Features Joanne Brackeen on piano, John Patitucci on bass, and Horacio 'El Negro' Hernandez on drums – plus guest artists Christ Potter, Nicholas Payton, David Liebman, and Kurt Elling. CD

Features Michel Camilo on piano, Charles Flores on bass, and Horacio "El Negro" Hernandez on drums. CD

Incredible work from Don Cherry – a previously unreleased live date from the 60s, but every bit as great as any of his better-known records from the decade! The sound here is really amazing – a hip blend of Cherry's trumpet with tenor from Gato Barbieri and vibes from Karl Berger – working here in a piano-less setting that has all three players snaking together beautifully as the tunes unfold – freed up a bit to explore some really bold new territory, yet always held together with the same sense of inherent rhythm you'd find on Cherry's Blue Note albums from the late 60s. Rhythm is by Bo Stief on bass and Aldo Romano on drums – both players who really help the tunes take on some great structures – especially during the group's extended take on "Orfeo Negro", a number taken in very similar ways to Archie Shepp's Fire Music version of "Girl From Ipanema"! Other numbers are great too – and include "Elephantasy", "Spring Is Here", "Suite For Albert Ayler", and "Complete Communion", done in a 22 minute take. CD

Includes the beautiful long "Afro Cuban Jazz Suite"! Composed, arranged, and conducted by Arturo (Chico) O'Farrill the Chico O'Farrill Afro-Cuban Jazz Big Band. Arturo O'Farrill, piano and musical director with John Benitez, Steve Berrios, Peter Brainin, Sam Burtis, Jimmy Cozier, Andy Gonzalez, Joe Gonzalez, Graciela, Roland Guerrero, Horacio "El Negro" Hernandez, Matt Hilgenberg, Jack Jeffers, Victor Jones, Marshall McDonald, Mike Migliore, Michael Mossman, Mario Rivera, Jon Owens, Jim Seeley, Max Schsweiger, Gary Valente, and Papo Vasquez. CD

John Patitucci on bass, Branford Marsalis on soprano saxophone, Joe Lovano on tenor saxophone, Tim Ries on clarinet and flute, Sachi Patitucci on cello, Richard Rood on violin, Brad Mehldau, Bruce Barth, and Edward Simon on piano, Brian Blade and Horacio "El Negro" Hernandez on drum, Duduka DaFonseca, Marc Quinones, and Waltinho Anastacio on percussion with vocals from Luciana Souza. CD

Gonzalo Rubalcaba on grand piano and keyboards, Rafael Carrasco on flute and tenor saxophone, Manuel Varela on saxophone, Reynaldo Melian on trumpet, Lazaro Cruz Olmos on trumpet and flugelhorn, Felipe Cabrera on bass and electric bass, Horacio "El Negro" Hernandez on drums and Roberto Vizcaino on percussion. CD

Maybe one of the most amazing debut records of all time – not only the record that first exposed the world to Roberta Flack, but a set that heralded so many changes to come in the following decade! Flack's genius here is almost impossible to put into words – part jazz, part soul, and completely righteous from the very first note – possessed of a sense of pride and power that belie both her understated image on the front cover, and her relatively young age – and delivered with a timelessness that still makes the record as vital today as it was so many years back. The set features Flack playing piano and singing with her trio – sometimes augmented by larger arrangements by the very hip William S Fischer, but often in a setting that's very spare yet incredibly moving – instantly putting Roberta at the same level as Nina Simone, and maybe even past the territory of Aretha Franklin at the time. Titles include her seminal reading of "Compared To What" – an instant anthem for the time – plus the tracks "Angelitos Negros", "Our Ages Or Our Hearts", and "Tryin Times". CD

Robert Hurst on bass – with Kenny Krikland on piano and Elvin Jones on drums. Tracks are almost all originals and include "Incognegro", "Thad's Blue Plaid", "Swing On Swole", "C-Ya", "Jill's Groove", and "Innuendo In Yo Window". CD

Robert Hurst on bass – with Kenny Krikland on piano and Elvin Jones on drums. Tracks are almost all originals and include "Incognegro", "Thad's Blue Plaid", "Swing On Swole", "C-Ya", "Jill's Groove", and "Innuendo In Yo Window". CD

Maybe one of the most amazing debut records of all time – not only the record that first exposed the world to Roberta Flack, but a set that heralded so many changes to come in the following decade! Flack's genius here is almost impossible to put into words – part jazz, part soul, and completely righteous from the very first note – possessed of a sense of pride and power that belie both her understated image on the front cover, and her relatively young age – and delivered with a timelessness that still makes the record as vital today as it was so many years back. The set features Flack playing piano and singing with her trio – sometimes augmented by larger arrangements by the very hip William S Fischer, but often in a setting that's very spare yet incredibly moving – instantly putting Roberta at the same level as Nina Simone, and maybe even past the territory of Aretha Franklin at the time. Titles include her seminal reading of "Compared To What" – an instant anthem for the time – plus the tracks "Angelitos Negros", "Our Ages Or Our Hearts", and "Tryin Times". CD