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Exact matches: 1
Exact matches1
CD, LP, Vinyl record album cover art
Paul Horn/Steven HalpernConnections ... LP
Gramavision, 1985. Near Mint- ... $5.99
... LP, Vinyl record album
(Promo. Cover has a cutout hole.)
 
Close matches: 1
Close matches2
CD, LP, Vinyl record album cover art
✨✧ Strauss/HindemithHorn Concertos No 1 Op 11 & No 2/Horn Concerto/Concert Music For Brass & Strings Op 50 – Dennis Brain/Wolfgang Sawallisch/Paul Hindemith/Ph ... CD
EMI (UK), 1956. Used ... Temporarily Out Of Stock
... CD
(Out of print.)
 
Possible matches: 37
Possible matches3
CD, LP, Vinyl record album cover art
Paul JeffreyWatershed ... LP
Mainstream, 1973. Very Good+ Gatefold ... Just Sold Out!
An unusual sort of setting for tenor saxophonist Paul Jeffrey – an overlooked player from the east coast scene of the early 70s, and one who only cut a handful of records at the time! The date features Jack Wilkins on guitar, playing with these bright chromatic hues next to Jeffrey's sharper horn – a pairing that makes for an unusual sound, despite a familiar quartet setting – one that's even different from other matches of this nature, such as the work between Sonny Rollins and Jim Hall! Jeffrey's clearly got some bop roots here, but also opens up in other directions too – and the group features Thelonious Monk Jr on drums and Richard Davis on bass – on titles that include "Brand X", "Moon Madness", "Brand New Day", and "Minor Scene". LP, Vinyl record album
(Cover has light wear.)

Possible matches4
CD, LP, Vinyl record album cover art
✨✧ Paul JeffreyWatershed ... CD
Mainstream/Solid (Japan), 1973. New Copy ... Just Sold Out!
An unusual sort of setting for tenor saxophonist Paul Jeffrey – an overlooked player from the east coast scene of the early 70s, and one who only cut a handful of records at the time! The date features Jack Wilkins on guitar, playing with these bright chromatic hues next to Jeffrey's sharper horn – a pairing that makes for an unusual sound, despite a familiar quartet setting – one that's even different from other matches of this nature, such as the work between Sonny Rollins and Jim Hall! Jeffrey's clearly got some bop roots here, but also opens up in other directions too – and the group features Thelonious Monk Jr on drums and Richard Davis on bass – on titles that include "Brand X", "Moon Madness", "Brand New Day", and "Minor Scene". CD
Also available Watershed ... LP

Possible matches5
CD, LP, Vinyl record album cover art
✨✧ Lorez AlexandriaAlexandria The Great ... LP
Impulse, 1964. Very Good Gatefold ... $19.99
A beautiful album from Lorez Alexanderia – one of her two excellent sessions for Impulse! The record was cut after Lorez recorded some great sides for the Argo label – and it works off the strength of those sides, taking her unique vocal approach, forged in R&B, but smoothed by jazz, into a whole new level of expression! The backing is great – small combo, with featured musicians who include Bunk Shank and Paul Horn on reeds, and Victor Feldman and Wynton Kelly on piano – all working with moody, soulful arrangements that are a perfect accompaniment to Lorez' beautiful voice. Includes the cuts "Get Me To The Church On Time", "Satin Doll", "Show Me", "The Best Is Yet to Come", "I'm Through With Love", and 5 more! LP, Vinyl record album
(Orange & black label mono pressing, with Van Gelder stamp.)

Possible matches6
CD, LP, Vinyl record album cover art
Tina BrooksBack To The Tracks ... CD
Blue Note, 1960. Used ... $6.99
One of those rare Blue Note sessions from tenorist Tina Brooks – originally recorded for the label in 1960, but never issued at the time – yet easily on a par with their more famous work of the period! Brooks' horn has a nice hard edge here – that sharp-edged modernism you'd hear with Jackie McLean, who makes a key appearance here on the album's famous "Street Singer" track. Jackie's not on the rest of the record, but that's fine with us – because other players are all equally great, and include Blue Mitchell on trumpet, Kenny Drew on piano, Paul Chambers on bass, and Art Taylor on drums. Apart from "Street Singer", other titles include "The Ruby & The Pearl", "Back To The Tracks", "For Heaven's Sake", and "The Blues & I". CD
(Out of print original pressing.)

Possible matches7
CD, LP, Vinyl record album cover art
Tina BrooksBack To The Tracks ... CD
Blue Note (Japan), 1960. New Copy ... $15.99
One of those rare Blue Note sessions from tenorist Tina Brooks – originally recorded for the label in 1960, but never issued at the time – yet easily on a par with their more famous work of the period! Brooks' horn has a nice hard edge here – that sharp-edged modernism you'd hear with Jackie McLean, who makes a key appearance here on the album's famous "Street Singer" track. Jackie's not on the rest of the record, but that's fine with us – because other players are all equally great, and include Blue Mitchell on trumpet, Kenny Drew on piano, Paul Chambers on bass, and Art Taylor on drums. Apart from "Street Singer", other titles include "The Ruby & The Pearl", "Back To The Tracks", "For Heaven's Sake", and "The Blues & I". CD
(SHM-CD pressing!)

Possible matches8
CD, LP, Vinyl record album cover art
John ColtraneAfrica/Brass/Coltrane Jazz ... CD
Impulse/Not Now, 1960/1961. Used 2CD ... $5.99
Quite a different album than usual for John Coltrane, but a classic one too – and a set that has the great one exploring his ideas in a set of longer tracks recorded with an expanded jazz orchestra! The format's hardly the mainstream big band of the time – as Coltrane's filled the group with very hip players – including Booker Little, Freddie Hubbard, Julian Priester, and Eric Dolphy – in addition to usual compatriots who include McCoy Tyner, Reggie Workman, and Elvin Jones. The tunes have a soaring, modal sort of pulse – one that's filled with color and light from the addition of the other horn players, but which still has plenty of space for extended, exploratory solos. Coltrane plays both tenor and soprano sax – and titles include the legendary 16 minute track "Africa", a classic reading of "Greensleeves", redone here as a modal searching spiritual track, and "Blues Minor". This 2 CD set also includes the album Coltrane Jazz. The title may be a simple one, but the record really marks a key point in John Coltrane's development – an embrace of the newer freedoms allowed to him at Atlantic Records, but in a way that's a bit more subtle than some of his other work for the label! At one level, the record moves at the same groove as Trane's later Prestige years – with rhythm mostly from Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – carving out some sharp lines for Coltrane to cascade over on tenor sax. Yet there's also a new sense of darkness here too – one that moves into edgier territory, and which isn't nearly as settled in as before. These qualities sneak out of both original numbers like "Harmonique", "Fifth House", and "Like Sonny" – as well as standards like "My Shining Hour" and "Little Old Lady". And they really come to the forefront on the classic "Village Blues" – the one track that features the new Coltrane group of McCoy Tyner, Steve Davis, and Elvin Jones! CD

Possible matches9
CD, LP, Vinyl record album cover art
David FriesenStar Dance ... LP
Inner City, 1976. Very Good+ ... $4.99
One of the more compelling sessions from the left side of the Inner City jazz label of the 70s – work that's partly fusion, but with plenty of aspects that push it far from the mainstream! Leader David Friesen plays acoustic bass on the set, but he's in a group with John Stowell on electric guitar, and the mighty Steve Gadd on drums – whose propulsive approach really drives the sound of the record strongly on some of the group numbers. Reedman Paul McCandless plays oboe and English horn, both unusual choices, but instruments that work well here – with an angularity that matches soprano sax usage in fusion during the 70s, although a bit warmer at times. Tracks are somewhat short, and include some really compelling solo numbers – recorded with a wonderfully round, soulful sound. Titles include "Winter's Fall", "Duet & Dialogue", "Mountain Streams", "A Little Child's Poem", "1 Rue Brey", "Star Dance", and "Children Of The Kingdom". LP, Vinyl record album
(Cover has light wear and a cut corner.)

Possible matches10
CD, LP, Vinyl record album cover art
Charlie HadenLiberation Music Orchestra (180 gram pressing – with download) ... LP
Impulse (Germany), 1969. New Copy Gatefold (reissue)... $22.99 24.98
One of the most beautiful albums that Charlie Haden ever recorded – and if he only ever appeared on one record in his life, we'd still love him tremendously for this one! The album has a feel that's very much in keeping with both the "liberation" and "orchestra" in the title – "liberation", in that the music is filled with inspiration from South American sources, and has a strongly political feel at times; and "orchestra" because the group here is somewhat large, and filled with a tremendous array of expressive players – including Gato Barbieri on tenor, Dewey Redman on alto and tenor, Don Cherry on cornet and flutes, Michael Mantler on trumpet, Roswell Rudd on trombone, Robert Northern on French horn, Paul Motian and Andrew Cyrille on percussion, Carla Bley on piano, and Perry Robinson on clarinet. Haden leads these disparate talents through a set of tremendously focused music – filled with as many ideas as it is with a sense of humanity and soul – all to brilliantly point the way forward for the new sound of Impulse Records in the years after Coltrane's death! Titles include the classic "Song For Che", plus Ornette's "War Orphans", Carla Bley's "The Interlude", and "Song Of The United Front", by Hans Eisler, and with words by Brecht! LP, Vinyl record album

Possible matches11
CD, LP, Vinyl record album cover art
Fred KatzZen – The Music Of Fred Katz ... LP
Pacific Jazz, 1957. Very Good- ... $14.99
An important early album of compositions by Fred Katz – recorded at the time when he was the cello player in Chico Hamilton's groundbreaking late 50s group! The tunes are distinctly more modern than even his work with Chico – and are played by Hamilton-esque players that include Paul Horn or Harry Klee on flute and saxes, Carson Smith on bass, John Pisano on guitar, and Chico himself on drums and tympani. There's some added strings and woodwinds on a number of tracks, and the tunes move between 50s chamber jazz and 50s chamber modern – with titles that include "Montuna", "Katz Up", "Loma", "Pluck It", "Lord Randall", and "Suite For Horn". LP, Vinyl record album
(Black label pressing with deep groove. Cover has a split top seam & old tape along the bottom seam.)

Possible matches12
CD, LP, Vinyl record album cover art
Les Jazz ModesLes Jazz Modes ... LP
Dawn, 1956. Near Mint- ... $28.99
A haunting bit of jazz by one of the most unique groups in the business. Charlie Rouse's tenor is great, and sounds quite different than on his recordings with Monk. Gildo Mahones plays piano, and he really hits some nice moody lines that don't ever show up on his records with Lambert, Hendricks, and Ross. Julius Watkins is on french horn and Paul Chambers and Ron Jefferson round out the rhythm section, and the group is augmented here with hart and soprano voice. Includes "Strange Tale", "Garden Delights", "Idle Evening", "Blue Modes", and "Town & Country". LP, Vinyl record album
(Japanese pressing, with obi! Back of obi has a light crinkle, and cover has some very light aging – but this is a great copy overall.)

Possible matches13
CD, LP, Vinyl record album cover art
✨✧ Jackie McLeanMcLean's Scene (UK Xtra pressing) ... LP
New Jazz/Xtra (UK), Late 50s. Very Good+ ... $14.99
McLean's Scene is a strong one – as the young Jackie is really coming into his own at the time of the session, blowing and growing with a soulful command of the alto sax that would emerge even more strongly in the 60s. The album's got McLean working in a slightly open-ended way – almost a blowing session, but a bit more controlled – yet in that relaxed style that always seemed to get the most sharpness out of Jackie's horn at the time. Other players include Bill Hardman on trumpet, Mal Waldron or Red Garland on piano, Paul Chambers or Arthur Phipps on bass, and Art Taylor on drums. Titles include "Gone With the Wind", "Our Love Is Here to Stay", "Old Folks", "Outburst", "Mean To Me", and "McLean's Scene". LP, Vinyl record album
(Cover is stained on the bottom half.)

Possible matches14
CD, LP, Vinyl record album cover art
✨✧ David MurrayDavid Murray Big Band ... CD
DIW/Columbia, 1991. Used ... Just Sold Out!
Murray's fronting a big band led by Butch Morris – a group that sounds a lot better to our ears than most of Morris' own larger groups of the time, possibly because of the style of the recording. The tracks shift mood, tone, and approach with each number – working out references to some spiritual leaders, and forging new ground on a few of the more adventurous numbers. Murray's horn is in the lead mostly – but the interplay with the rest of the group is pretty incredible at times. Players include Fred Hopkins, Sonelius Smith, James Spaulding, John Purcell, Craig Harris, Vincent Chaney, and Don Byron – and titles include "Istanbul", "Lovejoy", "Calling Steve McCall", "Paul Gonsalves", and "Lester". CD
(Out of print.)

Possible matches15
CD, LP, Vinyl record album cover art
OregonEcotopia ... CD
ECM, 1987. Used ... $4.99
A sound that we can only describe as Oregon – not the state, but the group – heard here in their unique 80s blend of acoustic and electric styles! There's a compelling blend of organic elements and more abstracted moments going on here – instrumentation that's folded into itself via ECM production, with a resulting sound that's sparklingly unique – and never in any of the too-commercial modes you might find from other sessions like this in the 80s. Players include Trilok Gurtu on tabla and percussion; Ralph Towner on guitars, pianos, and synth; Glen Moore on bass; and Paul McCandless on oboe, English Horn, soprano sax, and "wind driven synthesizers" – which sound mighty cool! Titles include "Twice Around The Sun", "Innocente", "WBAI", "Ecotopia", and "Leather Cats". CD
(CD case has a cutout hole.)

Possible matches16
CD, LP, Vinyl record album cover art
✨✧ OregonMusic Of Another Present Era ... LP
Vanguard, 1972. Very Good ... $9.99
A seminal blend of folk roots and jazz improvisation – with Ralph Towner on guitar, Collin Walcott on sitar, oboe and horn from Paul McCandless, and bass and flute from Glen Moore. Titles include "North Star", "Children Of God", "Naiads", "Shard", "Bell Spirit", and "The Swan". LP, Vinyl record album

Possible matches17
CD, LP, Vinyl record album cover art
Art PepperArt Pepper Meets The Rhythm Section ... CD
Contemporary (Japan), 1957. Used ... $11.99
One of Art Pepper's classic recordings, in which he plays with a spare quartet backing by Miles Davis' rhythm section at the time – Paul Chambers, Red Garland, and Philly Joe Jones. An essential "east meets west" jazz recording, with Art at the top of his game, playing in a unique setting for the first and only time (it's said that Art didn't even know of the date until the morning of the session). Pepper is one of the few alto players to really establish his own voice on the horn, without aping Bird, and his emotive playing really shines here. A definitive version of "Straight Life" is on this album, along with "Waltz Me Blues", "You'd Be So Nice To Come Home To". and "Star Eyes". CD
(Out of print.)
Also available Art Pepper Meets The Rhythm Section ... LP 149.99

Possible matches18
CD, LP, Vinyl record album cover art
Art PepperArt Pepper Meets The Rhythm Section ... LP
Contemporary, 1957. Very Good ... $149.99
One of Art Pepper's classic recordings, in which he plays with a spare quartet backing by Miles Davis' rhythm section at the time – Paul Chambers, Red Garland, and Philly Joe Jones. An essential East meets West jazz recording, with Art at the top of his game, playing in a unique setting for the first and only time (it's said that Art didn't even know of the date until the morning of the session). Pepper is one of the few alto players to really establish his own voice on the horn, without aping Bird, and his emotive playing really shines here. A definitive version of "Straight Life" is on this album, along with "Waltz Me Blues", "You'd Be So Nice To Come Home To" and "Star Eyes". LP, Vinyl record album
(Original mono deep groove pressing. Vinyl has a mark that clicks on "Imagination".)
Also available Art Pepper Meets The Rhythm Section ... CD 11.99

Possible matches19
CD, LP, Vinyl record album cover art
Quartetto ModernoEcco! ... CD
Schema (Italy), 1999. New Copy ... $11.99
One of the most beautiful jazz recordings we've heard in a long time! Italy's Quartetto Moderno is a vibes-led combo with a classic modal feel – similar to Bobby Hutcherson's pre-new thing years on Blue Note, or some of the early Roy Ayers & Jack Wilson recordings from LA. The sound is extremely captivating, and the main frontline of vibes and piano is augmented on a number of tracks by flute and alto. The set's got a great cover of Paul Horn's lost modal groover "Mr. Bond", plus loads of great originals, like "Giovani D'Oggi", "Il Gioco Delle Parti", "Astro Gange", and "Moderns Dilemma". Very nice stuff, and with a sound and feel that's far more sophisticated than some of the other titles on Schema! CD

Possible matches20
CD, LP, Vinyl record album cover art
Louis SmithSmithville ... LP
Blue Note, 1957. Very Good+ ... $39.99
A really hard-edged set from trumpeter Louis Smith – one of his only two albums as a leader from the early years, and a heck of a great little album, thanks to tenor work by Charlie Rouse! Rouse is blowing beautifully here in one of his classic pre-Monk appearances – recorded at a time when he was more of a hard bopper than a modernist, but still working with an ear for unusual tones and phrasing. His horn sounds beautiful next to the deeply soulful trumpet of Smith – and the pair are supported by a rhythm team that includes Sonny Clark on piano, Paul Chambers on bass, and Art Taylor on drums. Titles include "Smithville", "Embraceable You", "Wetu", and "Later" – all done in nice long versions! LP, Vinyl record album
(UA pressing.)

Possible matches21
CD, LP, Vinyl record album cover art
Cal TjaderCal Tjader Plays The Contemporary Music Of Mexico & Brazil ... CD
Verve, 1962. Used ... $5.99
A groovy 60s session from vibist Cal Tjader – and an excellent little Latin set, with a mixture of bossa nova and Latin jazz that goes way beyond the promise of the title! The great Clare Fischer arranged the set – and if you know his work with Cal, you know that he's got a wonderful approach to jazz that works perfectly with Tjader's unique phrasing – a spacious sensibility, and a great sense of timing – one that always ensures the tunes sparkle with a sweetly stepping groove. Fischer plays piano on the record – and other players include Laurindo Almeida on guitar, Paul Horn on reeds, Johnny Rae on timbales, and Milt Holland on percussion. Titles include "Choro E Batuque", "Nao Diga Nada", "Elizete", "Imagen", "Vai Querer", and "Que Tristeza". CD

Possible matches22
CD, LP, Vinyl record album cover art
✨✧ Cal TjaderConcert By The Sea Vol 2 ... LP
Fantasy, 1959. Very Good+ ... $9.99
The crashing waves of the Pacific coast hardly seem like the serene setting you might want for the vibes of Cal Tjader – but this album works surprisingly well, and offers up Cal's combo in a Monterey live date, before the jazz festival really got going strong! The group's one that matches his best early albums for Fantasy – piano from Lonnie Hewitt, soulful bass from Al McKibbon, and some great Latin percussion from Mongo Santamaria and Willie Bobo! Paul Horn also joins the group on flute – blowing with lyrical lines that fit the sound wonderfully, adding a whole new dimension to the music. Many tracks are longer than usual for the Fantasy years – and titles include "Tumbao", "SS Groove", "Tu Crees Que", "Love Me Or Leave Me", and "Bess You Is My Woman". LP, Vinyl record album
(Blue label pressing, on blue vinyl! Cover has light wear.)
 
Partial matches: 30

Partial matches41
CD, LP, Vinyl record album cover art
✨✧ Paul Desmond & Gerry MulliganTwo Of A Mind ... CD
RCA, 1962. Used ... Temporarily Out Of Stock
A reunion of sorts for Paul Desmond and Gerry Mulligan – given that the pair had played together on record 5 years before, in a similar session for Verve! This album's almost lighter and more airy than the previous one – as it's done in a mode that echoes strongly with Desmond's own genius at RCA at the time – using a piano-less quartet format that has both horns carving out their own subtle space in sound, hanging together, but each occupying a different range of tonal color. The tracks are relatively longish, and the pair dart around each other nicely on tracks like "All The Things You Are", "Out Of Nowhere", "Blight Of The Fumble Bee", and "Two Of A Mind". CD
(Out of print.)

Partial matches42
CD, LP, Vinyl record album cover art
✨✧ Paul Desmond & Gerry MulliganTwo Of A Mind ... LP
RCA, 1962. Used ... Temporarily Out Of Stock
A reunion of sorts for Paul Desmond and Gerry Mulligan – given that the pair had played together on record 5 years before, in a similar session for Verve! This album's almost lighter and more airy than the previous one – as it's done in a mode that echoes strongly with Desmond's own genius at RCA at the time – using a piano-less quartet format that has both horns carving out their own subtle space in sound, hanging together, but each occupying a different range of tonal color. The tracks are relatively longish, and the pair dart around each other nicely on tracks like "All The Things You Are", "Out Of Nowhere", "Blight Of The Fumble Bee", and "Two Of A Mind". LP, Vinyl record album
(Black label mono pressing with deep groove. Cover has light wear.)

Partial matches43
CD, LP, Vinyl record album cover art
✨✧ Tom ScottTom Scott & The LA Express – Live At Paul's Mall, Boston 1975 ... CD
Hi Hat, 1975. New Copy ... Out Of Stock
Saxophonist Tom Scott, caught live at one of the highest points in his career – a time when he'd already given the world some great albums, loads of session work, and even some soundtrack moments too! The group's Scott's classic LA Express – with a lineup that includes Robben Ford on guitar, Larry Nash on piano, Max Bennett on bass, and John Guerin on drums – working in an angular approach to electric jazz that really seems to show off Tom's chops on his horns! And yes, Scott did cut some smoother material in the 70s, but this set's got a very sharp edge – and feels more CTI than some of his studio records to follow. Titles include "Spindrift", "Nunya", "Mondo", "Refried", "LA Expression", "Love Poem", and "Rock Island Rocket". CD

Partial matches44
CD, LP, Vinyl record album cover art
✨✧ John ColtraneSoultrane (Japanese pressing) ... CD
Prestige (Japan), 1958. Used ... $12.99
A bold early statement from a young John Coltrane – and an album that really has him expanding his talents as a tenor soloist! Coltrane's working here in open-ended quartet format – with backing from the Red Garland trio that includes Paul Chambers and Art Taylor – on a set of longer tunes that really let the young Trane stretch out on his solos, unobstructed by any other horns in the lineup. There's a nice mix of hardbop ideals, gentle ballads, and personal soul to the set – and titles include Coltrane's classic reading of Tadd Dameron's "Good Bait", plus "I Want To Talk About You", "Russian Lullaby", and "Theme For Ernie". CD

Partial matches45
CD, LP, Vinyl record album cover art
Herbie Hancock5 Original Albums (Takin Off/My Point Of View/Inventions & Dimensions/Speak Like A Child/The Prisoner) (5CD set) ... CD
Blue Note (Germany), Mid 60s. New Copy 5CD ... $21.99
The early genius of Herbie Hancock – perfectly summed up here in five classic albums for Blue Note – each presented in a tiny LP-styled sleeve! Takin Off has Herbie Hancock stepping into the limelight with an excellent batch of soul jazz tunes, including the first recording of his classic "Watermelon Man", the one track that probably put all his kids through school! Although that one went on to become a standard within a few short years in 60s jazz, it still sounds great here in the original – a very fresh take on the sound of soul jazz in the 60s – offered up here in a 7 minute version that has more sharp soloing than most other takes on the tune! The group here is great too – with Dexter Gordon on tenor, Freddie Hubbard on trumpet, Butch Warren on bass, and Billy Higgins on drums – and the tracks are all also originals by a young Herbie – including "Watermelon Man", "The Maze", "Driftin", "Three Bags Full", "Alone & I", and "Empty Pockets". My Point Of View is a great mix of soul jazz and modernism! The record include a nice groovy "hit", Herbie's "Blind Man, Blind Man" – an obvious follow-up to "Watermelon Man", but still a standout track with a lot of imagination, and a fierce soul jazz hook that just won't quit! The rest of the record, while still groovy, also shows much more signs of Herbie's far-reaching conception – especially shared with players like Tony Williams, Grachan Moncur, Chuck Israels, and Grant Green – all of whom work with Herbie, Donald Byrd, and Hank Mobley – in a larger than usual group that makes for a really great sound! Titles include "A Tribute To Someone", "King Cobra", and "The Pleasure Is Mine". Inventions & Dimensions is really unique little record from Herbie Hancock – one that's almost completely improvised over Latin percussion! The setup is quite spare – and quite different than Herbie's other Blue Note work – and the group features improvised backgrounds by bassist Paul Chambers and 2 Latin percussionists, Willie Bobo and Osvaldo "Chihuahau" Martinez. Herbie only wrote simple sketches for the songs on the album, and most of the work on the tracks was done live, spontaneously, in the studio – creating a very free groove that never goes too far out, but which is far more adventurous than usual. All tracks are long, and titles include "Succotash", "Triangle", and "Mimosa". Speak Like A Child is an oft-overlooked session that has Herbie mixing a nice dose of lyricism into his usual soul jazz approach from the 60s! The sound's a bit farther-reaching than on some of Herbie's smaller group sessions – and the record features a sextet that includes Ron Carter, Mickey Roker, Jerry Dodgion, Thad Jones, and Peter Phillips – all soaring with the warmth and introspection that was showing up in some of the best Blue Notes from the time. The harder-hitting soul jazz riffs and hooks are nicely replaced by more thoughtful lines that get a bit deeper, soufully – and nearly all tracks on the set are originals by Hancock! The album's filled with great moments – and tracks include "The Sorcerer", "Riot", and "Goodbye To Childhood". Last up is The Prisoner – a nice late Blue Note change from Herbie Hancock – a very different album than his previous sets for the label – in that it features a slightly larger group, and a sound that really points the way towards his directions in the 70s! There's a slightly ambitious feel to some of these cuts – not in a way that's over-arranged, but just a new sort of thinking for Herbie's kind of groove – a mode that's partially informed by the seriousness of 60s jazz soundtracks, but which also has the beginnings of some more righteous modes of expression too. Players are all great – and include Joe Henderson on tenor and flute, Johnny Coles on flugelhorn, Garnett Brown on trombone, Hubert Laws on flute, Jerome Richardson on bass clarinet, Buster Williams on bass, and Tootie Heath on drums. Herbie plays both acoustic and electric piano – using the latter here in one of his first recordings on the instrument – and titles include "Firewater", "I Have A Dream", "The Prisoner", and "He Who Lives In Fear". CD

Partial matches46
CD, LP, Vinyl record album cover art
Ennio MorriconePeur Sur La Ville ... CD
Warner/Music Box (France), 1975. New Copy ... $22.99
A great Morricone soundtrack for a Jean-Paul Belmondo thriller – a score that starts out spare and brooding, then builds nicely as things move on – with lots of cool bottom-end sounds that make the whole thing really move up from the depths! Some tunes echo the sweeter side of Morricone, while others are a bit more brooding – and instrumentation includes some of the same offbeat piano you'd hear in The Burglars, plus light guitar, weird-tuned horns, and other nice bits that are sometimes abstracted beyond recognition! Titles include "Consideration Sur Un Homicide", "Paris Secret", "Defense De Stationner" and "Mannequins". CD features lots of bonus tracks – with a total of 75 minutes of music – more than we've ever seen for this one! CD
(Limited edition of 500!)

Partial matches47
CD, LP, Vinyl record album cover art
Os GatosAquele Som Dos Gatos ... CD
Mercury (Brazil), 1965. Used ... $11.99
One of the most legendary groups from the bossa era in Brazil – a combo of incredible players, working with sublime arrangements by Eumir Deodato – all in a sound that hardly been matched again! The group only ever recorded two albums, but they've had a lasting impact on the sound of bossa for years to come – thanks to an expansive vision that brings together spare rhythms, jazz soloing, and larger strings – all with a quality that's lighter than air – almost a sum that's far less than the total of its elements – but in a really great way! The sense of spareness and poise here is really amazing – years ahead of Deodato's better-known US arrangements in the late 60s, and somehow even more impressive here. Players include Paulo Moura on alto sax, Neco on guitar, Meirelles on flute, Wilson Das Neves on drums, and Mauricio Einhorn on harmonica – and some tracks also feature a bit of light vocals floating along gently, almost as instruments themselves. Titles include "Aqua De Beber", "Clichet", "Feitinha Pro Poeta", "E Nada Mais", "Blue Set", and "Silk Stop". CD
(Out of print.)

Partial matches48
CD, LP, Vinyl record album cover art
Bud PowellComplete Blue Note & Roost Recordings (4CD box set) ... CD
Blue Note, Late 40s/1950s/Early 60s. Used 4 CDs ... $24.99
A wealth of classic work from Bud Powell – his complete recordings for both the Blue Note and Roost label – served up in a mighty 4CD set! The package begins with early 78rpm sides from the late 40s, then moves into material from full albums in the 50s – and ends with one track from 1963. As with most Powell recordings from the time, much of the material is recorded with a trio – players like Paul Chambers, Sam Jones, or Curley Russell on bass – and drummers who include Art Taylor, Max Roach, and Roy Haynes. A few sides feature added horns from Fats Navarro on trumpet and Sonny Rollins on tenor – and the set features a total of 75 tracks in all, plus a 40 page booklet of notes. CD
(Out of print, outer box has some light edgewear.)

Partial matches49
CD, LP, Vinyl record album cover art
Pharoah SandersKarma ... LP
Impulse, 1969. Near Mint- ... $34.99
Quite possibly the best-remembered album from Pharoah Sanders' legendary run at Impulse Records – a set that crossed over big, and sold to countless folks who might not have bought a jazz album this hip otherwise! The record was Sanders' first in the wake of Coltrane's passing – and it's a beautiful extended suite of tracks that flows with a sense of grace, power, and majesty that's simply breathtaking – a new level of expression in spiritual jazz – and virtually the blueprint for an entire generation to come! The album features the classic track "The Creator Has a Master Plan" – spanning a tremendous amount of space and time – and featuring Leon Thomas' classic vocals on the lyrics! Thomas also returns on the cut "Colors", which is a bit more outside, and quite free overall – and other players on the date include Lonnie Liston Smith on piano, James Spaulding on flute, Julius Watkins on French horn, Ron Carter and Richard Davis on bass, and Freddie Waits and Billy Hart on drums. LP, Vinyl record album
(Late 80s MCA pressing. Cover has light wear, a few creases, and a promo stamp.)

Partial matches50
CD, LP, Vinyl record album cover art
Spontaneous Music EnsembleChallenge 1966 to 1967 ... CD
Eyemark/Emanem (UK), 1966/1967. New Copy ... $16.99 19.99
Amazing free jazz from the British scene of the mid 60s – some of the earliest rumblings of genius from the Spontaneous Music Ensemble – already working here at a level that matches the avant energy happening both in the US and on the larger European scene! Core interplay here comes from Paul Rutherford on trombone, John Stevens on drums, and Trevor Watts on alto sax – three well-matched and familiar players who are able to improvise at a level that's quite mature, especially for the time – let loose, but never without a sense of direction – and given great help on most tracks by Kenny Wheeler on flugelhorn, plus a bit of bass from either Jeff Clyne or Bruce Cale. The whole thing's amazing – really bridging a modern world of Ornette Coleman and Joe Harriott with some of the later FMP-styled sounds that would come from the continent – and titles include "ED's Message", "2B Ornette", "Day Of Reckoning", "Travelling Together", "Club 66", and "After Listening". CD features the unissued "End To A Beginning" – plus the bonus 15 minute "Distant Little Soil", by a group that has Evan Parker on soprano sax and Chris Cambridge on bass, working with Watts and Stevens. CD

Partial matches51
CD, LP, Vinyl record album cover art
Super Spanish Combo/Banda JardesBugiganga Tropical Vol 1 – Mataron A Juan Andres/Grilos Da Vida ... 7-inch
Tropical Diaspora (Germany), 1976/2016. New Copy (pic cover)... $11.99
A pair of boundary busting tunes steeped in tropical rhythms – one a rare Brazilian samba psych groover from 1976 – the other an Afro Latin and hip hop inspired jam from 2016! "Grilos Da Vida" by Sao Paulo's Banda Jardes is the vintage cut, kicking off with sweet organ and a soulful guitar groove and catchy bassline before some easygoing lead and backing vocals come in. The other side is a 2016 jam by Super Spanish Combo, a pretty great little melting pot Afro Latin soul – with really nice percussion and horns – with vocals that work in that mode, but also some skillful rap. 7-inch, Vinyl record

Partial matches52
CD, LP, Vinyl record album cover art
✨✧ VariousWith A Song In My Heart – The Songs Of Rodgers & Hart ... CD
Living Era, Mid 20s/1930s/1940s. Used ... Just Sold Out!
Includes tracks by Paul Whiteman, Jessie Matthews, Frank Sinatra, Bing Crosby, Ruth Etting, Lena Horne, Benny Goodman, Doris Day, and Ben Selvin. CD
(Out of print.)

Partial matches53
CD, LP, Vinyl record album cover art
✨✧ Jimmy HamiltonSwing Low Sweet Clarinet ... CD
Fresh Sound (Spain), 1960. Used ... Temporarily Out Of Stock
Sweet clarinet work from this longtime Ellington sideman – working here in an octet with other Ellingtonians that include Paul Gonsalves and Aaron Bell! The sound is nicely swinging, with a real focus on Hamilton's tone – and the group's got a brace of baritone horns that provide a strong bottom sound, over which Hamilton's clarinet floats nicely. Titles include "Tempo De Brazilia", "I've Got The World On A String", "Taj Mahal", "I Didn't Know About You", and "Blue Room". CD
(Out of print.)

Partial matches54
CD, LP, Vinyl record album cover art
✨✧ Charles KynardWoga ... CD
Mainstream/Solid (Japan), 1972. New Copy ... Just Sold Out!
Sweet organ lines, heavy drums, and a great little groove throughout – a tight batch of groovers from the mighty Charles Kynard! The keyboardist is in fine 70s form here – stepping away from the sparer sound of his albums for Prestige with a fuller style for Mainstream Records – in a groove that's almost part blacksploitation funk, thanks to some sharp backings from arranger Richard Fritz! The mighty Paul Humphrey is at the bottom of the set on nicely funky drums – and other players include Arthur Adams on guitar, Chuck Rainey on bass, and some great additional horns, which give the record a larger jazzy finish, but never get in the way of Kynard's lean, mean organ lines. There's a great version of "Rock Steady" on the album, one that has a great funky intro – plus the cuts "Shout", "Lime Twig", "Slop Jar", "Name The Missing Word", "Little Ghetto Boy", and "Hot Sauce". CD

Partial matches55
CD, LP, Vinyl record album cover art
✨✧ Pharoah SandersKarma (180 gram pressing – with download) ... LP
Impulse (Germany), 1969. New Copy Gatefold (reissue)... Temporarily Out Of Stock
Quite possibly the best-remembered album from Pharoah Sanders' legendary run at Impulse Records – a set that crossed over big, and sold to countless folks who might not have bought a jazz album this hip otherwise! The record was Sanders' first in the wake of Coltrane's passing – and it's a beautiful extended suite of tracks that flows with a sense of grace, power, and majesty that's simply breathtaking – a new level of expression in spiritual jazz – and virtually the blueprint for an entire generation to come! The album features the classic track "The Creator Has a Master Plan" – spanning a tremendous amount of space and time – and featuring Leon Thomas' classic vocals on the lyrics! Thomas also returns on the cut "Colors", which is a bit more outside, and quite free overall – and other players on the date include Lonnie Liston Smith on piano, James Spaulding on flute, Julius Watkins on French horn, Ron Carter and Richard Davis on bass, and Freddie Waits and Billy Hart on drums. LP, Vinyl record album
Also available Karma ... LP 34.99

Partial matches56
CD, LP, Vinyl record album cover art
✨✧ Peter KowaldPeter Kowald Quintet ... LP
FMP/Cien Fuegos (Austria), 1972. New Copy (reissue)... Out Of Stock
An early moment of brilliance as a leader for bassist Peter Kowald – and maybe a record of his that matches the early FMP albums of Peter Brotzmann for sheer, raw intensity! There's almost a Machine Gun-like power here – as the group comes on with all the amazing energy that the early European free jazz scene had to offer – that moment when music like this was as much a force in politics and the larger cultural world as it was in jazz – with Kowald at the head of a group that also features Gunter Christmann and Paul Rutherford on trombones, Peter Van De Locht on alto, and Paul Lovens on drums. The trombones alone are worth the price of admission – and Kowald sometimes joins in on tuba and alphorn – on improvisations that include "Pavement Bolognaise", "Guete Luuni", "Platte Talloere", and "Wenn Wir Kehlkopfoperierte Uns Unterhalten". LP, Vinyl record album

Partial matches57
CD, LP, Vinyl record album cover art
✨✧ Neil LarsenHigh Gear ... CD
A&M/Universal (Japan), 1979. New Copy ... Out Of Stock
Great work from Neil Larsen – a keyboardist who doesn't always get his due in the hipper sides of the jazz spectrum, but who sounds mighty nice on this solo album for A&M! The set's got Neil's keyboards very firmly in the lead, and also features lots of fuzzy guitar from Buzz Feiten – a player who has the same laidback groove as Larsen – and the record group gets some nice rhythmic help from the mighty Steve Gadd on drums and Paulinho Da Costa on percussion. There's a bit of horns on the set – courtesy of Michael Brecker on tenor and Joe Farrell on flute – and one track features a bit of backing vocals. Nick De Caro did Arp arrangements – and titles include "Nile Crescent", "Rio Este", "Night Letter", "Futurama", and "Demonette". CD
(SHM-CD pressing!)

Partial matches58
CD, LP, Vinyl record album cover art
✨✧ Claudia ThompsonGoodbye To Love (colored vinyl pressing) ... LP
Edison/Modern Harmonic, 1959. New Copy (reissue)... Out Of Stock
Spare vocals and light guitar – an approach that's quite similar to the late 50s Liberty work of Julie London – and which features vocalist Claudio Thompson singing to great accompaniment from guitarist Barney Kessel! The style here is moody and mellow – not nearly as romantic as you might guess from the cover, and with some great dark undercurrents that really help keep the album interesting throughout. As proved by his Liberty work with London, Barney's a great talent for such a date – and plays here in small groups that feature Ted Nash on flute or alto, Benny Carter on alto, Paul Smith or Arnold Ross on piano, and Red Mitchell on bass. A few tunes feature some light added horns, but a few more feature only guitar and bass – making for an especially spare and intimate sound. Titles include "I'm Through With Love", "The Morning After", "Goodbye", "You Call It Madness", "Fan Me", "I Was Yours", and "Gloomy Sunday". LP, Vinyl record album

Partial matches59
CD, LP, Vinyl record album cover art
Miles Davis5 Original Albums (Miles Davis & Horns/Collectors Items/Blue Haze/Walkin/Steamin) (5CD set) ... CD
Prestige/Universal (Germany), Late 50s/Early 60s. New Copy 5CD ... $18.99
5 classic Miles Davis albums from the 50s – all packaged together in tiny LP-styled sleeves! First up is Miles Davis & Horns – a batch of all-star sessions that has him playing with some really tremendous contemporaries! The set compiles early Miles Davis sides from two different Prestige sessions of the early 50s – material originally issued as 10 inch LPs, but brought together here in a very cool full length package with a cover image by Mad Magazine's Don Martin! Side one features Miles with a sextet that includes Sonny Rollins, Bennie Green, John Lewis, Percy Heath, and Roy Haynes – on the tracks "Morpheus", "Down", "Blue Room", and "Whispering" – all taken in a boppish mode, but with slight modern touches. Side two features the compositions of Al Cohn – "Tasty Pudding", "Floppy", "Willie The Wailer", and "For Adults Only" – played by a septet that features Cohn, Zoot Sims, John Lewis, Kenny Clarke, Leonard Gaskin, and Sonny Truitt – a very nice match to the sound of side one, and a surprisingly unified record overall! Next is a set of Collectors Items that Miles Davis recorded for Prestige in the 50s – both dates that were too short to be issued as albums by themselves, combined here into one full length record! The first batch of material is from 1953 – and features Davis working with Sonny Rollins and Charlie Parker (playing here under his "Charlie Chan" session name) – all in a mode that steps off a bit from the boppishness of Davis' Blue Note recordings. Titles include 2 takes of "Serpent's Tooth", plus "Round Midnight" and "Compulsion". The second half of the record is from 3 year later, 1956 – and again features Rollins, plus Tommy Flanagan on piano, Paul Chambers on bass, and Art Taylor on drums. Tracks are a bit longer and more mature in the Davis idiom – and titles include "In Your Own Sweet Way", "Vierd Blues", and "No Line". Blue Haze is an early full-length album issued under Miles Davis' name – one that brings together some earlier 10" and single recordings for Prestige! The feel here is quite similar to Davis' work of the time for Blue Note – done with tracks that are short and tight, and very boppish – less of the glistening Davis style of later years, but still quite strongly voiced nonetheless. Players include Horace Silver on piano on most tracks, plus a bit of keys from John Lewis – and one track even features Charles Mingus on piano! Other players on the sessions include Art Blakey, Max Roach, or Kenny Clarke on drums – plus Percy Heath on bass, and a bit of alto from Davey Schildkraut. Titles include "I'll Remember April", "Old Devil Moon", "Tune Up", "Miles Ahead", "Four", and "Smooch". Walkin is as classic an early album by Miles Davis as you can find – truly filled with the "all star" players billed in the title, and a session that has the sharpness of Davis' bop work for Blue Note, yet also lets him stretch out in a slightly more relaxed format! The album features Miles trumpet with 2 different groups – one a sextet with Horace Silver, JJ Johnson, and Lucky Thompson; the other a quintet with Silver and the obscure altoist Davey Schildkraut! Tracks are long, with lots of solo room – and titles include his classic takes on "Walkin", "Blue N Boogie", and "Solar" – plus versions of "You Don't Know What Love Is" and "Love Me Or Leave Me". Steamin is an early pairing of Miles Davis & John Coltrane – one of the duo's mid 50s classics for Prestige, as you might guess from the verb in the title! And although "Steamin" might be a word that's a bit too firey to describe the action going on here, the album's got a tremendous sense of presence throughout – as Davis' cooler trumpet is matched with Trane's earthier solo work – all supported by Red Garland trio backing in a style that's as near-classic as it comes for 50s jazz. Titles include "Diane", "Something I Dreamed Last Night", "When I Fall In Love", and "Salt Peanuts". CD
 
 
 



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