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Exact matches: 11
Exact matches1
CD, LP, Vinyl record album cover art
Paul HornInside (aka Inside The Taj Majal) ... LP
Epic, 1968. Near Mint- Gatefold ... $6.99
One of the most starkly beautiful recordings in Paul Horn's career – with spiritually resonant, almost spine tingling solo flute and some chants, all recorded in the Taj Majal one day in April of 1968! It's really all about the atmosphere, as it would have to be given the location – with Horn playing of the amazing echo in a completely wonderful way, never feeling anything less than wholly authentic and genuinely inspired! Titles include "Vibrations", "Akasha", "Jumna", "Shah Jahan", "Mantra II/Duality", and "Unity". LP, Vinyl record album
(Yellow label pressing.)

Exact matches2
CD, LP, Vinyl record album cover art
Paul HornInside The Great Pyramid ... LP
Mushroom, 1977. Near Mint- 2LP Gatefold ... $7.99
LP, Vinyl record album

Exact matches3
CD, LP, Vinyl record album cover art
✨✧ Paul HornJuly 9 - 10 ... LP
Pacific North (Canada), 1971. Near Mint- ... $9.99
LP, Vinyl record album

Exact matches4
CD, LP, Vinyl record album cover art
Paul HornMonday Monday ... LP
RCA, 1966. Sealed ... $4.99
Easy grooving magic from Paul Horn – a record that has his exotic flute work paired up with arrangements by Oliver Nelson – making for a session that's got a lot more punch than usual for Horn – in a mode that we like quite a lot! The flute's in the lead on all tracks, but the Nelson arrangements are equally striking – and filled with nice touches like Eastern instrumentation or 60s mod rhythms – really making for a lot of tight groovers that really differ from Horn's other work. The set features a few great originals – arranged by Horn with a feel that's even trippier than Nelson's work – and titles include "Acapulco Gold", "Paramahansa", "Guv Gubi", "Karen's World", "Girl", and "Eight Miles High". LP, Vinyl record album
(Sealed 60s pressing!)

Exact matches5
CD, LP, Vinyl record album cover art
Paul HornPaul Horn & The Concert Ensemble ... LP
Ovation, 1970. Near Mint- ... $4.99
Despite the fact that this LP looks like it's some sort of stupid "medieval jazz" concept album, it's actually a nice batch of groovy groovy instrumentals, with Horn's flute in the lead, and a good groove on electric bass and harpsichord. The basslines roll along nicely, and really punch up the flute playing in a way that's better than you'd expect. The album includes a nice version of "The Look Of Love", plus "Magnificat", "Stolen Moments", "Paramahnsa", and "Light My Fire", done in a very groovy way! LP, Vinyl record album
(Cover has a cut corner and a Quadraphonic sticker.)

Exact matches6
CD, LP, Vinyl record album cover art
Paul HornPaul Horn In India (Paul Horn In India/Paul Horn In Kashmir) ... LP
Blue Note, Mid 60s. Very Good+ 2LP ... $4.99
A 2LP 70s set on Blue Note – one that reissues 2 Paul Horn albums for World Pacific in the 60s! First up is Paul Horn In India – a record in which Horn opens up in a really cool way – definitely moving past his early modern jazz years, to become one of the first American jazzmen to explore the sounds of India! The album features Horn blowing flute on some great long tracks – stretching out with this sense of sound that's really amazing – almost more tonal texture than his previous jazz sense of melody – often moving slowly, with slight phase shifts that are really compelling – and working alongside spare instrumentation from Indian musicians on tabla, tamboura, and violin! The tracks are all ragas that spin off with a free but rhythmic sound – and titles include "Raga Vibhas", "Raga Tilang", "Alap", "Manj Khamaj", and "Raga Desh". Paul Horn In Kashmir is easily the trippiest of Paul Horn's 60s experiments – and even more far-reaching than his Paul Horn In India set! This one has a very similar feel to Paul's Indian session, but it's much more transcendental – with long tunes that spin out amidst sitar, tabla, and vocals – going for a meditative approach that's a great complement to Horn's work on the alto flute. The jazz component to the session is very subdued, but given the overall quality of the album, we're not ones to complain! Vocals are by Shri Chunilal Kaul, and titles include "Raga Ahir Bhairao", "Tabla Solo IN Teental", "Raga Kerwani", and "Alap In Raga Bhairav". LP, Vinyl record album
(Cover has a cut corner and some wear.)

Exact matches7
CD, LP, Vinyl record album cover art
✨✧ Paul HornPlenty Of Horn (House Of Horn/Plenty Of Horn/bonus tracks) ... CD
Dot/Fresh Sound (Spain), 1957/1958. Used 2CD ... $19.99
Some of the earliest work as a leader from Paul Horn – the inventive reed player who really sparkled in Chico Hamilton's group of the mid 50s, then went on to make some even more compelling records on his own! The first album in the set is House Of Horn – recorded for Dot Records in 1957, and a wonderfully rich tribute to Paul's mighty talents. The groove of the record is especially hard to pin down – as some tunes are light and whimsical, others a bit more dark and rhythmic – always shifting moods with that restless sort of energy that Horn brought to his music – an early searching use of the reeds that really stands out. Paul plays flute, alto sax, piccolo, and clarinet – and other players include Larry Bunker on vibes, Gerry Wiggins on piano, John Pisano on guitar, Fred Katz on cello, and Chico Hamilton on drums – helping bring some compelling rhythmic complexity to the album. Titles include "A Soldier's Dream", "Day By Day", "Siddartha", "Pony Tale", "House Of Horn", "Interlude", and "The Golden Princess". Next up is Plenty Of Horn – a record that has Paul Horn breaking even more strongly from the style of his previous boss, Chico Hamilton – into a range of modes and sounds that really push the boundaries of 50s jazz on the LA scene! There's a richly complicated feel to some of the music – an evocative sound that's almost in film score territory – as Horn's inventive work on flutes, clarinet, and a bit of alto sax is blended with cool rhythms from Mongo Santamaria on congas and Shelly Manne on drums – then touched with vibes from Larry Bunker, guitar from Billy Bean, and bass from Red Mitchell. Titles include "Blues for Tom", "Yesterdays", "The Smith Family", "Chloe", "Romanze", and "A Parable". The package also features a fair bit of bonus tracks too – tracks from the Stars Of Jazz TV Show with Calvin Jackson on piano and Fred Katz on cello – including "Lover Man", "Pony Tale", "Mood Improvisation", "Jive At Five" and "My Old Flame". Other bonus tracks including "Give Me The Simple Life" and "Willow Weep For Me" – from the album Down Beat Jazz Concert – with Horn on flute, Dick Katz on piano, Don Bagley on bass, and Osie Johnson on drums. CD
(Out of print.)

Exact matches8
CD, LP, Vinyl record album cover art
✨✧ Paul HornSound Of Paul Horn/Profile Of A Jazz Musician ... CD
Collectables/Columbia, 1961/1962. Used 2 CDs ... $8.99
Fantastic stuff – 2 beautiful albums of modal grooves that really deserve wider recognition! At the time of the recordings, Horn was one of the hipper players on the LA scene – working with Chico Hamilton's group in the late 50s, and moving out on his own as a solo act at the end of the decade, in order to explore freer ideas. One of Horn's biggest influences was the modal sound of Indian music, and on these two gems, he really opens up the groove in an amazing blend of rhythms, tones, colors, modes, and pulses that really make the records crackle! Players include the amazing Emil Richards on vibes and the lesser known Paul Moer on piano – and Horn plays both flute and alto, in a style that's very similar to his stellar Something Blue album on the HiFi label. Tracks begin with some tight bass and drum workouts, then the piano of Moers sets down lines that let horn and Richards groove over the top. Wonderful stuff – with only a hint of Horn's later hippy-dippy work, and some great tight jazz soloing. Titles include "Fun Time", "Now Hear This", "Abstraction", "Benny's Buns", "Yazz Per Favore", "Short Politician", and "Straight Ahead". CD

Exact matches9
CD, LP, Vinyl record album cover art
Paul TaylorOn The Horn ... CD
Countdown, 1995. Used ... Just Sold Out!
CD
(Out of print.)

Exact matches10
CD, LP, Vinyl record album cover art
✨✧ Paul HornVisions ... CD
Columbia/Wounded Bird, 1974. New Copy ... Out Of Stock
Nice fusiony jazz done with soul and airy atmophere by Paul Horn – including some choice covers, and sounds that range from fusiony jazz with a little bit of funk and more lilting numbers lifted by flute and wordless vocals! Horn has a tendency to go head first into a more new agey vibe, but here we get a more grounded approach with more soul and bits of funk in the bass, keys & percussion. The players include Larry Carlton, Joe Sample and Tom Scott. Includes a nice takes on a trio of Stevie Wonder numbers: "Too High", "Visions" and "Living For The City", Joni Mitchell's "Blue" and "Chelsea Morning" (the former featuring some vocals and keyboards by Joni), plus "High Tide"., "Long Time Gone", "Song With No Words" and "Dida". CD

Exact matches11
CD, LP, Vinyl record album cover art
✨✧ Surfmen (Paul Horn, Emil Richards, et al)Exotic Island ... LP
Somerset, Late 50s. Used ... Out Of Stock
Although their name might make you think of these guys as a guitar instrumental combo, they're actually a great little exotic group – one who plays in a mode that's a heck of a lot like Martin Denny at his best! There's a highly percussive approach to the tracks that's very much in the best spirit of the smaller exotica groups of the time – one that uses vibes and lots of percussion instruments to really get the sound right. But at another level, the Surfmen actually even go things one better – by sparely using organ and electric guitar to add some even more interesting touches to the tunes – not much at all, but just enough to give the group their own sound, and to make this record one that really stands out from the pack. And once you find out that the Surfmen actually includes work by Paul Horn, Emil Richards, Alvino Rey, and Milt Holland – it's easy to see why the sound of the record is so great! Titles include "Bali Hai", "Jungle Romance", "Forbidden Island", "Tahiti Sunrise", "Moonlight In Paradise", and "Moon Of Manakoora". LP, Vinyl record album
(Cover has a split top & bottom seam with a small name in pen.)
 
Possible matches: 57
Possible matches12
CD, LP, Vinyl record album cover art
Cannonball AdderleyBeginning (aka Presenting Cannonball) ... LP
Savoy/BYG (France), 1955. Very Good ... $5.99
One of Cannonball Adderley's first albums – recorded for Savoy way back in 1955, and done with a free and open style that's a nice contrast to his tighter sides for Mercury! The album's very relaxed – that hardbop blowing session mode that Savoy virtually pioneered – letting the players open up in comfortable studio space, working together almost as they would on a hip live date. Cannon's in the lead on alto, and the group also features Nat Adderley on cornet, Hank Jones on piano, Paul Chambers on bass, and Kenny Clarke on drums – a classic Savoy rhythm section for the two horn players. Tracks are long, and titles include "Spontaneous Combustion", "Still Talkin To Ya", "Caribbean Cutie", and "A Little Taste". LP, Vinyl record album
(Cover has a center split in the bottom seam & a small stain on the back.)

Possible matches13
CD, LP, Vinyl record album cover art
Cannonball AdderleyCannonball Takes Charge ... LP
Riverside, 1959. Very Good- ... $16.99
A hardbop classic from Cannonball Adderley – and one of his harder to find albums from the Riverside days! The set has Cannon playing without his usual group, in the context of an all-star batch of players that includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – who he worked with in his time with Miles Davis – plus occasional guest rhythm work by Albert and Percy Heath. The set's strong and straight ahead – a good bridge between Cannon's early Mercury recordings, and his later albums for Riverside and Capitol – tightly crafted solos with a good deal of soul, Adderley holding down all the horn work on the record. Titles include "If This Isn't Love", "Serenata", "Poor Butterfly", "I Remember You", and "I've Told Ev'ry Little Star". CD also features 2 bonus alternate tracks! LP, Vinyl record album
(French pressing. Cover has light wear and some light gloss bubbles at the spine.)

Possible matches14
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyPresenting Cannonball ... CD
Savoy, 1955. Used ... $2.99
One of Cannonball Adderley's first albums – recorded for Savoy way back in 1955, and done with a free and open style that's a nice contrast to his tighter sides for Mercury! The album's very relaxed – that hardbop blowing session mode that Savoy virtually pioneered – letting the players open up in comfortable studio space, working together almost as they would on a hip live date. Cannon's in the lead on alto, and the group also features Nat Adderley on cornet, Hank Jones on piano, Paul Chambers on bass, and Kenny Clarke on drums – a classic Savoy rhythm section for the two horn players. Tracks are long, and titles include "Spontaneous Combustion", "Still Talkin To Ya", "Caribbean Cutie", and "A Little Taste". CD
(Out of print.)

Possible matches15
CD, LP, Vinyl record album cover art
Lorez AlexandriaAlexandria The Great ... CD
Impulse (Japan), 1964. New Copy ... $13.99
A beautiful album from Lorez Alexanderia – one of her two excellent sessions for Impulse! The record was cut after Lorez recorded some great sides for the Argo label – and it works off the strength of those sides, taking her unique vocal approach, forged in R&B, but smoothed by jazz, into a whole new level of expression! The backing is great – small combo, with featured musicians who include Bunk Shank and Paul Horn on reeds, and Victor Feldman and Wynton Kelly on piano – all working with moody, soulful arrangements that are a perfect accompaniment to Lorez' beautiful voice. Includes the cuts "Get Me To The Church On Time", "Satin Doll", "Show Me", "The Best Is Yet to Come", "I'm Through With Love", and 5 more! CD

Possible matches16
CD, LP, Vinyl record album cover art
Tina BrooksBack To The Tracks (Japanese pressing) ... CD
Blue Note (Japan), 1960. Used ... $18.99
One of those rare Blue Note sessions from tenorist Tina Brooks – originally recorded for the label in 1960, but never issued at the time – yet easily on a par with their more famous work of the period! Brooks' horn has a nice hard edge here – that sharp-edged modernism you'd hear with Jackie McLean, who makes a key appearance here on the album's famous "Street Singer" track. Jackie's not on the rest of the record, but that's fine with us – because other players are all equally great, and include Blue Mitchell on trumpet, Kenny Drew on piano, Paul Chambers on bass, and Art Taylor on drums. Apart from "Street Singer", other titles include "The Ruby & The Pearl", "Back To The Tracks", "For Heaven's Sake", and "The Blues & I". CD
(Out of print.)

Possible matches17
CD, LP, Vinyl record album cover art
Dave BrubeckReunion ... LP
Fantasy, Mid 50s. Near Mint- ... $4.99
Brubeck is reunited with tenorist David Van Kriedt, a key member of his early quintet, which first started making waves in San Francisco during the late 40s. The rest of the group includes Paul Desmond on alto, Joe Morello on drums, and Norm Bates on bass – and it's interesting to hear Brubeck writing for a 2-horn frontline, after having such familiarity with his single-horn famous quartet of the late 50s. Titles include "Darien Mode", "Pieta", "Leo's Place", and "Shouts". LP, Vinyl record album
(German OJC pressing.)

Possible matches18
CD, LP, Vinyl record album cover art
Buddy ColletteBuddy Collette & His Swinging Shepherds At The Cinema ... LP
Mercury, Late 50s. Very Good+ ... $1.99
Buddy takes his Swinging Shepherds crew to the movies on this one – serving up a set of tunes from 40s and 50s films that all come off perfectly with the group's multi-flute approach! The sound's nicely mellow at times, but still has that tightly arranged west coast modern style that made the group's first record so great. Players include Paul Horn, Bud Shank, and Harry Klee on flutes – plus Jim Hall on guitar, Red Mitchell on bass, and Shelly Manne on drums. Titles include "The Bad & The Beautiful", "The Shrike", "Invitation", "Ruby", "Swinging On A Star", and "Intermezzo" LP, Vinyl record album
(Black label stereo pressing with deep groove.)

Possible matches19
CD, LP, Vinyl record album cover art
Buddy ColletteBuddy Collette's Swinging Shepherds ... LP
Mercury, 1958. Near Mint- ... $11.99
A key album in the development of the flute in jazz – issued under the Swingin Shepherds name to cash in on the fame of that popular hit of the time! The album's a bit more serious and conceptual than you might guess from the title and cover image – and follows strongly on the approach Collette and others of the LA scene were working through in Chico Hamilton's groundbreaking Quintet of the time. The set's got a unique lineup that features Collette, Bud Shank, Paul Horn, and Harry Klee on an assortment of flutes – plus Bil Miller on piano, Joe Comfort on bass, and Bill Richmond on drums. The sound is light and swinging – in the playful mode that recalls the Hamilton group, but which is also a bit more flute heavy, and lighter overall. Titles include "The Four Winds Blow", "Flute Diet", "Short Story", "Machito", "Improvisation", and "The Funky Shepherds". LP, Vinyl record album
(Blue label pressing with deep groove. Cover has some light wear & a name in pen.)

Possible matches20
CD, LP, Vinyl record album cover art
James CottonJames Cotton Blues Band ... LP
Verve, 1967. Near Mint- ... $24.99
Chicago blues, but plenty darn funky – recorded with a sharpness and tightness that shows a strong soul-based influence in the second-generation electric work of James Cotton's generation! The core group here features James on harmonica and vocals – backed by piano, guitar, bass, and drums – plus a great horn section that has a distinct Chess Records feel – no surprise, given that it features Gene Barge, Paul Serrano, and Louis Satterfield! The production is by Barry Goldberg and Mike Bloomfield – and they're clearly helping Cotton tighten up his groove – and almost hit some Atlantic soul-styled modes at times. Titles include "Knock On Wood", "Sweet Sixteen", "Feelin Good", "Off The Wall", "Good Time Charlie", "Turn On Your Lovelight", "Something On Your Mind", and "Don't Start Me Talkin". LP, Vinyl record album
(Verve Forecast pressing. Cover has a bit of marker on the back.)

Possible matches21
CD, LP, Vinyl record album cover art
Duke EllingtonSymphonic Ellington ... LP
Reprise, 1963. Near Mint- ... $8.99
An incredible record – and key proof that Ellington was growing even more in the 60s than he had a decade before! Duke's working here with a core orchestra of his own, plus a huge amount of added players from orchestras in Paris, Hamburg, Stockholm, and Milan – all working together in a sound that's symphonic, but still pretty darn jazzy – and which comes off with a lightness that you'd hardly ever expect. There's a depth to the record that's undeniable – especially on the horn solos by Johnny Hodges, Paul Gonsalves, and Jimmy Hamilton – which snake through the larger orchestrations with a sinister edge that really blows us away. The whole thing's a tremendous thrill – the kind of record that's filled with delights that we never expected, and which appeals to us on so many different levels. Titles include the 3-part suite "Night Creature", plus "Non-Violent Integration", "Harlem", and "La Scala She Too Pretty To Be Blue". LP, Vinyl record album
(First pressing! Cover has a small cutout hole.)

Possible matches22
CD, LP, Vinyl record album cover art
Red GarlandRed Garland's Piano ... LP
Prestige, 1957. Very Good+ ... $9.99
Red Garland's piano was certainly humming strong at the time of this session – as Red's trio were one of the key rhythm components of many Prestige albums of the late 50s, but also a real starring act on their own! The album's got a laidback, almost mellow feel that's a bit different from some of the Garland accompaniment on horn-based sessions – a style that's introspective, but always spirited – sprightly, but never flowery – that magical style that allowed Garland to bridge different worlds of jazz piano in the 50s. Paul Chambers is a perfect accompaniment here on bass, Art Taylor's work on drums is a masterpiece of understatement, and although the titles are all familiar, they're certainly given a special Garland touch! Titles include "The Very Thought Of You", "If I Were A Bell", "Please Send Me Someone To Love", "I Know Why", and "I Can't Give You Anything But Love". LP, Vinyl record album
( OJC pressing.)

Possible matches23
CD, LP, Vinyl record album cover art
John GraasJohn Graas! (aka Coup De Graas) ... LP
Mercury, Late 50s. Very Good+ ... $24.99
One of the weird LPs that French Horn player John Graas made in the 50's, featuring that cumbersome instrument in a set of surprisingly light and loose jazz tracks. Graas' playing on the French Horn is a bit like Gerry Mulligan's on the baritone – that is, he takes these turns and twists that surprise you, given the nature of the horn. He's joined here by Art Pepper, Conte Candoli, Bob Cooper, and Paul Moer, and the set's a nice batch of West Coast chamber type stuff. Tracks include "Van Nuys Indeed", "Land of Broken Toys", "Blocksounds", 'Development", "Swing Nicely" and "Rogeresque". LP, Vinyl record album
(Blue label pressing with a deep groove – in nice shape!)

Possible matches24
CD, LP, Vinyl record album cover art
Bennie GreenBennie Green Blows His Horn ... CD
Prestige/OJC, 1955. Used ... $9.99
Bennie Green blows his horn – and really blows us away in the process! Green emerges here as one of the most biting trombonists of the postwar years – a player who can handle his instrument with a deftness usually heard more on a trumpet – a sense of phrasing that's incredibly sharp and on the money, and which mixes here with some wicked lead lines from Charlie Rouse on tenor sax! Rouse has all his early gutbuckety tones firmly intact – and steps out here in a group that also features Cliff Smalls on piano, Paul Chambers on bass and Osie Johnson on drums. Candido plays conga on half the record – and titles include the classic "Groovin the Blues", plus "Body & Soul", "Say Jack", "Sometimes I'm Happy", "One Track", "Hi Yo Silver", and "Laura". CD

Possible matches25
CD, LP, Vinyl record album cover art
Chico HamiltonChico Hamilton Quintet (Pacific Jazz 1225) ... LP
Pacific Jazz, 1956. Near Mint- ... $19.99
A classic from the west coast scene of the 50s – and not to be confused with other similar-titled Chico Hamilton albums at the time! This one sports an abstract painting on the cover, and was recorded in 1956 at the Forum Theater in Los Angeles – not live, but using the space as a very open-sounding studio – with really amazing results! The lineup features Hamilton on drums, Paul Horn on alto and tenor sax and clarinet, John Pisano on guitar, Fred Katz on cello and Carson Smith on bass – kind of a second-generation of Hamilton's group, with Horn taking over wonderfully from Buddy Collette, and playing with even more sensitivity than before. The work's very much in Hamilton's best sprightly chamber jazz mode – with some great originals that include "Chanel #5", "Beanstalk", "Mr. Jo Jones", and "Reflections" – plus Hamilton-ized versions of "Satin Doll", "Caravan", "Soft Winds", "Siete-Cuatro", "I Know", and "Lillian". LP, Vinyl record album
(Black label Pacific Jazz pressing, with a deep groove. Cover has light wear, some seam splitting, and marker on back.)

Possible matches26
CD, LP, Vinyl record album cover art
Chico HamiltonEllington Suite ... LP
Pacific Jazz, 1958. Very Good+ ... $14.99
Forget the Ellington in the title, because this is more a moody album of west coast chamber jazz, in the best tradition of the Chico Hamilton group! This album features the version of Chico's group with Paul Horn on flute and alto sax – plus Jim Hall guitar, Fred Katz cello, and Buddy Collette on tenor and alto sax. The sound differs a bit from the version you may know from the CD reissue – as that one features Dolphy in the group – but it's still great, with titles that include "Azure", "In A Mellotone", "Day Dream", "I'm Beginning To See The Light", and "I'm Just A Lucky So & So". LP, Vinyl record album
(Black label World Pacific pressing with deep groove. Cover is in nice shape, with a bit of pen on the back.)

Possible matches27
CD, LP, Vinyl record album cover art
Chico HamiltonSouth Pacific In Hi Fi ... LP
World Pacific, 1958. Very Good+ ... $4.99
Chico and his group perform tunes from the Rodgers & Hammerstein score to South Pacific – a surprisingly good choice, actually, as the Rodgers & Hammerstein tunes have a great exotic bent to them, working well with the off-beat rhythms and melodies of the combo. Players include Paul Horn on alto and flute, Fred Katz on cello, and John Pisano on guitar – and tunes include "Bali Hai", "Honey Bun", "Cockeyed Optimist", "Younger Than Springtime", and "Happy Talk". LP, Vinyl record album
(Brown label pressing. Cover has a name in pen in one corner.)

Possible matches28
CD, LP, Vinyl record album cover art
✨✧ Al HirtSoul In the Horn ... LP
RCA, 1967. Very Good+ ... $14.99
One of Al Hirt's grooviest records – and a set that definitely lives up to the "soul" in the title! The album's always in demand for the excellent sample cut "Harlem Hendoo", but it certainly isn't a one tracker – thanks to composer Paul Griffin and arranger Teacho Wiltshire, as Hirt gets un-characteristically funky on tunes like "Honey Pot", "Mess Around", "Girl", and "Love Ya' Baby". LP, Vinyl record album
(Stereo pressing with deep groove. Cover has a cut corner, a small sticker spot, and some light wear.)

Possible matches29
CD, LP, Vinyl record album cover art
Herbie MannHerbie Mann – West Coast Jazz 4 (10 inch LP) ... LP
Bethlehem, Mid 50s. Near Mint- ... $29.99
Surprisingly nice early work by Herbie Mann – featuring a chamber-oriented sound, played by a quartet that features guitar, bass, and drums next to Herbie's flute. The overall feel is similar to some of the Paul Horn/Fred Katz work with Chico Hamilton – and tracks include "After Work", "The Purple Grotto", "Chicken Little", and "Spring Morning". LP, Vinyl record album
(Nice Japanese 10" pressing – with obi!)

Possible matches30
CD, LP, Vinyl record album cover art
Jackie McLeanMcLean's Scene ... CD
New Jazz/OJC, Late 50s. Used ... $14.99
McLean's Scene is a strong one – as the young Jackie is really coming into his own at the time of the session, blowing and growing with a soulful command of the alto sax that would emerge even more strongly in the 60s. The album's got McLean working in a slightly open-ended way – almost a blowing session, but a bit more controlled – yet in that relaxed style that always seemed to get the most sharpness out of Jackie's horn at the time. Other players include Bill Hardman on trumpet, Mal Waldron or Red Garland on piano, Paul Chambers or Arthur Phipps on bass, and Art Taylor on drums. Titles include "Gone With the Wind", "Our Love Is Here to Stay", "Old Folks", "Outburst", "Mean To Me", and "McLean's Scene". CD
(Out of print.)
Also available McLean's Scene ... LP 9.99

Possible matches31
CD, LP, Vinyl record album cover art
✨✧ Jackie McLeanMcLean's Scene ... LP
New Jazz, Late 50s. Very Good+ ... $9.99
McLean's Scene is a strong one – as the young Jackie is really coming into his own at the time of the session, blowing and growing with a soulful command of the alto sax that would emerge even more strongly in the 60s. The album's got McLean working in a slightly open-ended way – almost a blowing session, but a bit more controlled – yet in that relaxed style that always seemed to get the most sharpness out of Jackie's horn at the time. Other players include Bill Hardman on trumpet, Mal Waldron or Red Garland on piano, Paul Chambers or Arthur Phipps on bass, and Art Taylor on drums. Titles include "Gone With the Wind", "Our Love Is Here to Stay", "Old Folks", "Outburst", "Mean To Me", and "McLean's Scene". LP, Vinyl record album
(OJC pressing.)
Also available McLean's Scene ... CD 14.99
 
Partial matches: 34
Partial matches69
CD, LP, Vinyl record album cover art
✨✧ Dave BrubeckWe're All Together Again For The First Time ... CD
Atlantic, 1973. Used ... $5.99
Kind of a meeting of two different generations of Dave Brubeck – as the group here features Paul Desmond's alto sax, a key force in Dave's early recordings – and the baritone sax of Gerry Mulligan, a player who'd worked often with Brubeck in the late 60s and early 70s! The blend of horns is really amazing, and the live recording really moves past other obvious Brubeck modes – showing Dave's whole new conception after the breakup of the original quartet – and his willingness to open into new rhythms, and even freer modes of expression. Mulligan's baritone is wonderfully powerful – coming across here with a depth that we'd hardly have expected a few years before – and rhythm is from Jack Six on bass and Alan Dawson on drums, both players who also add to the transformation of the Brubeck groove. Titles include "Koto Song", "Unfinished Woman", "Truth", "Take Five", and "Rotterdam Blues". CD
(Rear artwork is wrinkled.)

Partial matches70
CD, LP, Vinyl record album cover art
David ByrneMusic For The Knee Plays ... LP
ECM, 1985. Sealed ... $6.99
One of several solo David Byrne albums from around the time the Talking Heads were getting ready to call it quits. This set differs a bit more than the Catherine Wheel even though both are music for theater/dance/performance pieces, with this suite of music being inspired by New Orleans brass bands, though you might not otherwise make that connection if it weren't explicitly laid out in the notes. The group is a large one, primarily made up of horns, but with Paul Humphrey and Bobbye Hall on drums and percussion, and feature some real ringers in the brass section, including Don Myrick, Ernie Watts, Pete Christlieb and Fred Wesley. Tracks include "Tree", "In The Upper Room", "Sound Of Business", "Admiral Perry", "I Bid You Goodnight", "In The Future", "Where The Sun Never Goes Down", "Theadora Is Dozing", "Social Studies", "Winter", and "The Jungle Book". LP, Vinyl record album
(Cover has a cutout notch.)

Partial matches71
CD, LP, Vinyl record album cover art
John ColtraneSoultrane ... LP
Prestige, 1958. Very Good ... $84.99
A bold early statement from a young John Coltrane – and an album that really has him expanding his talents as a tenor soloist! Coltrane's working here in open-ended quartet format – with backing from the Red Garland trio that includes Paul Chambers and Art Taylor – on a set of longer tunes that really let the young Trane stretch out on his solos, unobstructed by any other horns in the lineup. There's a nice mix of hardbop ideals, gentle ballads, and personal soul to the set – and titles include Coltrane's classic reading of Tadd Dameron's "Good Bait", plus "I Want To Talk About You", "Russian Lullaby", and "Theme For Ernie". LP, Vinyl record album
(Black and label NJ pressing, with RVG stamp and deep groove. Cover has some light wear, and a small set of initials, but is decent overall.)

Partial matches72
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Miles DavisNew Miles Davis Quintet (180 gram 2LP pressing – 45rpm) ... LP
Prestige/Analogue Productions, 1955. Sealed 2LP (reissue)... $38.99
A huge moment in jazz – not just for trumpeter Miles Davis, but also for saxophonist John Coltrane – who was virtually introduced to the world at large with this record! As you might guess from the title, the record's the first to feature Coltrane playing along with Davis – a sublime combination that resulted in some key sides that forever helped shape the sound of jazz. Rhythm is by the famous trio of Red Garland, Paul Chambers, and Philly Joe Jones – and apart from the top-shelf solo work, the interplay between the horns is also fantastic. Titles include "Just Squeeze Me", "There Is No Greater Love", "How Am I To Know", "S'Posin", "The Theme", and "Stablemates". LP, Vinyl record album
(Limited, numbered pressing!)

Partial matches73
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Paul Desmond & Gerry MulliganTwo Of A Mind ... LP
RCA, 1962. Very Good+ ... $11.99
A reunion of sorts for Paul Desmond and Gerry Mulligan – given that the pair had played together on record 5 years before, in a similar session for Verve! This album's almost lighter and more airy than the previous one – as it's done in a mode that echoes strongly with Desmond's own genius at RCA at the time – using a piano-less quartet format that has both horns carving out their own subtle space in sound, hanging together, but each occupying a different range of tonal color. The tracks are relatively longish, and the pair dart around each other nicely on tracks like "All The Things You Are", "Out Of Nowhere", "Blight Of The Fumble Bee", and "Two Of A Mind". LP, Vinyl record album
(Black label stereo pressing. Cover has light wear.)
Also available Two Of A Mind (First Editions Series with bonus tracks) ... CD

Partial matches74
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✨✧ Paul Desmond & Gerry MulliganTwo Of A Mind (Victor Jazz pressing) ... CD
RCA, 1962. Used ... $5.99
A reunion of sorts for Paul Desmond and Gerry Mulligan – given that the pair had played together on record 5 years before, in a similar session for Verve! This album's almost lighter and more airy than the previous one – as it's done in a mode that echoes strongly with Desmond's own genius at RCA at the time – using a piano-less quartet format that has both horns carving out their own subtle space in sound, hanging together, but each occupying a different range of tonal color. The tracks are relatively longish, and the pair dart around each other nicely on tracks like "All The Things You Are", "Out Of Nowhere", "Blight Of The Fumble Bee", and "Two Of A Mind". CD
(Out of print.)

Partial matches75
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Barry Harris SextetBull's Eye! ... LP
Prestige, 1968. Very Good ... $14.99
A sock-hard set of Detroit soul jazz that's one of Barry Harris' best albums of the 60s! The group on the record is a sextet – with Kenny Dorham on trumpet, Charles McPherson on tenor, and Pepper Adams on baritone – forging a much harder frontline than you'll hear on some of Barry's more lyrical albums from the same time – a new sort of groove that really locks Harris in nicely to the Prestige soul jazz sound of the 60s. The group works well together on arrangements by Harris – swinging hard and lively, sometimes with a vamping energy that's almost modal – and which really lets McPherson hit some especially nice lines on tenor. Rhythm is from Paul Chambers and Billy Higgins – and the horns sit out for 2 of the album's 6 tracks. Titles include "Oh So Basal", "Off Monk", "Barengo", "Bull's Eye", and "Clockwise". LP, Vinyl record album
(Blue label pressing. Cover has light wear.)

Partial matches76
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Richard Groove HolmesX-77 – Recorded Live At The Lighthouse ... LP
World Pacific, Late 60s. Near Mint- Gatefold ... $7.99
Nice live session that features Groove on a competing organ to the classic Hammond B-3 – the Hammond X-77. The sound is pretty much the same, though, despite the album's tag as a showcase for the instrument. The album is, though, a great live set featuring Groove smokin' along on tracks like "Loping", "Licks Aplenty", "Heavy Groove", and "Polk Salad Annie" – and with a band that includes Paul Humphrey on drums and Thornel Schwartz on guitar. LP, Vinyl record album
(Cover has some light wear.)

Partial matches77
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✨✧ Paul HornschemeierAll & Sundry – Uncollected Work 2004 to 2009 (hardcover) ... Book
Fantagraphics, 2009. New Copy ... $5.99 29.99
A great collection of under-published and unpublished material from cartoonist Paul Hornschemeier – and a volume that's got us really appreciating his art more than ever! The range of images here is wonderful – from comics that have almost a Chris Ware sort of graphic presentation of the narrative – to illustrations and other shorter pieces that pop out with the intensity of Daniel Clowes or Peter Bagge – all references we would never throw around lightly, and which really seem to apply here – as Hornschemeier's one of the lesser-recognized contemporaries of those bigger names, but one who really deserves greater notice. The book even features a few text pieces by Paul, with his own illustrations – and the whole thing's way more than a sketchbook or loose batch of second-tier pieces – and instead brings together material that really stands strongly next to some of his larger book projects. The presentation is wonderful – as graphically strong as the images – and the book is 207 pages, full color, hardcover. Book

Partial matches78
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Willis JacksonRecording Session (LP sleeve edition) ... CD
Big Chance, 1972. Used ... $8.99
A great funky set from Willis Jackson – recorded in conjunction with the same sessions that yielded the classic Harlem Underground album! The record features Willis working with Paul Winley – blowing soulful riffs over backing by a group that includes organ, guitar, and added horns, on a set of hip early 70s soul covers and pop tunes. The album includes the same funky version of "Ain't No Sunshine" that appeared on the Harlem Underground album – plus a cover of "Soul Train" that's pretty darn nice, and sweeter versions of tunes like "Love Story", "What's Going On", "It's Too Late", "Don't Knock My Love", and "Heavy Makes You Happy". Lots of nice riffs! CD
(In a very cool Japanese-styled, LP-like cardboard sleeve cover!)

Partial matches79
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Mariano Loiacono & Paula ShocronWarm Valley ... CD
Rivo (Argentina), 2012. Used ... $6.99
The title's a famous tune by Duke Ellington, but given the great flugelhorn work of Mariano Loiacono on the record, we're more tempted to think of Art Farmer – and his wonderful sound in small group settings in years past! Loiacono plays with a sound that's round, but has a nice sort of bite, too – one that really works well with the punctuated piano lines of Paula Shocron, which do a lot to help the album swing in a subtle way that never overwhelms the horn. Sebastian Loiacono plays tenor on a few tracks – and the rest of the group features Jeronomi Carmona on bass and Eloy Michelini on drums. Titles include "Elvin", "Bird Song", "Blues For My Hero", "Lover", "Stablemates", and of course, "Warm Valley". CD
(Out of print.)

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✨✧ Louis Moholo Moholo's Viva La BlackExile ... CD
Ogun (UK), 1990/1991. Used Gatefold ... $9.99
Brilliant recordings from drummer Louis Moholo – done at a time when he was one of the few surviving members of the legendary Blue Notes – working here with his Viva La Black combo, in a sound that has a similar mix of South African roots and European avant modes! The material's from the mid 90s, and is incredibly strong – a great reminder that in the right corners of the UK scene, there was still some plenty righteous jazz going down – rich in spirit and soul, and let loose with a great sense of freedom on the solos! In addition to Moholo's percussion, the group also features Sean Bergin on tenor and flute, Steve Williamson on tenor and alto, Claude Deppa on trumpet and flugelhorn, Frank Douglas on guitar, Paul Rogers on bass, and Thebe Lipere on percussion – and although the music was recorded in the studio, it definitely has the energy of a freewheeling live performance. Titles include "Plastic Bag", "Visions", "Dudu Pukwana", "Kwa Langa Kumandi", "Wathinta Amadoda", and "For The Blue Notes". CD
(Out of print.)

Partial matches81
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Ennio MorriconePeur Sur La Ville ... CD
Warner/Music Box (France), 1975. New Copy ... $22.99
A great Morricone soundtrack for a Jean-Paul Belmondo thriller – a score that starts out spare and brooding, then builds nicely as things move on – with lots of cool bottom-end sounds that make the whole thing really move up from the depths! Some tunes echo the sweeter side of Morricone, while others are a bit more brooding – and instrumentation includes some of the same offbeat piano you'd hear in The Burglars, plus light guitar, weird-tuned horns, and other nice bits that are sometimes abstracted beyond recognition! Titles include "Consideration Sur Un Homicide", "Paris Secret", "Defense De Stationner" and "Mannequins". CD features lots of bonus tracks – with a total of 75 minutes of music – more than we've ever seen for this one! CD
(Limited edition of 500!)

Partial matches82
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Gerry Mulligan & Paul DesmondGerry Mulligan & Paul Desmond – Jazz Special I Grandi Incontri (aka Gerry Mulligan Meets Paul Desmond) ... LP
Verve/Fabbri Editori (Italy), 1957. Near Mint- Gatefold ... $2.99
A great pairing of two of the coolest jazz talents of the 50s – icy-cool altoist Paul Desmond and warm-toned baritonist Gerry Mulligan! The group here continues the pianoless tradition of some of Mulligan's work of the decade – leaving plenty of room for amazing interplay between the horns, and a rare chance to hear Desmond away from the instrument – especially considering his work with Brubeck – blowing here in an airy, willowy tone that's totally great. Other players include Joe Benjamin on bass and Dave Bailey on drums – and titles include "Blues In Time", "Standstill", "Line For Lyons", and "Fall Out". LP, Vinyl record album
(Italian pressing, with booklet.)

Partial matches83
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Os GatosAquele Som Dos Gatos ... CD
Philips (Japan), 1965. New Copy ... $13.99
One of the most legendary groups from the bossa era in Brazil – a combo of incredible players, working with sublime arrangements by Eumir Deodato – all in a sound that hardly been matched again! The group only ever recorded two albums, but they've had a lasting impact on the sound of bossa for years to come – thanks to an expansive vision that brings together spare rhythms, jazz soloing, and larger strings – all with a quality that's lighter than air – almost a sum that's far less than the total of its elements – but in a really great way! The sense of spareness and poise here is really amazing – years ahead of Deodato's better-known US arrangements in the late 60s, and somehow even more impressive here. Players include Paulo Moura on alto sax, Neco on guitar, Meirelles on flute, Wilson Das Neves on drums, and Mauricio Einhorn on harmonica – and some tracks also feature a bit of light vocals floating along gently, almost as instruments themselves. Titles include "Aqua De Beber", "Clichet", "Feitinha Pro Poeta", "E Nada Mais", "Blue Set", and "Silk Stop". CD

Partial matches84
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✨✧ Duke PearsonWahoo! ... CD
Blue Note (Japan), 1964. New Copy ... $13.99
Wahoo is right – as Duke Pearson sets up one of his hippest sessions of the 60s, a lyrical batch of soul jazz tracks, with that slight edge of darkness that he was putting into his best work as the decade progressed! Players include James Spaulding on alto and flute, Joe Henderson on tenor, and Donald Byrd on trumpet – and the overall feel is perhaps a bit like some of those Byrd sessions that were heavily influenced by Pearson, but also with a bit of the later expansive style of writing for horns that you'd find on albums like Pearson's Prarie Dog or Bobby Hutcherson's The Phantom. Titles include "ESP", "Fly Little Bird Fly", "Farewell Machelle", "Bedouin", and "Amanda". CD

Partial matches85
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Wayne ShorterAll Seeing Eye ... LP
Blue Note, 1965. Very Good+ ... $19.99
An excellent set of some fairly out material – performed by Shorter with a group that includes Freddie Hubbard, Grachan Moncur, James Spaulding, Herbie Hancock, and a rare appearance by his brother Alan on flugelhorn! At times, the record builds into a sound that's freer and more challenging than on some of Shorter's other albums from the time – but it does so in more of the "new thing" mode that you'd hear on records from the time by Jackie McLean or Moncur, with an overall sense of purpose that really keeps the message clear. Features all original compositions by the Shorter brothers – and cuts include "Chaos", "Face Of The Deep", "Mephistopheles", and "Genesis". LP, Vinyl record album
(70s pressing. Cover has some waviness and staining along the bottom 3 inches.)

Partial matches86
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Stanley TurrentineRough & Tumble ... LP
Blue Note, Late 60s. Very Good+ ... $14.99
A great album – with a really swinging groove! Stanley's soulful horn is set in a slightly larger group, in the style that would dominate his later years for the Blue Note label. Duke Pearson arranged the set, and players include James Spaulding, Blue Mitchell, Grant Green, Pepper Adams, and McCoy Tyner. Tracks are of medium length, with Stan blowing some nicely-pinched solos on titles like "Shake", "Walk On By", and "And Satisfy" – all with tight arrangements by Pearson. LP, Vinyl record album
(New York mono pressing. Cover has light aging, some wear along the top seam and a promo ink stamp.)

Partial matches87
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Stanley TurrentineSpoiler (non-RVG pressing) ... CD
Blue Note, 1966. Used ... $5.99
Stanley Turrentine's no spoiler here – as his tenor sax soars out over the top of some sweet larger group arrangements from Duke Pearson – all awash in a great sense of soul, joy, and life! The album's got a much brighter feel than you might guess from the cover – a vibe that's a bit similar to Stan's classic Joyride album, but a bit more open and free – thanks to the lyrical touches of Pearson on the charts. Other players include Blue Mitchell on trumpet, Julian Priester on trombone, James Spaulding on alto and flute, and Pepper Dadams on baritone sax – plus rhythm from McCoy Tyner on piano, Bob Cranshaw on electric bass, Mickey Roker on drums, and Joseph Rivera on percussion. As on some of the other Pearson dates from the time – particularly those with Donald Byrd – the use of electric bass really opens things up, by creating a subtle rhythmic pulse that really drives most numbers along. And also in the Pearson mode, the added players aren't really a horn section in the conventional way – just a group of like-minded, top-shelf jazz players who egg on the main soloist with a great sense of enthusiasm for the music! Titles include "La Fiesta", "The Magilla", "Sunny", "Maybe September", "You're Gonna Hear From Me", and "When The Sun Comes Out". CD
(Out of print, cutout notch through spine.)

Partial matches88
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✨✧ Lenny White with TwennynineOriginal Album Series (Streamline/Adventures Of Astral Pirates/Best Of Friends/Twennynine With Lenny White/Just Like Dreamin')(5CD set) ... CD
Warner, 1978/1979/1980/1981. New Copy 5 CDs ... $28.99
Five classic albums from Lenny White – packaged together as tiny LP-styled editions! First up is Streamline – a record with a lean, clean groove that's mighty nice, and plenty darn soulful! Plus, Lenny's working here with a pretty soulful fusion group that includes Don Blackman on keyboards and Marcus Miller on bass, both of whom give the record a similar feel to the GRP funk that would come out a few years later from Blackman, Bernard Wright, and others – showing White yet again ahead of the pack! A few tracks have vocals, and titles include "Struttin", "Earthlings", "Spazmo Strikes Again", "Pooh Bear", "Lockie's Inspiration", "I'll See You Soon", and "Night Games". Astral Pirates is a hard heavy batch of funky fusion tunes – with lots of hard drums by Lenny, and spacey spacey keyboards by the great Don Blackman! Patrick Gleeson had a hand in some of the synthesizer work, and he gives the album a similar astral sound to the work he did on the Mercury label at the same time. There's a lot of guitars in the lead, but they sound pretty nice next to Lenny's heavy drums – and titles include "Heavy Metal Monster", "Assault", "Climax", "Universal Love", "The Great Pyramid", and "Remembering". Best Of Friends was recorded with the Twennynine combo – a group that features some especially great keyboards from the great Don Blackman! The style here's a bit like some of Blackman's own work – rooted in fusion, but focused towards soul – with vocals on all tracks, but lots of tightly crafted riffs and grooves underneath! Keyboards and guitars are in the forefront on top of Lenny White's drums – but tunes also feature some EWF horn work, and an occasional vocal chorus arranged by Blackman, and featuring Dee Dee Bridgewater and Googie Coppola! Tracks include the classic 80s groover "Peanut Butter", plus "Tropical Nights", "Best Of Friends", "Take Me Or Leave Me", "Citi Dancin", and "Betta". Twennynine With Lenny White is way at the front of the pack of a lot of the 80s groove elements to follow in its wake – with popping basslines, heavy bass pedals, compressed guitar riffs and a really insistent overall groove! The record's got a pretty straight R&B feel, but thanks to White's nice production, there's a lot of good fusion elements in the mix – which raises the album a step above, and makes it groove nicely. The group features keyboards by Skip Anderson, doing a great job stepping in for Don Blackman, with lead vocals by Tanya Willoughby, synths by Larry Dunn, percussion by Paulinho De Costa, guitar by Eddie Martinez, bass by Barry Johnson and others. Titles include "My Melody", "Kid Stuff", "Fancy Dancer", "Slip Away", "We Had To Break Away", and "Love & Be Loved". Just Like Dreamin is sublime jazzy soul from Twennynine – a combo that's headed by drummer Lenny White, but which is a really solid group affair overall! Twennynine have a perfect sense of poise throughout – that great mix of jazzy elements and more straightforward soul that characterized some of the best groups of the early 80s – served up with a bit of polish, but still plenty of nice sharp edges on the grooves. Keyboards slide along nicely with the basslines and drums – and although lead vocals are by Barry Johnson, most of the group members manage to sing a bit throughout the set – fleshing out the grooves wonderfully with some really warm chorus parts. Titles include "Movin On", "Rhythm", "Twennynine (The Rap)", "Just Like Dreamin", "Don't Look Back", "Need You", "Find A Love", and "All I Want". CD
 
 
 



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