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Exact matches: 8
Exact matches1
CD, LP, Vinyl record album cover art
Bennie Green/Paul QuinichetteBlow Your Horn! ... LP
Decca, Late 50s. Very Good ... $18.99
Great Decca album that features rare 50's sides by Bennie Green and Paul Quinichette. Side one's got 6 hard blowin' tracks from Bennie, with some of the best material he recorded away from the Prestige label. Tracks include "Blow Your Horn", "I Wanna Blow", "Rhumblues", and "Blues In Lament", and the set features him with orchestra or quintet (which features Billy Root on tenor and Cliff Small on piano). The Quinichette sides are equally great, and have him playing with small – one of which includes Marlowe Morris on organ! Tracks on the Quinichette side include "The Heat's Off", "I Remember Harlem", and "The Heat's On". Great stuff, and a really tough one to find. LP, Vinyl record album
(Heavy black label pressing. Cover has wide clear tape holding the seams, with some yellowing.)

Exact matches2
CD, LP, Vinyl record album cover art
Paul HornInside II ... CD
Columbia/Wounded Bird, 1972. New Copy ... $1.99 11.98
Paul Horn follows up his Inside The Taj Majal set – in someways leaving behind the stark, spare initimacy of that set for a more layered and tailored approach – and also leaving behind his more pronounced jazz roots for a more earthy and nature themed mode! Like Inside, it's a solo flute record and a spatial exploration – this time handled with a number of different flutes, and also dabbling in overdubbing – with wind and other nature sounds, up to and including some live dolphin sound effects! Titles include "The Mahabhutas" suite, plus "Centaur", "Morning Song", "Haida", and "Mass: Kyrie". CD

Exact matches3
CD, LP, Vinyl record album cover art
Paul HornInside The Magic Of Findhorn ... LP
Golden Flute, 1983. Near Mint- ... $2.99
LP, Vinyl record album
(Cover has light wear and a mark from sticker removal.)

Exact matches4
CD, LP, Vinyl record album cover art
Paul HornPaul Horn & Nexus ... CD
CBS/Wounded Bird, 1975. New Copy ... $3.99 11.98
Some of the best Paul Horn recordings of the 70s – tracks that were recorded amidst the Brazilian fusion explosion of the 70s, and which really push Horn's sound to the limit! The album features work that Horn cut with the funky fusion group Nexus – very electrified tracks driven on by some heavy percussion work that clearly comes out of the Brazilian tradition spread to the US by Airto – jazzy, frenetic, and with a good mix of electric and organic elements! Titles include "Somba", "Crystals", "Freindship", "Nexus", "Mbira", "Capetown", and "African Funeral Song". CD

Exact matches5
CD, LP, Vinyl record album cover art
Paul Horn QuintetSomething Blue ... LP
Hi Fi, 1960. Near Mint- ... $9.99
Amazing early work from the mighty Paul Horn – a record cut during a time when he was a damn good musician with a keen sensibility for modernist modal jazz! On this excellent date from 1960, Horn plays both flute and alto sax in a wonderful group – a combo with vibes from Emil Richards, bass from Jimmy Bond, piano from Paul Moer, and drums from Billy Higgins – all players with a very fluid, open sense of rhythm – one that makes the date dance and sparkle throughout! There's a pulsating energy here that almost predates the MPS/Saba sound of the decade to come – and in addition to Horn's imaginative solos, which are much more soulful here than before, the record also features some sharp-edged chromatics from Richards on vibes, and almost melodic drums from Higgins. The album's one of our all-time favorites – and titles include "Something Blue", "Half & Half", "Mr Bond", "Dun Dunnee", and "Tall Polynesian". LP, Vinyl record album
(Fresh Sounds reissue. Cover has a cutout hole.)

Exact matches6
CD, LP, Vinyl record album cover art
✨✧ Paul HornHouse Of Horn ... LP
Dot, Late 50s. Used ... Temporarily Out Of Stock
One of the first albums ever from reedman Paul Horn – recorded for Dot Records in 1957, and a wonderfully rich tribute to Paul's mighty talents. The groove of the record is especially hard to pin down – as some tunes are light and whimsical, others a bit more dark and rhythmic – always shifting moods with that restless sort of energy that Horn brought to his music – an early searching use of the reeds that really stands out. Paul plays flute, alto sax, piccolo, and clarinet – and other players include Larry Bunker on vibes, Gerry Wiggins on piano, John Pisano on guitar, Fred Katz on cello, and Chico Hamilton on drums – helping bring some compelling rhythmic complexity to the album. Titles include "A Soldier's Dream", "Day By Day", "Siddartha", "Pony Tale", "House Of Horn", "Interlude", and "The Golden Princess". LP, Vinyl record album
(Cover has light wear.)

Exact matches7
CD, LP, Vinyl record album cover art
✨✧ Paul HornDream Machine ... LP
Mushroom, 1978. Used ... Out Of Stock
LP, Vinyl record album

Exact matches8
CD, LP, Vinyl record album cover art
✨✧ Paul HornVisions ... CD
Columbia/Wounded Bird, 1974. New Copy ... Out Of Stock
Nice fusiony jazz done with soul and airy atmophere by Paul Horn – including some choice covers, and sounds that range from fusiony jazz with a little bit of funk and more lilting numbers lifted by flute and wordless vocals! Horn has a tendency to go head first into a more new agey vibe, but here we get a more grounded approach with more soul and bits of funk in the bass, keys & percussion. The players include Larry Carlton, Joe Sample and Tom Scott. Includes a nice takes on a trio of Stevie Wonder numbers: "Too High", "Visions" and "Living For The City", Joni Mitchell's "Blue" and "Chelsea Morning" (the former featuring some vocals and keyboards by Joni), plus "High Tide"., "Long Time Gone", "Song With No Words" and "Dida". CD
 
Possible matches: 47
Possible matches9
CD, LP, Vinyl record album cover art
Muhal Richard AbramsBlues Forever ... CD
Black Saint (Italy), 1981. Used ... $6.99
Hardly the blues that you might expect from the title – although knowing Muhal Richard Abrams, there's no doubt some sort of blues influence lurking in the background of his complicated orchestrations for the date! The album's a suite of original compositions by Abrams – all numbers played by a largeish group with lots of wonderful horn patterns – complexly woven together with lots of shifting shapes and tones, then sometimes breaking out in bold, free moments of improvisation! It's records like these that show why Abrams was one of the leading lights of the AACM by the early 80s – as much an important composer as a musician – equally skilled at both levels, and very sensitive to the strengths of the players he chose to work with. Muhal plays piano here – and other group members include Baikida Carroll on trumpet, Craig Harris on trombone, Wallace Laroy McMillan on baritone and flute, Jimmy Vass on alto and flute, Eugene Ghee on tenor and clarinet, Howard Johnson on tuba, Jean-Paul Bourelly on guitar, Michael Logan on bass, and Andrew Cyrille on drums. Titles include "Cluster For Many Worlds", "Quartet To Quartet", "Ancient & Future Reflections", "Du King", "Chambea", and "Duet For One World". CD

Possible matches10
CD, LP, Vinyl record album cover art
Cannonball AdderleyCannonball Takes Charge ... LP
Riverside, 1959. Very Good+ ... $22.99
A hardbop classic from Cannonball Adderley – and one of his harder to find albums from the Riverside days! The set has Cannon playing without his usual group, in the context of an all-star batch of players that includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – who he worked with in his time with Miles Davis – plus occasional guest rhythm work by Albert and Percy Heath. The set's strong and straight ahead – a good bridge between Cannon's early Mercury recordings, and his later albums for Riverside and Capitol – tightly crafted solos with a good deal of soul, Adderley holding down all the horn work on the record. Titles include "If This Isn't Love", "Serenata", "Poor Butterfly", "I Remember You", and "I've Told Ev'ry Little Star". CD also features 2 bonus alternate tracks! LP, Vinyl record album
(Dutch pressing. Cover has light wear.)

Possible matches11
CD, LP, Vinyl record album cover art
Lorez AlexandriaAlexandria The Great ... CD
Impulse (Japan), 1964. New Copy ... $13.99
A beautiful album from Lorez Alexanderia – one of her two excellent sessions for Impulse! The record was cut after Lorez recorded some great sides for the Argo label – and it works off the strength of those sides, taking her unique vocal approach, forged in R&B, but smoothed by jazz, into a whole new level of expression! The backing is great – small combo, with featured musicians who include Bunk Shank and Paul Horn on reeds, and Victor Feldman and Wynton Kelly on piano – all working with moody, soulful arrangements that are a perfect accompaniment to Lorez' beautiful voice. Includes the cuts "Get Me To The Church On Time", "Satin Doll", "Show Me", "The Best Is Yet to Come", "I'm Through With Love", and 5 more! CD

Possible matches12
CD, LP, Vinyl record album cover art
Tina BrooksBack To The Tracks ... CD
Blue Note, 1960. Used ... $12.99
One of those rare Blue Note sessions from tenorist Tina Brooks – originally recorded for the label in 1960, but never issued at the time – yet easily on a par with their more famous work of the period! Brooks' horn has a nice hard edge here – that sharp-edged modernism you'd hear with Jackie McLean, who makes a key appearance here on the album's famous "Street Singer" track. Jackie's not on the rest of the record, but that's fine with us – because other players are all equally great, and include Blue Mitchell on trumpet, Kenny Drew on piano, Paul Chambers on bass, and Art Taylor on drums. Apart from "Street Singer", other titles include "The Ruby & The Pearl", "Back To The Tracks", "For Heaven's Sake", and "The Blues & I". CD
(Out of print original pressing.)

Possible matches13
CD, LP, Vinyl record album cover art
Duke EllingtonGreat Paris Concert ... CD
Atlantic, 1963. Used 2 CDs ... $9.99
Did Ellington ever record in concert and it not be great? This wonderful double-length set from the 60s is key proof of his genius in an unfettered live setting – recorded in Paris in 1963 with plenty of dark edges! The tracks are short overall, but Duke's really at the head of the group on piano – playing with those angular, modern tones he picked up in the post Money Jungle years – and clearly in charge of the group from the keyboard, not the podium. Horn players include Harry Carney, Ray Nance, Lwarence Brown, Cootie Williams, Johnny Hodges, and Paul Gonsalves – all bringing in some special tones and unique performances to an extended set list that includes both Ellington standards and a few lesser-known numbers. Titles include "Rockin In Rhythm", "Concerto For Cootie", "Suite Thursday", "Tone Parallel To Harlem", "Bula", "Cop Out", "Happy Go Lucky Local", "Theme From Asphalt Jungle", and "Star-Crossed Lovers". CD
(Out of print.)

Possible matches14
CD, LP, Vinyl record album cover art
Red GarlandRed Garland's Piano ... LP
Prestige, 1957. Fair ... $9.99
Red Garland's piano was certainly humming strong at the time of this session – as Red's trio were one of the key rhythm components of many Prestige albums of the late 50s, but also a real starring act on their own! The album's got a laidback, almost mellow feel that's a bit different from some of the Garland accompaniment on horn-based sessions – a style that's introspective, but always spirited – sprightly, but never flowery – that magical style that allowed Garland to bridge different worlds of jazz piano in the 50s. Paul Chambers is a perfect accompaniment here on bass, Art Taylor's work on drums is a masterpiece of understatement, and although the titles are all familiar, they're certainly given a special Garland touch! Titles include "The Very Thought Of You", "If I Were A Bell", "Please Send Me Someone To Love", "I Know Why", and "I Can't Give You Anything But Love". LP, Vinyl record album
( FAIR CONDITION. Yellow & black label NYC pressing. Cover has tape on the spine, and moderate aging on the back.)

Possible matches15
CD, LP, Vinyl record album cover art
John GraasJohn Graas! (aka Coup De Graas) ... LP
Mercury, Late 50s. Very Good+ ... $9.99
One of the weird LPs that French Horn player John Graas made in the 50's, featuring that cumbersome instrument in a set of surprisingly light and loose jazz tracks. Graas' playing on the French Horn is a bit like Gerry Mulligan's on the baritone – that is, he takes these turns and twists that surprise you, given the nature of the horn. He's joined here by Art Pepper, Conte Candoli, Bob Cooper, and Paul Moer, and the set's a nice batch of West Coast chamber type stuff. Tracks include "Van Nuys Indeed", "Land of Broken Toys", "Blocksounds", 'Development", "Swing Nicely" and "Rogeresque". LP, Vinyl record album
(Blue label pressing with a deep groove – in nice shape!)

Possible matches16
CD, LP, Vinyl record album cover art
Charlie HadenLiberation Music Orchestra (180 gram pressing – with download) ... LP
Impulse (Germany), 1969. New Copy Gatefold (reissue)... $23.99
One of the most beautiful albums that Charlie Haden ever recorded – and if he only ever appeared on one record in his life, we'd still love him tremendously for this one! The album has a feel that's very much in keeping with both the "liberation" and "orchestra" in the title – "liberation", in that the music is filled with inspiration from South American sources, and has a strongly political feel at times; and "orchestra" because the group here is somewhat large, and filled with a tremendous array of expressive players – including Gato Barbieri on tenor, Dewey Redman on alto and tenor, Don Cherry on cornet and flutes, Michael Mantler on trumpet, Roswell Rudd on trombone, Robert Northern on French horn, Paul Motian and Andrew Cyrille on percussion, Carla Bley on piano, and Perry Robinson on clarinet. Haden leads these disparate talents through a set of tremendously focused music – filled with as many ideas as it is with a sense of humanity and soul – all to brilliantly point the way forward for the new sound of Impulse Records in the years after Coltrane's death! Titles include the classic "Song For Che", plus Ornette's "War Orphans", Carla Bley's "The Interlude", and "Song Of The United Front", by Hans Eisler, and with words by Brecht! LP, Vinyl record album

Possible matches17
CD, LP, Vinyl record album cover art
Chico HamiltonChico Hamilton Quintet Complete Studio Sessions 1956/1957 (Chico Hamilton Quintet/Sweet Smell Of Success/Jazz Swings Broadway) ... CD
Pacific Jazz/Fresh Sound (Spain), 1956/1957. Used ... $13.99
A wealth of great work from Chico Hamilton in the 50s! First up is the self-titled Chico Hamilton Quintet album – Pacific Jazz 1225 – not to be confused with other similar-titled Chico Hamilton albums at the time! This one sports an abstract painting on the cover, and was recorded in 1956 at the Forum Theater in Los Angeles – not live, but using the space as a very open-sounding studio – with really amazing results! The lineup features Hamilton on drums, Paul Horn on alto and tenor sax and clarinet, John Pisano on guitar, Fred Katz on cello and Carson Smith on bass – kind of a second-generation of Hamilton's group, with Horn taking over wonderfully from Buddy Collette, and playing with even more sensitivity than before. The work's very much in Hamilton's best sprightly chamber jazz mode – with some great originals that include "Chanel #5", "Beanstalk", "Mr. Jo Jones", and "Reflections" – plus Hamilton-ized versions of "Satin Doll", "Caravan", "Soft Winds", "Siete-Cuatro", "I Know", and "Lillian". Next up are 3 more tracks recorded in LA for the Stars Of Jazz TV show – "Blue Sands", "The Ghost", and "The Morning After". These are followed by 5 more by the Hamilton Quintet from The Sweet Smell Of Success film – "Cheek To Chico", "Susan", "Sidney's Theme", "Jonalah", and "Goodbye Baby". Last up are 2 of the rarest cuts – "Show Me" and "I'm A Funny Dame" – both pulled from a compilation called Jazz Swings Broadway. CD
(Out of print.)

Possible matches18
CD, LP, Vinyl record album cover art
JJ JohnsonFirst Place ... CD
Columbia (Japan), 1957. New Copy ... $13.99
JJ Johnson's always a cooker, but during the late 50s he cut some incredible records for the Columbia label – tight bop sessions that still stand as some of his best work! This album's one of them – a real smoker of a set that features Johnson's trombone as the only lead horn in a cool quartet that also includes Tommy Flanagan on piano, Paul Chambers on bass, and Max Roach on drums – a crackling rhythm trio who make the record move a lot more than most other jazz sessions on Columbia at the time! Johnson's sense of tone and phrasing is wonderful – unadorned by any other horns, but a very powerful solo vehicle, especially in the company of the other players – and titles include "Harvey's House", "That Tired Old Routine Called Love", "Nickels & Dimes", "Be My Love", "Paul's Pal", and "Commutation". CD

Possible matches19
CD, LP, Vinyl record album cover art
Fred Katz/Chico HamiltonZen – The Music Of Fred Katz ... LP
Pacific Jazz/So Far Out (UK), 1957. Sealed (reissue)... $11.99
An important early album of compositions by Fred Katz – recorded at the time when he was the cello player in Chico Hamilton's groundbreaking late 50s group! The tunes are distinctly more modern than even his work with Chico – and are played by Hamilton-esque players that include Paul Horn or Harry Klee on flute and saxes, Carson Smith on bass, John Pisano on guitar, and Chico himself on drums and tympani. There's some added strings and woodwinds on a number of tracks, and the tunes move between 50s chamber jazz and 50s chamber modern – with titles that include "Montuna", "Katz Up", "Loma", "Pluck It", "Lord Randall", and "Suite For Horn". LP, Vinyl record album

Possible matches20
CD, LP, Vinyl record album cover art
Barney KesselKessel/Jazz – Contemporary Latin Rhythms ... CD
Reprise (UK), 1961. New Copy ... $8.99
A wonderful wonderful set from Barney Kessel – bossa-inflected jazz, and a wonderful setting for Barney to hit some very groovy lines on electric guitar! The group on the date is part of the strength of the record – with Conte Candoli on trumpet, Emil Richards on vibes, Paul Horn on flute, and Victor Feldman on piano – with loads of great percussion and guitar interplay on the set, plus some excellent use of flute and vibes – all of which makes for the sort of session that really translates the Brazilian groove into the best sort of sound the LA scene was cutting at the time! Nice, light, and dancing rhythms – and titles that include "Love", "Days Of Wine & Roses", "Latin Dance #1", "Lady Byrd", and "One Note Samba". CD

Possible matches21
CD, LP, Vinyl record album cover art
Henry ManciniMore Music From Peter Gunn ... LP
RCA, 1962. Very Good+ ... $4.99
Henry Mancini's second album of stuff for the Peter Gunn TV show, and arguably better than the first one! The album's straight-ahead crime jazz – performed by a great set of players that includes Plas Johnson, Shelly Manne, Ted Nash, Paul Horn, and other west coasters. Tracks include "My Manne Shelly", "Timothy", "Goofin At The Coffee House", "Odd Ball", "Walkin' Bass", and "Spook!". LP, Vinyl record album
(Black label stereo pressing with deep groove. Cover has a half split top seam.)

Possible matches22
CD, LP, Vinyl record album cover art
Bill MarxJazz Kaleidosope ... LP
Vee Jay, Early 60s. Very Good ... $4.99
The son of Harpo Marx lays down some groovy west coast jazz – in a combo that also includes Paul Horn on flute and alto, Jack Sheldon on trumpet, and Larry Bunker on vibes – plus great rhythms from James Bond on bass and Lawrence Marable on drums! LP, Vinyl record album
(Deep groove pressing. Cover has some minor splits on the seams.)

Possible matches23
CD, LP, Vinyl record album cover art
David MurrayDavid Murray Big Band ... CD
DIW/Columbia, 1991. Used ... $4.99
Murray's fronting a big band led by Butch Morris – a group that sounds a lot better to our ears than most of Morris' own larger groups of the time, possibly because of the style of the recording. The tracks shift mood, tone, and approach with each number – working out references to some spiritual leaders, and forging new ground on a few of the more adventurous numbers. Murray's horn is in the lead mostly – but the interplay with the rest of the group is pretty incredible at times. Players include Fred Hopkins, Sonelius Smith, James Spaulding, John Purcell, Craig Harris, Vincent Chaney, and Don Byron – and titles include "Istanbul", "Lovejoy", "Calling Steve McCall", "Paul Gonsalves", and "Lester". CD
(Out of print.)

Possible matches24
CD, LP, Vinyl record album cover art
OregonMusic Of Another Present Era ... LP
Vanguard, 1972. Near Mint- ... $11.99
A seminal blend of folk roots and jazz improvisation – with Ralph Towner on guitar, Collin Walcott on sitar, oboe and horn from Paul McCandless, and bass and flute from Glen Moore. Titles include "North Star", "Children Of God", "Naiads", "Shard", "Bell Spirit", and "The Swan". LP, Vinyl record album
(Gold label pressing.)

Possible matches25
CD, LP, Vinyl record album cover art
Art PepperArt Pepper Meets The Rhythm Section ... LP
Contemporary, 1957. Near Mint- ... $14.99
One of Art Pepper's classic recordings, in which he plays with a spare quartet backing by Miles Davis' rhythm section at the time – Paul Chambers, Red Garland, and Philly Joe Jones. An essential East meets West jazz recording, with Art at the top of his game, playing in a unique setting for the first and only time (it's said that Art didn't even know of the date until the morning of the session). Pepper is one of the few alto players to really establish his own voice on the horn, without aping Bird, and his emotive playing really shines here. A definitive version of "Straight Life" is on this album, along with "Waltz Me Blues", "You'd Be So Nice To Come Home To" and "Star Eyes". LP, Vinyl record album
(OJC pressing, still in the shrink. Cover has a cutout notch.)

Possible matches26
CD, LP, Vinyl record album cover art
PtarmiganPtarmigan ... CD
Lion, 1972. New Copy ... $12.99
A beautifully tripped out little record from Canada – produced by Paul Horn in his more hippieish years, and with some nice jazzy undercurrents that certainly show his influence! The tracks here are all quite long and stretched out – showing a bit of an Eastern influence in their construction, and using bits of wispy guitar and some especially great flute-like work on recorder! Much of the instrumentation is acoustic, and there's a definite folksy feel to some numbers – but more in a folk funk sort of way, thanks to the jazzier phrasing used on the recorders, and the strong sense of rhythm on most numbers. Titles include "Night Of The Gulls", "Go Dancing", "The Island", "Vancouver", "Coquilhalla", and "A Hymn To The Ocean". CD

Possible matches27
CD, LP, Vinyl record album cover art
Shorty RogersChances Are It Swings ... CD
RCA (Spain), 1958/1998. Used ... $13.99
One of Shorty's best albums for RCA, and an album of hard-driving jazz by The Giants that's comparable to some of the great work they did in the soundtrack to Man With The Golden Arm. The group includes Shorty, Bil Holman, Richie Kamuca, Paul Horn, Bud Shank, and the Candoli Brothers – and titles (all written by Robert Allen) includes "Lilac Chiffon", "Who Needs You", "No Such Luck", "Chances Are", "Very Special Love", and "Teacher, Teacher". Very swinging, as the title says! CD
(Out of print.)

Possible matches28
CD, LP, Vinyl record album cover art
Shorty RogersJazz Waltz ... LP
Reprise, 1961. Very Good+ ... $4.99
Don't think "waltz music", think "modal jazz" – because the version of jazz waltz that Shorty Rogers serves up here is a great precursor to the great grooves to come on the European scene – especially the work from the artists at MPS Records! Tunes all have this great rhythmic pulse – a way of leaping into a groove that has the piano and bass dancing together wonderfully – often with some cool vibes from Emil Richards, and loads of great reed lines from Bud Shank and Paul Horn! Some tracks feature a small combo, some feature a larger group – and the whole thing is wonderful – with energy that almost rivals the Clarke Boland Big Band with Gigi Campi. Titles include "Be As Children", "Walk On The Wild Side", "Jazz Waltz", "Terrence's Farewell", and "A Taste Of Honey". LP, Vinyl record album
(Mono pressing. Cover has split seams and a large name in pen on back.)
 
Partial matches: 36
Partial matches56
CD, LP, Vinyl record album cover art
David AmramNo More Walls (Flying Fish) ... LP
Flying Fish, 1971/1979. Very Good+ ... $3.99
Second pressing of a set that originally focused on the many different styles of arranger/conductor/horn player David Amram, but unlike the original on RCA, this pressing condenses the material into a single LP. The best material mixes up "Near Eastern" instrumentation and funkier arrangements, and some other cuts that have kind of a groovy beatnik jazz sound to them. Most notable of these is a version of "Pull My Daisy", but other cool tracks include "Tompkins Square Park Consciousness Expander", "Brazilian Memories", "Sao Paulo", and "Going North". This version of the album features 7 tracks in total, with the remaining titles being "Waltz From After The Fall" and "Wind From The Indies". LP, Vinyl record album
(Cover has light wear & a cut corner.)

Partial matches57
CD, LP, Vinyl record album cover art
Gunter Christmann, Paul Rutherford, Albert MangelsHorns ... LP
FMP (Germany), 1979. Near Mint- ... $34.99
Features Manfred Schoof and Kenny Wheeler on trumpets, Gerd Dudek on soprano sax, and Albert Mangelsdorff and Gunter Christmann on trombones! LP, Vinyl record album

Partial matches58
CD, LP, Vinyl record album cover art
✨✧ Kenny DrewThis Is New ... LP
Riverside, 1957. Very Good+ ... $13.99
The "new" thing here is that Kenny's playing with horns – always a refreshing change from his trio sides, and a setting that really brings out an edgier side to his playing. About half the record features a quintet with Donald Byrd and Hank Mobley, plus Wilbur Ware on bass and GT Hogan on drums – and the other half of the set features the same group without Mobley. Titles include "Carol", "Little T", "Paul's Pal", and "This Is New". LP, Vinyl record album
(Japanese pressing from the 70s, including the insert. Cover has light aging & some pen.)

Partial matches59
CD, LP, Vinyl record album cover art
Duke EllingtonAnd His Mother Called Him Bill ... CD
RCA (Germany), 1967. Used ... $6.99
A nicely understated session that was recorded in honor of Billy Strayhorn – who'd passed away a few months before the recording. The set features all classic Strayhorn compositions – played in new versions by Duke and a group that includes Clark Terry, Johnny Hodges, Paul Gonsalves, Aaron Bell, and Jimmy Hamilton. The recording quality is great, and the sound of the album really makes old classics sparkle nicely once again! Titles include "UMMG", "Blood Count", "Boo Dah", "Rain Check", "Day Dream", "All Day Long", and "Lotus Blossom", done in a haunting solo piano version by Duke! CD features bonus tracks, too – all different titles! CD
(Out of print.)
Also available And His Mother Called Him Bill ... LP 6.99

Partial matches60
CD, LP, Vinyl record album cover art
Duke EllingtonAnd His Mother Called Him Bill ... LP
RCA, 1968. Very Good+ ... $6.99
A nicely understated session that was recorded in honor of Billy Strayhorn – who'd passed away a few months before the recording. The set features all classic Strayhorn compositions – played in new versions by Duke and a group that includes Clark Terry, Johnny Hodges, Paul Gonsalves, Aaron Bell, and Jimmy Hamilton. The recording quality is great, and the sound of the album really makes old classics sparkle nicely once again! Titles include "UMMG", "Blood Count", "Boo Dah", "Rain Check", "Day Dream", "All Day Long", and "Lotus Blossom", done in a haunting solo piano version by Duke! LP, Vinyl record album
(Black label stereo Dynagroove pressing. Cover has some ringwear.)
Also available And His Mother Called Him Bill ... CD 6.99

Partial matches61
CD, LP, Vinyl record album cover art
Duke EllingtonHi Fi Ellington Uptown ... LP
Columbia, 1953. Very Good+ ... $9.99
One of Duke Ellington's standout sides for Columbia – a strong recording that revisits many of the best elements of his earlier work, and offers up some more sophisticated scoring for the 50s – thanks to extended track length in the LP generation! The tunes here are older ones, but they're taken to some nicely hip territory – thanks to Duke's strong ear for modern changes, and a line up of players that includes Billy Strayhorn on piano, Paul Gonsalves on tenor, Clark Terry and Ray Nance on trumpets, Juan Tizol on trombone, and Louis Bellson on drums. Bellson does a great job on the classic "Skin Deep" – a real showcase for his talents in this recording – and other titles include "The Mooche", "Take The A Train", and "Perdido" – plus "The Controversial Suite". LP, Vinyl record album
(6 eye pressing with deep groove. Cover has light wear.)

Partial matches62
CD, LP, Vinyl record album cover art
Barry Harris SextetBull's Eye! ... LP
Prestige, 1968. Near Mint- ... $14.99
A sock-hard set of Detroit soul jazz that's one of Barry Harris' best albums of the 60s! The group on the record is a sextet – with Kenny Dorham on trumpet, Charles McPherson on tenor, and Pepper Adams on baritone – forging a much harder frontline than you'll hear on some of Barry's more lyrical albums from the same time – a new sort of groove that really locks Harris in nicely to the Prestige soul jazz sound of the 60s. The group works well together on arrangements by Harris – swinging hard and lively, sometimes with a vamping energy that's almost modal – and which really lets McPherson hit some especially nice lines on tenor. Rhythm is from Paul Chambers and Billy Higgins – and the horns sit out for 2 of the album's 6 tracks. Titles include "Oh So Basal", "Off Monk", "Barengo", "Bull's Eye", and "Clockwise". LP, Vinyl record album
(Green label pressing.)

Partial matches63
CD, LP, Vinyl record album cover art
Paul HornschemeierAll & Sundry – Uncollected Work 2004 to 2009 (hardcover) ... Book
Fantagraphics, 2009. New Copy ... $5.99 29.99
A great collection of under-published and unpublished material from cartoonist Paul Hornschemeier – and a volume that's got us really appreciating his art more than ever! The range of images here is wonderful – from comics that have almost a Chris Ware sort of graphic presentation of the narrative – to illustrations and other shorter pieces that pop out with the intensity of Daniel Clowes or Peter Bagge – all references we would never throw around lightly, and which really seem to apply here – as Hornschemeier's one of the lesser-recognized contemporaries of those bigger names, but one who really deserves greater notice. The book even features a few text pieces by Paul, with his own illustrations – and the whole thing's way more than a sketchbook or loose batch of second-tier pieces – and instead brings together material that really stands strongly next to some of his larger book projects. The presentation is wonderful – as graphically strong as the images – and the book is 207 pages, full color, hardcover. Book

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✨✧ Seu JorgeCarolina ... LP
Mr Bongo (UK), 2002. New Copy 2LP ... $22.99
A HUGE batch of samba-soul grooves from Seu Jorge! Jorge previously knocked around Brazil as a member of the late 90s pop group Farofa Carioca, but his first solo outing is a massive step forward into the upper echelon of the Brazilian scene! Like the best of his contemporaries, Jorge uses the rich history of samba and bossa as a springboard – but it's the pronounced contemporary qualities, such as production and mix work by Beastie Boy producer Mario Caldato – that push Carolina way over the top and make it much more than a genre exercise! The title track echoes the earlier work of Jorge Ben, who actually pens the reggae-inflected tune "Em Nagoya Eu Vi Eriko", and the tracks "Mangueira" and "O Samba Tai" have the classic samba groove and crisp background vocals that would sound right in place on Tom Ze's Se O Caso E Chorar. "Hagua" has a deep reggae thump, and nearly everything here has kind of a 70s soul feel thanks to some bright, almost Kool & The Gang-like horn arrangements! The group includes Azymuth drummer Mamao, Paulinho Black on bass, Banda Black Rio's William Magalhaes on keyboards, and Josimar Monteiro on violin. Another great new solo artist from Brazil, and one that we expect amazing things from in the years to come! LP, Vinyl record album

Partial matches65
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Mad Doctors/Sloopys/Terry Stafford/OthersDr Goldfoot & The Girl Bombs ... LP
Tower, Late 60s. Very Good+ ... $12.99
A pretty nice batch of tunes designed to accompany this schlocky spy spoof film that starred Fabian and Vincent Price! The soundtrack's kind of in a Tower Records biker mode – with a lot of different studio groups doing the work – the best of which is the Mad Doctors, who are an instrumental combo who do about half the work on the album. They've got a great style that's really mod and go-go – mixing together fast rhythms, electric bass, and nice touches on guitar, horns, or organ. The Mad Doctors do "Dr Goldfoot's Igloo", "The Mad Mad Doctor", "The Golden Bomb", "The Golden Price", and "Dr Goldfoot & The Girl Bombs". Other tunes include "Dr Goldfoot & The Girl Bombs" by The Sloopys, "Try My World Little Girl" by Terry Stafford, and "Hidin From Myself" by Paul & The Pack. LP, Vinyl record album
(Cover has a small cutout hole.)

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Ennio MorriconePeur Sur La Ville ... CD
Warner/Music Box (France), 1975. New Copy ... $22.99
A great Morricone soundtrack for a Jean-Paul Belmondo thriller – a score that starts out spare and brooding, then builds nicely as things move on – with lots of cool bottom-end sounds that make the whole thing really move up from the depths! Some tunes echo the sweeter side of Morricone, while others are a bit more brooding – and instrumentation includes some of the same offbeat piano you'd hear in The Burglars, plus light guitar, weird-tuned horns, and other nice bits that are sometimes abstracted beyond recognition! Titles include "Consideration Sur Un Homicide", "Paris Secret", "Defense De Stationner" and "Mannequins". CD features lots of bonus tracks – with a total of 75 minutes of music – more than we've ever seen for this one! CD
(Limited edition of 500!)

Partial matches67
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Gerry Mulligan & Paul DesmondBlues In Time (aka Gerry Mulligan Meets Paul Desmond) ... LP
Verve, 1957. Near Mint- ... $6.99
A great pairing of two of the coolest jazz talents of the 50s – icy-cool altoist Paul Desmond and warm-toned baritonist Gerry Mulligan! The group here continues the pianoless tradition of some of Mulligan's work of the decade – leaving plenty of room for amazing interplay between the horns, and a rare chance to hear Desmond away from the instrument – especially considering his work with Brubeck – blowing here in an airy, willowy tone that's totally great. Other players include Joe Benjamin on bass and Dave Bailey on drums – and titles include "Blues In Time", "Standstill", "Line For Lyons", and "Fall Out". LP, Vinyl record album
(Cover has a mark from an old sticker.)

Partial matches68
CD, LP, Vinyl record album cover art
Gerry Mulligan & Paul DesmondGerry Mulligan & Paul Desmond Quartet (with bonus tracks) ... CD
Verve/Jazz Heritage, 1957. Used ... $4.99
A great pairing of two of the coolest jazz talents of the 50s – icy-cool altoist Paul Desmond and warm-toned baritonist Gerry Mulligan! The group here continues the pianoless tradition of some of Mulligan's work of the decade – leaving plenty of room for amazing interplay between the horns, and a rare chance to hear Desmond away from the instrument – especially considering his work with Brubeck – blowing here in an airy, willowy tone that's totally great. Other players include Joe Benjamin on bass and Dave Bailey on drums – and titles include "Blues In Time", "Standstill", "Line For Lyons", and "Fall Out". CD includes bonus tracks – "Tea For Two", "Wintersong", and "Lover". CD
(Cover is in black & white.)

Partial matches69
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Pharoah SandersKarma ... CD
Impulse/MCA, 1969. Used ... $5.99
Quite possibly the best-remembered album from Pharoah Sanders' legendary run at Impulse Records – a set that crossed over big, and sold to countless folks who might not have bought a jazz album this hip otherwise! The record was Sanders' first in the wake of Coltrane's passing – and it's a beautiful extended suite of tracks that flows with a sense of grace, power, and majesty that's simply breathtaking – a new level of expression in spiritual jazz – and virtually the blueprint for an entire generation to come! The album features the classic track "The Creator Has a Master Plan" – spanning a tremendous amount of space and time – and featuring Leon Thomas' classic vocals on the lyrics! Thomas also returns on the cut "Colors", which is a bit more outside, and quite free overall – and other players on the date include Lonnie Liston Smith on piano, James Spaulding on flute, Julius Watkins on French horn, Ron Carter and Richard Davis on bass, and Freddie Waits and Billy Hart on drums. CD
(Out of print MCA pressing.)
Also available
Karma ... LP 29.99
Karma (180 gram pressing – with download) ... LP 23.99

Partial matches70
CD, LP, Vinyl record album cover art
Pharoah SandersKarma ... LP
Impulse, 1969. Very Good Gatefold ... $29.99
Quite possibly the best-remembered album from Pharoah Sanders' legendary run at Impulse Records – a set that crossed over big, and sold to countless folks who might not have bought a jazz album this hip otherwise! The record was Sanders' first in the wake of Coltrane's passing – and it's a beautiful extended suite of tracks that flows with a sense of grace, power, and majesty that's simply breathtaking – a new level of expression in spiritual jazz – and virtually the blueprint for an entire generation to come! The album features the classic track "The Creator Has a Master Plan" – spanning a tremendous amount of space and time – and featuring Leon Thomas' classic vocals on the lyrics! Thomas also returns on the cut "Colors", which is a bit more outside, and quite free overall – and other players on the date include Lonnie Liston Smith on piano, James Spaulding on flute, Julius Watkins on French horn, Ron Carter and Richard Davis on bass, and Freddie Waits and Billy Hart on drums. LP, Vinyl record album
(Rainbow label pressing.)
Also available
Karma ... CD 5.99
Karma (180 gram pressing – with download) ... LP 23.99

Partial matches71
CD, LP, Vinyl record album cover art
Pharoah SandersKarma (180 gram pressing – with download) ... LP
Impulse (Germany), 1969. New Copy Gatefold (reissue)... $23.99
Quite possibly the best-remembered album from Pharoah Sanders' legendary run at Impulse Records – a set that crossed over big, and sold to countless folks who might not have bought a jazz album this hip otherwise! The record was Sanders' first in the wake of Coltrane's passing – and it's a beautiful extended suite of tracks that flows with a sense of grace, power, and majesty that's simply breathtaking – a new level of expression in spiritual jazz – and virtually the blueprint for an entire generation to come! The album features the classic track "The Creator Has a Master Plan" – spanning a tremendous amount of space and time – and featuring Leon Thomas' classic vocals on the lyrics! Thomas also returns on the cut "Colors", which is a bit more outside, and quite free overall – and other players on the date include Lonnie Liston Smith on piano, James Spaulding on flute, Julius Watkins on French horn, Ron Carter and Richard Davis on bass, and Freddie Waits and Billy Hart on drums. LP, Vinyl record album
Also available
Karma ... LP 29.99
Karma ... CD 5.99

Partial matches72
CD, LP, Vinyl record album cover art
Wayne ShorterAll Seeing Eye (RVG remaster edition) ... CD
Blue Note, 1965. Used ... $2.99
An excellent set of some fairly out material – performed by Shorter with a group that includes Freddie Hubbard, Grachan Moncur, James Spaulding, Herbie Hancock, and a rare appearance by his brother Alan on flugelhorn! At times, the record builds into a sound that's freer and more challenging than on some of Shorter's other albums from the time – but it does so in more of the "new thing" mode that you'd hear on records from the time by Jackie McLean or Moncur, with an overall sense of purpose that really keeps the message clear. Features all original compositions by the Shorter brothers – and cuts include "Chaos", "Face Of The Deep", "Mephistopheles", and "Genesis". CD

Partial matches73
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Stanley TurrentineRough & Tumble ... LP
Blue Note, Late 60s. Very Good+ ... $11.99
A great album – with a really swinging groove! Stanley's soulful horn is set in a slightly larger group, in the style that would dominate his later years for the Blue Note label. Duke Pearson arranged the set, and players include James Spaulding, Blue Mitchell, Grant Green, Pepper Adams, and McCoy Tyner. Tracks are of medium length, with Stan blowing some nicely-pinched solos on titles like "Shake", "Walk On By", and "And Satisfy" – all with tight arrangements by Pearson. LP, Vinyl record album
(Liberty stereo pressing.)

Partial matches74
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Stanley TurrentineSpoiler ... LP
Blue Note, 1966. Good+ ... $4.99
Stanley Turrentine's no spoiler here – as his tenor sax soars out over the top of some sweet larger group arrangements from Duke Pearson – all awash in a great sense of soul, joy, and life! The album's got a much brighter feel than you might guess from the cover – a vibe that's a bit similar to Stan's classic Joyride album, but a bit more open and free – thanks to the lyrical touches of Pearson on the charts. Other players include Blue Mitchell on trumpet, Julian Priester on trombone, James Spaulding on alto and flute, and Pepper Dadams on baritone sax – plus rhythm from McCoy Tyner on piano, Bob Cranshaw on electric bass, Mickey Roker on drums, and Joseph Rivera on percussion. As on some of the other Pearson dates from the time – particularly those with Donald Byrd – the use of electric bass really opens things up, by creating a subtle rhythmic pulse that really drives most numbers along. And also in the Pearson mode, the added players aren't really a horn section in the conventional way – just a group of like-minded, top-shelf jazz players who egg on the main soloist with a great sense of enthusiasm for the music! Titles include "La Fiesta", "The Magilla", "Sunny", "Maybe September", "You're Gonna Hear From Me", and "When The Sun Comes Out". LP, Vinyl record album
(Liberty pressing.)

Partial matches75
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Lenny White with TwennynineOriginal Album Series (Streamline/Adventures Of Astral Pirates/Best Of Friends/Twennynine With Lenny White/Just Like Dreamin')(5CD set) ... CD
Warner, 1978/1979/1980/1981. New Copy 5 CDs ... $28.99
Five classic albums from Lenny White – packaged together as tiny LP-styled editions! First up is Streamline – a record with a lean, clean groove that's mighty nice, and plenty darn soulful! Plus, Lenny's working here with a pretty soulful fusion group that includes Don Blackman on keyboards and Marcus Miller on bass, both of whom give the record a similar feel to the GRP funk that would come out a few years later from Blackman, Bernard Wright, and others – showing White yet again ahead of the pack! A few tracks have vocals, and titles include "Struttin", "Earthlings", "Spazmo Strikes Again", "Pooh Bear", "Lockie's Inspiration", "I'll See You Soon", and "Night Games". Astral Pirates is a hard heavy batch of funky fusion tunes – with lots of hard drums by Lenny, and spacey spacey keyboards by the great Don Blackman! Patrick Gleeson had a hand in some of the synthesizer work, and he gives the album a similar astral sound to the work he did on the Mercury label at the same time. There's a lot of guitars in the lead, but they sound pretty nice next to Lenny's heavy drums – and titles include "Heavy Metal Monster", "Assault", "Climax", "Universal Love", "The Great Pyramid", and "Remembering". Best Of Friends was recorded with the Twennynine combo – a group that features some especially great keyboards from the great Don Blackman! The style here's a bit like some of Blackman's own work – rooted in fusion, but focused towards soul – with vocals on all tracks, but lots of tightly crafted riffs and grooves underneath! Keyboards and guitars are in the forefront on top of Lenny White's drums – but tunes also feature some EWF horn work, and an occasional vocal chorus arranged by Blackman, and featuring Dee Dee Bridgewater and Googie Coppola! Tracks include the classic 80s groover "Peanut Butter", plus "Tropical Nights", "Best Of Friends", "Take Me Or Leave Me", "Citi Dancin", and "Betta". Twennynine With Lenny White is way at the front of the pack of a lot of the 80s groove elements to follow in its wake – with popping basslines, heavy bass pedals, compressed guitar riffs and a really insistent overall groove! The record's got a pretty straight R&B feel, but thanks to White's nice production, there's a lot of good fusion elements in the mix – which raises the album a step above, and makes it groove nicely. The group features keyboards by Skip Anderson, doing a great job stepping in for Don Blackman, with lead vocals by Tanya Willoughby, synths by Larry Dunn, percussion by Paulinho De Costa, guitar by Eddie Martinez, bass by Barry Johnson and others. Titles include "My Melody", "Kid Stuff", "Fancy Dancer", "Slip Away", "We Had To Break Away", and "Love & Be Loved". Just Like Dreamin is sublime jazzy soul from Twennynine – a combo that's headed by drummer Lenny White, but which is a really solid group affair overall! Twennynine have a perfect sense of poise throughout – that great mix of jazzy elements and more straightforward soul that characterized some of the best groups of the early 80s – served up with a bit of polish, but still plenty of nice sharp edges on the grooves. Keyboards slide along nicely with the basslines and drums – and although lead vocals are by Barry Johnson, most of the group members manage to sing a bit throughout the set – fleshing out the grooves wonderfully with some really warm chorus parts. Titles include "Movin On", "Rhythm", "Twennynine (The Rap)", "Just Like Dreamin", "Don't Look Back", "Need You", "Find A Love", and "All I Want". CD
 
 
 



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