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Peter Brotzmann Trio Edit search Phrase match

 
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Exact matches: 1
Exact matches1
CD, LP, Vinyl record album cover art
✨✧ Peter Brotzmann TrioFor Adolphe Sax ... LP
FMP/Cien Fuegos (Austria), 1967. Used (reissue)... Temporarily Out Of Stock
A landmark album of free jazz – Peter Brotzmann's first record, and a hard-driving set of material that blows away most avant jazz work from the US at the time! The album takes the energy of the ESP generation, and turns it up more than a few notches – as Brotzmann blows his head off on tenor and baritone, accompanied by Sven Ake Johansson on drums and Peter Kowald on bass. The title is a reference to the inventor of the saxophone – an instrument that Brotzmann pushes way to its limits here – at a level that Adolphe never would have expected! Titles include "For Adolphe Sax", "Sanity", and "Morning Glory". LP, Vinyl record album
 
Possible matches: 13
Possible matches2
CD, LP, Vinyl record album cover art
Peter Brotzmann, Steve Noble, John EdwardsWorse The Better – Live at Cafe OTO, January 2010 ... CD
OTOroku (UK), 2010. New Copy ... $11.99
Muscular angularity from the trio of reeds titan Peter Brotzmann, John Edwards on double bass and Steve Noble on drums – not as all out ferocious as some of the more frenzied Brotzmann recordings, though still plenty invigorating! The title would be sly whatever the record sounded like, but it's actually amusingly dichotomous, as this is really, really strong stuff. Brotzmann's tone is clear and fluid, and the pacing grows more and more busily as the record progresses, never flying out off the rails. Edwards and Noble are inventive and adaptable, so it's not terribly surprising that the trio works so brilliantly together despite this being billed as their first time working as unit, but it's exciting all the same! The set was recorded live at London's Cafe OTO in January '10. Side A: 22:40, Side B: 16:10. CD

Possible matches3
CD, LP, Vinyl record album cover art
Peter Brotzmann/Fred Van Hove/Han BenninkBrotzmann/Van Hove/Bennink – 1971 (LP sleeve edition) ... CD
JG/Corbett vs. Dempsey, 1971. New Copy Gatefold ... $12.99
Very rare, very obscure material from this important free jazz trio of the German scene in the 70s – a set that features one long performance originally issued on the JG label, despite the FMP-like image on the cover – plus two more tracks from the same year that appear here for the first time ever! "Just For Altena" offers up the power trio at their best – very freewheeling piano from Fred Van Hove, drums from Han Bennink, and tenor from Peter Brotzmann – with intensity that may well surpass the Machine Gun years, and an understanding of each players strengths that means that there's almost no tentative moments at all in the improvisation! "Filet Americain" and "ICP No 17" are from earlier in 1971 – and showcase a different, more sonic side of the trio – some tones that are at the farther end of hearing, which ruminate then blossom into bolder statements, but still often with a very abstracted approach to each instrument. Great stuff – and every bit as essential as any of the better-known Brotzman recordings of the time! CD
(Beautiful package – with a heavy Japanese-style paper sleeve!)

Possible matches4
CD, LP, Vinyl record album cover art
Peter Brotzmann/Fred Van Hove/Han Bennink/Albert MCouscouss De La Mauresque ... LP
FMP/Cien Fuegos (Austria), 1971. New Copy (reissue)... $29.99
A fantastic moment in the free jazz years of the German scene of the 70s – one of three albums that document a very special performance in which the young bold young Brotzmann trio come together with trombonist Albert Mangelsdorff – already an important player with years of recording under his belt, but really set loose here with a new sort of energy for the FMP generation! The powerful spirit of the trio is amazing – right up there with their other FMP albums of the time – as Peter Brotzmann blows the hell out of a tenor sax, next to mindblowing piano from Fred Van Hove, and post-musical work from Han Bennink on drums and a range of other odd instruments too – that weird array of many things that can always be easily handled by Bennink's very long reach! Mangelsdorff almost feels like he's momentarily stunned by the others, but quickly leaps into the fray – and the three-album span of this performance from the Free Music Market in 1971 is really amazing. This album features two long tracks – "Couscouss De La Mauresque" and "Wenn Mein Schatzlein Auf Die Pauke Haut". LP, Vinyl record album

Possible matches5
CD, LP, Vinyl record album cover art
Peter Brotzmann/Fred Van Hove/Han Bennink/Albert MElements ... LP
FMP/Cien Fuegos (Austria), 1971. New Copy (reissue)... $29.99
A fantastic moment in the free jazz years of the German scene of the 70s – one of three albums that document a very special performance in which the young bold young Brotzmann trio come together with trombonist Albert Mangelsdorff – already an important player with years of recording under his belt, but really set loose here with a new sort of energy for the FMP generation! The powerful spirit of the trio is amazing – right up there with their other FMP albums of the time – as Peter Brotzmann blows the hell out of a tenor sax, next to mindblowing piano from Fred Van Hove, and post-musical work from Han Bennink on drums and a range of other odd instruments too – that weird array of many things that can always be easily handled by Bennink's very long reach! Mangelsdorff almost feels like he's momentarily stunned by the others, but quickly leaps into the fray – and the three-album span of this performance from the Free Music Market in 1971 is really amazing. This album features two long tracks – "Florence Nightingale" and "Elements". LP, Vinyl record album

Possible matches6
CD, LP, Vinyl record album cover art
Peter Brotzmann/Fred Van Hove/Han Bennink/Albert MEnd ... LP
FMP/Cien Fuegos (Austria), 1971. New Copy (reissue)... $29.99
A fantastic moment in the free jazz years of the German scene of the 70s – one of three albums that document a very special performance in which the young bold young Brotzmann trio come together with trombonist Albert Mangelsdorff – already an important player with years of recording under his belt, but really set loose here with a new sort of energy for the FMP generation! The powerful spirit of the trio is amazing – right up there with their other FMP albums of the time – as Peter Brotzmann blows the hell out of a tenor sax, next to mindblowing piano from Fred Van Hove, and post-musical work from Han Bennink on drums and a range of other odd instruments too – that weird array of many things that can always be easily handled by Bennink's very long reach! Mangelsdorff almost feels like he's momentarily stunned by the others, but quickly leaps into the fray – and the three-album span of this performance from the Free Music Market in 1971 is really amazing. This album features the tracks "Antwarrepoe", "Alberts", and "The End". LP, Vinyl record album

Possible matches7
CD, LP, Vinyl record album cover art
Peter Brotzmann/Han Bennink/Fred Van HoveTschus (180 gram pressing) ... LP
FMP/Cien Fuegos (Austria), 1975. Near Mint- (reissue)... $19.99
A classic performance from the powerhouse trio of Peter Brotzmann on reeds, Fred Van Hove on piano, and Han Bennink on percussion – and exactly the kind of record that shows the European scene moving into bold new territory during the FMP generation! There's still plenty of the full-on energy of the late 60s here, but at times, the record gets a bit more introspective, too – showing a sensitive ear for really fresh sounds – the three musicians pushing familiar instruments to their limits, and forcing them to come up with unusual tones that are simply mindblowing. Some tunes are short, but in a way that's really focused, too – and titles include "Claptrap", "Petit Blues Fourre", "RW Sch", "2 B-Klarinetten", "Bierhaus Wendel", "Tofftoff", and "Zigan Zigan". LP, Vinyl record album

Possible matches8
CD, LP, Vinyl record album cover art
Peter Brotzmann/Harry Miller/Louis MoholoOpened But Hardly Touched ... LP
FMP (Germany), 1980. Near Mint- 2LP Gatefold ... $68.99
One of the first great sessions from FMP Records in the 80s – and an album that really shows the creative growth at the label since its start! The music is played by a very hip trio – with Peter Brotzmann on e flat clarinet, tarogato, tenor, alto, and baritone – plus Harry Miller on bass and Louis Moholo on drums – both players from the British scene who really seem to help Brotzmann find this new sort of space in his music – an ear for more subtle sound textures and tones that's spun out beautifully over the course of the double-length record. We might well say that this record is as important to the later generation of FMP as Machine Gun was to the first – and regardless, it's still an essential treasure for any fan of Brotzmann, or free jazz in general. Titles include "Open But Hardly Touched", "Double Meaning", "Special Request For Malibu", and "Eine Kleine Nachmarie". LP, Vinyl record album

Possible matches9
CD, LP, Vinyl record album cover art
VariousBorn Free – The 12th German Jazz Festival 1970 (9CD set) ... CD
Be! (Germany), 1970. New Copy ... $129.99 199.99
A huge document of this incredible year in jazz in Germany – a time when free styles were breaking out all over, alongside some of the groovier styles of the MPS scene as well! This beautiful box documents the 12th German Jazz Festival in three different concerts – amazing music that really shows the transformation that was taking place at the time – and which is still revolutionary all these many years later – making for a listening experience that makes us feel like we're hearing music from the future, and not over 40 years in the past! The range of performers here is amazing – and CD 1 features a long performance The German Festival Big Band – with reeds from Emil Mangelsdorff, Heinz Sauer, Joki Freund, and Gerd Dudek; trombones from Albert Mangelsdorff and Peter Herbolzheimer, trumpets from Frederic Rabold and Manfred Schoof, guitar from Volker Kriegel, bass from Gunter Lenz, and drums from Kurt Bong and Rolf Hubner – plus four long tracks from the Dave Pike Set, with stellar vibes and guitar! CD2 features the Albert Mangelsdorff Quartet, with trombone from the leader, and alto and tenor from Heinz Sauer – plus a group led by Wolfgang Dauner on piano, clavichord, and ring modulator – with Ack Van Rooyen on trumpet, Joki Freund on tenor and soprano sax, Peter Herbolzheimer on trombone, and Gerd Dudek on flute and tenor. CD3 features Karin Krog singing on two long tracks penned by Dave Pike, who plays vibes in a group that also includes Albert Mangelsdorff on trombone – and the rest of the CD features Phil Woods European Rhythm Machine, with Gordon Beck on Fender Rhodes. CD4 features two long tracks by the Klaus Doldinger Quartet with Ingfried Hoffmann on organ; three more tracks from the Frederic Rabold Crew, with the leader on trumpet and alto horn; and one more track from the Jazzworkers Quintet. CD5 features the Frankfurter Trio Fur Improvisation, with Christian Mollers on clarinet, Wolf Burbat on flute, and Klaus Henning Usadel on bass – plus one long track by Just Music with Alfred Harth on tenor and clarinet, Johannes Kramer on guitar, Dieter Hermann on trombone, and Franz Volhard and Thomas Stowsand on cellos – as well as two tracks by the Modern Jazz Quintet Karlsruhe, which features Herbert Joos on flugelhorn and Wilfried Eichorn on reeds. CD6 features a long track by Free Jazz Group Wiesbaden – and another long track from Limbus 4 – a group that features a lot of flutes, percussion, and diverse instrumentation. CD7 features a reading of "F*ck Der Boere" by the Peter Brotzmann Group, which also includes Evan Parker and Willem Breuker on reeds, plus Malcolm Griffiths and Paul Rutherford on trombone – as well as Derek Bailey on guitar and Han Bennink on percussion. The CD also features a long track by the New Jazz Trio of trumpeter Manfred Schoof. CD8 features work by the Alexander Von Schlippenbach Trio, the Pierre Favre Group, and the quartet of Joachim & Rolf Kuhn. CD9 is maybe the most amazing – as it features a long track that merges German players with the Art Ensemble Of Chicago – billed as the European Free Jazz Orchestra Of The Art Ensemble Of Chicago – as well as work by Gunter Hampel with Jeanne Lee. An insanely wonderful package – filled with free, avant, and groovy jazz we've never heard before! CD

Possible matches10
CD, LP, Vinyl record album cover art
VariousFree At The German Jazz Festival 1966 ... CD
Be! (Germany), 1966. New Copy 2CD ... $24.99
The title certainly gets it right – as the set's an amazing early document of free jazz on the German scene – featuring stunning performances from a number of key artists who went on to even greater fame in years to come! The depth of this material is wonderful – really unbridled, open performances that may well even beat some of the later work by some of the musicians involved – brought together here with a new sense of freedom, and all the amazing possibilities of jazz. The performances include "Voices", "Roots & Collage", and "Rhythm Change" by a quintet led by trumpeter Manfred Schoff, with Gerd Dudek on tenor, Alexander Von Schlippenbach on piano, Buschi Niebergall on bass, and Jaki Liebezeit (of later Can fame) on drums – a truly amazing group! Next is a very long improvisation – "Tape 1" – by pianist Wolfgang Dauner, in a trio with Eberhard Weber on bass. Vibist Gunter Hampel is next – also playing bass clarinet and flute during the six minute "Renonciation", which also features Nat Lee Elstake on trumpet and Pierre Courbois on drums. A trio featuring Peter Brotzmann on baritone and alto, Peter Kowald on bass, and Pierre Courbois on drums blows hard and heavy on "Intensity" and "Variability". Saxophonist Joe Viera works with a quartet that features Robbie Krieger on piano and a young Manfred Eichler on bass – on "Salute To Roland Kirk", "River Thames", and "Ambigious Discussion". And bassist Dick Van Der Capellen works with flute player Chris Hinze and drummer Cees See – on "Peace". CD

Possible matches11
CD, LP, Vinyl record album cover art
VariousNew Jazz Festival – Balver Hohle 1974 & 1975 (11CD box set) ... CD
Be! (Germany), Mid 70s. New Copy 11CD ... $129.99 199.99
Incredible jazz from the German scene of the 70s – two years' of recordings from this important festival – one that presents all the "new jazz" promised in its name, but in a range that moves effortlessly between free jazz, modal moments, funky fusion, and even some groovy big band work too! Performers are a range from all over the European scene – and are represented here in a significant selection of material from each act – very well-recorded, and presented in this beautiful box set, along with a booklet of notes and photos as well. The scope of sounds is fantastic – and long performances include an set of improvisations from the trio of Peter Brotzmann, Fred Van Hove, and Han Bennink; two long electric tracks from Jasper Van't Hof's Pork Pie group, with Charlie Mariano on a range of reeds and Philip Catherine on guitar; four long improvisations from the SOS group of John Surman, Mike Osborne, and Alan Skidmore – plying in a great mix of reeds and electronics; there's also two long improvisations between pianist Misha Mengelberg and drummer Han Bennink; Gary Burton's quintet with Pat Metheny and Mick Goodrick on guitars perform three improvisations for over 75 minutes of music; the Gustav Brom Big Band step out on some very groovy tracks; saxophonist Eero Koivistonen blows with his quartet that includes Olli Avhenlahti on electric piano; reedman Jiri Stivin and guitarist Rudolph Dasek play a number of improvisations; bassist Barre Phillips and flautist Kryzstof Zgraja perform two long improvisations; the Polish Jazz Summit features Tomasz Stanko on trumpet, Zbigniew Namyslowski on alto, Zbigniew Siefert on violin, and Adam Makowicz on Fender Rhodes; and trumpeter Franz Kogelmann and soprano saxophonist Steve Lacy head a quintet with a bit of electronics! There's a few more surprises, too – and the whole thing is a fantastic presentation of these lost sounds. CD

Possible matches12
CD, LP, Vinyl record album cover art
✨✧ Company (Derek Bailey, Evan Parker, & Others)Trios By Company ... LP
Incus (UK), 1983. Used ... Temporarily Out Of Stock
An unusual album in the Company series of UK improv performances – one that features a series of different trio performances from a great range of musicians that include Joelle Leandre on bass, JD Parran on basset horn, Hugh Davies on electronics, Peter Brotzmann on tenor and baritone, Ernst Reyseger on cello and electric cello, Evan Parker on tenor and soprano, John Corbett on trumpet, and Derek Bailey on guitars! LP, Vinyl record album
(One bottom corner is slightly crinkled – but overall, this copy is in great shape.)

Possible matches13
CD, LP, Vinyl record album cover art
✨✧ FME (Ken Vandermark)Underground ... CD
Okka Disk, 2004. Used ... Temporarily Out Of Stock
A bold statement from the Free Music Ensemble – a power trio featuring Ken Vandermark on reeds, Nate McBride on bass, and Paal Nilssen-Love on drums! The group work in a full-on mode that recalls the early power of the FMP scene, or some of the most striking work on ESP from the 60s – but given Vandermark's influence, they've also got a more open sensibility – clear in the shift from passage to passage of the album's numbered tracks, dedicated to influential heroes that include Peter Brotzmann, Paul Lytton, Joe Morris, and Joe McPhee. CD
(Out of print.)

Possible matches14
CD, LP, Vinyl record album cover art
✨✧ VariousInternational Holy Hill Jazz Meeting ... CD
Be! (Germany), 1969. New Copy ... Temporarily Out Of Stock
A legendary moment in European free jazz – performances all recorded on a single Sunday in 1969 – but which stand as some of the most powerful music of the time! The vibe here is often in the best spirit of early FMP, or maybe the most outside work of MPS – and the recording quality equals the best avant jazz on both labels – with very long performances on each track that represent the pinnacle of all players involved! One side alone is worth the price of admission – a searing track titled "Finally", performed by an octet with Peter Brotzmann at the helm, alongside Evan Parker on tenor and soprano sax, Fred Van Hove on piano, Paul Rutherford on trombone, Peter Kowald on bass, and Pierre Favre on drums. Favre returns on "Let's Talk About The Weather" – played by a trio with Kowad on bass and Irene Schweizer on piano. Other tracks include "Five To Five" and "Gluga Gluga Blues" by the Joki Freund Quintet, "In Memory Of John Coltrane" by Marion Brown, "Vibration" by the group of saxophonist Joe Fiera and trombonist Ed Kroger, and "Circus Live" by a quartet led by Rolf Kuhn on electric clarinet, with Joachim Kuhn on piano and Stu Martin on drums. CD
 
 
 



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