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Paul Desmond with Jim Hall Edit search

 
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Exact matches: 2
Exact matches1
CD, LP, Vinyl record album cover art
✨✧ Paul Desmond with Jim HallEasy Living ... LP
RCA, 1966. Good+ ... Just Sold Out!
Paul Desmond doesn't get any better than this – blowing his icy cool alto next to warm guitar lines from the mighty Jim Hall – a classic RCA Records pairing in jazz, heard to great effect on this classic album! There's a slight bossa groove to some of the rhythms, which is great for Desmond's sound – and the backing is also free of piano, so the guitar and alto hang together wonderfully by themselves – suspended in space, dipping and turning around each other beautifully! The pair get some very light rhythmic accompaniment from Connie Kay on drums, and either Percy Heath or Gene Wright on bass – on titles that include "That Old Feeling", "Easy Living", "Blues For Fun", "Polka Dots & Moonbeams", and "When Joanna Loved Me". LP, Vinyl record album
(Black label stereo pressing with deep groove. Cover has some wear and aged tape along all seams.)

Exact matches2
CD, LP, Vinyl record album cover art
✨✧ Paul Desmond with Jim HallComplete Recordings Of Paul Desmond With Jim Hall (4CD set) ... CD
Mosaic, Early 60s. Used 4CDs ... Temporarily Out Of Stock
Ahhh . . . The genius of Paul Desmond and Jim Hall! Desmond was the icy alto tone behind Dave Brubeck's legendary quartet of the late 50s and early 60s – and although we always liked his work with Dave, Paul's even better on his own! Desmond has a lanquid, lyrical tones that's simply beyond compare – and in the right setting, he crafts these snaking, inching, arcing lines that take the alto sax to a whole new level of expression. In these sides with guitarist Jim Hall, he's certainly in the right setting – as modernist Hall, fresh from work with the Jimmy Guiffre 3, really helps set the mode on these recordings, painting colors with a subtle brush, filling in spaces ever so gently as Desmond angles his way around tunes that have an increasingly Latin bent to them. The first album in the set features tracks from Desmond's rare 1959 Warner Brothers album , plus an obscure tune ("Susie") that was only ever issued on a 1959 Playboy compilation. The remaining 5 LPs feature tracks from Desmond's sublime RCA sessions from the early 60s - sparely recorded with only bass and drums behind work by him and Hall. Titles include "All Across The City", "East Of The Sun", "Greensleeves", "Rude Old Man", "Samba Cantina", "Two Degrees East, Three Degrees West", "Samba De Orfeu", and loads more. CD
(Out of print. Does not include box or book – only the CDs.)
 
Possible matches: 2
Possible matches3
CD, LP, Vinyl record album cover art
✨✧ Paul DesmondBossa Antigua (with bonus tracks) ... CD
RCA, 1965. New Copy ... Temporarily Out Of Stock
The team of Paul Desmond and Jim Hall was one of the best ideas ever forged in American jazz of the 60s – and the icy pair are perfect company together on this album of bossa-inflected tracks with a very cool edge! The album allows Desmond's alto to take on a warmth and flowing quality it never had in the Dave Brubeck group – and Hall's guitar work, while a masterpiece of understatement, brings in just the right amount of ringing tone to echo out the brilliance of Desmond's ideas. Gene Wright and Connie Kay complete the group, and titles include "O Gato", "Samba Cantina", "Girl From East 9th", "Ship Without A Sail", and "Bossa Antigua". Plus, this excellent CD reissue features 2 bonus tracks – the groovy "Samba Cepeda" and an alternate take of "O Gato". CD

Possible matches4
CD, LP, Vinyl record album cover art
✨✧ Paul DesmondTake Ten (plus bonus tracks) ... CD
RCA, 1963. New Copy ... Out Of Stock
That's "Take Ten", not "Take Five" – a great title cut that echoes Paul Desmond's previous work with Dave Brubeck – but which then gives way quickly to some sweet bossa-styled grooves done with guitar from Jim Hall! The album's one of the strongest of the Hall/Desmond collaborations for RCA – A sublime showcase not just for Paul's impeccable alto, but also for the amazing tones and chromes that fly freely from the strings of Jim's guitar! Both players are set up with just a bit of gentle backing – light percussion from Connie Kay, and a bit of bass from Gene Cherico or Gene Wright. The whole thing's a well-conceived study in economy, as the two players craft sly and subtle lines around spare drum and bass backings – slowly hanging sound in space to weave a rich web of sound that's as compelling as it seems to be effortless! Titles include "Take Ten", "El Prince", "Embarcadero", "Samba De Orfeu", "Theme From Black Orpheus", and "Alone Together". CD also features alternate takes of "Embarcadero" and "El Prince". CD
 
 
 



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