Elzhi serves up plenty of great lyrical work here, but our favorite aspect of the record may be the work of Oh No – who definitely takes the title seriously, and uses plenty of vibes throughout! This may well be the best vibes-driven hip hop project we've ever heard – as each track has some very strong use of the warmly chromatic instrument, but in ways that shift up nicely – used in a strong Madlib-styled way, but balanced with some sharper cuts around the edges. The set includes features by Blu, Dank, and Guilty Simpson – and titles include "Doc No Check Up", "Trick Dice", "Possessed", "Fireballs", "Smoke", "Last Nerve", and "Twilight Zone". CD

One of the greatest crossover albums of the 80s – and the record that catapulted Prince very firmly into the mainstream! There's a tightness here that surpasses even that of Prince's early classics for Warner Brothers – an unabashed love of a pop hook that makes for some incredibly catchy tunes that are still delivered with a nice funky undercurrent. The whole Prince family is at the top of their game at this point – and titles include "Darling Nikki", "Let's Go Crazy", "I Would Die 4 U", "When Doves Cry", "Baby I'm A Star", and "Purple Rain". This fantastic 3CD/DVD version features a completely new 2015 Paisley Park remaster of the album, done by Prince – plus a full CD that features unreleased songs and tracks from the vaults – with titles that include "Katrina's Paper Dolls", "We Can F**k", "Father's Song", "Possessed", "Computer Blue (hallway speech version)", "Love & Sex", "The Dance Electric", "Our Destiny/Roadhouse Garden", "Wonderful Ass", "Velvet Kitty Cat", and "Electric Intercourse (studio version)". CD3 features lots of rare single edits and non-LP b-sides – with tracks that include "Erotic City", "Let's Go Crazy (special dance mix)", "17 Days (edit)", "Baby I'm A Star (edit)", "I Would Die 4 U (extended)", "Another Lonely Christmas (extended)", "Take Me With U (edit)", "God (edit)", "When Doves Cry (7" edit)", and "God (inst)". DVD features a never-issued concert performance, recorded at the Carrier Dome in Syracuse in March of 1985 – with 19 songs in all! CD

A really unique take on the music of jazz legend Tadd Dameron – a set that focuses entirely on vocal versions of his compositions – a side of Dameron's legacy that's sometimes overlooked! Tadd wasn't that much of a lyricist himself – although he did do two of the songs here – while others are written by Irving Reid, Bernie Hanighen, and Jack Reynolds – all with a mix of lyrics that really fit the famous modern idiom in Dameron's music – delivered instrumentally by a core combo that features Gary Smulyan on plenty of strong baritone sax solos, with Pete Malinverni on piano, David Wong on bass, and Matt Wilson on drums. Anais Reno handles all the vocals – and titles include "Sweet Life", "Never Been In Love", "Whatever Possessed Med", "Weekend", "Lovely One In The Window", and "You're A Joy". CD

Miche's at it again – and he's somehow managed to top the great sound of the first volume in the series – digging deeper into the past, coming up with more soulful numbers overall, then throwing in just the right touch of Brazilian grooves to even things out! As before, there's no unifying label or scene to these tracks – they're just brought together in celebration of a really joyous, positive, uplifting vibe – one possessed by each track alone, but which really steps out strongly as they all resonate together! Titles include "Save The Best For Last" by Alice Cohen & Fun City, "You & Me" by Mark Meadows, "Take To The Sky" by Mixed Generation Enterprize, "I Like What She's Doing" by Billy Boomer, "Straight Forward" by PJ City, "Realize" by Maxwell, "High On You" by Freedom, "Blow My Mind" by The Lost Family, "As" by The Family Tree, "A Luz Que Brilha Meu Viver" by Banda 22, "Misterio Brilhante" by Ze Da Lata, "Then I Reach Satisfaction" by Eleventh Commandment, and "Dame Solamente Amor" by Rogers Mitchell. CD

Singer Ruben Blades scored a big early moment of fame on the Siembra album by Willie Colon – and here, he works with the larger ensemble of Roberto Delgado to pay tribute to that classic record from the late 70s! The album's a live one, recorded before a very enthusiastic crowd in Puerto Rico – and the tracks are long, and maybe even have a sense of majesty that the original record never possessed – really righteous, soaring songs that show that Blades' voice hasn't dimmed at all over the years – set to instrumentation that's equally powerful as well! Titles include "Ligia Elena", "Dime", "Siembra", "El Cazanguero", "Buscando Guayaba", and "Plastico". CD

One of the most mind-expanding albums we've ever heard from Jack Bruce – a really strong outing from 1974, one that shows him growing and growing as an artists in his years away from Cream! The tracks have a feel that's a bit more wiry than some of Bruce's other solo work – stripped down so that the jazzy changes emerge a bit more, and Bruce's vocals come to the forefront – singing in a style that's oddly confident, but still possessed of all the quirks that have always made them so striking. In a way, the record's a nice compression of certain progressive ideals – all filtered down into the singer-songwriter mode with surprising intimacy. Titles include "Keep It Down", "Peaces Of Mind", "Golden Days", "Timeslip", "One", and "Running Through Our Hands". CD also features bonus tracks – alternates of tunes on the album! CD

Maybe one of the most amazing debut records of all time – not only the record that first exposed the world to Roberta Flack, but a set that heralded so many changes to come in the following decade! Flack's genius here is almost impossible to put into words – part jazz, part soul, and completely righteous from the very first note – possessed of a sense of pride and power that belie both her understated image on the front cover, and her relatively young age – and delivered with a timelessness that still makes the record as vital today as it was so many years back. The set features Flack playing piano and singing with her trio – sometimes augmented by larger arrangements by the very hip William S Fischer, but often in a setting that's very spare yet incredibly moving – instantly putting Roberta at the same level as Nina Simone, and maybe even past the territory of Aretha Franklin at the time. Titles include her seminal reading of "Compared To What" – an instant anthem for the time – plus the tracks "Angelitos Negros", "Our Ages Or Our Hearts", and "Tryin Times". CD

An overlooked soul jazz treasure from the early 90s – the debut as a leader by saxophonist Zane Massey, and still possibly his greatest record to date! Massey's the son of jazz composer/trumpeter Cal Massey – and the vibe here is similar to that of his father's best music – sophisticated, but never too heady – done with a nicely understated quality, yet still quite possessed of its own musical vision. Massey's got a great tone on his tenor here – sharp, but never too bitten – and the instrumentation features only saxophone, bass, and drums – in a style that reminds us a bit of the freedoms of Sonny Rollins in the late 50s, yet also with a consciousness of the 60s ESP and 70s loft jazz generations. Massey hits some incredibly soulful moments here – at a level that was hardly being recorded this well at the time – and titles include "Nu Kingdom", "Trickle Down Economics", "Message From Trane", "Through The Eyes Of A Child", "Assunta", "Walk Right In", and "Ms Magic". CD

A long-overdue audio presentation of the famous performance that was captured in 1985, and used in the concert film of the same name – brought together here as an audio release that stands as a tremendous document to the strength of Prince and his famous group of the time! This is the fantastic lineup that features Wendy & Lisa, who helped Prince hit a whole new level of grooviness – a blend of funk, soul, and rock touches that takes the Purple Rain sound to a much richer dimension in the setting of the arena! The performance was recorded at the Carrier Dome in Syracuse on March 30, 1985 – and the core set features 20 tracks that include "Let's Go Crazy", "1999", "God", "Computer Blue", "Darling Nikki", "International Lover", "Possessed", "Do Me Baby", "Irresistible Bitch", "Little Red Corvette", "I Would Die 4 U", and "Delirious" – plus extended jams that include an 11 minute version of "Baby I'm A Star", a 9 minute version of "When Doves Cry", and a 19 minute version of "Purple Rain"! CD

One of the greatest female soul records ever to come from Chicago – a killer set of work from the legendary Ruby Andrews! Ruby's a hell of a talent that should have been huge at a national level – possessed with a deep soul style that matched the best from Betty Lavette or Mavis Staples, but often set up in more sophisticated arrangements too – in a mode that worked perfectly in a "double-edged sword" model that was often employed by other Chicago singers, like Barbara Acklin or Patty Drew. The album was issued as a follow-up to Ruby's massive cut "Casanova", which is a perfect example of this style – with Ruby's raw vocals over the top, some loping string arrangements underneath, and the whole thing working perfectly together in an amazing blend of styles! The whole album's incredibly strong, and other tracks include "Casanova 70", "You Made A Believer Out Of Me", "Tit For Tat", and "Can You Get Away". CD

Maybe one of the most amazing debut records of all time – not only the record that first exposed the world to Roberta Flack, but a set that heralded so many changes to come in the following decade! Flack's genius here is almost impossible to put into words – part jazz, part soul, and completely righteous from the very first note – possessed of a sense of pride and power that belie both her understated image on the front cover, and her relatively young age – and delivered with a timelessness that still makes the record as vital today as it was so many years back. The set features Flack playing piano and singing with her trio – sometimes augmented by larger arrangements by the very hip William S Fischer, but often in a setting that's very spare yet incredibly moving – instantly putting Roberta at the same level as Nina Simone, and maybe even past the territory of Aretha Franklin at the time. Titles include her seminal reading of "Compared To What" – an instant anthem for the time – plus the tracks "Angelitos Negros", "Our Ages Or Our Hearts", and "Tryin Times". CD

Ray Greene was the vocalist in Tower of Power for a number of years, but with a record like this, it's clear that he's more than deserving to be out front on his own – as a soul singer with a range that lives up to some of the greats from years back, yet possessed of this very personal quality that really sets him apart from the rest! Greene sings here in a way that's free from some of the more standard modes or overdone cliches that could hold a record like this back – yet at the same time, he's also got a confidence and power that could easily push the record over the top – on titles that include "Tears Away", "Stay", "Jealous", "Tell Her", "Shoulda Known Better", "Hole In Our Hearts", and "Coming Home". CD

An overlooked soul jazz treasure from the early 90s – the debut as a leader by saxophonist Zane Massey, and still possibly his greatest record to date! Massey's the son of jazz composer/trumpeter Cal Massey – and the vibe here is similar to that of his father's best music – sophisticated, but never too heady – done with a nicely understated quality, yet still quite possessed of its own musical vision. Massey's got a great tone on his tenor here – sharp, but never too bitten – and the instrumentation features only saxophone, bass, and drums – in a style that reminds us a bit of the freedoms of Sonny Rollins in the late 50s, yet also with a consciousness of the 60s ESP and 70s loft jazz generations. Massey hits some incredibly soulful moments here – at a level that was hardly being recorded this well at the time – and titles include "Nu Kingdom", "Trickle Down Economics", "Message From Trane", "Through The Eyes Of A Child", "Assunta", "Walk Right In", and "Ms Magic". CD