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Exact matches: 28
Exact matches1
CD, LP, Vinyl record album cover art
Quincy JonesBig Band Bossa Nova ... CD
Mercury/Verve, 1962. Used ... $2.99
Perhaps THE greatest Quincy Jones album of the 60s – a hard-swinging batch of big band bossa tunes – and one of the greatest American takes on the bossa sound ever! Quincy really brings a lot of soul to the set – syncopating the bottom end of the tunes to really bring out the rhythms, and working with a jazzy flourish of horns that creates all these quick and clever little turns in the tunes! The sound's been heard most famously on the incredible track "Soul Bossa Nova" – an original by Quincy for the set, which has gone onto much greater fame through its use in the film Austin Powers, and a bazillion TV commercials! But the whole album's great too – and other tracks include "Serenata", "Lalo Bossa Nova", "Boogie Bossa Nova", and "Chega De Saudade". CD

Exact matches2
CD, LP, Vinyl record album cover art
Quincy JonesBob & Carol & Ted & Alice ... LP
Bell, Late 60s. Sealed ... $7.99
Swingers unite! Quincy Jones did the score for this very strange film about two couples who decided to freak out their marriages a bit. Some of the material features some jazzy remakes of Handel's "Hallelujah Chorus", but other tracks have a nice groovy sound to them. Includes a bunch of versions of "What the World Needs Now" – plus instrumental cuts "Giggle Grass", "Flop Sweat", "Dynamite", and "Sweet Wheat". LP, Vinyl record album

Exact matches3
CD, LP, Vinyl record album cover art
Quincy JonesDude ... CD
A&M, 1981. Used ... $2.99
Quincy just never stopped putting out classic soulful albums! This one, from the early 80s, features a smooth jazzy blend of tracks, with a strong nod to the kinds of souped-up studio sounds that were being used by groups like The Crusaders, but also with a lot of the kind of soulfulness that made earlier albums so great. Features vocals by Patti Austin, and includes winners like "Ai No Corrida", "The Dude", "Betcha Wouldn't Hurt Me", "Velas", and "Razzamatazz". CD

Exact matches4
CD, LP, Vinyl record album cover art
Quincy JonesMirage – Original Soundtrack ... LP
Mercury, Mid 60s. Near Mint- ... $24.99
An overlooked, but very groovy soundtrack by Quincy Jones! The record has a mix of easy jazz and a few harder-edged themes – dramatic throughout, but with washes of crime jazz, bossa, and some floating easy scoring. Players aren't listed, but you can bet they're the usual high-level crop of jazzmen that Quincy would get for his mid 60s Mercury sides. Titles include "Dead Duck", "Purple Prose", "Boobie Baby", "Shoot To Kill", "A Shot In The Park", and "Turtles Last Lap". LP, Vinyl record album
(US red label pressing with deep groove.)

Exact matches5
CD, LP, Vinyl record album cover art
Quincy JonesPawnbroker ... LP
Mercury, Late 60s. Very Good+ ... $11.99
A nice one by Quincy! Although the material here isn't funky like his 70's work, it does show Quincy as a strong composer of serious thriller-type material – working in a style that produces a nice amount of tension and mood, and which still has some nice touches of jazz. The group is filled with strong jazz players like Freddie Hubbard, Anthony Ortega, Oliver Nelson, Elvin Jones, and others – and the album features a vocal version of the theme by Marc Allen, plus a crazy spoken bit from the movie, by Rod Steiger! Other titles include "Harlem Drive", "Naked Truth", "Rack 'Em Up", and "Death Scene". LP, Vinyl record album
(Red label mono pressing. Cover has light wear.)

Exact matches6
CD, LP, Vinyl record album cover art
Quincy JonesPure Delight – The Essence Of Quincy Jones & His Orchestra 1953 to 1964 ... CD
Razor & Tie, 1950s/Early 60s. Used ... $2.99
CD
(Out of print.)

Exact matches7
CD, LP, Vinyl record album cover art
Quincy JonesQuincy Jones & His Orchestra At Newport 61 ... CD
Mercury (Japan), 1961. New Copy ... $14.99
Always-groovy big band work from Quincy – and even in a live setting at the mainstream Newport festival, he still sounds hipper than most of the cats of his generation! The lineup is great – with a group that includes Curtis Fuller and Melba Liston on trombones, and both Pat Patrick and Jerome Richardson on saxes – all playing with a host of other well-matched players, with the kind of seamless groove that Quincy brought to his other Mercury records at the time. Tracks are slightly longer and more open-ended than on Jones' studio sessions from the same period – and titles include "Meet BB", "Lester Leaps In", "G'Won Train", "Ghana", "Banja Luka", and "Evening In Paris". CD

Exact matches8
CD, LP, Vinyl record album cover art
✨✧ Quincy JonesQuintessential Charts (This Is How I Feel About Jazz/Quintessence) ... LP
ABC, 1956/1961. Very Good 2LP ... $4.99
A split 70s LP – with two earlier classics! First up is How I Feel About Jazz – an important early album from Quincy Jones! Q's working here in some of his hippest settings of the 50s – scoring longish versions of jazz tunes for groups that include players like Lucky Thompson on tenor, Herbie Mann on flute, Art Farmer on trumpet, Phil Woods and Gene Quill on alto sax, Hank Jones on piano, and even Charles Mingus on bass! As with most Jones albums of the time, Quincy has a way of making a bigger group sound nice and lean – hitting some especially nice edges along with the rhythms, and really showing the way towards a new soulful sound for a bigger band. Titles include a sublime 10 minute version of "Walkin" that kicks off the album with a great soulful groove – plus original tunes "Evening In Paris", "Stockholm Sweetnin", and "Boo's Blues", as well as a version of Cannonball Adderley's "Sermonette". Next is Quintessence – a very soulful set of big band material from Quincy Jones – recorded during that tight early 60s period when his arrangements just couldn't fail! The album's his only session for Impulse, and it's got a slightly deeper style than his work from the time for Mercury – a bit more sophisticated, with nice modern touches that take the tunes in surprising directions. Part of the greatness of the set lies in the players – as the album features work by Curtis Fuller, Thad Jones, Stu Martin, Freddie Hubbard, Patty Brown, Phil Woods, and Jerome Richardson – and titles include "Robot Portrait", "Hard Sock Dance", "The Twitch", and "For Lena & Lennie". LP, Vinyl record album
(Cover has ring & edge wear.)

Exact matches9
CD, LP, Vinyl record album cover art
Quincy JonesRoots – Original Soundtrack ... LP
A&M, 1976. Very Good+ ... $0.99
Well, the soundtrack's not one of Quincy's funkiest, but it does include some nice moments – especially on some of the more African-inflected numbers. Features performances from James Cleveland, Letta Mbulu, and Bill Summers – and tracks include "Many Rains", "Free At Last", "Jumpin De Broom", "Ole Fiddler", "Boyhood To Manhood", "Oluwa", and "Motherland". LP, Vinyl record album

Exact matches10
CD, LP, Vinyl record album cover art
Quincy JonesSlender Thread – Original Soundtrack ... LP
Mercury, 1966. Near Mint- ... $14.99
Another killer from Quincy! Man, he just couldn't miss with these hip 60s soundtracks, and the grooviness of this one is a real testament to his genius. About half the album's straight jazz numbers – played with some wonderful elements like Hammond solos, vibes, electric harpsichord and even some weird sound effects. The other half is orchestral, and the overall style is as cool as any of Quincy's other work from the time, and the album's filled with loads of groovy gems waiting to be rediscovered! Titles include "Psychosis", "Threadbare", "Preludium", "Fox's Sugar", "Big Sir", and "Funny Farm". LP, Vinyl record album
(Red label stereo pressing with deep groove. Cover has a small cutout hole.)

Exact matches11
CD, LP, Vinyl record album cover art
✨✧ Quincy JonesSmackwater Jack ... LP
A&M, 1971. Near Mint- Gatefold ... $6.99
A great bit of 70s electric work from Quincy – and probably his funkiest album ever! Quincy's really stepping out here from the straighter and spacier styles of earlier records – going for more of the dirty grooves he was cutting up for soundtrack albums, and hitting notes that were a lot more fitting for the blacksploitation era. The record includes the massive funky track cut "Hikky-Burr", which was the theme to the first Bill Cosby Show, and which has a sinister groove, and some wild shouted lyrics! Also features two more great themes – "Ironside" and "The Anderson Tapes" – both of which have a cool electric sound to them, and the nice title cut, which actually features Quincy on vocals! Other tracks include "Cast Your Fate To The Wind", "What's Going On", "Brown Ballad" and more. LP, Vinyl record album
(Cover has some wear.)

Exact matches12
CD, LP, Vinyl record album cover art
Quincy JonesThey Call Me Mister Tibbs ... LP
United Artists, Late 60s. New Copy (reissue)... $9.99
An excellent Quincy Jones score that stands head and shoulders above the soundtrack to the first film in this series, In The Heat Of The Night. Q is in fine fine form with this material – adding in a lot more funk than before, to fit the uptown theme of the film. There's lots of nice jazzy tracks on the record, and some tight funky ones that made the soundtrack virtually a blueprint for the blacksploitation sound of the 70s! Titles include "Soul Flower", "Call Me Mr. Tibbs", "Black Cherry", "Blues For Mr. Tibbs", and "Fat Poppadaddy". LP, Vinyl record album

Exact matches13
CD, LP, Vinyl record album cover art
✨✧ Quincy JonesWalking In Space ... CD
CTI/A&M, 1969. Used ... $5.99
One of the greatest Quincy Jones albums of all time! The record's a spacey jazz masterpiece – and it combine's Quincy's soulful soundtrack vision with the excellent production talents of Creed Taylor, for a monster album of long drawn out cuts that mix soul jazz with more sophisticated arrangements! Bob James plays electric piano on a number of cuts, and in a way, the record's kind of a blueprint for some of James' later CTI albums. Titles include "Killer Joe", "Dead End", "Walking In Space", and "Love & Peace". CD

Exact matches14
CD, LP, Vinyl record album cover art
Quincy JonesYou've Got It Bad Girl ... LP
A&M, 1973. Very Good+ ... $11.99
Sweet funky Q for the 70s – easily one of the coolest albums ever from Quincy Jones! The album's got a very heavy electric vibe – one that's kind of a laidback take on the styles that Jones was forging in some of his 70s soundtrack work – served up with massive work on the keyboards from Dave Grusin and Bob James, the latter of whom brings some of his own CTI vibe strongly into play! The basslines are great too – often dipping, stepping, and turning wonderfully – keeping things laidback and mellow, but always making for some sort of a groove, even on the slower tracks too. There's just a bit of vocals on the record – handled by Valerie Simpson on two tracks, and Quincy on another – but the main focus here is on the instrumentation, which is completely sublime. Titles include Quincy's great remake of "Summer In The City", an oft-sought sample track – plus versions of "Superstition", "Daydreaming", and "You've Got It Bad Girl" – and the great originals "Chump Change", "Love Theme From The Getaway", "Eyes Of Love", and "Sanford & Son Theme". LP, Vinyl record album
(Includes the poster! Cover has light wear & a cutout hole.)

Exact matches15
CD, LP, Vinyl record album cover art
Quincy Jones, Michael Jackson, Diana Ross & OthersWiz – Original Motion Picture Soundtrack ... CD
MCA, 1978. Used 2CD ... $12.99
We know, we know, you're wondering "Why is this here?". And truthfully, if it weren't for the fact that Quincy was at the top of his game when he produced this version of The Wiz, we'd write it off as total crap too, but there are a few moments peppered in here and there that will make this worthwhile to some of you out there! Skip past "Ease On Down The Road" to the "Emerald City Sequence", "Poppy Girls", 'So You Wanted To See The Wizard" and "Home". CD
(CD case has a cutout hole.)

Exact matches16
CD, LP, Vinyl record album cover art
✨✧ Quincy, Thad, Jimmy, Jo, Eddie, & Elvin JonesJones Boys ... LP
Period/Everest, 1957. Very Good+ ... $2.99
Titles include "Mad Thad", "Cat Meets Chick", "Whisper Not", "Quiet Sip", and "Jumping For Jane". LP, Vinyl record album

Exact matches17
CD, LP, Vinyl record album cover art
Sonny StittSonny Stitt Plays Arrangements From the Pen Of Quincy Jones ... LP
Roost, 1955. Very Good ... $14.99
Sonny Stitt plus the early genius of Quincy Jones – a really great combination that makes for a standout session on Roost! As you might guess with Quincy handling the arrangements, the gorup here is bigger than usual for Stitt – especially given that the bulk of his Roost sessions were small group ones – but that aspect makes for a really strong record here, one that has Sonny's alto soaring out over the top of some hiply swinging Jones' charts, already infused with the kind of soul that would burst forth more famously in the 60s. Titles include a few nice originals, like "Quince" and "Sonny's Bunny", but even on the standards – like "Stardust", "Lover", and "Love Walked In" – Stitt's in top form, and solos with creativity and imagination that show him at the top of his talents! LP, Vinyl record album
(Blue label Royal Roost pressing. Cover has some marker on back.)

Exact matches18
CD, LP, Vinyl record album cover art
✨✧ Donny Hathaway/Quincy JonesCome Back Charleston Blue ... CD
Atco (Japan), 1972. New Copy ... About September 9, 2015
An unusual career in the Atlantic career of Donny Hathaway – and a unique collaboration with the legendary Quincy Jones! The music here is Hathaway's sole entry into the blacksploitation soundtrack genre of the 70s – penned for film version of a Chester Himes novel, and scored in a mix of funky 70s modes and other more standard jazz styles. Quincy's on board as the "musical supervisor" – and clearly helps Donny focus his energies towards the hipper side of the soundtrack spectrum, especially on the more contemporary styled tracks. And although most of the work here is instrumental, Hathaway also sings a bit too – most famously on the classic "Little Ghetto Boy" – which is easily one of Donny's greatest tracks ever! Other titles include "Come Back Charleston Blue", with vocals by Margie Joseph, plus "Bossa Nova", "Tim's High", "Hearse To Graveyard", "Harlem Dawn", "String Segue", "Furniture Truck", and "Liberation". CD

Exact matches19
CD, LP, Vinyl record album cover art
✨✧ Quincy JonesDude ... LP
A&M, 1981. Very Good+ ... Just Sold Out!
Quincy just never stopped putting out classic soulful albums! This one, from the early 80s, features a smooth jazzy blend of tracks, with a strong nod to the kinds of souped-up studio sounds that were being used by groups like The Crusaders, but also with a lot of the kind of soulfulness that made earlier albums so great. Features vocals by Patti Austin, and includes winners like "Ai No Corrida", "The Dude", "Betcha Wouldn't Hurt Me", "Velas", and "One Hundred Ways". LP, Vinyl record album
(Includes the lyric sleeve.)
Also available Dude ... CD 2.99

Exact matches20
CD, LP, Vinyl record album cover art
✨✧ Quincy JonesBody Heat ... LP
A&M, 1974. Used ... Temporarily Out Of Stock
In the early 70s, Quincy Jones surrounded himself with some of the best young soul and jazz talent he could find, plus a few older pros – and the result was a great series of albums that spanned genres and created a whole new approach to modern R&B. This gem of a record was put together with a young Leon Ware and an older Ray Brown – and it features some killer mellow soul tracks that rank with Quincy's best work! Includes the sublime version of "If I Ever Lose This Heaven", plus "Body Heat", "Soul Saga", "Everything Must Change", "One Track Mind", and "Along Came Betty". LP, Vinyl record album
(With a bit of seepage at the bottom.)
 
Possible matches: 60
Possible matches29
CD, LP, Vinyl record album cover art
Count BasieStanding Ovation ... CD
Dot/Universal (Japan), 1969. New Copy ... $14.99
One of the great Count Basie albums recorded during his short late life stay on Dot Records – a label who really helped him focus his energy and keep up that classic Basie "punch" in his grooves – but all without sacrificing the growth the group had gone through over the years! There's plenty of modern colors and tones in the mix here – elements from the Basie years with arrangers like Neal Hefti, Quincy Jones, and Billy Byers – but the presentation is also strong and straight, with a hell of a lot packed into just a little space – that mode that always made the Count such a great leader! Players include Marshal Royal on alto, Eddie Lockjaw Davis and Eric Dixon on tenors, Charlie Fowlkes on baritone, Harry Edison and Oscar Brasher on trumpets, and Grover Mitchell on trombone – on titles that include "Lil Darlin", "Jive At Five", "Broadway", "Cherry Point", "Every Tub", "Corner Pocket", and "Blue & Sentimental". CD

Possible matches30
CD, LP, Vinyl record album cover art
Brothers JohnsonBlam ... CD
A&M/Universal (Japan), 1978. New Copy ... $13.99
Blam is right – an all-out batch of funky tracks from The Brothers Johnson – captured here right in the middle of their classic period with Quincy Jones! The Q's at the helm on production for the set, and the record's a great extension of their earlier efforts with the man – but a bit more Johnson-tuned (if we can say that in mixed company) – with the bass upfront on some of the best numbers, and a surprisingly strong male ballad approach on some of the gentler tunes. There's a slightly jazzy undercurrent at times, and tracks include "Rocket Countdown/Blastoff", "Ride-O-Rocket", "Streetwave", "Blam", "So You Won't Stay", "Ain't We Funkin Now", and "Mista Cool". CD

Possible matches31
CD, LP, Vinyl record album cover art
Brothers JohnsonBlam (with bonus track) ... CD
A&M/Soulmusic.com (UK), 1978. Used ... $8.99
Blam is right – an all-out batch of funky tracks from The Brothers Johnson – captured here right in the middle of their classic period with Quincy Jones! The Q's at the helm on production for the set, and the record's a great extension of their earlier efforts with the man – but a bit more Johnson-tuned (if we can say that in mixed company) – with the bass upfront on some of the best numbers, and a surprisingly strong male ballad approach on some of the gentler tunes. There's a slightly jazzy undercurrent at times, and tracks include "Rocket Countdown/Blastoff", "Ride-O-Rocket", "Streetwave", "Blam", "So You Won't Stay", "Ain't We Funkin Now", and "Mista Cool". CD also features the bonus single mix of "Ride-O-Rocket". CD

Possible matches32
CD, LP, Vinyl record album cover art
Oscar Brown Jr.Between Heaven & Hell ... CD
Columbia/T-Bird (UK), 1962. New Copy ... $5.99
Great early work from Oscar Brown Jr – a hip mix of jazz and soul, working in Brown's unique sense of showmanship, and his almost beat-like flair with a lyric! Ralph Burns and Quincy Jones handled the arrangements – and the album's filled with great original tracks. Nice jazzy groove, and very much in the best style of Oscar's 60s work! including "Mr. Kicks", "Opportunity, Please Knock", Love is Like a New Born Child", "Elegy (Plain Black Boy)", "Hazel's Hips", "Forbidden Fruit", "Sam's Life", "When Malindy Sings" and more. CD

Possible matches33
CD, LP, Vinyl record album cover art
Ray CharlesGenius + Soul = Jazz ... LP
Impulse, 1960. Good+ Gatefold ... $8.99
A wonderful chapter in the career of Ray Charles – and a key album in helping raise his respect level a notch or two in the early 60s! We might argue with the mathematics in the title – or at least joke that Ray was using equations as titles years before Anthony Braxton – but you can't contest the fact that this one's a classic treat, and a legendary attempt to class up Ray's bluesy style for the masses. Quincy Jones and Ralph Burns handled the arrangements, and given that the record was issued by ABC a few years before they brought Ray into a country mode, it's interesting to think what might have happened had his career continued this way. There's only a small number of vocal tracks on the record, and most of the rest feature Ray at the organ, grooving away very nicely! Titles include "One Mint Julep", "Moanin", "I've Got News For You", "Mister C", and "Stompin Room Only". LP, Vinyl record album
(Orange & black label stereo pressing. Cover has light wear.)
Also available Genius + Soul = Jazz (2CD expanded version – includes My Kind Of Jazz vols 1 to 3) ... CD 11.99

Possible matches34
CD, LP, Vinyl record album cover art
✨✧ Ray CharlesGenius + Soul = Jazz (2CD expanded version – includes My Kind Of Jazz vols 1 to 3) ... CD
Impulse/Concord, 1961/Early 70s. Used 2CD ... $11.99
An amazing look at the jazz side of Ray Charles – with 4 full albums on one 2CD set! The core featured album is Genius + Soul = Jazz – a wonderful chapter in the career of Ray Charles, and a key album in helping raise his respect level a notch or two in the early 60s! We might argue with the mathematics in the title – or at least joke that Ray was using equations as titles years before Anthony Braxton – but you can't contest the fact that this one's a classic treat, and a legendary attempt to class up Ray's bluesy style for the masses. Quincy Jones and Ralph Burns handled the arrangements, and given that the record was issued by ABC a few years before they brought Ray into a country mode, it's interesting to think what might have happened had his career continued this way. There's only a small number of vocal tracks on the record, and most of the rest feature Ray at the organ, grooving away very nicely! Titles include "One Mint Julep", "Moanin", "I've Got News For You", "Mister C", and "Stompin Room Only". But even more importantly, the album also brings together the killer early 70s albums My Kind Of Jazz, volumes one through three – later instrumental records that really show Ray taking off from the spirit of the original Impulse sessions. These sides were recorded for Ray's Tangerine label, and all have a pretty darn hip feel – a mix of soul jazz modes that we like even more than most of Charles' vocal material! Titles include "Booty Butt", "Our Suite", "Going Home", "Kids Are Pretty People", "This Here", "Zig Zag", "Bluesett", "Sidewinder", "Pas Se O Ne Blues", "Sister Sadie", "3/4 Of The Time", and "Project S". Also features the bonus track "Misty" – CD
Also available Genius + Soul = Jazz ... LP 8.99

Possible matches35
CD, LP, Vinyl record album cover art
Ray CharlesGenius + Soul = Jazz/My Kind Of Jazz ... CD
Impulse, 1960. Used ... $6.99
We might argue with the mathematics in the title – or at least joke that Ray was using equations as titles years before Anthony Braxton – but you can't contest the fact that this one's a classic treat, and a legendary attempt to class up Ray's bluesy style for the masses. Quincy Jones and Ralph Burns handled the arrangements, and given that the record was issued by ABC a few years before they brought Ray into a country mode, it's interesting to think what might have happened had his career continued this way. There's only a small number of vocal tracks on the record, and most of the rest feature Ray at the organ, grooving away very nicely! Titles include "One Mint Julep", "Moanin", "I've Got News For You", "Mister C", and "Stompin Room Only". CD
(Out of print.)

Possible matches36
CD, LP, Vinyl record album cover art
Art FarmerWork Of Art ... LP
New Jazz, 1954. Near Mint- ... $29.99
A great batch of material that Art Farmer recorded for Prestige in the early fifties. This is way before he got hyper-lyrical, and his playing is raw and hard on a bunch of Quincy Jones arrangements, including the savage cut "Mau-Mau", which features a very early use of the electric bass, driving drumming by Sonny Johnson, and a savage Afro groove. This cut alone is worth the price of the album, and deserves to be a club classic. LP, Vinyl record album
(Great Japanese pressing – with textured cover and insert.)

Possible matches37
CD, LP, Vinyl record album cover art
Herbie HancockTreasure Chest ... LP
Warner, 1974. Very Good+ 2LP Gatefold ... $11.99
Seminal sides from Herbie Hancock – amazing material recorded for Warner Brothers in the years between his time at Blue Note and his big fame at Columbia Records – all sides that definitely show Hancock as one mighty righteous cat! Herbie's really stretching past his more conventional jazz of earlier years here – working both with a bit more electricity in his keys, and some larger arrangements that have a wonderful sense of flow and funk – a groove that definitely puts Hancock on a par with Quincy Jones at his funky best during the early 70s! The album's filled with great grooves pulled from the Warner Brothers albums by Hancock – including some quite long numbers – titles that include the funky nuggets "Wiggle Waggle", "Lil Brother", and "Tell Me A Bedtime Story" – plus "Sleeping Giant", "Crossings", "Quazar", "Ostinato", and "You'll Know When You Get There". LP, Vinyl record album

Possible matches38
CD, LP, Vinyl record album cover art
Lurlean HunterLonesome Gal ... LP
RCA, 1956. Very Good+ ... $29.99
Moody set of vocals recorded by this obscure Chicago singer. Lurlean got her start at the classy south side Club DeLisa, home to Sun Ra, and a host of other Chicago talents – but by the time of this recording, she'd moved downtown, and had become a classy smoky voiced singer with a good talent for more mature material. This hard to find early session features backing by Al Nevins, and arrangements by Quincy Jones and Marion Evans. Tracks include "Brief Encounter", "On Green Dolphin Street", "Alone Together", and "A Stranger In Town". LP, Vinyl record album
(Black label mono pressing with a deep groove.)

Possible matches39
CD, LP, Vinyl record album cover art
Michael JacksonThriller (25th Anniversary standard CD & DVD edition) ... CD
Epic, 1982. Used CD & DVD ... $3.99
An expanded version of Thriller – arguably the last true moment of genius in Michael Jackson's career – a record that sold a bazillion copies around the world – and for plenty good reason! Michael's still working here with Quincy Jones – in territory that steps nicely from the Off The Wall groove, into territory that's somewhat more poppy, but still quite soulful overall. And yes, the success of the album meant that cuts like "Billie Jean", "Thriller", and "Beat It" got plenty of play – thanks to both heavy radio and video rotation – but a few decades later, there's still a tremendous amount of depth here – on great cuts like "Human Nature", "Wanna Be Startin' Somethin", and "PYT" – which all hold up nicely! CD/DVD package features loads of great stuff – CD includes 6 previously unissued bonus tracks, "The Girl Is Mine 2008 (with Will I Am)", "PYT 2008 (with Will I Am)", "Wanna Be Startin Somethin 2008 (with Akon)", "Beat It 2008 (with Fergie)", "Billie Jean 2008 (Kanye West mix)", and "For All Time". DVD features the short films/videos "Billie Jean", "Beat It", and "Thriller" – plus a performance of "Billie Jean" from Motown 25. CD

Possible matches40
CD, LP, Vinyl record album cover art
Milt JacksonBallad Artistry Of Milt Jackson ... LP
Atlantic, 1959. Very Good+ ... $7.99
A sweet set of ballads from vibist Milt Jackson that we dig as much for the silky smooth orchestrations by Quincy Jones as Milt's agile and crisp approach to the vibes. The strings and horns buoy the group nicely, which also features Connie Kay and under recorded guitarist Barry Galbraith on a number of tunes. Ten mellow numbers: "The Cylinder", "Makin Whoopee", "Alone Together", "Tenderly", "Don't Worry Bout Me", "Nuages", "Deep In A Dream", "I'm A Fool To Want You", "The Midnight Will Never Set" and "Tomorrow". LP, Vinyl record album
(Red & green label pressing.)

Possible matches41
CD, LP, Vinyl record album cover art
Milt JacksonBallad Artistry Of Milt Jackson/Vibrations ... CD
Atlantic/Collectables, 1959/1964. Used ... $9.99
2 great albums on 1 CD. A sweet set of ballads from vibist Milt Jackson that we dig as much for the silky smooth orchestrations by Quincy Jones as Milt's agile and crisp approach to the vibes. The strings and horns buoy the group nicely, which also features Connie Kay and under recorded guitarist Barry Galbraith on a number of tunes. Ten mellow numbers: "The Cylinder", "Makin Whoopee", "Alone Together", "Tenderly", "Don't Worry Bout Me", "Nuages", "Deep In A Dream", "I'm A Fool To Want You", "The Midnight Will Never Set" and "Tomorrow". Vibrations features players like Jimmy Heath and Tommy Flanagan alongside Milt, and has nice buoyant feel throughout, as they run through some nice bop versions of standards and blues. Includes the title track, plus "Sweet Georgia Brown", "Algo Bueno", "Mallets Towards None" and 4 more. CD

Possible matches42
CD, LP, Vinyl record album cover art
✨✧ JacksonsTriumph ... CD
Epic, 1980. Used ... $3.99
One of Michael Jackson's last albums with his famous brothers – a record that was cut in between the two Quincy Jones albums (Off The Wall and Thriller) that would catapult him to megastardom! This set is still an all-Jacksons affair – produced and written by the whole group, and put together with some of those uptempo groovers that both Michael and Jermaine would showcase heavily in their own solo work. The sound's a nice extension of the late 70s Jacksons vibe, peppered with some of Michael's new strengths – and titles include "Can You Feel It", "Lovely One", "Your Ways", "Everybody", "This Place Hotel", "Give It Up", and "Wondering Who". CD

Possible matches43
CD, LP, Vinyl record album cover art
Wes MontgomeryIn The Beginning – Early Recordings from 1949 to 1958 ... CD
Resonance, Late 40s/1950s. New Copy 2 CDs ... $22.99 24.98
An incredible look at the very young Wes Montgomery – rare early recordings done before his breakthrough material for the Riverside label in the late 50s – but already showing Wes as one of the freshest talents of his generation on guitar! The bulk of the material features Montgomery in live settings, mostly in his home turf of Indianapolis – but the collection also features a never-heard studio session from 1955 – recorded for Epic Records with Quincy Jones as the producer! The live tracks are wonderful – full of fire, but never roughshod or gritty – already showing that masterful Montgomery approach to the guitar in full effect – shining in the company of contemporaries who include Monk Montgomery on bass, Buddy Montgomery or Richie Crabtree on piano, Gene Morris or Alonzo Pookie Johnson on tenor, and Sonny Johnson on drums. It's especially great to hear tenor with Montgomery – an instrument that didn't always figure in his early sessions – and the quality of Alonzo's playing is especially great on the Epic studio sides too. There's a huge amount of information in the package to illuminate the music – plenty of notes, photos, and more – and titles include "Six Bridges To Cross", "Ralph's New Blues", "Soft Winds", "King Trotter", "All The Things You Are", "Wes' Tune", "Leila", "Far Wes", "Going Down To Big Mary's", "Brazil", "Four", "Smooth Evening", and "Carlena's Blues". CD
Also available In The Beginning – Early Recordings from 1949 to 1958 (3LP 180 gram pressing set) ... LP 69.99

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CD, LP, Vinyl record album cover art
Wes MontgomeryIn The Beginning – Early Recordings from 1949 to 1958 (3LP 180 gram pressing set) ... LP
Resonance, Late 40s/1950s. New Copy 3 LPs ... $69.99 75.98
An incredible look at the very young Wes Montgomery – rare early recordings done before his breakthrough material for the Riverside label in the late 50s – but already showing Wes as one of the freshest talents of his generation on guitar! The bulk of the material features Montgomery in live settings, mostly in his home turf of Indianapolis – but the collection also features a never-heard studio session from 1955 – recorded for Epic Records with Quincy Jones as the producer! The live tracks are wonderful – full of fire, but never roughshod or gritty – already showing that masterful Montgomery approach to the guitar in full effect – shining in the company of contemporaries who include Monk Montgomery on bass, Buddy Montgomery or Richie Crabtree on piano, Gene Morris or Alonzo Pookie Johnson on tenor, and Sonny Johnson on drums. It's especially great to hear tenor with Montgomery – an instrument that didn't always figure in his early sessions – and the quality of Alonzo's playing is especially great on the Epic studio sides too. There's a huge amount of information in the package to illuminate the music – plenty of notes, photos, and more – and titles include "Six Bridges To Cross", "Ralph's New Blues", "Soft Winds", "King Trotter", "All The Things You Are", "Wes' Tune", "Leila", "Far Wes", "Going Down To Big Mary's", "Brazil", "Four", "Smooth Evening", and "Carlena's Blues". LP, Vinyl record album
(Hand numbered pressing of 1500 copies.)
Also available In The Beginning – Early Recordings from 1949 to 1958 ... CD 22.99

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CD, LP, Vinyl record album cover art
Moon People/Los AstronautasLand Of Love ... LP
Speed, Late 60s. New Copy (reissue)... $9.99
One of the grooviest records ever recorded – and pretty darn rare, too! The Moon People – aka Los Astronautas – were a Latin Soul studio band who played behind some of the other killer recordings on the Speed Label. They're best known for their sock-boogaloo instrumental "Land Of Love" – a stone jammer which kicks off the album – and their forte is blending together Latin rhythms, soul instrumentation, and kind of a mod 60s easy production style, handled here by maestro Morty Craft. The album's got a really really weird feel – part Latin Soul, part 60s soundtrack – almost as if Joe Cuba and Quincy Jones were hanging out together! Titles include "Land Of Love", "Morty's Harem", "Indian Soul", "Happy Soul", "Revolt", and "Last Train To Clarksville". LP, Vinyl record album

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Gene PageLovelock ... CD
Atlantic (Japan), 1976. New Copy ... $13.99
Gene Page at the height of his 70s powers – using all the talents he forged as a background artist for other soul talents, and all the majesty he added to his soundtrack work – all focused nicely into a sweet set of warmly soulful grooves! The style's a bit clubby, but also has some wider depth too – maybe an undercurrent of fusion that comes from players like Lee Ritenour and David T Walker on guitar, Joe Sample and Sonny Burke on keyboards, and Oscar Brasher on trumpet – who find a way to work wonderfully alongside the albums vocals from singers Merry Clayton, Edna Wright, and Jim Gilstrap – all with a style that's not unlike some of the best Quincy Jones material of the time! As with Quincy, there's a sense of care and confidence that really holds the album together – on titles that include "Higher My Love", "Organ Grinder", "Into My Thing", "Wild Cherry", "Fantasy Woman", "Straw In the Wind", and "Together Whatever". CD

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Billy PrestonI Wrote A Simple Song ... LP
A&M, 1971. Very Good+ Gatefold ... $5.99
Billy Preston's first album on A&M Records – a surprisingly great home for his ever-evolving style! Billy give some big thanks in the notes to George Harrison, Bobby Womack, and Quincy Jones – all of whom he credits for bringing the album into being – although it's Quincy who really seems to do the most, given that he handled the string and horn arrangements for the set! Jones' touch is very apparent in the overall sound, as Preston's got a new sense of tightness for the record – a focus to his previous range of styles that really hits home hard, and which sets the tone for big successes to come. Titles include the nice funk instrumental "Outta Space", plus "I Wrote A Simple Song", "John Henry", "The Bus", "The Looner Tune", "You Done Got Older", and "Should've Known Better". LP, Vinyl record album

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Paul QuinichetteMoods ... LP
EmArcy, 1955. Very Good- ... $9.99
Perhaps the best-known (and arguably the best) record by Paul Quinchette, and an album that brings his rich tenor solo style into contact with a very tight, very swinging batch of arrangments by a young Quincy Jones. Quincy's got an all-star batch of players backing up Q, including Sam Most, Charles Thompson, Paul Chambers, and Barry Galbraith – plus players like Willie Rodriguez and Manny Oquendo, who bring some added Latin percussion to the session. The tracks are short, but with a very open approach to soloing, and although Quinchette's in the lead, some of the other players get their licks in quite a bit. Titles include "Pablo's Roonie", "Shorty George", "Grasshopper", and "Tropical Intrigue". LP, Vinyl record album
(Blue label Mercury pressing with deep groove. Cover has gloss peeling and oxidation, split top seam, splitting on the spine and bottom seam, and a small stain on one corner.)
 
 
 



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