singles over the years – many of which featured different mixes or performances than the better-known album recordings from the time! The set begins with the earliest years of Blue Note – and goes right up to the present, to include some rare promo or download-only tracks too – but the core focus is on the legendary Blue Note years of the 50s, 60s, and early 70s – with a tremendous amount of hard-to-find gems that were originally only issued as 7" records. The package features 75 tracks in all, with a sweet little book on all the material too – which includes all the session/lineup details for each cut – and titles include "The Thin Man" by Art Blakey, "Born To Be Blue" by Wynton Kelly, "Oop Pop A Da" by Bab's 3 Bips & A Bop, "Topsy" by Ike Quebec Swing Seven, "Summertime" by Sidney Bechet, "Safari" by Horace Silver, "Roccus" by Lou Donaldson, "Senor Blues" by Bill Henderson, "Blue Train (part 1)" by John Coltrane, "Oscalypso" by Curtis Fuller, "DB Blues" by Kenny Burrell, "The High & The Mighty" by Jimmy Smith, "Message From Kenya" by Art Blakey & Sabu, "Ain't No Use" by Jimmy Smith & Bill Henderson, "The Rake" by Dizzy Reece, "True Blue" by Tina Brooks, "One Mint Julep" by Freddie Hubbard, "Ernie's Tune" by Dexter Gordon, "Our Miss Brooks" by Harold Vick, "Miss Ann's Tempo" by Grant Green, "Change" by Donald Byrd, "Chicago Damn" by Bobbi Humphrey, "Theme From Electric Surfboard" by Jack McDuff, "Smells Like Teen Spirit" by Robert Glasper, "Holding Onto You" by Derric Hodge, and "I Can't Stand The Rain" by Cassandra Wilson. CD

Possible matches3
CD, LP, Vinyl record album cover art
✨✧ Dizzy ReeceStar Bright (Japanese pressing) ... CD
Blue Note (Japan), 1959. Used ... Temporarily Out Of Stock
The greatest of Dizzy Reece's 3 LPs for Blue Note – and it's also the hardest to find! The British trumpeter is playing here with a group that is totally classic hardbop Blue Note – and which includes Hank Mobley on tenor, Wynton Kelly on piano, Paul Chambers on bass, and Art Taylor on drums. Mobley's playing is fantastic – as on all of his Blue Notes – and his presence alone takes the set into another level. His solos on the harder tracks are all great, and played with a razor-sharp edge that opens up Reece a lot more than usual. Tracks include "The Rebound", "Groovesville", "The Rake", and "A Variation On Monk". Great stuff, and a true classic lost Blue Note! CD
(Out of print. Includes obi.)
 
Partial matches: 86
Partial matches4
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyMusic You All ... CD
Capitol/Dusty Groove, 1971. New Copy ... $10.99 15.98
Killer work from the same sessions that gave the world Cannonball Adderley's classic Black Messiah album – live material from an extended stretch as the Troubadour club in LA – featuring a very righteous, freewheeling version of Cannonball's group! The lineup features some wonderful work on Fender Rhodes from George Duke – who brings a more soulful, spiritual current to the proceedings than Joe Zawinul did in earlier years – a really commanding presence that hints at his brewing solo fame, and which is a very welcome addition to the core lineup, which also includes Cannon on soprano and alto, and brother Nat on cornet! The performance also fetaures some great guest work from Ernie Watts on tenor and Airto on percussion – who really help round out the long tunes on the set. David Axelrod produced – leaving some nice room for Adderley's key spoken bits – and titles include the 12 minute groover "The Brakes", plus "Oh Babe", "Music You All", and "Capricorn" – plus a sweet take on "Walk Tall", which really has Duke stomping away on the Rhodes! CD
(On the Dusty Groove label.)

Partial matches5
CD, LP, Vinyl record album cover art
Marshall Allen/William Parker/Drake/Jordan/SilvaAll Star Game ... CD
Eremite, 2000. Used ... $6.99
The title definitely gets it right – as the quintet's an all-star lineup that features Marshall Allen on alto sax, Kidd Jordan on tenor, Hamid Drake on drums, and both Alan Silva and William Parker on bass! The twin basses are really wonderful – and have this deep texture that really shapes the performance – a sense of tone and timing that brings urgency to the record in a way that either player on their own wouldn't have been able to achieve – often with a sense of soul that really adds a lot to the reeds! CD features six long live tracks – all improvised by the group. CD

Partial matches6
CD, LP, Vinyl record album cover art
✨✧ Count BasieBasie Jam ... LP
Pablo, 1975. Near Mint- Gatefold ... $3.99
An all-star jam session from Montreux in 1973 – recorded in true Verve style by the great Norman Granz, Count Basie at the head of a group that includes Louie Bellson, Ray Brown, JJ Johnson, Harry Edison, Eddie Lockjaw Davis, and Zoot Sims! Tracks are nice lengthy rakes of Basie classics, with plenty of solo space – a bit tighter than a more traditional jam session, probably because the players get along so well together! 5 numbers in all, including "Doubling The Blues", "Hanging Out", "Red Bank Blues", "One-Nighter" and "Freeport Blues". LP, Vinyl record album
(Cover has a promo stamp.)

Partial matches7
CD, LP, Vinyl record album cover art
James Bond (Jimmy Bond)James Bond Songbook ... CD
Mira/BGP (UK), 1965. New Copy ... $8.99 14.99
Way more than just a James Bond cash-in record – and instead an ultra-hip jazz session from the west coast scene of the 60s! The James Bond at the helm of the record is actually Jimmy Bond – the great bassist who worked on some key sessions of the late 50s and early 60s as a sideman, and who turns out to be a surprisingly great leader on this rare mid 60s date! The record is more jazz than anything else – played with a crime/spy bent, to be sure – but also flowing with really great solos and a fair bit of a bossa influence in the rhythms! The group here is more than hip enough to make the record work – with Harold Land on tenor sax, Bobby Bryant on trumpet, and Buddy Colette on flute and tenor – all working in a sextet led by Bond, with plenty of round, warm, almost modal lines on his bass – punctuated nicely by piano from Joe Parnello and drums by Joh Guarin. Arrangements are by Dick Groove – who keeps things very groovy – and many of the tracks here are actually original numbers written by Bond and Warren Baker, titled after Ian Fleming books that had not yet been made into movies at the time of this album! Titles include "Casino Royale", "Moonraker", "For Your Eyes Only", "007 Theme From Dr No", "Man With The Golden Gun", "Diamonds Are Forever", and "Live & Let Die". CD

Partial matches8
CD, LP, Vinyl record album cover art
Peter Brotzmann & Hamid DrakeSolid & Spirit ... LP
Nero's Neptune, 2010. New Copy 2LP ... $26.99
Tremendous duets between reedman Peter Brotzmann and drummer Hamid Drake – two players who are no strangers to each other after all these years, yet who still manage to come together in a way that's always fresh and compelling! The double-length album features long tracks spun out over two full LPs – with energy that builds at a level that almost takes us back to New York loft jazz of the 70s – with a sense of soul and spirit you don't always get from Brotzmann in other settings, and even on some of his other recordings with Drake. Peter plays alto, tenor, tarogato, and b flat clarinet – and Drake is stunning on the conventional drum kit, which he works in ways that still leave us breathless – as well as some of his unique percussion on a hand drum too. Titles include "Pitch A Bull", "Poppa Stoppa", "Streevus Mone On The Reevus Come", "Strike & Fade", and "Us Own Things". LP, Vinyl record album

Partial matches9
CD, LP, Vinyl record album cover art
Peter Brotzmann Chicago TentetImages ... CD
Okka Disk, 2004. Used ... $14.99
Another heavy duty release from the Brotzmann Tentet, continuing the tradition Brotzmann established years ago with his FMP label, though this group moves with alarming agility considering its size, and the momentum they develop. Once again featuring an astounding line up with Joe McPhee, Jeb Bishop, Ken Vandermark, Mats Gustafsson, Mars Williams, Peter Brotzmann, Fred Londberg-Holm, Kent Kessler, Michael Zerang and Hamid Drake, the tentet runs through two lengthy pieces, the first Vandermark's "All Things Being Equal (For Robert Rauschenberg)" a suite in 6 parts that careens around corners from composed multilinear sections, to fully abstract improv, and the second Breotzmann's "Images" a remarkably spacious track that builds slowly over the course of of 24 minutes to a multidimensional mass at its conclusion. CD
(Out of print.)

Partial matches10
CD, LP, Vinyl record album cover art
Peter Brotzmann Chicago Tentet + 2Short Visit To Nowhere ... CD
Okka Disk, 2002. Used ... $11.99
Second CD of sessions recorded on this 3rd meeting of this massive international free jazz collective, here joined by Roy Campbell and William Parker. The original tentet consists of Joe McPhee, Jeb Bishop, Ken Vandermark, Mats Gustafsson, Mars Williams, Peter Brotzmann, Fred Londberg-Holm, Kent Kessler, Michael Zerang and Hamid Drake. This side features 4 shorter (for these guys, at least!) compositions, clocking in around the 15 minute mark, starting out with the swing based Williams' piece "Hold That Thought", though as you might imagine with this crowd, they take the opportunity to take it out – way out, before the piece is finished. Both Gustafsson's and Brotzmann's compositions, "Ellington" and the title track, are very textural, while Londberg-Holm's "Lightbox" builds slowly, ending with a sputtering crescendo. CD
(Out of print.)

Partial matches11
CD, LP, Vinyl record album cover art
Vashti BunyanSome Things Just Stick In Your Mind – Singles & Demos 1964 to 1967 ... LP
DiCristina, Mid 60s. New Copy 2LP Gatefold ... $16.99 19.98
Beautiful early work from British singer Vashti Bunyan – an important figure in the acid folk scene at the end of the 60s, heard here on some really wonderful work from a few years before! Some of the tracks have a really trippy style, and others are a bit more like conventional Brit girl pop of the time – but given a very weird twist overall, with a sound that's quite hard to describe! Vashti's vocals have these really dark qualities overall – and even when the backings are fuller (which often they are not), there's a sad, earthy feel to her singing. But equally great is her guitar work – heard with more prominence on most of the album's previously-unissued tracks from mid 60s tapes. Bunyan plays with these warm harmonics that kind of nestle and bristle underneath her vocals – pushing the tunes up with a sense of brightness in contrast to the voice – almost in a Nick Drake sort of way (and trust us, we don't throw around comparisons to his music easily!) The package is a wonderful look at these almost-lost years of Vashti's career – and it features both sides of her Decca and Columbia singles, an unreleased Immediate single, and a lot more tracks pulled from rare tapes from 1964, 1966, and 1967! Set features 25 tracks that include "Some Things Just Stick In Your Mind", "Train Song", "Love Song", "Winter Is Blue", "Leave Me", "How Do I Know", "Go Before Dawn", "Girl's Song In Winter", "Don't Believe", "17 Pink Sugar Elephants", "Someday", and "I Know". LP, Vinyl record album

Partial matches12
CD, LP, Vinyl record album cover art
Roy CampbellEthnic Stew & Brew ... CD
Delmark, 2000. Used ... $8.99
Featuring Campbell's Pyramid Trio group, with Wuilliam Parker and Hamid Drake. 7 numbers in all, including "Tazz's Dilema", 'Malcolm, Martin & Mandela", "Imhotep", 'Impressions Of Yokahama", "Ethnic Stew & Brew", "Heavenly Ascending" and "Amadou Diallo". CD
(Out of print.)

Partial matches13
CD, LP, Vinyl record album cover art
✨✧ Michael ChapmanWindow ... LP
Harvest/Light In The Attic, Early 70s. New Copy Gatefold (reissue)... $12.99 23.98
Maybe our favorite album ever from Michael Chapman – a bit more stripped-down and rootsy than his other Harvest Records classics, but in a really great way! There's a fluid spirit to the music right from the start – a great focus on Michael's vocals and guitar, but support from wonderful bass and drums too – which almost creates a folk funk vibe on some of the album's best tracks – this undercurrent of a gentle groove underneath the acoustic elements, unaugmented by any other orchestrations or strings – with really wonderful vocals from Chapman that rival if not beat most of the US singer-songwriters of the time. There's some nice jazzy elements in his guitar chord changes – almost Nick Drake at points, but rougher – and the whole thing's got a subtle sophistication without ever overstating itself. Titles include "Last Lady Song", "First Lady Song", "Among The Trees", "She Came In Like The 6:15 & Made A Hole In The Wall", and "Landships". LP, Vinyl record album
(Comes in deluxe tip-on sleeve!)

Partial matches14
CD, LP, Vinyl record album cover art
Chicago Trio (Dawkins/Bankhead/Drake)Velvet Songs – To Baba Fred Anderson ... CD
Rogue Art (France), 2011. New Copy 2CDs ... $22.99 25.99
A great performance by the Chicago trio of Ernest Dawkins on reeds, Harrison Bankhead on bass, and Hamid Drake on drums and percussion – dedicated to their late scene-mate Fred Anderson, and played with an open, exploratory sound that Anderson would have loved! At times, there's a very unstructured quality to the recording – the most unfettered approach forged by the AACM – with Dawkins especially stretching out, on soprano, alto, or tenor sax. At other points, though, Bankhead's wonderful basslines pull things in, and give them a soulful solidity that underscores the spiritual elements of the music – that element in his sound we always appreciate, and which seems to bring Drake's percussion strongly into focus too – creating a groove that's almost like the Ethnic Heritage Ensemble at times. Titles include "One For Fred", "Waltz Of Passion", "Jah Music", "Down N The Delta", "The Rumble", "Sweet 22nd Street", and "Woman Of Darfur". CD

Partial matches15
CD, LP, Vinyl record album cover art
✨✧ Dark ShadowsDark Shadows – The Complete Original Series Vol 4 (hardcover) ... Book
Hermes, 2012. New Copy ... $10.99 49.99
Pretty great horror comics from the early 70s – the surprisingly long, healthy run of Gold Key's Dark Shadows comic books – which actually ran longer at the newstand than the show did on TV! The comic's strength comes from some great talents – 50s horror artist Joe Certa, still hard at work to give the images a nice edge – and DC Comic scribe Arthur Drake, who penned some of the weirder comics of the silver age – on board to give these stories a bit more of an edge than you might expect! The hardcover book does a great job of presenting the material – including painted covers by George Wilson – and features issues 22 through 28, plus additional text – all in a full color, 192 page volume! Book

Partial matches16
CD, LP, Vinyl record album cover art
✨✧ Dark ShadowsDark Shadows – The Complete Original Series Vol 5 (hardcover) ... Book
Hermes, 2012. New Copy ... $10.99 49.99
Pretty great horror comics from the early 70s – the surprisingly long, healthy run of Gold Key's Dark Shadows comic books – which actually ran longer at the newstand than the show did on TV! The comic's strength comes from some great talents – 50s horror artist Joe Certa, still hard at work to give the images a nice edge – and DC Comic scribe Arthur Drake, who penned some of the weirder comics of the silver age – on board to give these stories a bit more of an edge than you might expect! The hardcover book does a great job of presenting the material – including covers of the comics – and features issues 29 through 35, plus additional text – all in a full color, 192 page volume! Book

Partial matches17
CD, LP, Vinyl record album cover art
Eric DolphyIron Man (gold cover) ... LP
Douglas, 1962. Very Good+ ... $49.99
A seminal set from Eric Dolphy – one of his most perfectly realized moments at the head of a larger ensemble – and a record that definitely set the tone for countless spiritual jazz sessions of the 70s! Dolphy recorded this session for Alan Douglas in 1962, and it features a larger array of players than you'll find on most of his records for other labels – the cream of the "new thing" players that were around New York at the time, including Bobby Hutcherson on vibes, Woody Shaw on trumpet, Prince Lasha on flute, Sonny Simmons on alto, and even Clifford Jordan on soprano sax – making a rare appearance on record on that instrument! Together, the players create a set of soundscapes that lies somewhere between Dolphy's Out To Lunch album, and some of the more modernist work by Mingus – a stunning batch of tracks that go out, but never too far. Titles include "Ode to CP", "Burning Spear", "Iron Man", and "Mandrake". LP, Vinyl record album

Partial matches18
CD, LP, Vinyl record album cover art
✨✧ Barry DrakeHappylanding ... LP
Capitol, 1971. Very Good ... $3.99
LP, Vinyl record album
(Cover has a cutout hole.)

Partial matches19
CD, LP, Vinyl record album cover art
DrakeSo Far Gone ... CD
Cash Money, 2009. Used ... $3.99
CD

Partial matches20
CD, LP, Vinyl record album cover art
Joe DroukasGoodbye Joe Drake ... LP
Sweet Fortune, 1973. Near Mint- ... $4.99
LP, Vinyl record album
(Cover has a promo sticker.)

Partial matches21
CD, LP, Vinyl record album cover art
Flesh EatersMinute To Pray, A Second to Die ... CD
Slash/Superior Viaduct, 1981. New Copy ... $14.99
Wicked early 80s punk from The Flesh Eaters – with some fun nods to trash culture and B-movies the cover art, song titles and lyrical imagery – but it's also some of most slyly ambitious sounds from the west coast punk scene of the time! It's clear from the first track they're going for something more instrumentally adventurous than others at the time, with sax and off kilter hand percussion all over it – but Chris D's vision and caterwauling presense as front man keeps it nice and raucous. X's John Doe and DJ Bonebrake Flesh Eaters at the time, along with sax player Steve Berlin, later to play with Los Lobos – and even roots rock hero Dave Alvin – that's hell of a punk band, right?! Titles include "Digging My Grave", "Satan's Stomp", "So Long", "Cryan De Berger's Back", "Divine Horseman", "See You In The Boneyard" and more. CD
Also available Minute To Pray, A Second to Die ... LP 16.99

Partial matches22
CD, LP, Vinyl record album cover art
Flesh EatersMinute To Pray, A Second to Die ... LP
Slash/Superior Viaduct, 1981. New Copy (reissue)... $16.99
Wicked early 80s punk from The Flesh Eaters – with some fun nods to trash culture and B-movies the cover art, song titles and lyrical imagery – but it's also some of most slyly ambitious sounds from the west coast punk scene of the time! It's clear from the first track they're going for something more instrumentally adventurous than others at the time, with sax and off kilter hand percussion all over it – but Chris D's vision and caterwauling presense as front man keeps it nice and raucous. X's John Doe and DJ Bonebrake Flesh Eaters at the time, along with sax player Steve Berlin, later to play with Los Lobos – and even roots rock hero Dave Alvin – that's hell of a punk band, right?! Titles include "Digging My Grave", "Satan's Stomp", "So Long", "Cryan De Berger's Back", "Divine Horseman", "See You In The Boneyard" and more. LP, Vinyl record album
Also available Minute To Pray, A Second to Die ... CD 14.99

Partial matches23
CD, LP, Vinyl record album cover art
Charles Gayle/William Parker/Hamid DrakeLive At Jazzwerkstatt Peitz ... CD
Jazzwerkstatt (Germany), 2016. New Copy ... $19.99 21.99
An instant classic from tenorist Charles Gayle – the kind of record that really makes the best of his deep-toned, soulful sound – thanks to a spirited trio setting that features William Parker on bass and Hamid Drake on drums! The recording is relatively recent, but the album's got those open, exploratory tenor passages that Charles brought to so many of his important records from years back – aspects that always made him stand out as one of the few free players who might still hold onto a sense of the deeper soulful qualities of the tenor. But half the record also features Gayle on piano – working with these angular lines that seem to begin in the territory of Monk and Herbie Nichols, then get freer as they move on – maybe somewhere in that balance that we love in the music of Misha Mengelberg, but somewhat more understated. Titles include the 28 minute tenor workout "Fearless", the shorter "Encore At Jazzwerkstatt", and the piano titles "Gospel", "Texturen", and "Angels". CD
 
 
 



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