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Close matches: 1
Close matches1
CD, LP, Vinyl record album cover art
✨✧ BB Boogie (Daz I Kue)Standing On The Wall ... LP
R2 (UK), 2017. New Copy 2LP Gatefold ... $28.99 29.99
It's been many years since Daz I Kue first rocked our world with his grooves in Bugz In The Attic – and since that time, he's only gotten stronger and more soulful as a solo act – to the point where a new project like this almost blows away some of his previous work! As you might guess from the cover and name, the project has a very vintage feel – somewhere in the territory of late 70s/early 80s clubby funk, with warmer instrumentation than back in the Bugz days – and a fantastic sense of production that could almost have you playing this set alongside later Funkadelic material, or early work from Prince! Yet there's also a sharpness, too – that new vision of funk that's always made the London scene so wonderful – from the Incognito/Brand New Heavies years onward. Khari Simmons plays bass on most of the record – and the bass is definitely in the lead – and singers include Vanessa Freeman, Greg Blackman, Leroy Burgess, DNS, Monica Blaire, Joy Jones, and others – really helping flesh out the sound on tracks that include "Opposition", "Sweating & Shaking", "Wanna Be With You", "We Can Do It", "Standing On The Wall", "In The Middle", "Let Love Grow", "Stay Woke", and "RAyanne". LP, Vinyl record album
 
Possible matches: 1
Possible matches2
CD, LP, Vinyl record album cover art
✨✧ Ron CarterBlues Farm ... LP
CTI, 1973. Used Gatefold ... Out Of Stock
Sweet electric work from Ron Carter – subtle magic in the best CTI mode! Ron arranged the set himself, but he's working with a core group of CTI players that includes Bob James and Richard Tee on electric piano, Hubert Laws on flute, Ralph MacDonald on percussion, and Billy Cobham on drums – shifting mood, tone, and color with ease as each new track on the album emerges – and uniting the whole proceedings with work on acoustic bass and piccolo bass! Not funky, but very soulful – with a keen sense of space, but never too much so to make things snoozy. Titles include "Blues Farm", "Hymn For Him", "Two Beat Johnson", and "R2, M1". LP, Vinyl record album
(Original gatefold pressing.)
 
Partial matches: 5
Partial matches3
CD, LP, Vinyl record album cover art
BlochConcerto Grosso No 1/Concerto Grosso No 2 – Howard Hanson/Eastman Rochester Symphony ... LP
Mercury, Late 50s. Very Good+ ... $14.99
... LP, Vinyl record album
(Deep groove maroon label stereo pressing, FR2/FR1 – in a color back cover!)

Partial matches4
CD, LP, Vinyl record album cover art
Rimsky Korsakov/BorodinCapriccio Espagnol/Russian Easter/Prince Igor Overture/Polovetsian Dances – Dorati/London Symphony ... LP
Mercury, Late 50s. Very Good+ ... $14.99
... LP, Vinyl record album
(Maroon label deep groove stereo pressing – FR1/FR2.)

Partial matches5
CD, LP, Vinyl record album cover art
StraussDer Rosenkavalier (suite)/Til Eulenspiegel's Merry Pranks Op 28 – Dorati/Minneapolis Symphony ... LP
Mercury, Mid/Late 50s. Very Good+ ... $9.99
... LP, Vinyl record album
(Deep groove stereo pressing, FR1/FR2 – in a color back sleeve! Cover has a split bottom seam and light ringwear.)

Partial matches6
CD, LP, Vinyl record album cover art
✨✧ Jacob/Host/WaltonBritish Band Classics Vol 2 – Frederick Fennell/Eastman Wind Ensemble ... LP
Mercury, Late 50s. Used ... Temporarily Out Of Stock
... LP, Vinyl record album
(Deep groove maroon label stereo pressing – CBFR1/CBFR2 – in a color back sleeve! Cover has a small sticker.)

Partial matches7
CD, LP, Vinyl record album cover art
✨✧ Feldman/Satie/CageRothko Chapel/Gnossienne No 4/Four – Kashkashian/Rothenberg/Simpson/Houston Chamber Choir ... CD
ECM (Germany), 2015. Used ... Out Of Stock
A haunting and ethereally beautiful set of modern classical works – anchored by the moody, 26 minute title piece composed by Morton Feldman – with some equally wonderful shorter works by John Cage and Erik Satie. Feldman's "Rothco Chapel" was inspired by abstract painting and named for the Houston, TX chapel built to house site-specific art – so the participation of the Houston Chamber Choir and quite apt, and gives the piece a genuinely spirited feel. It's the longest piece and has the richest arrangements, with Kim Kashkashian on viola, Steven Schick on percussion and Sarah Rothenberg on celeste. The Cage and Satie pieces are sparer, but no less effective piano and choir pieces – with Sarah Rothenberg on the piano –- and the titles include "Gnossienne No. 4", "Four2", :Ogive No 1", "Ear For Ear (Antiphonies)", "Ogive No 2", "Gnossienne No 1", "Five" "Gnossienne No. 3" and "In A Landscape". CD
(Includes slipcase. Barcode has a cutout mark.)
 
 
 



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