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CD, LP, Vinyl record album cover art
BloChapters & Phases – The Complete Albums 1973 to 1975 (Chapter One/Phase II) ... CD
Rev-Ola (UK), 1973/1975. New Copy ... $6.99 14.99
One of the hippest groups of the Nigerian scene of the 70s – presented here in two classic albums, back to back on a single CD! Chapter One is a landmark set of African grooves – very unusual in both conception and execution – with a feel that's unlike anything we can think of! There's definitely a rock influence in the set, but the music isn't rock at all – it's a very dark, almost dubby groove at points – and a bit more straightforwardly funk at others – almost a post-colonial style that clearly comes from a London influence, given to the group by a previous association with Ginger Baker. Rhythms are quite tight, and the bass is as strong as the drums – mixed up nicely with riffing guitar, and moody vocals that color the whole thing nicely. Titles include "Preacherman", "Time To Face The Sun", "We Are Out Together", "Chant To Mother Earth", "Miss Sagitt", "Beware", and "We Gonna Have A Party". Phase II is a critical next step for the group – music that's even deeper than before, but a bit funkier too! There's clearly some touches here of other African funk of the time – especially in the way the guitar parts groove with the rhythms – although those heavy Blo basslines from before are still nicely in place, as are some of the fuzzier production elements too. Titles include "Whole Lot Of Sh*t", "Atide", "Blo", "It's Gonna Be A Good Day", "Native Doctor", and "Don't Take Her Away From Me". CD
 
Possible matches: 16
Possible matches2
CD, LP, Vinyl record album cover art
Jay-ZHits Collection Volume One ... CD
Def Jam, Late 90s/2000s. Used ... $4.99
A pretty solid first Hits Collection from Jay-Z's incredible run atop the hip hop landscape – featuring tracks from each phase to date – and well chosen enough to be fine entry point into Jay-Z's cannon. As promised, it focuses on the bigger hits, and the titles include "Public Service Announcement", "Run This Town" with Rhianna & Kanye West, "'03 Bonnie & Clyde" feat Beyonce, ""Encore", "I Just Wanna Love U (Give It 2 Me)", "DOA (Death Of Autotune)", "Izzo (HOVE)", "Hard Knock Life", "Dirt Off Your Shoulder", "99 Problems", "Show Me What You Got" and more. CD

Possible matches3
CD, LP, Vinyl record album cover art
Art BlakeySoul Finger ... CD
Limelight/Verve, 1965. Used ... $8.99
One of the most obscure mid 60s sides by Blakey – but a great one! The record features a strangely-chosen lineup of the Jazz Messengers that includes Lee Morgan, Freddie Hubbard, Lucky Thompson, and John Hicks. Thompson's in his very soulful "just returned from Europe" phase, and his playing is excellent, especially on soprano, which he was reaching for again and again at this point in his career. Hicks shows some nice early soul jazz stylings on piano, and the two-trumpet frontline of Hubbard and Morgan distinguish themselves nicely from each other. The writing's quite nice, too – from the James Bond-esque "Soul Finger" to Morgan's lively "Buh's Bossa". Great stuff! Other titles include "Spot Session", "Freedom Monday", "A Quiet Thing (From Flora The Red Menace)" and "The Hub". CD

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CD, LP, Vinyl record album cover art
Ted DanielTed Daniel Solo – At Abbazia San Zeno Pisa, Italy ... CD
Ujamaa, 1981. New Copy ... $9.99
Ted Daniel may be one of the most compelling sound-shapers we've ever heard on the trumpet – a very under-acknowledged musician whose playing of the 70s and 80s continues to really grab us over the years! This unissued live set is from 1981, and it features Ted on a variety of horns – blowing in a special way that both links to more conventional trumpet modes, yet also shows a knowledge of the more open phrasing that some of his generation were using – like Lester Bowie or Leo Smith. Yet unlike some of those artists, Ted's performance, although free, is never that far from the more familiar roots of trumpet expression – a fantastic balance that really comes through beautifully in the music. There's a few unusual approaches here – one track features a trumpet played into a grand piano, another a flugelhorn through a phase shifter – but even these never go too far out. Titles include "Sunny Side Up", "Closer & Closer", "Vicissitudes Of A Lover", "Al Fine", "Ciao Bene", and "Deac's Ceremonial Testimonial". CD

Possible matches5
CD, LP, Vinyl record album cover art
Freddie Hubbard5 Original Albums (Open Sesame/Goin Up/Hub Cap/Ready For Freddie/Hub-Tones) (5CD set) ... CD
Blue Note/Universal (Germany), Early 60s. New Copy 5CD ... About June 29, 2018
A five record collection that captures trumpeter Freddie Hubbard at a real turning point – taking off in the 60s with a range of fresh new ideas! Open Sesame is an early hardbop session that features some great work by Tina Brooks on tenor, piano by McCoy Tyner, and rhythm from the team of Sam Jones on bass Clifford Jarvis on drums! And although Freddie's great at this early point in his career – playing with a brash, urgent tone that's totally compelling – we're even bigger fans of the Tina Brooks work on this record! Brooks' tone is amazing – right up there with the style he used on his own rare few Blue Note sides, full of fresh fire and a really edgey approach to the tenor – and together with Hubbard, he helps craft a tight little set that's one of Hubbard's best-ever straight sides from the 60s. Titles include "But Beautiful", "One Mint Julep", "Hub's Nub", "Open Sesame", and "Gypsy Blue". Goin Up is a real burner from Freddie Hubbard's early years at Blue Note – filled with rich hues, colors, and tones! The group's a quintet – supported by lyrical rhythms from the trio of McCoy Tyner on piano, Paul Chambers on bass, and Philly Joe Jones on drums – working alongside Freddie's trumpet and the tenor of Hank Mobley – to craft tunes that sparkle with slight exotic touches, and which offer the perfect blend of modern and soulful that Blue Note was cutting in the early 60s! The whole album's great, and titles include the classic modal number "Asiatic Raes", plus "Karioka", "The Changing Scene", and "A Pec A Sec". Hub Cap is classic Freddie Hubbard on Blue Note – from the hip cover to the magical music in the grooves! The session is one of Freddie's all-time best from the early days – and features a very hard wailing lineup that mixes tight hardbop rhythms with some more adventurous soloing that almost has a modern jazz kind of tinge. Cedar Walton's on piano, Julian Preister's on trombone, and Jimmy Heath is on tenor – working with Freddie to craft some mindblowing work on titles that include the amazing "Plexus", plus "Hub Cap", "Cry Me Not", and "Earmon JR." Ready For Freddie features a unique group with McCoy Tyner on piano, Wayne Shorter on tenor, and Bernard McKinney on euphonium – a tuba-like instrument that gives the album a nicely shadowy sound! McKinney's probably better known for his 70s work with the Tribe scene in Detroit – but here, he's a young player with an innovative sound – one that makes the album one of Freddie's most striking of the period – a soulfully modern set that's set apart from his straighter hardbop work! The album features some great original tunes by Hubbard and Shorter – and titles include "Crisis", "Birdlike", "Arietis", and "Weaver Of Dreams". Hub Tones is brilliant early work from trumpeter Freddie Hubbard, who's really coming into his own as a leader with this date! Freddie's really finding a voice here – a sharper edge than on some of his later albums, at the beginning of a more modernist phase in the mid-60s – when his efforts would mark him as one of the more straight ahead players of the "new thing" scene. There's a careful balance in Hubbard's work here – spurred on by youthful energy of group mates Herbie Hancock on piano, James Spaulding on alto and flute, Reggie Workman on bass, and Clifford Jarvis on drums. Hubbard is really brimming over with new ideas – as are the other players – and titles include "Lament for Booker", "Prophet Jennings", "Hub Tones", "For Spee's Sake", and "You're My Everything". A great package – all albums in tiny LP-styled sleeves! CD

Possible matches6
CD, LP, Vinyl record album cover art
Isley BrothersShowdown ... LP
T Neck, 1978. Very Good Gatefold ... $2.99
The Isley Brothers in prime 70s mode here – hitting a warm and wonderful blend of soul and funk throughout – always delivered with that sweet talent for smooth understatement that makes them so great! The costumes on the front cover may be freaky, but the grooves are nicely restrained – and by this point in the decade, the brothers have definitely learned that their strongest suit is often their mellow one – tracks that groove, but often in more subtle ways! Titles include the massive slow jam track "Groove With You", plus "Take Me To The Next Phase (parts 1 & 2)", "Love Fever (parts 1 & 2)", "Fun & Games", "Ain't Givin Up No Love", and "Coolin Me Out (parts 1 & 2)". LP, Vinyl record album

Possible matches7
CD, LP, Vinyl record album cover art
Pat MethenyPat Metheny Group ... LP
ECM, 1978. Very Good+ ... $7.99
A near-legendary album from Pat Metheny – the real birth of the "Metheny sound" on record, and a perfect example of the magically fluid groove that he crafted with keyboardist Lyle Mays! The sound here is hard to describe – and even harder when you try to pick out the individual keyboard and guitar bits – because the overall feel of the record is so well wrapped up and lyrically together, yet manages to do so without falling into any too-slick styles or cliched approaches to fusion. We're stunned at how much this one still delights us over the years, and the record still stands as a landmark in its field. Titles include "San Lorenzo", "Phase Dance", "Jaco", "Aprilwind", "Lonejack", and "Apriljoy". LP, Vinyl record album
(US pressing. Cover has light wear.)

Possible matches8
CD, LP, Vinyl record album cover art
MoveMovements – 30th Anniversary Anthology (3 CD set) ... CD
Demon/West Side (UK), Late 60s. Used 3 CDs ... $28.99
All 3 Move albums remastered and collected in 1 massive set! This anthology includes basically everything you could ever want by these psychedelic pop maestros – including their self-titled 1st LP, Shazam, Looking On, singles, un-issued tracks, as well as the 1st ever CD version of the live Something Else EP – showcasing each phase of the group's influential career. Essentially the brainchild of songwriter/lead guitarist Roy Wood, the Move were arguably one of the best and most important British groups of the late 60s to never make a dent on the American charts, combining shimmering psych-pop with a harder edge and a sometimes morbid lyrical twist (as evident on the first 2 discs). The 3rd CD contains the band's final album and 1st to feature a new member – guitarist Jeff Lynne (formerly of the Idle Race and future of Electric Light Orchestra) – whose cheerier pop notions proved an interesting, if not frustrating counterpoint to Wood's darker, ironic sensibilities. Wood and Lynne's growing fascination with orchestral rock would cause them to disband the Move in 1972 and form ELO – opening up a new chapter in the history of British rock, but this anthology contains a whopping 54 tracks including; "I Can Hear The Grass Grow", "Lemon Tree", Walk Upon The Water", "Flowers In The Rain", "Fire Brigade", from The Move, "Blackberry Way", "Cherry Blossom Clinic Revisited", and "Beautiful Daughter" from Shazam, and "Brontosaurus", "Looking On", and "Feel Too Good" from Looking On – Essential stuff! CD
(Out of print, please note the slipcover has some edgewear.)

Possible matches9
CD, LP, Vinyl record album cover art
✨✧ Sunny MurraySunny Murray (ESP) ... LP
ESP, 1966. Used ... Just Sold Out!
One of the greatest albums on ESP – and a darkly-tinged document that points strongly towards the future of jazz at the end of the 60s! The album's one of the most focused of the early ESP years – and it features drummer Sunny Murray stepping out strongly as a leader – working with players who include Jacques Coursil on trumpet, Byard Lancaster and Jack Graham on alto saxes, and Alan Silva on bass – all with an intensity that prefaces some of the players' later freedoms on the French scene at the end of the decade, and modes to come during the loft jazz years of the 70s! The horns are never too free, and they come together in a flurry of sharp edges that reminds us a bit of sound structures in Archie Shepp's work at the time – but almost more organic and open overall. Titles include "Phase 1234", "Hilariously", "Angels & Devils", and "Giblet". LP, Vinyl record album
(Yellow label pressing. Cover has a cutout hole.)

Possible matches10
CD, LP, Vinyl record album cover art
Teddy PendergrassLife Is A Song Worth Singing ... LP
Philadelphia International, 1978. Very Good ... $4.99
Wonderful work from the early solo years of Teddy Pendergrass! The record's a monstrous mix of mellow soul and sophisticated tunes – one that pushes Teddy way past his earlier role in Harold Melvin & The Blue Notes, into mature male soul territory that few others could match! The sound is sublime throughout – easily the next phase for the Gamble & Huff empire, and way past the easier Philly hit modes of a few years before. Titles include the wonderful "Close The Door", the kind of classy upscale modern soul that kept Philly going strong into the end of the 70s – plus "Life Is A Song Worth Singing", "When Somebody Loves You Back", and "Cold, Cold World". LP, Vinyl record album
(Includes the printed inner sleeve. Cover has some wear & marker.)

Possible matches11
CD, LP, Vinyl record album cover art
Steve ReichDrumming (180 gram vinyl) ... LP
Nonesuch/Pure Pleasure (UK), 1987. New Copy (reissue)... $26.99 44.99
A great recording of Steve Reich's seminal composition "Drumming" – an amazing blend of minimal percussion snatches, coming together to form a lyrical repetitive work of great beauty! Reich heads up the recording himself – working here with 9 percussionists, 2 vocalists, a piccolo, and even a bit of whistling – all to create an extremely haunting sound that's still one of the best illustrations of minimalist at its height! The sound is incredible – a slow-shifting phase of sound from the percussion players – first conceived by Reich right around the time he was moving to work on keyboards from his tape projects – but, as a percussive performance, far more difficult to handle – especially given the extended time of the piece. LP, Vinyl record album
(Limited edition!)

Possible matches12
CD, LP, Vinyl record album cover art
Steve ReichLive/Electric Music (180 gram pressing) ... LP
Columbia/Concord, 1968. New Copy (reissue)... On June 8, 2018
Brilliant work by Steve Reich – featuring two of his best early pieces! "Violin Phase" takes up all of side one – and features a solo peformance by Paul Zukofsky that's a perfect exploration of Reich's concept of phase shift. "It's Gonna Rain" is on side two – and the track is an incredible tape loop piece that starts with the words of a gospel preacher, then takes a snippet ("it's gonna rain") and repeats it over and over itself, endlessly looping, and messing with the words and tones as it goes in and out of phase. Incredible stuff – and far more revolutionary than a lot of Reich's later work! LP, Vinyl record album

Possible matches13
CD, LP, Vinyl record album cover art
✨✧ Art BlakeySoul Finger ... LP
Limelight, Mid 60s. Used ... Temporarily Out Of Stock
One of the most obscure mid 60s sides by Blakey – but a great one! The record features a strangely-chosen lineup of the Jazz Messengers that includes Lee Morgan, Freddie Hubbard, Lucky Thompson, and John Hicks. Thompson's in his very soulful "just returned from Europe" phase, and his playing is excellent, especially on soprano, which he was reaching for again and again at this point in his career. Hicks shows some nice early soul jazz stylings on piano, and the two-trumpet frontline of Hubbard and Morgan distinguish themselves nicely from each other. The writing's quite nice, too – from the James Bond-esque "Soul Finger" to Morgan's lively "Buh's Bossa". Great stuff, and a record that we don't see that often! LP, Vinyl record album
(Original pressing – with the totally excellent gatefold booklet! Cover has a small cutout hole, but is great overall.)
Also available Soul Finger ... CD 8.99

Possible matches14
CD, LP, Vinyl record album cover art
✨✧ Jackie McLeanDemon's Dance (RVG remaster edition) ... CD
Blue Note, 1967. Used ... Temporarily Out Of Stock
A pivotal session from the late 60s – one that has Jackie pulling things back a bit from his "new thing" period, and turning towards the spiritual soulful groove that would characterize his early 70s work! The album bristles with excitement – still very much informed by a knowledge of the space explored during Jackie's avant years, but never quite willing to go to that space – especially if it means sacrificing the soulful swing of the set! The group's filled with young soulful modernists – including Woody Shaw, Lamont Johnson, Scott Holt, and Jack DeJohnette – and Jackie himself seems to be working out a whole new phase of his career with each new track – showing that even when he was at his "new thing" best, he was still ready to move on! Tremendous stuff, and one of our favorite Blue Notes from the time – and one of the most soulful too! Titles include "Floogeh", "Message From Trane", "Toyland", and "Boo Ann's Grind". CD
(BMG club pressing.)

Possible matches15
CD, LP, Vinyl record album cover art
✨✧ Pat MethenyTravels ... LP
ECM, 1982. Used 2LP Gatefold ... Out Of Stock
A live album, but every bit as seminal as the studio sides that Pat Metheny cut for ECM at the time – and proof that the Metheny magic was clearly his own, and not just a product of studio tricks by Manfred Eicher! The set reprises tunes and themes from a variety of Metheny's earlier ECM albums – but the live presentation of the material somehow really transforms a number of them – pushing them into a soundspace that's similar to the one explored by Pat on the Offramp album, augmented especially by the presence of percussionist Nana Vasconcelos in the group. Titles include "Phase Dance", "Farmer's Trust", "Straight On Red", "The Fields The Sky", "Are You Going With Me", "Extradition", "Going Ahead", "As Falls Wichita So Falls Wichita Falls", and "Travels". LP, Vinyl record album
(Cover has some stains on the edges.)

Possible matches16
CD, LP, Vinyl record album cover art
✨✧ Paul HornPaul Horn In India (Paul Horn In India/Paul Horn In Kashmir) ... LP
Blue Note, Mid 60s. Used 2LP ... Out Of Stock
A 2LP 70s set on Blue Note – one that reissues 2 Paul Horn albums for World Pacific in the 60s! First up is Paul Horn In India – a record in which Horn opens up in a really cool way – definitely moving past his early modern jazz years, to become one of the first American jazzmen to explore the sounds of India! The album features Horn blowing flute on some great long tracks – stretching out with this sense of sound that's really amazing – almost more tonal texture than his previous jazz sense of melody – often moving slowly, with slight phase shifts that are really compelling – and working alongside spare instrumentation from Indian musicians on tabla, tamboura, and violin! The tracks are all ragas that spin off with a free but rhythmic sound – and titles include "Raga Vibhas", "Raga Tilang", "Alap", "Manj Khamaj", and "Raga Desh". Paul Horn In Kashmir is easily the trippiest of Paul Horn's 60s experiments – and even more far-reaching than his Paul Horn In India set! This one has a very similar feel to Paul's Indian session, but it's much more transcendental – with long tunes that spin out amidst sitar, tabla, and vocals – going for a meditative approach that's a great complement to Horn's work on the alto flute. The jazz component to the session is very subdued, but given the overall quality of the album, we're not ones to complain! Vocals are by Shri Chunilal Kaul, and titles include "Raga Ahir Bhairao", "Tabla Solo IN Teental", "Raga Kerwani", and "Alap In Raga Bhairav". LP, Vinyl record album
(Cover has a cut corner with a bit of pen.)

Possible matches17
CD, LP, Vinyl record album cover art
✨✧ LaraajiCelestial Vibrations ... CD
SWN/Soul Jazz (UK), 1978. New Copy ... Out Of Stock
A beautifully trippy set of tracks from Edward Larry Gordon – an artist who's probably better known for his later Laraaji album recorded with Brian Eno, but one who sounds even better here on this debut set! The sound is very spiritual and meditative – long, drawn-out, side-long tracks that feature Gordon playing a weird, electrified zither – an instrument that's hardly the hokey, European-sounding one from mid-century – and instead a very tripped-out, abstracted one here – very spacey, with some great phase shifting employed in the studio, which creates an almost electronic pulse out of the acoustic instrumentation. The album features two very long tracks – "All Pervading" and "Bethlehem" – done in a way that would make Alice Coltrane proud! CD
 
Partial matches: 7
Partial matches18
CD, LP, Vinyl record album cover art
Woody HermanWoody ... LP
Cadet, 1970. Very Good+ ... $1.99
The most obscure of Woody's albums for Cadet – and a bit different than the other two! The album still features one side of upbeat groovy tunes – recorded with Richard Evans in a style that's a mix of big band funk and Cadet Records soul – and which show Woody to be a lot hipper than anyone might have thought at the time – putting together some amazing arrangements of tunes that soar with great power, still very jazzy, but also filled with a youthful energy that's really great. Includes a great version of "How Can I Be Sure", plus cool originals like "Smiling Phases", "A Stone Called Person", and "Saccharine Sally". The difference here, though, is that some of the tunes also have some vocals by Woody – sounding pretty cool, actually, and almost spoken – and that one side of the record is dominated by a long version of "Blues In The Night", with a solo by Tom Harrell. LP, Vinyl record album

Partial matches19
CD, LP, Vinyl record album cover art
JB BanfiGalaxy My Dear (180 gram pressing) ... LP
Red/Wah Wah (Spain), 1978. New Copy (reissue)... $29.99
JB Banfi gets a big nod from Klaus Schulze on the back cover of this rare 70s set – and for good reason, too – as the music's very much in the best analogue electronic work that Schulze himself helped to pioneer at the time – even though Klaus claims that Banfi is an even better composer! The album's served up from a host of electronic sources – a range of moog synths, Arp, Farfisa, Logan string ensemble, Roland echo chamber, Eventide Clockworks phaser, and other sources – all used in ways by Banfi that are soaring and spacious, but never sleepy – always with this slightly upbeat vibe and sense of color that was maybe one of the differences between the 70s French electronic scene and the German one. Titles include "Paradox Streams", "Audio Emotion", "Gang", and "Goodbye My Little Star". LP, Vinyl record album
(Limited edition of 500!)

Partial matches20
CD, LP, Vinyl record album cover art
Stanley BlackBlack Magic ... LP
Phase 4/London, 1976. Very Good+ ... $3.99
Amazing work from Stanley Black – honest! The album's far funkier and far more dynamic than most of Stanley's other albums in the past – and is a sweet electric 70s session with plenty of elements you'd expect to find in some of the Brit Easy or sound library albums of the time! The arrangements are full, with a fair bit of electricity – but also some heavy percussion on the bottom on some funkier tracks too. Titles include versions of "Love In The Rain", "All It Takes Is Two", "Berimbau", "Wave", "Shaft", "The Hustle", and "Volare". LP, Vinyl record album
(Cover has light wear.)

Partial matches21
CD, LP, Vinyl record album cover art
James MoodyJames Moody ... CD
Argo/Verve, 1959. Used ... $11.99
Great work from Moody's "second phase" – the post-Overbrook time in which he picks up the flute, drops a bit of the bop style, and starts working in a much more complicated style that showed that he had a hell of a lot of room to grow as an artist! This album's Moody's second for Argo – recorded in 1959, with help from the brilliant arranger Tom McIntosh. Players include Johnny Coles, Musa Kaleem, Gene Kee, and McIntosh – and the album features the first reading of Moody's famous "Darben The Redd Foxx", plus "Cookie", "RBQ", "Daahoud", and McIntosh's perennial favorite, "With Malice Toward None". CD
(Out of print.)

Partial matches22
CD, LP, Vinyl record album cover art
✨✧ BohannonKeep On Dancin' ... LP
Dakar, 1972. Used ... Temporarily Out Of Stock
Massive grooves from the mighty Hamilton Bohannon – the kind of skittish, nervous rhythms that made his funk unlike any other artist of the 70s! There's a sense of rhythmic progression here that's super-tight, but often quite subtle in its inflections – a mode that went onto have a huge influence on many generations after the disco era – especially house from Chicago and Detroit! Yet heard here in its original form, the approach is almost even more mindblowing – played live, with a hypnotic feel that's completely compelling – as the grooves shift slowly with subtle phases that often move independently of the vocals – which themselves are often just added to the mix as an afterthought. Bohannon wrote, arranged, and produced – and the record's a sublime blend of guitar, bass, and drums used in mighty fresh ways! Tracks include "Have A Good Day", "Dance With Your Parno", "South African Man", "The Fat Man", "Red Bone", "Truck Stop", and "Rap On Mr. DJ". LP, Vinyl record album
(Cover has heavy waviness & staining from moisture – back paste on is mostly unglued.)

Partial matches23
CD, LP, Vinyl record album cover art
✨✧ Fat Cat KareemFugazi (clean, street, inst)/Money Game (clean, street, inst) ... 12-inch
Phase 4, 1998. Near Mint- ... $0.99
... 12-inch, Vinyl record
(Promo.)

Partial matches24
CD, LP, Vinyl record album cover art
Blood Sweat & TearsBlood Sweat & Tears ... LP
Columbia, 1968. Very Good Gatefold ... $4.99
A stone classic from Blood Sweat & Tears – and a record that went onto have a tremendous impact in jazz, rock, funk, and soul! The group's format is plenty darn famous – adding a lot of horns to hip riffing grooves – but despite countless plays on oldies stations over the years, this initial album still has a power that's undeniable – a way of putting the whole thing together that really uses the best elements of the late 60s studio – handled with sweet production from James William Guerico that rivals his best work for Chicago! Even the lead vocals by David Clayton Thomas hold up nicely – and the set includes the classics "Variations On A Theme By Eric Satie", "And When I Die", "Smiling Phases", "More & More", "Spinning Wheel", and "You've Made Me So Very Happy". LP, Vinyl record album
(360 Sound stereo pressing. Cover has light wear.)
 
 
 



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