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Peter Brotzmann Trio Edit search

 
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Possible matches: 10
Possible matches1
CD, LP, Vinyl record album cover art
Peter BrotzmannNoise Of Wings ... CD
Jazzwerkstatt (Germany), 1999. Used ... $9.99
Peter Brotzmann blows it loud, long, and open here – very much in the mode of some of his best Okka Disk work from the same period – caught in a trio with Peter Friis Nielsen on electric bass and Peeter Uuskyla on drums! The use of the electric instrument draws a bit of a link back to the Brotzmann sound of the 80s – yet the overall approach is less in the Machine Gun mode, and still very much in the freewheeling Brotzmann style of the early and later years. Titles include "In My Old Rags", "Not A Soul", "Nine Eleven Blues", "Blue Jay In A Snowstorm Waiting", and "Noise Like Wings". CD

Possible matches2
CD, LP, Vinyl record album cover art
✨✧ Peter Brotzmann/Albert Mangelsdorff/Gunter SommerPica Pica ... LP
FMP (Germany), 1984. Near Mint- ... $79.99
A classic collaboration between Peter Brotzmann and Albert Mangelsdorff – one that brings together these two avant giants in German jazz, all with an intensity that rivals Brotzmann's more famous work on the FMP label! Mangelsdorff's trombone is often strongly focused in that sound-based mode that came to prominence on his MPS sides of the 70s – a style that's sometimes muted, but nicely "bottomed" here alongside the more intense alto, tenor, and baritone sax work of Brotzmann. Completing the trio is drummer Gunter Sommer, whose creative work on the kit brings in a whole new layer of sound that goes far beyond rhythm – one that's complex, and sometimes playful – but never in a too-cut sort of style. All 3 tracks were recorded live, and titles include "Pica Pica", "Instant Tears", and "Wie Du Mir So Ich Dir Noch Lange Nicht". LP, Vinyl record album

Possible matches3
CD, LP, Vinyl record album cover art
VariousBorn Free – The 12th German Jazz Festival 1970 (9CD set) ... CD
Be! (Germany), 1970. New Copy ... $129.99 199.99
A huge document of this incredible year in jazz in Germany – a time when free styles were breaking out all over, alongside some of the groovier styles of the MPS scene as well! This beautiful box documents the 12th German Jazz Festival in three different concerts – amazing music that really shows the transformation that was taking place at the time – and which is still revolutionary all these many years later – making for a listening experience that makes us feel like we're hearing music from the future, and not over 40 years in the past! The range of performers here is amazing – and CD 1 features a long performance The German Festival Big Band – with reeds from Emil Mangelsdorff, Heinz Sauer, Joki Freund, and Gerd Dudek; trombones from Albert Mangelsdorff and Peter Herbolzheimer, trumpets from Frederic Rabold and Manfred Schoof, guitar from Volker Kriegel, bass from Gunter Lenz, and drums from Kurt Bong and Rolf Hubner – plus four long tracks from the Dave Pike Set, with stellar vibes and guitar! CD2 features the Albert Mangelsdorff Quartet, with trombone from the leader, and alto and tenor from Heinz Sauer – plus a group led by Wolfgang Dauner on piano, clavichord, and ring modulator – with Ack Van Rooyen on trumpet, Joki Freund on tenor and soprano sax, Peter Herbolzheimer on trombone, and Gerd Dudek on flute and tenor. CD3 features Karin Krog singing on two long tracks penned by Dave Pike, who plays vibes in a group that also includes Albert Mangelsdorff on trombone – and the rest of the CD features Phil Woods European Rhythm Machine, with Gordon Beck on Fender Rhodes. CD4 features two long tracks by the Klaus Doldinger Quartet with Ingfried Hoffmann on organ; three more tracks from the Frederic Rabold Crew, with the leader on trumpet and alto horn; and one more track from the Jazzworkers Quintet. CD5 features the Frankfurter Trio Fur Improvisation, with Christian Mollers on clarinet, Wolf Burbat on flute, and Klaus Henning Usadel on bass – plus one long track by Just Music with Alfred Harth on tenor and clarinet, Johannes Kramer on guitar, Dieter Hermann on trombone, and Franz Volhard and Thomas Stowsand on cellos – as well as two tracks by the Modern Jazz Quintet Karlsruhe, which features Herbert Joos on flugelhorn and Wilfried Eichorn on reeds. CD6 features a long track by Free Jazz Group Wiesbaden – and another long track from Limbus 4 – a group that features a lot of flutes, percussion, and diverse instrumentation. CD7 features a reading of "F*ck Der Boere" by the Peter Brotzmann Group, which also includes Evan Parker and Willem Breuker on reeds, plus Malcolm Griffiths and Paul Rutherford on trombone – as well as Derek Bailey on guitar and Han Bennink on percussion. The CD also features a long track by the New Jazz Trio of trumpeter Manfred Schoof. CD8 features work by the Alexander Von Schlippenbach Trio, the Pierre Favre Group, and the quartet of Joachim & Rolf Kuhn. CD9 is maybe the most amazing – as it features a long track that merges German players with the Art Ensemble Of Chicago – billed as the European Free Jazz Orchestra Of The Art Ensemble Of Chicago – as well as work by Gunter Hampel with Jeanne Lee. An insanely wonderful package – filled with free, avant, and groovy jazz we've never heard before! CD

Possible matches4
CD, LP, Vinyl record album cover art
VariousInternational Holy Hill Jazz Meeting ... CD
Be! (Germany), 1969. New Copy ... $16.99
A legendary moment in European free jazz – performances all recorded on a single Sunday in 1969 – but which stand as some of the most powerful music of the time! The vibe here is often in the best spirit of early FMP, or maybe the most outside work of MPS – and the recording quality equals the best avant jazz on both labels – with very long performances on each track that represent the pinnacle of all players involved! One side alone is worth the price of admission – a searing track titled "Finally", performed by an octet with Peter Brotzmann at the helm, alongside Evan Parker on tenor and soprano sax, Fred Van Hove on piano, Paul Rutherford on trombone, Peter Kowald on bass, and Pierre Favre on drums. Favre returns on "Let's Talk About The Weather" – played by a trio with Kowad on bass and Irene Schweizer on piano. Other tracks include "Five To Five" and "Gluga Gluga Blues" by the Joki Freund Quintet, "In Memory Of John Coltrane" by Marion Brown, "Vibration" by the group of saxophonist Joe Fiera and trombonist Ed Kroger, and "Circus Live" by a quartet led by Rolf Kuhn on electric clarinet, with Joachim Kuhn on piano and Stu Martin on drums. CD

Possible matches5
CD, LP, Vinyl record album cover art
✨✧ Peter Brotzmann/Fred Van Hove/Han BenninkBrotzmann/Van Hove/Bennink – 1971 (LP sleeve edition) ... CD
JG/Corbett vs. Dempsey, 1971. New Copy Gatefold ... Temporarily Out Of Stock
Very rare, very obscure material from this important free jazz trio of the German scene in the 70s – a set that features one long performance originally issued on the JG label, despite the FMP-like image on the cover – plus two more tracks from the same year that appear here for the first time ever! "Just For Altena" offers up the power trio at their best – very freewheeling piano from Fred Van Hove, drums from Han Bennink, and tenor from Peter Brotzmann – with intensity that may well surpass the Machine Gun years, and an understanding of each players strengths that means that there's almost no tentative moments at all in the improvisation! "Filet Americain" and "ICP No 17" are from earlier in 1971 – and showcase a different, more sonic side of the trio – some tones that are at the farther end of hearing, which ruminate then blossom into bolder statements, but still often with a very abstracted approach to each instrument. Great stuff – and every bit as essential as any of the better-known Brotzman recordings of the time! CD
(Beautiful package – with a heavy Japanese-style paper sleeve!)

Possible matches6
CD, LP, Vinyl record album cover art
✨✧ Peter Brotzmann/Han Bennink/Fred Van HoveBrotzmann/Van Hove/Bennink – FMP 130 ... CD
Atavistic/Unheard Music Series, 1973. Used ... Temporarily Out Of Stock
A seminal set from the European free jazz scene of the 70s – and a record that may well represent the start of a key second chapter of all players involved! While the key tension of many early Peter Brotzmann albums have the saxophonist trying to push his instruments past their normal sonic limits, the approach here is different – in that all of the crazed, complicated, and dissonant sound bursts seem to be based on a stop/start dynamic – real back/forth energy that has the players trading off in a sometime whimsical manner – but still with all the raw power you'd expect! The group seems to be enjoying themselves, too – with lots of weird, borderline oddball reed sounds approximating animal calls, rolling piano lines that seem to be ironic riffs on boogie woogie and rock, and odd tonal shifts that really keep things interesting. The trio features mighty drums and a range of unusual percussion from the great Han Bennink – who also knows how to allow for space as well – plus Brotzmann on alto, tenor, baritone, bass sax, and clarinet – plus Fred Van Hove on celeste and piano. Titles include "For Donaueschingen Ever", "Nr 7", "Gere Bij", "Konzert Fur 2 Klarinetten", and "Paukenhandschen Im Blaubeerenwald". CD

Possible matches7
CD, LP, Vinyl record album cover art
✨✧ VariousNew Jazz Festival – Balver Hohle 1974 & 1975 (11CD box set) ... CD
Be! (Germany), Mid 70s. New Copy 11CD ... Temporarily Out Of Stock
Incredible jazz from the German scene of the 70s – two years' of recordings from this important festival – one that presents all the "new jazz" promised in its name, but in a range that moves effortlessly between free jazz, modal moments, funky fusion, and even some groovy big band work too! Performers are a range from all over the European scene – and are represented here in a significant selection of material from each act – very well-recorded, and presented in this beautiful box set, along with a booklet of notes and photos as well. The scope of sounds is fantastic – and long performances include an set of improvisations from the trio of Peter Brotzmann, Fred Van Hove, and Han Bennink; two long electric tracks from Jasper Van't Hof's Pork Pie group, with Charlie Mariano on a range of reeds and Philip Catherine on guitar; four long improvisations from the SOS group of John Surman, Mike Osborne, and Alan Skidmore – plying in a great mix of reeds and electronics; there's also two long improvisations between pianist Misha Mengelberg and drummer Han Bennink; Gary Burton's quintet with Pat Metheny and Mick Goodrick on guitars perform three improvisations for over 75 minutes of music; the Gustav Brom Big Band step out on some very groovy tracks; saxophonist Eero Koivistonen blows with his quartet that includes Olli Avhenlahti on electric piano; reedman Jiri Stivin and guitarist Rudolph Dasek play a number of improvisations; bassist Barre Phillips and flautist Kryzstof Zgraja perform two long improvisations; the Polish Jazz Summit features Tomasz Stanko on trumpet, Zbigniew Namyslowski on alto, Zbigniew Siefert on violin, and Adam Makowicz on Fender Rhodes; and trumpeter Franz Kogelmann and soprano saxophonist Steve Lacy head a quintet with a bit of electronics! There's a few more surprises, too – and the whole thing is a fantastic presentation of these lost sounds. CD

Possible matches8
CD, LP, Vinyl record album cover art
✨✧ Peter Brotzmann/Albert Mangelsdorff/Gunter SommerPica Pica ... CD
FMP/Unheard Music Series, 1984. Used ... Out Of Stock
A classic collaboration between Peter Brotzmann and Albert Mangelsdorff – one that brings together these two avant giants in German jazz, all with an intensity that rivals Brotzmann's more famous work on the FMP label! Mangelsdorff's trombone is often strongly focused in that sound-based mode that came to prominence on his MPS sides of the 70s – a style that's sometimes muted, but nicely "bottomed" here alongside the more intense alto, tenor, and baritone sax work of Brotzmann. Completing the trio is drummer Gunter Sommer, whose creative work on the kit brings in a whole new layer of sound that goes far beyond rhythm – one that's complex, and sometimes playful – but never in a too-cut sort of style. All 3 tracks were recorded live, and titles include "Pica Pica", "Instant Tears", and "Wie Du Mir So Ich Dir Noch Lange Nicht". CD
Also available Pica Pica ... LP 79.99

Possible matches9
CD, LP, Vinyl record album cover art
✨✧ Peter Brotzmann/Fred Van Hove/Han BenninkBrotzmann/Van Hove/Bennink – FMP 130 ... LP
FMP (Germany), 1973. Used Gatefold ... Out Of Stock
A seminal set from the European free jazz scene of the 70s – and a record that may well represent the start of a key second chapter of all players involved! While the key tension of many early Peter Brotzmann albums have the saxophonist trying to push his instruments past their normal sonic limits, the approach here is different – in that all of the crazed, complicated, and dissonant sound bursts seem to be based on a stop/start dynamic – real back/forth energy that has the players trading off in a sometime whimsical manner – but still with all the raw power you'd expect! The group seems to be enjoying themselves, too – with lots of weird, borderline oddball reed sounds approximating animal calls, rolling piano lines that seem to be ironic riffs on boogie woogie and rock, and odd tonal shifts that really keep things interesting. The trio features mighty drums and a range of unusual percussion from the great Han Bennink – who also knows how to allow for space as well – plus Brotzmann on alto, tenor, baritone, bass sax, and clarinet – plus Fred Van Hove on celeste and piano. Titles include "For Donaueschingen Ever", "Nr 7", "Gere Bij", "Konzert Fur 2 Klarinetten", and "Paukenhandschen Im Blaubeerenwald". LP, Vinyl record album

Possible matches10
CD, LP, Vinyl record album cover art
✨✧ VariousInternational Holy Hill Jazz Meeting ... LP
Be! (Germany), 1969. New Copy 2LP Gatefold (reissue)... Out Of Stock
A legendary moment in European free jazz – performances all recorded on a single Sunday in 1969 – but which stand as some of the most powerful music of the time! The vibe here is often in the best spirit of early FMP, or maybe the most outside work of MPS – and the recording quality equals the best avant jazz on both labels – with very long performances on each track that represent the pinnacle of all players involved! One side alone is worth the price of admission – a searing track titled "Finally", performed by an octet with Peter Brotzmann at the helm, alongside Evan Parker on tenor and soprano sax, Fred Van Hove on piano, Paul Rutherford on trombone, Peter Kowald on bass, and Pierre Favre on drums. Favre returns on "Let's Talk About The Weather" – played by a trio with Kowad on bass and Irene Schweizer on piano. Other tracks include "Five To Five" and "Gluga Gluga Blues" by the Joki Freund Quintet, "In Memory Of John Coltrane" by Marion Brown, "Vibration" by the group of saxophonist Joe Fiera and trombonist Ed Kroger, and "Circus Live" by a quartet led by Rolf Kuhn on electric clarinet, with Joachim Kuhn on piano and Stu Martin on drums. LP, Vinyl record album
Also available International Holy Hill Jazz Meeting ... CD 16.99
 
 
 



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