A brilliant record by Sun Ra & The Arkestra – and an album that forever gave them a slogan to live by! The record's different than some of the other Arkestra work from the time – in that it's a bit tighter and more spiritual, more in keeping with the style of the Blue Thumb label, for which it was recorded – and soaring along on a wave of post-Coltrane spiritual jazz enthusiasm. Side one features the ultimate recording of "Space Is The Place" – an anthemic tune that blends chanting, modal rhythms, and some incredibly soulful solo work – making for one of the Arkestra's most perfectly realized tunes! That gem runs for over 20 minutes – and other shorter tracks on the album include "Discipline", "Images", "Sea Of Sound", and "Rocket Number Nine". CD

A brilliant record by Sun Ra & The Arkestra – and an album that forever gave them a slogan to live by! The record's different than some of the other Arkestra work from the time – in that it's a bit tighter and more spiritual, more in keeping with the style of the Blue Thumb label, for which it was recorded – and soaring along on a wave of post-Coltrane spiritual jazz enthusiasm. Side one features the ultimate recording of "Space Is The Place" – an anthemic tune that blends chanting, modal rhythms, and some incredibly soulful solo work – making for one of the Arkestra's most perfectly realized tunes! That gem runs for over 20 minutes – and other shorter tracks on the album include "Discipline", "Images", "Sea Of Sound", and "Rocket Number Nine". CD

One of the weirdest records Sun Ra ever made – music to accompany the strange film Space Is The Place – which itself was an odd mixture of science fiction and blacksploitation-type action! The sounds here are sometimes in the usual Arkestra mode – wonderfully exotic rhythms mixed with freewheeling jazz solos – but other parts seem to follow more of a soundtrack-styled need – and include some bolder action riffs, spare scene-setting moments, and even some strong vocal themes. Titles include "Watusa", "Calling Planet Earth", "Mysterious Crystal", "Outerspaceways Incorporated", "Cosmic Forces", "Satellites Are Spinning", and a version of "Space Is The Place". This special set also includes the bonus Mathematics Of The Altered Destiny, a full LP of unreleased music from Sun Ra featuring June Tyson – and the first ever US Blu-ray release of the film, and a standard DVD as well! CD also features the bonus track "The Idea Of A Greater Age". CD

One of the weirdest records Sun Ra ever made – music to accompany the strange film Space Is The Place – which itself was an odd mixture of science fiction and blacksploitation-type action! The sounds here are sometimes in the usual Arkestra mode – wonderfully exotic rhythms mixed with freewheeling jazz solos – but other parts seem to follow more of a soundtrack-styled need – and include some bolder action riffs, spare scene-setting moments, and even some strong vocal themes. Titles include "Watusa", "Calling Planet Earth", "Mysterious Crystal", "Outerspaceways Incorporated", "Cosmic Forces", "Satellites Are Spinning", and a version of "Space Is The Place". This special set also includes the bonus Mathematics Of The Altered Destiny, a full LP of unreleased music from Sun Ra featuring June Tyson – and the first ever US Blu-ray release of the film, and a standard DVD as well! LP, Vinyl record album

One of the weirdest records Sun Ra ever made – music to accompany the strange film Space Is The Place – which itself was an odd mixture of science fiction and blacksploitation-type action! The sounds here are sometimes in the usual Arkestra mode – wonderfully exotic rhythms mixed with freewheeling jazz solos – but other parts seem to follow more of a soundtrack-styled need – and include some bolder action riffs, spare scene-setting moments, and even some strong vocal themes. Titles include "Watusa", "Calling Planet Earth", "Mysterious Crystal", "Outerspaceways Incorporated", "Cosmic Forces", "Satellites Are Spinning", and a version of "Space Is The Place". This special set also includes the bonus Mathematics Of The Altered Destiny, a full LP of unreleased music from Sun Ra featuring June Tyson – and the first ever US Blu-ray release of the film, and a standard DVD as well! LP, Vinyl record album

A brilliant record by Sun Ra & The Arkestra – and an album that forever gave them a slogan to live by! The record's different than some of the other Arkestra work from the time – in that it's a bit tighter and more spiritual, more in keeping with the style of the Blue Thumb label, for which it was recorded – and soaring along on a wave of post-Coltrane spiritual jazz enthusiasm. Side one features the ultimate recording of "Space Is The Place" – an anthemic tune that blends chanting, modal rhythms, and some incredibly soulful solo work – making for one of the Arkestra's most perfectly realized tunes! That gem runs for over 20 minutes – and other shorter tracks on the album include "Discipline", "Images", "Sea Of Sound", and "Rocket Number Nine". LP, Vinyl record album

A very nice session that actually has a bit of a soul jazz touch – with elements that are similar to Ra's Lanquidity set, a much sought-after spacey fusion classic! The band still plays fairly out, but the singing's a bit more soulful than usual, and the music has some funky vibes, guitar, and bass in addition to the group's usual array of "out there" instrumentation. Players include Ra on keyboards, Michael Ray on trumpet, Craig Harris on trombone, Harry Wilson on vibes, and John Gilmore and Marshall Allen on reeds. The whole thing's got 3 long tracks – "Celestial Road", "Say", and "I'll Wait For You". CD

One of the rarest Sun Ra albums ever – and one of the most enigmatic, too! Strange Strings is a very unique session recorded with an otherworldly sound – heavily steeped in the use of "electronic strings", amplified string instruments recorded with crazy echo and other effects, almost sounding like analogue electronics at times. The set also uses a variety of percussion instruments – including "log drum" and "lightning drum" – and Ra plays a bit of electronic piano on it as well as a variety of interesting percussion instruments. And if that's not enough, the whole album ends with the spooky sound of Thlan Aldridge on "space voice"! Incredibly cosmic, and quite out at most moments – with tracks that include "Strange Strange", "Worlds Approaching", and "Strings Strange". CD also features the bonus track "Door Squeak"! CD

A long-lost performance by Sun Ra and the Arkestra – recorded in Amsterdam at the start of the 70s, when the group were brought in by avant saxophonist Hans Dulfer for a special performance! This album marks the first-ever issue of the material, from rediscovered tapes that finally present the group on that night in all of their glory – a horn-heavy version of the Arkestra with Danny Davis, Danny Ray Thompson, Marshall Allen, Pat Patrick, and John Gilmore on reeds – as well as Kwame Hadi and Akh Tal Ebah on trumpets, June Tyson on vocals, and a surprise appearance from Alan Silva on cello, bass, viola, and violin! Ra himself plays moog, rocksichord, piano, and the Spacemaster organ – and the group has plenty of percussion, and a rich sound that really resonates strongly in the legendary venue. Titles include an early reading of "Space Is The Place" – plus "Watusa", "Walking On The Moon", "Paradiso Improviso #1", "We Travel The Spaceways", "Theme From The Stargazers", "The Solar Moog Approach", and "Second Stop Is Jupiter". CD

A long-lost performance by Sun Ra and the Arkestra – recorded in Amsterdam at the start of the 70s, when the group were brought in by avant saxophonist Hans Dulfer for a special performance! This album marks the first-ever issue of the material, from rediscovered tapes that finally present the group on that night in all of their glory – a horn-heavy version of the Arkestra with Danny Davis, Danny Ray Thompson, Marshall Allen, Pat Patrick, and John Gilmore on reeds – as well as Kwame Hadi and Akh Tal Ebah on trumpets, June Tyson on vocals, and a surprise appearance from Alan Silva on cello, bass, viola, and violin! Ra himself plays moog, rocksichord, piano, and the Spacemaster organ – and the group has plenty of percussion, and a rich sound that really resonates strongly in the legendary venue. Titles include an early reading of "Space Is The Place" – plus "Watusa", "Walking On The Moon", "Paradiso Improviso #1", "We Travel The Spaceways", "Theme From The Stargazers", "The Solar Moog Approach", and "Second Stop Is Jupiter". LP, Vinyl record album

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Sun Ra and the Arkestra first sprang forth on the Chicago scene in the postwar years – and here, they return to the Windy City in two different concerts – both issued here officially for the first time ever! Both sets feature a seminal 70s lineup of the group – with the great John Gilmore on tenor, plus Marshall Allen and Danny Davis on flute and alto, Michael Ray and Ahmed Abdullah on trumpet, Vincent Chancey on French Horn, Eloe Omoe on alto and bass clarinet, Danny Thompson on baritone and flute, June Tyson and Cheryl Banks Smith on vocals, James Jacson on Ancient Ihnfinity drum, and Ra himself on acoustic piano and electric keyboards. Titles include "Ebah Speaks In Cosmic Tongue", "Space Is The Place", "New Beginning", "Velvet", "Moonship Journey", "Ankhnaton", and a very long take of "Calling Planet Earth/The Shadow World". LP, Vinyl record album

Landmark work from Sun Ra – a rare 1964 performance that features some very early work from Pharoah Sanders, a good deal of which is appearing here for the first time ever! The material was recorded at Judson Hall – and marks a great large venue performance by the Arkestra on the New York scene. Ra and the group recorded the set on New Year's Eve, 1964 – at a time when John Gilmore had left the Arkestra to work with Art Blakey – leaving Pharoah Sanders to come and take his place on tenor. Also noteworthy is the presence of Black Harold (Harold Murray) on flute – blowing with a dark edge alongside other group members who include Al Evans on trumpet, Teddy Nance on trombone, Marshal Allen on alto sax, Pat Patrick on baritone sax, and both Alan Silva and Ronnie Boykins on bass. The performance starts with a relatively fierce sound, but then moves into some beautifully lyrical moments – and titles include "Gods On A Safari", "The World Shadow", "Rocket Number Nine", "The Voice Of Pan", "Dawn Over Israel", and "Space Mates". LP, Vinyl record album

24 tracks. CD

Features Ra on synthesizer, Chris Anderson on piano, John Gilmore on tenor, John Ore on bass, Buster Smith on drums, and Bruce Edwards on guitar. CD

Sun Ra on synthesizer, Chris Anderson on piano, John Gilmore on tenor saxophone, John Ore on bass, Earl C Smith on drums and Bruce Edwards on guitar. CD

Sun Ra's first album as a leader – originally issued on the Transition label, but presented here in its better-known incarnation by Delmark Records! Even at this early point, Ra had a sound unlike any of his contemporaries – large group and modern, but not in a way that showed any similarities to work going on in New York or LA – a voice that was all his own, and already quite boldly stated, even in these early years! The format might be somewhat familiar – an ensemble with horns and rhythm – but the overall execution really starts to open up as the album moves on – with odd phrasings, timings, and unusual moments that live up to all the promise you might expect from Ra. Even Mingus and some of his better-known contemporaries weren't heading in these directions in the mid 50s – and the record is a proud showcase of the freedoms that players were often accorded in the less-trafficked Chicago scene of the time. Horns include Art Hoyle & Dave Young on trumpets, John Gilmore on tenor sax, Pat Patrick on baritone, Julian Priester on trombone, and James Scales on alto sax – and rhythm includes Jim Herndon on tympani, Robert Barry on drums, Wilbur Green on electric bass, and a young Richard Evans on acoustic bass! Titles include "Brainville", "Call For All Demons", "Transition", "Lullaby For Realville", "Street Named Hell", "New Horizons", "Fall Off The Long", "Possession", and "Future". LP, Vinyl record album

Sun Ra's first album as a leader – originally issued on the Transition label, but presented here in its better-known incarnation by Delmark Records! Even at this early point, Ra had a sound unlike any of his contemporaries – large group and modern, but not in a way that showed any similarities to work going on in New York or LA – a voice that was all his own, and already quite boldly stated, even in these early years! The format might be somewhat familiar – an ensemble with horns and rhythm – but the overall execution really starts to open up as the album moves on – with odd phrasings, timings, and unusual moments that live up to all the promise you might expect from Ra. Even Mingus and some of his better-known contemporaries weren't heading in these directions in the mid 50s – and the record is a proud showcase of the freedoms that players were often accorded in the less-trafficked Chicago scene of the time. Horns include Art Hoyle & Dave Young on trumpets, John Gilmore on tenor sax, Pat Patrick on baritone, Julian Priester on trombone, and James Scales on alto sax – and rhythm includes Jim Herndon on tympani, Robert Barry on drums, Wilbur Green on electric bass, and a young Richard Evans on acoustic bass! Titles include "Brainville", "Call For All Demons", "Transition", "Lullaby For Realville", "Street Named Hell", "New Horizons", "Fall Off The Long", "Possession", and "Future". This CD reissue is really well-done too – with pages of writings by Ra, including some poetry! Also features the bonus track "Swing A Little Taste". CD

The "Sunrise" in the title here is especially well-placed – because this live performance by Sun Ra has a beautifully glowing quality – one that unfolds musically as the set rolls on, moving through a day's course of music in different moods and dimensions! Ra initiates the proceedings with some gentler inside piano, but as the set gets moving, the other group members leap into the fray – pushing a tremendous energy into some of Ra's original compositions – then stepping back for a more peaceful, contemplative exploration of older themes in jazz – played in that "across the 20th century" mode that took hold of The Arkestra strongly during this decade. Group members here include Marshall Allen, John Gilmore, Noel Scott, Michael Ray, and Danny Thomas – and the concert is very well recorded, with numbers that include "Cocktails For Two", "Lightnin", "Light From A Hidden Sun", "Pin Points Of Spiral Prisms", "Silhouettes Of The Shadow World", "Queer Notions", "Big John's Special", and "A Helio-Hello & Goodbye Too". CD

The first album on Saturn! Despite the futurism that the title of the set might imply, the material on this LP is actually some of Sun Ra's earliest, and dates back to the years when the Arkestra was first beginning to make itself heard in Chicago. That doesn't stop the material from being amazing, though, as these prime early tracks really show how strong Ra's vision was, even when it was being applied to material that might look more simple on the surface. Titles include "El Is A Sound Of Joy", "Medicine For A Nightmare", "Sunology", "Advice To Medics", and "Portrait Of The Living Sky". CD

With a great lineup that includes David Friedman on vibes, Bill Frissel on guitar, Terumasa Hino on cornet, Jim Pepper on tenor, and guest vocals from Toni Wilson, Jeanne Lee, and Sheila Jordan. CD

Features key ingredients from the Chicago scene including Chad Taylor, Jemeel Moondoc, Tom Abbs, Steve Swell, David Boykin, Rob Mazurek, and Avreeayl Ra. CD

Beautiful music from Chicago, set to another Chicago-themed project – a film based around the Roy stories of writer Barry Gifford! Yet that literary reference aside, the music here has fantastic merits of its own, even if you've never read Gifford at all – a very different, more compositional side of the spectrum from vibist Jason Adasiewicz, yet still music that has a loose small combo vibe as well – serve dup by a cool quintet that features Jonathan Doyle on saxes, Josh Berman on cornet, Joshua Abrams on bass, and Hamid Drake on drums! There's a mix of new tones and modern ideas that take us back to that late 50s time on the Chicago scene when Sun Ra's Arkestra was still in town – and the tunes penned by Adasiewicz are not only superb, but a perfect showcase for his incredible tones on vibes. Doyle is a real revelation too – a player we don't know well at all at this point, but whose sense of timing and presence really makes the whole record sparkle – as does the work of the rest of the better-known players in the group. Titles include "Ballad For Kitty", "River Blindness", "Walkin To Clinton", "Rudy's Basement", "Sand", and "Blue People". LP, Vinyl record album

Incredible early work from Lorez Alexandria – the kind of albums that instantly set her apart from other singers of the 50s, reissued here properly for the first time in years! On This Is Lorez, the singer is working with sublime small combo backings from the group of pianist King Fleming – an unusual Chicago ensemble that includes Wilber Wynn on guitar, Ronald Wilson on flute and oboe, Vernel Fournier on drums, and Audrey Jones on bongos – a musical lineup that brings in a different sort of sophistication to the record, shading tunes with moody colors on flute and oboe that perfectly support Alexandria's soulful and sensitive interpretations of the tunes. The whole thing is pure genius, and a key look at the new levels of sophistication that were bubbling everywhere on the Chicago scene during the years of Jamal and Sun Ra. Lorez Sings Pres follows in a very similar mode – with backing by a Chicago group that again includes King Fleming piano, plus Charles Stepney on vibes, Paul Serrano on trumpet, and Vernel Fournier on drums – an extremely hip lineup that makes the record far more than just the Lester Young tribute promised in the title! But despite the instrumentalists, the real star on all sides is Alexandria – who sings with dark tones and deep colors that go far beyond conventional jazz vocals – all carried off with that slightly breathy mode that was one more unique aspect of her work! CD features all tracks from both albums – a total of 22 titles that include "Snowstorm", "I'm Glad There Is You", "The Sky Is Crying", "I'm Making Believe", "Necessity", "Penthouse Serenade", "DB Blues", "This Year's Kisses", "Easy Living", "No Eyes Blues", "Jumping With Symphony Sid", and a key early reading of "Baltimore Oriole". CD

A group who really live up to their name, as they have a way of reaching back in time and space with this very righteous vibe – blending the sorts of horns you might hear in Sun Ra's Arkestra with more majestic strings that might come from a Carlos Nino/Miguel Atwood Ferguson project – but all with a style that's got a lighter, more cosmic approach! There's strong use of harp on the albums at times, echoing a bit of Alice Coltrane – but the group definitely take off in all their own directions too, especially as they shift the focus on key instruments from track to track – in a lineup that includes flute, alto, oboe, tenor, bass clarinet, and baritone – next to light strings, piano, percussion, and bass. All the music was composed by Ozzy Moysey, and a few tracks feature a vocal group to help lift up the spirits of the tunes – equally cosmic and righteous, and a great addition to the sound of the set. If you've dug the Matthew Halsall recordings on the Gondwana label, you'll find plenty to love here – on titles that include "Rejoicing", "Niyama", "Equanimity", "Arc Of The Sun", "River Of Light", and "Pharoah Sings". CD

A group who really live up to their name, as they have a way of reaching back in time and space with this very righteous vibe – blending the sorts of horns you might hear in Sun Ra's Arkestra with more majestic strings that might come from a Carlos Nino/Miguel Atwood Ferguson project – but all with a style that's got a lighter, more cosmic approach! There's strong use of harp on the albums at times, echoing a bit of Alice Coltrane – but the group definitely take off in all their own directions too, especially as they shift the focus on key instruments from track to track – in a lineup that includes flute, alto, oboe, tenor, bass clarinet, and baritone – next to light strings, piano, percussion, and bass. All the music was composed by Ozzy Moysey, and a few tracks feature a vocal group to help lift up the spirits of the tunes – equally cosmic and righteous, and a great addition to the sound of the set. If you've dug the Matthew Halsall recordings on the Gondwana label, you'll find plenty to love here – on titles that include "Rejoicing", "Niyama", "Equanimity", "Arc Of The Sun", "River Of Light", and "Pharoah Sings". LP, Vinyl record album

An incredible leap forward for Antibalas – a record filled with bolder sounds and deeper grooves than ever before – and one that even tops the already-great sound of their previous albums! The mix of modes here is really amazing – some of the group's familiar Afro-Funk at the core, but also a much wider range of influences too – bits of dub, choppy Latin guitar, Sun Ra-like organ lines, and gamelon-styled metal bits – all wrapped together in a groove that has some particularly hypnotic undertones! The set was produced by John McIntire, who's no doubt a big influence on the sound here – and the record really shatters any expectations you might have from the group – proof that they're way more than just another Afro Funk combo. Titles include "Beaten Metal", "Filibuster X", "Sanctuary", "Hilo", "War Hero", "ICE", and "Age". CD

A later album from Antonio Carlos E Jocafi – but one that still holds onto the lively samba roots of their best older sides! The instrumentation is a mix of acoustic and electric elements – but usually falls more towards the former – and arrangements are by Cesar Machado, who changes things up a bit throughout the set, shifting styles to fit the musical voice of each individual tune. Titles include "Olho D'Agua", "Teresa Batista", "Dona Flor E Seus Dois Maridos", "Capitaes De Areia", "Conversa P'Ra Boi Dormir", and "Jesuino Galo Doido". CD

Badu is back with some of the deepest, funkiest and best music of her career – a mindblowing treatise for a New Amerykah – and what we'll consider an instant classic whether the world at large catches on or not! Erykah steps up this time with a set that balances the wilder impulses of her criminally underappreciated Worldwide Underground and more of a hip hop based, righteously grooving style – but still bursts with a freshness that's unrivaled to say the least. From free spirited soul, to sparse hip hop funk this record is both blunt and beautiful – with a slow-building emotional resonance that'll reach the most jaded souls. Modern soul music of the first order that gives us goosebumps from the first spin to the last beat! The album kicks off with Erykah riffing on and remixing Ramp's "American Promise" as an intro – and it just gets deeper from there. Producers/collaborators include Madlib, Sa-Ra, Karriem Riggins, James Poyser and ?uestlove. Amazing!!! Titles include "The Healer", "Me", "My People", "Soldier", "The Cell", "Twinkle", "Master Teacher", "The Hump" and "Telephone". The 9th Wonder produced single "Honey" is an unlisted bonus track. CD

Badu is back with some of the deepest, funkiest and best music of her career – a mindblowing treatise for a New Amerykah – and what we'll consider an instant classic whether the world at large catches on or not! Erykah steps up this time with a set that balances the wilder impulses of her criminally underappreciated Worldwide Underground and more of a hip hop based, righteously grooving style – but still bursts with a freshness that's unrivaled to say the least. From free spirited soul, to sparse hip hop funk this record is both blunt and beautiful – with a slow-building emotional resonance that'll reach the most jaded souls. Modern soul music of the first order that gives us goosebumps from the first spin to the last beat! The album kicks off with Erykah riffing on and remixing Ramp's "American Promise" as an intro – and it just gets deeper from there. Producers/collaborators include Madlib, Sa-Ra, Karriem Riggins, James Poyser and ?uestlove. Amazing!!! Titles include "The Healer", "Me", "My People", "Soldier", "The Cell", "Twinkle", "Master Teacher", "The Hump" and "Telephone". LP, Vinyl record album

A beautiful session of spiritual soul jazz – and one of the rarer albums on the legendary Strata East label! The obscure combo is led by drummer/percussionist John Betsch – and instrumentation includes guitar, piano, electric piano, and reeds – all used with plenty of warm touches, and a few sharp edges – all very much in the best Strata East mode of the time! The tracks have a soaring sort of sound – similar to some of the Keno Duke material on the label, but also touched with some trippier edges too – a great blend that really brings a lot of depth to the session, and which has made this one of our favorite Strata sides over the years. Titles include "Song For An Untitled Lady", "Ra", "Get Up & Go", and "Ode To Ethiopia". LP, Vinyl record album

A lost classic from Art Blakey – quite different from some of his Blue Note work! The album's a very swinging mid 60s session, noteworthy for the presence of John Gilmore, recording here in one of his few appearances away from Sun Ra. Gilmore wails on tenor, and he sounds great next to Lee Morgan, who had, at this point, briefly returned to play with Blakey, and fit in with the group beautifully. John Hicks is on piano, and contributes a few nice tracks – and Curtis Fuller rounds out the sextet nicely, hitting some of those great gutbuckety notes that he only ever seemed to manage when he worked with Blakey! The whole album's great – and tracks include "Little Hughie", "Olympia", "One For Gamal", and "Faith". Also has cool design with replica of original inside LP booklet! CD

There's a really hypnotic blend of sounds going on here – the always-strong alto work of Arthur Blythe, whose solos are a key part of the strength of the set – matched with a super-strong lineup that includes Hamiet Bluiett on baritone sax, Kelvin Bell on guitar, Gust William Tsilis on vibes, Arto Tuncboyaci on percussion, and Famoudou Don Moye on drums! There's a slight crackle of electricity at times, but never in a way that dampens the soul, especially that of a leader – and while earlier efforts of this sort might have gotten mired in too much criss-crossing of modes, this set comes off perfectly – a fresh entry in Blythe's wonderfully storied career. Titles include "Miss Eugie", "Hipmotism", "My Son Ra", "Bush Baby", "Dear Dessa", "Cousin Sidney", "Shadows", and "Dance Benita Dance". CD

Maybe the boldest of Arthur Blythe's albums for Columbia Records – as the set bristles with newly creative energy right from the start, and provides a great showcase for some of the criss-crossings of styles and rhythms that were taking place on the New York scene at the time! The lineup alone announces something special – a cool combination of James Blood Ulmer on guitar, John Hicks on piano, Fred Hopkins on bass, Abdul Wadud on cello, Bob Stewart on tuba, and Steve McCall on drums – working together in some slight variations at times, often with these angular edges that are perfectly sharpened by Arthur's amazing work on alto sax. The music's never too free, but quite outside for a major label at the time – balanced out so that it's never overindulgent at all. Titles include "Bush Baby", "Miss Nancy", "My Son Ra", and "Carespin With Mamie". LP, Vinyl record album

Four great albums from reedman Arthur Blythe – all together in one collection! First up is Lenox Avenue Breakdown – a stunning Columbia Records debut from Blythe! At the time of the date, Blythe had already spent years working in the jazz undergrounds on both coasts – developing a searing sound on alto sax that's perfect for the focused structure of this album – almost a tone poem of sorts, offering up a portrait of the Harlem scene that was a key part of Arthur's life at the time. The sounds are sharp, but also have a sense of energy that really holds them together – guiding the players through long readings of well-penned tunes by Blythe that are filled with loads of energy and life! Players include James Newton on flute, James Blood Ulmer on guitar, Bob Stewart on tuba, Cecil McBee on bass, Jack DeJohnette on drums, and Guillermo Franco on percussion – and titles include "Odessa", "Slidin Through", "Down San Diego Way", and "Lenox Avenue Breakdown". In The Tradition is a gem – as the set represents the modern musician taking on a host of older jazz currents, while carving things out with his own special sort of soul! Half the tunes are familiar favorites, the other half originals – and Blythe moves far past his avant roots, to showcase his deep understanding of so many different shades of jazz – blowing alto beautifully throughout, in a very hip quartet that features Stanley Cowell on piano, Fred Hopkins on bass, and Steve McCall on drums! Titles include great takes on "Naima", "Jitterbug Waltz", "Caravan", and "In A Sentimental Mood" – plus the originals "Break Tune" and "Hip Dipper". Illusions is maybe the boldest of Arthur Blythe's albums for Columbia Records – as the set bristles with newly creative energy right from the start, and provides a great showcase for some of the criss-crossings of styles and rhythms that were taking place on the New York scene at the time! The lineup alone announces something special – a cool combination of James Blood Ulmer on guitar, John Hicks on piano, Fred Hopkins on bass, Abdul Wadud on cello, Bob Stewart on tuba, and Steve McCall on drums – working together in some slight variations at times, often with these angular edges that are perfectly sharpened by Arthur's amazing work on alto sax. The music's never too free, but quite outside for a major label at the time – balanced out so that it's never overindulgent at all. Titles include "Bush Baby", "Miss Nancy", "My Son Ra", and "Carespin With Mamie". Blythe Spirit is a set that showcases the never-ending growth and imagination of reedman Arthur Blythe during this fruitful period of his career – and his ability to effortlessly blend together different elements in his music – especially sides of the New York loft jazz scene, and the Chicago-based AACM! The tunes are beautiful – mostly originals, and showing a richer spirituality than even a year before – while still working in that compellingly rhythmic mode that Arthur was hitting during these years – in a lineup that features Blythe on alto, Abdul Wadud on cello, Kelvyn Bell on guitar, Steve McCall and Bobby Battle on drums, John Hicks on piano, Amina Claudine Myers on organ, and Fred Hopkins on bass. The mix of electric and acoustic elements is fantastic – very fresh, even all these many years later – and titles include "Misty", "Spirits In The Field", "Just A Closer Walk With Thee", "Reverence", and "Contemplation". CD

Four great albums from reedman Arthur Blythe – all together in one collection! First up is Lenox Avenue Breakdown – a stunning Columbia Records debut from Blythe! At the time of the date, Blythe had already spent years working in the jazz undergrounds on both coasts – developing a searing sound on alto sax that's perfect for the focused structure of this album – almost a tone poem of sorts, offering up a portrait of the Harlem scene that was a key part of Arthur's life at the time. The sounds are sharp, but also have a sense of energy that really holds them together – guiding the players through long readings of well-penned tunes by Blythe that are filled with loads of energy and life! Players include James Newton on flute, James Blood Ulmer on guitar, Bob Stewart on tuba, Cecil McBee on bass, Jack DeJohnette on drums, and Guillermo Franco on percussion – and titles include "Odessa", "Slidin Through", "Down San Diego Way", and "Lenox Avenue Breakdown". In The Tradition is a gem – as the set represents the modern musician taking on a host of older jazz currents, while carving things out with his own special sort of soul! Half the tunes are familiar favorites, the other half originals – and Blythe moves far past his avant roots, to showcase his deep understanding of so many different shades of jazz – blowing alto beautifully throughout, in a very hip quartet that features Stanley Cowell on piano, Fred Hopkins on bass, and Steve McCall on drums! Titles include great takes on "Naima", "Jitterbug Waltz", "Caravan", and "In A Sentimental Mood" – plus the originals "Break Tune" and "Hip Dipper". Illusions is maybe the boldest of Arthur Blythe's albums for Columbia Records – as the set bristles with newly creative energy right from the start, and provides a great showcase for some of the criss-crossings of styles and rhythms that were taking place on the New York scene at the time! The lineup alone announces something special – a cool combination of James Blood Ulmer on guitar, John Hicks on piano, Fred Hopkins on bass, Abdul Wadud on cello, Bob Stewart on tuba, and Steve McCall on drums – working together in some slight variations at times, often with these angular edges that are perfectly sharpened by Arthur's amazing work on alto sax. The music's never too free, but quite outside for a major label at the time – balanced out so that it's never overindulgent at all. Titles include "Bush Baby", "Miss Nancy", "My Son Ra", and "Carespin With Mamie". Blythe Spirit is a set that showcases the never-ending growth and imagination of reedman Arthur Blythe during this fruitful period of his career – and his ability to effortlessly blend together different elements in his music – especially sides of the New York loft jazz scene, and the Chicago-based AACM! The tunes are beautiful – mostly originals, and showing a richer spirituality than even a year before – while still working in that compellingly rhythmic mode that Arthur was hitting during these years – in a lineup that features Blythe on alto, Abdul Wadud on cello, Kelvyn Bell on guitar, Steve McCall and Bobby Battle on drums, John Hicks on piano, Amina Claudine Myers on organ, and Fred Hopkins on bass. The mix of electric and acoustic elements is fantastic – very fresh, even all these many years later – and titles include "Misty", "Spirits In The Field", "Just A Closer Walk With Thee", "Reverence", and "Contemplation". CD

Three albums from reedman Arthur Blythe – served up in one nicely-priced set! Retroflection is a great showcase for the alto talents of Arthur Blythe – a set that's maybe a bit more stripped-down than some of his bigger label albums of the 80s, but in a way that really lets you focus on his strength of tone and phrasing! The group's a quartet, working in an open live setting – John Hicks on piano, Cecil McBee on bass, and Bobby Battle on drums – and while all players certainly know how to go inside, they keep things swinging and relatively straight at the core – while Blythe waxes beautifully on the alto, with these sharp edges that mix nicely with more lyrical moments. Titles include "Jana's Delight", "JB Blues", "Lenox Avenue Breakdown", "Faceless Woman", and "Peacemaker". Calling Card is a great little record from Arthur Blythe – mostly straight ahead, but pretty darn freewheeling too – thanks to a selection of long tracks that really let him open up on alto sax! The setting is a quartet – nicely put-together with John Hicks on piano, Cecil McBee on bass, and Bobby Battle on drums – a rhythm trio who do equally well on the album's spiritual tracks and its more soulful groovers. The performance was recorded live, but with a nice degree of intimacy, especially on Blythe's horn – and titles include "Hip Dripper", "Naima's Love Song", "As Of Yet", "Blue Blues", "Break Tune", and "Elaborations". On Hipmotism, there's a really hypnotic blend of sounds – the always-strong alto work of Arthur Blythe, whose solos are a key part of the strength of the set – matched with a super-strong lineup that includes Hamiet Bluiett on baritone sax, Kelvin Bell on guitar, Gust William Tsilis on vibes, Arto Tuncboyaci on percussion, and Famoudou Don Moye on drums! There's a slight crackle of electricity at times, but never in a way that dampens the soul, especially that of a leader – and while earlier efforts of this sort might have gotten mired in too much criss-crossing of modes, this set comes off perfectly – a fresh entry in Blythe's wonderfully storied career. Titles include "Miss Eugie", "Hipmotism", "My Son Ra", "Bush Baby", "Dear Dessa", "Cousin Sidney", "Shadows", and "Dance Benita Dance". CD

One of the most spiritual, most well-conceived sessions we've heard from reedman David Boykin in years – a single performance that runs for almost 30 minutes, featuring a totally hip lineup that includes Nicole Mitchell on flute, Joshua Abrams on bass, Jeff Parker on guitar, Eliel Sherman Storey on tenor, and Avreeyal Ra on drums! The key element here, though, is Lasana Kazembe – who delivers a powerful spoken passage at points – these righteous words about our fair city of Chicago, with a powerful message about the city and life within. Lawrence Jones adds congas to the proceedings, Zahra Glenda Baker sings a bit, and the whole thing resonates with a mix of jazz, spoken word, and spiritual message that takes us back to some of our favorite recordings of the 70s! CD

Hardly the sex tape you might expect from the title – and instead a really great ensemble performance from David Boykin – one that almost has him rising up to take on the Sun Ra legacy on the Chicago scene! The group here is full of wonderful sounds – not just tenor from Boykin, but also flute from Nicole Mitchell, alto from Matana Roberts, bass from Joshua Abrams, drums from Isaiah Spencer, Baritone from Aaron Getsung, keyboards from William Kurk, turntables from Besco, and Arp from Jim Baker – all coming together on long passages that mix rhythmic progressions with these freer flights of sound – very much the spirit of what you might have heard on a vintage Saturn Records release! And maybe as with one of the many self-issued live sets by Ra – this one features a familiar number, "47th Street Ghost", taken to an extended new height – and blended with another "untitled" composition – for one long performance recorded in concert. CD

"Expanse" is a mighty big name for the group that David Boykin uses on this record – especially given that the combo's only a quintet – but that's ok with us, because the sound here is more than large enough to warrant the name! Boykin's working with a great batch of players from the Chicago scene here – including frequent musical partner Nicole Mitchell on flute, sliding wonderfully alongside David's saxophones – plus Jim Baker on piano, Josh Abrams on bass, and Mike Reed on drums. The album features two longish tracks, both composed by Boykin with a vision that's freely expressive, yet never too free – a perfect balance that reigns things in wonderfully, and which shows him to be one of the key current heirs to a Chicago tradition that runs back to the early AACM and Sun Ra! Titles include "Nuance" and "47th Street Ghost". CD

"Expanse" is a mighty big name for the group that David Boykin uses on this record – especially given that the combo's only a quintet – but that's ok with us, because the sound here is more than large enough to warrant the name! Boykin's working with a great batch of players from the Chicago scene here – including frequent musical partner Nicole Mitchell on flute, sliding wonderfully alongside David's saxophones – plus Jim Baker on piano, Josh Abrams on bass, and Mike Reed on drums. The album features two longish tracks, both composed by Boykin with a vision that's freely expressive, yet never too free – a perfect balance that reigns things in wonderfully, and which shows him to be one of the key current heirs to a Chicago tradition that runs back to the early AACM and Sun Ra! Titles include "Nuance" and "47th Street Ghost". CD