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Exact matches: 8
Exact matches1
CD, LP, Vinyl record album cover art
Paul HornCycle ... LP
RCA, 1965. Very Good+ ... $6.99
One of our favorite Paul Horn albums, and a beautiful set of modal grooves that is far superior to most of the other stuff he's done over the years. Paul's playing here with his groovy little group that features a vibes/piano/bass/drum lineup, in addition to Paul's beautiful reed playing. The group grooves in long modal lines, with a lot of different musical references (such as Indian music, or Western religious music) criss-crossing, but not overwhelming the "jazz" element, as happened way too often in Horn's earlier LPs. Tracks include "Shadows", "Cycle", "Greensleeves", and "In The Bag". Great stuff, and a beautiful record that often gets overlooked! LP, Vinyl record album
(Stereo pressing with deep groove. Cover has light wear.)

Exact matches2
CD, LP, Vinyl record album cover art
Paul HornInside II ... LP
Columbia, 1972. Very Good+ Gatefold ... $2.99
Paul Horn follows up his Inside The Taj Majal set – in someways leaving behind the stark, spare initimacy of that set for a more layered and tailored approach – and also leaving behind his more pronounced jazz roots for a more earthy and nature themed mode! Like Inside, it's a solo flute record and a spatial exploration – this time handled with a number of different flutes, and also dabbling in overdubbing – with wind and other nature sounds, up to and including some live dolphin sound effects! Titles include "The Mahabhutas" suite, plus "Centaur", "Morning Song", "Haida", and "Mass: Kyrie". LP, Vinyl record album
(Cover has ring & edge wear.)

Exact matches3
CD, LP, Vinyl record album cover art
Paul HornPaul Horn & The Concert Ensemble ... LP
Ovation, 1970. Near Mint- ... $6.99
Despite the fact that this LP looks like it's some sort of stupid "medieval jazz" concept album, it's actually a nice batch of groovy groovy instrumentals, with Horn's flute in the lead, and a good groove on electric bass and harpsichord. The basslines roll along nicely, and really punch up the flute playing in a way that's better than you'd expect. The album includes a nice version of "The Look Of Love", plus "Magnificat", "Stolen Moments", "Paramahnsa", and "Light My Fire", done in a very groovy way! LP, Vinyl record album
(Cover has a cut corner and some wear.)

Exact matches4
CD, LP, Vinyl record album cover art
Paul HornVisions ... CD
Columbia/Wounded Bird, 1974. Used ... $7.99
Nice fusiony jazz done with soul and airy atmophere by Paul Horn – including some choice covers, and sounds that range from fusiony jazz with a little bit of funk and more lilting numbers lifted by flute and wordless vocals! Horn has a tendency to go head first into a more new agey vibe, but here we get a more grounded approach with more soul and bits of funk in the bass, keys & percussion. The players include Larry Carlton, Joe Sample and Tom Scott. Includes a nice takes on a trio of Stevie Wonder numbers: "Too High", "Visions" and "Living For The City", Joni Mitchell's "Blue" and "Chelsea Morning" (the former featuring some vocals and keyboards by Joni), plus "High Tide"., "Long Time Gone", "Song With No Words" and "Dida". CD

Exact matches5
CD, LP, Vinyl record album cover art
✨✧ Paul HornMonday Monday ... LP
RCA, 1966. Used ... Temporarily Out Of Stock
Easy grooving magic from Paul Horn – a record that has his exotic flute work paired up with arrangements by Oliver Nelson – making for a session that's got a lot more punch than usual for Horn – in a mode that we like quite a lot! The flute's in the lead on all tracks, but the Nelson arrangements are equally striking – and filled with nice touches like Eastern instrumentation or 60s mod rhythms – really making for a lot of tight groovers that really differ from Horn's other work. The set features a few great originals – arranged by Horn with a feel that's even trippier than Nelson's work – and titles include "Acapulco Gold", "Paramahansa", "Guv Gubi", "Karen's World", "Girl", and "Eight Miles High". LP, Vinyl record album
(Sealed 60s pressing!)

Exact matches6
CD, LP, Vinyl record album cover art
✨✧ Paul Horn QuintetSomething Blue ... LP
Hi Fi, 1960. Used ... Temporarily Out Of Stock
Amazing early work from the mighty Paul Horn – a record cut during a time when he was a damn good musician with a keen sensibility for modernist modal jazz! On this excellent date from 1960, Horn plays both flute and alto sax in a wonderful group – a combo with vibes from Emil Richards, bass from Jimmy Bond, piano from Paul Moer, and drums from Billy Higgins – all players with a very fluid, open sense of rhythm – one that makes the date dance and sparkle throughout! There's a pulsating energy here that almost predates the MPS/Saba sound of the decade to come – and in addition to Horn's imaginative solos, which are much more soulful here than before, the record also features some sharp-edged chromatics from Richards on vibes, and almost melodic drums from Higgins. The album's one of our all-time favorites – and titles include "Something Blue", "Half & Half", "Mr Bond", "Dun Dunnee", and "Tall Polynesian". LP, Vinyl record album
(Original pressing.)

Exact matches7
CD, LP, Vinyl record album cover art
✨✧ Chico HamiltonChico Hamilton With Paul Horn ... CD
Crown/Boplicity (UK), 1963. Used ... Out Of Stock
Unusual material from Chico Hamilton – recorded around the same time as his groundbreaking work for Pacific Jazz – but for the smaller Crown/Modern label in LA! The format's a bit unusual, and changes a bit throughout the record – showing Chico's already-strong ear for creative formats that go way beyond conventional jazz. There are 2 numbers at the end of side 2 featuring Chico in the familiar chamber jazz lineup, with Fred Katz on cello and Paul Horn on reeds – "Crazy Cats" and "Lord Randall". The rest of the tracks feature the stringed instruments handling most of the melody, in a free floating style that's got the same "modern yet swinging" approach of some of Jimmy Giuffre's best late 50s recordings, which ultimately places it in a similar context to the chamber jazz numbers. Titles include "Porch Light", "Autumn Landscape", "Uyawda", "Lolly Pop", "Pluck It", "Katz Up", "Crazy Cats", and "Lord Randall". CD

Exact matches8
CD, LP, Vinyl record album cover art
✨✧ Freddie Gambrell with Paul HornMikado – A Jazz Interpretation By Freddie Gambrell ... LP
World Pacific, 1959. Used ... Out Of Stock
A wonderfully exotic set – thanks to unusual piano phrasing from Freddie Gambrell and hip reed lines from Paul Horn – plus percussion from Ray Mosca and Armando Peraza, bass from Ben Tucker, and guitar from Dempsey Wright! LP, Vinyl record album
(Original pressing – very nice!)
 
Possible matches: 32
Possible matches9
CD, LP, Vinyl record album cover art
Lorez AlexandriaAlexandria The Great ... CD
Impulse (Japan), 1964. New Copy ... $13.99
A beautiful album from Lorez Alexanderia – one of her two excellent sessions for Impulse! The record was cut after Lorez recorded some great sides for the Argo label – and it works off the strength of those sides, taking her unique vocal approach, forged in R&B, but smoothed by jazz, into a whole new level of expression! The backing is great – small combo, with featured musicians who include Bunk Shank and Paul Horn on reeds, and Victor Feldman and Wynton Kelly on piano – all working with moody, soulful arrangements that are a perfect accompaniment to Lorez' beautiful voice. Includes the cuts "Get Me To The Church On Time", "Satin Doll", "Show Me", "The Best Is Yet to Come", "I'm Through With Love", and 5 more! CD

Possible matches10
CD, LP, Vinyl record album cover art
Ray BrownJazz Cello ... CD
Verve, 1960. Used ... $9.99
The great bassist Ray Brown proves that any instrument can swing – here picking up a cello, and grooving wonderfully in a very warm setting! The album features arrangements by Russ Garcia – slightly modern, and with lots of space, so that Ray can play both bass and cello with room to stretch out in complicated solos that might have gotten buried under larger backings. Other players include Don Fagerquist, Paul Horn, Bob Cooper, and Jimmy Rowles – and titles include "Rosalie", "Alice Blue Gown", "Tangerine", "That Old Feeling", and "Memories Of You". CD
(Out of print.)

Possible matches11
CD, LP, Vinyl record album cover art
Dave BrubeckReunion ... LP
Fantasy, Mid 50s. Near Mint- ... $11.99
Brubeck is reunited with tenorist David Van Kriedt, a key member of his early quintet, which first started making waves in San Francisco during the late 40s. The rest of the group includes Paul Desmond on alto, Joe Morello on drums, and Norm Bates on bass – and it's interesting to hear Brubeck writing for a 2-horn frontline, after having such familiarity with his single-horn famous quartet of the late 50s. Titles include "Darien Mode", "Pieta", "Leo's Place", and "Shouts". LP, Vinyl record album
(German OJC pressing.)

Possible matches12
CD, LP, Vinyl record album cover art
David FriesenAmber Skies ... CD
Quicksilver, 1993. Used ... $4.99
With Friesen on bass, Chick Corea on piano, Joe Henderson on tenor, Paul Horn on flute, Paul Motian on drums, and Airto on percussion! Titles include "Blue & Green", "Underlying", "Amber Skies", "Voices", and "Sitka In The Woods". CD

Possible matches13
CD, LP, Vinyl record album cover art
Red GarlandRed Garland's Piano (Japanese paper sleeve edition) ... CD
Prestige (Japan), 1957. Used ... $11.99
Red Garland's piano was certainly humming strong at the time of this session – as Red's trio were one of the key rhythm components of many Prestige albums of the late 50s, but also a real starring act on their own! The album's got a laidback, almost mellow feel that's a bit different from some of the Garland accompaniment on horn-based sessions – a style that's introspective, but always spirited – sprightly, but never flowery – that magical style that allowed Garland to bridge different worlds of jazz piano in the 50s. Paul Chambers is a perfect accompaniment here on bass, Art Taylor's work on drums is a masterpiece of understatement, and although the titles are all familiar, they're certainly given a special Garland touch! Titles include "The Very Thought Of You", "If I Were A Bell", "Please Send Me Someone To Love", "I Know Why", and "I Can't Give You Anything But Love". CD
(Out of print.)

Possible matches14
CD, LP, Vinyl record album cover art
Chico HamiltonChico Hamilton Quintet (Pacific Jazz 1225) ... LP
Pacific Jazz, 1956. Very Good ... $9.99
A classic from the west coast scene of the 50s – and not to be confused with other similar-titled Chico Hamilton albums at the time! This one sports an abstract painting on the cover, and was recorded in 1956 at the Forum Theater in Los Angeles – not live, but using the space as a very open-sounding studio – with really amazing results! The lineup features Hamilton on drums, Paul Horn on alto and tenor sax and clarinet, John Pisano on guitar, Fred Katz on cello and Carson Smith on bass – kind of a second-generation of Hamilton's group, with Horn taking over wonderfully from Buddy Collette, and playing with even more sensitivity than before. The work's very much in Hamilton's best sprightly chamber jazz mode – with some great originals that include "Chanel #5", "Beanstalk", "Mr. Jo Jones", and "Reflections" – plus Hamilton-ized versions of "Satin Doll", "Caravan", "Soft Winds", "Siete-Cuatro", "I Know", and "Lillian". LP, Vinyl record album
(Black label Pacific Jazz pressing, with a deep groove. Cover has light wear, some light stains, two stickers, some seam splitting, and tape on the top seam.)

Possible matches15
CD, LP, Vinyl record album cover art
Fred Katz/Chico HamiltonZen – The Music Of Fred Katz ... LP
Pacific Jazz/So Far Out (UK), 1957. New Copy (reissue)... $16.99
An important early album of compositions by Fred Katz – recorded at the time when he was the cello player in Chico Hamilton's groundbreaking late 50s group! The tunes are distinctly more modern than even his work with Chico – and are played by Hamilton-esque players that include Paul Horn or Harry Klee on flute and saxes, Carson Smith on bass, John Pisano on guitar, and Chico himself on drums and tympani. There's some added strings and woodwinds on a number of tracks, and the tunes move between 50s chamber jazz and 50s chamber modern – with titles that include "Montuna", "Katz Up", "Loma", "Pluck It", "Lord Randall", and "Suite For Horn". LP, Vinyl record album

Possible matches16
CD, LP, Vinyl record album cover art
Barney KesselBreakfast At Tiffany's/Bossa Nova/Contemporary Jazz-Latin Rhythms ... CD
Collectables/Reprise, Early 60s. Used 2CD ... $6.99
A groovy groovy treat – 3 of Barney Kessel's best 60s albums on one 2CD set! Breakfast At Tiffany's has Barney playing the best bits of Mancini's great score from the soundtrack – working with a cool little group that features horn work by both Bud Shank and Paul Horn, both of whom provide some wonderful finishes on the top! Bossa Nova is a really tasty set of big band bossa nova numbers – arranged with a hard-swinging LA edge by Bob Florence and Chuck Sagle – and Contemporary Latin Rhythms is kind of a blend of both sets, with Barney back in the company of some jazzy LA hipsters, working through some great Latin-tinged numbers in a very cool style! There's a total of 34 tracks between the 2 CDs – and titles include "One Note Samba", "Love", "Everytime I Hear This Song", "Jada", "Summertime", "Sally's Tomato", "Mr Yunioshi", "The Big Heist", and "Moon River Cha Cha". CD

Possible matches17
CD, LP, Vinyl record album cover art
Barney KesselKessel/Jazz – Contemporary Latin Rhythms ... LP
Reprise, 1961. Near Mint- ... $28.99
A wonderful wonderful set from Barney Kessel – bossa-inflected jazz, and a wonderful setting for Barney to hit some very groovy lines on electric guitar! The group on the date is part of the strength of the record – with Conte Candoli on trumpet, Emil Richards on vibes, Paul Horn on flute, and Victor Feldman on piano – with loads of great percussion and guitar interplay on the set, plus some excellent use of flute and vibes – all of which makes for the sort of session that really translates the Brazilian groove into the best sort of sound the LA scene was cutting at the time! Nice, light, and dancing rhythms – and titles that include "Love", "Days Of Wine & Roses", "Latin Dance #1", "Lady Byrd", and "One Note Samba". LP, Vinyl record album
(White label promo. Cover has a promo sticker.)

Possible matches18
CD, LP, Vinyl record album cover art
Bill MarxJazz Kaleidosope ... LP
Vee Jay, Early 60s. Very Good ... $2.99
The son of Harpo Marx lays down some groovy west coast jazz – in a combo that also includes Paul Horn on flute and alto, Jack Sheldon on trumpet, and Larry Bunker on vibes – plus great rhythms from James Bond on bass and Lawrence Marable on drums! LP, Vinyl record album
(Cover has some wear, some seam splitting, and a couple of pieces of tape, with some pen and stains on the back.)

Possible matches19
CD, LP, Vinyl record album cover art
Jackie McLeanMcLean's Scene ... LP
New Jazz, Late 50s. Fair ... $29.99
McLean's Scene is a strong one – as the young Jackie is really coming into his own at the time of the session, blowing and growing with a soulful command of the alto sax that would emerge even more strongly in the 60s. The album's got McLean working in a slightly open-ended way – almost a blowing session, but a bit more controlled – yet in that relaxed style that always seemed to get the most sharpness out of Jackie's horn at the time. Other players include Bill Hardman on trumpet, Mal Waldron or Red Garland on piano, Paul Chambers or Arthur Phipps on bass, and Art Taylor on drums. Titles include "Gone With the Wind", "Our Love Is Here to Stay", "Old Folks", "Outburst", "Mean To Me", and "McLean's Scene". LP, Vinyl record album
(Purple label New Jazz pressing with RVG stamp. Cover has a chewed corner, some splitting on the top seam, and some light stains on back.)

Possible matches20
CD, LP, Vinyl record album cover art
Art PepperArt Pepper Meets The Rhythm Section ... CD
Contemporary/OJC, 1957. New Copy ... $4.99 11.98
One of Art Pepper's classic recordings, in which he plays with a spare quartet backing by Miles Davis' rhythm section at the time – Paul Chambers, Red Garland, and Philly Joe Jones. An essential East meets West jazz recording, with Art at the top of his game, playing in a unique setting for the first and only time (it's said that Art didn't even know of the date until the morning of the session). Pepper is one of the few alto players to really establish his own voice on the horn, without aping Bird, and his emotive playing really shines here. A definitive version of "Straight Life" is on this album, along with "Waltz Me Blues", "You'd Be So Nice To Come Home To", and "Star Eyes". CD
(CD case has a small cutout hole.)

Possible matches21
CD, LP, Vinyl record album cover art
PtarmiganPtarmigan ... LP
Lion, 1974. New Copy ... $18.99
A beautifully tripped out little record from Canada – produced by Paul Horn in his more hippieish years, and with some nice jazzy undercurrents that certainly show his influence! The tracks here are all quite long and stretched out – showing a bit of an Eastern influence in their construction, and using bits of wispy guitar and some especially great flute-like work on recorder! Much of the instrumentation is acoustic, and there's a definite folksy feel to some numbers – but more in a folk funk sort of way, thanks to the jazzier phrasing used on the recorders, and the strong sense of rhythm on most numbers. Titles include "Night Of The Gulls", "Go Dancing", "The Island", "Vancouver", "Coquilhalla", and "A Hymn To The Ocean". LP, Vinyl record album
(Limited edition of 500 copies!)

Possible matches22
CD, LP, Vinyl record album cover art
Shorty RogersJazz Waltz ... LP
Reprise, 1961. Very Good ... $4.99
Don't think "waltz music", think "modal jazz" – because the version of jazz waltz that Shorty Rogers serves up here is a great precursor to the great grooves to come on the European scene – especially the work from the artists at MPS Records! Tunes all have this great rhythmic pulse – a way of leaping into a groove that has the piano and bass dancing together wonderfully – often with some cool vibes from Emil Richards, and loads of great reed lines from Bud Shank and Paul Horn! Some tracks feature a small combo, some feature a larger group – and the whole thing is wonderful – with energy that almost rivals the Clarke Boland Big Band with Gigi Campi. Titles include "Be As Children", "Walk On The Wild Side", "Jazz Waltz", "Terrence's Farewell", and "A Taste Of Honey". LP, Vinyl record album
(Stereo pressing.)

Possible matches23
CD, LP, Vinyl record album cover art
Russian Jazz QuartetHappiness ... LP
Impulse, 1964. Very Good+ Gatefold ... $19.99
The one and only album recorded by the Russian Jazz Quartet – a one-off group that featured saxophonist Boris Midney and bassist Igor Berukshtis, both of whom defected from the Soviet Union – plus Roger Kellaway on piano and Grady Tate on drums. (Guess they couldn't call this the "Half-Russian Jazz Quartet"!) The strongest suit of the recording is Boris Midney, who plays alto sax and clarinet in a modern yet swinging style – following nicely on the heels of players like Jimmy Giuffre, Paul Horn, and Paul Winter. Like all three of the above, Midney also has a talent for writing – and contributed a few strong tunes to the set, numbers that have a bit of a modal groove and an undercurrent of sadness that makes them more compelling than you might think. Titles include "Composition In The Form Of Blues", "Waltz", "Remember", "Journey From Moscow", and "Dedication To MJQ". LP, Vinyl record album
(Original orange & black label pressing, in beautiful shape!)

Possible matches24
CD, LP, Vinyl record album cover art
Louis SmithSmithville ... LP
Blue Note, 1957. Near Mint- ... $26.99
A really hard-edged set from trumpeter Louis Smith – one of his only two albums as a leader from the early years, and a heck of a great little album, thanks to tenor work by Charlie Rouse! Rouse is blowing beautifully here in one of his classic pre-Monk appearances – recorded at a time when he was more of a hard bopper than a modernist, but still working with an ear for unusual tones and phrasing. His horn sounds beautiful next to the deeply soulful trumpet of Smith – and the pair are supported by a rhythm team that includes Sonny Clark on piano, Paul Chambers on bass, and Art Taylor on drums. Titles include "Smithville", "Embraceable You", "Wetu", and "Later" – all done in nice long versions! LP, Vinyl record album
(Japanese pressing, on King.)

Possible matches25
CD, LP, Vinyl record album cover art
✨✧ Cal TjaderMonterey Concerts (Concert By The Sea Vols 1 & 2) ... LP
Prestige, 1959. Near Mint- 2LP Gatefold ... $9.99
The crashing waves of the Pacific coast hardly seem like the serene setting you might want for the vibes of Cal Tjader – but this album works surprisingly well, and offers up Cal's combo in a Monterey live date, before the jazz festival really got going strong! The group's one that matches his best early albums for Fantasy – piano from Lonnie Hewitt, soulful bass from Al McKibbon, and some great Latin percussion from Mongo Santamaria and Willie Bobo! Paul Horn also joins the group on flute – blowing with lyrical lines that fit the sound wonderfully, adding a whole new dimension to the music. Many tracks are longer than usual for the Fantasy years – and titles include "Walkin With Wally", "Doxy", "Round Midnight", "Tumbao", "Love Me Or Leave Me", "SS Groove", "Tu Crees Que", and "Afro Blue". LP, Vinyl record album
(Cover has light wear.)

Possible matches26
CD, LP, Vinyl record album cover art
VariousMovements Vol 2 – 15 Deep Funk Pearls Compiled By Tobias Kirmayer ... CD
Perfect Toy (Germany), Late 60s/Early 70s. New Copy ... $6.99
A second turn in the Movements series on the Perfect Toy label – some of the most blazingly funky 45s you'll hear – put together by the Tobias Kirmayer of Tramp Records! Once again we're floored by how great all of this stuff sounds – some of the deepest, tightest funk material we've ever heard – with snapping drums, perfectly timed horn blasts – and some hard psychedelic soul touches of organ and wailing vocals – while never falling short of unfailingly funky! 15 great tracks: "If It Feels Good" by Phil Flowers, "There's A Wrinkle In Our Time" by 1984, "Don't Chain My Soul" by Carlton Basco, "My Mind Set Me Free Pt 1" by House Guests, "Now Is The Time" by Sisters Love, "Southern Fried Chicken Pts 1 & 2" by Bill Thomas & The Fendells, "Warm Daddy's Choice" by River Front Band, "Bring Out Yourself" by Emperors Soul 69, "Bahama Soul Stew" by Funky Nassau, "Motherless Child" by Harmonica Paul, "Arabian Funk" by Ray Anthony and more! CD

Possible matches27
CD, LP, Vinyl record album cover art
PtarmiganPtarmigan ... CD
Lion, 1972. New Copy ... About May 15, 2015 (delayed)
A beautifully tripped out little record from Canada – produced by Paul Horn in his more hippieish years, and with some nice jazzy undercurrents that certainly show his influence! The tracks here are all quite long and stretched out – showing a bit of an Eastern influence in their construction, and using bits of wispy guitar and some especially great flute-like work on recorder! Much of the instrumentation is acoustic, and there's a definite folksy feel to some numbers – but more in a folk funk sort of way, thanks to the jazzier phrasing used on the recorders, and the strong sense of rhythm on most numbers. Titles include "Night Of The Gulls", "Go Dancing", "The Island", "Vancouver", "Coquilhalla", and "A Hymn To The Ocean". CD
Also available Ptarmigan ... LP 18.99

Possible matches28
CD, LP, Vinyl record album cover art
Louis SmithSmithville ... CD
Blue Note (Japan), 1957. New Copy ... On June 3, 2015
A really hard-edged set from trumpeter Louis Smith – one of his only two albums as a leader from the early years, and a heck of a great little album, thanks to tenor work by Charlie Rouse! Rouse is blowing beautifully here in one of his classic pre-Monk appearances – recorded at a time when he was more of a hard bopper than a modernist, but still working with an ear for unusual tones and phrasing. His horn sounds beautiful next to the deeply soulful trumpet of Smith – and the pair are supported by a rhythm team that includes Sonny Clark on piano, Paul Chambers on bass, and Art Taylor on drums. Titles include "Smithville", "Embraceable You", "Wetu", and "Later" – all done in nice long versions! CD
Also available Smithville ... LP 26.99
 
Partial matches: 25
Partial matches41
CD, LP, Vinyl record album cover art
Mario AdnetJobim Jazz ... CD
Adventure Music, 2007. Used ... $5.99
Jazz versions of classics by Antonio Carlos Jobim – all done by a group arranged and directed by guitarist Mario Adnet, and featuring guest work from Joyce, Helio Delmiro, Romero Lumbambo, and others! The sound here is really fresh – not merely just a reworking of Jobim's original ideals, but a recasting of them in lightly arranged modes that often take on the shapes, colors, and textures of work by Moacir Santos – styles that are warm, but often have some sharper edges underneath, thanks to great interplay between the instruments. Bits of horns, guitar, piano, and percussion all come together with a tremendous sense of grace – and titles include "Tema Jazz", "Sue Ann", "Domingo Sincopado", "So Danco Samba", "Paulo Voo Livre", "Polo Pony", and "Bate Boca". CD

Partial matches42
CD, LP, Vinyl record album cover art
Dave Brubeck/Gerry Mulligan/Paul DesmondWe're All Together Again For The First Time ... LP
Atlantic, 1973. Very Good ... $5.99
Kind of a meeting of two different generations of Dave Brubeck – as the group here features Paul Desmond's alto sax, a key force in Dave's early recordings – and the baritone sax of Gerry Mulligan, a player who'd worked often with Brubeck in the late 60s and early 70s! The blend of horns is really amazing, and the live recording really moves past other obvious Brubeck modes – showing Dave's whole new conception after the breakup of the original quartet – and his willingness to open into new rhythms, and even freer modes of expression. Mulligan's baritone is wonderfully powerful – coming across here with a depth that we'd hardly have expected a few years before – and rhythm is from Jack Six on bass and Alan Dawson on drums, both players who also add to the transformation of the Brubeck groove. Titles include "Koto Song", "Unfinished Woman", "Truth", "Take Five", and "Rotterdam Blues". LP, Vinyl record album
(Cover has a cutout notch.)

Partial matches43
CD, LP, Vinyl record album cover art
Sonny ClarkSonny's Crib ... CD
Blue Note, 1957. Used ... $5.99
Hard-slamming genius from pianist Sonny Clark – one of his greatest albums for Blue Note, and a real cooker that's served up with an all-star group! Clark's vision has never been tighter or fuller than on this album – save, perhaps, for the magnificent Cool Struttin – and his command as a leader is impeccable, effortlessly shaping the horns of Donald Byrd, Curtis Fuller, and John Coltrane to realize his unique vision in music. Rhythm is by Paul Chambers on bass and Art Taylor on drums – and titles include classics like "News for Lulu" and "Sonny's Crib", plus smoking renditions of "Speak Low" and "With a Song in My Heart". CD
(Connoisseur CD series.)

Partial matches44
CD, LP, Vinyl record album cover art
✨✧ Duke EllingtonAnd His Mother Called Him Bill ... CD
RCA (Germany), 1967. Used ... $8.99
A nicely understated session that was recorded in honor of Billy Strayhorn – who'd passed away a few months before the recording. The set features all classic Strayhorn compositions – played in new versions by Duke and a group that includes Clark Terry, Johnny Hodges, Paul Gonsalves, Aaron Bell, and Jimmy Hamilton. The recording quality is great, and the sound of the album really makes old classics sparkle nicely once again! Titles include "UMMG", "Blood Count", "Boo Dah", "Rain Check", "Day Dream", "All Day Long", and "Lotus Blossom", done in a haunting solo piano version by Duke! CD features bonus tracks, too – all different titles! CD

Partial matches45
CD, LP, Vinyl record album cover art
Duke EllingtonBlue Light/Hi-Fi Ellington Uptown ... CD
Columbia/Collectables, Late 30s/1953. Used 2CD ... $8.99
Duke Ellington classics from 2 different decades! Blue Light is subtitled "jazz for that relaxed mood", but is actually a great compilation of early work by Ellington's group – recorded for Columbia during the years 1934 to 1939! Somehow, the tracks still end up sounding 30 years ahead of their time – far stronger than most other big band work of the early 50s – which is when the album was released. Recording quality is excellent, and the whole thing's awash in richly chromatic waves of sound – with titles that include "Pyramid", "Reminiscing In Tempo", "Tough Truckin", "No Greater Love", and "Finesse". Hi Fi Ellington Uptown is one of Duke's best mid 50s sides for Columbia – a strong recording that revisits many of the best elements of his earlier work, and offers up some more sophisticated scoring for the 50s! Players include Billy Strayhorn, Paul Gonsalves, Clark Terry, Ray Nance, Juan Tizol, and Louis Bellson – and the record features long versions of "The Mooche", "Perdido", "Controversial Suite", and "Skin Deep" – plus a 13 minute reading of "A Tone Parallel To Harlem (aka The Harlem Suite)". CD

Partial matches46
CD, LP, Vinyl record album cover art
Seu JorgeCarolina ... LP
Mr Bongo (UK), 2002. New Copy 2LP ... $22.99
A HUGE batch of samba-soul grooves from Seu Jorge! Jorge previously knocked around Brazil as a member of the late 90s pop group Farofa Carioca, but his first solo outing is a massive step forward into the upper echelon of the Brazilian scene! Like the best of his contemporaries, Jorge uses the rich history of samba and bossa as a springboard – but it's the pronounced contemporary qualities, such as production and mix work by Beastie Boy producer Mario Caldato – that push Carolina way over the top and make it much more than a genre exercise! The title track echoes the earlier work of Jorge Ben, who actually pens the reggae-inflected tune "Em Nagoya Eu Vi Eriko", and the tracks "Mangueira" and "O Samba Tai" have the classic samba groove and crisp background vocals that would sound right in place on Tom Ze's Se O Caso E Chorar. "Hagua" has a deep reggae thump, and nearly everything here has kind of a 70s soul feel thanks to some bright, almost Kool & The Gang-like horn arrangements! The group includes Azymuth drummer Mamao, Paulinho Black on bass, Banda Black Rio's William Magalhaes on keyboards, and Josimar Monteiro on violin. Another great new solo artist from Brazil, and one that we expect amazing things from in the years to come! LP, Vinyl record album

Partial matches47
CD, LP, Vinyl record album cover art
Mariano Loiacono & Paula ShocronWarm Valley ... CD
Rivo (Argentina), 2012. Used ... $11.99
The title's a famous tune by Duke Ellington, but given the great flugelhorn work of Mariano Loiacono on the record, we're more tempted to think of Art Farmer – and his wonderful sound in small group settings in years past! Loiacono plays with a sound that's round, but has a nice sort of bite, too – one that really works well with the punctuated piano lines of Paula Shocron, which do a lot to help the album swing in a subtle way that never overwhelms the horn. Sebastian Loiacono plays tenor on a few tracks – and the rest of the group features Jeronomi Carmona on bass and Eloy Michelini on drums. Titles include "Elvin", "Bird Song", "Blues For My Hero", "Lover", "Stablemates", and of course, "Warm Valley". CD
(Out of print.)

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Louis Moholo Moholo's Viva La BlackExile ... CD
Ogun (UK), 1990/1991. New Copy Gatefold ... $9.99
Brilliant recordings from drummer Louis Moholo – done at a time when he was one of the few surviving members of the legendary Blue Notes – working here with his Viva La Black combo, in a sound that has a similar mix of South African roots and European avant modes! The material's from the mid 90s, and is incredibly strong – a great reminder that in the right corners of the UK scene, there was still some plenty righteous jazz going down – rich in spirit and soul, and let loose with a great sense of freedom on the solos! In addition to Moholo's percussion, the group also features Sean Bergin on tenor and flute, Steve Williamson on tenor and alto, Claude Deppa on trumpet and flugelhorn, Frank Douglas on guitar, Paul Rogers on bass, and Thebe Lipere on percussion – and although the music was recorded in the studio, it definitely has the energy of a freewheeling live performance. Titles include "Plastic Bag", "Visions", "Dudu Pukwana", "Kwa Langa Kumandi", "Wathinta Amadoda", and "For The Blue Notes". CD

Partial matches49
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Wayne ShorterAll Seeing Eye (RVG remaster edition) ... CD
Blue Note, 1965. New Copy ... $6.99 9.98
An excellent set of some fairly out material – performed by Shorter with a group that includes Freddie Hubbard, Grachan Moncur, James Spaulding, Herbie Hancock, and a rare appearance by his brother Alan on flugelhorn! At times, the record builds into a sound that's freer and more challenging than on some of Shorter's other albums from the time – but it does so in more of the "new thing" mode that you'd hear on records from the time by Jackie McLean or Moncur, with an overall sense of purpose that really keeps the message clear. Features all original compositions by the Shorter brothers – and cuts include "Chaos", "Face Of The Deep", "Mephistopheles", and "Genesis". CD

Partial matches50
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Stanley TurrentineRough & Tumble ... LP
Blue Note, Late 60s. Very Good+ ... $28.99
A great album – with a really swinging groove! Stanley's soulful horn is set in a slightly larger group, in the style that would dominate his later years for the Blue Note label. Duke Pearson arranged the set, and players include James Spaulding, Blue Mitchell, Grant Green, Pepper Adams, and McCoy Tyner. Tracks are of medium length, with Stan blowing some nicely-pinched solos on titles like "Shake", "Walk On By", and "And Satisfy" – all with tight arrangements by Pearson. LP, Vinyl record album
(New York mono pressing. Cover has light aging, some wear along the top seam and a promo ink stamp.)

Partial matches51
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✨✧ Stanley TurrentineSpoiler ... LP
Blue Note, 1966. Near Mint- ... $19.99
Stanley Turrentine's no spoiler here – as his tenor sax soars out over the top of some sweet larger group arrangements from Duke Pearson – all awash in a great sense of soul, joy, and life! The album's got a much brighter feel than you might guess from the cover – a vibe that's a bit similar to Stan's classic Joyride album, but a bit more open and free – thanks to the lyrical touches of Pearson on the charts. Other players include Blue Mitchell on trumpet, Julian Priester on trombone, James Spaulding on alto and flute, and Pepper Dadams on baritone sax – plus rhythm from McCoy Tyner on piano, Bob Cranshaw on electric bass, Mickey Roker on drums, and Joseph Rivera on percussion. As on some of the other Pearson dates from the time – particularly those with Donald Byrd – the use of electric bass really opens things up, by creating a subtle rhythmic pulse that really drives most numbers along. And also in the Pearson mode, the added players aren't really a horn section in the conventional way – just a group of like-minded, top-shelf jazz players who egg on the main soloist with a great sense of enthusiasm for the music! Titles include "La Fiesta", "The Magilla", "Sunny", "Maybe September", "You're Gonna Hear From Me", and "When The Sun Comes Out". LP, Vinyl record album
(Liberty pressing. Cover has a small cut corner and some light wear.)

Partial matches52
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Os GatosAquele Som Dos Gatos ... CD
Philips (Japan), 1965. New Copy ... On June 10, 2015
One of the most legendary groups from the bossa era in Brazil – a combo of incredible players, working with sublime arrangements by Eumir Deodato – all in a sound that hardly been matched again! The group only ever recorded two albums, but they've had a lasting impact on the sound of bossa for years to come – thanks to an expansive vision that brings together spare rhythms, jazz soloing, and larger strings – all with a quality that's lighter than air – almost a sum that's far less than the total of its elements – but in a really great way! The sense of spareness and poise here is really amazing – years ahead of Deodato's better-known US arrangements in the late 60s, and somehow even more impressive here. Players include Paulo Moura on alto sax, Neco on guitar, Meirelles on flute, Wilson Das Neves on drums, and Mauricio Einhorn on harmonica – and some tracks also feature a bit of light vocals floating along gently, almost as instruments themselves. Titles include "Aqua De Beber", "Clichet", "Feitinha Pro Poeta", "E Nada Mais", "Blue Set", and "Silk Stop". CD

Partial matches53
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Duke PearsonWahoo! ... CD
Blue Note (Japan), 1964. New Copy ... On June 3, 2015
Wahoo is right – as Duke Pearson sets up one of his hippest sessions of the 60s, a lyrical batch of soul jazz tracks, with that slight edge of darkness that he was putting into his best work as the decade progressed! Players include James Spaulding on alto and flute, Joe Henderson on tenor, and Donald Byrd on trumpet – and the overall feel is perhaps a bit like some of those Byrd sessions that were heavily influenced by Pearson, but also with a bit of the later expansive style of writing for horns that you'd find on albums like Pearson's Prarie Dog or Bobby Hutcherson's The Phantom. Titles include "ESP", "Fly Little Bird Fly", "Farewell Machelle", "Bedouin", and "Amanda". CD

Partial matches54
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Paul Bley, Franz Koglmann, Gary PeacockAnnette ... CD
Hatology (Switzerland), 1992. Used ... Just Sold Out!
Paul Bley returns to important territory from earlier years – the compositions of Annette Peacock, which often offered up some of his best musical moments during the 70s! The format here is different than the ECM years, though – a bit edgier, in that the piano of Bley and bass of Gary Peacock is mixed with trumpet and flugelhorn lines from Franz Koglmann, who not only really gives the set an expressive depth, but also ties the Bley/Peacock mode to a later strand of European improvisation. In fact, the record's almost a sonic shift in time – representing the newer era of avant recording by Hat Art, and instantly displaying its contrast with the earlier ECM aesthetic that brought Bley to many ears. Peacock's original tune structures provide a lot of familiar signposts along the way – even though the paths taken are quite different! Titles include "Both", "Mister Joy", "Touching", "Miracles", "Albert's Love Theme", "Cartoon", "Annette", and "Kid Dynamite". CD
(Out of print.)

Partial matches55
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✨✧ Beastie BoysLove American Style EP ... 12-inch
Capitol, 1989. Used (pic cover)... Temporarily Out Of Stock
Original pressing of this long out-of-print e.p., with two tracks from Paul's Boutique – "Hey Ladies" and "Shake Your Rump" plus 2 rare cuts, which are only on a rare promo LP besides this: "33% God" and "Dis Yourself In '89"! With a dope Nathaniel Hornblower cover image too. 12-inch, Vinyl record
(Original pressing.)

Partial matches56
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✨✧ Duke EllingtonAnd His Mother Called Him Bill (Bluebird pressing) ... CD
RCA/Bluebird, 1968. Used ... Temporarily Out Of Stock
A nicely understated session that was recorded in honor of Billy Strayhorn – who'd passed away a few months before the recording. The set features all classic Strayhorn compositions – played in new versions by Duke and a group that includes Clark Terry, Johnny Hodges, Paul Gonsalves, Aaron Bell, and Jimmy Hamilton. The recording quality is great, and the sound of the album really makes old classics sparkle nicely once again! Titles include "UMMG", "Blood Count", "Boo Dah", "Rain Check", "Day Dream", "All Day Long", and "Lotus Blossom", done in a haunting solo piano version by Duke! CD
(Out of print. BMG Direct pressing.)

Partial matches57
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✨✧ Duke EllingtonEllington Uptown ... CD
Columbia/Legacy, 1952. Used ... Temporarily Out Of Stock
One of Duke Ellington's standout sides for Columbia – a strong recording that revisits many of the best elements of his earlier work, and offers up some more sophisticated scoring for the 50s – thanks to extended track length in the LP generation! The tunes here are older ones, but they're taken to some nicely hip territory – thanks to Duke's strong ear for modern changes, and a line up of players that includes Billy Strayhorn on piano, Paul Gonsalves on tenor, Clark Terry and Ray Nance on trumpets, Juan Tizol on trombone, and Louis Bellson on drums. Bellson does a great job on the classic "Skin Deep" – a real showcase for his talents in this recording – and other titles include "The Mooche", "Take The A Train", and "Perdido" – plus a 13 minute reading of "A Tone Parallel To Harlem (aka The Harlem Suite)". CD

Partial matches58
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✨✧ Thad JonesMotor City Scene ... CD
United Artists/EMI (Japan), 1959. Used ... Temporarily Out Of Stock
A rare treasure from Thad Jones – a unique one-off session for United Artists, cut right around the same time as his classic 50s dates for Blue Note! The format is very laidback and open-ended – not really a blowing session, but kind of a relaxed studio outing – one that has Jones working with some players from his Detroit hometown, laying solos in the cut over some warmly soulful rhythms! Tracks are all nice and long, which gives plenty of room for solos – and in addition to Jones on cornet and flugelhorn, the set also features trombone from Al Grey, tenor from Billy Mitchell, piano from Tommy Flanagan, bass from Paul Chambers, and drums from Elvin Jones. Mitchell is always amazing in a set like this – and the album's one of his few small group sets of the time – worth it alone for his excellent playing. Titles include "Like Old Times", "Minor On Top", "Let's Play One", and "No Refill". CD

Partial matches59
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✨✧ Hank MobleySlice Of The Top ... LP
Blue Note, 1966/1979. Used ... Temporarily Out Of Stock
A lost session by Hank Mobley – originally recorded in 1966, but not officially issued until 1979, and then only briefly until another short issue in the mid 90s! The record has Mobley really reaching out into a new bag – hitting a more soulfully arranged sound than on some of his other straighter Blue Notes – a full, rich groove that's totall wonderful! Duke Pearson arranged the group, and it's slightly larger than usual – with James Spaulding on alto, Lee Morgan on trumpet, McCoy Tyner on piano, Reggie Workman on bass, Billy Higgins on drums, and Kiane Zawadi and Howard Johnson providing a very unique tuba/euphonium bass part – hardly the clunky horns you might expect, and instead sort of a rumbling bottom-end sound that's really great. Titles include "Hank's Other Bag", "Touch Of Blue", and "A Slice Of The Top". LP, Vinyl record album
(Original pressing. Shrinkwrap has a hole from sticker removal. Cover has a cutout hole and a light mark from sticker removal.)

Partial matches60
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✨✧ John ColtraneSoultrane ... LP
Prestige, 1958. Used ... Out Of Stock
A bold early statement from a young John Coltrane – and an album that really has him expanding his talents as a tenor soloist! Coltrane's working here in open-ended quartet format – with backing from the Red Garland trio that includes Paul Chambers and Art Taylor – on a set of longer tunes that really let the young Trane stretch out on his solos, unobstructed by any other horns in the lineup. There's a nice mix of hardbop ideals, gentle ballads, and personal soul to the set – and titles include Coltrane's classic reading of Tadd Dameron's "Good Bait", plus "I Want To Talk About You", "Russian Lullaby", and "Theme For Ernie". LP, Vinyl record album
(Early OJC pressing. Cover has some light wear.)
 
 
 



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