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Possible matches: 2
Possible matches1
CD, LP, Vinyl record album cover art
✨✧ Michael JacksonThriller (picture disc) ... LP
Epic, 1982. Used ... Temporarily Out Of Stock
Arguably the last true moment of genius in Michael Jackson's career – a record that sold a bazillion copies around the world – and for plenty good reason! Michael's still working here with Quincy Jones – in territory that steps nicely from the Off The Wall groove, into territory that's somewhat more poppy, but still quite soulful overall. And yes, the success of the album meant that cuts like "Billie Jean", "Thriller", and "Beat It" got plenty of play – thanks to both heavy radio and video rotation – but a few decades later, there's still a tremendous amount of depth here – on great cuts like "Human Nature", "Wanna Be Startin' Somethin", and "PYT" – which all hold up nicely! This seldom seen picture disc version has an image of Michael in a leather jacket in front of a purple backdrop on one side, and the image from the album art with Michael in a white suit in front on the other. LP, Vinyl record album
(In the plastic sleeve with factory sticker.)

Possible matches2
CD, LP, Vinyl record album cover art
✨✧ John Carter TrioEchoes From Rudolph's (with bonus tracks) ... CD
Ibedon/No Business (Lithuania), 1977. New Copy 2 CDs ... Temporarily Out Of Stock
A real lost chapter of 70s genius from reedman John Carter – a set done after his better-known recordings with Bobby Bradford, in a style that's much more spacious overall! The material features a trio – with Carter on both soprano sax and clarinet, both instruments he plays with an incredible dexterity and sensitivity in sound – much looser and more open to sudden shifts of inspiration than his music with Bradford – with accompaniment from Stanley Carter on bass and William Jeffrey on drums and percussion! The style is free, but never indulgently so – and Carter finds this way to always reach for melodic moments even at his most intense – creating the kind of magic that few other musicians might with his instruments. Titles include "Echoes From Rudolph's", "To A Fallen Poppy", "The Last Sunday", "Armin", and "Angles". 2CD set adds in a whole disc of extra material from the trio – with a 19 minute "Echoes From Rudolphs/To A Fallen Poppy", and a very long stretch of different improvised passages! CD
 
Partial matches: 4
Partial matches3
CD, LP, Vinyl record album cover art
Al GreenFull Of Fire ... CD
Hi Records/Fat Possum, 1976. New Copy ... $11.99 15.99
Hi Records perfection from the mighty Al Green – slightly later than some of his key early hits, but a record that shows Green still taking fire on all burners! Production is by the team of Al and Willie Mitchell – in a mode that's slightly fuller and more updated than before, but still very much that original mode the pair pioneered during Green's first years at Hi – a smooth, rich sound that's never slick, never poppy, and never cloying – and a mode that never falls into disco or pop temptations other singers were trapped in at the time. Backings are by the Memphis Horns and Memphis Strings – with some occasional backup vocals from Rhodes Chalmers & Rhodes or The Duncan Sisters – and titles include "I'd Fly Away", "That's The Way It Is", "Glory Glory", "Always", "Full Of Fire", "Together Again", "Soon As I Get Home", and "Let It Shine". CD

Partial matches4
CD, LP, Vinyl record album cover art
Teal JoyTed Steele Presents Miss Teal Joy (with bonus tracks) ... CD
Bethlehem/Solid (Japan), 1955. New Copy ... $8.99
A great little album from this overlooked singer – an east coast vocalist from the 50s, working here on one of the few sessions she ever recorded! Teal's got an exotic look on the cover, but the presentation of the music is right up there in the best mainstream jazz modes of the time – and unlike some of the other small combo vocal work on Bethlehem in the 50s, this album has the fuller feel of the sorts of records you might hear on a label like Capitol or Verve at the time. Ted Steele handles the arrangements – and is also credited with discovering Teal in Atlantic City – and the backings are a mix of jazzy flourishes and larger strings – never poppy or overdone. Titles include "Autumn Leaves", "El Cumbanchero", "Deed I Do", "For You My Love", "Who's Sorry Now", "Let's Fall In Love", and "Easy To Remember". CD also features three bonus alternate takes! CD

Partial matches5
CD, LP, Vinyl record album cover art
SecretsInfatuation – Singles & Demos 1966 to 1968 ... CD
Grapefruit (UK), Late 60s. New Copy ... $9.99
Great early work from The Secrets – a UK group that features early contributions from later singer/songwriter Clifford T Ward – but in a style that's much more group-oriented overall! Ward's already a hell of a songwriter – and loads of the cuts here are under-discovered nuggets that sparkle at a level that only a rare few Brit records of this time can do – sweet, but never poppy – clever, but never too much so – and often with a heartfelt, emotional candor that we might link to the best by The Hollies and Zombies. And in fact, there's an instant charm here that definitely recalls Hollies at their best – a way of doing a heck of a lot with just a little, and really bringing forth special qualities in the tunes without resorting to overdone gimmicks or studio interference – although the production here is pretty darn groovy too. The collection features loads of singles from the group, plus rare demos and unreleased tracks – all with richly detailed notes in the best Cherry Red tradition. Titles include "Infatuation", "She's Dangerous", "Such a Pity", "I Suppose", "Sympathy", "I Think I Need The Cash", "The Gloria Bosom Show", "Looking Down The Glass", "The Same Applies To You", "Teacher", and "I Intend To Please". CD

Partial matches6
CD, LP, Vinyl record album cover art
Urban SaxSpiral (with bonus DVD) ... LP
EPM/Wah Wah (Spain), 1991. New Copy (reissue)... $29.99
A real evolution of the Urban Sax sound – a record that's still created from a complex array of reed patterns, like the group's groundbreaking work of the late 70s – but with more discreet songs and tunes than before! The album was originally issued only on CD, and showcases the French group's continued commitment to unusual ways of opening up the saxophone – ways that are hardly jazz at all, and maybe have more of a link to some of the minimalist experiments of the generation of Wim Mertens and Andrew Poppy, although Urban Sax was recording before both of them. There's a bit of keyboards and electronics in the mix – although mostly saxes overall – and titles include "Traveling To Pr Velvoski", "Possible Prologue", "Cuve Au Miroir", "Slow Turn Around Melvana", and "On The Time". LP, Vinyl record album
(Includes big booklet with photos and bonus DVD! Limited to 500 copies.)
 
 
 



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