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Peter Brotzmann Trio Edit search

 
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Possible matches: 15
Possible matches1
CD, LP, Vinyl record album cover art
Peter BrotzmannNoise Of Wings ... CD
Jazzwerkstatt (Germany), 1999. Used ... $6.99
Peter Brotzmann blows it loud, long, and open here – very much in the mode of some of his best Okka Disk work from the same period – caught in a trio with Peter Friis Nielsen on electric bass and Peeter Uuskyla on drums! The use of the electric instrument draws a bit of a link back to the Brotzmann sound of the 80s – yet the overall approach is less in the Machine Gun mode, and still very much in the freewheeling Brotzmann style of the early and later years. Titles include "In My Old Rags", "Not A Soul", "Nine Eleven Blues", "Blue Jay In A Snowstorm Waiting", and "Noise Like Wings". CD

Possible matches2
CD, LP, Vinyl record album cover art
Peter Brotzmann/Greg Bendian/William ParkerSacred Scrape – Secret Response – Live In The US (1992) ... CD
Rastascan, 1992. Used ... $6.99
An interesting trio of players – Peter Brotzmann on reeds, William Parker on bass, and Gregg Bendian on drums and percussion – all playing together on a variety of live numbers recorded in the US in 1992. The format's a bit open ended – as the different modes of each player rise and lower in prominence during the set – and there's a striking comparison here to the more unified mode of some of Brotzmann's later 90s recordings in the US – done at a time when his presence on these shores was a bit more established. Titles include "Because Patterns Two", "The March Burst To Open Blue", and "Roil Segments". CD

Possible matches3
CD, LP, Vinyl record album cover art
Peter Brotzmann/Harry Miller/Louis MoholoOpened But Hardly Touched ... LP
FMP (Germany), 1980. Near Mint- 2LP Gatefold ... $99.99
One of the first great sessions from FMP Records in the 80s – and an album that really shows the creative growth at the label since its start! The music is played by a very hip trio – with Peter Brotzmann on e flat clarinet, tarogato, tenor, alto, and baritone – plus Harry Miller on bass and Louis Moholo on drums – both players from the British scene who really seem to help Brotzmann find this new sort of space in his music – an ear for more subtle sound textures and tones that's spun out beautifully over the course of the double-length record. We might well say that this record is as important to the later generation of FMP as Machine Gun was to the first – and regardless, it's still an essential treasure for any fan of Brotzmann, or free jazz in general. Titles include "Open But Hardly Touched", "Double Meaning", "Special Request For Malibu", and "Eine Kleine Nachmarie". LP, Vinyl record album

Possible matches4
CD, LP, Vinyl record album cover art
Peter Brotzmann/William Parker/Hamid DrakeSong Sentimentale ... CD
OTOroku (UK), 2016. New Copy ... $16.99
If there's one thing we can expect from this trio of players, it's that they're never going to be too sentimental – as a group like this is always moving forward into the future, opening up new ideas with every moment of their music, and continuing to blow us away after all their many years in music! An album like this is a great reminder that sometimes the greats do it better than anyone else – especially when it comes to free improvisation – because there's a breathlessness to this album that never lets up – a balance between the energy of all three musicians, both as individuals and parts of a whole, that we sometimes don't hear from up-and-comers when they try to hit this territory. Recorded live on a trio of dates at Cafe OTO, the CD and vinyl versions feature unique material not on the other format! The CD features the nearly 12 minute "Shake-A-Tear" and 2 nearly 25 minute long improvisations – "Stone Death" and "Dwellers In A Dead Land" – with Peter Brotzmann on tenor and b-flat clarinet, William Parker on bass, guembri, shakuhachi, and shehnai – and Hamid Drake on drums and percussion. CD
(CD and vinyl version have unique track listings – we recommend buying both!)

Possible matches5
CD, LP, Vinyl record album cover art
Full Blast (Peter Brotzmann)Black Hole ... CD
Atavistic, 2008. Used ... $4.99
The frenzy fueled avant jazz heaviness of Peter Broetzmann – firing on all cylinders with his Full Blast trio – a measured exercise in intensity from a master! Full Blast was recorded in a couple of days in March of 08 – with Broetzmann on alto & tenor sax, plus clarinet, Marino Pliakas on electric bass, and Michael Wertmueller on the kit. Heavy duty blasts, with a some shorter numbers for fast catharsis – but a couple others that march on longer that are even more riveting. Intense stuff, but never totally overwhelming to the senses if you've been initiated to the Broetzmann style – and a pretty good entry point for adventurous sorts that are up for it! Titles include "Black Hole", "Suzy", "Ellis", "Alice", "Strings", "Atlas", "Protoneparcel", "Higgs", "Teilchencrash", "Large Hadron Collider" and "Quarks Up/Down". CD

Possible matches6
CD, LP, Vinyl record album cover art
Full Blast (Peter Brotzmann)Risc ... CD
Trost (Austria), 2016. New Copy Gatefold ... $16.99
Pretty blistering sounds from Peter Brotzmann's Risc trio – a group that really recalls some of the mindblowing intensity he brought to the free jazz scene in his youth! The lineup features electric bass from Marino Pliakas, which really creates a lot of power at the bottom – a rumbling quality that shakes the rafters in ways that an acoustic bass couldn't achieve – matched by frenzied drum work from Michael Wertmuller, who mostly plays in skittish space all over the kit – then matched by some very freewheeling work from Brotzmann on a range of reeds. The electric bass really gives the set a different feel than other improv trio dates – but also in a way that's never "electric" in conventional modes – and titles include "Try Kraka", "Cafe Ingrid", "TTD", "Garnison Lane", "Doss House", and "Schwarspanier Street". CD

Possible matches7
CD, LP, Vinyl record album cover art
VariousInternational Holy Hill Jazz Meeting ... CD
Be! (Germany), 1969. New Copy ... $16.99
A legendary moment in European free jazz – performances all recorded on a single Sunday in 1969 – but which stand as some of the most powerful music of the time! The vibe here is often in the best spirit of early FMP, or maybe the most outside work of MPS – and the recording quality equals the best avant jazz on both labels – with very long performances on each track that represent the pinnacle of all players involved! One side alone is worth the price of admission – a searing track titled "Finally", performed by an octet with Peter Brotzmann at the helm, alongside Evan Parker on tenor and soprano sax, Fred Van Hove on piano, Paul Rutherford on trombone, Peter Kowald on bass, and Pierre Favre on drums. Favre returns on "Let's Talk About The Weather" – played by a trio with Kowad on bass and Irene Schweizer on piano. Other tracks include "Five To Five" and "Gluga Gluga Blues" by the Joki Freund Quintet, "In Memory Of John Coltrane" by Marion Brown, "Vibration" by the group of saxophonist Joe Fiera and trombonist Ed Kroger, and "Circus Live" by a quartet led by Rolf Kuhn on electric clarinet, with Joachim Kuhn on piano and Stu Martin on drums. CD

Possible matches8
CD, LP, Vinyl record album cover art
VariousNew Jazz Festival – Balver Hohle 1974 & 1975 (11CD box set) ... CD
Be! (Germany), Mid 70s. New Copy 11CD ... $129.99 199.99
Incredible jazz from the German scene of the 70s – two years' of recordings from this important festival – one that presents all the "new jazz" promised in its name, but in a range that moves effortlessly between free jazz, modal moments, funky fusion, and even some groovy big band work too! Performers are a range from all over the European scene – and are represented here in a significant selection of material from each act – very well-recorded, and presented in this beautiful box set, along with a booklet of notes and photos as well. The scope of sounds is fantastic – and long performances include an set of improvisations from the trio of Peter Brotzmann, Fred Van Hove, and Han Bennink; two long electric tracks from Jasper Van't Hof's Pork Pie group, with Charlie Mariano on a range of reeds and Philip Catherine on guitar; four long improvisations from the SOS group of John Surman, Mike Osborne, and Alan Skidmore – plying in a great mix of reeds and electronics; there's also two long improvisations between pianist Misha Mengelberg and drummer Han Bennink; Gary Burton's quintet with Pat Metheny and Mick Goodrick on guitars perform three improvisations for over 75 minutes of music; the Gustav Brom Big Band step out on some very groovy tracks; saxophonist Eero Koivistonen blows with his quartet that includes Olli Avhenlahti on electric piano; reedman Jiri Stivin and guitarist Rudolph Dasek play a number of improvisations; bassist Barre Phillips and flautist Kryzstof Zgraja perform two long improvisations; the Polish Jazz Summit features Tomasz Stanko on trumpet, Zbigniew Namyslowski on alto, Zbigniew Siefert on violin, and Adam Makowicz on Fender Rhodes; and trumpeter Franz Kogelmann and soprano saxophonist Steve Lacy head a quintet with a bit of electronics! There's a few more surprises, too – and the whole thing is a fantastic presentation of these lost sounds. CD

Possible matches9
CD, LP, Vinyl record album cover art
Peter Brotzmann, Steve Noble, John EdwardsWorse The Better – Live at Cafe OTO, January 2010 ... CD
OTOroku (UK), 2010. New Copy ... About September 1, 2016
Muscular angularity from the trio of reeds titan Peter Brotzmann, John Edwards on double bass and Steve Noble on drums – not as all out ferocious as some of the more frenzied Brotzmann recordings, though still plenty invigorating! The title would be sly whatever the record sounded like, but it's actually amusingly dichotomous, as this is really, really strong stuff. Brotzmann's tone is clear and fluid, and the pacing grows more and more busily as the record progresses, never flying out off the rails. Edwards and Noble are inventive and adaptable, so it's not terribly surprising that the trio works so brilliantly together despite this being billed as their first time working as unit, but it's exciting all the same! The set was recorded live at London's Cafe OTO in January '10. Side A: 22:40, Side B: 16:10. CD

Possible matches10
CD, LP, Vinyl record album cover art
Full Blast (Peter Brotzmann)Risc ... LP
Trost (Austria), 2016. New Copy ... About June 10, 2016 (delayed)
Pretty blistering sounds from Peter Brotzmann's Risc trio – a group that really recalls some of the mindblowing intensity he brought to the free jazz scene in his youth! The lineup features electric bass from Marino Pliakas, which really creates a lot of power at the bottom – a rumbling quality that shakes the rafters in ways that an acoustic bass couldn't achieve – matched by frenzied drum work from Michael Wertmuller, who mostly plays in skittish space all over the kit – then matched by some very freewheeling work from Brotzmann on a range of reeds. The electric bass really gives the set a different feel than other improv trio dates – but also in a way that's never "electric" in conventional modes – and titles include "Try Kraka", "Cafe Ingrid", "TTD", "Garnison Lane", "Doss House", and "Schwarspanier Street". LP, Vinyl record album
Also available Risc ... CD 16.99

Possible matches11
CD, LP, Vinyl record album cover art
✨✧ Peter Brotzmann/Friis Nielsen/UuskylaMedicina ... CD
Atavistic, 2004. Used ... Temporarily Out Of Stock
A recent recording from the trio of Peter Brotzmann, Friis Nielsen, and Peeter Uuskyla – done in a freewheeling style that really recalls the power of Brotzmann's classic work of the 70s. Brotzmann himself plays a nice range of horns that include tarogato and alto clarinet, in addition to his usual tenor, and a bit of alto – and Uuskyla's drumming is incredibly fierce, and full-on – really driving the session with a sense of urgency that's clearly heard in Brotzmann's horn. Titles include "Rocket Tango", "Justicia", "Bones & Beans", "Some Ghosts Step Out", and "Artemisia". CD

Possible matches12
CD, LP, Vinyl record album cover art
✨✧ Peter Brotzmann/Han Bennink/Fred Van HoveBrotzmann/Van Hove/Bennink – FMP 0130 ... LP
FMP (Germany), 1973. Used Gatefold ... Temporarily Out Of Stock
A seminal set from the European free jazz scene of the 70s – and a record that may well represent the start of a key second chapter of all players involved! While the key tension of many early Peter Brotzmann albums have the saxophonist trying to push his instruments past their normal sonic limits, the approach here is different – in that all of the crazed, complicated, and dissonant sound bursts seem to be based on a stop/start dynamic – real back/forth energy that has the players trading off in a sometime whimsical manner – but still with all the raw power you'd expect! The group seems to be enjoying themselves, too – with lots of weird, borderline oddball reed sounds approximating animal calls, rolling piano lines that seem to be ironic riffs on boogie woogie and rock, and odd tonal shifts that really keep things interesting. The trio features mighty drums and a range of unusual percussion from the great Han Bennink – who also knows how to allow for space as well – plus Brotzmann on alto, tenor, baritone, bass sax, and clarinet – plus Fred Van Hove on celeste and piano. Titles include "For Donaueschingen Ever", "Nr 7", "Gere Bij", "Konzert Fur 2 Klarinetten", and "Paukenhandschen Im Blaubeerenwald". LP, Vinyl record album

Possible matches13
CD, LP, Vinyl record album cover art
✨✧ Peter Brotzmann/William Parker/Hamid DrakeSong Sentimentale (180 gram pressing) ... LP
OTOroku (UK), 2016. New Copy ... Temporarily Out Of Stock
If there's one thing we can expect from this trio of players, it's that they're never going to be too sentimental – as a group like this is always moving forward into the future, opening up new ideas with every moment of their music, and continuing to blow us away after all their many years in music! An album like this is a great reminder that sometimes the greats do it better than anyone else – especially when it comes to free improvisation – because there's a breathlessness to this album that never lets up – a balance between the energy of all three musicians, both as individuals and parts of a whole, that we sometimes don't hear from up-and-comers when they try to hit this territory. Recorded live on a trio of dates at Cafe OTO, the CD and vinyl versions feature unique material not on the other format! The vinyl version features two long improvisations – "Song Sentimental" and "Dark Blues" – both a perfect fusion of the talents of Peter Brotzmann on tenor and b-flat clarinet, William Parker on bass, guembri, shakuhachi, and shehnai – and Hamid Drake on drums and percussion. LP, Vinyl record album
(CD and vinyl version have unique track listings – we recommend buying both!)
Also available Song Sentimentale ... CD 16.99

Possible matches14
CD, LP, Vinyl record album cover art
✨✧ Peter Brotzmann/Fred Van Hove/Han BenninkBrotzmann/Van Hove/Bennink – 1971 (LP sleeve edition) ... CD
JG/Corbett vs. Dempsey, 1971. New Copy Gatefold ... Out Of Stock
Very rare, very obscure material from this important free jazz trio of the German scene in the 70s – a set that features one long performance originally issued on the JG label, despite the FMP-like image on the cover – plus two more tracks from the same year that appear here for the first time ever! "Just For Altena" offers up the power trio at their best – very freewheeling piano from Fred Van Hove, drums from Han Bennink, and tenor from Peter Brotzmann – with intensity that may well surpass the Machine Gun years, and an understanding of each players strengths that means that there's almost no tentative moments at all in the improvisation! "Filet Americain" and "ICP No 17" are from earlier in 1971 – and showcase a different, more sonic side of the trio – some tones that are at the farther end of hearing, which ruminate then blossom into bolder statements, but still often with a very abstracted approach to each instrument. Great stuff – and every bit as essential as any of the better-known Brotzman recordings of the time! CD
(Beautiful package – with a heavy Japanese-style paper sleeve!)

Possible matches15
CD, LP, Vinyl record album cover art
✨✧ VariousBorn Free – The 12th German Jazz Festival 1970 (9CD set) ... CD
Be! (Germany), 1970. New Copy ... Out Of Stock
A huge document of this incredible year in jazz in Germany – a time when free styles were breaking out all over, alongside some of the groovier styles of the MPS scene as well! This beautiful box documents the 12th German Jazz Festival in three different concerts – amazing music that really shows the transformation that was taking place at the time – and which is still revolutionary all these many years later – making for a listening experience that makes us feel like we're hearing music from the future, and not over 40 years in the past! The range of performers here is amazing – and CD 1 features a long performance The German Festival Big Band – with reeds from Emil Mangelsdorff, Heinz Sauer, Joki Freund, and Gerd Dudek; trombones from Albert Mangelsdorff and Peter Herbolzheimer, trumpets from Frederic Rabold and Manfred Schoof, guitar from Volker Kriegel, bass from Gunter Lenz, and drums from Kurt Bong and Rolf Hubner – plus four long tracks from the Dave Pike Set, with stellar vibes and guitar! CD2 features the Albert Mangelsdorff Quartet, with trombone from the leader, and alto and tenor from Heinz Sauer – plus a group led by Wolfgang Dauner on piano, clavichord, and ring modulator – with Ack Van Rooyen on trumpet, Joki Freund on tenor and soprano sax, Peter Herbolzheimer on trombone, and Gerd Dudek on flute and tenor. CD3 features Karin Krog singing on two long tracks penned by Dave Pike, who plays vibes in a group that also includes Albert Mangelsdorff on trombone – and the rest of the CD features Phil Woods European Rhythm Machine, with Gordon Beck on Fender Rhodes. CD4 features two long tracks by the Klaus Doldinger Quartet with Ingfried Hoffmann on organ; three more tracks from the Frederic Rabold Crew, with the leader on trumpet and alto horn; and one more track from the Jazzworkers Quintet. CD5 features the Frankfurter Trio Fur Improvisation, with Christian Mollers on clarinet, Wolf Burbat on flute, and Klaus Henning Usadel on bass – plus one long track by Just Music with Alfred Harth on tenor and clarinet, Johannes Kramer on guitar, Dieter Hermann on trombone, and Franz Volhard and Thomas Stowsand on cellos – as well as two tracks by the Modern Jazz Quintet Karlsruhe, which features Herbert Joos on flugelhorn and Wilfried Eichorn on reeds. CD6 features a long track by Free Jazz Group Wiesbaden – and another long track from Limbus 4 – a group that features a lot of flutes, percussion, and diverse instrumentation. CD7 features a reading of "F*ck Der Boere" by the Peter Brotzmann Group, which also includes Evan Parker and Willem Breuker on reeds, plus Malcolm Griffiths and Paul Rutherford on trombone – as well as Derek Bailey on guitar and Han Bennink on percussion. The CD also features a long track by the New Jazz Trio of trumpeter Manfred Schoof. CD8 features work by the Alexander Von Schlippenbach Trio, the Pierre Favre Group, and the quartet of Joachim & Rolf Kuhn. CD9 is maybe the most amazing – as it features a long track that merges German players with the Art Ensemble Of Chicago – billed as the European Free Jazz Orchestra Of The Art Ensemble Of Chicago – as well as work by Gunter Hampel with Jeanne Lee. An insanely wonderful package – filled with free, avant, and groovy jazz we've never heard before! CD
 
 
 



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