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Exact matches: 9
Exact matches1
CD, LP, Vinyl record album cover art
Paul HornDream Machine ... LP
Mushroom, 1978. Near Mint- ... $1.99
... LP, Vinyl record album
(Cover has a cutout notch.)

Exact matches2
CD, LP, Vinyl record album cover art
✨✧ Paul HornInside (aka Inside The Taj Majal) ... LP
Epic, 1968. Near Mint- Gatefold ... $3.99
One of the most starkly beautiful recordings in Paul Horn's career – with spiritually resonant, almost spine tingling solo flute and some chants, all recorded in the Taj Majal one day in April of 1968! It's really all about the atmosphere, as it would have to be given the location – with Horn playing of the amazing echo in a completely wonderful way, never feeling anything less than wholly authentic and genuinely inspired! Titles include "Vibrations", "Akasha", "Jumna", "Shah Jahan", "Mantra II/Duality", and "Unity". LP, Vinyl record album
(Orange label pressing. Cover has light wear.)

Exact matches3
CD, LP, Vinyl record album cover art
✨✧ Paul HornInside II ... LP
Columbia, 1972. Near Mint- Gatefold ... $1.99
Paul Horn follows up his Inside The Taj Majal set – in someways leaving behind the stark, spare initimacy of that set for a more layered and tailored approach – and also leaving behind his more pronounced jazz roots for a more earthy and nature themed mode! Like Inside, it's a solo flute record and a spatial exploration – this time handled with a number of different flutes, and also dabbling in overdubbing – with wind and other nature sounds, up to and including some live dolphin sound effects! Titles include "The Mahabhutas" suite, plus "Centaur", "Morning Song", "Haida", and "Mass: Kyrie". LP, Vinyl record album
(Cover has light wear.)

Exact matches4
CD, LP, Vinyl record album cover art
✨✧ Paul HornLive From Russia With Love ... LP
Golden Flute, 1984. Near Mint- ... $4.99
... LP, Vinyl record album

Exact matches5
CD, LP, Vinyl record album cover art
Paul Horn QuintetSomething Blue ... LP
Hi Fi, 1960. Very Good ... $11.99
Amazing early work from the mighty Paul Horn – a record cut during a time when he was a damn good musician with a keen sensibility for modernist modal jazz! On this excellent date from 1960, Horn plays both flute and alto sax in a wonderful group – a combo with vibes from Emil Richards, bass from Jimmy Bond, piano from Paul Moer, and drums from Billy Higgins – all players with a very fluid, open sense of rhythm – one that makes the date dance and sparkle throughout! There's a pulsating energy here that almost predates the MPS/Saba sound of the decade to come – and in addition to Horn's imaginative solos, which are much more soulful here than before, the record also features some sharp-edged chromatics from Richards on vibes, and almost melodic drums from Higgins. The album's one of our all-time favorites – and titles include "Something Blue", "Half & Half", "Mr Bond", "Dun Dunnee", and "Tall Polynesian". LP, Vinyl record album
(Original pressing. Cover has a name in marker. Labels have some marker.)

Exact matches6
CD, LP, Vinyl record album cover art
✨✧ Paul HornCycle ... LP
RCA, 1965. Used ... Temporarily Out Of Stock
One of our favorite Paul Horn albums, and a beautiful set of modal grooves that is far superior to most of the other stuff he's done over the years. Paul's playing here with his groovy little group that features a vibes/piano/bass/drum lineup, in addition to Paul's beautiful reed playing. The group grooves in long modal lines, with a lot of different musical references (such as Indian music, or Western religious music) criss-crossing, but not overwhelming the "jazz" element, as happened way too often in Horn's earlier LPs. Tracks include "Shadows", "Cycle", "Greensleeves", and "In The Bag". Great stuff, and a beautiful record that often gets overlooked! LP, Vinyl record album
(Orange label pressing. Cover has light wear & a cut corner.)

Exact matches7
CD, LP, Vinyl record album cover art
✨✧ Freddie Gambrell with Paul HornMikado – A Jazz Interpretation By Freddie Gambrell ... LP
World Pacific, 1959. Used ... Out Of Stock
A wonderfully exotic set – thanks to unusual piano phrasing from Freddie Gambrell and hip reed lines from Paul Horn – plus percussion from Ray Mosca and Armando Peraza, bass from Ben Tucker, and guitar from Dempsey Wright! LP, Vinyl record album
(Original pressing – very nice!)

Exact matches8
CD, LP, Vinyl record album cover art
✨✧ Paul HornProfile Of A Jazz Musician ... LP
Columbia, 1962. Used ... Out Of Stock
Fantastic stuff – and a beautiful album of modal grooves that really deserves wider recognition! Horn plays alto and flute in a groovy west coast quintet with Emil Richards on vibes and Paul Moer on piano – and the overall feel is very similar to his stellar Something Blue album on the HiFi label. Tracks begin with some tight bass and drum workouts, then the piano of Moers sets down lines that let horn and Richards groove over the top. Wonderful stuff – with only a hint of Horn's later hippy-dippy work, and some great tight jazz soloing. Titles include "Fun Time", "Now Hear This", "Abstraction", and "Straight Ahead". LP, Vinyl record album
(2 eye mono pressing. Cover has light wear.)

Exact matches9
CD, LP, Vinyl record album cover art
Chico HamiltonChico Hamilton With Paul Horn ... LP
Crown, 1963. Very Good ... $4.99
Unusual material from Chico Hamilton – recorded around the same time as his groundbreaking work for Pacific Jazz – but for the smaller Crown/Modern label in LA! The format's a bit unusual, and changes a bit throughout the record – showing Chico's already-strong ear for creative formats that go way beyond conventional jazz. There are 2 numbers at the end of side 2 featuring Chico in the familiar chamber jazz lineup, with Fred Katz on cello and Paul Horn on reeds – "Crazy Cats" and "Lord Randall". The rest of the tracks feature the stringed instruments handling most of the melody, in a free floating style that's got the same "modern yet swinging" approach of some of Jimmy Giuffre's best late 50s recordings, which ultimately places it in a similar context to the chamber jazz numbers. Titles include "Porch Light", "Autumn Landscape", "Uyawda", "Lolly Pop", "Pluck It", "Katz Up", "Crazy Cats", and "Lord Randall". LP, Vinyl record album
(Gray label pressing.)
 
Possible matches: 47
Possible matches10
CD, LP, Vinyl record album cover art
Paul JeffreyWatershed ... CD
Mainstream/Solid (Japan), 1973. Used ... $9.99
An unusual sort of setting for tenor saxophonist Paul Jeffrey – an overlooked player from the east coast scene of the early 70s, and one who only cut a handful of records at the time! The date features Jack Wilkins on guitar, playing with these bright chromatic hues next to Jeffrey's sharper horn – a pairing that makes for an unusual sound, despite a familiar quartet setting – one that's even different from other matches of this nature, such as the work between Sonny Rollins and Jim Hall! Jeffrey's clearly got some bop roots here, but also opens up in other directions too – and the group features Thelonious Monk Jr on drums and Richard Davis on bass – on titles that include "Brand X", "Moon Madness", "Brand New Day", and "Minor Scene". CD
(Includes obi.)
Also available Watershed ... CD 13.99

Possible matches11
CD, LP, Vinyl record album cover art
Paul JeffreyWatershed ... CD
Mainstream/Solid (Japan), 1973. New Copy ... $13.99
An unusual sort of setting for tenor saxophonist Paul Jeffrey – an overlooked player from the east coast scene of the early 70s, and one who only cut a handful of records at the time! The date features Jack Wilkins on guitar, playing with these bright chromatic hues next to Jeffrey's sharper horn – a pairing that makes for an unusual sound, despite a familiar quartet setting – one that's even different from other matches of this nature, such as the work between Sonny Rollins and Jim Hall! Jeffrey's clearly got some bop roots here, but also opens up in other directions too – and the group features Thelonious Monk Jr on drums and Richard Davis on bass – on titles that include "Brand X", "Moon Madness", "Brand New Day", and "Minor Scene". CD
Also available Watershed ... CD 9.99

Possible matches12
CD, LP, Vinyl record album cover art
Lorez AlexandriaMore Of The Great Lorez Alexandria ... LP
Impulse, 1964. Very Good+ Gatefold ... $11.99
A beautiful album by one of our favorite jazz singers! Lorez Alexandria is in a perfect setting here – singing with subtly sophisticated backings that really let her take charge, and direct the songs tightly with her incredibly soulful vocals! Instrumentation is mostly in a small combo mode – with the Wynton Kelly trio at the core, augmented by a bit of guitar from Ray Crawford, and some alto sax from Paul Horn – and although the album's got an easygoing feel, it also keenly shows the tightness that's always made Lorez so great! Styles are a blend of soul and jazz, plus just a hint of bossa, heard beautifully on the album's rendition of "O Barquinho". Other tracks include "This Could Be The Start Of Something Big", "Dancing On The Ceiling", "Once", "Angel Eyes", "No More", and "That Far Away Look". LP, Vinyl record album
(Green label pressing. Cover has light wear, a cut corner, and some marker.)

Possible matches13
CD, LP, Vinyl record album cover art
✨✧ Art Of NoiseDaft ... CD
ZTT, 1983. Used ... $5.99
A brilliant collection of work from the earliest and greatest years of Art Of Noise – sessions recorded during 1983, at a time when Trevor Horn and Paul Morley were still key members of the group – and when AON was working in a groundbreaking use of sound samples, beats, and other bits – in a way that's hardly ever been matched since! The overstuffed CD features tunes from the group's album Who's Afraid Of The Art Of Noise, plus the EP Into Battle, and the 12" single of "Moments In Love", which contained some especially nice chunks from the group. The approach here is stark, spare, simple, and bare – an extremely optimistic use of the power of sound, and one that's got roots that stretch back to the heights of early 20th century modernism – despite the group's euqlly strong impact on early 80s street culture. Titles include "Love", "A Time For Fear", "Beat Box", "The Army Now", "How To Kill", "Realisation", "Bright Noise", "Flesh In Armour", "Comes & Goes", "Snapshot", "Close To The Edit", and "Three Fingers Of Love". CD
(Out of print.)

Possible matches14
CD, LP, Vinyl record album cover art
Rene BlochMucho Rock ... LP
Andex, 1958. Very Good+ ... $29.99
Rene Bloch is probably best known for his work in a straighter Latin vein, but this excellent set from the late 50s has him "rocking" it up a bit with some really heavy sax! The approach is totally great – one that uses heavy Latin percussion on the bottom (played by Mongo Santamaria and Willie Bobo), but also brings in a full horn section led by Bloch, and working in a mode that's got plenty of great soundtrack touches. The feel here is almost like some of the best crime jazz that LA produced at the time – mixing together earthy, spontaneous percussion on congas, bongos, and timbales – then topping it off with some tighter horn charts, and letting one player break from the formation in a freely-crafted solo! We love this one to death, and the record's got a hell of a lot more to offer than you might guess from its gimmicky title – a great meeting of two different sides of the west coast scene, and a completely memorable session throughout. Titles include "Rene's Mambo", "Wa Pa Cha", "Frenesi", "Paul's Mambo", "Nature Boy", "Magitos", "Cha Cha Stroll", "Harry's At One", and "Sylvia". LP, Vinyl record album
(Original Andex pressing! Cover has a small sticker stain and a few marks in pen.)

Possible matches15
CD, LP, Vinyl record album cover art
Don Burrows QuartetAt The Sydney Opera House ... CD
Mainstream/Ultra Vybe (Japan), 1974. New Copy ... $13.99
A record that really shows off the strengths of the Australian jazz scene in the 70s – so much so, it was one of that nation's biggest jazz records of the decade, and also got a fair bit of global circulation too! The album's billed to reedman Don Burrows – who's a bit like his nation's Stan Getz at times, but also can handle flute and clarinet as well – with currents that seem to rival the best of Herbie Mann, Paul Horn, or Jimmy Giuffre, depending on the setting. But the album's also got some equally important work on guitar from George Golla – Don's key partner for many years, and a player who can work these open colors on his instrument that sometimes rival Wes Montgomery, but also get a bit funkier too – all modes that he gets to show off here on the album's range of long tracks. The quartet also features Ed Gason on bass and Laurie Thompson on drums – and titles include "Yesterdays", "Sweet Emma", "The Gentle Rain", "Velhos Tempos", and "Maybe Today". CD

Possible matches16
CD, LP, Vinyl record album cover art
Eddie CostaEddie Costa Quintet (180 gram pressing) ... LP
Mode/VAP (Japan), 1957. New Copy (reissue)... $22.99
An extremely great album from Eddie Costa – one of the best of the all-great Mode sessions from 1957! In what is an odd meeting of players, especially for the label, Eddie's piano and vibes meet up with Art Farmer's trumpet, the alto of Phil Woods, bass of Teddy Kotick, and drums of Paul Motian – all of whom work together with the fluidity and soulfulness of some of the best Prestige sessions of the time. The horn work is tremendous – and it's hard to remember Woods sounding this great on other albums of the time, really cutting an edge next to Farmer's trumpet – which also has an incredible tone for the album, right up there with his Farmer's Market record! Titles include "Big Ben", "Blues Plus Eight", "Stretch In F", and "Get Out Of The Road". LP, Vinyl record album

Possible matches17
CD, LP, Vinyl record album cover art
James CottonJames Cotton Blues Band ... LP
Verve, 1967. Very Good ... $14.99
Chicago blues, but plenty darn funky – recorded with a sharpness and tightness that shows a strong soul-based influence in the second-generation electric work of James Cotton's generation! The core group here features James on harmonica and vocals – backed by piano, guitar, bass, and drums – plus a great horn section that has a distinct Chess Records feel – no surprise, given that it features Gene Barge, Paul Serrano, and Louis Satterfield! The production is by Barry Goldberg and Mike Bloomfield – and they're clearly helping Cotton tighten up his groove – and almost hit some Atlantic soul-styled modes at times. Titles include "Knock On Wood", "Sweet Sixteen", "Feelin Good", "Off The Wall", "Good Time Charlie", "Turn On Your Lovelight", "Something On Your Mind", and "Don't Start Me Talkin". LP, Vinyl record album
(Cover has some wear & splitting.)

Possible matches18
CD, LP, Vinyl record album cover art
Eddie Lockjaw DavisNice Jazz 1978 ... CD
Black & Blue (France), 1978. New Copy ... $12.99 16.99
Eddie Lockjaw Davis is a hell of a player on his own – but he's maybe even more amazing when he works alongside other horn soloists – who always seem to inspire Davis to bring out the boldest, mouthiest side of his horn! That tenor is alive and well, and wonderfully set up here – in five different live performances from the Nice Jazz Festival in 1978 – two with Illinois Jacquet on tenor, six with Harry Edison on trumpet, and one more with Paul Bascomb on tenor and Eddie Vinson on alto. Tracks are nice and long – that back/forth jam session style that Eddie does so well – and titles include "Rompin With JC", "Brazil", "Lover Come Back To Me", "Just Friends", "On Green Dolphin Street", and "Misty". CD

Possible matches19
CD, LP, Vinyl record album cover art
Miles DavisCookin' With The Miles Davis Quintet ... CD
Prestige/OJC, 1957. Used ... $1.99
A seminal session from the team of Miles Davis & John Coltrane – not nearly as "cookin" (at least in a blowing session way) as you might guess from the title, but instead a beautiful example of the lyrically modern explorations the pair created together! Rhythm is by the trio of Red Garland, Paul Chambers, and Philly Joe Jones – but the horn work of Davis and Coltrane are clearly the starring attraction on the set! Titles include "Tune Up", "Blues By Five", and "Airegin" – plus the pair's classic reading of "My Funny Valentine". CD
(Out of print, BMG music club pressing.)
Also available Cookin' With The Miles Davis Quintet ... LP 29.99

Possible matches20
CD, LP, Vinyl record album cover art
Miles DavisCookin' With The Miles Davis Quintet ... LP
Prestige, 1957. Fair ... $29.99
A seminal session from the team of Miles Davis & John Coltrane – not nearly as "cookin" (at least in a blowing session way) as you might guess from the title, but instead a beautiful example of the lyrically modern explorations the pair created together! Rhythm is by the trio of Red Garland, Paul Chambers, and Philly Joe Jones – but the horn work of Davis and Coltrane are clearly the starring attraction on the set! Titles include "Tune Up", "Blues By Five", and "Airegin" – plus the pair's classic reading of "My Funny Valentine". LP, Vinyl record album
(NOTE: FAIR CONDITION. Yellow & black label 50th St NYC pressing, with deep groove and RVG stamp. Cover has some wear & a split bottom seam. Vinyl plays with clicks & crackles.)
Also available Cookin' With The Miles Davis Quintet ... CD 1.99

Possible matches21
CD, LP, Vinyl record album cover art
Duke EllingtonBethlehem Years Vol 2 (aka Duke Ellington Presents) ... LP
Bethlehem, 1956. Sealed ... $4.99
An excellent and oft-overlooked 50s session from Duke – recorded in Chicago as a one-off for the Bethlehem label, and done with a lush, rich sound that's really tremendous! The group's nicely restrained and very moody – playing here in a mellow late nite mode that offers a good focus on the best horn soloists in the group, yet which also really hangs together perfectly from the slow-moving and eerie tone of the rest of the group. Jimmy Grissom sings a bit on the set, and other players include Johnny Hodges, Paul Gonsalves, Cat Anderson, and Ray Nance – on tracks that include "Day Dream", "Blues", "Frustration", "My Funny Valentine", and "Laura". LP, Vinyl record album
(70s pressing, with tape remnants on front.)

Possible matches22
CD, LP, Vinyl record album cover art
Duke EllingtonDuke Ellington Presents ... CD
Bethlehem/Avenue, 1956. Used ... $3.99
An excellent and oft-overlooked 50s session from Duke – recorded in Chicago as a one-off for the Bethlehem label, and done with a lush, rich sound that's really tremendous! The group's nicely restrained and very moody – playing here in a mellow late nite mode that offers a good focus on the best horn soloists in the group, yet which also really hangs together perfectly from the slow-moving and eerie tone of the rest of the group. Jimmy Grissom sings a bit on the set, and other players include Johnny Hodges, Paul Gonsalves, Cat Anderson, and Ray Nance – on tracks that include "Day Dream", "Blues", "Frustration", "My Funny Valentine", and "Laura". CD
(Out of print.)

Possible matches23
CD, LP, Vinyl record album cover art
Duke EllingtonGreat Paris Concert ... LP
Atlantic, 1963. Near Mint- 2LP Gatefold ... $9.99
Did Ellington ever record in concert and it not be great? This wonderful double-length set from the 60s is key proof of his genius in an unfettered live setting – recorded in Paris in 1963 with plenty of dark edges! The tracks are short overall, but Duke's really at the head of the group on piano – playing with those angular, modern tones he picked up in the post Money Jungle years – and clearly in charge of the group from the keyboard, not the podium. Horn players include Harry Carney, Ray Nance, Lawrence Brown, Cootie Williams, Johnny Hodges, and Paul Gonsalves – all bringing in some special tones and unique performances to an extended set list that includes both Ellington standards and a few lesser-known numbers. Titles include "Rockin In Rhythm", "Concerto For Cootie", "Suite Thursday", "Tone Parallel To Harlem", "Bula", "Cop Out", "Happy Go Lucky Local", "Theme From Asphalt Jungle", and "Star-Crossed Lovers". LP, Vinyl record album
(Original pressing in the textured cover. Cover has a small split on the top seam and splitting on the spine.)

Possible matches24
CD, LP, Vinyl record album cover art
Duke EllingtonIntimacy Of The Blues ... LP
Fantasy, 1967/1970. Near Mint- ... $4.99
A slightly smaller take on the Ellington sound – but one that's still a bit fuller than you might guess from the "Small Bands" on the cover! There's definitely a more intimate feel here than usual – especially given the size of ensembles Duke was working with in the 60s – but the approach is more like some of the earliest Ellington combos, a full feel as most of the group works tightly together, while one soloist snakes out with some deeply soulful lines on his own! The first six tracks here feature "The Combo Suite" – recorded in 1967, with some especially nice horn work from Johnny Hodges on alto, Paul Gonsalves on tenor, Cat Anderson on trumpet, and Lawrence Brown on trombone. Remaining tracks were recorded in 1970, in New York and Las Vegas – and include "Noon Mooning", "Rockochet", "All Too Soon", and "Tippy Toeing Through The Jungle Garden". LP, Vinyl record album

Possible matches25
CD, LP, Vinyl record album cover art
✨✧ Charlie HadenLiberation Music Orchestra ... LP
Impulse, 1969. Near Mint- Gatefold ... $39.99
One of the most beautiful albums that Charlie Haden ever recorded – and if he only ever appeared on one record in his life, we'd still love him tremendously for this one! The album has a feel that's very much in keeping with both the "liberation" and "orchestra" in the title – "liberation", in that the music is filled with inspiration from South American sources, and has a strongly political feel at times; and "orchestra" because the group here is somewhat large, and filled with a tremendous array of expressive players – including Gato Barbieri on tenor, Dewey Redman on alto and tenor, Don Cherry on cornet and flutes, Michael Mantler on trumpet, Roswell Rudd on trombone, Robert Northern on French horn, Paul Motian and Andrew Cyrille on percussion, Carla Bley on piano, and Perry Robinson on clarinet. Haden leads these disparate talents through a set of tremendously focused music – filled with as many ideas as it is with a sense of humanity and soul – all to brilliantly point the way forward for the new sound of Impulse Records in the years after Coltrane's death! Titles include the classic "Song For Che", plus Ornette's "War Orphans", Carla Bley's "The Interlude", and "Song Of The United Front", by Hans Eisler, and with words by Brecht! LP, Vinyl record album
(Black label ABC/Impulse pressing. Cover has light wear.)

Possible matches26
CD, LP, Vinyl record album cover art
Chico HamiltonSweet Smell Of Success ... LP
Decca, 1957. Good+ ... $9.99
A wonderful bit of cinematic jazz from the 50s – played by the Chico Hamilton group as part of the soundtrack! The combo was a key part of the LA scene at the time, but are oddly featured as a regular club act in the movie's New York setting – but we'll gladly forgive that geographic error, given that the music on the set is so great. The quality's a bit like some of the Hamilton Quintet work on World Pacific – but there's a slightly freer, more urgent feel here too – work that's sometimes somewhat driving, and beautifully blended from the guitar of John Pisano, clarinet of Paul Horn, cello of Fred Katz, piano of Carson Smith, and drums from Chico. Side one features a lot of short incidental cuts – like "Susan", "Cheek To Chico", "Jam", and "Night Beat" – and side 2 is an extended "Concerto Of Jazz Themes From The Soundtrack Of Sweet Smell Of Success". LP, Vinyl record album
(Original black label pressing. Cover has wear & aging, with a split top seam.)

Possible matches27
CD, LP, Vinyl record album cover art
Illinois JacquetNice Jazz 1978 ... CD
Black & Blue (France), 1978. New Copy ... $12.99 16.99
Illinois Jacquet is one of those old school tenorists who never let his talents falter, even when he was far from the limelight – as you'll hear here on a great set of performances recorded live in France in the late 70s! The tracks are long, open, and relaxed – and really seem to bring out the best in Jacquet's horn – as he's paired with the tenor of Eddie Lockjaw Davis on three tracks, the tenor of Paul Bascomb on another, and the trumpet of Clark Terry on one more – while working with help from either Hank Jones or Roland Hanna on piano. Our three favorite tracks are the ones with Davis – which almost have a reworked version of the groove that Eddie cut with Johnny Griffin on a number of records – but overall, the material is all pretty great, and is a strong showcase for the Jacquet raspy sound. Titles include "Lean Baby", "Blues From NO", "Mop Mop", "Cotton Tail", "Blues From Louisiana", and "Robbin's Nest". CD

Possible matches28
CD, LP, Vinyl record album cover art
Fred KatzSoulo Cello – Fred Katz & His Music ... LP
Decca, Mid 50s. Very Good ... $14.99
Not really a set of solo cello work, but one of the rare few albums made by Fred Katz as a leader – right around the time he was making big waves with Chico Hamilton! The cello's definitely in the lead here – both plucked and bowed by Fred – and other players are likely LA suspects, and include Paul Horn and Buddy Collette on reeds, John Pisano on guitar, and Calvin Jackson on piano – plus percussion "played by a prominent jazz drummer and group leader" – who we can only assume is Chico! The sound of these tunes is a bit different than the material Katz cut with Hamilton – almost lighter and more lively at points, but a bit bluer-toned at others. Titles include "Satori", "Country Gardens", "The Toy That Never Was", "Intermezzo", "Come With Me", and "Lament Of The Oracles". LP, Vinyl record album
(Small maroon label pressing with deep groove. Cover has a split top seam.)

Possible matches29
CD, LP, Vinyl record album cover art
Barney KesselBreakfast At Tiffany's ... CD
Reprise (Japan), 1962. New Copy ... $14.99
One of the grooviest albums ever recorded by guitarist Barney Kessel – a sweet reworking of Henry Mancini's fabulous music for Breakfast At Tiffanys! The set's got a warm feel and more than a bit of bossa nova inspiration – similar to some of the other Kessel and Shorty Rogers projects for Reprise at the time – and the group features some wicked reed work from Bud Shank and Paul Horn, both of whom add some great color to the set – and make it way more than just another trio date from Kessel! The whole thing's wonderful – filled with favorites from the Mancini songbook – titles that include "Something For Cat", "Sally's Tomato", "Mr Yunioshi", "The Big Blowout", "Hub Caps & Tail Lights", "Breakfast At Tiffany's", "Latin Golightly", "Loose Caboose", and "Moon River Cha Cha". CD
(SHM-CD pressing!)
 
Partial matches: 38
Partial matches57
CD, LP, Vinyl record album cover art
✨✧ Claudio GrafullaGrafulla's Favorites – Paul Eachus/Dodworth Saxhorn Band ... CD
New World, 1996. Used ... Out Of Stock
... CD

Partial matches58
CD, LP, Vinyl record album cover art
✨✧ Paul Desmond & Gerry MulliganTwo Of A Mind ... LP
RCA, 1962. Used ... Out Of Stock
A reunion of sorts for Paul Desmond and Gerry Mulligan – given that the pair had played together on record 5 years before, in a similar session for Verve! This album's almost lighter and more airy than the previous one – as it's done in a mode that echoes strongly with Desmond's own genius at RCA at the time – using a piano-less quartet format that has both horns carving out their own subtle space in sound, hanging together, but each occupying a different range of tonal color. The tracks are relatively longish, and the pair dart around each other nicely on tracks like "All The Things You Are", "Out Of Nowhere", "Blight Of The Fumble Bee", and "Two Of A Mind". LP, Vinyl record album
(Black label mono pressing with deep groove. Cover has light wear.)

Partial matches59
CD, LP, Vinyl record album cover art
✨✧ Tom Harrell with Esperanza SpauldingColors Of A Dream ... CD
High Note, 2013. Used ... Out Of Stock
A beautiful beautiful set from trumpeter Tom Harrell – a record that goes even beyond his other recent gems – and that's saying a lot, given how much we love those albums! The combo on the record features some key vocal work from Esperanza Spaulding – who's sounding quite different here than her more recent sides, and has moved back to using her vocals more like an instrument – soaring out soulfully in a sharp lineup that includes Tom's trumpet and flugelhorn, Jaleel Shaw's alto, and Wayne Escoffery's tenor! This side of Spaulding is really wonderful – and really helps realize the deeper tones and ideas in Tom's wonderful compositions for the record – a set of tunes that include "Velejar", "Phantasy In Latin", "Tango", "State", "Seventy", "Blues 2013", and "Family". CD

Partial matches60
CD, LP, Vinyl record album cover art
✨✧ John ColtraneJohn Coltrane (Traneing In/Soultrane) ... LP
Prestige, Late 50s. Near Mint- 2LP Gatefold ... $14.99
2 classic John Coltrane albums in a single set! The package first offers up Traneing In – a beautiful album that more than lives up to its evocative title – an early session from John Coltrane, filled with long tracks that slide along brilliantly! As with many other classic Prestige albums from Trane, backing is by the trio of Red Garland piano, Paul Chambers bass, and Art Taylor drums – all holding back nicely when Coltrane opens up on his solos, but also coloring the tunes with soulful lyricism in a masterful understatement. The sound is about as classic as you can get during these early years in The Great One's career – and titles include "Traneing In", "Slow Dance", "Soft Lights & Sweet Music", and "Bass Blues". Next is Soultrane – a bold early statement from a young John Coltrane – and an album that really has him expanding his talents as a tenor soloist! Coltrane's working here in open-ended quartet format – with backing from the Red Garland trio that includes Paul Chambers and Art Taylor – on a set of longer tunes that really let the young Trane stretch out on his solos, unobstructed by any other horns in the lineup. There's a nice mix of hardbop ideals, gentle ballads, and personal soul to the set – and titles include Coltrane's classic reading of Tadd Dameron's "Good Bait", plus "I Want To Talk About You", "Russian Lullaby", and "Theme For Ernie". LP, Vinyl record album
(Green label pressing.)

Partial matches61
CD, LP, Vinyl record album cover art
John ColtraneSoultrane ... LP
Prestige, 1958. Good ... $39.99
A bold early statement from a young John Coltrane – and an album that really has him expanding his talents as a tenor soloist! Coltrane's working here in open-ended quartet format – with backing from the Red Garland trio that includes Paul Chambers and Art Taylor – on a set of longer tunes that really let the young Trane stretch out on his solos, unobstructed by any other horns in the lineup. There's a nice mix of hardbop ideals, gentle ballads, and personal soul to the set – and titles include Coltrane's classic reading of Tadd Dameron's "Good Bait", plus "I Want To Talk About You", "Russian Lullaby", and "Theme For Ernie". LP, Vinyl record album
(Yellow & black label NJ pressing with deep groove and RVG stamp. Cover has some seam splitting, heavy wear on the spine, a stain on the bottom inch, and a name in pen on back.)

Partial matches62
CD, LP, Vinyl record album cover art
John ColtraneSoultrane (second cover) ... LP
Prestige, 1958. Good ... $29.99
A bold early statement from a young John Coltrane – and an album that really has him expanding his talents as a tenor soloist! Coltrane's working here in open-ended quartet format – with backing from the Red Garland trio that includes Paul Chambers and Art Taylor – on a set of longer tunes that really let the young Trane stretch out on his solos, unobstructed by any other horns in the lineup. There's a nice mix of hardbop ideals, gentle ballads, and personal soul to the set – and titles include Coltrane's classic reading of Tadd Dameron's "Good Bait", plus "I Want To Talk About You", "Russian Lullaby", and "Theme For Ernie". LP, Vinyl record album
(NOTE – Yellow & black label NJ pressing with deep groove and RVG stamp, PRLP 7142, in the later cover with PR 7531 cat #. Cover has a light stain on one corner.)

Partial matches63
CD, LP, Vinyl record album cover art
✨✧ John Coltrane & Hank MobleyTenor Conclave ... LP
Prestige, 1956. Near Mint- ... $16.99
Tenors can't get any more conclaved than this – as the record brings together 4 players on the instrument in a great match from 2 of the best sides of 50s jazz! John Coltrane and Hank Mobley represent the more open, soulful side of the spectrum – and Al Cohn and Zoot Sims the tighter, more smartly arranged aspect. Together, the quartet of horns work in an open-ended blowing mode with rhythm by Red Garland, Paul Chambers, and Art Taylor – in a way that almost makes the set a "Coltrane plus" album for Prestige – one that has the structure of some of the best Trane/Garland sides for the label, but which blows in some other horns with different voicings. If you ever needed a record to demonstrate the subtler shadings of genius within 50s modern jazz, yet still convince you that it could also be relaxed and spontaneous, this record may well be the one. Titles include 2 standards – "Just You, Just Me" and "How Deep Is The Ocean" – plus 2 Mobley originals – "Tenor Conclave" and "Bob's Boys". LP, Vinyl record album
(OJC pressing.)

Partial matches64
CD, LP, Vinyl record album cover art
Elton Dean QuintetWelcomet – Live In Brazil 1986 ... CD
Ogun (UK), 1986. New Copy ... $14.99
Reedman Elton Dean recorded most famously in the 70s – but in the following decade, he still had plenty to give the world – maybe even more than before, as you'll hear in this beautiful live set from 1986! Dean's working in very open territory here – blowing saxello and alto alongside the trumpet of Harry Beckett and trombone of Paul Rutherford – both players whose sense of timing and shapes really match Elton's own work – on two very long tracks that are relatively free, but have this inherent sense of structure that really seems to come from the energy between the three horns. The drums of Liam Genockey are nicely loose at the right moments, and Marcio Mattos makes some strong contributions to the performance on bass – on two long tracks, titled "Rio Rules" and "Welcomet". CD

Partial matches65
CD, LP, Vinyl record album cover art
✨✧ Ricky FordSaxotic Stomp ... LP
Muse, 1987. Near Mint- ... $9.99
Ricky Ford in very tight formation – blowing hard with the kind of tone and timing that first caught our ears back in the 70s, still going strong here as part of a great run of sides for Muse Records in the following decade! The album's got Ford's mighty tenor in a group with James Spaulding on alto and flute and Charles Davis on baritone sax – a lineup that makes for some excellent horn interplay that almost hints at Ford's time with Mingus, but with looser small combo styles overall. The rhythm section features Kirk Lightsey on piano, Ray Drummond on bass, and Jimmy Cobb on drums – another tight brace of players who swing as much as the hornmen upfront. Ford wrote almost all the tunes on the set – a further great feature of the record – and titles include "For Mary Lou", "Saxotic Stomp", "Long Shadows", "Ben's Den", and "Art Steps". CD features the bonus track "Musradres". LP, Vinyl record album

Partial matches66
CD, LP, Vinyl record album cover art
Charles KynardWoga ... CD
Mainstream/Solid (Japan), 1972. New Copy ... Just Sold Out!
Sweet organ lines, heavy drums, and a great little groove throughout – a tight batch of groovers from the mighty Charles Kynard! The keyboardist is in fine 70s form here – stepping away from the sparer sound of his albums for Prestige with a fuller style for Mainstream Records – in a groove that's almost part blacksploitation funk, thanks to some sharp backings from arranger Richard Fritz! The mighty Paul Humphrey is at the bottom of the set on nicely funky drums – and other players include Arthur Adams on guitar, Chuck Rainey on bass, and some great additional horns, which give the record a larger jazzy finish, but never get in the way of Kynard's lean, mean organ lines. There's a great version of "Rock Steady" on the album, one that has a great funky intro – plus the cuts "Shout", "Lime Twig", "Slop Jar", "Name The Missing Word", "Little Ghetto Boy", and "Hot Sauce". CD

Partial matches67
CD, LP, Vinyl record album cover art
Ennio MorriconePeur Sur La Ville ... CD
Warner/Music Box (France), 1975. New Copy ... $22.99
A great Morricone soundtrack for a Jean-Paul Belmondo thriller – a score that starts out spare and brooding, then builds nicely as things move on – with lots of cool bottom-end sounds that make the whole thing really move up from the depths! Some tunes echo the sweeter side of Morricone, while others are a bit more brooding – and instrumentation includes some of the same offbeat piano you'd hear in The Burglars, plus light guitar, weird-tuned horns, and other nice bits that are sometimes abstracted beyond recognition! Titles include "Consideration Sur Un Homicide", "Paris Secret", "Defense De Stationner" and "Mannequins". CD features lots of bonus tracks – with a total of 75 minutes of music – more than we've ever seen for this one! CD
(Limited edition of 500!)

Partial matches68
CD, LP, Vinyl record album cover art
Os GatosAquele Som Dos Gatos ... CD
Philips (Japan), 1965. Used ... $11.99
One of the most legendary groups from the bossa era in Brazil – a combo of incredible players, working with sublime arrangements by Eumir Deodato – all in a sound that hardly been matched again! The group only ever recorded two albums, but they've had a lasting impact on the sound of bossa for years to come – thanks to an expansive vision that brings together spare rhythms, jazz soloing, and larger strings – all with a quality that's lighter than air – almost a sum that's far less than the total of its elements – but in a really great way! The sense of spareness and poise here is really amazing – years ahead of Deodato's better-known US arrangements in the late 60s, and somehow even more impressive here. Players include Paulo Moura on alto sax, Neco on guitar, Meirelles on flute, Wilson Das Neves on drums, and Mauricio Einhorn on harmonica – and some tracks also feature a bit of light vocals floating along gently, almost as instruments themselves. Titles include "Aqua De Beber", "Clichet", "Feitinha Pro Poeta", "E Nada Mais", "Blue Set", and "Silk Stop". CD
(Out of print, includes obi.)

Partial matches69
CD, LP, Vinyl record album cover art
✨✧ Pharoah SandersKarma ... CD
Impulse, 1969. Used ... $5.99
Quite possibly the best-remembered album from Pharoah Sanders' legendary run at Impulse Records – a set that crossed over big, and sold to countless folks who might not have bought a jazz album this hip otherwise! The record was Sanders' first in the wake of Coltrane's passing – and it's a beautiful extended suite of tracks that flows with a sense of grace, power, and majesty that's simply breathtaking – a new level of expression in spiritual jazz – and virtually the blueprint for an entire generation to come! The album features the classic track "The Creator Has a Master Plan" – spanning a tremendous amount of space and time – and featuring Leon Thomas' classic vocals on the lyrics! Thomas also returns on the cut "Colors", which is a bit more outside, and quite free overall – and other players on the date include Lonnie Liston Smith on piano, James Spaulding on flute, Julius Watkins on French horn, Ron Carter and Richard Davis on bass, and Freddie Waits and Billy Hart on drums. CD

Partial matches70
CD, LP, Vinyl record album cover art
Wayne ShorterAll Seeing Eye ... CD
Blue Note (Japan), 1965. New Copy ... About December 6, 2017
An excellent set of some fairly out material – performed by Shorter with a group that includes Freddie Hubbard, Grachan Moncur, James Spaulding, Herbie Hancock, and a rare appearance by his brother Alan on flugelhorn! At times, the record builds into a sound that's freer and more challenging than on some of Shorter's other albums from the time – but it does so in more of the "new thing" mode that you'd hear on records from the time by Jackie McLean or Moncur, with an overall sense of purpose that really keeps the message clear. Features all original compositions by the Shorter brothers – and cuts include "Chaos", "Face Of The Deep", "Mephistopheles", and "Genesis". CD

Partial matches71
CD, LP, Vinyl record album cover art
✨✧ John ColtraneSoultrane (gold CD) ... CD
Prestige/Mobile Fidelity, 1958. Used ... Temporarily Out Of Stock
A bold early statement from a young John Coltrane – and an album that really has him expanding his talents as a tenor soloist! Coltrane's working here in open-ended quartet format – with backing from the Red Garland trio that includes Paul Chambers and Art Taylor – on a set of longer tunes that really let the young Trane stretch out on his solos, unobstructed by any other horns in the lineup. There's a nice mix of hardbop ideals, gentle ballads, and personal soul to the set – and titles include Coltrane's classic reading of Tadd Dameron's "Good Bait", plus "I Want To Talk About You", "Russian Lullaby", and "Theme For Ernie". CD
(Hybrid SACD. Barcode has a cutout hole. Out of print.)
Also available Soultrane ... LP 39.99

Partial matches72
CD, LP, Vinyl record album cover art
✨✧ Miles DavisNew Miles Davis Quintet ... LP
Prestige, 1955. Used ... Temporarily Out Of Stock
A huge moment in jazz – not just for trumpeter Miles Davis, but also for saxophonist John Coltrane – who was virtually introduced to the world at large with this record! As you might guess from the title, the record's the first to feature Coltrane playing along with Davis – a sublime combination that resulted in some key sides that forever helped shape the sound of jazz. Rhythm is by the famous trio of Red Garland, Paul Chambers, and Philly Joe Jones – and apart from the top-shelf solo work, the interplay between the horns is also fantastic. Titles include "Just Squeeze Me", "There Is No Greater Love", "How Am I To Know", "S'Posin", "The Theme", and "Stablemates". LP, Vinyl record album
(Beautiful first pressing – NYC 50th Street label, with deep groove and RVG – in green-tinted cover!)

Partial matches73
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✨✧ Duke PearsonWahoo! ... LP
Blue Note, 1964. Used ... Temporarily Out Of Stock
Wahoo is right – as Duke Pearson sets up one of his hippest sessions of the 60s, a lyrical batch of soul jazz tracks, with that slight edge of darkness that he was putting into his best work as the decade progressed! Players include James Spaulding on alto and flute, Joe Henderson on tenor, and Donald Byrd on trumpet – and the overall feel is perhaps a bit like some of those Byrd sessions that were heavily influenced by Pearson, but also with a bit of the later expansive style of writing for horns that you'd find on albums like Pearson's Prarie Dog or Bobby Hutcherson's The Phantom. Titles include "ESP", "Fly Little Bird Fly", "Farewell Machelle", "Bedouin", and "Amanda". LP, Vinyl record album
(80s DMM pressing.)

Partial matches74
CD, LP, Vinyl record album cover art
✨✧ Herbie Hancock5 Original Albums (Takin Off/My Point Of View/Inventions & Dimensions/Speak Like A Child/The Prisoner) (5CD set) ... CD
Blue Note (Germany), Mid 60s. New Copy 5CD ... Out Of Stock
The early genius of Herbie Hancock – perfectly summed up here in five classic albums for Blue Note – each presented in a tiny LP-styled sleeve! Takin Off has Herbie Hancock stepping into the limelight with an excellent batch of soul jazz tunes, including the first recording of his classic "Watermelon Man", the one track that probably put all his kids through school! Although that one went on to become a standard within a few short years in 60s jazz, it still sounds great here in the original – a very fresh take on the sound of soul jazz in the 60s – offered up here in a 7 minute version that has more sharp soloing than most other takes on the tune! The group here is great too – with Dexter Gordon on tenor, Freddie Hubbard on trumpet, Butch Warren on bass, and Billy Higgins on drums – and the tracks are all also originals by a young Herbie – including "Watermelon Man", "The Maze", "Driftin", "Three Bags Full", "Alone & I", and "Empty Pockets". My Point Of View is a great mix of soul jazz and modernism! The record include a nice groovy "hit", Herbie's "Blind Man, Blind Man" – an obvious follow-up to "Watermelon Man", but still a standout track with a lot of imagination, and a fierce soul jazz hook that just won't quit! The rest of the record, while still groovy, also shows much more signs of Herbie's far-reaching conception – especially shared with players like Tony Williams, Grachan Moncur, Chuck Israels, and Grant Green – all of whom work with Herbie, Donald Byrd, and Hank Mobley – in a larger than usual group that makes for a really great sound! Titles include "A Tribute To Someone", "King Cobra", and "The Pleasure Is Mine". Inventions & Dimensions is really unique little record from Herbie Hancock – one that's almost completely improvised over Latin percussion! The setup is quite spare – and quite different than Herbie's other Blue Note work – and the group features improvised backgrounds by bassist Paul Chambers and 2 Latin percussionists, Willie Bobo and Osvaldo "Chihuahau" Martinez. Herbie only wrote simple sketches for the songs on the album, and most of the work on the tracks was done live, spontaneously, in the studio – creating a very free groove that never goes too far out, but which is far more adventurous than usual. All tracks are long, and titles include "Succotash", "Triangle", and "Mimosa". Speak Like A Child is an oft-overlooked session that has Herbie mixing a nice dose of lyricism into his usual soul jazz approach from the 60s! The sound's a bit farther-reaching than on some of Herbie's smaller group sessions – and the record features a sextet that includes Ron Carter, Mickey Roker, Jerry Dodgion, Thad Jones, and Peter Phillips – all soaring with the warmth and introspection that was showing up in some of the best Blue Notes from the time. The harder-hitting soul jazz riffs and hooks are nicely replaced by more thoughtful lines that get a bit deeper, soufully – and nearly all tracks on the set are originals by Hancock! The album's filled with great moments – and tracks include "The Sorcerer", "Riot", and "Goodbye To Childhood". Last up is The Prisoner – a nice late Blue Note change from Herbie Hancock – a very different album than his previous sets for the label – in that it features a slightly larger group, and a sound that really points the way towards his directions in the 70s! There's a slightly ambitious feel to some of these cuts – not in a way that's over-arranged, but just a new sort of thinking for Herbie's kind of groove – a mode that's partially informed by the seriousness of 60s jazz soundtracks, but which also has the beginnings of some more righteous modes of expression too. Players are all great – and include Joe Henderson on tenor and flute, Johnny Coles on flugelhorn, Garnett Brown on trombone, Hubert Laws on flute, Jerome Richardson on bass clarinet, Buster Williams on bass, and Tootie Heath on drums. Herbie plays both acoustic and electric piano – using the latter here in one of his first recordings on the instrument – and titles include "Firewater", "I Have A Dream", "The Prisoner", and "He Who Lives In Fear". CD

Partial matches75
CD, LP, Vinyl record album cover art
✨✧ Pharoah SandersKarma (180 gram pressing – with download) ... LP
Impulse (Germany), 1969. New Copy Gatefold (reissue)... Out Of Stock
Quite possibly the best-remembered album from Pharoah Sanders' legendary run at Impulse Records – a set that crossed over big, and sold to countless folks who might not have bought a jazz album this hip otherwise! The record was Sanders' first in the wake of Coltrane's passing – and it's a beautiful extended suite of tracks that flows with a sense of grace, power, and majesty that's simply breathtaking – a new level of expression in spiritual jazz – and virtually the blueprint for an entire generation to come! The album features the classic track "The Creator Has a Master Plan" – spanning a tremendous amount of space and time – and featuring Leon Thomas' classic vocals on the lyrics! Thomas also returns on the cut "Colors", which is a bit more outside, and quite free overall – and other players on the date include Lonnie Liston Smith on piano, James Spaulding on flute, Julius Watkins on French horn, Ron Carter and Richard Davis on bass, and Freddie Waits and Billy Hart on drums. LP, Vinyl record album
Also available Karma ... CD 5.99

Partial matches76
CD, LP, Vinyl record album cover art
✨✧ Tony Scott & Bill EvansDay In New York ... CD
Fresh Sound (Switzerland), 1957. Used 2CD ... Out Of Stock
Some of the first true genius from Tony Scott – and a real treat for Bill Evans fans too! The 2CD set features sessions that were originally issued on an obscure record on the Carlton label, but also includes a lot of other sides that never saw the light of day at the time – and which really expand our understanding of both Scott and Evans at this point in their careers. Scott plays mostly clarinet on the session, plus a bit of baritone sax – in styles that range from boppish to sparer, more modern lines – almost a bit like those of Jimmy Giuffre on some of his better work of the mid 50s. Evans' piano is a bit more forceful than on some of his other records from the time, and the rhythm section of the group features either Henry Grimes or Milt Hinton on bass, and Paul Motian on drums. Some tracks feature additional horns by Clark Terry, Jimmy Knepper, and Sahib Shihab –a nd titles include "Portrait Of Ravi", "I Remember You", "Five", "The Explorer", "Villa Jazz", "Franzy Pants", "For Pete's Sake", "Third Moon", "Blues For Five", and "The Chant". CD
(Out of print.)
 
 
 



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