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Exact matches: 5
Exact matches1
CD, LP, Vinyl record album cover art
✨✧ Paul HornSound Of Paul Horn ... LP
Columbia, Mid 60s. Used ... Temporarily Out Of Stock
Amazing early work from Paul Horn – recorded way before he got all noodly, and started walking around in pyramids and stuff! The album captures Horn at the height of his early brilliance – interested in world rhythms, especially Indian, and showing a real penchant for a modal groove. He's working here on alto and flute, and grooving incredibly well with a group that includes Paul Moer on piano, Emil Richards on vibes, and the great Jimmy Bond on bass – all pulsating with a great deal of energy, and creating these catchy little tunes that dip, turn, dip, and allow Horn to really take off on his solos. A brilliant set throughout – with tracks that include "Benny's Buns", "Yazz Per Favore", "Mirage For Miles", "Moer Or Less", "Blue On Blue", and "Short Politician". LP, Vinyl record album
(6 eye pressing. Cover has a split top seam.)

Exact matches2
CD, LP, Vinyl record album cover art
✨✧ Paul HornInside (aka Inside The Taj Majal) ... LP
Epic, 1968. Used Gatefold ... Out Of Stock
One of the most starkly beautiful recordings in Paul Horn's career – with spiritually resonant, almost spine tingling solo flute and some chants, all recorded in the Taj Majal one day in April of 1968! It's really all about the atmosphere, as it would have to be given the location – with Horn playing of the amazing echo in a completely wonderful way, never feeling anything less than wholly authentic and genuinely inspired! Titles include "Vibrations", "Akasha", "Jumna", "Shah Jahan", "Mantra II/Duality", and "Unity". LP, Vinyl record album
(Yellow label pressing.)

Exact matches3
CD, LP, Vinyl record album cover art
✨✧ Paul HornPaul Horn & Nexus ... CD
CBS/Wounded Bird, 1975. New Copy ... Out Of Stock
Some of the best Paul Horn recordings of the 70s – tracks that were recorded amidst the Brazilian fusion explosion of the 70s, and which really push Horn's sound to the limit! The album features work that Horn cut with the funky fusion group Nexus – very electrified tracks driven on by some heavy percussion work that clearly comes out of the Brazilian tradition spread to the US by Airto – jazzy, frenetic, and with a good mix of electric and organic elements! Titles include "Somba", "Crystals", "Freindship", "Nexus", "Mbira", "Capetown", and "African Funeral Song". CD

Exact matches4
CD, LP, Vinyl record album cover art
✨✧ Paul HornProfile Of A Jazz Musician ... LP
Columbia, 1962. Used ... Out Of Stock
Fantastic stuff – and a beautiful album of modal grooves that really deserves wider recognition! Horn plays alto and flute in a groovy west coast quintet with Emil Richards on vibes and Paul Moer on piano – and the overall feel is very similar to his stellar Something Blue album on the HiFi label. Tracks begin with some tight bass and drum workouts, then the piano of Moers sets down lines that let horn and Richards groove over the top. Wonderful stuff – with only a hint of Horn's later hippy-dippy work, and some great tight jazz soloing. Titles include "Fun Time", "Now Hear This", "Abstraction", and "Straight Ahead". LP, Vinyl record album
(360 Sound stereo pressing. Vinyl has a mark that clicks on "Lazy Afternoon" and "What Now!".)

Exact matches5
CD, LP, Vinyl record album cover art
✨✧ Bennie Green/Paul QuinichetteBlow Your Horn! ... LP
Decca, Late 50s. Used ... Temporarily Out Of Stock
Great Decca album that features rare 50's sides by Bennie Green and Paul Quinichette. Side one's got 6 hard blowin' tracks from Bennie, with some of the best material he recorded away from the Prestige label. Tracks include "Blow Your Horn", "I Wanna Blow", "Rhumblues", and "Blues In Lament", and the set features him with orchestra or quintet (which features Billy Root on tenor and Cliff Small on piano). The Quinichette sides are equally great, and have him playing with small – one of which includes Marlowe Morris on organ! Tracks on the Quinichette side include "The Heat's Off", "I Remember Harlem", and "The Heat's On". Great stuff, and a really tough one to find. LP, Vinyl record album
(Heavy black label pressing. Cover has wear and a split top seam.)
 
Possible matches: 38
Possible matches6
CD, LP, Vinyl record album cover art
Tina BrooksBack To The Tracks ... CD
Blue Note, 1960. Used ... Just Sold Out!
One of those rare Blue Note sessions from tenorist Tina Brooks – originally recorded for the label in 1960, but never issued at the time – yet easily on a par with their more famous work of the period! Brooks' horn has a nice hard edge here – that sharp-edged modernism you'd hear with Jackie McLean, who makes a key appearance here on the album's famous "Street Singer" track. Jackie's not on the rest of the record, but that's fine with us – because other players are all equally great, and include Blue Mitchell on trumpet, Kenny Drew on piano, Paul Chambers on bass, and Art Taylor on drums. Apart from "Street Singer", other titles include "The Ruby & The Pearl", "Back To The Tracks", "For Heaven's Sake", and "The Blues & I". CD
(Out of print original pressing.)

Possible matches7
CD, LP, Vinyl record album cover art
John Coltrane5 Original Albums (Soultrane/Lush Life/Dakar/Bahia/Last Trane) (5CD set) ... CD
Prestige/Universal (Germany), Late 50s/1960s. New Copy 5CD ... $24.99
5 early albums from John Coltrane – packaged together in mini LP-styled jackets! First up is Soultrane, a bold early statement from a young John Coltrane – and an album that really has him expanding his talents as a tenor soloist! Coltrane's working here in open-ended quartet format – with backing from the Red Garland trio that includes Paul Chambers and Art Taylor – on a set of longer tunes that really let the young Trane stretch out on his solos, unobstructed by any other horns in the lineup. There's a nice mix of hardbop ideals, gentle ballads, and personal soul to the set – and titles include Coltrane's classic reading of Tadd Dameron's "Good Bait", plus "I Want To Talk About You", "Russian Lullaby", and "Theme For Ernie". Lush Life is strong work from John Coltrane's early years as a leader – even if the album is sort of a collection of tracks that Trane recorded for Prestige, instead of a discreetly separate session! Side one features Coltrane's tenor in a spare setting with Earl May on bass and Art Taylor on drums – playing mellow tunes like "I Love You" and "Like Someone In Love", as well as the original "Trane's Slow Blues". Side two features a blowing session mode – with Donald Byrd, Red Garland, Paul Chambers, and Louis Hayes – on the cuts "Lush Life" and "I Hear A Rhapsody". Dakar is a very unique little record that features twin baritone sax support from Pepper Adams and Cecil Payne! Both players are wonderfully hip here – more than enough to match Trane's unique musical vision for the group's format – and the sound of the session is much edgier than some of his other Prestige work – which may be why the label chose not to issue it until 1963, even though it was recorded back in '57. There's a nice roughness here – the same inspirational early sound you'll get on Coltrane's early sides for Savoy or Imperial – and other players include Mal Waldron on piano, Doug Watkins on bass, and Art Taylor on drums. Titles include "Cat Walk", "Dakar", "Route 4", "Velvet Scene", and "Witches Pit". Bahia is a set that includes some very compelling sounds from the early years, really showing the tenorist in a strongly spiritual transition! Coltrane plays tenor throughout, and the record also features the Red Garland trio, with Red on piano, Paul Chambers on bass, and either Art Taylor or Jimmy Cobb on drums – but the set also features trumpet from the great Wilbur Harden on half the record – Coltrane's frequent partner over at Savoy Records, who comes into the music here with the sort of searching, open style that works so well with Trane's tenor! The music is partly in the Garland/Coltrane late 50s Prestige mode, but also has some of the deeper spiritual vibe of the Savoy years too – and titles include "I'm A Dreamer Aren't We All", "Something I Dreamed Last Night", "Bahia", and "Goldsboro Express". The final CD is album's titled The Last Trane because it represents the last material that Prestige Records had in its vault from the time that John Coltrane was recording for the label in the late 50s. Titles were recorded on 3 different dates from 1957 and 1958 – mostly with Red Garland on piano, and also featuring some additional horn work by Donald Byrd on 2 tracks. The album's got a great spare track called "Slowtrane" – one that features Coltrane playing with only bass and drums for accompaniment – and which recalls the genius of some of his sessions for Transition or Imperial. Byrd's blowing alongside the tenor on versions of "Lover" and "Come Rain Or Come Shine" – and the set's rounded up by a nice open-ended track called "By The Numbers", which has a warm bluesy solo by Trane! CD

Possible matches8
CD, LP, Vinyl record album cover art
✨✧ James CottonJames Cotton Blues Band ... LP
Verve, 1967. Good+ ... $9.99
Chicago blues, but plenty darn funky – recorded with a sharpness and tightness that shows a strong soul-based influence in the second-generation electric work of James Cotton's generation! The core group here features James on harmonica and vocals – backed by piano, guitar, bass, and drums – plus a great horn section that has a distinct Chess Records feel – no surprise, given that it features Gene Barge, Paul Serrano, and Louis Satterfield! The production is by Barry Goldberg and Mike Bloomfield – and they're clearly helping Cotton tighten up his groove – and almost hit some Atlantic soul-styled modes at times. Titles include "Knock On Wood", "Sweet Sixteen", "Feelin Good", "Off The Wall", "Good Time Charlie", "Turn On Your Lovelight", "Something On Your Mind", and "Don't Start Me Talkin". LP, Vinyl record album
(White label promo.)

Possible matches9
CD, LP, Vinyl record album cover art
Duke EllingtonDuke Ellington Presents ... CD
Bethlehem, 1956. Used ... $4.99
An excellent and oft-overlooked 50s session from Duke – recorded in Chicago as a one-off for the Bethlehem label, and done with a lush, rich sound that's really tremendous! The group's nicely restrained and very moody – playing here in a mellow late nite mode that offers a good focus on the best horn soloists in the group, yet which also really hangs together perfectly from the slow-moving and eerie tone of the rest of the group. Jimmy Grissom sings a bit on the set, and other players include Johnny Hodges, Paul Gonsalves, Cat Anderson, and Ray Nance – on tracks that include "Day Dream", "Blues", "Frustration", "My Funny Valentine", and "Laura". CD
(Out of print.)

Possible matches10
CD, LP, Vinyl record album cover art
Duke EllingtonGreat Paris Concert ... CD
Atlantic, 1963. Used 2 CDs ... $9.99
Did Ellington ever record in concert and it not be great? This wonderful double-length set from the 60s is key proof of his genius in an unfettered live setting – recorded in Paris in 1963 with plenty of dark edges! The tracks are short overall, but Duke's really at the head of the group on piano – playing with those angular, modern tones he picked up in the post Money Jungle years – and clearly in charge of the group from the keyboard, not the podium. Horn players include Harry Carney, Ray Nance, Lwarence Brown, Cootie Williams, Johnny Hodges, and Paul Gonsalves – all bringing in some special tones and unique performances to an extended set list that includes both Ellington standards and a few lesser-known numbers. Titles include "Rockin In Rhythm", "Concerto For Cootie", "Suite Thursday", "Tone Parallel To Harlem", "Bula", "Cop Out", "Happy Go Lucky Local", "Theme From Asphalt Jungle", and "Star-Crossed Lovers". CD

Possible matches11
CD, LP, Vinyl record album cover art
Red GarlandRed's Blues ... CD
Prestige, Late 50s. Used ... $3.99
A cool collection of bluesy work from Red Garland – material pulled from the pianist's famous late 50s years on Prestige Records, including a number of cuts that weren't issued at the time of release! Some of the tracks here feature Garland working with a trio, while others have a horn player joining in – no surprise, given that Red's trio was one of the best backing groups ever used by Prestige. Other players include tenorists John Coltrane, Coleman Hawkins, and Arnett Cobb – who each play on one track – and rhythm players include either Paul Chambers or Sam Jones on bass, and Art Taylor of Charlie Persip on drums. Titles include "Red Beans", "Your Red Wagon", "Skinny's Blues", "PC Blues", "Prelude Blues", "Ralph J Gleason Blues", "Birk's Works", and "Ahmad's Blues". CD
(Barcode has cutout hole.)

Possible matches12
CD, LP, Vinyl record album cover art
Barney KesselKessel/Jazz – Contemporary Latin Rhythms ... CD
Reprise (UK), 1961. Used ... $6.99
A wonderful wonderful set from Barney Kessel – bossa-inflected jazz, and a wonderful setting for Barney to hit some very groovy lines on electric guitar! The group on the date is part of the strength of the record – with Conte Candoli on trumpet, Emil Richards on vibes, Paul Horn on flute, and Victor Feldman on piano – with loads of great percussion and guitar interplay on the set, plus some excellent use of flute and vibes – all of which makes for the sort of session that really translates the Brazilian groove into the best sort of sound the LA scene was cutting at the time! Nice, light, and dancing rhythms – and titles that include "Love", "Days Of Wine & Roses", "Latin Dance #1", "Lady Byrd", and "One Note Samba". CD
(Includes obi.)

Possible matches13
CD, LP, Vinyl record album cover art
Art PepperArt Pepper Meets The Rhythm Section ... LP
Contemporary, 1957. Very Good ... $199.99
One of Art Pepper's classic recordings, in which he plays with a spare quartet backing by Miles Davis' rhythm section at the time – Paul Chambers, Red Garland, and Philly Joe Jones. An essential East meets West jazz recording, with Art at the top of his game, playing in a unique setting for the first and only time (it's said that Art didn't even know of the date until the morning of the session). Pepper is one of the few alto players to really establish his own voice on the horn, without aping Bird, and his emotive playing really shines here. A definitive version of "Straight Life" is on this album, along with "Waltz Me Blues", "You'd Be So Nice To Come Home To" and "Star Eyes". LP, Vinyl record album
(Original mono deep groove pressing. Vinyl has a mark that clicks on "Imagination".)

Possible matches14
CD, LP, Vinyl record album cover art
Quartetto ModernoEcco! ... CD
Schema (Italy), 1999. New Copy ... $11.99
One of the most beautiful jazz recordings we've heard in a long time! Italy's Quartetto Moderno is a vibes-led combo with a classic modal feel – similar to Bobby Hutcherson's pre-new thing years on Blue Note, or some of the early Roy Ayers & Jack Wilson recordings from LA. The sound is extremely captivating, and the main frontline of vibes and piano is augmented on a number of tracks by flute and alto. The set's got a great cover of Paul Horn's lost modal groover "Mr. Bond", plus loads of great originals, like "Giovani D'Oggi", "Il Gioco Delle Parti", "Astro Gange", and "Moderns Dilemma". Very nice stuff, and with a sound and feel that's far more sophisticated than some of the other titles on Schema! CD

Possible matches15
CD, LP, Vinyl record album cover art
Russian Jazz QuartetHappiness ... LP
Impulse, 1964. Very Good Gatefold ... $4.99
The one and only album recorded by the Russian Jazz Quartet – a one-off group that featured saxophonist Boris Midney and bassist Igor Berukshtis, both of whom defected from the Soviet Union – plus Roger Kellaway on piano and Grady Tate on drums. (Guess they couldn't call this the "Half-Russian Jazz Quartet"!) The strongest suit of the recording is Boris Midney, who plays alto sax and clarinet in a modern yet swinging style – following nicely on the heels of players like Jimmy Giuffre, Paul Horn, and Paul Winter. Like all three of the above, Midney also has a talent for writing – and contributed a few strong tunes to the set, numbers that have a bit of a modal groove and an undercurrent of sadness that makes them more compelling than you might think. Titles include "Composition In The Form Of Blues", "Waltz", "Remember", "Journey From Moscow", and "Dedication To MJQ". LP, Vinyl record album
(Rainbow label pressing. Cover has a small cutout hole.)

Possible matches16
CD, LP, Vinyl record album cover art
Louis SmithSmithville ... LP
Blue Note, 1957. Very Good+ ... $49.99
A really hard-edged set from trumpeter Louis Smith – one of his only two albums as a leader from the early years, and a heck of a great little album, thanks to tenor work by Charlie Rouse! Rouse is blowing beautifully here in one of his classic pre-Monk appearances – recorded at a time when he was more of a hard bopper than a modernist, but still working with an ear for unusual tones and phrasing. His horn sounds beautiful next to the deeply soulful trumpet of Smith – and the pair are supported by a rhythm team that includes Sonny Clark on piano, Paul Chambers on bass, and Art Taylor on drums. Titles include "Smithville", "Embraceable You", "Wetu", and "Later" – all done in nice long versions! LP, Vinyl record album
(UA pressing. Cover has a lightly bent corner.)

Possible matches17
CD, LP, Vinyl record album cover art
Cal TjaderCal Tjader Plays The Contemporary Music Of Mexico & Brazil ... CD
Verve, 1962. Used ... $6.99
A groovy 60s session from vibist Cal Tjader – and an excellent little Latin set, with a mixture of bossa nova and Latin jazz that goes way beyond the promise of the title! The great Clare Fischer arranged the set – and if you know his work with Cal, you know that he's got a wonderful approach to jazz that works perfectly with Tjader's unique phrasing – a spacious sensibility, and a great sense of timing – one that always ensures the tunes sparkle with a sweetly stepping groove. Fischer plays piano on the record – and other players include Laurindo Almeida on guitar, Paul Horn on reeds, Johnny Rae on timbales, and Milt Holland on percussion. Titles include "Choro E Batuque", "Nao Diga Nada", "Elizete", "Imagen", "Vai Querer", and "Que Tristeza". CD
Also available Cal Tjader Plays The Contemporary Music Of Mexico & Brazil ... CD 7.99

Possible matches18
CD, LP, Vinyl record album cover art
Cal TjaderCal Tjader Plays The Contemporary Music Of Mexico & Brazil ... CD
Verve, 1962. Used ... $7.99
A groovy 60s session from vibist Cal Tjader – and an excellent little Latin set, with a mixture of bossa nova and Latin jazz that goes way beyond the promise of the title! The great Clare Fischer arranged the set – and if you know his work with Cal, you know that he's got a wonderful approach to jazz that works perfectly with Tjader's unique phrasing – a spacious sensibility, and a great sense of timing – one that always ensures the tunes sparkle with a sweetly stepping groove. Fischer plays piano on the record – and other players include Laurindo Almeida on guitar, Paul Horn on reeds, Johnny Rae on timbales, and Milt Holland on percussion. Titles include "Choro E Batuque", "Nao Diga Nada", "Elizete", "Imagen", "Vai Querer", and "Que Tristeza". CD
Also available Cal Tjader Plays The Contemporary Music Of Mexico & Brazil ... CD 6.99

Possible matches19
CD, LP, Vinyl record album cover art
Doug WebbDoug Webb Quartet Sets The Standard ... CD
VSOP, 2015. New Copy ... $4.99 15.99
We've really been digging Doug Webb's recent albums on the Posi-tone label – and the tenorist is equally nice on this understated quartet album! Webb's got a classic tone on his horn, but one that's still open enough to be personal too – as Doug's not one of these guys who just tries to ape an older ear of postwar tenor, and instead uses that generation as a motivation for his sound, which he then folds into newer arrangements, and these more subtle, soulful textures that we totally love. That quality comes through here especially on the upbeat numbers – which are guided by the always great (and sadly under-acknowledged) talents of Putter Smith on bass, alongside Alan Broadbent on piano and Paul Kreibach on drums. Titles include "These Things", "Star Eyes", "Little Girl Blues", "Ask Me Now", "I Remember You", and "My Shining Hour". CD

Possible matches20
CD, LP, Vinyl record album cover art
VariousDown Beat Jazz Concert ... LP
Dot, 1958. Very Good ... $2.99
An assortment of tracks recorded together under the Downbeat name, but which was really designed to showcase the budding jazz talents on late 50s Dot Records! The set kicks off with a big band, Basie-ish number – "Blues Over Easy", performed by Manny Alban and jazz greats that include Nick Travis, Gene Quill, and Jerome Richardson. Next up is the Tony Scott quintet with Jimmy Knepper – on a version of "Scrapple From The Apple" – followed by 2 tracks by Steve Allen – one trio, one with a quartet with Georgie Auld – "Rose Room" and "The Fast Thing In C". Paul Horn follows up with "Give Me The Simple Life" – and the set's completed by "Dougy's Buggy" performed by the Don Elliott Quintet, with Elliott on trumpet and vibes, plus bass clarinet by Hal McKusick. LP, Vinyl record album
(Cover has a split spine & a partially split top seam.)

Possible matches21
CD, LP, Vinyl record album cover art
VariousMovements Vol 2 – 15 Deep Funk Pearls Compiled By Tobias Kirmayer ... CD
Perfect Toy (Germany), Late 60s/Early 70s. New Copy ... $6.99
A second turn in the Movements series on the Perfect Toy label – some of the most blazingly funky 45s you'll hear – put together by the Tobias Kirmayer of Tramp Records! Once again we're floored by how great all of this stuff sounds – some of the deepest, tightest funk material we've ever heard – with snapping drums, perfectly timed horn blasts – and some hard psychedelic soul touches of organ and wailing vocals – while never falling short of unfailingly funky! 15 great tracks: "If It Feels Good" by Phil Flowers, "There's A Wrinkle In Our Time" by 1984, "Don't Chain My Soul" by Carlton Basco, "My Mind Set Me Free Pt 1" by House Guests, "Now Is The Time" by Sisters Love, "Southern Fried Chicken Pts 1 & 2" by Bill Thomas & The Fendells, "Warm Daddy's Choice" by River Front Band, "Bring Out Yourself" by Emperors Soul 69, "Bahama Soul Stew" by Funky Nassau, "Motherless Child" by Harmonica Paul, "Arabian Funk" by Ray Anthony and more! CD

Possible matches22
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyCannonball Takes Charge ... LP
Riverside, 1959. Used ... Temporarily Out Of Stock
A hardbop classic from Cannonball Adderley – and one of his harder to find albums from the Riverside days! The set has Cannon playing without his usual group, in the context of an all-star batch of players that includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – who he worked with in his time with Miles Davis – plus occasional guest rhythm work by Albert and Percy Heath. The set's strong and straight ahead – a good bridge between Cannon's early Mercury recordings, and his later albums for Riverside and Capitol – tightly crafted solos with a good deal of soul, Adderley holding down all the horn work on the record. Titles include "If This Isn't Love", "Serenata", "Poor Butterfly", "I Remember You", and "I've Told Ev'ry Little Star". CD also features 2 bonus alternate tracks! LP, Vinyl record album
(Small blue label Bill Grauer pressing with deep groove. Cover has wear and a split spine.)

Possible matches23
CD, LP, Vinyl record album cover art
✨✧ Tina BrooksBack To The Tracks ... CD
Blue Note (Japan), 1960. New Copy ... Temporarily Out Of Stock
One of those rare Blue Note sessions from tenorist Tina Brooks – originally recorded for the label in 1960, but never issued at the time – yet easily on a par with their more famous work of the period! Brooks' horn has a nice hard edge here – that sharp-edged modernism you'd hear with Jackie McLean, who makes a key appearance here on the album's famous "Street Singer" track. Jackie's not on the rest of the record, but that's fine with us – because other players are all equally great, and include Blue Mitchell on trumpet, Kenny Drew on piano, Paul Chambers on bass, and Art Taylor on drums. Apart from "Street Singer", other titles include "The Ruby & The Pearl", "Back To The Tracks", "For Heaven's Sake", and "The Blues & I". CD
(SHM-CD pressing!)

Possible matches24
CD, LP, Vinyl record album cover art
✨✧ Duke EllingtonBethlehem Years Vol 2 (aka Duke Ellington Presents) ... LP
Bethlehem, 1956. Used ... Temporarily Out Of Stock
An excellent and oft-overlooked 50s session from Duke – recorded in Chicago as a one-off for the Bethlehem label, and done with a lush, rich sound that's really tremendous! The group's nicely restrained and very moody – playing here in a mellow late nite mode that offers a good focus on the best horn soloists in the group, yet which also really hangs together perfectly from the slow-moving and eerie tone of the rest of the group. Jimmy Grissom sings a bit on the set, and other players include Johnny Hodges, Paul Gonsalves, Cat Anderson, and Ray Nance – on tracks that include "Day Dream", "Blues", "Frustration", "My Funny Valentine", and "Laura". LP, Vinyl record album
(70s pressing.)

Possible matches25
CD, LP, Vinyl record album cover art
✨✧ Duke EllingtonIntimacy Of The Blues ... CD
Fantasy/OJC, 1967/1970. Used ... Temporarily Out Of Stock
A slightly smaller take on the Ellington sound – but one that's still a bit fuller than you might guess from the "Small Bands" on the cover! There's definitely a more intimate feel here than usual – especially given the size of ensembles Duke was working with in the 60s – but the approach is more like some of the earliest Ellington combos, a full feel as most of the group works tightly together, while one soloist snakes out with some deeply soulful lines on his own! The first six tracks here feature "The Combo Suite" – recorded in 1967, with some especially nice horn work from Johnny Hodges on alto, Paul Gonsalves on tenor, Cat Anderson on trumpet, and Lawrence Brown on trombone. Remaining tracks were recorded in 1970, in New York and Las Vegas – and include "Noon Mooning", "Rockochet", "All Too Soon", and "Tippy Toeing Through The Jungle Garden". CD
(Out of print.)
 
Partial matches: 36
Partial matches44
CD, LP, Vinyl record album cover art
Paul JohnsonPaul Johnson Scene #001 – Welcome To The Warehouse/I Get Lifted/Play Those Horns (horny warehouse mix, PJ's niteclub edit, bonus bar beats) ... 12-inch
Warehouse, 1994. Very Good ... $43.99
Early 90s house, a hard to get EP from one of the DJs and producers who'd help lead the second generation Chicago house renaissance on Relief and other labels with a stripped down approach that got back to the basics! 12-inch, Vinyl record
(In the stickered sleeve.)

Partial matches45
CD, LP, Vinyl record album cover art
Paul HumphreyPaul Humphrey Sextet ... LP
Discovery, 1981. Very Good+ ... $2.99
Very different work than usual for superdrummer Paul Humphrey – a warm, acoustic set of soul jazz – with a very different approach than his 70s albums! Humphrey's really stepping out here as a strong straight jazz leader – working with a group that includes west coast hornmen Buster Cooper, Oscar Brashear, and Herman Riley – arranged by the pianist in the group, Llew Mathews. The tunes are nearly all originals – done with a post-Horace Silver style that mixes the soulful and the introspective, and which slides into lots of warm tones and colors, all while still keeping its groove. Titles include "My Mind Is Free", "Thiago", "Snap", "Roundabout", and "Return To The Nightsong". LP, Vinyl record album
(Cover has light wear & a cutout hole.)

Partial matches46
CD, LP, Vinyl record album cover art
✨✧ Tom ScottTom Scott & The LA Express – Live At Paul's Mall, Boston 1975 ... CD
Hi Hat, 1975. New Copy ... Out Of Stock
Saxophonist Tom Scott, caught live at one of the highest points in his career – a time when he'd already given the world some great albums, loads of session work, and even some soundtrack moments too! The group's Scott's classic LA Express – with a lineup that includes Robben Ford on guitar, Larry Nash on piano, Max Bennett on bass, and John Guerin on drums – working in an angular approach to electric jazz that really seems to show off Tom's chops on his horns! And yes, Scott did cut some smoother material in the 70s, but this set's got a very sharp edge – and feels more CTI than some of his studio records to follow. Titles include "Spindrift", "Nunya", "Mondo", "Refried", "LA Expression", "Love Poem", and "Rock Island Rocket". CD

Partial matches47
CD, LP, Vinyl record album cover art
✨✧ Gerry Mulligan & Paul DesmondGerry Mulligan & Paul Desmond Quartet (with bonus tracks) ... CD
Verve, 1957. Used ... Out Of Stock
A great pairing of two of the coolest jazz talents of the 50s – icy-cool altoist Paul Desmond and warm-toned baritonist Gerry Mulligan! The group here continues the pianoless tradition of some of Mulligan's work of the decade – leaving plenty of room for amazing interplay between the horns, and a rare chance to hear Desmond away from the instrument – especially considering his work with Brubeck – blowing here in an airy, willowy tone that's totally great. Other players include Joe Benjamin on bass and Dave Bailey on drums – and titles include "Blues In Time", "Standstill", "Line For Lyons", and "Fall Out". CD includes bonus tracks – "Tea For Two", "Wintersong", and "Lover". CD

Partial matches48
CD, LP, Vinyl record album cover art
✨✧ John Coltrane & Hank MobleyTenor Conclave ... LP
Prestige, 1956. Very Good+ ... $11.99
Tenors can't get any more conclaved than this – as the record brings together 4 players on the instrument in a great match from 2 of the best sides of 50s jazz! John Coltrane and Hank Mobley represent the more open, soulful side of the spectrum – and Al Cohn and Zoot Sims the tighter, more smartly arranged aspect. Together, the quartet of horns work in an open-ended blowing mode with rhythm by Red Garland, Paul Chambers, and Art Taylor – in a way that almost makes the set a "Coltrane plus" album for Prestige – one that has the structure of some of the best Trane/Garland sides for the label, but which blows in some other horns with different voicings. If you ever needed a record to demonstrate the subtler shadings of genius within 50s modern jazz, yet still convince you that it could also be relaxed and spontaneous, this record may well be the one. Titles include 2 standards – "Just You, Just Me" and "How Deep Is The Ocean" – plus 2 Mobley originals – "Tenor Conclave" and "Bob's Boys". LP, Vinyl record album
(OJC pressing. Cover has light wear.)

Partial matches49
CD, LP, Vinyl record album cover art
Herbie Hancock5 Original Albums (Takin Off/My Point Of View/Inventions & Dimensions/Speak Like A Child/The Prisoner) (5CD set) ... CD
Blue Note (Germany), Mid 60s. New Copy 5CD ... $26.99
The early genius of Herbie Hancock – perfectly summed up here in five classic albums for Blue Note – each presented in a tiny LP-styled sleeve! Takin Off has Herbie Hancock stepping into the limelight with an excellent batch of soul jazz tunes, including the first recording of his classic "Watermelon Man", the one track that probably put all his kids through school! Although that one went on to become a standard within a few short years in 60s jazz, it still sounds great here in the original – a very fresh take on the sound of soul jazz in the 60s – offered up here in a 7 minute version that has more sharp soloing than most other takes on the tune! The group here is great too – with Dexter Gordon on tenor, Freddie Hubbard on trumpet, Butch Warren on bass, and Billy Higgins on drums – and the tracks are all also originals by a young Herbie – including "Watermelon Man", "The Maze", "Driftin", "Three Bags Full", "Alone & I", and "Empty Pockets". My Point Of View is a great mix of soul jazz and modernism! The record include a nice groovy "hit", Herbie's "Blind Man, Blind Man" – an obvious follow-up to "Watermelon Man", but still a standout track with a lot of imagination, and a fierce soul jazz hook that just won't quit! The rest of the record, while still groovy, also shows much more signs of Herbie's far-reaching conception – especially shared with players like Tony Williams, Grachan Moncur, Chuck Israels, and Grant Green – all of whom work with Herbie, Donald Byrd, and Hank Mobley – in a larger than usual group that makes for a really great sound! Titles include "A Tribute To Someone", "King Cobra", and "The Pleasure Is Mine". Inventions & Dimensions is really unique little record from Herbie Hancock – one that's almost completely improvised over Latin percussion! The setup is quite spare – and quite different than Herbie's other Blue Note work – and the group features improvised backgrounds by bassist Paul Chambers and 2 Latin percussionists, Willie Bobo and Osvaldo "Chihuahau" Martinez. Herbie only wrote simple sketches for the songs on the album, and most of the work on the tracks was done live, spontaneously, in the studio – creating a very free groove that never goes too far out, but which is far more adventurous than usual. All tracks are long, and titles include "Succotash", "Triangle", and "Mimosa". Speak Like A Child is an oft-overlooked session that has Herbie mixing a nice dose of lyricism into his usual soul jazz approach from the 60s! The sound's a bit farther-reaching than on some of Herbie's smaller group sessions – and the record features a sextet that includes Ron Carter, Mickey Roker, Jerry Dodgion, Thad Jones, and Peter Phillips – all soaring with the warmth and introspection that was showing up in some of the best Blue Notes from the time. The harder-hitting soul jazz riffs and hooks are nicely replaced by more thoughtful lines that get a bit deeper, soufully – and nearly all tracks on the set are originals by Hancock! The album's filled with great moments – and tracks include "The Sorcerer", "Riot", and "Goodbye To Childhood". Last up is The Prisoner – a nice late Blue Note change from Herbie Hancock – a very different album than his previous sets for the label – in that it features a slightly larger group, and a sound that really points the way towards his directions in the 70s! There's a slightly ambitious feel to some of these cuts – not in a way that's over-arranged, but just a new sort of thinking for Herbie's kind of groove – a mode that's partially informed by the seriousness of 60s jazz soundtracks, but which also has the beginnings of some more righteous modes of expression too. Players are all great – and include Joe Henderson on tenor and flute, Johnny Coles on flugelhorn, Garnett Brown on trombone, Hubert Laws on flute, Jerome Richardson on bass clarinet, Buster Williams on bass, and Tootie Heath on drums. Herbie plays both acoustic and electric piano – using the latter here in one of his first recordings on the instrument – and titles include "Firewater", "I Have A Dream", "The Prisoner", and "He Who Lives In Fear". CD

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Ennio MorriconePeur Sur La Ville ... CD
Warner/Music Box (France), 1975. New Copy ... $22.99
A great Morricone soundtrack for a Jean-Paul Belmondo thriller – a score that starts out spare and brooding, then builds nicely as things move on – with lots of cool bottom-end sounds that make the whole thing really move up from the depths! Some tunes echo the sweeter side of Morricone, while others are a bit more brooding – and instrumentation includes some of the same offbeat piano you'd hear in The Burglars, plus light guitar, weird-tuned horns, and other nice bits that are sometimes abstracted beyond recognition! Titles include "Consideration Sur Un Homicide", "Paris Secret", "Defense De Stationner" and "Mannequins". CD features lots of bonus tracks – with a total of 75 minutes of music – more than we've ever seen for this one! CD
(Limited edition of 500!)

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Os GatosAquele Som Dos Gatos ... CD
Mercury (Brazil), 1965. Used ... $14.99
One of the most legendary groups from the bossa era in Brazil – a combo of incredible players, working with sublime arrangements by Eumir Deodato – all in a sound that hardly been matched again! The group only ever recorded two albums, but they've had a lasting impact on the sound of bossa for years to come – thanks to an expansive vision that brings together spare rhythms, jazz soloing, and larger strings – all with a quality that's lighter than air – almost a sum that's far less than the total of its elements – but in a really great way! The sense of spareness and poise here is really amazing – years ahead of Deodato's better-known US arrangements in the late 60s, and somehow even more impressive here. Players include Paulo Moura on alto sax, Neco on guitar, Meirelles on flute, Wilson Das Neves on drums, and Mauricio Einhorn on harmonica – and some tracks also feature a bit of light vocals floating along gently, almost as instruments themselves. Titles include "Aqua De Beber", "Clichet", "Feitinha Pro Poeta", "E Nada Mais", "Blue Set", and "Silk Stop". CD
(Out of print.)

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Bud PowellComplete Blue Note & Roost Recordings (4CD box set) ... CD
Blue Note, Late 40s/1950s/Early 60s. Used 4 CDs ... $29.99
A wealth of classic work from Bud Powell – his complete recordings for both the Blue Note and Roost label – served up in a mighty 4CD set! The package begins with early 78rpm sides from the late 40s, then moves into material from full albums in the 50s – and ends with one track from 1963. As with most Powell recordings from the time, much of the material is recorded with a trio – players like Paul Chambers, Sam Jones, or Curley Russell on bass – and drummers who include Art Taylor, Max Roach, and Roy Haynes. A few sides feature added horns from Fats Navarro on trumpet and Sonny Rollins on tenor – and the set features a total of 75 tracks in all, plus a 40 page booklet of notes. CD
(Out of print, outer box has some light edgewear.)

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Spontaneous Music EnsembleChallenge 1966 to 1967 ... CD
Eyemark/Emanem (UK), 1966/1967. New Copy ... $16.99 19.99
Amazing free jazz from the British scene of the mid 60s – some of the earliest rumblings of genius from the Spontaneous Music Ensemble – already working here at a level that matches the avant energy happening both in the US and on the larger European scene! Core interplay here comes from Paul Rutherford on trombone, John Stevens on drums, and Trevor Watts on alto sax – three well-matched and familiar players who are able to improvise at a level that's quite mature, especially for the time – let loose, but never without a sense of direction – and given great help on most tracks by Kenny Wheeler on flugelhorn, plus a bit of bass from either Jeff Clyne or Bruce Cale. The whole thing's amazing – really bridging a modern world of Ornette Coleman and Joe Harriott with some of the later FMP-styled sounds that would come from the continent – and titles include "ED's Message", "2B Ornette", "Day Of Reckoning", "Travelling Together", "Club 66", and "After Listening". CD features the unissued "End To A Beginning" – plus the bonus 15 minute "Distant Little Soil", by a group that has Evan Parker on soprano sax and Chris Cambridge on bass, working with Watts and Stevens. CD

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Stanley TurrentineSpoiler ... LP
Blue Note, 1966. Very Good+ ... $18.99
Stanley Turrentine's no spoiler here – as his tenor sax soars out over the top of some sweet larger group arrangements from Duke Pearson – all awash in a great sense of soul, joy, and life! The album's got a much brighter feel than you might guess from the cover – a vibe that's a bit similar to Stan's classic Joyride album, but a bit more open and free – thanks to the lyrical touches of Pearson on the charts. Other players include Blue Mitchell on trumpet, Julian Priester on trombone, James Spaulding on alto and flute, and Pepper Dadams on baritone sax – plus rhythm from McCoy Tyner on piano, Bob Cranshaw on electric bass, Mickey Roker on drums, and Joseph Rivera on percussion. As on some of the other Pearson dates from the time – particularly those with Donald Byrd – the use of electric bass really opens things up, by creating a subtle rhythmic pulse that really drives most numbers along. And also in the Pearson mode, the added players aren't really a horn section in the conventional way – just a group of like-minded, top-shelf jazz players who egg on the main soloist with a great sense of enthusiasm for the music! Titles include "La Fiesta", "The Magilla", "Sunny", "Maybe September", "You're Gonna Hear From Me", and "When The Sun Comes Out". LP, Vinyl record album
(Liberty stereo pressing with Van Gelder stamp. Cover has light wear and a cut corner.)

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✨✧ Barry Harris SextetBull's Eye! ... LP
Prestige, 1968. Used ... Temporarily Out Of Stock
A sock-hard set of Detroit soul jazz that's one of Barry Harris' best albums of the 60s! The group on the record is a sextet – with Kenny Dorham on trumpet, Charles McPherson on tenor, and Pepper Adams on baritone – forging a much harder frontline than you'll hear on some of Barry's more lyrical albums from the same time – a new sort of groove that really locks Harris in nicely to the Prestige soul jazz sound of the 60s. The group works well together on arrangements by Harris – swinging hard and lively, sometimes with a vamping energy that's almost modal – and which really lets McPherson hit some especially nice lines on tenor. Rhythm is from Paul Chambers and Billy Higgins – and the horns sit out for 2 of the album's 6 tracks. Titles include "Oh So Basal", "Off Monk", "Barengo", "Bull's Eye", and "Clockwise". LP, Vinyl record album
(Green label pressing.)

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✨✧ Wynton KellyWynton Kelly Trio – Complete Vee Jay Studio Recordings (Wynton Kelly At Midnite/Wynton Kelly/Go) ... CD
Vee Jay/Lonehill (Spain), Late 50s/Early 60s. Used 2CD ... Temporarily Out Of Stock
The complete trio recordings by Wynton Kelly for Vee Jay – pulled from 3 different albums, and also including a host of alternate takes as well! One of the main albums here is Kelly At Midnite – a moody, mellow late nite session – just spare trio material by Wynton, played in a group that features Paul Chambers on bass and Philly Joe Jones on drums! The titles are all nice and long – and really let Kelly stretch out on the keys – working in a mode that's lyrical and soulful – on a set of titles that include include Babs Gonzales' "Weird Lullaby", plus "Skatin", "Temperance", "On Stage", and "Pot Luck". Next up is the self-titled Wynton Kelly album for the label – straight-ahead trio material from Wynton, played by a trio that includes Jimmy Cobbs on drums, and either Sam Jones or Paul Chambers on bass. The tunes aren't anything special, but Kelly brings a nice mix of soul jazz and lyricism to the recording, serving up some nicely crafted moments in small doses. Titles include "Joe's Avenue", "Sassy", "Love, I've Found You", and "Autumn Leaves". Added to these titles is 1 more from the Paul Chambers album Go – a session that mostly features horns, but which also includes a trio track with Chambers and Cobb – "Dear Ann". 2CD set also features 13 more alternate takes – a total of 29 tracks in all! CD
(Out of print.)

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✨✧ Peter KowaldPeter Kowald Quintet ... LP
FMP/Cien Fuegos (Austria), 1972. New Copy (reissue)... Temporarily Out Of Stock
An early moment of brilliance as a leader for bassist Peter Kowald – and maybe a record of his that matches the early FMP albums of Peter Brotzmann for sheer, raw intensity! There's almost a Machine Gun-like power here – as the group comes on with all the amazing energy that the early European free jazz scene had to offer – that moment when music like this was as much a force in politics and the larger cultural world as it was in jazz – with Kowald at the head of a group that also features Gunter Christmann and Paul Rutherford on trombones, Peter Van De Locht on alto, and Paul Lovens on drums. The trombones alone are worth the price of admission – and Kowald sometimes joins in on tuba and alphorn – on improvisations that include "Pavement Bolognaise", "Guete Luuni", "Platte Talloere", and "Wenn Wir Kehlkopfoperierte Uns Unterhalten". LP, Vinyl record album

Partial matches58
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✨✧ Pharoah SandersKarma ... LP
Impulse, 1969. Used ... Temporarily Out Of Stock
Quite possibly the best-remembered album from Pharoah Sanders' legendary run at Impulse Records – a set that crossed over big, and sold to countless folks who might not have bought a jazz album this hip otherwise! The record was Sanders' first in the wake of Coltrane's passing – and it's a beautiful extended suite of tracks that flows with a sense of grace, power, and majesty that's simply breathtaking – a new level of expression in spiritual jazz – and virtually the blueprint for an entire generation to come! The album features the classic track "The Creator Has a Master Plan" – spanning a tremendous amount of space and time – and featuring Leon Thomas' classic vocals on the lyrics! Thomas also returns on the cut "Colors", which is a bit more outside, and quite free overall – and other players on the date include Lonnie Liston Smith on piano, James Spaulding on flute, Julius Watkins on French horn, Ron Carter and Richard Davis on bass, and Freddie Waits and Billy Hart on drums. LP, Vinyl record album
(Rainbow label pressing. A beautiful copy!)

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✨✧ Wayne ShorterAll Seeing Eye ... LP
Blue Note, 1965. Used ... Temporarily Out Of Stock
An excellent set of some fairly out material – performed by Shorter with a group that includes Freddie Hubbard, Grachan Moncur, James Spaulding, Herbie Hancock, and a rare appearance by his brother Alan on flugelhorn! At times, the record builds into a sound that's freer and more challenging than on some of Shorter's other albums from the time – but it does so in more of the "new thing" mode that you'd hear on records from the time by Jackie McLean or Moncur, with an overall sense of purpose that really keeps the message clear. Features all original compositions by the Shorter brothers – and cuts include "Chaos", "Face Of The Deep", "Mephistopheles", and "Genesis". LP, Vinyl record album
(New York stereo pressing. Cover has split seams and light stains on back.)

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✨✧ Neil LarsenHigh Gear ... CD
A&M/Universal (Japan), 1979. New Copy ... Temporarily Out Of Stock
Great work from Neil Larsen – a keyboardist who doesn't always get his due in the hipper sides of the jazz spectrum, but who sounds mighty nice on this solo album for A&M! The set's got Neil's keyboards very firmly in the lead, and also features lots of fuzzy guitar from Buzz Feiten – a player who has the same laidback groove as Larsen – and the record group gets some nice rhythmic help from the mighty Steve Gadd on drums and Paulinho Da Costa on percussion. There's a bit of horns on the set – courtesy of Michael Brecker on tenor and Joe Farrell on flute – and one track features a bit of backing vocals. Nick De Caro did Arp arrangements – and titles include "Nile Crescent", "Rio Este", "Night Letter", "Futurama", and "Demonette". CD
(SHM-CD pressing!)

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✨✧ Duke PearsonWahoo! ... LP
Blue Note, 1964. Used ... Out Of Stock
Wahoo is right – as Duke Pearson sets up one of his hippest sessions of the 60s, a lyrical batch of soul jazz tracks, with that slight edge of darkness that he was putting into his best work as the decade progressed! Players include James Spaulding on alto and flute, Joe Henderson on tenor, and Donald Byrd on trumpet – and the overall feel is perhaps a bit like some of those Byrd sessions that were heavily influenced by Pearson, but also with a bit of the later expansive style of writing for horns that you'd find on albums like Pearson's Prarie Dog or Bobby Hutcherson's The Phantom. Titles include "ESP", "Fly Little Bird Fly", "Farewell Machelle", "Bedouin", and "Amanda". LP, Vinyl record album
(Liberty pressing, in beautiful shape! Cover has a small cut corner.)

Partial matches62
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✨✧ Dom Um RomaoDom Um ... CD
Dubas (Brazil), 1964. Used ... Out Of Stock
A bossa jazz landmark – the first-ever album by drummer Dom Um Romao – an incredible debut that really set the tone for his groundbreaking work in years to come! The album crackles from the very first note – as Dom hits it hard on the kit, supported by a great array of jazz-based players that include saxophonists JT Meirelles and Paulo Moura, percussionist Rubens Bassini, and trombonist Edson Maciel. The horn sound of the set is really wonderful – tight but never too slick – and with just the right amount of space for the soloists to break out and glide over the dancing rhythms of the tunes! Arrangements are by the great Waltel Branco, who works out just the right blend of bossa, jazz, samba, and soul for the set – and titles include "Telefone", "Jangal", "Vivo Sonhando", "Africa", "Birimbau", "Zambeze", and "Samba Nago". CD
(Out of print.)

Partial matches63
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✨✧ Pharoah SandersKarma (180 gram pressing – with download) ... LP
Impulse (Germany), 1969. New Copy Gatefold (reissue)... Out Of Stock
Quite possibly the best-remembered album from Pharoah Sanders' legendary run at Impulse Records – a set that crossed over big, and sold to countless folks who might not have bought a jazz album this hip otherwise! The record was Sanders' first in the wake of Coltrane's passing – and it's a beautiful extended suite of tracks that flows with a sense of grace, power, and majesty that's simply breathtaking – a new level of expression in spiritual jazz – and virtually the blueprint for an entire generation to come! The album features the classic track "The Creator Has a Master Plan" – spanning a tremendous amount of space and time – and featuring Leon Thomas' classic vocals on the lyrics! Thomas also returns on the cut "Colors", which is a bit more outside, and quite free overall – and other players on the date include Lonnie Liston Smith on piano, James Spaulding on flute, Julius Watkins on French horn, Ron Carter and Richard Davis on bass, and Freddie Waits and Billy Hart on drums. LP, Vinyl record album
 
 
 



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