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Exact matches: 6
Exact matches1
CD, LP, Vinyl record album cover art
Paul HornDedication Series Vol XVI – Plenty Of Horn ... LP
ABC/Impulse, Late 50s/1978. Very Good 2LP Gatefold ... $1.99
... LP, Vinyl record album
(Cover has some wear.)

Exact matches2
CD, LP, Vinyl record album cover art
Paul HornImprompture – Live At Midem ... CD
TKO, 1980. Used ... $3.99
... CD
(Out of print.)

Exact matches3
CD, LP, Vinyl record album cover art
Paul HornInside The Taj Mahal (aka Inside) ... LP
Kuckuck (Germany), 1968. Very Good ... $9.99
One of the most starkly beautiful recordings in Paul Horn's career – with spiritually resonant, almost spine tingling solo flute and some chants, all recorded in the Taj Majal one day in April of 1968! It's really all about the atmosphere, as it would have to be given the location – with Horn playing of the amazing echo in a completely wonderful way, never feeling anything less than wholly authentic and genuinely inspired! Titles include "Vibrations", "Akasha", "Jumna", "Shah Jahan", "Mantra II/Duality", and "Unity". LP, Vinyl record album
(Cover has some wear.)

Exact matches4
CD, LP, Vinyl record album cover art
Paul HornPaul Horn & Nexus ... LP
CBS, 1975. Very Good ... $0.99
Some of the best Paul Horn recordings of the 70s – tracks that were recorded amidst the Brazilian fusion explosion of the 70s, and which really push Horn's sound to the limit! The album features work that Horn cut with the funky fusion group Nexus – very electrified tracks driven on by some heavy percussion work that clearly comes out of the Brazilian tradition spread to the US by Airto – jazzy, frenetic, and with a good mix of electric and organic elements! Titles include "Somba", "Crystals", "Freindship", "Nexus", "Mbira", "Capetown", and "African Funeral Song". LP, Vinyl record album
(Cover has wear & seam splitting.)

Exact matches5
CD, LP, Vinyl record album cover art
Paul HornPaul Horn & The Concert Ensemble ... LP
Ovation, 1970. Very Good ... $2.99
Despite the fact that this LP looks like it's some sort of stupid "medieval jazz" concept album, it's actually a nice batch of groovy groovy instrumentals, with Horn's flute in the lead, and a good groove on electric bass and harpsichord. The basslines roll along nicely, and really punch up the flute playing in a way that's better than you'd expect. The album includes a nice version of "The Look Of Love", plus "Magnificat", "Stolen Moments", "Paramahnsa", and "Light My Fire", done in a very groovy way! LP, Vinyl record album
(Cover has a Quadraphonic Compatible sticker.)

Exact matches6
CD, LP, Vinyl record album cover art
✨✧ Paul HornPaul Horn In India (Paul Horn In India/Paul Horn In Kashmir) ... LP
Blue Note, Mid 60s. Used 2LP ... Out Of Stock
A 2LP 70s set on Blue Note – one that reissues 2 Paul Horn albums for World Pacific in the 60s! First up is Paul Horn In India – a record in which Horn opens up in a really cool way – definitely moving past his early modern jazz years, to become one of the first American jazzmen to explore the sounds of India! The album features Horn blowing flute on some great long tracks – stretching out with this sense of sound that's really amazing – almost more tonal texture than his previous jazz sense of melody – often moving slowly, with slight phase shifts that are really compelling – and working alongside spare instrumentation from Indian musicians on tabla, tamboura, and violin! The tracks are all ragas that spin off with a free but rhythmic sound – and titles include "Raga Vibhas", "Raga Tilang", "Alap", "Manj Khamaj", and "Raga Desh". Paul Horn In Kashmir is easily the trippiest of Paul Horn's 60s experiments – and even more far-reaching than his Paul Horn In India set! This one has a very similar feel to Paul's Indian session, but it's much more transcendental – with long tunes that spin out amidst sitar, tabla, and vocals – going for a meditative approach that's a great complement to Horn's work on the alto flute. The jazz component to the session is very subdued, but given the overall quality of the album, we're not ones to complain! Vocals are by Shri Chunilal Kaul, and titles include "Raga Ahir Bhairao", "Tabla Solo IN Teental", "Raga Kerwani", and "Alap In Raga Bhairav". LP, Vinyl record album
(Cover has a cut corner with a bit of pen.)
 
Possible matches: 33
Possible matches7
CD, LP, Vinyl record album cover art
Bennie GreenBennie Green Blows His Horn ... CD
Prestige/OJC, 1955. Used ... $9.99
Bennie Green blows his horn – and really blows us away in the process! Green emerges here as one of the most biting trombonists of the postwar years – a player who can handle his instrument with a deftness usually heard more on a trumpet – a sense of phrasing that's incredibly sharp and on the money, and which mixes here with some wicked lead lines from Charlie Rouse on tenor sax! Rouse has all his early gutbuckety tones firmly intact – and steps out here in a group that also features Cliff Smalls on piano, Paul Chambers on bass and Osie Johnson on drums. Candido plays conga on half the record – and titles include the classic "Groovin the Blues", plus "Body & Soul", "Say Jack", "Sometimes I'm Happy", "One Track", "Hi Yo Silver", and "Laura". CD
(Out of print.)

Possible matches8
CD, LP, Vinyl record album cover art
✨✧ Al HirtSoul In the Horn ... LP
RCA, 1967. Very Good- ... Just Sold Out!
One of Al Hirt's grooviest records – and a set that definitely lives up to the "soul" in the title! The album's always in demand for the excellent sample cut "Harlem Hendoo", but it certainly isn't a one tracker – thanks to composer Paul Griffin and arranger Teacho Wiltshire, as Hirt gets un-characteristically funky on tunes like "Honey Pot", "Mess Around", "Girl", and "Love Ya' Baby". LP, Vinyl record album
(Stereo pressing with deep groove. Cover has some wear & a splitting top seam.)

Possible matches9
CD, LP, Vinyl record album cover art
Paul JeffreyFamily ... CD
Mainstream/Ultra Vybe (Japan), 1972. New Copy ... $13.99
One of the bolder records from tenor saxophonist Paul Jeffrey – a player from the east coast scene who recorded most strongly for Mainstream records in the early 70s! The group on this album is relatively large – directed by Ernie Wilkins, but with modes that are a lot looser and more angular than some of Ernie's earlier charts – with very lively interplay between Jeffrey's tenor, and other horns that include a young Hamiet Bluiett on flute and baritone, Joe Gardner on trumpet, Stuart Butterfield on French horn, and JC Williams on bass clarinet. Bluiett is great here, and really gives the record a distinct vibe – and other surprises include George Cables on piano, TS Monk Jr on drums, and both Wilbur Ware and Stanley Clarke on bass. Titles include"FU", "Immigration", "Motor Drive", "Ina", "Kim", "Rodan", and "Bianca". CD

Possible matches10
CD, LP, Vinyl record album cover art
✨✧ Sonny Stitt & Paul GonsalvesSalt & Pepper EP ... 7-inch
Impulse, 1963. Very Good+ (pic cover)... $19.99
Head to head blowing from Sonny Sitt and Paul Gonsalves – just the kind of twin-horn performance that Stitt was famous for in his live battle days, and one that also reminds us that Gonsalves can be a very loose swinger when he wants to be! The tracks are all long, and played with the sort of feel you'd hear if you caught these guys live at some small southside club – and the solos also show the kind of inventiveness and imagination you'd catch in that sort of setting – backed by a swinging rhythm combo that features Hank Jones on piano, Milt Hinton on bass, and Osie Johnson on drums. Titles include "Salt & Pepper" in two parts, "Theme From Lord Of The Flies", and "S'posin". 7-inch, Vinyl record
(Sleeve has splitting on the spine and thick white tape holding the bottom seam.)

Possible matches11
CD, LP, Vinyl record album cover art
Elmer Bernstein/Chico HamiltonSweet Smell Of Success (with bonus track) ... CD
Decca/Verve, 1957. New Copy ... $10.99 11.99
A jazz soundtrack double-header – one that features both the small combo and larger band version of the soundtrack to The Sweet Smell Of Success! Part of the CD features the Chico Hamilton Quintet's album of music – a wonderful bit of cinematic jazz from the 50s. The combo was a key part of the LA scene at the time, but are oddly featured as a regular club act in the movie's New York setting – but we'll gladly forgive that geographic error, given that the music on the set is so great. The quality's a bit like some of the Hamilton Quintet work on World Pacific – but there's a slightly freer, more urgent feel here too – work that's sometimes somewhat driving, and beautifully blended from the guitar of John Pisano, clarinet of Paul Horn, cello of Fred Katz, piano of Carson Smith, and drums from Chico. Side one features a lot of short incidental cuts – like "Susan", "Cheek To Chico", "Jam", and "Night Beat" – and side 2 is an extended "Concerto Of Jazz Themes From The Soundtrack Of Sweet Smell Of Success". The second half of the CD features the full orchestral version of the Sweet Smell Of Success soundtrack – but done in a style that's almost as jazzy and swinging as the small combo one! Elmer Bernstein's at the helm here – and the music's a wonderful pastiche of modes that's right up there with his sublime score for The Man With The Golden Arm – done in a similar blend of driving jazz, somber moments, and some slightly more raucous touches! As with that album, the players are all great – and soloists on the album include Pete Candoli, Ted Nash, and Shelly Manne – west coast players despite the New York setting of the film, and playing here with a fair bit of grit in their groove. Titles include "The Street", "Hot Dogs & Juice", "Toots Shor's Blues", "Nite Spot Rock", "Love Scene", and "Out Of Darkness". CD

Possible matches12
CD, LP, Vinyl record album cover art
Ray BrownJazz Cello ... LP
Verve, 1960. Near Mint- ... $19.99
The great bassist Ray Brown proves that any instrument can swing – here picking up a cello, and grooving wonderfully in a very warm setting! The album features arrangements by Russ Garcia – slightly modern, and with lots of space, so that Ray can play both bass and cello with room to stretch out in complicated solos that might have gotten buried under larger backings. Other players include Don Fagerquist, Paul Horn, Bob Cooper, and Jimmy Rowles – and titles include "Rosalie", "Alice Blue Gown", "Tangerine", "That Old Feeling", and "Memories Of You". LP, Vinyl record album
(MGM pressing.)

Possible matches13
CD, LP, Vinyl record album cover art
Miles DavisCookin' With The Miles Davis Quintet ... CD
Prestige/OJC, 1957. Used ... $2.99
A seminal session from the team of Miles Davis & John Coltrane – not nearly as "cookin" (at least in a blowing session way) as you might guess from the title, but instead a beautiful example of the lyrically modern explorations the pair created together! Rhythm is by the trio of Red Garland, Paul Chambers, and Philly Joe Jones – but the horn work of Davis and Coltrane are clearly the starring attraction on the set! Titles include "Tune Up", "Blues By Five", and "Airegin" – plus the pair's classic reading of "My Funny Valentine". CD
(Out of print.)

Possible matches14
CD, LP, Vinyl record album cover art
Miles Davis with John Coltrane & Sonny StittIn Stockholm 1960 Complete (4CD set) ... CD
Dragon (Sweden), 1960. New Copy 4CD ... $38.99 51.98
The complete recordings of a legendary live cycle of shows in Stockholm from 1960 – material that was previously issued on two different 2LP sets during the album era, now brought together here with bonus tracks too! The first third of the set features incredible work from the team of Miles Davis and John Coltrane – working together in space that's very open, and far more exploratory than their studio work of the late 50s – maybe at a level that really shows the impact that Coltrane's growth was having on the solo approach of Davis! The key rhythm trio keeps things swinging – Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – which almost seems to allow the horn players even more freedom. The second two thirds of the set are equally striking, but in a very different way – as they feature the great Sonny Stitt, blowing both alto and tenor with Miles' group – a choice that's maybe a bit surprising, but equally wonderful too – a Stitt brings the sound maybe back to a bop core, but also seems to really get a chance to show off some of those modern currents that he had to soft-pedal on his albums for Roost. Titles with Coltrane include "So What", "On Green Dolphin Street", "All Blues/Theme", "Walkin/Theme", and "Fran Dance" – and titles with Stitt include "Autumn Leaves/Theme", "Walkin", "All Of You", "June Night", "Stardust", "Lover Man", "If I Were A Bell", "No Blues/Theme", "Softly As In A Mornin Sunrise", and "So What". CD

Possible matches15
CD, LP, Vinyl record album cover art
Curtis FullerCurtis Fuller Jazztet With Benny Golson ... CD
Savoy/Denon, 1959. Used ... $14.99
Stellar stuff – recorded a few years before Benny Golson started to explore his "jazztet" ideas with Art Farmer, but handled in a very similar mode. The sextet on the session's a crack one – with Charlie Persip, Paul Chambers, and Wynton Kelly on rhythm – and searing horn solos from Fuller, Golson, and a very young Lee Morgan. All tracks are long, and the set includes 2 Fuller originals – "Arabia" and "Judy's Dilemma" – plus "Wheatleigh Hall" and "It's All Right With Me". CD
(Out of print Denon pressing from 1991.)
Also available Curtis Fuller Jazztet With Benny Golson (Japanese paper sleeve edition) ... CD 14.99

Possible matches16
CD, LP, Vinyl record album cover art
Curtis FullerCurtis Fuller Jazztet With Benny Golson (Japanese paper sleeve edition) ... CD
Savoy/Denon (Japan), 1959. Used ... $14.99
Stellar stuff – recorded a few years before Benny Golson started to explore his "jazztet" ideas with Art Farmer, but handled in a very similar mode. The sextet on the session's a crack one – with Charlie Persip, Paul Chambers, and Wynton Kelly on rhythm – and searing horn solos from Fuller, Golson, and a very young Lee Morgan. All tracks are long, and the set includes 2 Fuller originals – "Arabia" and "Judy's Dilemma" – plus "Wheatleigh Hall" and "It's All Right With Me". CD
(Out of print 90s paper sleeve pressing.)
Also available Curtis Fuller Jazztet With Benny Golson ... CD 14.99

Possible matches17
CD, LP, Vinyl record album cover art
Charlie HadenLiberation Music Orchestra ... CD
Impulse, 1969. Used ... $7.99
One of the most beautiful albums that Charlie Haden ever recorded – and if he only ever appeared on one record in his life, we'd still love him tremendously for this one! The album has a feel that's very much in keeping with both the "liberation" and "orchestra" in the title – "liberation", in that the music is filled with inspiration from South American sources, and has a strongly political feel at times; and "orchestra" because the group here is somewhat large, and filled with a tremendous array of expressive players – including Gato Barbieri on tenor, Dewey Redman on alto and tenor, Don Cherry on cornet and flutes, Michael Mantler on trumpet, Roswell Rudd on trombone, Robert Northern on French horn, Paul Motian and Andrew Cyrille on percussion, Carla Bley on piano, and Perry Robinson on clarinet. Haden leads these disparate talents through a set of tremendously focused music – filled with as many ideas as it is with a sense of humanity and soul – all to brilliantly point the way forward for the new sound of Impulse Records in the years after Coltrane's death! Titles include the classic "Song For Che", plus Ornette's "War Orphans", Carla Bley's "The Interlude", and "Song Of The United Front", by Hans Eisler, and with words by Brecht! CD
(Out of print early edition, punch through booklet.)

Possible matches18
CD, LP, Vinyl record album cover art
JJ JohnsonFirst Place (with bonus tracks) ... CD
American Jazz Classics (Spain), 1957. Used ... $9.99
JJ Johnson's always a cooker, but during the late 50s he cut some incredible records for the Columbia label – tight bop sessions that still stand as some of his best work! This album's one of them – a real smoker of a set that features Johnson's trombone as the only lead horn in a cool quartet that also includes Tommy Flanagan on piano, Paul Chambers on bass, and Max Roach on drums – a crackling rhythm trio who make the record move a lot more than most other jazz sessions on Columbia at the time! Johnson's sense of tone and phrasing is wonderful – unadorned by any other horns, but a very powerful solo vehicle, especially in the company of the other players – and titles include "Harvey's House", "That Tired Old Routine Called Love", "Nickels & Dimes", "Be My Love", "Paul's Pal", and "Commutation". CD

Possible matches19
CD, LP, Vinyl record album cover art
Henry ManciniMore Music From Peter Gunn ... LP
RCA, 1962. Very Good ... Just Sold Out!
Henry Mancini's second album of stuff for the Peter Gunn TV show, and arguably better than the first one! The album's straight-ahead crime jazz – performed by a great set of players that includes Plas Johnson, Shelly Manne, Ted Nash, Paul Horn, and other west coasters. Tracks include "My Manne Shelly", "Timothy", "Goofin At The Coffee House", "Odd Ball", "Walkin' Bass", and "Spook!". LP, Vinyl record album
(Mono pressing with deep groove.)

Possible matches20
CD, LP, Vinyl record album cover art
Letta MbuluLetta (1978) ... LP
A&M, 1978. Near Mint- ... $7.99
Quite different than most of Letta's other albums – with a smooth approach that's got a strong modern soul feel, one that works surprisingly well with Letta's vocals. Paul Riser handled the string and horn arrangements, and although the album's not as "authentic" as some of Letta's other albums, the overall style is still quite compelling – and whatever the record lacks in African funk, it more than makes up for in smooth jazzy LA soul. Titles include "Mamani", "Haraje", "I Need You", and "Buza". LP, Vinyl record album
(White label promo, including the printed inner sleeve. Cover has a cutout hole and promo sticker.)

Possible matches21
CD, LP, Vinyl record album cover art
MC LyteLyte As A Rock ... LP
First Priority/Atlantic, 1988. Very Good+ ... $24.99
Lyte raised the bar for female rappers on this late 80s album with her mic skills and lyrical finesse that took female MC's into a whole new realm, beyond "Roxanne" answer tracks. She takes on Roxanne Shante on "10% Dis", a classic battle track that sparked a great answer cycle in its own right. And the production, mostly by Audio Two is pure minimalist hip hop beatmaking, while the King Of Chill comes correct with the dopest side stick in the history of programmed beats on "Paper Thin", and Prince Paul goes nuts with the horn stabs on one of his earlier beats, "MC Lyte Likes Swingin'". 10 tracks in all, this LP also includes "I Cram To Understand You", "Kickin 4 Brooklyn", "Lyte As A Rock", "Lyte Thee MC", "I Am Woman", "Lyte Vs. Vanna Whyte" and "I Am Woman". LP, Vinyl record album
(Cover has a cutout notch & a name in marker. Labels have a name in marker.)

Possible matches22
CD, LP, Vinyl record album cover art
Jackie McLeanMcLean's Scene ... CD
New Jazz/OJC, Late 50s. Used ... $9.99
McLean's Scene is a strong one – as the young Jackie is really coming into his own at the time of the session, blowing and growing with a soulful command of the alto sax that would emerge even more strongly in the 60s. The album's got McLean working in a slightly open-ended way – almost a blowing session, but a bit more controlled – yet in that relaxed style that always seemed to get the most sharpness out of Jackie's horn at the time. Other players include Bill Hardman on trumpet, Mal Waldron or Red Garland on piano, Paul Chambers or Arthur Phipps on bass, and Art Taylor on drums. Titles include "Gone With the Wind", "Our Love Is Here to Stay", "Old Folks", "Outburst", "Mean To Me", and "McLean's Scene". CD
(Out of print.)

Possible matches23
CD, LP, Vinyl record album cover art
Quartetto ModernoEcco! ... LP
Schema (Italy), 1999. New Copy 2LP ... $24.99
One of the most beautiful jazz recordings we've heard in a long time! Italy's Quartetto Moderno is a vibes-led combo with a classic modal feel – similar to Bobby Hutcherson's pre-new thing years on Blue Note, or some of the early Roy Ayers & Jack Wilson recordings from LA. The sound is extremely captivating, and the main frontline of vibes and piano is augmented on a number of tracks by flute and alto. The set's got a great cover of Paul Horn's lost modal groover "Mr. Bond", plus loads of great originals, like "Giovani D'Oggi", "Il Gioco Delle Parti", "Astro Gange", and "Moderns Dilemma". Very nice stuff, and with a sound and feel that's far more sophisticated than some of the other titles on Schema! LP, Vinyl record album

Possible matches24
CD, LP, Vinyl record album cover art
Shorty RogersJazz Waltz (180 gram pressing) ... LP
Reprise/Pure Pleasure (UK), 1961. New Copy (reissue)... $38.99
Don't think "waltz music", think "modal jazz" – because the version of jazz waltz that Shorty Rogers serves up here is a great precursor to the great grooves to come on the European scene – especially the work from the artists at MPS Records! Tunes all have this great rhythmic pulse – a way of leaping into a groove that has the piano and bass dancing together wonderfully – often with some cool vibes from Emil Richards, and loads of great reed lines from Bud Shank and Paul Horn! Some tracks feature a small combo, some feature a larger group – and the whole thing is wonderful – with energy that almost rivals the Clarke Boland Big Band with Gigi Campi. Titles include "Be As Children", "Walk On The Wild Side", "Jazz Waltz", "Terrence's Farewell", and "A Taste Of Honey". LP, Vinyl record album
(Limited edition!)

Possible matches25
CD, LP, Vinyl record album cover art
Tony ScottModern Art Of Jazz ... LP
Seeco, Late 50s. Near Mint- ... $14.99
One of Tony Scott's best straight jazz sessions of the 50s – a wonderfully done small combo set that shows Scott beginning to move from straight bop into more modern modes! The album features Tony on baritone sax and clarinet – blowing with a well-chosen group of fresh modern talents that include Sahib Shihab, Bill Evans, Henry Grimes, and Paul Motian. Clark Terry also plays a bit of trumpet, but it's the Evans/Motian combination that seems to work the most magic – opening up the rhythms a lot, and really pulling some spacious sounds out of Scott's horn. Titles include "Five", "She's Different", "Blues For 3 Horns", "Lullaby Of The Leaves", and "Tenderly". LP, Vinyl record album
(Spanish Fresh Sounds reissue.)

Possible matches26
CD, LP, Vinyl record album cover art
Stanley TurrentineZT's Blues ... CD
Blue Note (Japan), 1961. New Copy ... $9.99
A great lost session by Stan The Man – recorded in the early 60s when he was doing some of his best work, but not issued by Blue Note until the mid 80s! The album stands right up there with other Blue Note gems of the time – especially albums like Comin Your Way and Jubilee Shout, both of which also had to wait many years to be discovered – and Turrentine's got all the bold, raspy tones we love in his youthful horn – a sense of phrasing and energy that's quite different than his later years. The group on the record helps keep the vibe a lot – with some excellent guitar from Grant Green, always a great one on a date like this – plus Tommy Flanagan on piano, Paul Chambers on bass, and Art Taylor on drums. The interplay between Green and Turrentine is wonderful – even before they start soloing – and titles include "ZT's Blues", "Be My Love", "The Lamp Is Low", and "The Way You Look Tonight". CD
(SHM-CD pressing!)

Possible matches27
CD, LP, Vinyl record album cover art
VariousMovements Vol 2 – 15 Deep Funk Pearls Compiled By Tobias Kirmayer ... CD
Perfect Toy (Germany), Late 60s/Early 70s. New Copy ... $1.99
A second turn in the Movements series on the Perfect Toy label – some of the most blazingly funky 45s you'll hear – put together by the Tobias Kirmayer of Tramp Records! Once again we're floored by how great all of this stuff sounds – some of the deepest, tightest funk material we've ever heard – with snapping drums, perfectly timed horn blasts – and some hard psychedelic soul touches of organ and wailing vocals – while never falling short of unfailingly funky! 15 great tracks: "If It Feels Good" by Phil Flowers, "There's A Wrinkle In Our Time" by 1984, "Don't Chain My Soul" by Carlton Basco, "My Mind Set Me Free Pt 1" by House Guests, "Now Is The Time" by Sisters Love, "Southern Fried Chicken Pts 1 & 2" by Bill Thomas & The Fendells, "Warm Daddy's Choice" by River Front Band, "Bring Out Yourself" by Emperors Soul 69, "Bahama Soul Stew" by Funky Nassau, "Motherless Child" by Harmonica Paul, "Arabian Funk" by Ray Anthony and more! CD

Possible matches28
CD, LP, Vinyl record album cover art
✨✧ Duke EllingtonDuke Ellington Presents ... CD
Bethlehem, 1956. Used ... Temporarily Out Of Stock
An excellent and oft-overlooked 50s session from Duke – recorded in Chicago as a one-off for the Bethlehem label, and done with a lush, rich sound that's really tremendous! The group's nicely restrained and very moody – playing here in a mellow late nite mode that offers a good focus on the best horn soloists in the group, yet which also really hangs together perfectly from the slow-moving and eerie tone of the rest of the group. Jimmy Grissom sings a bit on the set, and other players include Johnny Hodges, Paul Gonsalves, Cat Anderson, and Ray Nance – on tracks that include "Day Dream", "Blues", "Frustration", "My Funny Valentine", and "Laura". CD
(Out of print.)

Possible matches29
CD, LP, Vinyl record album cover art
✨✧ Duke EllingtonSymphonic Ellington ... LP
Reprise, 1963. Used ... Temporarily Out Of Stock
An incredible record – and key proof that Ellington was growing even more in the 60s than he had a decade before! Duke's working here with a core orchestra of his own, plus a huge amount of added players from orchestras in Paris, Hamburg, Stockholm, and Milan – all working together in a sound that's symphonic, but still pretty darn jazzy – and which comes off with a lightness that you'd hardly ever expect. There's a depth to the record that's undeniable – especially on the horn solos by Johnny Hodges, Paul Gonsalves, and Jimmy Hamilton – which snake through the larger orchestrations with a sinister edge that really blows us away. The whole thing's a tremendous thrill – the kind of record that's filled with delights that we never expected, and which appeals to us on so many different levels. Titles include the 3-part suite "Night Creature", plus "Non-Violent Integration", "Harlem", and "La Scala She Too Pretty To Be Blue". LP, Vinyl record album
(Tri-color label pressing. Cover has a split top seam.)

Possible matches30
CD, LP, Vinyl record album cover art
✨✧ Chico HamiltonChico Hamilton – Jazz Milestone Series ... LP
Pacific Jazz, 1950s. Used Gatefold ... Temporarily Out Of Stock
A 60s collection that brings together some of Chico's best early work for Pacific Jazz – including his groundbreaking Quintet, a group that completely redefined the sound of jazz on the west coast! The album's filled with playful tracks that feature Chico's unique rhythms next to instrumentation that includes guitar, flute, cello, and alto – with players that include Eric Dolphy, Jim Hall, Paul Horn, and Buddy Collette. Titles include "Soft Winds", "Satin Doll", "Caravan", "Taking A Chance On Love", "Sleep", "Take The A Train", and "Siete Quatro". LP, Vinyl record album

Possible matches31
CD, LP, Vinyl record album cover art
✨✧ David MurrayDavid Murray Big Band ... CD
DIW/Columbia, 1991. Used ... Temporarily Out Of Stock
Murray's fronting a big band led by Butch Morris – a group that sounds a lot better to our ears than most of Morris' own larger groups of the time, possibly because of the style of the recording. The tracks shift mood, tone, and approach with each number – working out references to some spiritual leaders, and forging new ground on a few of the more adventurous numbers. Murray's horn is in the lead mostly – but the interplay with the rest of the group is pretty incredible at times. Players include Fred Hopkins, Sonelius Smith, James Spaulding, John Purcell, Craig Harris, Vincent Chaney, and Don Byron – and titles include "Istanbul", "Lovejoy", "Calling Steve McCall", "Paul Gonsalves", and "Lester". CD
(Out of print.)

Possible matches32
CD, LP, Vinyl record album cover art
✨✧ Louis SmithSmithville (Japanese paper sleeve edition) ... CD
Blue Note (Japan), 1957. Used ... Temporarily Out Of Stock
A really hard-edged set from trumpeter Louis Smith – one of his only two albums as a leader from the early years, and a heck of a great little album, thanks to tenor work by Charlie Rouse! Rouse is blowing beautifully here in one of his classic pre-Monk appearances – recorded at a time when he was more of a hard bopper than a modernist, but still working with an ear for unusual tones and phrasing. His horn sounds beautiful next to the deeply soulful trumpet of Smith – and the pair are supported by a rhythm team that includes Sonny Clark on piano, Paul Chambers on bass, and Art Taylor on drums. Titles include "Smithville", "Embraceable You", "Wetu", and "Later" – all done in nice long versions! CD
(Out of print. Includes obi – and still sealed!)

Possible matches33
CD, LP, Vinyl record album cover art
✨✧ Kenny Burrell, Thad Jones & OthersAfter Hours ... CD
Prestige/OJC, 1957. Used ... Out Of Stock
After Hours jamming the way it should be – recorded in a very relaxed, open-ended setting! The album's a classic Prestige Records jam session from the late 50s – one that features Kenny Burrell on guitar, Thad Jones on trumpet, Frank Wess on tenor and flute, Mal Waldron on piano, Paul Chambers on bass, and Art Taylor on drums – all players who've got a great ear for material for this, and who really make the session their own when they get a chance! Though Burrell's name got top billing on subsequent issues of this album, and his playing is wonderful, Waldron's the great unsung hero of these sessions, as his playing's consistently remarkable, providing great accompaniment for the horn players. Four numbers: "Steamin", "Count One", "Empty Street", and "Blue Jelly". CD

Possible matches34
CD, LP, Vinyl record album cover art
✨✧ Don Burrows QuartetAt The Sydney Opera House ... CD
Mainstream/Ultra Vybe (Japan), 1974. New Copy ... Out Of Stock
A record that really shows off the strengths of the Australian jazz scene in the 70s – so much so, it was one of that nation's biggest jazz records of the decade, and also got a fair bit of global circulation too! The album's billed to reedman Don Burrows – who's a bit like his nation's Stan Getz at times, but also can handle flute and clarinet as well – with currents that seem to rival the best of Herbie Mann, Paul Horn, or Jimmy Giuffre, depending on the setting. But the album's also got some equally important work on guitar from George Golla – Don's key partner for many years, and a player who can work these open colors on his instrument that sometimes rival Wes Montgomery, but also get a bit funkier too – all modes that he gets to show off here on the album's range of long tracks. The quartet also features Ed Gason on bass and Laurie Thompson on drums – and titles include "Yesterdays", "Sweet Emma", "The Gentle Rain", "Velhos Tempos", and "Maybe Today". CD

Possible matches35
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✨✧ Bill Evans5 Original Albums (Explorations/Waltz For Debby/Moonbeams/Interplay/At Shelly's Manne Hole) (5CD set) ... CD
Riverside/Universal (Germany), Early 60s. New Copy 5CD ... Out Of Stock
A great package – 5 wonderful albums from Bill Evans, all in tiny LP-styled sleeves! Explorations features the Bill Evans trio with Scott LaFaro on bass and Paul Motian on drums – a near-perfect lineup that forever raise the bar for jazz piano expression! The title here is certainly apt – because even though many of the tunes are shortish, Evans has a sense of exploration in the way he's approaching the keys – one that still retains some of the lyrically rhythmic traces of his first few records – but which also glides forth into territory that was virtually untapped on record for the time. The revolution here is so subtle, it's easy to miss from the perspective of our generation – but give it a few listens, and the record will open up beautifully! Titles include "Israel", "Haunted Heart", "Elsa", "Nardis", and "I Wish I Knew". Waltz For Debby is an incredible album from Bill Evans – and maybe THE record you need in your collection if you're trying to understand his contribution to jazz! The album's one of Evan's first sides from the Village Vanguard – and features the legendary trio that included Scott LaFaro on bass and Paul Motian on drums – both players who could shake free from conventional rhythmic roles in a piano trio, yet who also support Evans' lyrically modal playing here beautifully! The tracks are a bit longer than Bill's studio sides from the time, allowing for even more magical interplay on the keys – and titles include "My Foolish Heart", "Waltz For Debby", "Detour Ahead", "My Romance", "Some Other Time", and "Milestones". Moonbeams is a very hip set from Bill Evans' second trio – the legendary lineup that featured Chuck Israels on bass and Paul Motian on drums! Both players bring Evans' sound to an even greater level of spaciousness – allowing for lyrical interplay that's completely amazing, and even furthers the promise of genius made by Bill on his first few albums – a bold step forward that really makes this album one of Evans' standout sets of the early 60s! Titles include an early reading of Evans' wonderful tune "Re: Person I Knew", plus "Very Early", "In Love In Vain", "Stairway To The Stars", "I Fall In Love Too Easily", "If You Could See Me Now", "It Might As Well Be Spring", and "Polka Dots & Moonbeams". Interplay is a rare quintet outing for Evans – one that breaks the mode of the usual trio format by adding in Freddie Hubbard on trumpet and Jim Hall on guitar – alongside rhythm players Percy Heath on bass and Philly Joe Jones on drums – already a unique enough match for Evans' talents! The pairing of Evans and Hall has been beautifully documented on other records – and sounds equally great here – but the real treat is Freddie Hubbard's horn, which often lays back on most of the tracks, then bursts in with a brashness that really ignites some of the tunes! Titles include "When You Wish Upon A Star", "You & The Night & The Music", "I'll Never Smile again", "You Go To My Head" and the Evans original, "Interplay". At Shelly's Manne Hole is a great west coast live date from Bill Evans – one that showed that his magic on the keys was equally at home in LA as it was in New York! The session's especially noteworthy for the presence of drummer Larry Bunker – a great player who worked on countless recordings, both jazz and non-jazz, but who hits a new level here with the Evans Trio – one that almost matches that of Paul Motian for his sensitivity and lyrical interplay with Evans' piano and the bass of Chuck Israels! Titles include "Blues In F", "Our Love Is Here To Stay", "The Boy Next Door", "Swedish Pastry", and "Round Midnight". CD

Possible matches36
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✨✧ Steve LacyFree For A Minute (Disposability/Sortie/unreleased material) ... CD
Emanem (UK), Late 60s/Early 70s. New Copy 2 CDs ... Out Of Stock
An incredible package – one that brings together two very important albums from reedman Steve Lacy – plus unreleased material from the same time too! First up is the record Disposability – presented here with the first-ever correction to the cymbal sound – a key session in the development of Steve Lacy – and a great one too! The album was one of Lacy's first European recordings – caught in the studio in Rome in 1965, with a very free-styled trio that includes Alberto Romano on drums and Kent Carter on bass. Lacy's working here at a level that takes off from his earlier Thelonious Monk-influenced experiments on soprano sax – in a style that's still relatively angular and quite modern, but which also has some looser, freer approaches to the music – spinning out in styles that really point the way towards his music of the 70s. Tracks are relatively short, keeping things somewhat restrained – and titles include versions of Monk's "Pannonica", "Shuffle Boil", and "Comin On The Hudson" – plus "Generous 1", "There We Were", "M's Transport", and "Tune 2". Sortie is quite a rare Italian album from Steve Lacy – featuring a quartet with Enrico Rava on trumpet, Kent Carter on bass, and Aldo Romano on drums – the same group on Lacy's Disposability album, but with the excellent addition of trumpet – which gives the music an even more powerful sound! The mixture of Lacy's soprano and Rava's trumpet is wonderful – and Carter and Romano are on fire in terms of their rhythms – post-Monk, post-Ornette, but also maybe still with more structure than some of the free jazz generation to come – a great balance that really draws some soulful currents from Lacy's horn. Titles include "Black Elk", "Helmy", "Fork New York", "Living T Blues", and "Sortie". Next are 13 tracks used as cues in the film Free Fall – recorded in New York in 1967 with Lacy, Rava, and Carter – plus the addition of Karl Berger and Paul Motian. The music is quite interesting – less totally free, then thoughtfully arranged for images on the screen – and the sounds are another amazing chapter in these formative years of Lacy. Last up are three tracks recorded in Paris in 1972 – never-issued music from a famous Lacy quintet that features Steve Potts on alto, Kent Carter on bass, Noel McGhie on drums, and Irene Aebi on cello. The work is tremendous – right at the start of that huge wave of Lacy creativity in Paris for the 70s – and the group plays "The Rush" and "The Thing", the latter in two parts. CD

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✨✧ Illinois JacquetNice Jazz 1978 ... CD
Black & Blue (France), 1978. New Copy ... Out Of Stock
Illinois Jacquet is one of those old school tenorists who never let his talents falter, even when he was far from the limelight – as you'll hear here on a great set of performances recorded live in France in the late 70s! The tracks are long, open, and relaxed – and really seem to bring out the best in Jacquet's horn – as he's paired with the tenor of Eddie Lockjaw Davis on three tracks, the tenor of Paul Bascomb on another, and the trumpet of Clark Terry on one more – while working with help from either Hank Jones or Roland Hanna on piano. Our three favorite tracks are the ones with Davis – which almost have a reworked version of the groove that Eddie cut with Johnny Griffin on a number of records – but overall, the material is all pretty great, and is a strong showcase for the Jacquet raspy sound. Titles include "Lean Baby", "Blues From NO", "Mop Mop", "Cotton Tail", "Blues From Louisiana", and "Robbin's Nest". CD

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Cal TjaderMonterey Concerts (Concert By The Sea Vols 1 & 2) ... CD
Prestige, 1959. Used ... Just Sold Out!
The crashing waves of the Pacific coast hardly seem like the serene setting you might want for the vibes of Cal Tjader – but this album works surprisingly well, and offers up Cal's combo in a Monterey live date, before the jazz festival really got going strong! The group's one that matches his best early albums for Fantasy – piano from Lonnie Hewitt, soulful bass from Al McKibbon, and some great Latin percussion from Mongo Santamaria and Willie Bobo! Paul Horn also joins the group on flute – blowing with lyrical lines that fit the sound wonderfully, adding a whole new dimension to the music. Many tracks are longer than usual for the Fantasy years – and titles include "Walkin With Wally", "Doxy", "Round Midnight", "Tumbao", "Love Me Or Leave Me", "SS Groove", "Tu Crees Que", and "Afro Blue". CD

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✨✧ VariousBorn Free – The 12th German Jazz Festival 1970 (9CD set) ... CD
Be! (Germany), 1970. New Copy ... Out Of Stock
A huge document of this incredible year in jazz in Germany – a time when free styles were breaking out all over, alongside some of the groovier styles of the MPS scene as well! This beautiful box documents the 12th German Jazz Festival in three different concerts – amazing music that really shows the transformation that was taking place at the time – and which is still revolutionary all these many years later – making for a listening experience that makes us feel like we're hearing music from the future, and not over 40 years in the past! The range of performers here is amazing – and CD 1 features a long performance The German Festival Big Band – with reeds from Emil Mangelsdorff, Heinz Sauer, Joki Freund, and Gerd Dudek; trombones from Albert Mangelsdorff and Peter Herbolzheimer, trumpets from Frederic Rabold and Manfred Schoof, guitar from Volker Kriegel, bass from Gunter Lenz, and drums from Kurt Bong and Rolf Hubner – plus four long tracks from the Dave Pike Set, with stellar vibes and guitar! CD2 features the Albert Mangelsdorff Quartet, with trombone from the leader, and alto and tenor from Heinz Sauer – plus a group led by Wolfgang Dauner on piano, clavichord, and ring modulator – with Ack Van Rooyen on trumpet, Joki Freund on tenor and soprano sax, Peter Herbolzheimer on trombone, and Gerd Dudek on flute and tenor. CD3 features Karin Krog singing on two long tracks penned by Dave Pike, who plays vibes in a group that also includes Albert Mangelsdorff on trombone – and the rest of the CD features Phil Woods European Rhythm Machine, with Gordon Beck on Fender Rhodes. CD4 features two long tracks by the Klaus Doldinger Quartet with Ingfried Hoffmann on organ; three more tracks from the Frederic Rabold Crew, with the leader on trumpet and alto horn; and one more track from the Jazzworkers Quintet. CD5 features the Frankfurter Trio Fur Improvisation, with Christian Mollers on clarinet, Wolf Burbat on flute, and Klaus Henning Usadel on bass – plus one long track by Just Music with Alfred Harth on tenor and clarinet, Johannes Kramer on guitar, Dieter Hermann on trombone, and Franz Volhard and Thomas Stowsand on cellos – as well as two tracks by the Modern Jazz Quintet Karlsruhe, which features Herbert Joos on flugelhorn and Wilfried Eichorn on reeds. CD6 features a long track by Free Jazz Group Wiesbaden – and another long track from Limbus 4 – a group that features a lot of flutes, percussion, and diverse instrumentation. CD7 features a reading of "F*ck Der Boere" by the Peter Brotzmann Group, which also includes Evan Parker and Willem Breuker on reeds, plus Malcolm Griffiths and Paul Rutherford on trombone – as well as Derek Bailey on guitar and Han Bennink on percussion. The CD also features a long track by the New Jazz Trio of trumpeter Manfred Schoof. CD8 features work by the Alexander Von Schlippenbach Trio, the Pierre Favre Group, and the quartet of Joachim & Rolf Kuhn. CD9 is maybe the most amazing – as it features a long track that merges German players with the Art Ensemble Of Chicago – billed as the European Free Jazz Orchestra Of The Art Ensemble Of Chicago – as well as work by Gunter Hampel with Jeanne Lee. An insanely wonderful package – filled with free, avant, and groovy jazz we've never heard before! CD
 
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Paul Desmond & Gerry MulliganTwo Of A Mind (Victor Jazz pressing) ... CD
RCA, 1962. Used ... $3.99
A reunion of sorts for Paul Desmond and Gerry Mulligan – given that the pair had played together on record 5 years before, in a similar session for Verve! This album's almost lighter and more airy than the previous one – as it's done in a mode that echoes strongly with Desmond's own genius at RCA at the time – using a piano-less quartet format that has both horns carving out their own subtle space in sound, hanging together, but each occupying a different range of tonal color. The tracks are relatively longish, and the pair dart around each other nicely on tracks like "All The Things You Are", "Out Of Nowhere", "Blight Of The Fumble Bee", and "Two Of A Mind". CD
(Out of print.)

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Nick Hornby31 Songs ... Book
Penguin Books, 2003. New Copy ... Just Sold Out!
A love letter to modern music – written by the same author who gave us High Fidelity – certainly one of the greatest texts ever about the record store! Hornby's prose is always wonderful – and here, he really gets to the heart of his love of music – by serving up essays on 31 different songs that mean a lot to the author, often with the same sense of humanity that makes his fiction so great. Songs include "Rain" by The Beatles, "Born For Me" by Paul Westerberg, "Thunder Road" by Bruce Springsteen, "Smoke" by Ben Folds Five, "Frankie Teardrop" by Suicide, and "Let's Straighten It Out" by OV Wright – maybe not the most obscure batch of tracks, but all illuminated wonderfully by Hornby – at a level that has us going back to re-listen to the records. 242 pages, softcover. Book

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✨✧ Paul Humphrey & His Cool Aid ChemistsCool Aid/Detroit ... 7-inch
Lizard, Early 70s. Very Good+ ... $7.99
Two funky instrumental tracks from this LA funky drummer! "Cool Aid" has a feel that's almost bluesy – tight drums underneath, dancing with electric bass, and hard-plucked guitar soloing over the top. "Detroit" starts with a nice dose of car horns, then vamps into a groove that's got much heavier drumming – lots of tight fills and snaps from Paul, grooving out next to heavy guitar, wah-wahed up nicely for the kids! 7-inch, Vinyl record

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James SpauldingBlues Nexus ... CD
Muse, 1993. New Copy ... $4.99
Hard swinging work from James Spaulding – still sounding great after all these years! Spaulding's in perfect company here – with Ronnie Matthews on piano, Ray Drummond on bass, and Louis Hayes on drums, plus horn work by Dan Faulk and Don Sickler, next to the range of flute and alto work supplied by Spaulding. The tracks have a hard soul approach that's a bit Horace Silver, a bit James Moody – and inflected by the modern leanings that Spaulding brought to some of his earlier work. Titles include "Rue Prevail", "John Charles", "Soul Station", "Public Eye", "Hipsippy Blues", and "Vaun Ex". CD

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✨✧ Dave Brubeck/Gerry Mulligan/Paul DesmondWe're All Together Again For The First Time ... LP
Atlantic, 1973. Used ... Out Of Stock
Kind of a meeting of two different generations of Dave Brubeck – as the group here features Paul Desmond's alto sax, a key force in Dave's early recordings – and the baritone sax of Gerry Mulligan, a player who'd worked often with Brubeck in the late 60s and early 70s! The blend of horns is really amazing, and the live recording really moves past other obvious Brubeck modes – showing Dave's whole new conception after the breakup of the original quartet – and his willingness to open into new rhythms, and even freer modes of expression. Mulligan's baritone is wonderfully powerful – coming across here with a depth that we'd hardly have expected a few years before – and rhythm is from Jack Six on bass and Alan Dawson on drums, both players who also add to the transformation of the Brubeck groove. Titles include "Koto Song", "Unfinished Woman", "Truth", "Take Five", and "Rotterdam Blues". LP, Vinyl record album

Partial matches45
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Beastie BoysLove American Style EP ... 12-inch
Capitol, 1989. Very Good (pic cover)... $19.99
Original pressing of this long out-of-print e.p., with two tracks from Paul's Boutique – "Hey Ladies" and "Shake Your Rump" plus 2 rare cuts, which are only on a rare promo LP besides this: "33% God" and "Dis Yourself In '89"! With a dope Nathaniel Hornblower cover image too. 12-inch, Vinyl record
(Original pressing. Cover has some edge wear and bumped corners.)

Partial matches46
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Kyle Bruckmann's WrackCracked Refraction ... CD
Porter, 2012. Used ... $5.99
Bold sounds from this group of reedman Klye Bruckmann – hardly what you'd expect from a musician playing the oboe! Yet the group has some of the best energy of the recent sounds coming from Chicago and Brooklyn – that new generation of avant jazz players who still prefer a bit of structure, and who really know how to punch things with an edge that's modern, but never entirely free. There's a definitely Chicago element here, too – thanks to the presence of Jason Stein on bass clarinet, Tim Daisy on percussion, and Anton Hatwich on bass – and the rest of the group features Jen Clare Paulson on viola, alongside Bruckmann's oboe and English horn. The reed interplay is one of the standout elements of the record – and titles include "Notwithstanding", "Fair To Middling", "A Shambles", and "The Dishevelator". CD

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John ColtraneSoultrane ... CD
Prestige/OJC, 1958. Used ... $3.99
A bold early statement from a young John Coltrane – and an album that really has him expanding his talents as a tenor soloist! Coltrane's working here in open-ended quartet format – with backing from the Red Garland trio that includes Paul Chambers and Art Taylor – on a set of longer tunes that really let the young Trane stretch out on his solos, unobstructed by any other horns in the lineup. There's a nice mix of hardbop ideals, gentle ballads, and personal soul to the set – and titles include Coltrane's classic reading of Tadd Dameron's "Good Bait", plus "I Want To Talk About You", "Russian Lullaby", and "Theme For Ernie". CD
(Out of print.)
Also available Soultrane (50th Anniversary Commemorative edition) ... CD 4.99

Partial matches48
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John ColtraneSoultrane (50th Anniversary Commemorative edition) ... CD
Prestige, 1958. Used ... $4.99
A bold early statement from a young John Coltrane – and an album that really has him expanding his talents as a tenor soloist! Coltrane's working here in open-ended quartet format – with backing from the Red Garland trio that includes Paul Chambers and Art Taylor – on a set of longer tunes that really let the young Trane stretch out on his solos, unobstructed by any other horns in the lineup. There's a nice mix of hardbop ideals, gentle ballads, and personal soul to the set – and titles include Coltrane's classic reading of Tadd Dameron's "Good Bait", plus "I Want To Talk About You", "Russian Lullaby", and "Theme For Ernie". CD
(Out of print.)
Also available Soultrane ... CD 3.99

Partial matches49
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Herbie Hancock5 Original Albums (Takin Off/My Point Of View/Inventions & Dimensions/Speak Like A Child/The Prisoner) (5CD set) ... CD
Blue Note (Germany), Mid 60s. New Copy 5CD ... $19.99
The early genius of Herbie Hancock – perfectly summed up here in five classic albums for Blue Note – each presented in a tiny LP-styled sleeve! Takin Off has Herbie Hancock stepping into the limelight with an excellent batch of soul jazz tunes, including the first recording of his classic "Watermelon Man", the one track that probably put all his kids through school! Although that one went on to become a standard within a few short years in 60s jazz, it still sounds great here in the original – a very fresh take on the sound of soul jazz in the 60s – offered up here in a 7 minute version that has more sharp soloing than most other takes on the tune! The group here is great too – with Dexter Gordon on tenor, Freddie Hubbard on trumpet, Butch Warren on bass, and Billy Higgins on drums – and the tracks are all also originals by a young Herbie – including "Watermelon Man", "The Maze", "Driftin", "Three Bags Full", "Alone & I", and "Empty Pockets". My Point Of View is a great mix of soul jazz and modernism! The record include a nice groovy "hit", Herbie's "Blind Man, Blind Man" – an obvious follow-up to "Watermelon Man", but still a standout track with a lot of imagination, and a fierce soul jazz hook that just won't quit! The rest of the record, while still groovy, also shows much more signs of Herbie's far-reaching conception – especially shared with players like Tony Williams, Grachan Moncur, Chuck Israels, and Grant Green – all of whom work with Herbie, Donald Byrd, and Hank Mobley – in a larger than usual group that makes for a really great sound! Titles include "A Tribute To Someone", "King Cobra", and "The Pleasure Is Mine". Inventions & Dimensions is really unique little record from Herbie Hancock – one that's almost completely improvised over Latin percussion! The setup is quite spare – and quite different than Herbie's other Blue Note work – and the group features improvised backgrounds by bassist Paul Chambers and 2 Latin percussionists, Willie Bobo and Osvaldo "Chihuahau" Martinez. Herbie only wrote simple sketches for the songs on the album, and most of the work on the tracks was done live, spontaneously, in the studio – creating a very free groove that never goes too far out, but which is far more adventurous than usual. All tracks are long, and titles include "Succotash", "Triangle", and "Mimosa". Speak Like A Child is an oft-overlooked session that has Herbie mixing a nice dose of lyricism into his usual soul jazz approach from the 60s! The sound's a bit farther-reaching than on some of Herbie's smaller group sessions – and the record features a sextet that includes Ron Carter, Mickey Roker, Jerry Dodgion, Thad Jones, and Peter Phillips – all soaring with the warmth and introspection that was showing up in some of the best Blue Notes from the time. The harder-hitting soul jazz riffs and hooks are nicely replaced by more thoughtful lines that get a bit deeper, soufully – and nearly all tracks on the set are originals by Hancock! The album's filled with great moments – and tracks include "The Sorcerer", "Riot", and "Goodbye To Childhood". Last up is The Prisoner – a nice late Blue Note change from Herbie Hancock – a very different album than his previous sets for the label – in that it features a slightly larger group, and a sound that really points the way towards his directions in the 70s! There's a slightly ambitious feel to some of these cuts – not in a way that's over-arranged, but just a new sort of thinking for Herbie's kind of groove – a mode that's partially informed by the seriousness of 60s jazz soundtracks, but which also has the beginnings of some more righteous modes of expression too. Players are all great – and include Joe Henderson on tenor and flute, Johnny Coles on flugelhorn, Garnett Brown on trombone, Hubert Laws on flute, Jerome Richardson on bass clarinet, Buster Williams on bass, and Tootie Heath on drums. Herbie plays both acoustic and electric piano – using the latter here in one of his first recordings on the instrument – and titles include "Firewater", "I Have A Dream", "The Prisoner", and "He Who Lives In Fear". CD

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Os GatosAquele Som Dos Gatos ... CD
Mercury (Brazil), 1965. Used ... $9.99
One of the most legendary groups from the bossa era in Brazil – a combo of incredible players, working with sublime arrangements by Eumir Deodato – all in a sound that hardly been matched again! The group only ever recorded two albums, but they've had a lasting impact on the sound of bossa for years to come – thanks to an expansive vision that brings together spare rhythms, jazz soloing, and larger strings – all with a quality that's lighter than air – almost a sum that's far less than the total of its elements – but in a really great way! The sense of spareness and poise here is really amazing – years ahead of Deodato's better-known US arrangements in the late 60s, and somehow even more impressive here. Players include Paulo Moura on alto sax, Neco on guitar, Meirelles on flute, Wilson Das Neves on drums, and Mauricio Einhorn on harmonica – and some tracks also feature a bit of light vocals floating along gently, almost as instruments themselves. Titles include "Aqua De Beber", "Clichet", "Feitinha Pro Poeta", "E Nada Mais", "Blue Set", and "Silk Stop". CD
(Out of print.)

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Wayne ShorterAll Seeing Eye ... CD
Blue Note (Japan), 1965. New Copy ... $9.99
An excellent set of some fairly out material – performed by Shorter with a group that includes Freddie Hubbard, Grachan Moncur, James Spaulding, Herbie Hancock, and a rare appearance by his brother Alan on flugelhorn! At times, the record builds into a sound that's freer and more challenging than on some of Shorter's other albums from the time – but it does so in more of the "new thing" mode that you'd hear on records from the time by Jackie McLean or Moncur, with an overall sense of purpose that really keeps the message clear. Features all original compositions by the Shorter brothers – and cuts include "Chaos", "Face Of The Deep", "Mephistopheles", and "Genesis". CD
(SHM-CD pressing!)

Partial matches52
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Clark TerryDuke With A Difference ... LP
Riverside, 1957. Very Good ... $43.99
Hmmm . . . Don't know what the "difference" is here, given that the set was one of a number of Duke-inspired sessions of the late 50s, but given that Terry was a big force in the best ones, and that he's working here with some of Duke's best players, we'll give the set a thumbs up! The album features Terry in lead on trumpet, plus alto by Johnny Hodges, tenor by Paul Gonsalves, piano by Billy Strayhorn, vibes by Tyree Glenn, and trombone by Quentin Jackson – and arrangements are by either Mercer Ellington or Terry. Marian Bruce sings lead vocals on "In A Sentimental Mood", and the other, instrumental, tunes include "Cottontail", "Just Squeeze Me", "Mood Indigo", and "Come Sunday". LP, Vinyl record album
(Blue label Bill Grauer pressing, with microphone logo and deep groove. Cover appears to have been signed by the artist on back.)

Partial matches53
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Richard Popcorn WylieExtrasensory Perception ... CD
ABC/Dusty Groove, 1974. Used ... $7.99
Majestic music from the mighty Popcorn Wylie – the Detroit soul legend best known for his work in the 60s, but an artist who really shines on this rare 70s set for ABC! The album was done during the same stretch as Lamont Dozier's ABC work – and like those records, this set features killer arrangements and production from McKinley Jackson – who updates an older Detroit groove strongly, while still keeping all the real soul elements of Popcorn's music intact! Dozier helped a bit on some of the tunes, and the whole thing's got a soaring, joyous feel that's really wonderful – uptempo without being uptight, positive without sounding hokey, and perfectly in a unique space that's all its own. Gene Page and Paul Riser throw in a bit of soul on some tracks too – sweetening things up with just the right touches of strings and horns – and Popcorn's vocals are great, especially on some of the more hauntingly-constructed tunes. Titles include the massive "ESP", which begins with an echoey breakbeat, then rolls into a great hook – plus "Trust In Me", "How Did I Lose You", "Georgia's After Hours", "Lost Time", "I Can Take The World On With You", "Both Ends Against The Middle", and "Singing About You And Me". CD
(Out of print.)

Partial matches54
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✨✧ Duke PearsonWahoo! ... CD
Blue Note, 1964. Used ... Temporarily Out Of Stock
Wahoo is right – as Duke Pearson sets up one of his hippest sessions of the 60s, a lyrical batch of soul jazz tracks, with that slight edge of darkness that he was putting into his best work as the decade progressed! Players include James Spaulding on alto and flute, Joe Henderson on tenor, and Donald Byrd on trumpet – and the overall feel is perhaps a bit like some of those Byrd sessions that were heavily influenced by Pearson, but also with a bit of the later expansive style of writing for horns that you'd find on albums like Pearson's Prarie Dog or Bobby Hutcherson's The Phantom. Titles include "ESP", "Fly Little Bird Fly", "Farewell Machelle", "Bedouin", and "Amanda". CD
(Out of print original CD pressing, not a CDr.)

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✨✧ Pharoah SandersKarma ... LP
Impulse, 1969. Used Gatefold ... Temporarily Out Of Stock
Quite possibly the best-remembered album from Pharoah Sanders' legendary run at Impulse Records – a set that crossed over big, and sold to countless folks who might not have bought a jazz album this hip otherwise! The record was Sanders' first in the wake of Coltrane's passing – and it's a beautiful extended suite of tracks that flows with a sense of grace, power, and majesty that's simply breathtaking – a new level of expression in spiritual jazz – and virtually the blueprint for an entire generation to come! The album features the classic track "The Creator Has a Master Plan" – spanning a tremendous amount of space and time – and featuring Leon Thomas' classic vocals on the lyrics! Thomas also returns on the cut "Colors", which is a bit more outside, and quite free overall – and other players on the date include Lonnie Liston Smith on piano, James Spaulding on flute, Julius Watkins on French horn, Ron Carter and Richard Davis on bass, and Freddie Waits and Billy Hart on drums. LP, Vinyl record album
(Rainbow label pressing. Cover has some wear.)

Partial matches56
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✨✧ Miles DavisAll Miles – The Prestige Albums (14CD set) ... CD
Prestige/Universal (Italy), 1950s. New Copy 14CD ... Out Of Stock
A beautiful way to experience the early work of Miles Davis – all 14 of his 50s albums for Prestige Records, presented in a special box that contains each album in a tiny replica LP-styled sleeve! The music here is the stuff of legend – trumpet material that really transformed the way the instrument was used in jazz – as Davis really comes into his own as a leader, after time spent recording with Charlie Parker, and doing a bit for Blue Note – then really taking off in the full length space offered by the album format on Prestige! Some of these sets feature classic collaborations with the young John Coltrane, and others include work with Sonny Rollins on tenor, Milt Jackson on vibes, and JJ Johnson on trombone – as well as the famous rhythm section of Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums! Some CDs feature bonus tracks from the OJC versions – and the albums include Dig, Miles Davis & Horns, Collectors Items, Blue Haze, Walkin, Bag's Groove, Miles Davis & The Modern Jazz Giants, Musings Of Miles, Miles Davis Quintet/Sextet, New Miles Davis Quintet, Steamin, Workin, Relaxin, and Cookin. CD

Partial matches57
CD, LP, Vinyl record album cover art
✨✧ Elton Dean QuintetWelcomet – Live In Brazil 1986 ... CD
Ogun (UK), 1986. New Copy ... Out Of Stock
Reedman Elton Dean recorded most famously in the 70s – but in the following decade, he still had plenty to give the world – maybe even more than before, as you'll hear in this beautiful live set from 1986! Dean's working in very open territory here – blowing saxello and alto alongside the trumpet of Harry Beckett and trombone of Paul Rutherford – both players whose sense of timing and shapes really match Elton's own work – on two very long tracks that are relatively free, but have this inherent sense of structure that really seems to come from the energy between the three horns. The drums of Liam Genockey are nicely loose at the right moments, and Marcio Mattos makes some strong contributions to the performance on bass – on two long tracks, titled "Rio Rules" and "Welcomet". CD

Partial matches58
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✨✧ Johnny YoungJohnny Young – Blues Masters Vol 9 ... LP
Blue Horizon, 1969. Used ... Out Of Stock
A great session, produced by Otis Spann, who also plays piano in the small group – with Paul Osher on harmonica, Sammy Lawhorn on guitar and bass, SP Leary on drums, and Johnny Young on vocals, mandolin, and guitar! LP, Vinyl record album
(Includes insert. A great copy!)

Partial matches59
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Big Mama ThorntonSassy Mama! ... LP
Vanguard, 1975. Very Good ... $24.99
Big Mama Thornton gets a bit of an update – as her older blues style comes into play with a hip electrified lineup – one that features Paul Griffin on keyboards, Cornell Dupree on guitar, and Bad Bascomb on bass! The vibe is still plenty blues, but has an undercurrent of soul – thanks in part to production from Ed Bland, who could always be trusted to mix different elements together so well. Buddy Lucas also plays a bit of tenor sax – and titles include "Lost City", "Mr Cool", "Private Number", "Rolling Stone", and "Everybody's Happy (But Me)". LP, Vinyl record album
(Cover has some wear with a split top seam.)

Partial matches60
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Chet BakerYou Can't Go Home Again/Best Thing For You (with bonus tracks) ... CD
A&M/Verve, 1977. Used 2 CDs ... $28.99
2 CD set of the albums "You Can't Go Home Again" and "The Best Thing For You", as well as 9 bonus tracks! A surprisingly great electric session by Chet Baker from the 70s – and a record that's got a bit more force and power than most of his other sets at the time! The format here is a bit tighter and more focused than Baker's recordings for CTI from the period – with electric piano from Kenny Barron or Richie Beirach on all tracks, plus guitar on 3 of the album's 4 tracks, and a fair bit of other horns to flesh out the overall sound. The approach isn't exactly funky, but it's quite driving at times – and Baker's work on trumpet is more sharply pronounced in the setting – a bit bolder and less sorry for itself, with a majesty that rises above the potentially-cluttered feel of the set to take its own at the top. Titles are all long – and include "Love For Sale", "Un Poco Loco", "You Can't Go Home Again", and "El Morro". Lost material by Chet Baker – recorded for his late 70s album You Can't Go Home Again, and released in this special package after his untimely death in 1988. As with the album that did get released, there's a focus here that's a nice change from some of Baker's looser European material of later years – a sense of Chet's presence and phrasing that comes through quite strongly, and which is supported here by a sensitive group of top-shelf accompanists who include Paul Desmond, Kenny Barron, Tony Williams, and Ron Carter. The set features a great 17 minute take on "El Morro" by arranger/producer Don Sebesky – plus the tracks "Oh You Crazy Moon", "If You Could See Me Now", "The Best Thing For You", and "You've Changed". CD
(Out of print.)

Partial matches61
CD, LP, Vinyl record album cover art
ChangeReach For The Sky – Anthology ... CD
Groove Line Records (UK), Early 80s. New Copy 2CD ... $18.99
Sublime soul from Change – an Italian combo who got some great American help on their early 80s for Warner Brothers! The Change groove is totally great – a stripped-down blend of beats, bass, and keyboards that was head and shoulders above much of the clunkier 80s soul of the time – a lean groove forged from the best Italian club influences of the time, then brought over to this side of the Atlantic for some warmer touches on production and vocals. Luther Vandross sings lead on a few key cuts here, and other tracks have some equally great vocals, including work by Jocelyn Brown, Fonzi Thornton, Deborah Cooper, and Alyson Williams – plus a nice undercurrent of jazz in the mix, especially on the guitar and keyboards. This really well-done collection presents the full scope of the group's genius – and also include some unreleased tracks, and some of those excellent 12" mixes that really stood out with the club scene at the time! Titles include the unreleased "Hold Tight (long version)" and "Keep On It (alt mix)", as well as "It's A Girl's Affair", with vocals by Jocelyn Brown – plus "The Very Best Of You", "Glow Of Love (12" long version)", "Lover's Holiday", "Promise Your Love", "Sharing Your Love (single)", "Hard Times", "Heaven Of My Life", "Miracles", "Searching", "Paradise", "This Is Your Time", "Don't Wait Another Night", "You'll Never Realize (single)", "Got To Get Up (12" rmx)", "Change Of Heart (12" long version)", "It Burns Me Up (single)", "You Are My Melody", "Warm", "Say You Love Me Again", "Let's Go Together", "Mutual Attraction (12" rmx)", and "Oh What A Feeling (Paul Hardcastle 12" rmx)". CD

Partial matches62
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Sonny ClarkSonny's Crib ... LP
Blue Note, 1957. Near Mint- ... $58.99
Hard-slamming genius from pianist Sonny Clark – one of his greatest albums for Blue Note, and a real cooker that's served up with an all-star group! Clark's vision has never been tighter or fuller than on this album – save, perhaps, for the magnificent Cool Struttin – and his command as a leader is impeccable, effortlessly shaping the horns of Donald Byrd, Curtis Fuller, and John Coltrane to realize his unique vision in music. Rhythm is by Paul Chambers on bass and Art Taylor on drums – and titles include classics like "News for Lulu" and "Sonny's Crib", plus smoking renditions of "Speak Low" and "With a Song in My Heart". LP, Vinyl record album
(Liberty/UA pressing.)

Partial matches63
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Duke EllingtonBlue Light/Hi-Fi Ellington Uptown ... CD
Columbia/Collectables, Late 30s/1953. Used 2 CDs ... $7.99
Duke Ellington classics from 2 different decades! Blue Light is subtitled "jazz for that relaxed mood", but is actually a great compilation of early work by Ellington's group – recorded for Columbia during the years 1934 to 1939! Somehow, the tracks still end up sounding 30 years ahead of their time – far stronger than most other big band work of the early 50s – which is when the album was released. Recording quality is excellent, and the whole thing's awash in richly chromatic waves of sound – with titles that include "Pyramid", "Reminiscing In Tempo", "Tough Truckin", "No Greater Love", and "Finesse". Hi Fi Ellington Uptown is one of Duke's best mid 50s sides for Columbia – a strong recording that revisits many of the best elements of his earlier work, and offers up some more sophisticated scoring for the 50s! Players include Billy Strayhorn, Paul Gonsalves, Clark Terry, Ray Nance, Juan Tizol, and Louis Bellson – and the record features long versions of "The Mooche", "Perdido", "Controversial Suite", and "Skin Deep" – plus a 13 minute reading of "A Tone Parallel To Harlem (aka The Harlem Suite)". CD

Partial matches64
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Ken FowserNow Hear This ... CD
Posi tone, 2017. New Copy ... $11.99 15.99
Ken Fowser's got an unassuming look on the cover, but he's got a sound that's growing more and more confident with each new record – to a point where he may well be one of our favorite new tenor players in recent years! Fowser's got a very soulful vision – one that comes through not just in his strong work on his instrument, but also in his wonderful writing for the record – which is every much a draw as his performance, and which marks Ken as a great voice in contemporary jazz over the course of the eleven compositions on the set! The group's got a rock-solid mix of hardbop and soul jazz, but cut with some richer lyricism too – almost kind of a Cedar Walton approach – and in addition to Fowser's tenor, the lineup features Josh Bruneau on trumpet and flugelhorn, Rick Germanson on piano, Paul Gill on bass, and Jason Tieman on drums. Titles include "Here & Now", "Still Standing", "The View From Below", "Now Hear This", "One & Done", "Ready The Mops", and "A Few Blocks Down". CD

Partial matches65
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Keith JarrettShades ... LP
ABC/Impulse, 1976. Very Good+ ... $7.99
A lost gem from Keith's "with horns" period – a quintet session from the mid 70s, recorded with a group that features Dewey Redman on tenor, plus Charlie Haden on bass, Paul Motian on drums and percussion, and Guilherme Franco on additional percussion. The feel is a bit straighter than Jarrett's excellent Death & The Flower set – as the tunes have a highly rhythmic component, and make good use of the extra percussion to create a flowing, organic groove. There's still a nice loose feel overall, though – almost a take on the loft jazz sound, especially at the moments when Jarrett goes a bit outside on piano. Titles include "Shades Of Jazz", "Southern Smiles", "Rose Petals", and "Diatribe". LP, Vinyl record album
(Cover has a gold promo stamp.)

Partial matches66
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Mad Doctors/Sloopys/Terry Stafford/OthersDr Goldfoot & The Girl Bombs ... LP
Tower, Late 60s. Very Good- ... $4.99
A pretty nice batch of tunes designed to accompany this schlocky spy spoof film that starred Fabian and Vincent Price! The soundtrack's kind of in a Tower Records biker mode – with a lot of different studio groups doing the work – the best of which is the Mad Doctors, who are an instrumental combo who do about half the work on the album. They've got a great style that's really mod and go-go – mixing together fast rhythms, electric bass, and nice touches on guitar, horns, or organ. The Mad Doctors do "Dr Goldfoot's Igloo", "The Mad Mad Doctor", "The Golden Bomb", "The Golden Price", and "Dr Goldfoot & The Girl Bombs". Other tunes include "Dr Goldfoot & The Girl Bombs" by The Sloopys, "Try My World Little Girl" by Terry Stafford, and "Hidin From Myself" by Paul & The Pack. LP, Vinyl record album
(Mono pressing. Cover has light wear)

Partial matches67
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Harvey MasonEarth Mover (with bonus tracks) ... CD
Arista/Soulmusic.com (UK), 1976. New Copy ... Just Sold Out!
Legendary drummer Harvey Mason in sweet jazz funk groove at Arista – a way stronger record than we remembered! Harvey played on some of our favorite jazz funk records of all time – including the massive Gears LP by Johnny Hammond among so many other great albums – and on his on 70s work for Arista, he explored jazz funk and soul instrumentals, with an expansive approach. He was an integral piece of the pie on so many completely essential records by other artists, that it's far too easy to overlook the considerable strengths of the records he headlined, and this is surely of on one of those! Players include Lee Ritenour & Ray Parker on guitars, the Sea Wind Horns of Bruce Fowler, Sally and Kenny Mason, Greg Pillinganes and Paul Smith on pianos and organs, Jan Hammer on Mini Moog and others. Cuts include "Sweet Mercy", "Bertha Baptist", "First Summer" (with Harvey Mason on vibes, bells and chimes), "No Lands Man", "Sho Nuff Groove", "The Mase", "When I'm With You (Live Version)" and "KY And The Curb". This expanded edition from Soulmusic.com includes 2 bonus tracks: "KY And The Curb (US Single)" and "The Mase (UK Single)". CD

Partial matches68
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Dave RempisLattice ... CD
Aerophonic, 2017. New Copy ... $7.99
The reed skills of Dave Rempis are fast approaching the stuff of legend – and while he's a hell of a collaborator, really great in many settings, he sounds maybe even more amazing here on his own – in a set of solo performances on alto, tenor, and baritone sax! The tracks were recorded over a few different live dates in early 2017, but they've got a really unified feel in Dave's maturing understanding of his horns – able to be completely bracing at one moment, then shift into subtle textures that respect the space of freedom by creating new tonal territory. The moods and moments can differ greatly, and create a strong sense of surprise throughout – on titles that include readings of "A Flower Is A Lovesome Thing" and "Serene" – plus the originals "Horse Court", "Linger Longer", "If You Get Lost In Santa Paula", and "Loose Snus". CD

Partial matches69
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Stanley TurrentineRough & Tumble ... CD
Blue Note, 1966. Used ... $11.99
Stanley's soulful horn is set in a slightly larger group, in the style that would dominate his later years for the Blue Note label. Duke Pearson arranged the set, and players include James Spaulding, Blue Mitchell, Grant Green, Pepper Adams, and McCoy Tyner. Tracks are of medium length, with Stan blowing some nicely-pinched solos on titles like "Shake", "Walk On By", and "And Satisfy" – all with tight arrangements by Pearson! CD
(Out of print.)

Partial matches70
CD, LP, Vinyl record album cover art
Stanley TurrentineRough & Tumble ... LP
Blue Note, Late 60s. Very Good- ... $9.99
A great album – with a really swinging groove! Stanley's soulful horn is set in a slightly larger group, in the style that would dominate his later years for the Blue Note label. Duke Pearson arranged the set, and players include James Spaulding, Blue Mitchell, Grant Green, Pepper Adams, and McCoy Tyner. Tracks are of medium length, with Stan blowing some nicely-pinched solos on titles like "Shake", "Walk On By", and "And Satisfy" – all with tight arrangements by Pearson. LP, Vinyl record album
(New York stereo pressing with Van Gelder stamp. Cover has a promo ink stamp, split seams, and some aging.)

Partial matches71
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✨✧ Duke EllingtonFeeling Of Jazz ... CD
1201 Music, 1962. Used ... Temporarily Out Of Stock
A sharp early 60s session from the Duke Ellington group – one that seems to draw strongly on the best late 50s work for Columbia Records, but which also seems to add in an extra crackle too! The tunes are relatively short, but the group pack plenty of punch in the small space – especially on the more rhythmic numbers, which almost seem to borrow a bit from Basie's bag – yet with more of the sophistication you'd expect on the Ellington horns. The work of Aaron Bell on bass and Sam Woodyard on drums is especially strong on this session – but there's loads of great interplay from reedmen who include Johnny Hodges, Jimmy Hamilton, Russel Procope, Harry Carney, and Paul Gonsalves – plus trumpet from Bill Berry, Cat Anderson, Roy Burrowes, and Harold Baker. Titles include "Taffy Twist", "Flirtbird", "Smada", "What Am I Here For", "Boo Dah", "Black & Tan Fantasy", and "I'm Gonna Go Fishin". CD
(24 bit remaster, punch through slipcover barcode.)

Partial matches72
CD, LP, Vinyl record album cover art
✨✧ Duke EllingtonHi Fi Ellington Uptown ... LP
Columbia, 1953. Used ... Temporarily Out Of Stock
One of Duke Ellington's standout sides for Columbia – a strong recording that revisits many of the best elements of his earlier work, and offers up some more sophisticated scoring for the 50s – thanks to extended track length in the LP generation! The tunes here are older ones, but they're taken to some nicely hip territory – thanks to Duke's strong ear for modern changes, and a line up of players that includes Billy Strayhorn on piano, Paul Gonsalves on tenor, Clark Terry and Ray Nance on trumpets, Juan Tizol on trombone, and Louis Bellson on drums. Bellson does a great job on the classic "Skin Deep" – a real showcase for his talents in this recording – and other titles include "The Mooche", "Take The A Train", and "Perdido" – plus "The Controversial Suite". LP, Vinyl record album
(6 eye pressing. Cover has some wear.)

Partial matches73
CD, LP, Vinyl record album cover art
✨✧ Harvey MasonEarth Mover ... LP
Arista, 1976. Used ... Temporarily Out Of Stock
Legendary drummer Harvey Mason in sweet jazz funk groove at Arista – a way stronger record than we remembered! Harvey played on some of our favorite jazz funk records of all time – including the massive Gears LP by Johnny Hammond among so many other great albums – and on his on 70s work for Arista, he explored jazz funk and soul instrumentals, with an expansive approach. He was an integral piece of the pie on so many completely essential records by other artists, that it's far too easy to overlook the considerable strengths of the records he headlined, and this is surely of on one of those! Players include Lee Ritenour & Ray Parker on guitars, the Sea Wind Horns of Bruce Fowler, Sally and Kenny Mason, Greg Pillinganes and Paul Smith on pianos and organs, Jan Hammer on Mini Moog and others. Cuts include "Sweet Mercy", "Bertha Baptist", "First Summer" (with Harvey Mason on vibes, bells and chimes), "No Lands Man", "Sho Nuff Groove", "The Mase", "When I'm With You (Live Version)" and "KY And The Curb". LP, Vinyl record album
(White label promo. Cover has a cutout hole.)

Partial matches74
CD, LP, Vinyl record album cover art
✨✧ World Sax QuartetComplete World Sax Quartet On Black Saint & Soul Note (Steppin With/WSQ/Revue/Live Zurich/Live Brooklyn Academy/Moving Right Along) (6CD set ... CD
Black Saint (Italy), Early 80s. Used 6 CDs ... Temporarily Out Of Stock
Genius work from the World Sax Quartet – a really unique ensemble who not only set the tone for a generation of jazz musicians to come, but also gave focus to some richly expressive talents from the 70s underground! The quartet is something of a supergroup right from the start – graced with tremendous reed work by David Murray, Julius Hemphill, Oliver Lake, and Hamiet Bluiett – all key American players who really helped transform the sound of jazz in the 70s – coming together here in a whole new way on seminal sides for the Black Saint/Soul Note label! The format – which inspired many others – is really compelling – as the group's sounds come only from saxes, no other instrumentation at all – with the four wind players handling all rhythm and melody, and making some really amazing music in the process. Horn interplay had never been heard so clearly before – especially as here, the stars put aside their egos, and never try to overblow each other – and instead have this brilliant way of working together to craft a new sort of groove. The box set features the albums Steppin With, WSQ, Revue, Live In Zurich, and Live At The Brooklyn Academy Of Music – all with the classic lineup – plus Moving Right Along, which actually features a quintet with Bluiett, Murray, and Lake – joined by James Spaulding and Eric Person. CD
(All albums come in paper sleeve replicas of the original album covers!)

Partial matches75
CD, LP, Vinyl record album cover art
✨✧ Mario AdnetJobim Jazz ... CD
Adventure Music, 2007. New Copy ... Out Of Stock
Jazz versions of classics by Antonio Carlos Jobim – all done by a group arranged and directed by guitarist Mario Adnet, and featuring guest work from Joyce, Helio Delmiro, Romero Lumbambo, and others! The sound here is really fresh – not merely just a reworking of Jobim's original ideals, but a recasting of them in lightly arranged modes that often take on the shapes, colors, and textures of work by Moacir Santos – styles that are warm, but often have some sharper edges underneath, thanks to great interplay between the instruments. Bits of horns, guitar, piano, and percussion all come together with a tremendous sense of grace – and titles include "Tema Jazz", "Sue Ann", "Domingo Sincopado", "So Danco Samba", "Paulo Voo Livre", "Polo Pony", and "Bate Boca". CD
 
 
 



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