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Exact matches: 12
Exact matches1
CD, LP, Vinyl record album cover art
✨✧ Chet Baker & Paul BleyDiane ... LP
Steeplechase (Denmark), 1985. Near Mint- ... $34.99
A really compelling mix of talents – just the piano of Paul Bley alongside the trumpet of Chet Baker! Chet sings on one track, but most of the set is instrumental. LP, Vinyl record album

Exact matches2
CD, LP, Vinyl record album cover art
Paul BleyBremen 66 ... CD
Hi Hat, New Copy ... About April 20, 2018
... CD

Exact matches3
CD, LP, Vinyl record album cover art
Paul BleyImprovisie ... LP
America/Bamboo (France), 1972. New Copy ... $23.99
Incredible work from Paul Bley – and a record that captures him in his excellent electric period, working in a different setting than we've heard him elsewhere! The group on the set is a trio – one that matches Bley's work on electric piano and synthesizer with percussion from Han Bennink and vocals, piano, bass, and additional synthesizer from a young Annette Peacock! Peacock is especially restrained on the record – especially if you only know her later, straighter work – and her contribution here is wonderfully subtle and extremely lovely. Side one features the track "Improvisie", a free improvisation with Bley on electric piano and synthesizer – and tonalities are as "out" as the playing, which is generally quite spacious and dynamic – though hardly quiet. The second side features a Peacock tune titled "Touching" that's a bit more intense – very much in the spirit of the work on the first side, and a unique slice of magic from this one-off session! LP, Vinyl record album

Exact matches4
CD, LP, Vinyl record album cover art
Paul BleyMy Standard ... CD
Steeplechase (Denmark), 1987. Used ... $6.99
Paul Bley plays piano in a trio – with Jesper Lundgaard on bass and Billy Hart on drums! CD

Exact matches5
CD, LP, Vinyl record album cover art
Paul BleyReality Check ... CD
Steeplechase (Denmark), 1996. Used ... $9.99
... CD

Exact matches6
CD, LP, Vinyl record album cover art
Paul Bley & Jesper LundgaardLive Again ... LP
Steeplechase (Denmark), 1987. Near Mint- ... $13.99
Features Bley on piano and Lundgaard on bass – on titles that include "Ictus", "Diane", "Rebecca", "What'll I Do", "Willow Weep For Me", and "All The Things You Are". LP, Vinyl record album

Exact matches7
CD, LP, Vinyl record album cover art
Paul Bley, Charlie Haden & Paul MotianMemoirs ... CD
Soul Note (Italy), 1990. Used ... $14.99
... CD
(Out of print original CD pressing – not a CDr.)

Exact matches8
CD, LP, Vinyl record album cover art
Jimmy Giuffre/Paul Bley/Steve SwallowBremen/Stuttgart (with bonus tracks) ... CD
Hat Hut/Emanem (UK), 1961. New Copy 2CD ... $22.99 29.99
A beautiful live counterpart to Jimmy Giuffre's crucial Verve recordings Fusion and Thesis – performed here with a similar trio that includes Paul Bley on piano and Steve Swallow on bass – really expanding upon ideas of jazz expression that Giuffre first put forth in his late 50s trio! Giuffre's at the height of his power, and playing with these two young modernists, his trio manages to build these incredible sound shapes out of fragile clarinet, piano, and bass lines – simple elements, but used here in ways that are really revolutionary – and very strongly a precursor to work to come from Bley and Swallow. The music is even more far-reaching than Jimmy's late 50s trio sides for Atlantic and Verve – and this live performance is wonderfully recorded, and really opens up a big chapter of this less-recorded side of his career. This huge package features material that was originally issued on two different Hat Art CDs, plus unreleased tracks from the Bremen session, and even two rare Verve titles that were not issued by ECM on their release of Fusion and Thesis. 26 tracks in all – including "Flight", "Venture", "Whirrrr", "Jesus Maria", "That's True That's True", "Cry Want", "Suite For Germany", "Sonic", "Trudgin", and "Compassion For PB". CD

Exact matches9
CD, LP, Vinyl record album cover art
✨✧ Paul BleyPaul Bley Synthesizer Show ... CD
Milestone/Bamboo, 1970. New Copy ... Out Of Stock
A great record by Paul Bley – one of his few forays into electronic music, and a set that's got a really striking feel right from the start! Unlike some of the gimmicky moog records of the time – or some of the noisier avant electronic sets – Bley finds a way to use the instrument to open up new perspectives in jazz, often with a style that's tuneful and filled with sentiment – maybe an electronic contrast to his solo piano material on ECM! The tunes were all penned by Annette Peacock – and they have Bley playing a lot more soulfully than on other records from the time. Backing is by acoustic drum and bass, and Bley plays a bit of acoustic piano on the record – but the real highlight are the choppy rhythmic chunks of electronics, played in a style that sounds very little like Bley's other work. Believe it or not, there's even a few nice groovers on here – although most of the record is in a downtempo mode. Titles include "Parks", "Mr Joy", "Archangel", "Snakes", Gary", and "Nothing Ever Was, Anyway". CD

Exact matches10
CD, LP, Vinyl record album cover art
✨✧ Paul BleyCloser ... LP
ESP, 1966. New Copy (reissue)... Out Of Stock
Possibly the first true moment of genius from Paul Bley – a key indie standout after a few years working for bigger American labels! By the time of this early ESP album, Paul Bley was no stranger to the American scene – having recorded a few records for different labels in the 50s, and making some surprise appearances on other sessions in the early part of the 60s. But by the time of this mid 60s set, Bley was really coming into his own – working in a style that would have a huge influence on the style of jazz piano for the next few decades, and which was one of the first strong statements of modernism from the Canadian scene. Here, he's working with Steve Swallow on bass and Barry Altschul on percussion in a trio format, working through a great batch of tracks by then wife Carla – like "Ida", "Start", "Closer", "Batterie", and "Sideways In Mexico" – as well as versions of Ornette Coleman's "Crossroads", Annette Peacock's "Cartoon", and his own "Figfoot". LP, Vinyl record album

Exact matches11
CD, LP, Vinyl record album cover art
✨✧ Paul BleyPaul Bley Synthesizer Show (180 gram pressing) ... LP
Milestone/Bamboo, 1970. New Copy (reissue)... Out Of Stock
A great record by Paul Bley – one of his few forays into electronic music, and a set that's got a really striking feel right from the start! Unlike some of the gimmicky moog records of the time – or some of the noisier avant electronic sets – Bley finds a way to use the instrument to open up new perspectives in jazz, often with a style that's tuneful and filled with sentiment – maybe an electronic contrast to his solo piano material on ECM! The tunes were all penned by Annette Peacock – and they have Bley playing a lot more soulfully than on other records from the time. Backing is by acoustic drum and bass, and Bley plays a bit of acoustic piano on the record – but the real highlight are the choppy rhythmic chunks of electronics, played in a style that sounds very little like Bley's other work. Believe it or not, there's even a few nice groovers on here – although most of the record is in a downtempo mode. Titles include "Parks", "Mr Joy", "Archangel", "Snakes", Gary", and "Nothing Ever Was, Anyway". LP, Vinyl record album

Exact matches12
CD, LP, Vinyl record album cover art
Jaco PastoriusJaco (Jaco Pastorius/Pat Metheny/Bruce Ditmas/Paul Bley) ... LP
Improvising Artists Inc, 1976. Near Mint- ... $39.99
A great and hard to find side, with bass whiz Jaco meeting up with Pat Metheny, Bruce Ditmas and Paul Bley. Bley plays electric piano, so his tones match with the electric guitar and bass, and the set bristles with energy, and casts all the players in a different light than the work they became most well known for. Jaco is definitely flexing his chops, but there's still a sense of restraint that lacks a bit in some of his later recordings, and the tunes by Bley, Carla Bley, and Annette Peacock cast both him and Metheny into a freer sounding realm than you typically hear them. 9 tracks in all, though a number of the songs on side two are very short. Includes "Vashkar", "Vampira", "Overtoned", "Batterie" and "Blood". LP, Vinyl record album
(Cover has a hype sticker, cut corner, and some peeling along the opening.)
 
Possible matches: 10
Possible matches13
CD, LP, Vinyl record album cover art
Charlie HadenBallad Of The Fallen ... CD
ECM/Warner, 1983. Used ... $11.99
One of the greatest records that Charlie Haden ever did, and a record that stands as sort of a bookend to his Liberation Music album on Impulse. As with that record, he's got a large group on here, and also like that one, he's playing a batch of tracks that have a definite political bent. Players include Don Cherry, Carla Bley, Dewey Redman, Paul Motian, Jim Pepper, and Michael Mantler; and tracks include "Ballad Of The Fallen", "Too Late", "La Pasionaria", and "The People United Will Never Be Defeated". The sound's a little bit less harsh than his Impulse recording, but it's no less impassioned, and the record's a very emotional batch of music. CD
(Out of print.)

Possible matches14
CD, LP, Vinyl record album cover art
✨✧ Charlie HadenLiberation Music Orchestra ... CD
Impulse, 1969. Used ... $7.99
One of the most beautiful albums that Charlie Haden ever recorded – and if he only ever appeared on one record in his life, we'd still love him tremendously for this one! The album has a feel that's very much in keeping with both the "liberation" and "orchestra" in the title – "liberation", in that the music is filled with inspiration from South American sources, and has a strongly political feel at times; and "orchestra" because the group here is somewhat large, and filled with a tremendous array of expressive players – including Gato Barbieri on tenor, Dewey Redman on alto and tenor, Don Cherry on cornet and flutes, Michael Mantler on trumpet, Roswell Rudd on trombone, Robert Northern on French horn, Paul Motian and Andrew Cyrille on percussion, Carla Bley on piano, and Perry Robinson on clarinet. Haden leads these disparate talents through a set of tremendously focused music – filled with as many ideas as it is with a sense of humanity and soul – all to brilliantly point the way forward for the new sound of Impulse Records in the years after Coltrane's death! Titles include the classic "Song For Che", plus Ornette's "War Orphans", Carla Bley's "The Interlude", and "Song Of The United Front", by Hans Eisler, and with words by Brecht! CD
(Out of print early edition, punch through booklet.)

Possible matches15
CD, LP, Vinyl record album cover art
✨✧ Charles MingusReincarnation Of A Love Bird (Candid) ... CD
Candid, 1960. Used ... $6.99
A great counterpart to the two famous Charles Mingus albums for the Candid label – really a third "lost" Candid album, recorded at the time of those sets, but never issued until many years later! As with those great dates, the work here is filled with righteous anger, unbridled emotion, and some of the most passionate jazz work of the 20th Century – directed by Mingus with unfailing energy on the bass, and featuring solo work from players who include Charles McPherson, Lonnie Hillyer, Booker Ervin, Paul Bley, Eric Dolphy, and Jimmy Knepper. None of the tracks here appeared on the albums that were released by Candid – Presents Charles Mingus or Mingus – and they were all recorded on the November 11, 1960 date that yielded part of that second album. Titles include "Bugs", "Reincarnation of a Lovebird", "R&R", "Wrap Your Troubles In Dreams", and a soulful take on "Body and Soul". CD
(Out of print.)

Possible matches16
CD, LP, Vinyl record album cover art
Andrzej TrzaskowskiAndrzej Trzaskowski Quintet – Polish Jazz Vol 4 ... CD
Polskie Nagrania (Poland), 1965. New Copy ... $15.99
A brilliant set from Polish pianist Andrzej Trzaskowski – a talent who's virtually unknown in America, but one who cut some of the most forward-thinking work of his generation! The session's a bold, fresh, modern statement that's clearly steeped in work by other 60s American and European modernists, but which also has a fresh quality that's incredibly hard to peg. It's a bit preoccupied with sound and sound colors – almost in a Paul Bley-ish way – but also has a trace of soul and lyricism, as well as a graceful approach that allows space for other players to state themselves freely on the record. That's a good thing, too, because the first album is dominated by strong trumpet work by the great Tomasz Stanko, as well as the relative unknown Janusz Muniak, who plays some great soprano sax on the session. Titles include "Sinobrody", "Post Scriptum", "Synopsis", and "Requiem For Scott La Faro". CD
Also available Andrzej Trzaskowski Quintet – Polish Jazz Vol 4 ... LP 28.99

Possible matches17
CD, LP, Vinyl record album cover art
Andrzej TrzaskowskiAndrzej Trzaskowski Quintet – Polish Jazz Vol 4 ... LP
Polskie Nagrania (Poland), 1965. New Copy (reissue)... $28.99
A brilliant set from Polish pianist Andrzej Trzaskowski – a talent who's virtually unknown in America, but one who cut some of the most forward-thinking work of his generation! The session's a bold, fresh, modern statement that's clearly steeped in work by other 60s American and European modernists, but which also has a fresh quality that's incredibly hard to peg. It's a bit preoccupied with sound and sound colors – almost in a Paul Bley-ish way – but also has a trace of soul and lyricism, as well as a graceful approach that allows space for other players to state themselves freely on the record. That's a good thing, too, because the first album is dominated by strong trumpet work by the great Tomasz Stanko, as well as the relative unknown Janusz Muniak, who plays some great soprano sax on the session. Titles include "Sinobrody", "Post Scriptum", "Synopsis", and "Requiem For Scott La Faro". LP, Vinyl record album
Also available Andrzej Trzaskowski Quintet – Polish Jazz Vol 4 ... CD 15.99

Possible matches18
CD, LP, Vinyl record album cover art
✨✧ Andrzej Trzaskowski with Ted CursonSeant ... CD
Polskie Nagrania (Poland), 1965. New Copy ... About April 27, 2018
Incredible modern jazz from the Polish scene of the 60s – a rare album by pianist Andrzej Trzaskowski, featuring work by American trumpeter Ted Curson! Like the work of Komeda from the time, the album is a bold, fresh, modern statement that's clearly steeped in work by other 60s American and European modernists, but which also has a fresh quality that's incredibly hard to peg. It's a bit preoccupied with sound and sound colors – almost in a Paul Bley-ish way – but also has a trace of soul and lyricism, as well as a graceful approach that allows space for other players to state themselves freely on the record. Curson's trumpet work is great, and the album's one of his best sessions from the time – stark and modern, yet still with some of the soul of his work with Mingus. Titles include "Seant", "Wariacja", "Cosinusoida", and "The Quibble". CD

Possible matches19
CD, LP, Vinyl record album cover art
Andrzej Trzaskowski with Ted CursonSeant ... LP
Polskie Nagrania (Poland), 1965. New Copy (reissue)... About April 27, 2018
Incredible modern jazz from the Polish scene of the 60s – a rare album by pianist Andrzej Trzaskowski, featuring work by American trumpeter Ted Curson! Like the work of Komeda from the time, the album is a bold, fresh, modern statement that's clearly steeped in work by other 60s American and European modernists, but which also has a fresh quality that's incredibly hard to peg. It's a bit preoccupied with sound and sound colors – almost in a Paul Bley-ish way – but also has a trace of soul and lyricism, as well as a graceful approach that allows space for other players to state themselves freely on the record. Curson's trumpet work is great, and the album's one of his best sessions from the time – stark and modern, yet still with some of the soul of his work with Mingus. Titles include "Seant", "Wariacja", "Cosinusoida", and "The Quibble". LP, Vinyl record album

Possible matches20
CD, LP, Vinyl record album cover art
✨✧ Charlie HadenLiberation Music Orchestra ... CD
Impulse, 1969. Used ... Temporarily Out Of Stock
One of the most beautiful albums that Charlie Haden ever recorded – and if he only ever appeared on one record in his life, we'd still love him tremendously for this one! The album has a feel that's very much in keeping with both the "liberation" and "orchestra" in the title – "liberation", in that the music is filled with inspiration from South American sources, and has a strongly political feel at times; and "orchestra" because the group here is somewhat large, and filled with a tremendous array of expressive players – including Gato Barbieri on tenor, Dewey Redman on alto and tenor, Don Cherry on cornet and flutes, Michael Mantler on trumpet, Roswell Rudd on trombone, Robert Northern on French horn, Paul Motian and Andrew Cyrille on percussion, Carla Bley on piano, and Perry Robinson on clarinet. Haden leads these disparate talents through a set of tremendously focused music – filled with as many ideas as it is with a sense of humanity and soul – all to brilliantly point the way forward for the new sound of Impulse Records in the years after Coltrane's death! Titles include the classic "Song For Che", plus Ornette's "War Orphans", Carla Bley's "The Interlude", and "Song Of The United Front", by Hans Eisler, and with words by Brecht! CD
(Out of print.)
Also available Liberation Music Orchestra ... CD 7.99

Possible matches21
CD, LP, Vinyl record album cover art
✨✧ Sonny Rollins & Coleman HawkinsTogether At Newport (Japanese paper sleeve edition) ... CD
SSJ (Japan), 1963. New Copy ... Out Of Stock
Don't mix this one up with the RCA album that featured Sonny Rollins and Coleman Hawkins – because this is a different live performance from Newport, stellar work from Rollins – captured here at a key early 60s modernist moment – with a group that features Paul Bley on piano, Henry Grimes on bass, and Roy McCurdy on drums! The album features Coleman Hawkins joining Rollins on tenor on two tracks, and Sonny with the group alone on one more – and the tracks are all long, open, and very freewheeling – a bit like the Our Man In Jazz material, with Rollins blowing with lots of sharp edges – and Hawkins adding in some of his own as well – in a pairing that really had a whole new generation understanding the modernism that lay at the core of Coleman's tenor. This is the actual performance that led to the later RCA studio album Sonny Meets Hawk – and titles include "Remember", "All The Things You Are", and "The Way You Look Tonight". CD

Possible matches22
CD, LP, Vinyl record album cover art
✨✧ Charles MingusComplete Candid Recordings Of Charles Mingus (3CD set) ... CD
Candid/Mosaic, Early 60s. Used 3CDs ... Out Of Stock
A complete collection Charles Mingus' classic recordings for the Candid label – far and away some of the best recordings he ever made, and some of the few studio sessions that really let him stretch out and do his thing! Players here are a firey lineup of young modernists that includes Eric Dolphy, Ted Curson, Charles McPherson, Booker Ervin, Paul Bley, Roy Eldridge, Tommy Flanagan, Jimmy Knepper, Jo Jones and Dannie Richmond – all working here with Mingus on really long tracks that burst out with raw emotion, intense energy, and some really searing solo work! 17 tracks spread out over 3CDs, with titles that include "Lock Em Up", "MDM", "Stormy Weather", "Folk Forms No 1", "Original Faubus Fables", "Bugs", "All The Things You Could Be If Sigmund Freud's Wife Was Your Mother", "Mysterious Blues", "Melody From The Drums", "Vasserlean" and "Wrap Your troubles In Dreams" CD
(Out of print, hand-numbered limited edition pressing. Includes original book, box and all 3CDs in their cases – although the box has some light edge wear, everything is in good shape!)
 
Partial matches: 24
Partial matches23
CD, LP, Vinyl record album cover art
✨✧ Hank MobleySoul Station (RVG remaster edition) ... CD
Blue Note, 1960. Used ... $4.99
Simply astounding! Soul Station is a deceptively simple album that has tenor giant Hank Mobley playing standards and originals in a quartet with Wynton Kelly on piano, Paul Chambers on bass, and Art Blakey on drums– a spare and simple group, but one with a direct energy that's really amazing – in a way that makes for some of Mobley's best solos on record! The tracks here are all relatively basic in construction, but this territory allows all players to really relax and open up – especially Mobley, who really dominates the proceedings with some well-blown lines on tenor. Blakey's work is great too – nicely restrained, and the date marks one of his last sessions ever as a sideman. Titles include "Soul Station", "Split Feelin's", "Dig Dis", and "This I Dig Of You". CD
(Includes slipcase.)

Partial matches24
CD, LP, Vinyl record album cover art
✨✧ Hank MobleyTurnaround! (RVG remaster edition) ... CD
Blue Note, 1963. Used ... $14.99
One of the best-ever Hank Mobley albums on Blue Note – and a killer batch of soulful hardbop that was cut right around the same time as the classic No Room For Squares LP. In fact, the album contains work from 2 different sessions that filtered over to the Squares album – one that featured Mobley with Freddie Hubbard, Barry Harris, Paul Chambers, and Billy Higgins; and another that included Herbie Hancock, Donald Byrd, Butch Warren, and Philly Joe Jones. The work is incredibly sharp – with that wonderful mix of soul jazz, hardbop, and nascent spiritualism that Mobley brought to his best work of the 60s. Titles include "My Sin", "Straight Ahead", "The Turnaround", and "East Of The Village". CD
(Out of print.)

Partial matches25
CD, LP, Vinyl record album cover art
✨✧ Hank MobleyComplete Blue Note Hank Mobley Fifties Sessions (6CD set) ... CD
Mosaic/Blue Note, 1950s/1998. Used 6CD ... Temporarily Out Of Stock
An extraordinary document of Mobley's earliest recordings for the Blue Note label! This box collects some of Mobley's hardest to find recordings and comprises of the LPs Hank Mobley Quartet, Hank Mobley Sextet, Hank Mobley & His All Stars, Hank Mobley Quintet, Hank, Hank Mobley, Curtain Call, Poppin' and Peckin' Time! Whew! If you know any of those albums, you know this is one whopping batch of hard bop that showcases the tenorist's soul jazz roots beautifully. The sidemen hear read like a who's who of the east coast scene of the 50s, with Horace Silver, Art Blakey, Donald Byrd, Lee Morgan, Milt Jackson, Art Farmer, John Jenkins, Sonny Clark, Kenny Dorham, Pepper Adams, Paul Chambers, Wynton Kelly and Philly Joe Jones all making appearances. There's a total of 56 tracks spread out over 6 discs, including titles like "Hank's Prank", 'Walkin' The Fence", "Just Coolin'", "Touch & Go", "Double Whammy", "Barrel Of Funk", "Lower Stratosphere", "Mobley's Musings", "Funk In Deep Freeze", "Wham & They're Off", "Startin' From Scratch", "Hi Groove, Low Feedback", "Double Exposure", "Don't Get Too Hip", "Poppin'", "East Of Brooklyn", "High & Flighty" and "Peckin' Time". CD
(Out of print, numbered limited edition pressing! Includes box, book, and all 6 CDs in their cases – all in great shape!)

Partial matches26
CD, LP, Vinyl record album cover art
✨✧ Hank MobleySoul Station (2nd cover) ... LP
Blue Note, 1960. Used ... Temporarily Out Of Stock
Simply astounding! Soul Station is a deceptively simple album that has tenor giant Hank Mobley playing standards and originals in a quartet with Wynton Kelly on piano, Paul Chambers on bass, and Art Blakey on drums– a spare and simple group, but one with a direct energy that's really amazing – in a way that makes for some of Mobley's best solos on record! The tracks here are all relatively basic in construction, but this territory allows all players to really relax and open up – especially Mobley, who really dominates the proceedings with some well-blown lines on tenor. Blakey's work is great too – nicely restrained, and the date marks one of his last sessions ever as a sideman. Titles include "Soul Station", "Split Feelin's", "Dig Dis", and "This I Dig Of You". LP, Vinyl record album
(Liberty/UA pressing. Cover is great, but has the trace of a sticker in one spot.)

Partial matches27
CD, LP, Vinyl record album cover art
✨✧ Hank MobleySoul Station (non RVG edition) ... CD
Blue Note, 1960. Used ... Temporarily Out Of Stock
Simply astounding! Soul Station is a deceptively simple album that has tenor giant Hank Mobley playing standards and originals in a quartet with Wynton Kelly on piano, Paul Chambers on bass, and Art Blakey on drums– a spare and simple group, but one with a direct energy that's really amazing – in a way that makes for some of Mobley's best solos on record! The tracks here are all relatively basic in construction, but this territory allows all players to really relax and open up – especially Mobley, who really dominates the proceedings with some well-blown lines on tenor. Blakey's work is great too – nicely restrained, and the date marks one of his last sessions ever as a sideman. Titles include "Soul Station", "Split Feelin's", "Dig Dis", and "This I Dig Of You". CD
Also available Soul Station (RVG remaster edition) ... CD 4.99

Partial matches28
CD, LP, Vinyl record album cover art
✨✧ Hank MobleyTurnaround! (non-RVG pressing) ... CD
Blue Note, 1963. Used ... Temporarily Out Of Stock
One of the best-ever Hank Mobley albums on Blue Note – and a killer batch of soulful hardbop that was cut right around the same time as the classic No Room For Squares LP. In fact, the album contains work from 2 different sessions that filtered over to the Squares album – one that featured Mobley with Freddie Hubbard, Barry Harris, Paul Chambers, and Billy Higgins; and another that included Herbie Hancock, Donald Byrd, Butch Warren, and Philly Joe Jones. The work is incredibly sharp – with that wonderful mix of soul jazz, hardbop, and nascent spiritualism that Mobley brought to his best work of the 60s. Titles include "My Sin", "Straight Ahead", "The Turnaround", and "Pat N Chat". CD
(Out of print.)
Also available Turnaround! (RVG remaster edition) ... CD 14.99

Partial matches29
CD, LP, Vinyl record album cover art
Freddie HubbardGoin' Up ... CD
Blue Note (Japan), 1960. New Copy ... $18.99
A real burner from Freddie Hubbard's early years at Blue Note – filled with rich hues, colors, and tones! The group's a quintet – supported by lyrical rhythms from the trio of McCoy Tyner on piano, Paul Chambers on bass, and Philly Joe Jones on drums – working alongside Freddie's trumpet and the tenor of Hank Mobley – to craft tunes that sparkle with slight exotic touches, and which offer the perfect blend of modern and soulful that Blue Note was cutting in the early 60s! The whole album's great, and titles include the classic modal number "Asiatic Raes", plus "Karioka", "The Changing Scene", and "A Pec A Sec". CD
(SHM-CD pressing!)

Partial matches30
CD, LP, Vinyl record album cover art
Lee MorganCharisma ... CD
Blue Note (Japan), 1966. New Copy ... Just Sold Out!
One of our favorite albums from Lee Morgan – a soaringly soulful session that was recorded in the mid 60s, and finally issued by Blue Note at the end of the decade! The vibe here really follows from the lyrically inventive, post-Sidewinder mid 60s Morgan years – with a spirit that's similar to Lee's work on the albums Gigolo or Tom Cat, in a style that mixes in a fair bit more modal and Latin influences to the rhythms. The lineup is totally great too – a sextet that features Hank Mobley, Jackie McLean, Cedar Walton, Paul Chambers, and Billy Higgins – the last of whom provides tremendous rhythms that are as fluidly inventive as Morgan's playing and the writing of Hank Mobley, who contributed most of the tunes to the set. Titles include "Hey Chico", "The Double Up", and "The Murphy Man" – and the record also includes a nice version of Duke Pearson's "Sweet Honey Bee". CD
(SHM-CD pressing!)

Partial matches31
CD, LP, Vinyl record album cover art
✨✧ Freddie Hubbard5 Original Albums (Open Sesame/Goin Up/Hub Cap/Ready For Freddie/Hub-Tones) (5CD set) ... CD
Blue Note/Universal (Germany), Early 60s. New Copy 5CD ... Temporarily Out Of Stock
A five record collection that captures trumpeter Freddie Hubbard at a real turning point – taking off in the 60s with a range of fresh new ideas! Open Sesame is an early hardbop session that features some great work by Tina Brooks on tenor, piano by McCoy Tyner, and rhythm from the team of Sam Jones on bass Clifford Jarvis on drums! And although Freddie's great at this early point in his career – playing with a brash, urgent tone that's totally compelling – we're even bigger fans of the Tina Brooks work on this record! Brooks' tone is amazing – right up there with the style he used on his own rare few Blue Note sides, full of fresh fire and a really edgey approach to the tenor – and together with Hubbard, he helps craft a tight little set that's one of Hubbard's best-ever straight sides from the 60s. Titles include "But Beautiful", "One Mint Julep", "Hub's Nub", "Open Sesame", and "Gypsy Blue". Goin Up is a real burner from Freddie Hubbard's early years at Blue Note – filled with rich hues, colors, and tones! The group's a quintet – supported by lyrical rhythms from the trio of McCoy Tyner on piano, Paul Chambers on bass, and Philly Joe Jones on drums – working alongside Freddie's trumpet and the tenor of Hank Mobley – to craft tunes that sparkle with slight exotic touches, and which offer the perfect blend of modern and soulful that Blue Note was cutting in the early 60s! The whole album's great, and titles include the classic modal number "Asiatic Raes", plus "Karioka", "The Changing Scene", and "A Pec A Sec". Hub Cap is classic Freddie Hubbard on Blue Note – from the hip cover to the magical music in the grooves! The session is one of Freddie's all-time best from the early days – and features a very hard wailing lineup that mixes tight hardbop rhythms with some more adventurous soloing that almost has a modern jazz kind of tinge. Cedar Walton's on piano, Julian Preister's on trombone, and Jimmy Heath is on tenor – working with Freddie to craft some mindblowing work on titles that include the amazing "Plexus", plus "Hub Cap", "Cry Me Not", and "Earmon JR." Ready For Freddie features a unique group with McCoy Tyner on piano, Wayne Shorter on tenor, and Bernard McKinney on euphonium – a tuba-like instrument that gives the album a nicely shadowy sound! McKinney's probably better known for his 70s work with the Tribe scene in Detroit – but here, he's a young player with an innovative sound – one that makes the album one of Freddie's most striking of the period – a soulfully modern set that's set apart from his straighter hardbop work! The album features some great original tunes by Hubbard and Shorter – and titles include "Crisis", "Birdlike", "Arietis", and "Weaver Of Dreams". Hub Tones is brilliant early work from trumpeter Freddie Hubbard, who's really coming into his own as a leader with this date! Freddie's really finding a voice here – a sharper edge than on some of his later albums, at the beginning of a more modernist phase in the mid-60s – when his efforts would mark him as one of the more straight ahead players of the "new thing" scene. There's a careful balance in Hubbard's work here – spurred on by youthful energy of group mates Herbie Hancock on piano, James Spaulding on alto and flute, Reggie Workman on bass, and Clifford Jarvis on drums. Hubbard is really brimming over with new ideas – as are the other players – and titles include "Lament for Booker", "Prophet Jennings", "Hub Tones", "For Spee's Sake", and "You're My Everything". A great package – all albums in tiny LP-styled sleeves! CD

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✨✧ Freddie HubbardBlue Spirits ... LP
Blue Note, 1965. Used ... Temporarily Out Of Stock
Quite an unusual session for Freddie Hubbard – one of his most modernist albums for Blue Note, recorded with a larger group that includes James Spaulding on alto and flute, Joe Henderson (or Hank Mobley) on tenor, McCoy Tyner on piano, and the surprising inclusion of Kiane Zawadi on euphonium! The presence of that instrument gives the album a real "bottom" sound – taking the overall mood much more into the depths than on some of Freddie's previous sets – really earning the album its "blue spirits" tag. Big Black also plays a bit of percussion on a few tracks, and titles include "Cunga Black", "Soul Surge", and "Outer Forces". LP, Vinyl record album
(70s pressing. Cover has light wear.)

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✨✧ Lee MorganCharisma ... CD
Blue Note, 1966. Used ... Temporarily Out Of Stock
One of our favorite albums from Lee Morgan – a soaringly soulful session that was recorded in the mid 60s, and finally issued by Blue Note at the end of the decade! The vibe here really follows from the lyrically inventive, post-Sidewinder mid 60s Morgan years – with a spirit that's similar to Lee's work on the albums Gigolo or Tom Cat, in a style that mixes in a fair bit more modal and Latin influences to the rhythms. The lineup is totally great too – a sextet that features Hank Mobley, Jackie McLean, Cedar Walton, Paul Chambers, and Billy Higgins – the last of whom provides tremendous rhythms that are as fluidly inventive as Morgan's playing and the writing of Hank Mobley, who contributed most of the tunes to the set. Titles include "Hey Chico", "The Double Up", and "The Murphy Man" – and the record also includes a nice version of Duke Pearson's "Sweet Honey Bee". CD
(Out of print.)

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✨✧ Dizzy ReeceStar Bright (Japanese paper sleeve edition) ... CD
Blue Note (Japan), 1959. Used ... Temporarily Out Of Stock
The greatest of Dizzy Reece's 3 LPs for Blue Note – and it's also the hardest to find! The British trumpeter is playing here with a group that is totally classic hardbop Blue Note – and which includes Hank Mobley on tenor, Wynton Kelly on piano, Paul Chambers on bass, and Art Taylor on drums. Mobley's playing is fantastic – as on all of his Blue Notes – and his presence alone takes the set into another level. His solos on the harder tracks are all great, and played with a razor-sharp edge that opens up Reece a lot more than usual. Tracks include "The Rebound", "Groovesville", "The Rake", and "A Variation On Monk". Great stuff, and a true classic lost Blue Note! This limited reissue is packaged in a tiny 5" cardboard sleeve, complete with 24-bit remastering by Rudy Van Gelder himself! CD
(Out of print. Includes obi.)

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✨✧ Hank MobleyAnother Workout (RVG remaster edition) ... CD
Blue Note, 1961. Used ... Just Sold Out!
A rare second chapter to Mobley's famous Workout album – recorded in the early 60s, but not issued until the mid 80s – and even then, only momentarily on vinyl! The session's a great one – a quartet outing with a structure that's similar to Hank's classic Soul Station record, but which is a bit more fluid and free-thinking overall! The long tracks give Mobley plenty of room to open up on his solos – really commanding the record with his deeply soulful tone and strong sense of timing. Other players include Wynton Kelly on piano, Paul Chambers on bass, and Philly Joe Jones on drums – and titles include "Out Of Joe's Bag", "I Should Care", "Getting & Jettin", "Hank's Other Soul", and "Three Coins In A Fountain". CD
(Out of print.)

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Hank MobleyStraight No Filter (with bonus tracks) ... CD
Blue Note, 1966. Used ... $19.99
No filters here, as Hank Mobley's sound is clean, lean, and right on the money – hitting that newly-sophisticated groove of the Caddy For Daddy years in this sweet unissued set! The date was recorded in the 60s, but unissued by Blue Note for many years – another one of those head-scratching mysteries from the label, yet also a real treat to 80s jazz fans who finally got their hands on the sides – a whole new discovery of Hank Mobley's genius, further appreciated at a time when we weren't hearing more from him. The players are top-shelf all the way through – and include Freddie Hubbard or Donald Byrd on trumpet, Herbie Hancock or Barry Harris on piano, Paul Chambers or Butch Warren on bass, and Philly Joe Jones or Billy Higgins on drums. CD version really expands from the original LP – with 9 titles that include "Chain Reaction", "Third Time Around", "Hank's Waltz", "Yes Indeed", "Straight No Filter", "Syrup & Biscuits", and "The Feelin's Good". CD
(Out of print, BMG music club pressing.)

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✨✧ Hank MobleyThird Season ... CD
Blue Note, 1967. Used ... $18.99
One of those rare treasures that was recorded by Blue Note in the 60s, but not issued at the time – a great late Hank Mobley set from 1967 that only saw the light of day in 1980! The album's got Hank really opening things up – using some of those more inventive rhythms and articulate phrasing that really graced his late years at Blue Note – a bold step forward, given his already-great run of material for the label! The core group is a quintet – with Lee Morgan on trumpet and Cedar Walton on piano – both of whom add to the lyrical edge of the playing – and most tracks feature additional work from James Spaulding on alto and flute, and the wonderful Sonny Greenwich on guitar – a player whose unique phrasing really helps shape the record's sound! Rhythms are from Walter Booker on bass and Billy Higgins on drums – again both great choices for the sometimes-modal qualities of the record – and titles include "Don't Cry Just Sigh", "Steppin Stone", "Third Season", "Boss Bossa", and "An Apertif". CD
(Out of print. Includes domestic Connoisseur Series obi.)

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✨✧ Hank MobleyPeckin' Time (with bonus tracks) ... CD
Blue Note, 1958. Used ... Temporarily Out Of Stock
One of the first great pairings of Hank Mobley and Lee Morgan – a trumpet/tenor team that was always a treasure, no matter what the setting! This one's a pretty open-ended blowing date – one that gives both horn players plenty of room to stretch out, in a setting that's filled with sharp-edged, and imaginative lines! The rhythm section is rock solid too – with Wynton Kelly on piano, Paul Chambers on bass, and the great Charlie Persip on drums – kicking things nicely on the kit to get a groove going. Tracks are all quite long, and titles include "Git Go Blues", "Speak Low", "Stretchin Out", and "High & Flighty". This CD edition includes 3 bonus tracks – alternate takes of ""High & Flighty", "Speak Low" and "Stretchin Out". CD
(Out of print.)

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✨✧ Hank MobleyPoppin ... CD
Blue Note (Japan), 1957. New Copy ... Out Of Stock
A rare gem from Hank Mobley's initial late 50s run at Blue Note – a session recorded by the label in 1957, but unissued at the time! The quality of the set is right up there with Hank's best from the period – presented here in full album format, and the mix of searing hardbop and gentle soul that we've always loved in Mobley's work – all so great that the album's easily a cut above most other jazz sides of the time, and at a level that has us (as always) scratching our heads as to why Blue Note never put this one out. Players include Art Farmer on trumpet, Pepper Adams on baritone sax, Sonny Clark on piano, Paul Chambers on bass, and Philly Joe Jones on drums – and titles include "East Of Brooklyn", "Tune Up", "Poppin", "Darn That Dream", and "Getting Into Something". CD
(SHM-CD pressing!)

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Miles DavisIn Person Friday Night At The Blackhawk – Vol 1 ... LP
Columbia, 1961. Very Good+ ... $29.99
Legendary early live work from Miles Davis – one of the first examples on record of the way that Davis could really stretch out in a concert setting! The music's a bit more straight ahead than later live dates, but still pretty open and exploratory – and in addition to Davis' sparkling work on trumpet, the album also features some killer tenor lines from Hank Mobley – working here as a key part of Miles' group, and blowing with a hell of a lot of soul. Rhythm is by the rock-solid trio of Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and titles include "All Of You", "No Blues", "Bye Bye" and "Walkin". LP, Vinyl record album
(Mono 6 eye pressing.)

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✨✧ Miles DavisMiles Davis In Person Friday & Saturday Nights At The Blackhawk – Complete (4CD set) ... CD
Columbia, 1961. Used 4 CDs ... $38.99
Originally a 2LP set, but now a 4CD package – with 14 previously unissued tracks! Legendary early live work from Miles Davis – one of the first examples on record of the way that Davis could really stretch out in a concert setting! The music's a bit more straight ahead than later live dates, but still pretty open and exploratory – and in addition to Davis' sparkling work on trumpet, the album also features some killer tenor lines from Hank Mobley – working here as a key part of Miles' group, and blowing with a hell of a lot of soul. Rhythm is by the rock-solid trio of Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and titles include "Neo", "So What", "Fran Dance", and "Well You Needn't". CD
(Out of print.)

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✨✧ Miles DavisSomeday My Prince Will Come ... LP
Columbia, 1961. Near Mint- ... $38.99
The tenor sax here makes the album a standout – as John Coltrane still works with Miles Davis on 2 tracks for the record, but Blue Note stalwart Hank Mobley joins in on the rest! The approach is similar to that of the classic Coltrane/Davis years – and in a way, the record's kind of a swan song to that period – one of the last studio session that Miles would cut in such an unabashedly sweet and lyrical way. And while Mobley's always better known for his harder-blown notes at Blue Note, he sounds totally great here next to Davis – really keeping up the gentle spirit and spaciousness of the record, and working with a gentleness that surpasses even his work on the legendary Soul Station album. Rhythm is by the trio of Wynton Kelly, Paul Chambers, and Jimmy Cobb – and titles include Miles' classic version of "Someday My Prince Will Come", plus "Old Folks", "Teo", "Drad-Dog", and "Pfrancing". LP, Vinyl record album
(Great Japanese pressing – with obi!)
Also available Someday My Prince Will Come (with bonus track) ... CD 2.99
 
 
 



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