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Paul Horn Edit search Phrase match

 
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Exact matches: 2
Exact matches1
CD, LP, Vinyl record album cover art
Paul Horn/Steven HalpernConnections ... LP
Gramavision, 1985. Near Mint- ... $7.99
... LP, Vinyl record album
(Promo. Cover has a cutout hole.)

Exact matches2
CD, LP, Vinyl record album cover art
✨✧ Paul HornPaul Horn & Nexus ... CD
CBS/Wounded Bird, 1975. New Copy ... Out Of Stock
Some of the best Paul Horn recordings of the 70s – tracks that were recorded amidst the Brazilian fusion explosion of the 70s, and which really push Horn's sound to the limit! The album features work that Horn cut with the funky fusion group Nexus – very electrified tracks driven on by some heavy percussion work that clearly comes out of the Brazilian tradition spread to the US by Airto – jazzy, frenetic, and with a good mix of electric and organic elements! Titles include "Somba", "Crystals", "Freindship", "Nexus", "Mbira", "Capetown", and "African Funeral Song". CD
 
Possible matches: 32
Possible matches3
CD, LP, Vinyl record album cover art
✨✧ Sonny Stitt & Paul GonsalvesSalt & Pepper ... LP
Impulse, 1963. Very Good+ Gatefold ... $4.99
Head to head blowing from Sonny Sitt and Paul Gonsalves – just the kind of twin-horn performance that Stitt was famous for in his live battle days, and one that also reminds us that Gonsalves can be a very loose swinger when he wants to be! The tracks are all long, and played with the sort of feel you'd hear if you caught these guys live at some small southside club – and the solos also show the kind of inventiveness and imagination you'd catch in that sort of setting – backed by a swinging rhythm combo that features Hank Jones on piano, Milt Hinton on bass, and Osie Johnson on drums. Titles include a version of "Perdido" that's nearly 13 minutes long – plus "Stardust", "Sposin", "Salt & Pepper", and "Theme From Lord Of The Flies". LP, Vinyl record album
(Green label ABC pressing. Cover has some wear.)

Possible matches4
CD, LP, Vinyl record album cover art
✨✧ Tina BrooksBack To The Tracks ... CD
Blue Note, 1960. Used ... Just Sold Out!
One of those rare Blue Note sessions from tenorist Tina Brooks – originally recorded for the label in 1960, but never issued at the time – yet easily on a par with their more famous work of the period! Brooks' horn has a nice hard edge here – that sharp-edged modernism you'd hear with Jackie McLean, who makes a key appearance here on the album's famous "Street Singer" track. Jackie's not on the rest of the record, but that's fine with us – because other players are all equally great, and include Blue Mitchell on trumpet, Kenny Drew on piano, Paul Chambers on bass, and Art Taylor on drums. Apart from "Street Singer", other titles include "The Ruby & The Pearl", "Back To The Tracks", "For Heaven's Sake", and "The Blues & I". CD
(Out of print original pressing.)

Possible matches5
CD, LP, Vinyl record album cover art
Tina BrooksBack To The Tracks ... CD
Blue Note (Japan), 1960. New Copy ... $15.99
One of those rare Blue Note sessions from tenorist Tina Brooks – originally recorded for the label in 1960, but never issued at the time – yet easily on a par with their more famous work of the period! Brooks' horn has a nice hard edge here – that sharp-edged modernism you'd hear with Jackie McLean, who makes a key appearance here on the album's famous "Street Singer" track. Jackie's not on the rest of the record, but that's fine with us – because other players are all equally great, and include Blue Mitchell on trumpet, Kenny Drew on piano, Paul Chambers on bass, and Art Taylor on drums. Apart from "Street Singer", other titles include "The Ruby & The Pearl", "Back To The Tracks", "For Heaven's Sake", and "The Blues & I". CD
(SHM-CD pressing!)

Possible matches6
CD, LP, Vinyl record album cover art
Ray BrownJazz Cello ... CD
Verve, 1960. Used ... $6.99
The great bassist Ray Brown proves that any instrument can swing – here picking up a cello, and grooving wonderfully in a very warm setting! The album features arrangements by Russ Garcia – slightly modern, and with lots of space, so that Ray can play both bass and cello with room to stretch out in complicated solos that might have gotten buried under larger backings. Other players include Don Fagerquist, Paul Horn, Bob Cooper, and Jimmy Rowles – and titles include "Rosalie", "Alice Blue Gown", "Tangerine", "That Old Feeling", and "Memories Of You". CD
(Out of print. Inside of digipack has a store stamp and some writing in pen.)

Possible matches7
CD, LP, Vinyl record album cover art
John Coltrane5 Original Albums (Soultrane/Lush Life/Dakar/Bahia/Last Trane) (5CD set) ... CD
Prestige/Universal (Germany), Late 50s/1960s. New Copy 5CD ... $24.99
5 early albums from John Coltrane – packaged together in mini LP-styled jackets! First up is Soultrane, a bold early statement from a young John Coltrane – and an album that really has him expanding his talents as a tenor soloist! Coltrane's working here in open-ended quartet format – with backing from the Red Garland trio that includes Paul Chambers and Art Taylor – on a set of longer tunes that really let the young Trane stretch out on his solos, unobstructed by any other horns in the lineup. There's a nice mix of hardbop ideals, gentle ballads, and personal soul to the set – and titles include Coltrane's classic reading of Tadd Dameron's "Good Bait", plus "I Want To Talk About You", "Russian Lullaby", and "Theme For Ernie". Lush Life is strong work from John Coltrane's early years as a leader – even if the album is sort of a collection of tracks that Trane recorded for Prestige, instead of a discreetly separate session! Side one features Coltrane's tenor in a spare setting with Earl May on bass and Art Taylor on drums – playing mellow tunes like "I Love You" and "Like Someone In Love", as well as the original "Trane's Slow Blues". Side two features a blowing session mode – with Donald Byrd, Red Garland, Paul Chambers, and Louis Hayes – on the cuts "Lush Life" and "I Hear A Rhapsody". Dakar is a very unique little record that features twin baritone sax support from Pepper Adams and Cecil Payne! Both players are wonderfully hip here – more than enough to match Trane's unique musical vision for the group's format – and the sound of the session is much edgier than some of his other Prestige work – which may be why the label chose not to issue it until 1963, even though it was recorded back in '57. There's a nice roughness here – the same inspirational early sound you'll get on Coltrane's early sides for Savoy or Imperial – and other players include Mal Waldron on piano, Doug Watkins on bass, and Art Taylor on drums. Titles include "Cat Walk", "Dakar", "Route 4", "Velvet Scene", and "Witches Pit". Bahia is a set that includes some very compelling sounds from the early years, really showing the tenorist in a strongly spiritual transition! Coltrane plays tenor throughout, and the record also features the Red Garland trio, with Red on piano, Paul Chambers on bass, and either Art Taylor or Jimmy Cobb on drums – but the set also features trumpet from the great Wilbur Harden on half the record – Coltrane's frequent partner over at Savoy Records, who comes into the music here with the sort of searching, open style that works so well with Trane's tenor! The music is partly in the Garland/Coltrane late 50s Prestige mode, but also has some of the deeper spiritual vibe of the Savoy years too – and titles include "I'm A Dreamer Aren't We All", "Something I Dreamed Last Night", "Bahia", and "Goldsboro Express". The final CD is album's titled The Last Trane because it represents the last material that Prestige Records had in its vault from the time that John Coltrane was recording for the label in the late 50s. Titles were recorded on 3 different dates from 1957 and 1958 – mostly with Red Garland on piano, and also featuring some additional horn work by Donald Byrd on 2 tracks. The album's got a great spare track called "Slowtrane" – one that features Coltrane playing with only bass and drums for accompaniment – and which recalls the genius of some of his sessions for Transition or Imperial. Byrd's blowing alongside the tenor on versions of "Lover" and "Come Rain Or Come Shine" – and the set's rounded up by a nice open-ended track called "By The Numbers", which has a warm bluesy solo by Trane! CD

Possible matches8
CD, LP, Vinyl record album cover art
John ColtraneAfrica/Brass/Coltrane Jazz ... CD
Impulse/Not Now, 1960/1961. Used 2CD ... $5.99
Quite a different album than usual for John Coltrane, but a classic one too – and a set that has the great one exploring his ideas in a set of longer tracks recorded with an expanded jazz orchestra! The format's hardly the mainstream big band of the time – as Coltrane's filled the group with very hip players – including Booker Little, Freddie Hubbard, Julian Priester, and Eric Dolphy – in addition to usual compatriots who include McCoy Tyner, Reggie Workman, and Elvin Jones. The tunes have a soaring, modal sort of pulse – one that's filled with color and light from the addition of the other horn players, but which still has plenty of space for extended, exploratory solos. Coltrane plays both tenor and soprano sax – and titles include the legendary 16 minute track "Africa", a classic reading of "Greensleeves", redone here as a modal searching spiritual track, and "Blues Minor". This 2 CD set also includes the album Coltrane Jazz. The title may be a simple one, but the record really marks a key point in John Coltrane's development – an embrace of the newer freedoms allowed to him at Atlantic Records, but in a way that's a bit more subtle than some of his other work for the label! At one level, the record moves at the same groove as Trane's later Prestige years – with rhythm mostly from Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – carving out some sharp lines for Coltrane to cascade over on tenor sax. Yet there's also a new sense of darkness here too – one that moves into edgier territory, and which isn't nearly as settled in as before. These qualities sneak out of both original numbers like "Harmonique", "Fifth House", and "Like Sonny" – as well as standards like "My Shining Hour" and "Little Old Lady". And they really come to the forefront on the classic "Village Blues" – the one track that features the new Coltrane group of McCoy Tyner, Steve Davis, and Elvin Jones! CD

Possible matches9
CD, LP, Vinyl record album cover art
Miles DavisCookin' With The Miles Davis Quintet ... CD
Prestige, 1957. Used ... $3.99
A seminal session from the team of Miles Davis & John Coltrane – not nearly as "cookin" (at least in a blowing session way) as you might guess from the title, but instead a beautiful example of the lyrically modern explorations the pair created together! Rhythm is by the trio of Red Garland, Paul Chambers, and Philly Joe Jones – but the horn work of Davis and Coltrane are clearly the starring attraction on the set! Titles include "Tune Up", "Blues By Five", and "Airegin" – plus the pair's classic reading of "My Funny Valentine". CD

Possible matches10
CD, LP, Vinyl record album cover art
Duke EllingtonDuke Ellington Presents ... CD
Bethlehem, 1956. Used ... $1.99
An excellent and oft-overlooked 50s session from Duke – recorded in Chicago as a one-off for the Bethlehem label, and done with a lush, rich sound that's really tremendous! The group's nicely restrained and very moody – playing here in a mellow late nite mode that offers a good focus on the best horn soloists in the group, yet which also really hangs together perfectly from the slow-moving and eerie tone of the rest of the group. Jimmy Grissom sings a bit on the set, and other players include Johnny Hodges, Paul Gonsalves, Cat Anderson, and Ray Nance – on tracks that include "Day Dream", "Blues", "Frustration", "My Funny Valentine", and "Laura". CD
(Out of print.)

Possible matches11
CD, LP, Vinyl record album cover art
David FriesenStar Dance ... LP
Inner City, 1976. Very Good+ ... $4.99
One of the more compelling sessions from the left side of the Inner City jazz label of the 70s – work that's partly fusion, but with plenty of aspects that push it far from the mainstream! Leader David Friesen plays acoustic bass on the set, but he's in a group with John Stowell on electric guitar, and the mighty Steve Gadd on drums – whose propulsive approach really drives the sound of the record strongly on some of the group numbers. Reedman Paul McCandless plays oboe and English horn, both unusual choices, but instruments that work well here – with an angularity that matches soprano sax usage in fusion during the 70s, although a bit warmer at times. Tracks are somewhat short, and include some really compelling solo numbers – recorded with a wonderfully round, soulful sound. Titles include "Winter's Fall", "Duet & Dialogue", "Mountain Streams", "A Little Child's Poem", "1 Rue Brey", "Star Dance", and "Children Of The Kingdom". LP, Vinyl record album
(Cover has light wear and a cut corner.)

Possible matches12
CD, LP, Vinyl record album cover art
Charlie HadenLiberation Music Orchestra (180 gram pressing – with download) ... LP
Impulse (Germany), 1969. New Copy Gatefold (reissue)... $22.99 24.98
One of the most beautiful albums that Charlie Haden ever recorded – and if he only ever appeared on one record in his life, we'd still love him tremendously for this one! The album has a feel that's very much in keeping with both the "liberation" and "orchestra" in the title – "liberation", in that the music is filled with inspiration from South American sources, and has a strongly political feel at times; and "orchestra" because the group here is somewhat large, and filled with a tremendous array of expressive players – including Gato Barbieri on tenor, Dewey Redman on alto and tenor, Don Cherry on cornet and flutes, Michael Mantler on trumpet, Roswell Rudd on trombone, Robert Northern on French horn, Paul Motian and Andrew Cyrille on percussion, Carla Bley on piano, and Perry Robinson on clarinet. Haden leads these disparate talents through a set of tremendously focused music – filled with as many ideas as it is with a sense of humanity and soul – all to brilliantly point the way forward for the new sound of Impulse Records in the years after Coltrane's death! Titles include the classic "Song For Che", plus Ornette's "War Orphans", Carla Bley's "The Interlude", and "Song Of The United Front", by Hans Eisler, and with words by Brecht! LP, Vinyl record album

Possible matches13
CD, LP, Vinyl record album cover art
Fred KatzZen – The Music Of Fred Katz ... LP
Pacific Jazz, 1957. Very Good- ... $14.99
An important early album of compositions by Fred Katz – recorded at the time when he was the cello player in Chico Hamilton's groundbreaking late 50s group! The tunes are distinctly more modern than even his work with Chico – and are played by Hamilton-esque players that include Paul Horn or Harry Klee on flute and saxes, Carson Smith on bass, John Pisano on guitar, and Chico himself on drums and tympani. There's some added strings and woodwinds on a number of tracks, and the tunes move between 50s chamber jazz and 50s chamber modern – with titles that include "Montuna", "Katz Up", "Loma", "Pluck It", "Lord Randall", and "Suite For Horn". LP, Vinyl record album
(Black label pressing with deep groove. Cover has a split top seam & old tape along the bottom seam.)

Possible matches14
CD, LP, Vinyl record album cover art
Les Jazz ModesLes Jazz Modes ... LP
Dawn, 1956. Near Mint- ... $28.99
A haunting bit of jazz by one of the most unique groups in the business. Charlie Rouse's tenor is great, and sounds quite different than on his recordings with Monk. Gildo Mahones plays piano, and he really hits some nice moody lines that don't ever show up on his records with Lambert, Hendricks, and Ross. Julius Watkins is on french horn and Paul Chambers and Ron Jefferson round out the rhythm section, and the group is augmented here with hart and soprano voice. Includes "Strange Tale", "Garden Delights", "Idle Evening", "Blue Modes", and "Town & Country". LP, Vinyl record album
(Japanese pressing, with obi! Back of obi has a light crinkle, and cover has some very light aging – but this is a great copy overall.)

Possible matches15
CD, LP, Vinyl record album cover art
Jackie McLeanMcLean's Scene ... LP
New Jazz, Late 50s. Very Good- ... $99.99
McLean's Scene is a strong one – as the young Jackie is really coming into his own at the time of the session, blowing and growing with a soulful command of the alto sax that would emerge even more strongly in the 60s. The album's got McLean working in a slightly open-ended way – almost a blowing session, but a bit more controlled – yet in that relaxed style that always seemed to get the most sharpness out of Jackie's horn at the time. Other players include Bill Hardman on trumpet, Mal Waldron or Red Garland on piano, Paul Chambers or Arthur Phipps on bass, and Art Taylor on drums. Titles include "Gone With the Wind", "Our Love Is Here to Stay", "Old Folks", "Outburst", "Mean To Me", and "McLean's Scene". LP, Vinyl record album
(Purple label New Jazz pressing, deep groove & RVG stamp, with a small sticker and some pen on one side. Cover has a split top seam, mostly split bottom seam, with a fairly large light and flaky stain and a name in pen on back.)

Possible matches16
CD, LP, Vinyl record album cover art
Art PepperArt Pepper Meets The Rhythm Section ... CD
Contemporary (Japan), 1957. Used ... $13.99
One of Art Pepper's classic recordings, in which he plays with a spare quartet backing by Miles Davis' rhythm section at the time – Paul Chambers, Red Garland, and Philly Joe Jones. An essential "east meets west" jazz recording, with Art at the top of his game, playing in a unique setting for the first and only time (it's said that Art didn't even know of the date until the morning of the session). Pepper is one of the few alto players to really establish his own voice on the horn, without aping Bird, and his emotive playing really shines here. A definitive version of "Straight Life" is on this album, along with "Waltz Me Blues", "You'd Be So Nice To Come Home To". and "Star Eyes". CD
(Out of print.)
Also available Art Pepper Meets The Rhythm Section ... LP 199.99

Possible matches17
CD, LP, Vinyl record album cover art
Art PepperArt Pepper Meets The Rhythm Section ... LP
Contemporary, 1957. Very Good ... $199.99
One of Art Pepper's classic recordings, in which he plays with a spare quartet backing by Miles Davis' rhythm section at the time – Paul Chambers, Red Garland, and Philly Joe Jones. An essential East meets West jazz recording, with Art at the top of his game, playing in a unique setting for the first and only time (it's said that Art didn't even know of the date until the morning of the session). Pepper is one of the few alto players to really establish his own voice on the horn, without aping Bird, and his emotive playing really shines here. A definitive version of "Straight Life" is on this album, along with "Waltz Me Blues", "You'd Be So Nice To Come Home To" and "Star Eyes". LP, Vinyl record album
(Original mono deep groove pressing. Vinyl has a mark that clicks on "Imagination".)
Also available Art Pepper Meets The Rhythm Section ... CD 13.99

Possible matches18
CD, LP, Vinyl record album cover art
Quartetto ModernoEcco! ... CD
Schema (Italy), 1999. New Copy ... $11.99
One of the most beautiful jazz recordings we've heard in a long time! Italy's Quartetto Moderno is a vibes-led combo with a classic modal feel – similar to Bobby Hutcherson's pre-new thing years on Blue Note, or some of the early Roy Ayers & Jack Wilson recordings from LA. The sound is extremely captivating, and the main frontline of vibes and piano is augmented on a number of tracks by flute and alto. The set's got a great cover of Paul Horn's lost modal groover "Mr. Bond", plus loads of great originals, like "Giovani D'Oggi", "Il Gioco Delle Parti", "Astro Gange", and "Moderns Dilemma". Very nice stuff, and with a sound and feel that's far more sophisticated than some of the other titles on Schema! CD

Possible matches19
CD, LP, Vinyl record album cover art
✨✧ Louis SmithSmithville ... LP
Blue Note, 1957. Very Good+ ... $39.99
A really hard-edged set from trumpeter Louis Smith – one of his only two albums as a leader from the early years, and a heck of a great little album, thanks to tenor work by Charlie Rouse! Rouse is blowing beautifully here in one of his classic pre-Monk appearances – recorded at a time when he was more of a hard bopper than a modernist, but still working with an ear for unusual tones and phrasing. His horn sounds beautiful next to the deeply soulful trumpet of Smith – and the pair are supported by a rhythm team that includes Sonny Clark on piano, Paul Chambers on bass, and Art Taylor on drums. Titles include "Smithville", "Embraceable You", "Wetu", and "Later" – all done in nice long versions! LP, Vinyl record album
(UA pressing.)

Possible matches20
CD, LP, Vinyl record album cover art
Cal TjaderCal Tjader Plays The Contemporary Music Of Mexico & Brazil ... CD
Verve, 1962. Used ... $5.99
A groovy 60s session from vibist Cal Tjader – and an excellent little Latin set, with a mixture of bossa nova and Latin jazz that goes way beyond the promise of the title! The great Clare Fischer arranged the set – and if you know his work with Cal, you know that he's got a wonderful approach to jazz that works perfectly with Tjader's unique phrasing – a spacious sensibility, and a great sense of timing – one that always ensures the tunes sparkle with a sweetly stepping groove. Fischer plays piano on the record – and other players include Laurindo Almeida on guitar, Paul Horn on reeds, Johnny Rae on timbales, and Milt Holland on percussion. Titles include "Choro E Batuque", "Nao Diga Nada", "Elizete", "Imagen", "Vai Querer", and "Que Tristeza". CD

Possible matches21
CD, LP, Vinyl record album cover art
✨✧ Cal Tjader & Mary StallingsCal Tjader Plays Mary Stallings Sings (plus bonus tracks) ... CD
Fantasy/OJC, 1961. Used ... Just Sold Out!
One of the few albums ever that has vibist Cal Tjader working with a vocalist – and not a bad idea, either, considering that Cal's cool style always seems to provide a compelling backdrop for a singer! Mary Stallings was a lesser-known west coast vocalist at the time – but she sings with a bluesy depth that's totally on the money – a sound that eventually won her the recognition she deserved many years later! This set's still probably our favorite by Stallings, though – as it captures her in a youthful freshness that's made even better by the lightly jazzy backings of the Tjader group. Players include Clare Fischer on piano, Lonnie Hewitt on electric piano, and Paul Horn on flute – and titles include "Goodbye", "Mighty Rumblin Blues", "It Ain't Necessarily So", "Why Don't You Do Right", "Mr Blues", "Just Squeeze Me", "I Didn't Know About You", and "I'm Beginning To See The Light". CD also features 2 bonus tracks – "Just In Time" and "Why Don't You Do Right (alternate take)". CD

Possible matches22
CD, LP, Vinyl record album cover art
VariousBorn Free – The 12th German Jazz Festival 1970 (9CD set) ... CD
Be! (Germany), 1970. New Copy ... $129.99 199.99
A huge document of this incredible year in jazz in Germany – a time when free styles were breaking out all over, alongside some of the groovier styles of the MPS scene as well! This beautiful box documents the 12th German Jazz Festival in three different concerts – amazing music that really shows the transformation that was taking place at the time – and which is still revolutionary all these many years later – making for a listening experience that makes us feel like we're hearing music from the future, and not over 40 years in the past! The range of performers here is amazing – and CD 1 features a long performance The German Festival Big Band – with reeds from Emil Mangelsdorff, Heinz Sauer, Joki Freund, and Gerd Dudek; trombones from Albert Mangelsdorff and Peter Herbolzheimer, trumpets from Frederic Rabold and Manfred Schoof, guitar from Volker Kriegel, bass from Gunter Lenz, and drums from Kurt Bong and Rolf Hubner – plus four long tracks from the Dave Pike Set, with stellar vibes and guitar! CD2 features the Albert Mangelsdorff Quartet, with trombone from the leader, and alto and tenor from Heinz Sauer – plus a group led by Wolfgang Dauner on piano, clavichord, and ring modulator – with Ack Van Rooyen on trumpet, Joki Freund on tenor and soprano sax, Peter Herbolzheimer on trombone, and Gerd Dudek on flute and tenor. CD3 features Karin Krog singing on two long tracks penned by Dave Pike, who plays vibes in a group that also includes Albert Mangelsdorff on trombone – and the rest of the CD features Phil Woods European Rhythm Machine, with Gordon Beck on Fender Rhodes. CD4 features two long tracks by the Klaus Doldinger Quartet with Ingfried Hoffmann on organ; three more tracks from the Frederic Rabold Crew, with the leader on trumpet and alto horn; and one more track from the Jazzworkers Quintet. CD5 features the Frankfurter Trio Fur Improvisation, with Christian Mollers on clarinet, Wolf Burbat on flute, and Klaus Henning Usadel on bass – plus one long track by Just Music with Alfred Harth on tenor and clarinet, Johannes Kramer on guitar, Dieter Hermann on trombone, and Franz Volhard and Thomas Stowsand on cellos – as well as two tracks by the Modern Jazz Quintet Karlsruhe, which features Herbert Joos on flugelhorn and Wilfried Eichorn on reeds. CD6 features a long track by Free Jazz Group Wiesbaden – and another long track from Limbus 4 – a group that features a lot of flutes, percussion, and diverse instrumentation. CD7 features a reading of "F*ck Der Boere" by the Peter Brotzmann Group, which also includes Evan Parker and Willem Breuker on reeds, plus Malcolm Griffiths and Paul Rutherford on trombone – as well as Derek Bailey on guitar and Han Bennink on percussion. The CD also features a long track by the New Jazz Trio of trumpeter Manfred Schoof. CD8 features work by the Alexander Von Schlippenbach Trio, the Pierre Favre Group, and the quartet of Joachim & Rolf Kuhn. CD9 is maybe the most amazing – as it features a long track that merges German players with the Art Ensemble Of Chicago – billed as the European Free Jazz Orchestra Of The Art Ensemble Of Chicago – as well as work by Gunter Hampel with Jeanne Lee. An insanely wonderful package – filled with free, avant, and groovy jazz we've never heard before! CD
 
Partial matches: 43
Partial matches35
CD, LP, Vinyl record album cover art
Paul JohnsonPaul Johnson Scene #001 – Welcome To The Warehouse/I Get Lifted/Play Those Horns (horny warehouse mix, PJ's niteclub edit, bonus bar beats) ... 12-inch
Warehouse, 1994. Very Good ... $19.99
Early 90s house, a hard to get EP from one of the DJs and producers who'd help lead the second generation Chicago house renaissance on Relief and other labels with a stripped down approach that got back to the basics! 12-inch, Vinyl record
(In the stickered sleeve.)


Partial matches37
CD, LP, Vinyl record album cover art
✨✧ Paul Bley12 + 6 In A Row ... CD
Hat Hut (Switzerland), 1990. Used ... Temporarily Out Of Stock
Solo, duo, and trio recordings from Paul Bley – all done in an amazingly inventive mode that takes us back to his key sessions of the early 70s! Bley's in great company here – with Hans Koch on reeds and Franz Koglmann on flugelhorn – both musicians who share Paul's sense of sound as shapes, shaped by the space in between – yet always in ways that still have a beating heart underneath – and are never too academic for their own sakes. The blend is a careful one, but it rings true here right from the very first note – on a beautifully recorded batch of 18 tracks! CD
(Out of print.)

Partial matches38
CD, LP, Vinyl record album cover art
✨✧ Gerry Mulligan & Paul DesmondGerry Mulligan & Paul Desmond Quartet (with bonus tracks) ... CD
Verve, 1957. Used ... Temporarily Out Of Stock
A great pairing of two of the coolest jazz talents of the 50s – icy-cool altoist Paul Desmond and warm-toned baritonist Gerry Mulligan! The group here continues the pianoless tradition of some of Mulligan's work of the decade – leaving plenty of room for amazing interplay between the horns, and a rare chance to hear Desmond away from the instrument – especially considering his work with Brubeck – blowing here in an airy, willowy tone that's totally great. Other players include Joe Benjamin on bass and Dave Bailey on drums – and titles include "Blues In Time", "Standstill", "Line For Lyons", and "Fall Out". CD includes bonus tracks – "Tea For Two", "Wintersong", and "Lover". CD
(BMG music club pressing.)

Partial matches39
CD, LP, Vinyl record album cover art
✨✧ Tom ScottTom Scott & The LA Express – Live At Paul's Mall, Boston 1975 ... CD
Hi Hat, 1975. New Copy ... Out Of Stock
Saxophonist Tom Scott, caught live at one of the highest points in his career – a time when he'd already given the world some great albums, loads of session work, and even some soundtrack moments too! The group's Scott's classic LA Express – with a lineup that includes Robben Ford on guitar, Larry Nash on piano, Max Bennett on bass, and John Guerin on drums – working in an angular approach to electric jazz that really seems to show off Tom's chops on his horns! And yes, Scott did cut some smoother material in the 70s, but this set's got a very sharp edge – and feels more CTI than some of his studio records to follow. Titles include "Spindrift", "Nunya", "Mondo", "Refried", "LA Expression", "Love Poem", and "Rock Island Rocket". CD

Partial matches40
CD, LP, Vinyl record album cover art
✨✧ Paul HumphreyPaul Humphrey Sextet ... LP
Discovery, 1981. Used ... Out Of Stock
Very different work than usual for superdrummer Paul Humphrey – a warm, acoustic set of soul jazz – with a very different approach than his 70s albums! Humphrey's really stepping out here as a strong straight jazz leader – working with a group that includes west coast hornmen Buster Cooper, Oscar Brashear, and Herman Riley – arranged by the pianist in the group, Llew Mathews. The tunes are nearly all originals – done with a post-Horace Silver style that mixes the soulful and the introspective, and which slides into lots of warm tones and colors, all while still keeping its groove. Titles include "My Mind Is Free", "Thiago", "Snap", "Roundabout", and "Return To The Nightsong". LP, Vinyl record album
(Cover has light wear & a cutout hole.)

Partial matches41
CD, LP, Vinyl record album cover art
Herbie Hancock5 Original Albums (Takin Off/My Point Of View/Inventions & Dimensions/Speak Like A Child/The Prisoner) (5CD set) ... CD
Blue Note (Germany), Mid 60s. New Copy 5CD ... $21.99
The early genius of Herbie Hancock – perfectly summed up here in five classic albums for Blue Note – each presented in a tiny LP-styled sleeve! Takin Off has Herbie Hancock stepping into the limelight with an excellent batch of soul jazz tunes, including the first recording of his classic "Watermelon Man", the one track that probably put all his kids through school! Although that one went on to become a standard within a few short years in 60s jazz, it still sounds great here in the original – a very fresh take on the sound of soul jazz in the 60s – offered up here in a 7 minute version that has more sharp soloing than most other takes on the tune! The group here is great too – with Dexter Gordon on tenor, Freddie Hubbard on trumpet, Butch Warren on bass, and Billy Higgins on drums – and the tracks are all also originals by a young Herbie – including "Watermelon Man", "The Maze", "Driftin", "Three Bags Full", "Alone & I", and "Empty Pockets". My Point Of View is a great mix of soul jazz and modernism! The record include a nice groovy "hit", Herbie's "Blind Man, Blind Man" – an obvious follow-up to "Watermelon Man", but still a standout track with a lot of imagination, and a fierce soul jazz hook that just won't quit! The rest of the record, while still groovy, also shows much more signs of Herbie's far-reaching conception – especially shared with players like Tony Williams, Grachan Moncur, Chuck Israels, and Grant Green – all of whom work with Herbie, Donald Byrd, and Hank Mobley – in a larger than usual group that makes for a really great sound! Titles include "A Tribute To Someone", "King Cobra", and "The Pleasure Is Mine". Inventions & Dimensions is really unique little record from Herbie Hancock – one that's almost completely improvised over Latin percussion! The setup is quite spare – and quite different than Herbie's other Blue Note work – and the group features improvised backgrounds by bassist Paul Chambers and 2 Latin percussionists, Willie Bobo and Osvaldo "Chihuahau" Martinez. Herbie only wrote simple sketches for the songs on the album, and most of the work on the tracks was done live, spontaneously, in the studio – creating a very free groove that never goes too far out, but which is far more adventurous than usual. All tracks are long, and titles include "Succotash", "Triangle", and "Mimosa". Speak Like A Child is an oft-overlooked session that has Herbie mixing a nice dose of lyricism into his usual soul jazz approach from the 60s! The sound's a bit farther-reaching than on some of Herbie's smaller group sessions – and the record features a sextet that includes Ron Carter, Mickey Roker, Jerry Dodgion, Thad Jones, and Peter Phillips – all soaring with the warmth and introspection that was showing up in some of the best Blue Notes from the time. The harder-hitting soul jazz riffs and hooks are nicely replaced by more thoughtful lines that get a bit deeper, soufully – and nearly all tracks on the set are originals by Hancock! The album's filled with great moments – and tracks include "The Sorcerer", "Riot", and "Goodbye To Childhood". Last up is The Prisoner – a nice late Blue Note change from Herbie Hancock – a very different album than his previous sets for the label – in that it features a slightly larger group, and a sound that really points the way towards his directions in the 70s! There's a slightly ambitious feel to some of these cuts – not in a way that's over-arranged, but just a new sort of thinking for Herbie's kind of groove – a mode that's partially informed by the seriousness of 60s jazz soundtracks, but which also has the beginnings of some more righteous modes of expression too. Players are all great – and include Joe Henderson on tenor and flute, Johnny Coles on flugelhorn, Garnett Brown on trombone, Hubert Laws on flute, Jerome Richardson on bass clarinet, Buster Williams on bass, and Tootie Heath on drums. Herbie plays both acoustic and electric piano – using the latter here in one of his first recordings on the instrument – and titles include "Firewater", "I Have A Dream", "The Prisoner", and "He Who Lives In Fear". CD

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Charles KynardWoga ... CD
Mainstream/Solid (Japan), 1972. New Copy ... About March 22, 2017
Sweet organ lines, heavy drums, and a great little groove throughout – a tight batch of groovers from the mighty Charles Kynard! The keyboardist is in fine 70s form here – stepping away from the sparer sound of his albums for Prestige with a fuller style for Mainstream Records – in a groove that's almost part blacksploitation funk, thanks to some sharp backings from arranger Richard Fritz! The mighty Paul Humphrey is at the bottom of the set on nicely funky drums – and other players include Arthur Adams on guitar, Chuck Rainey on bass, and some great additional horns, which give the record a larger jazzy finish, but never get in the way of Kynard's lean, mean organ lines. There's a great version of "Rock Steady" on the album, one that has a great funky intro – plus the cuts "Shout", "Lime Twig", "Slop Jar", "Name The Missing Word", "Little Ghetto Boy", and "Hot Sauce". CD

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Ennio MorriconePeur Sur La Ville ... CD
Warner/Music Box (France), 1975. New Copy ... $22.99
A great Morricone soundtrack for a Jean-Paul Belmondo thriller – a score that starts out spare and brooding, then builds nicely as things move on – with lots of cool bottom-end sounds that make the whole thing really move up from the depths! Some tunes echo the sweeter side of Morricone, while others are a bit more brooding – and instrumentation includes some of the same offbeat piano you'd hear in The Burglars, plus light guitar, weird-tuned horns, and other nice bits that are sometimes abstracted beyond recognition! Titles include "Consideration Sur Un Homicide", "Paris Secret", "Defense De Stationner" and "Mannequins". CD features lots of bonus tracks – with a total of 75 minutes of music – more than we've ever seen for this one! CD
(Limited edition of 500!)

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Os GatosAquele Som Dos Gatos ... CD
Mercury (Brazil), 1965. Used ... $14.99
One of the most legendary groups from the bossa era in Brazil – a combo of incredible players, working with sublime arrangements by Eumir Deodato – all in a sound that hardly been matched again! The group only ever recorded two albums, but they've had a lasting impact on the sound of bossa for years to come – thanks to an expansive vision that brings together spare rhythms, jazz soloing, and larger strings – all with a quality that's lighter than air – almost a sum that's far less than the total of its elements – but in a really great way! The sense of spareness and poise here is really amazing – years ahead of Deodato's better-known US arrangements in the late 60s, and somehow even more impressive here. Players include Paulo Moura on alto sax, Neco on guitar, Meirelles on flute, Wilson Das Neves on drums, and Mauricio Einhorn on harmonica – and some tracks also feature a bit of light vocals floating along gently, almost as instruments themselves. Titles include "Aqua De Beber", "Clichet", "Feitinha Pro Poeta", "E Nada Mais", "Blue Set", and "Silk Stop". CD
(Out of print.)

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Bud PowellComplete Blue Note & Roost Recordings (4CD box set) ... CD
Blue Note, Late 40s/1950s/Early 60s. Used 4 CDs ... $24.99
A wealth of classic work from Bud Powell – his complete recordings for both the Blue Note and Roost label – served up in a mighty 4CD set! The package begins with early 78rpm sides from the late 40s, then moves into material from full albums in the 50s – and ends with one track from 1963. As with most Powell recordings from the time, much of the material is recorded with a trio – players like Paul Chambers, Sam Jones, or Curley Russell on bass – and drummers who include Art Taylor, Max Roach, and Roy Haynes. A few sides feature added horns from Fats Navarro on trumpet and Sonny Rollins on tenor – and the set features a total of 75 tracks in all, plus a 40 page booklet of notes. CD
(Out of print, outer box has some light edgewear.)

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Pharoah SandersKarma (180 gram pressing – with download) ... LP
Impulse (Germany), 1969. New Copy Gatefold (reissue)... $22.99 24.99
Quite possibly the best-remembered album from Pharoah Sanders' legendary run at Impulse Records – a set that crossed over big, and sold to countless folks who might not have bought a jazz album this hip otherwise! The record was Sanders' first in the wake of Coltrane's passing – and it's a beautiful extended suite of tracks that flows with a sense of grace, power, and majesty that's simply breathtaking – a new level of expression in spiritual jazz – and virtually the blueprint for an entire generation to come! The album features the classic track "The Creator Has a Master Plan" – spanning a tremendous amount of space and time – and featuring Leon Thomas' classic vocals on the lyrics! Thomas also returns on the cut "Colors", which is a bit more outside, and quite free overall – and other players on the date include Lonnie Liston Smith on piano, James Spaulding on flute, Julius Watkins on French horn, Ron Carter and Richard Davis on bass, and Freddie Waits and Billy Hart on drums. LP, Vinyl record album

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Spontaneous Music EnsembleChallenge 1966 to 1967 ... CD
Eyemark/Emanem (UK), 1966/1967. New Copy ... $16.99 19.99
Amazing free jazz from the British scene of the mid 60s – some of the earliest rumblings of genius from the Spontaneous Music Ensemble – already working here at a level that matches the avant energy happening both in the US and on the larger European scene! Core interplay here comes from Paul Rutherford on trombone, John Stevens on drums, and Trevor Watts on alto sax – three well-matched and familiar players who are able to improvise at a level that's quite mature, especially for the time – let loose, but never without a sense of direction – and given great help on most tracks by Kenny Wheeler on flugelhorn, plus a bit of bass from either Jeff Clyne or Bruce Cale. The whole thing's amazing – really bridging a modern world of Ornette Coleman and Joe Harriott with some of the later FMP-styled sounds that would come from the continent – and titles include "ED's Message", "2B Ornette", "Day Of Reckoning", "Travelling Together", "Club 66", and "After Listening". CD features the unissued "End To A Beginning" – plus the bonus 15 minute "Distant Little Soil", by a group that has Evan Parker on soprano sax and Chris Cambridge on bass, working with Watts and Stevens. CD

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✨✧ Miles DavisNew Miles Davis Quintet (RVG remaster edition) ... CD
Prestige, 1955. Used ... Temporarily Out Of Stock
A huge moment in jazz – not just for trumpeter Miles Davis, but also for saxophonist John Coltrane – who was virtually introduced to the world at large with this record! As you might guess from the title, the record's the first to feature Coltrane playing along with Davis – a sublime combination that resulted in some key sides that forever helped shape the sound of jazz. Rhythm is by the famous trio of Red Garland, Paul Chambers, and Philly Joe Jones – and apart from the top-shelf solo work, the interplay between the horns is also fantastic. Titles include "Just Squeeze Me", "There Is No Greater Love", "How Am I To Know", "S'Posin", "The Theme", and "Stablemates". CD
(Booklet has a radio station sticker.)

Partial matches49
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✨✧ Wayne ShorterAll Seeing Eye ... CD
Blue Note, 1965. Used ... Temporarily Out Of Stock
An excellent set of some fairly out material – performed by Shorter with a group that includes Freddie Hubbard, Grachan Moncur, James Spaulding, Herbie Hancock, and a rare appearance by his brother Alan on flugelhorn! At times, the record builds into a sound that's freer and more challenging than on some of Shorter's other albums from the time – but it does so in more of the "new thing" mode that you'd hear on records from the time by Jackie McLean or Moncur, with an overall sense of purpose that really keeps the message clear. Features all original compositions by the Shorter brothers – and cuts include "Chaos", "Face Of The Deep", "Mephistopheles", and "Genesis". CD
(Out of print Connoisseur Series pressing.)

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✨✧ Stanley TurrentineSpoiler (RVG remaster edition – with bonus track) ... CD
Blue Note, 1966. Used ... Temporarily Out Of Stock
Stanley Turrentine's no spoiler here – as his tenor sax soars out over the top of some sweet larger group arrangements from Duke Pearson – all awash in a great sense of soul, joy, and life! The album's got a much brighter feel than you might guess from the cover – a vibe that's a bit similar to Stan's classic Joyride album, but a bit more open and free – thanks to the lyrical touches of Pearson on the charts. Other players include Blue Mitchell on trumpet, Julian Priester on trombone, James Spaulding on alto and flute, and Pepper Dadams on baritone sax – plus rhythm from McCoy Tyner on piano, Bob Cranshaw on electric bass, Mickey Roker on drums, and Joseph Rivera on percussion. As on some of the other Pearson dates from the time – particularly those with Donald Byrd – the use of electric bass really opens things up, by creating a subtle rhythmic pulse that really drives most numbers along. And also in the Pearson mode, the added players aren't really a horn section in the conventional way – just a group of like-minded, top-shelf jazz players who egg on the main soloist with a great sense of enthusiasm for the music! Titles include "La Fiesta", "The Magilla", "Sunny", "Maybe September", "You're Gonna Hear From Me", and "When The Sun Comes Out". CD also features the bonus track "Lonesome Lover". CD

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✨✧ Richard Popcorn WylieExtrasensory Perception ... LP
ABC, 1974. Used ... Temporarily Out Of Stock
Majestic music from the mighty Popcorn Wylie – the Detroit soul legend best known for his work in the 60s, but an artist who really shines on this rare 70s set for ABC! The album was done during the same stretch as Lamont Dozier's ABC work – and like those records, this set features killer arrangements and production from McKinley Jackson – who updates an older Detroit groove strongly, while still keeping all the real soul elements of Popcorn's music intact! Dozier helped a bit on some of the tunes, and the whole thing's got a soaring, joyous feel that's really wonderful – uptempo without being uptight, positive without sounding hokey, and perfectly in a unique space that's all its own. Gene Page and Paul Riser throw in a bit of soul on some tracks too – sweetening things up with just the right touches of strings and horns – and Popcorn's vocals are great, especially on some of the more hauntingly-constructed tunes. Titles include the massive "ESP", which begins with an echoey breakbeat, then rolls into a great hook – plus "Trust In Me", "How Did I Lose You", "Georgia's After Hours", "Lost Time", "I Can Take The World On With You", "Both Ends Against The Middle", and "Singing About You And Me". LP, Vinyl record album
(White label promo! Cover has some very light wear, but this is a beautiful copy overall.)

Partial matches52
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✨✧ Miles DavisNew Miles Davis Quintet ... LP
Prestige, 1955. Used ... Out Of Stock
A huge moment in jazz – not just for trumpeter Miles Davis, but also for saxophonist John Coltrane – who was virtually introduced to the world at large with this record! As you might guess from the title, the record's the first to feature Coltrane playing along with Davis – a sublime combination that resulted in some key sides that forever helped shape the sound of jazz. Rhythm is by the famous trio of Red Garland, Paul Chambers, and Philly Joe Jones – and apart from the top-shelf solo work, the interplay between the horns is also fantastic. Titles include "Just Squeeze Me", "There Is No Greater Love", "How Am I To Know", "S'Posin", "The Theme", and "Stablemates". LP, Vinyl record album
(OJC pressing. Cover has light wear.)

Partial matches53
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✨✧ Sonny RollinsTokyo 1963 ... CD
RLR (Spain), 1963. Used ... Out Of Stock
A very unusual live performance from Sonny Rollins – not just because it was recorded in Tokyo, but also because the lineup is quite unique! The set's unlike some of Sonny's others from the time – in that it features a core quintet combo – with Paul Bley on piano, Reshid Kmal Ali on trumpet, Henry Grimes on bass, and Roy McCurdy on drums – plus guest vocals from Betty Carter on 2 of the tracks that omit the horns! The sound of the tenor tracks is almost like Sonny's Our Man In Jazz album for RCA – long-blown, and very edgey – with added brilliance from Bley's piano and Ali's trumpet. Betty's vocal numbers are great too – surprising in that she's working with Bley, and recorded with a freewheeling feel that really sounds more like late 70s Carter than you'd expect from the 1963 date. Instrumental numbers include "Mack The Knife" and "Oleo" – and vocal ones are "The Way You Look Tonight" and "When I Fall In Love" One additional track – "On A Slow Boat To China" – features Sonny with a Japanese group that features Akira Miyazawa on tenor – and 2 more tracks – "Valse Hot" and "I Get A Kick Out Of You" – feature Rollins with Kenny Dorham on trumpet on a broadcast from Bandstand USA in 1956. CD

Partial matches54
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✨✧ Wayne ShorterAll Seeing Eye ... LP
Blue Note, 1965. Used ... Out Of Stock
An excellent set of some fairly out material – performed by Shorter with a group that includes Freddie Hubbard, Grachan Moncur, James Spaulding, Herbie Hancock, and a rare appearance by his brother Alan on flugelhorn! At times, the record builds into a sound that's freer and more challenging than on some of Shorter's other albums from the time – but it does so in more of the "new thing" mode that you'd hear on records from the time by Jackie McLean or Moncur, with an overall sense of purpose that really keeps the message clear. Features all original compositions by the Shorter brothers – and cuts include "Chaos", "Face Of The Deep", "Mephistopheles", and "Genesis". LP, Vinyl record album
(90s pressing. Cover has light wear and a very light stain on one corner.)
 
 
 



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