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Exact matches: 26
Exact matches1
CD, LP, Vinyl record album cover art
Billy Eckstine & Quincy JonesBilly Eckstine & Quincy Jones At Basin Street East ... CD
Mercury, Early 60s. Used ... $6.99
(Out of print.)

Exact matches2
CD, LP, Vinyl record album cover art
Donny Hathaway/Quincy JonesCome Back Charleston Blue (with bonus tracks) ... CD
Atco (Japan), 1972. New Copy ... $16.99
An unusual career in the Atlantic career of Donny Hathaway – and a unique collaboration with the legendary Quincy Jones! The music here is Hathaway's sole entry into the blacksploitation soundtrack genre of the 70s – penned for film version of a Chester Himes novel, and scored in a mix of funky 70s modes and other more standard jazz styles. Quincy's on board as the "musical supervisor" – and clearly helps Donny focus his energies towards the hipper side of the soundtrack spectrum, especially on the more contemporary styled tracks. And although most of the work here is instrumental, Hathaway also sings a bit too – most famously on the classic "Little Ghetto Boy" – which is easily one of Donny's greatest tracks ever! Other titles include "Come Back Charleston Blue", with vocals by Margie Joseph, plus "Bossa Nova", "Tim's High", "Hearse To Graveyard", "Harlem Dawn", "String Segue", "Furniture Truck", and "Liberation". CD features two bonus tracks – "Little Ghetto Boy (live)" and "Little Ghetto Boy (alt)". CD
(SHM-CD pressing !)

Exact matches3
CD, LP, Vinyl record album cover art
Quincy JonesDollar ($) ... LP
Reprise, 1972. Very Good- ... $5.99
One of Quincy Jones' best soundtracks of the 70s – filled with some great slick electric funky crime tracks, perfectly played by LA jazzers that include Clare Fischer, Paul Humphrey, Arthur Adams, David T Walker, Milt Holland, and Jerome Richardson. A few cuts feature vocals by Little Richard – but the best tracks are the instrumental ones – like the classic sample cut "Snow Creatures", which has an amazing intro and a very dark mood. Other tracks include "Passin The Buck", "Rubber Ducky", "Money Is", "Do It Do It", and "Money Runner". LP, Vinyl record album
(Cover has a light stain with some flaking at the bottom.)

Exact matches4
CD, LP, Vinyl record album cover art
Quincy JonesGo West, Man! ... LP
ABC/Paramount, 1957. Very Good ... $5.99
Quincy turns his soul jazz arranging style to a band filled with West Coast players, and he gets them to groove a lot more than you'd expect! Players include Herb Geller, Art Pepper, Charlie Mariano, Bill Perkins, and Walter Benton. The tracks are short, with tight solo space, and most of them were written and arranged by West Coasters like Jimmy Giuffre, Lennie Niehaus, and Johnny Mandel. Titles include "Be My Guest", "London Derriere", "Kings Road Blues", "The Oom Is Blues", and "Bright Moon". LP, Vinyl record album
(Black label mono pressing. Cover and label have stickers and pen.)

Exact matches5
CD, LP, Vinyl record album cover art
Quincy JonesHot Rock ... LP
Prophesy, 1972. Very Good Gatefold ... $9.99
A sweet little soundtrack by Quincy – to an early 70s heist film that starred Robert Redford, George Segal, and Zero Mostel! The album's got a feel that's very much in the mode of Quincy's best cop show/crime work of the time – with some nice jazzy touches, handled by a host of quality players that include Jerome Richardson, Gerry Mulligan, Chuck Rainey, and Carol Caye – plus a few vocal numbers by the lovely "Tata"! The record's got some very nice instrumentals – especially the "Hot Rock Theme" – and tracks include "Talking Drums", "Slam City", "Sahara Stone", and "Miasmo". LP, Vinyl record album
(In the original fold-over cover, with a cutout notch, promo sticker, and some marker.)

Exact matches6
CD, LP, Vinyl record album cover art
Quincy JonesMellow Madness ... CD
A&M (Japan), 1975. New Copy ... $19.99
A really great, oft-overlooked album from the best period of Quincy Jones! This album is quite possibly Quincy's most farthest-reaching – as he works in an array of styles that really shows his growing genius in the studio – not just jazz and soundtrack modes, but more soul-based ones, handled with work from a great array of guest stars who really expand the sound. There's loads of nice bits – like a version of "My Cherie Amour", done with vocals by Leon Ware and Minnie Riperton; a new take on "Bluesette", redone with Toots Thielemans; and the original "Beautiful Black Girl", which features rapping by The Watts Prophets! Other tracks include "Paranoid", "Cry Baby", "Tryin To Find Out About You", and "Listen (What It Is)". CD
(SHM-CD pressing!)

Exact matches7
CD, LP, Vinyl record album cover art
Quincy JonesQ – The Best Of Quincy Jones ... LP
A&M, Late 70s. Near Mint- ... $4.99
An excellent set of 70s soulful fusion from Quincy – recorded during his legendary A&M years, when he was working with some of the best new singers in the soul business, like Leon Ware, Patti Austin, Luther Vandross, and James Ingram. The album leans towards the smoother soulful side of Quincy's work, and features many classic R&B oriented cuts like "The Dude", "Body Heat", "Is It Love We're Missin", "Superstition", "I Heard That", "Razzamatazz", and the Latiny groover "Ai No Corrida". LP, Vinyl record album

Exact matches8
CD, LP, Vinyl record album cover art
Quincy JonesQuincy Jones ABC/Mercury Big Band Jazz Sessions (5CD box set) ... CD
Mosaic, Late 50s/Early 60s. Used 5CD ... $119.99
(Out of print. Numbered limited edition pressing – includes book! Everything included is in great shape!)

Exact matches9
CD, LP, Vinyl record album cover art
Quincy JonesQuincy Jones Explores The Music Of Henry Mancini ... CD
Mercury/Verve, 1964. Used ... $8.99
Quincy Jones meets Henry Mancini – and the result is an album that's as groovy as it is jazzy – every bit as wonderful as you might expect, and with a few surprising touches as well! Given that Mancini's tunes are already pretty darn great on their own – and plenty jazzy too – it's amazing to hear Quincy transform them for the record, bringing in some of the styles that would show up even more strongly in his own 60s soundtrack work – clever instrumental twists, occasional electric moments, and a growing sensitivity we never would have expected in his music a decade before. There's loads of lovely reeds – courtesy of Jerome Richardson, Seldon Powell, Zoot Sims, and Roland Kirk – and other players include Gary Burton on vibes, Mundell Lowe on guitar, Toots Thielemans on harmonica, and Phil Krauss on percussion. Titles include "Baby Elephant Walk", "Charade", "Dreamsville", "Bird Brain", "Days Of Wine And Roses", "Mr Lucky", "Pink Panther", "Moon River", "Peter Gunn", and "Odd Ball". CD

Exact matches10
CD, LP, Vinyl record album cover art
Quincy JonesRoots – Original Soundtrack ... CD
A&M/Varese, 1976. New Copy ... $12.99 13.99
Quincy Jones may be best remembered for his funky soundtrack work of the 70s – but the man can also hit a deeper, more serious vein when he wants – as he does on this ambitious album-length project inspired by the landmark Roots mini-series! The music isn't a straight soundtrack from the program, but instead evokes the longer narrative over the passage of its different selections – working as its own "saga of an American family", as it moves from African roots, through years of oppression, to moments of pride and power – amidst larger orchestrations from Jones, with help from Letta Mbulu on some key vocals, and more help from Bill Summers, James Cleveland, and even Lou Gossett. Titles include "Many Rains", "Free At Last", "Jumpin De Broom", "Ole Fiddler", "Boyhood To Manhood", "Oluwa", and "Motherland". CD

Exact matches11
CD, LP, Vinyl record album cover art
Quincy JonesThey Call Me Mister Tibbs ... LP
United Artists, Late 60s. New Copy (reissue)... $11.99
An excellent Quincy Jones score that stands head and shoulders above the soundtrack to the first film in this series, In The Heat Of The Night. Q is in fine fine form with this material – adding in a lot more funk than before, to fit the uptown theme of the film. There's lots of nice jazzy tracks on the record, and some tight funky ones that made the soundtrack virtually a blueprint for the blacksploitation sound of the 70s! Titles include "Soul Flower", "Call Me Mr. Tibbs", "Black Cherry", "Blues For Mr. Tibbs", and "Fat Poppadaddy". LP, Vinyl record album

Exact matches12
CD, LP, Vinyl record album cover art
✨✧ Quincy JonesWalking In Space ... LP
CTI/A&M, 1969. Very Good- Gatefold ... $5.99
One of the greatest Quincy Jones albums of all time! The record's a spacey jazz masterpiece – and it combine's Quincy's soulful soundtrack vision with the excellent production talents of Creed Taylor, for a monster album of long drawn out cuts that mix soul jazz with more sophisticated arrangements! Bob James plays electric piano on a number of cuts, and in a way, the record's kind of a blueprint for some of James' later CTI albums. Titles include "Killer Joe", "Dead End", "Walking In Space", and "Love & Peace". LP, Vinyl record album
(Tan label pressing. Cover has surface wear and some stains.)

Exact matches13
CD, LP, Vinyl record album cover art
✨✧ Quincy Jones, Michael Jackson, Diana Ross & OthersWiz – Original Motion Picture Soundtrack ... LP
MCA, 1978. Very Good 2LP Gatefold ... $2.99
We know, we know, you're wondering "Why is this here?". And truthfully, if it weren't for the fact that Quincy was at the top of his game when he produced this version of The Wiz, we'd write it off as total crap too, but there are a few moments peppered in here and there that will make this worthwhile to some of you out there! Skip past "Ease On Down The Road" to the "Emerald City Sequence", "Poppy Girls", 'So You Wanted To See The Wizard" and "Home". LP, Vinyl record album
(Includes the poster & booklet. Cover has light wear.)

Exact matches14
CD, LP, Vinyl record album cover art
Les Double SixLes Double Six (Les Double Six/Meet Quincy Jones) (with bonus track) ... CD
RCA (UK), 1960/1962. New Copy ... $8.99
Great early work by this swingin' French vocal group! These guys swung as hard as American jazz vocal groups, like Lambert, Hendricks, and Ross or The Hi Los – but they stuck to hipper, jazzier material, and had a driving sound that never let up! The group is led by singer Mimi Perrin, who also handed the arrangements – and it also features work by Eddy Louiss, Christiane Legrand, and vocalist Ward Swingle, in the years before he took off to form the Swingle Singers! This wonderfully remastered CD package features 19 tracks from their first two albums, plus one rare additional cut – titles include "Walkin", "Rat Race", "Meet Benny Bailey", "Fascination", "Boo's Blues", "Naima", "Boplicity", "Westwood Walk", and "Early Autumn". CD

Exact matches15
CD, LP, Vinyl record album cover art
Dinah Washington with Quincy JonesQueen & Quincy ... LP
Mercury, Late 50s. Near Mint- ... $19.99
A 60s collection that brings together sides Dinah Washington cut with Quincy Jones in the 50s – packaged with a cover photo that clearly shows the affection between the pair! The set's an early one for Jones, and Quincy knows how to mix just the right doses of straight jazz and tighter vocal arrangements – and Dinah's very comfortably at home in the setting, stretching out with a great sense of soul that really stands out. The album's an early example of Jones' great ability to work with singers – and most tracks originally appeared on the Swingin Miss D album for Emarcy. Titles include "You Let My Love Grow Cold", "Caravan", "Perdido", "Never Let Me Go", "Makin Whoopie", "Somebody Loves Me", "They Didn't Believe Me", and "Is You Is Or Is You Ain't My Baby". LP, Vinyl record album
(Mono promo with deep groove.)

Exact matches16
CD, LP, Vinyl record album cover art
✨✧ Quincy JonesYou've Got It Bad Girl ... LP
A&M, 1973. Very Good+ ... Just Sold Out!
Sweet funky Q for the 70s – easily one of the coolest albums ever from Quincy Jones! The album's got a very heavy electric vibe – one that's kind of a laidback take on the styles that Jones was forging in some of his 70s soundtrack work – served up with massive work on the keyboards from Dave Grusin and Bob James, the latter of whom brings some of his own CTI vibe strongly into play! The basslines are great too – often dipping, stepping, and turning wonderfully – keeping things laidback and mellow, but always making for some sort of a groove, even on the slower tracks too. There's just a bit of vocals on the record – handled by Valerie Simpson on two tracks, and Quincy on another – but the main focus here is on the instrumentation, which is completely sublime. Titles include Quincy's great remake of "Summer In The City", an oft-sought sample track – plus versions of "Superstition", "Daydreaming", and "You've Got It Bad Girl" – and the great originals "Chump Change", "Love Theme From The Getaway", "Eyes Of Love", and "Sanford & Son Theme". LP, Vinyl record album
(Includes the poster!)

Exact matches17
CD, LP, Vinyl record album cover art
✨✧ Quincy JonesColor Purple – Original Soundtrack ... LP
Qwest, 1986. Used 2LP ... Temporarily Out Of Stock
LP, Vinyl record album
(Purple vinyl pressing, including the printed inner sleeves.)

Exact matches18
CD, LP, Vinyl record album cover art
✨✧ Quincy JonesDude ... CD
A&M, 1981. Used ... Temporarily Out Of Stock
Quincy just never stopped putting out classic soulful albums! This one, from the early 80s, features a smooth jazzy blend of tracks, with a strong nod to the kinds of souped-up studio sounds that were being used by groups like The Crusaders, but also with a lot of the kind of soulfulness that made earlier albums so great. Features vocals by Patti Austin, and includes winners like "Ai No Corrida", "The Dude", "Betcha Wouldn't Hurt Me", "Velas", and "Razzamatazz". CD

Exact matches19
CD, LP, Vinyl record album cover art
✨✧ Quincy JonesSounds & Stuff Like That ... LP
A&M, 1978. Used ... Temporarily Out Of Stock
The Dude at the height of his powers – serving up a smooth blend of soul and jazz that set the standard for an entire generation! As with some of his other 70s albums, Quincy's working here with a host of great talents that make the record sizzle – guests that include Hubert Laws, Herbie Hancock, Patti Austin, Luther Vandross, Gwen Guthrie, Eric Gale, and others – all of whom put their egos aside, and bring their best bits to the table working under Quincy's guidance! The album includes a great version of "Superwoman", plus the tracks "Tell Me A Bedtime Story", "Love Me By Name", and "Love, I Never Had it So Good". LP, Vinyl record album

Exact matches20
CD, LP, Vinyl record album cover art
✨✧ Quincy Jones/The Mirettes/Nate TurnerLost Man – Original Soundtrack ... LP
Uni, Early 70s. Used ... Temporarily Out Of Stock
Wild Quincy Jones score for this lost film starring Sidney Poitier. There's a wide mix of material on here – with some soul tracks by The Mirettes and Ernestine Anderson, some bluesy stuff by Nate Turner, and a few groovy instrumentals by Quincy, including "Slum Creeper" and "Up Against the Wall". Also includes the tasty instrumental groover "Main Squeeze"! LP, Vinyl record album
(Cover has light wear.)
Possible matches: 77
Possible matches27
CD, LP, Vinyl record album cover art
Cannonball AdderleyJulian Cannonball Adderley ... LP
EmArcy, Mid 50s. Good+ ... $6.99
Very early work from Cannonball Adderley – recorded way before the funky years, when he was a hard-wailing soulful soloist with a lot of bop in his style! Cannon's paired here with brother Nat, a good companion even at this early stage – and the two of them solo in front of a large group that features Jerome Richardson, Max Roach, Cecil Payne, and Jimmy Cleveland, all blowing away in hard heavy form, similar to that used on other Mercury/Emarcy jazz sessions from the time. Quincy Jones handled the arrangements, and Cannonball holds his own nicely – and serves up a whole new tone that's a lot more measured than in later years. Tracks include "Fallen Feathers", "Song Is You", "Willows", and "Everglade". LP, Vinyl record album
(Blue label drummer logo pressing. Cover has wear and splitting. Vinyl has oxidation that causes surface noise.)

Possible matches28
CD, LP, Vinyl record album cover art
Benny BaileyBig Brass ... CD
Candid (Germany), 1960. Used ... $7.99
One of the few early albums as a leader cut by trumpeter Benny Bailey – a tremendous talent, finally getting his due! Bailey is one of the great unsung talents of jazz, and he's always made top-shelf work – from his early days with Quincy Jones, to his later years as an American expatriot, recording for European labels like Ego and MPS. This rare early session is one of the few recorded for the super-hip Candid label – and it features Bailey's trumpet at the head of a tight combo that includes Phil Woods on alto sax and bass clarinet, Julius Watkins on French Horn, Les Spann on flute and guitar, Tommy Flanagan on piano, and rhythm from Buddy Catlett on bass and Art Taylor on drums. Despite the "big brass" title, there's no horn section here – and instead, most of the numbers have that sharp-edged modern sound we associate with Candid – with Watkins horn being the only other brass instrument, alongside the lighter lines of Woods and Spann. Titles include "Hard Sock Dance", "Tipsy", "Please Say Yes", and "Maud's Mood". CD
(Out of print.)

Possible matches29
CD, LP, Vinyl record album cover art
Benny BaileyGrand Slam ... LP
Jazzcraft (Denmark), 1978. Very Good+ ... $19.99
Tremendous work from trumpeter Benny Bailey – a musician who doesn't always get the chance to record as a leader, but one who always blows us away when he does! Benny in this setting is way different than in his work with bigger bands like the Clark/Boland Big Band, or the Quincy Jones orchestra – and instead, he has this way of stepping out strongly, with very individual phrasing – and crafting these really long, expressively soulful solos that he's never get to cut in a large group setting. The vibe here is very similar to Benny's wonderful album with tenorist Billy Mitchell – long tracks with a nice sense of bass at the bottom – and the group features Charlie Rouse on tenor, Sam Jones on bass, Richard Wyands on piano, and Billy Hart on drums. The whole thing's wonderful – and titles include "Reflectory", "Let Me Go", "Thelonious Assault", and "Who's Bossa Now". LP, Vinyl record album
(Cover has a sticker spot.)
Also available Grand Slam (with bonus tracks) ... CD 13.99

Possible matches30
CD, LP, Vinyl record album cover art
Benny BaileyGrand Slam (with bonus tracks) ... CD
Storyville/Ultra Vybe (Japan), 1978. New Copy ... $13.99
Tremendous work from trumpeter Benny Bailey – a musician who doesn't always get the chance to record as a leader, but one who always blows us away when he does! Benny in this setting is way different than in his work with bigger bands like the Clark/Boland Big Band, or the Quincy Jones orchestra – and instead, he has this way of stepping out strongly, with very individual phrasing – and crafting these really long, expressively soulful solos that he's never get to cut in a large group setting. The vibe here is very similar to Benny's wonderful album with tenorist Billy Mitchell – long tracks with a nice sense of bass at the bottom – and the group features Charlie Rouse on tenor, Sam Jones on bass, Richard Wyands on piano, and Billy Hart on drums. The whole thing's wonderful – and titles include "Reflectory", "Let Me Go", "Thelonious Assault", and "Who's Bossa Now". CD features two bonus alternate takes too! CD
Also available Grand Slam ... LP 19.99

Possible matches31
CD, LP, Vinyl record album cover art
Count BasieStanding Ovation ... LP
Dot, 1969. Very Good+ ... $1.99
One of the great Count Basie albums recorded during his short late life stay on Dot Records – a label who really helped him focus his energy and keep up that classic Basie "punch" in his grooves – but all without sacrificing the growth the group had gone through over the years! There's plenty of modern colors and tones in the mix here – elements from the Basie years with arrangers like Neal Hefti, Quincy Jones, and Billy Byers – but the presentation is also strong and straight, with a hell of a lot packed into just a little space – that mode that always made the Count such a great leader! Players include Marshal Royal on alto, Eddie Lockjaw Davis and Eric Dixon on tenors, Charlie Fowlkes on baritone, Harry Edison and Oscar Brasher on trumpets, and Grover Mitchell on trombone – on titles that include "Lil Darlin", "Jive At Five", "Broadway", "Cherry Point", "Every Tub", "Corner Pocket", and "Blue & Sentimental". LP, Vinyl record album
(Cover has light wear.)

Possible matches32
CD, LP, Vinyl record album cover art
✨✧ George BensonGive Me The Night ... CD
Warner, 1980. Used ... $5.99
Yipes! This one made everyone a bucket of money – especially Quincy Jones, whose new Qwest imprint the record was one of the first to grace. George has come a long way from his roots with Jack McDuff here – but in a way that kind of has us impressed, as he's grooving away slickly on guitar, laying down some smooth vocals that we never would have imagined from his mid 60s recordings. Includes the massive hit "Give Me The Night", a cover of "Moody's Mood", and the tracks "Star Of A Story (X)", "Midnight Love Affair", "What's On Your Mind", and "Dinorah, Dinorah". The sound of a million supermarkets and elevators during the 80s! CD

Possible matches33
CD, LP, Vinyl record album cover art
✨✧ Brothers JohnsonBlam ... LP
A&M, 1978. Very Good Gatefold ... $2.99
Blam is right – an all-out batch of funky tracks from The Brothers Johnson – captured here right in the middle of their classic period with Quincy Jones! The Q's at the helm on production for the set, and the record's a great extension of their earlier efforts with the man – but a bit more Johnson-tuned (if we can say that in mixed company) – with the bass upfront on some of the best numbers, and a surprisingly strong male ballad approach on some of the gentler tunes. There's a slightly jazzy undercurrent at times, and tracks include "Rocket Countdown/Blastoff", "Ride-O-Rocket", "Streetwave", "Blam", "So You Won't Stay", "Ain't We Funkin Now", and "Mista Cool". LP, Vinyl record album

Possible matches34
CD, LP, Vinyl record album cover art
Brothers JohnsonLight Up The Night ... LP
A&M, 1980. Very Good- Gatefold ... $2.99
More hit magic from the Brothers Johnson – still working with Quincy Jones at this point, and virtually setting up the blueprint for jazzy soul in the 80s! Backings are by an all-star team, and Rod Temperton's helping out Quincy with arrangements – going for that snapping groove approach he worked to best effect with Heatwave. The sound is tight, but never too slick – and The Brothers keep a nice funky undercurrent on the bottom of most tracks. Titles include "Smilin On Ya", "You Make Me Wanna Wiggle", "Light Up The Night", "Stomp", "This Had To Be", and "Closer To The One You Love". LP, Vinyl record album

Possible matches35
CD, LP, Vinyl record album cover art
✨✧ Brothers JohnsonRight On Time ... LP
A&M, 1977. Very Good+ ... $5.99
A funky classic from the Brothers Johnson – sweet funky soul, done with a polish few could match! The pair are still working with Quincy Jones at this point, and the record's filled with lots of tight jazzy grooves that certainly show Quincy's touch – and which set the record apart from a number of similar mainstream funk records flooding the market at the time. The standout cut on the album is their great reading of "Strawberry Letter 23" – originally done by Shuggie Otis in a stoner version, but nicely stripped down here by the Bros, and given a very nice pop psychedelic soul twist! Other tracks include "Right On Time", "Q", "Free Yourself, Be Yourself", and "Love Is". LP, Vinyl record album
(Cover has a cutout notch.)

Possible matches36
CD, LP, Vinyl record album cover art
Clifford BrownClifford Brown Memorial (Prestige) ... LP
Prestige, Early 50s. Very Good+ ... $6.99
Early 50s material recorded by the late Clifford Brown – issued here in a classic "memorial" package slightly after his death in 1956! And while Brown never recorded much for Prestige – and never really as a leader – these sides are still a great example of his completely unique touch on the trumpet! The first half of material was recorded in 1953 – and features Brown soloing with Tadd Dameron's group on the tracks "Philly JJ", "Chose Now", and "Dial B For Beauty". The other set features Brown and Art Farmer as the lead soloists with the Swedish All Stars, a group led by Quincy Jones – and tracks on that session include "Stockholm Sweetnin", "Scuse These Blues", and "Lover Come Back To Me". LP, Vinyl record album
(OJC pressing with obi.)

Possible matches37
CD, LP, Vinyl record album cover art
Oscar Brown JrKicks! – The Best Of Oscar Brown Jr ... CD
Sony/BGP (UK), Early 60s. Used ... $8.99
Some of the most unique vocal work ever recorded – a stunning collection of Columbia sides by Oscar Brown Jr, a singer who mixed together equal parts jazz, soul, and folk – and came up with a sound that was all his own! Oscar bubbled out of the hip Chicago scene of the early 60s – and had a much more righteous approach than most of his contemporaries – not only writing his own lyrics for most of the tunes, but working in a genre-blending style that crossed over to a variety of difference audiences. Oscar could groove with the best in a southside club, but also appeal to the northside intellectuals – opening doors wherever he went with a fresh approach to jazz vocals! The set features work from all 4 of his Columbia albums – including a number of tracks on CD for the first time – and features arrangements by Quincy Jones, Floyd Morris, and Ralph Burns – on 23 tracks that include "All Blues", "Work Song", "Excuse Me For Living", "The Snake", "Mr Kicks", "Afro Blue", "Signifying Monkey", "Dat Dere", "Hazel's Hips", "Jeannine", "Opportunity Please Knock", "The Tree & Me", "Elegy (Plain Black Boy)", "Tall Like Pine", and "But I Was Cool". CD

Possible matches38
CD, LP, Vinyl record album cover art
Oscar Brown Jr.Between Heaven & Hell ... LP
Columbia, 1962. Very Good ... $2.99
Great early work from Oscar Brown Jr – a hip mix of jazz and soul, working in Brown's unique sense of showmanship, and his almost beat-like flair with a lyric! Ralph Burns and Quincy Jones handled the arrangements – and the album's filled with great original tracks by Brown, including "Mr. Kicks", "Opportunity, Please Knock", Love is Like a New Born Child", "Elegy (Plain Black Boy)", "Hazel's Hips", and many more! Nice jazzy groove, and very much in the best style of Oscar's 60s work! LP, Vinyl record album
(360 Sound stereo pressing. Cover has some light stains on back.)

Possible matches39
CD, LP, Vinyl record album cover art
Sammy Davis Jr & Count BasieOur Shining Hour ... LP
Verve, Mid 60s. Very Good+ ... $7.99
A brilliant album that follows on the trend that was begun by Sinatra and Tony Bennett – one that takes strong jazz backings from Count Basie to push a singer past the usual pop format! Sammy didn't always get backing this strong – and the album's got Quincy Jones handling the arrangements for Basie in the same mode the he used on the Sinatra/Basie sides for Reprise. Titles include "The Girl From Ipanema", "She's A Woman", "New York City Blues", "Work Song", and "Blues For Mr Charlie" – and the album even features Sammy doing a bit of tap dancing! LP, Vinyl record album

Possible matches40
CD, LP, Vinyl record album cover art
Eyes Of BlueIn Fields Of Ardath (with bonus track) ... CD
Mercury/Esoteric (UK), 1969. New Copy ... $15.99
Very cool work from this unique Welsh group of the 60s a combo who might have started out in beat group modes, but really go for something different on this unique set! Eyes Of Blue have this spacious style that almost recalls the Moody Blues at times – but they're also much more gritty and soulful as well – almost as if they hit territory between the Moodies first record and their ambitous later works, but also draw on wider musical references that have them covering a Django Reinhardt tune on one track, and throwing in some classical references on another. Titles include the cut "Merry Go Round", which they did for a film with Quincy Jones – plus "The Light We See", "Souvenirs", "Little Bird", "Door", "Spanish Blues", "Chances", and "After The War". CD also features the bonus single "Apache 69". CD

Possible matches41
CD, LP, Vinyl record album cover art
Ella Fitzgerald & Count BasieElla & Basie ... LP
Verve, 1963. Very Good+ ... $9.99
Quincy Jones handles the arrangements, so the set's got plenty of soul – and the band really swings on titles that include "Tea For Two", "Deed I Do", "My Last Affair", "I'm Beginning To See The Light", "Into Each Life Some Rain Must Fall", and "Shiny Stockings". LP, Vinyl record album
(Mono UK pressing.)

Possible matches42
CD, LP, Vinyl record album cover art
Lesley GoreBoys Boys Boys (with bonus tracks) ... CD
Mercury/Ace (UK), 1963. New Copy ... $14.99 18.99
Lesley Gore may have cried at her party, but by the time of this third LP she's very much past the point of tears – and working her way through a big assortment of boy-themed tunes promised in the title! The album's about as sublime as you can get for 60s girl pop – set to arrangements by Claus Ogerman, produced by Quincy Jones, and delivered with this punch that's way past the stock weepies of the scene – that special sort of girl power that only Gore could get this right! Tunes are all pretty darn groovy – and seem to include a few originals just for the set – that special kind of no-filler approach that also made so many of Lesley's albums from the period so wonderful. Titles include "Boys", "It's Gotta Be You", "Don't Call Me", "That's The Way Boys Are", "Leave Me Alone", "That's The Way The Ball Bounces", "I'm Coolin No Foolin", and "I'll Make It Up To You". CD features lots of bonus tracks – 13 more numbers that include "Run Bobby Run", "I Struck A Match", "Sunshine Lollipops & Rainbows", "The Old Crowd", "Judy's Turn To Cry", "Just Let Me Cry", "No More Tears", "If That's The Way You Want It", "Time To Go", "You Don't Own Me", and the classic "It's My Party". CD

Possible matches43
CD, LP, Vinyl record album cover art
✨✧ Lesley GoreGirl Talk ... LP
Mercury, 1964/1965. Very Good+ ... $9.99
Really tremendous work from Lesley Gore – and just the sort of record to show that she's way more than just another girl singer from the 60s! The sound here is incredibly groovy right from the start – a mix not just of the romping arrangements of Claus Ogerman (in his best Soul Searching mode), and the production of Quincy Jones – but also of Gore's great vocals, which have this surprising tinge of sexuality – and a depth that comes from the unique style of folding over her lead in the studio, to create a wide-flanged vocal approach! There's a sense of guts and lust here that goes past the usual weepy girl pop modes – a style that undeniably had an influence on other singers like Dusty Springfield or Cilla Black. Titles include "Hey Now", "You've Come Back", "Say Goodbye", "Live & Learn", "Movin Away", "It's Just About This Time", and "I Wish I Were A Boy". LP, Vinyl record album
(White label promo)

Possible matches44
CD, LP, Vinyl record album cover art
Herbie HancockBlow-Up – Original Soundtrack ... LP
MGM, Mid 60s. Very Good ... $24.99
An amazing little record – not only a fab 60s soundtrack, but a rare non-Blue Note 60s album by Herbie Hancock! The set was recorded for the film Blow Up – an incredibly dark thriller by Michaelangelo Antonioni, set in swinging London of the 60s, which provided a very groovy backdrop for Herbie's score! The tunes get plenty groovy on this set – dancing out with a combination of fast rhythms, nice piano and organ, and some of the jazzy flourishes you'd expect from a Quincy Jones soundtrack of similar vintage. The Yardbirds also make an appearance on the cut "Stroll On" – which features in one of the best scenes in the film – and other Herbie Hancock tracks include "The Thief", "Verushka", "The Naked Camera", "Bring Down The Birds", "The Kiss", and "The Bed". LP, Vinyl record album
(Black label mono pressing. Cover has a cutout hole.)

Possible matches45
CD, LP, Vinyl record album cover art
✨✧ Lurlean HunterLonesome Gal ... LP
RCA, 1956. Good+ ... $11.99
Moody set of vocals recorded by this obscure Chicago singer. Lurlean got her start at the classy south side Club DeLisa, home to Sun Ra, and a host of other Chicago talents – but by the time of this recording, she'd moved downtown, and had become a classy smoky voiced singer with a good talent for more mature material. This hard to find early session features backing by Al Nevins, and arrangements by Quincy Jones and Marion Evans. Tracks include "Brief Encounter", "On Green Dolphin Street", "Alone Together", and "A Stranger In Town". LP, Vinyl record album
(Black label mono pressing with a deep groove. Cover in nice shape, has a "meet the girls" sticker in one corner.)

Possible matches46
CD, LP, Vinyl record album cover art
James IngramIt's Your Night ... CD
Quest, 1983. Used ... $9.99
Early crossover work as a solo act from James Ingram – and a set that features some stellar production from Quincy Jones! The album's one of the best of Q's pop-styled efforts of the time – and although it played big at the time, it's got a sound that's much better than we remember, especially on the more upbeat numbers – rock-solid vocals from Ingram, sung with a youthful quality that's nicely shies away from some of his more clunky commercial modes. Titles include the big hit "Yah Mo B There", plus "She Loves Me", "Try Your Love Again", "Party Animal", "Whatever We Imagine", "One More Rhythm", and "There's No Easy Way". CD
(Out of print.)

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