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Exact matches: 28
Exact matches1
CD, LP, Vinyl record album cover art
Paul BleyBallads ... LP
ECM (Germany), 1967. Near Mint- ... $34.99
Early ECM work from Paul Bley – a great example of the way that label helped Bley find a new voice in his music during the 70s! Although issued in 1971, the session was actually recorded a few years before – in 1967 – and done with a very spare, very open approach to the piano – one that was still extremely fresh at the time, and which is handled better by Bley than by most, especially on a few of the more dramatic moments. All tracks here are trio tracks – with Barry Altschul on drums, and either Gary Peacock or Mark Levinson on bass – and the three long tracks on the album were all composed by Annette Peacock, and include "Ending", "Circles", and "So Hard It Hurts". LP, Vinyl record album
(Cover has some aging and a bit of gloss separation at the top.)

Exact matches2
CD, LP, Vinyl record album cover art
Paul BleyBarrage ... LP
ESP, 1964. Very Good+ ... $43.99
A blasting barrage of sound from Paul Bley – a fierce session that's right up there with the most dynamic ESP work of the 60s – and quite different from some of Bley's more introspective music! The group here is a quintet – with bold work from Marshall Allen on alto sax and Dewey Johnson on trumpet – both working in the frontline with almost Ayler-like energy. Remaining players include the great Eddie Gomez on bass and Milford Graves on drums – romping together through a set of compelling Carla Bley compositions, including "And Now The Queen", "Walking Woman", "Ictus", "Barrage", and "Batterie". LP, Vinyl record album
(Red label pressing in the red paste-on cover.)

Exact matches3
CD, LP, Vinyl record album cover art
Paul BleyCloser ... LP
ESP, 1966. New Copy (reissue)... $24.99
Possibly the first true moment of genius from Paul Bley – a key indie standout after a few years working for bigger American labels! By the time of this early ESP album, Paul Bley was no stranger to the American scene – having recorded a few records for different labels in the 50s, and making some surprise appearances on other sessions in the early part of the 60s. But by the time of this mid 60s set, Bley was really coming into his own – working in a style that would have a huge influence on the style of jazz piano for the next few decades, and which was one of the first strong statements of modernism from the Canadian scene. Here, he's working with Steve Swallow on bass and Barry Altschul on percussion in a trio format, working through a great batch of tracks by then wife Carla – like "Ida", "Start", "Closer", "Batterie", and "Sideways In Mexico" – as well as versions of Ornette Coleman's "Crossroads", Annette Peacock's "Cartoon", and his own "Figfoot". LP, Vinyl record album
Also available Closer ... LP 39.99

Exact matches4
CD, LP, Vinyl record album cover art
✨✧ Paul BleyCloser ... LP
ESP, 1966. Near Mint- ... $39.99
Possibly the first true moment of genius from Paul Bley – a key indie standout after a few years working for bigger American labels! By the time of this early ESP album, Paul Bley was no stranger to the American scene – having recorded a few records for different labels in the 50s, and making some surprise appearances on other sessions in the early part of the 60s. But by the time of this mid 60s set, Bley was really coming into his own – working in a style that would have a huge influence on the style of jazz piano for the next few decades, and which was one of the first strong statements of modernism from the Canadian scene. Here, he's working with Steve Swallow on bass and Barry Altschul on percussion in a trio format, working through a great batch of tracks by then wife Carla – like "Ida", "Start", "Closer", "Batterie", and "Sideways In Mexico" – as well as versions of Ornette Coleman's "Crossroads", Annette Peacock's "Cartoon", and his own "Figfoot". LP, Vinyl record album
(White inner label, and back cover has photos for titles up to ESP 1028. Cover has a Stereo sticker and a small stain on the bottom seam.)
Also available Closer ... LP 24.99

Exact matches5
CD, LP, Vinyl record album cover art
Paul BleyComplete Debut Session 1953 (aka Introducing Paul Bley) ... LP
Debut/Raretone (Italy), 1953. Near Mint- ... $24.99
The earliest work on record from pianist Paul Bley – the Canadian modernist who'd become much better known for his more experimental work in later years, but who's heard here in a slightly straighter trio set! Even at this early point, though, Bley's talents are amazing – sharp-edged and fresh – still with a few touches of traditional pianistic approach, but often breaking into surprising twists and turns on the solos. The core of the set is a rare 10" album that Bley cut with Art Blakey on drums and Charles Mingus on bass – a set that was done upon Mingus' discovery of Bley's talents, and which was issued on his own Debut label briefly in the 50s. Titles include "Opus 1", "Split Kick", "Spontaneous Combustion", "Santa Claus Is Coming To Town", and "Like Someone In Love". LP, Vinyl record album

Exact matches6
CD, LP, Vinyl record album cover art
Paul BleyImprovisie ... CD
America/Bamboo (France), 1972. New Copy ... $16.99
Incredible work from Paul Bley – and a record that captures him in his excellent electric period, working in a different setting than we've heard him elsewhere! The group on the set is a trio – one that matches Bley's work on electric piano and synthesizer with percussion from Han Bennink and vocals, piano, bass, and additional synthesizer from a young Annette Peacock! Peacock is especially restrained on the record – especially if you only know her later, straighter work – and her contribution here is wonderfully subtle and extremely lovely. Side one features the track "Improvisie", a free improvisation with Bley on electric piano and synthesizer – and tonalities are as "out" as the playing, which is generally quite spacious and dynamic – though hardly quiet. The second side features a Peacock tune titled "Touching" that's a bit more intense – very much in the spirit of the work on the first side, and a unique slice of magic from this one-off session! CD
Also available Improvisie ... LP 23.99

Exact matches7
CD, LP, Vinyl record album cover art
Paul BleyImprovisie ... LP
America/Bamboo (France), 1972. New Copy ... $23.99
Incredible work from Paul Bley – and a record that captures him in his excellent electric period, working in a different setting than we've heard him elsewhere! The group on the set is a trio – one that matches Bley's work on electric piano and synthesizer with percussion from Han Bennink and vocals, piano, bass, and additional synthesizer from a young Annette Peacock! Peacock is especially restrained on the record – especially if you only know her later, straighter work – and her contribution here is wonderfully subtle and extremely lovely. Side one features the track "Improvisie", a free improvisation with Bley on electric piano and synthesizer – and tonalities are as "out" as the playing, which is generally quite spacious and dynamic – though hardly quiet. The second side features a Peacock tune titled "Touching" that's a bit more intense – very much in the spirit of the work on the first side, and a unique slice of magic from this one-off session! LP, Vinyl record album
Also available Improvisie ... CD 16.99

Exact matches8
CD, LP, Vinyl record album cover art
Paul BleyOpen, To Love ... LP
ECM, 1973. Near Mint- ... $24.99
Beautiful solo piano work from Paul Bley – spare, stark, and almost lovely – and a real contrast to some of his more aggressive experiments of the late 60s. The Bley here has almost a hint of sadness and longing, especially on the numbers that have him revisiting tunes he'd done on earlier records with an approach that was a bit stronger. It's hard to define the gentle charm that he brings here to "Ida Lupino", "Closer", "Harlem", "Seven", "Open To Love", and "Nothing Ever Was Anyway" – but one listen to the record, and its gorgeous recording of Bley's piano, should be enough! LP, Vinyl record album
(German pressing.)

Exact matches9
CD, LP, Vinyl record album cover art
✨✧ Paul BleyPaul Bley & Scorpio ... LP
Milestone, 1972. Very Good ... $9.99
A great mix of electric modes from Paul Bley – working here on Fender Rhodes and Arp, plus a bit of acoustic piano as well! The album's got a great reworking of the sense of space that Bley brought to his regular piano work – excellent accompaniment from Barry Altschul on percussion and Dave Holland on bass and fuzz pedal! Titles include "Ictus", "Gesture Without Plot", "Syndrome", "Dreams", and "El Cordobes". LP, Vinyl record album
(Cover has ring & edge wear. Top seam is partially split.)

Exact matches10
CD, LP, Vinyl record album cover art
Paul BleyPaul Bley Group – Hot ... LP
Soul Note (Italy), 1985. Near Mint- ... $9.99
Given how much Paul Bley records at a solo or trio level, it's not typical that we'd see the word "group" next to his name – but the album's only a quartet outing, but one with an unusual lineup – John Scofield on guitar, Steve Swallow on electric bass and Barry Altschul on drums! LP, Vinyl record album

Exact matches11
CD, LP, Vinyl record album cover art
✨✧ Paul BleyPaul Bley Synthesizer Show ... CD
Milestone/Bamboo, 1970. New Copy ... $16.99
A great record by Paul Bley – one of his few forays into electronic music, and a set that's got a really striking feel right from the start! Unlike some of the gimmicky moog records of the time – or some of the noisier avant electronic sets – Bley finds a way to use the instrument to open up new perspectives in jazz, often with a style that's tuneful and filled with sentiment – maybe an electronic contrast to his solo piano material on ECM! The tunes were all penned by Annette Peacock – and they have Bley playing a lot more soulfully than on other records from the time. Backing is by acoustic drum and bass, and Bley plays a bit of acoustic piano on the record – but the real highlight are the choppy rhythmic chunks of electronics, played in a style that sounds very little like Bley's other work. Believe it or not, there's even a few nice groovers on here – although most of the record is in a downtempo mode. Titles include "Parks", "Mr Joy", "Archangel", "Snakes", Gary", and "Nothing Ever Was, Anyway". CD
Also available Paul Bley Synthesizer Show (180 gram pressing) ... LP 23.99

Exact matches12
CD, LP, Vinyl record album cover art
Paul BleyPaul Bley Synthesizer Show (180 gram pressing) ... LP
Milestone/Bamboo, 1970. New Copy (reissue)... $23.99
A great record by Paul Bley – one of his few forays into electronic music, and a set that's got a really striking feel right from the start! Unlike some of the gimmicky moog records of the time – or some of the noisier avant electronic sets – Bley finds a way to use the instrument to open up new perspectives in jazz, often with a style that's tuneful and filled with sentiment – maybe an electronic contrast to his solo piano material on ECM! The tunes were all penned by Annette Peacock – and they have Bley playing a lot more soulfully than on other records from the time. Backing is by acoustic drum and bass, and Bley plays a bit of acoustic piano on the record – but the real highlight are the choppy rhythmic chunks of electronics, played in a style that sounds very little like Bley's other work. Believe it or not, there's even a few nice groovers on here – although most of the record is in a downtempo mode. Titles include "Parks", "Mr Joy", "Archangel", "Snakes", Gary", and "Nothing Ever Was, Anyway". LP, Vinyl record album
Also available Paul Bley Synthesizer Show ... CD 16.99

Exact matches13
CD, LP, Vinyl record album cover art
Paul BleyQuestions ... LP
Steeplechase (Denmark), 1987. Near Mint- ... $11.99
... LP, Vinyl record album
(Cover has a very small tear on the opening.)

Exact matches14
CD, LP, Vinyl record album cover art
Paul BleySonor ... CD
Soul Note (Italy), 1983. Used ... $6.99
An unusual album – piano from Paul Bley, with additional percussion from George Cross McDonald! CD

Exact matches15
CD, LP, Vinyl record album cover art
✨✧ Paul Bley & Niels Henning Orsted PedersenPaul Bley/NHOP ... LP
Inner City, 1973. Near Mint- ... $19.99
... LP, Vinyl record album
(Original Danish Steeplechase pressing. Cover has light wear.)

Exact matches16
CD, LP, Vinyl record album cover art
Paul Bley, Charlie Haden & Paul MotianMemoirs (CDr on demand pressing) ... CD
Soul Note (Italy), 1990. Used ... $8.99
... CD
(On demand CDr pressing.)

Exact matches17
CD, LP, Vinyl record album cover art
✨✧ Paul Bley/Bill Connors/Jimmy GiuffreQuiet Song ... LP
Improvising Artists Inc, 1976. Near Mint- ... $11.99
... LP, Vinyl record album
(Maroon label pressing.)

Exact matches18
CD, LP, Vinyl record album cover art
Jimmy Giuffre/Paul Bley/Steve SwallowBremen/Stuttgart (with bonus tracks) ... CD
Hat Hut/Emanem (UK), 1961. New Copy 2CD ... $22.99 29.99
A beautiful live counterpart to Jimmy Giuffre's crucial Verve recordings Fusion and Thesis – performed here with a similar trio that includes Paul Bley on piano and Steve Swallow on bass – really expanding upon ideas of jazz expression that Giuffre first put forth in his late 50s trio! Giuffre's at the height of his power, and playing with these two young modernists, his trio manages to build these incredible sound shapes out of fragile clarinet, piano, and bass lines – simple elements, but used here in ways that are really revolutionary – and very strongly a precursor to work to come from Bley and Swallow. The music is even more far-reaching than Jimmy's late 50s trio sides for Atlantic and Verve – and this live performance is wonderfully recorded, and really opens up a big chapter of this less-recorded side of his career. This huge package features material that was originally issued on two different Hat Art CDs, plus unreleased tracks from the Bremen session, and even two rare Verve titles that were not issued by ECM on their release of Fusion and Thesis. 26 tracks in all – including "Flight", "Venture", "Whirrrr", "Jesus Maria", "That's True That's True", "Cry Want", "Suite For Germany", "Sonic", "Trudgin", and "Compassion For PB". CD

Exact matches19
CD, LP, Vinyl record album cover art
✨✧ Barry Altschul/Paul Bley/Gary PeacockVirtuosi ... LP
Improvising Artists Inc, 1967. Used ... Temporarily Out Of Stock
... LP, Vinyl record album

Exact matches20
CD, LP, Vinyl record album cover art
✨✧ Jaco Pastorius/Pat Metheny/Bruce Ditmas/Paul BleyJaco ... LP
Improvising Artists Inc, 1976. Used ... Temporarily Out Of Stock
A great and hard to find side, with bass whiz Jaco meeting up with Pat Metheny, Bruce Ditmas and Paul Bley. Bley plays electric piano, so his tones match with the electric guitar and bass, and the set bristles with energy, and casts all the players in a different light than the work they became most well known for. Jaco is definitely flexing his chops, but there's still a sense of restraint that lacks a bit in some of his later recordings, and the tunes by Bley, Carla Bley, and Annette Peacock cast both him and Metheny into a freer sounding realm than you typically hear them. 9 tracks in all, though a number of the songs on side two are very short. Includes "Vashkar", "Vampira", "Overtoned", "Batterie" and "Blood". LP, Vinyl record album
(Cover has light wear and a sticker spot.)
 
Possible matches: 19
Possible matches29
CD, LP, Vinyl record album cover art
Bob Degen TrioCelebration ... LP
Calig (Germany), 1968. Near Mint- ... $43.99
An obscure modernist session – featuring piano work by Bob Degen, plus drums by Fred Braceful and bass by Manfred Eicher, making a rare pre-ECM appearance on wax! Hearing Eicher's bass work, you can hear a lot of the sound of ECM, and where it might have come from – and although Degen's piano is a bit free, the overall feel of the set is more in a Paul Bley modernist mode than anything else. Titles include "Petal", "Gem", "Little Garden", and "For A Better Tomorrow". LP, Vinyl record album
(In beautiful shape!)

Possible matches30
CD, LP, Vinyl record album cover art
Jimmy Giuffre 3Thesis ... LP
Verve, 1961. Near Mint- Gatefold ... $19.99
Fantastic stuff from Jimmy Giuffre! This record captures him at a perfect turning point in his career – after his initial piano-less experiments on Atlantic, but before the totally free work that graced his later years. The group is his trio with Paul Bley on piano and Steve Swallow on bass – and the tracks are angular modernism carried to its most perfect realization. Titles include "Ictus", "Carla", "Sonic", "Whirrr", and "The Gamut". LP, Vinyl record album
(Nice French pressing, from the 80s.)

Possible matches31
CD, LP, Vinyl record album cover art
Charlie HadenBallad Of The Fallen ... CD
ECM, 1983. Used ... $15.99
One of the greatest records that Charlie Haden ever did, and a record that stands as sort of a bookend to his Liberation Music album on Impulse. As with that record, he's got a large group on here, and also like that one, he's playing a batch of tracks that have a definite political bent. Players include Don Cherry, Carla Bley, Dewey Redman, Paul Motian, Jim Pepper, and Michael Mantler; and tracks include "Ballad Of The Fallen", "Too Late", "La Pasionaria", and "The People United Will Never Be Defeated". The sound's a little bit less harsh than his Impulse recording, but it's no less impassioned, and the record's a very emotional batch of music. CD
(Out of print.)

Possible matches32
CD, LP, Vinyl record album cover art
Alfred HarthThis Earth ... LP
ECM (Germany), 1984. Very Good+ ... $24.99
Features Harth on tenor, alto, soprano sax, and bass clarinet – with Paul Bley on piano, Barre Phillips on bass, Trilok Gurtu on percussion, and Maggie Nichols on voice! LP, Vinyl record album
(Cover has light wear.)

Possible matches33
CD, LP, Vinyl record album cover art
Keith JarrettEl Juicio (The Judgement)/Life Between The Exit Signs ... CD
Atlantic/Collectables, 1968/1975. Used ... $3.99
2 obscure early sessions by Keith Jarrett – back to back on one CD! El Juicio is wild and wonderful work by Keith – light years away from his records on ECM! The album features a quartet that includes Dewey Redman on tenor, Charlie Haden on bass, and Paul Motian on drums – but it's clearly Keith who's driving the bus here, taking lots of odd twists and turns for playful moments that come as an unexpected surprise. One of the best of these is the short percussion track "Pre Judgement Atmosphere", which almost sounds like a Moondog number – and another is the rollingly funky "Gypsy Moth", a tune that always seems to be careening out of control, but is never "outside", just percussively grooving. Side two features two longer jamming tracks that almost have a loft jazz feel – "El Juicio" and "Piece For Ornette" – and Keith plays alone on the track "Pardon My Rags". Life Between The Exit Signs is early trio work by Keith, a bit straighter than some of his 70s recordings – but in a good way, with kind of a New York modern groove that reminds us of early work by Paul Bley or Steve Kuhn! The trio's a very progressive group – with Charlie Haden on bass and Paul Motian on drums, making for a really open-ended approach to the rhythms – and the album includes the original compositions "Church Dreams", "Margot", "Long Time Gone", and "Love No 1 & 2". CD

Possible matches34
CD, LP, Vinyl record album cover art
Charles MingusComplete Candid Recordings Of Charles Mingus (3CD set) ... CD
Candid/Mosaic, Early 60s. Used 3CDs ... $149.99
A complete collection Charles Mingus' classic recordings for the Candid label – far and away some of the best recordings he ever made, and some of the few studio sessions that really let him stretch out and do his thing! Players here are a firey lineup of young modernists that includes Eric Dolphy, Ted Curson, Charles McPherson, Booker Ervin, Paul Bley, Roy Eldridge, Tommy Flanagan, Jimmy Knepper, Jo Jones and Dannie Richmond – all working here with Mingus on really long tracks that burst out with raw emotion, intense energy, and some really searing solo work! 17 tracks spread out over 3CDs, with titles that include "Lock Em Up", "MDM", "Stormy Weather", "Folk Forms No 1", "Original Faubus Fables", "Bugs", "All The Things You Could Be If Sigmund Freud's Wife Was Your Mother", "Mysterious Blues", "Melody From The Drums", "Vasserlean" and "Wrap Your troubles In Dreams" CD
(Out of print, numbered limited edition pressing. Includes original book, box and all 3CDs in their cases – besides a small amount of edge wear on the box, everything is in good shape!)

Possible matches35
CD, LP, Vinyl record album cover art
Charles MingusReincarnation Of A Love Bird (Candid) ... CD
Candid, 1960. Used ... $9.99
A great counterpart to the two famous Charles Mingus albums for the Candid label – really a third "lost" Candid album, recorded at the time of those sets, but never issued until many years later! As with those great dates, the work here is filled with righteous anger, unbridled emotion, and some of the most passionate jazz work of the 20th Century – directed by Mingus with unfailing energy on the bass, and featuring solo work from players who include Charles McPherson, Lonnie Hillyer, Booker Ervin, Paul Bley, Eric Dolphy, and Jimmy Knepper. None of the tracks here appeared on the albums that were released by Candid – Presents Charles Mingus or Mingus – and they were all recorded on the November 11, 1960 date that yielded part of that second album. Titles include "Bugs", "Reincarnation of a Lovebird", "R&R", "Wrap Your Troubles In Dreams", and a soulful take on "Body and Soul". CD
(Out of print.)

Possible matches36
CD, LP, Vinyl record album cover art
✨✧ Sonny Rollins & Coleman HawkinsSonny Meets Hawk! ... CD
RCA (France), 1963. Used ... $4.99
A startling meeting of two generations of tenor sax – recorded during one of Sonny Rollins' best periods on record, but featuring some even more amazing work from Coleman Hawkins! The album's proof that in his later years, Hawkins was a modernist who could match wits with the best players of the 60s – and blowing here with Rollins, there's an equal amount of freshness and intensity shared by both players, old and young. The backing group is equally modern too – with Paul Bley on piano, Henry Grimes on bass, and Roy McCurdy on drums – who together spur both Hawk and Sonny into solos that never fail to amaze! Tracks include "At McKies", "All The Things You Are", "Summertime", and "Yesterdays". CD
(Out of print.)

Possible matches37
CD, LP, Vinyl record album cover art
George RussellJazz In The Space Age (with bonus tracks) ... CD
Decca/American Jazz Classics (Spain), Mid 50s. Used ... $6.99
Although issued with a title and cover that might make you think it's a record of bachelor pad music, this set by modernist George Russell is one of his finest recordings of the 50s, and it features some wonderful work in odd tones and scales, executed by players like Bill Evans, Paul Bley, Hal McKusick, Bob Brookmeyer, and David Young. An essential chapter in Russell's career, and nice to have in any form. Titles include "Chromatic Universe (parts 1, 2, & 3)", "Dimensions", "Waltz From Outer Space", and "The Lydiot". CD
(Out of print.)

Possible matches38
CD, LP, Vinyl record album cover art
Pharoah SandersIn The Beginning 1963 to 1964 (4CD box set) ... CD
ESP, Mid 60s. Used 4 CDs ... $32.99
An amazing look at the earliest years of one of our favorite jazz musicians ever – a massive 4CD set that goes way beyond Pharoah Sanders' famous first album for ESP! The box is filled with great music, but is also an historical document too – as it offers up some interview snippets, alongside material that has Sanders working in the Don Cherry Quintet, the Sun Ra Arkestra, the Paul Bley Quartet, and his own group as well! CD 1 features material from January 1, 1963 – recorded with a Don Cherry group that features Sanders on tenor, Joe Scianni on piano, David Izenzon on bass, and JC Moses on drums – plus a May, 1964 date with a Paul Bley group that features Sanders, Izenzon, and Paul Motian on drums! CD 2 features a famous group led by Sanders – with Jane Getz on piano, Stan Foster on trumpet, William Bennett on bass, and Marvin Patillo on drums – on the titles "Bethera" and "Seven By Seven". CDs 3 and 4 feature material from December 30 and 31st, 1964 – a famous performance with Sun Ra and Black Harold – one that seems to be expanded from the previous release, presented with both mono and stereo tracks. Titles include "The Second Stop Is Jupiter", "We Travel The Spaceways", "Dawn Over Israel", "Gods On Safari", "Space Mates", and "The Voice Of Pan". And yes, some of this stuff's been on the market before – but the package also features interviews with Sun Ra, Pharoah Sanders, and Don Cherry – plus a nice booklet too! CD

Possible matches39
CD, LP, Vinyl record album cover art
VariousECM Special ... LP
ECM (Japan), Early 70s. Near Mint- ... $19.99
A great Japanese collection of gems on EMI – with titles that include "Georgian Bay" by the trio of Paul Motian on drums, Charlie Haden on bass, and Sam Brown on guitar; "Strings" by Chick Corea; "Seven" by Paul Bley, "Brujo" by Ralph Towner on guitar with Glenn Moore on bass and Collin Walcott on tablas; "Bruremars" by Jan Garbarek on tenor with Arild Andersen on bass and Edward Vesala on drums; "Counterphonymic" by Keith Jarrett; and "Captain Marvel" by Return To Forever. LP, Vinyl record album
(Includes insert.)

Possible matches40
CD, LP, Vinyl record album cover art
✨✧ Lester Bowie/Phillip WilsonDuet ... LP
Improvising Artists Inc, 1978. Used ... Temporarily Out Of Stock
Improvised duets between Bowie and percussionist Phillip Wilson – recorded by Paul Bley in the loose, free style of the Improvising Artists label. The tracks are all quite long, but also very tight – much more rhythmic and swinging than you'd expect, in a manner that actually makes the record one of Bowie's best non-Art Ensemble sessions. Titles include "Duet", "TBM", and "Finale". LP, Vinyl record album
(Cover has light wear.)

Possible matches41
CD, LP, Vinyl record album cover art
✨✧ Marion BrownSweet Earth Flying ... LP
Impulse, 1974. Used Gatefold ... Temporarily Out Of Stock
An amazing record from Marion Brown – one of his greatest ever! The record has an unusually introspective quality, and features Muhal Richard Abrams playing piano, Fender Rhodes, and Ring Modulated Hammon Organ, plus Paul Bley playing some of the same on a few tracks. The two-keyboard sound is very cool, and the record's dominated by it in a way that we find really surprising, given the fierceness of Brown's sax playing on earlier sessions. Each side of the album features a long suite – side one has "Sweet Earth Flying" and side two has "Eleven Light City" – and each have the tracks drifting in and out, with piano lines swirling about in a soulful spiritual way, as Brown's alto and soprano snake through the elegant arrangements. Really fantastic stuff – and a record that's unlike any we've heard from him! LP, Vinyl record album
(Nice Japanese pressing – with obi!)

Possible matches42
CD, LP, Vinyl record album cover art
✨✧ Charlie HadenLiberation Music Orchestra ... CD
Impulse, 1969. Used ... Temporarily Out Of Stock
One of the most beautiful albums that Charlie Haden ever recorded – and if he only ever appeared on one record in his life, we'd still love him tremendously for this one! The album has a feel that's very much in keeping with both the "liberation" and "orchestra" in the title – "liberation", in that the music is filled with inspiration from South American sources, and has a strongly political feel at times; and "orchestra" because the group here is somewhat large, and filled with a tremendous array of expressive players – including Gato Barbieri on tenor, Dewey Redman on alto and tenor, Don Cherry on cornet and flutes, Michael Mantler on trumpet, Roswell Rudd on trombone, Robert Northern on French horn, Paul Motian and Andrew Cyrille on percussion, Carla Bley on piano, and Perry Robinson on clarinet. Haden leads these disparate talents through a set of tremendously focused music – filled with as many ideas as it is with a sense of humanity and soul – all to brilliantly point the way forward for the new sound of Impulse Records in the years after Coltrane's death! Titles include the classic "Song For Che", plus Ornette's "War Orphans", Carla Bley's "The Interlude", and "Song Of The United Front", by Hans Eisler, and with words by Brecht! CD
(Out of print.)

Possible matches43
CD, LP, Vinyl record album cover art
✨✧ Charlie HadenLiberation Music Orchestra ... LP
Impulse, 1969. Used Gatefold ... Temporarily Out Of Stock
One of the most beautiful albums that Charlie Haden ever recorded – and if he only ever appeared on one record in his life, we'd still love him tremendously for this one! The album has a feel that's very much in keeping with both the "liberation" and "orchestra" in the title – "liberation", in that the music is filled with inspiration from South American sources, and has a strongly political feel at times; and "orchestra" because the group here is somewhat large, and filled with a tremendous array of expressive players – including Gato Barbieri on tenor, Dewey Redman on alto and tenor, Don Cherry on cornet and flutes, Michael Mantler on trumpet, Roswell Rudd on trombone, Robert Northern on French horn, Paul Motian and Andrew Cyrille on percussion, Carla Bley on piano, and Perry Robinson on clarinet. Haden leads these disparate talents through a set of tremendously focused music – filled with as many ideas as it is with a sense of humanity and soul – all to brilliantly point the way forward for the new sound of Impulse Records in the years after Coltrane's death! Titles include the classic "Song For Che", plus Ornette's "War Orphans", Carla Bley's "The Interlude", and "Song Of The United Front", by Hans Eisler, and with words by Brecht! LP, Vinyl record album
(Black label ABC/Impulse pressing. Cover has light wear.)

Possible matches44
CD, LP, Vinyl record album cover art
✨✧ Bob JamesExplosions ... CD
ESP (Italy), 1965. Used ... Temporarily Out Of Stock
Early work by Bob James – recorded way before he became one of the funky talents of the 70s, when he was a budding young modernist on the New York scene, with clear influences from the work of Paul Bley. This set is a trio recording – and it features James playing with Barre Phillips on bass and Robert Pozar on drums. Phillips' work is especially amazing, as he gets sounds out of the bass that are just incredible – working the whole instrument into wild tones and sounds that far surpass conventional work on the strings. The whole session's amazingly dark – and it makes us love James' funky work even more to know that he started out this way! Titles include "Explosions", "And On", "Wolfman", and "Peasant Boy". CD
(Includes slipcase.)

Possible matches45
CD, LP, Vinyl record album cover art
✨✧ Bob JamesExplosions ... LP
ESP, 1965. Used ... Temporarily Out Of Stock
Early work by Bob James – recorded way before he became one of the funky talents of the 70s, when he was a budding young modernist on the New York scene, with clear influences from the work of Paul Bley. This set is a trio recording – and it features James playing with Barre Phillips on bass and Robert Pozar on drums. Phillips' work is especially amazing, as he gets sounds out of the bass that are just incredible – working the whole instrument into wild tones and sounds that far surpass conventional work on the strings. The whole session's amazingly dark – and it makes us love James' funky work even more to know that he started out this way! Titles include "Explosions", "An On", "Wolfman", and "Peasant Boy". LP, Vinyl record album
(Red label mono pressing, with "ear". Cover has a few light stains and some splitting on the spine.)

Possible matches46
CD, LP, Vinyl record album cover art
✨✧ Bud Powell, Mary Lou Williams, Cecil Taylor, etcMasters Of The Modern Piano – 1955 to 1966 ... LP
Verve, Late 50s/Early 60s. Used 2LP Gatefold ... Temporarily Out Of Stock
A great overview of modern jazz piano work – with Verve material by Bud Powell, Cecil Taylor, Mary Lou Williams, Paul Bley, Wynton Kelly, and Bill Evans! LP, Vinyl record album
(Cover has light wear.)

Possible matches47
CD, LP, Vinyl record album cover art
✨✧ Sonny Rollins & Coleman HawkinsTogether At Newport (Japanese paper sleeve edition) ... CD
SSJ (Japan), 1963. New Copy ... Out Of Stock
Don't mix this one up with the RCA album that featured Sonny Rollins and Coleman Hawkins – because this is a different live performance from Newport, stellar work from Rollins – captured here at a key early 60s modernist moment – with a group that features Paul Bley on piano, Henry Grimes on bass, and Roy McCurdy on drums! The album features Coleman Hawkins joining Rollins on tenor on two tracks, and Sonny with the group alone on one more – and the tracks are all long, open, and very freewheeling – a bit like the Our Man In Jazz material, with Rollins blowing with lots of sharp edges – and Hawkins adding in some of his own as well – in a pairing that really had a whole new generation understanding the modernism that lay at the core of Coleman's tenor. This is the actual performance that led to the later RCA studio album Sonny Meets Hawk – and titles include "Remember", "All The Things You Are", and "The Way You Look Tonight". CD
 
Partial matches: 26
Partial matches48
CD, LP, Vinyl record album cover art
✨✧ John Coltrane & Hank MobleyTenor Conclave ... LP
Prestige, 1956. Near Mint- ... $16.99
Tenors can't get any more conclaved than this – as the record brings together 4 players on the instrument in a great match from 2 of the best sides of 50s jazz! John Coltrane and Hank Mobley represent the more open, soulful side of the spectrum – and Al Cohn and Zoot Sims the tighter, more smartly arranged aspect. Together, the quartet of horns work in an open-ended blowing mode with rhythm by Red Garland, Paul Chambers, and Art Taylor – in a way that almost makes the set a "Coltrane plus" album for Prestige – one that has the structure of some of the best Trane/Garland sides for the label, but which blows in some other horns with different voicings. If you ever needed a record to demonstrate the subtler shadings of genius within 50s modern jazz, yet still convince you that it could also be relaxed and spontaneous, this record may well be the one. Titles include 2 standards – "Just You, Just Me" and "How Deep Is The Ocean" – plus 2 Mobley originals – "Tenor Conclave" and "Bob's Boys". LP, Vinyl record album
(OJC pressing.)

Partial matches49
CD, LP, Vinyl record album cover art
Hank MobleyRoll Call ... LP
Blue Note, 1960. Very Good+ ... $499.99
A killer set of hardbop from the legendary Hank Mobley – recorded during the initial Mobley run at Blue Note, and a keen document of his amazing power on the tenor sax! The album's got a tightness that's almost impossible to believe – a summation of all the best bop trends of the 50s, rolled into a freewheeling and soulful expression, guided by Mobley's always-sharp ear for a groove. The group's great too – and Art Blakey is on drums, Wynton Kelly on piano, Paul Chambers on bass, and a young young Freddie Hubbard plays trumpet. All tracks are nice and long, with a firey hardbop sound, deeply held in place by Mobley's soulful tone on the tenor! Titles include "My Groove Your Move", "Baptist Beat", and "The Breakdown". LP, Vinyl record album
(63rd street stereo pressing, with RVG stamp. Vinyl and cover are nice!)

Partial matches50
CD, LP, Vinyl record album cover art
Hank MobleySoul Station (non RVG edition) ... CD
Blue Note, 1960. Used ... $4.99
Simply astounding! Soul Station is a deceptively simple album that has tenor giant Hank Mobley playing standards and originals in a quartet with Wynton Kelly on piano, Paul Chambers on bass, and Art Blakey on drums– a spare and simple group, but one with a direct energy that's really amazing – in a way that makes for some of Mobley's best solos on record! The tracks here are all relatively basic in construction, but this territory allows all players to really relax and open up – especially Mobley, who really dominates the proceedings with some well-blown lines on tenor. Blakey's work is great too – nicely restrained, and the date marks one of his last sessions ever as a sideman. Titles include "Soul Station", "Split Feelin's", "Dig Dis", and "This I Dig Of You". CD
Also available Soul Station (RVG remaster edition) ... CD 4.99

Partial matches51
CD, LP, Vinyl record album cover art
Hank MobleySoul Station (RVG remaster edition) ... CD
Blue Note, 1960. Used ... $4.99
Simply astounding! Soul Station is a deceptively simple album that has tenor giant Hank Mobley playing standards and originals in a quartet with Wynton Kelly on piano, Paul Chambers on bass, and Art Blakey on drums– a spare and simple group, but one with a direct energy that's really amazing – in a way that makes for some of Mobley's best solos on record! The tracks here are all relatively basic in construction, but this territory allows all players to really relax and open up – especially Mobley, who really dominates the proceedings with some well-blown lines on tenor. Blakey's work is great too – nicely restrained, and the date marks one of his last sessions ever as a sideman. Titles include "Soul Station", "Split Feelin's", "Dig Dis", and "This I Dig Of You". CD
Also available Soul Station (non RVG edition) ... CD 4.99

Partial matches52
CD, LP, Vinyl record album cover art
✨✧ Hank MobleyRoll Call (RVG remaster edition) ... CD
Blue Note, 1960. Used ... Temporarily Out Of Stock
A killer set of hardbop from the legendary Hank Mobley – recorded during the initial Mobley run at Blue Note, and a keen document of his amazing power on the tenor sax! The album's got a tightness that's almost impossible to believe – a summation of all the best bop trends of the 50s, rolled into a freewheeling and soulful expression, guided by Mobley's always-sharp ear for a groove. The group's great too – and Art Blakey is on drums, Wynton Kelly on piano, Paul Chambers on bass, and a young young Freddie Hubbard plays trumpet. All tracks are nice and long, with a firey hardbop sound, deeply held in place by Mobley's soulful tone on the tenor! Titles include "My Groove Your Move", "Baptist Beat", and "The Breakdown". CD features one more bonus track! CD
(BMG Direct pressing.)
Also available Roll Call ... LP 499.99

Partial matches53
CD, LP, Vinyl record album cover art
✨✧ Hank MobleySoul Station (2nd cover) ... LP
Blue Note, 1960. Used ... Temporarily Out Of Stock
Simply astounding! Soul Station is a deceptively simple album that has tenor giant Hank Mobley playing standards and originals in a quartet with Wynton Kelly on piano, Paul Chambers on bass, and Art Blakey on drums– a spare and simple group, but one with a direct energy that's really amazing – in a way that makes for some of Mobley's best solos on record! The tracks here are all relatively basic in construction, but this territory allows all players to really relax and open up – especially Mobley, who really dominates the proceedings with some well-blown lines on tenor. Blakey's work is great too – nicely restrained, and the date marks one of his last sessions ever as a sideman. Titles include "Soul Station", "Split Feelin's", "Dig Dis", and "This I Dig Of You". LP, Vinyl record album
(Liberty stereo pressing. Cover has light wear.)

Partial matches54
CD, LP, Vinyl record album cover art
✨✧ Hank MobleyRoll Call (with bonus track) ... CD
Blue Note, 1960. Used ... Out Of Stock
A killer set of hardbop from the legendary Hank Mobley – recorded during the initial Mobley run at Blue Note, and a keen document of his amazing power on the tenor sax! The album's got a tightness that's almost impossible to believe – a summation of all the best bop trends of the 50s, rolled into a freewheeling and soulful expression, guided by Mobley's always-sharp ear for a groove. The group's great too – and Art Blakey is on drums, Wynton Kelly on piano, Paul Chambers on bass, and a young young Freddie Hubbard plays trumpet. All tracks are nice and long, with a firey hardbop sound, deeply held in place by Mobley's soulful tone on the tenor! Titles include "My Groove Your Move", "Baptist Beat", and "The Breakdown". CD features one more bonus track! CD
Also available Roll Call ... LP 499.99

Partial matches55
CD, LP, Vinyl record album cover art
Kenny BurrellIntroducing Kenny Burrell ... CD
Blue Note, 1956. Used 2 CDs ... $9.99
The entirety of Kenny's first 3 sessions for Blue Note together on one 2 disc set. Arguably some of Kenny Burrell's best work! Unlike some of Kenny's other sessions, which hide his guitar in arrangements that are a bit too complicated – this one's a nicely stripped-down album that sets his hollow electric in a group with Tommy Flanagan on piano, Paul Chambers on bass, Kenny Clarke on drums, and Candido on conga. The tracks are nicely laidback, and Kenny hits some nice deep grooves on cuts like "Fugue N Blues", "Takeela", and "Delilah". Plus, the album also includes a totally cool percussion-only track – "Rhythmorama", which is a duet between Kenny Clarke and Candido! This CD adds the entire session to include the album issued as Kenny Burrell Volume 2 which featured Frank Foster's tenor on numbers like "Moten Swin", "Cheeta" and Phinupi. K.B. Blues, an early 10" side that included the title track (with an alternate take also included here), "Nica's Dream" and "Out For Blood" with tenor man Hank Mobley, is also included. CD
(Out of print.)

Partial matches56
CD, LP, Vinyl record album cover art
Lee MorganCharisma ... CD
Blue Note (Japan), 1966. New Copy ... About December 6, 2017
One of our favorite albums from Lee Morgan – a soaringly soulful session that was recorded in the mid 60s, and finally issued by Blue Note at the end of the decade! The vibe here really follows from the lyrically inventive, post-Sidewinder mid 60s Morgan years – with a spirit that's similar to Lee's work on the albums Gigolo or Tom Cat, in a style that mixes in a fair bit more modal and Latin influences to the rhythms. The lineup is totally great too – a sextet that features Hank Mobley, Jackie McLean, Cedar Walton, Paul Chambers, and Billy Higgins – the last of whom provides tremendous rhythms that are as fluidly inventive as Morgan's playing and the writing of Hank Mobley, who contributed most of the tunes to the set. Titles include "Hey Chico", "The Double Up", and "The Murphy Man" – and the record also includes a nice version of Duke Pearson's "Sweet Honey Bee". CD

Partial matches57
CD, LP, Vinyl record album cover art
✨✧ Freddie HubbardGoin' Up ... LP
Blue Note, 1961. Used ... Temporarily Out Of Stock
A real burner from Freddie Hubbard's early years at Blue Note – filled with rich hues, colors, and tones! The group's a quintet – supported by lyrical rhythms from the trio of McCoy Tyner on piano, Paul Chambers on bass, and Philly Joe Jones on drums – working alongside Freddie's trumpet and the tenor of Hank Mobley – to craft tunes that sparkle with slight exotic touches, and which offer the perfect blend of modern and soulful that Blue Note was cutting in the early 60s! The whole album's great, and titles include the classic modal number "Asiatic Raes", plus "Karioka", "The Changing Scene", and "A Pec A Sec". LP, Vinyl record album
(Liberty pressing. Cover has some light wear.)

Partial matches58
CD, LP, Vinyl record album cover art
✨✧ Dizzy ReeceStar Bright (Japanese pressing) ... CD
Blue Note (Japan), 1959. Used ... Temporarily Out Of Stock
The greatest of Dizzy Reece's 3 LPs for Blue Note – and it's also the hardest to find! The British trumpeter is playing here with a group that is totally classic hardbop Blue Note – and which includes Hank Mobley on tenor, Wynton Kelly on piano, Paul Chambers on bass, and Art Taylor on drums. Mobley's playing is fantastic – as on all of his Blue Notes – and his presence alone takes the set into another level. His solos on the harder tracks are all great, and played with a razor-sharp edge that opens up Reece a lot more than usual. Tracks include "The Rebound", "Groovesville", "The Rake", and "A Variation On Monk". Great stuff, and a true classic lost Blue Note! CD
(Out of print 1993 Japanese pressing.)

Partial matches59
CD, LP, Vinyl record album cover art
✨✧ JJ JohnsonEminent Jay Jay Johnson Vol 2 ... LP
Blue Note, 1953. Used ... Out Of Stock
Second volume of the two LP set that compiled JJ's bop trombone sides for Blue Note. Great stuff, and arguably among some of his best work. The arrangements are tight, and JJ's in the company of great rhythm players like Kenny Clarke, Horace Silver, and Paul Chambers, who make the sessions really swing. Soloists include Clifford Brown and Hank Mobley, and titles include "Daylie Double", "Groovin", "Viscosity", and "Turnpike". LP, Vinyl record album
(70s pressing. Cover has light wear, a cut corner & a large name in marker on both sides. Label has marker.)

Partial matches60
CD, LP, Vinyl record album cover art
Hank MobleyPoppin ... CD
Blue Note (Japan), 1957. New Copy ... About December 6, 2017
A rare gem from Hank Mobley's initial late 50s run at Blue Note – a session recorded by the label in 1957, but unissued at the time! The quality of the set is right up there with Hank's best from the period – presented here in full album format, and the mix of searing hardbop and gentle soul that we've always loved in Mobley's work – all so great that the album's easily a cut above most other jazz sides of the time, and at a level that has us (as always) scratching our heads as to why Blue Note never put this one out. Players include Art Farmer on trumpet, Pepper Adams on baritone sax, Sonny Clark on piano, Paul Chambers on bass, and Philly Joe Jones on drums – and titles include "East Of Brooklyn", "Tune Up", "Poppin", "Darn That Dream", and "Getting Into Something". CD

Partial matches61
CD, LP, Vinyl record album cover art
✨✧ Hank MobleyThird Season ... LP
Blue Note, 1967/1980. Used ... Temporarily Out Of Stock
One of those rare treasures that was recorded by Blue Note in the 60s, but not issued at the time – a great late Hank Mobley set from 1967 that only saw the light of day in 1980! The album's got Hank really opening things up – using some of those more inventive rhythms and articulate phrasing that really graced his late years at Blue Note – a bold step forward, given his already-great run of material for the label! The core group is a quintet – with Lee Morgan on trumpet and Cedar Walton on piano – both of whom add to the lyrical edge of the playing – and most tracks feature additional work from James Spaulding on alto and flute, and the wonderful Sonny Greenwich on guitar – a player whose unique phrasing really helps shape the record's sound! Rhythms are from Walter Booker on bass and Billy Higgins on drums – again both great choices for the sometimes-modal qualities of the record – and titles include "Don't Cry Just Sigh", "Steppin Stone", "Third Season", "Boss Bossa", and "An Apertif". LP, Vinyl record album
(Original pressing from 1980. Cover has a cutout hole.)

Partial matches62
CD, LP, Vinyl record album cover art
✨✧ Hank MobleyPoppin (Spanish edition) ... CD
Blue Note/Time Life (Spain), 1957. Used ... Out Of Stock
A rare gem from Hank Mobley's initial late 50s run at Blue Note – a session recorded by the label in 1957, but unissued at the time! The quality of the set is right up there with Hank's best from the period – presented here in full album format, and the mix of searing hardbop and gentle soul that we've always loved in Mobley's work – all so great that the album's easily a cut above most other jazz sides of the time, and at a level that has us (as always) scratching our heads as to why Blue Note never put this one out. Players include Art Farmer on trumpet, Pepper Adams on baritone sax, Sonny Clark on piano, Paul Chambers on bass, and Philly Joe Jones on drums – and titles include "East Of Brooklyn", "Tune Up", "Poppin", and "Getting Into Something". CD
(Out of print.)

Partial matches63
CD, LP, Vinyl record album cover art
Donald ByrdBody & Soul ... LP
Prestige/Status, 1965. Good+ ... $6.99
Nice laid-back blowing session tracks for Prestige, ostensibly led by Donald Byrd and Kenny Burrell, though the label may just have been capitalizing on their names on the cover. Players include Byrd, Hank Mobley, Mal Waldron, Paul Quinichette, Art Taylor and Sonny Red in a number of different groupings working their way through material like "Tune Up", "Body & Soul", "Alicia", "Tea For Two" and "CPW" in a relaxed soulful manner, with strong emphasis on good solo playing. LP, Vinyl record album
(Blue label pressing. Cover has moderate wear with some clear tape over splitting seams. Vinyl plays with clicks & crackles.)

Partial matches64
CD, LP, Vinyl record album cover art
Miles DavisIn Person Friday Night At The Blackhawk – Vol 1 ... LP
Columbia, 1961. Near Mint- ... $59.99
Legendary early live work from Miles Davis – one of the first examples on record of the way that Davis could really stretch out in a concert setting! The music's a bit more straight ahead than later live dates, but still pretty open and exploratory – and in addition to Davis' sparkling work on trumpet, the album also features some killer tenor lines from Hank Mobley – working here as a key part of Miles' group, and blowing with a hell of a lot of soul. Rhythm is by the rock-solid trio of Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and titles include "All Of You", "No Blues", "Bye Bye" and "Walkin". LP, Vinyl record album
(Mono 6 eye pressing. Cover has a small name in pen on back.)

Partial matches65
CD, LP, Vinyl record album cover art
Miles DavisIn Person Saturday Night At The Blackhawk – Vol 2 ... CD
Columbia, 1961. Used 2CD ... $2.99
Legendary early live work from Miles Davis – one of the first examples on record of the way that Davis could really stretch out in a concert setting! The music's a bit more straight ahead than later live dates, but still pretty open and exploratory – and in addition to Davis' sparkling work on trumpet, the album also features some killer tenor lines from Hank Mobley – working here as a key part of Miles' group, and blowing with a hell of a lot of soul. Rhythm is by the rock-solid trio of Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and titles include "Neo", "So What", and "Well You Needn't". CD
(Promo copy with a black and white cover.)

Partial matches66
CD, LP, Vinyl record album cover art
✨✧ Miles DavisSomeday My Prince Will Come ... LP
Columbia, 1961. Very Good+ ... $34.99
The tenor sax here makes the album a standout – as John Coltrane still works with Miles Davis on 2 tracks for the record, but Blue Note stalwart Hank Mobley joins in on the rest! The approach is similar to that of the classic Coltrane/Davis years – and in a way, the record's kind of a swan song to that period – one of the last studio session that Miles would cut in such an unabashedly sweet and lyrical way. And while Mobley's always better known for his harder-blown notes at Blue Note, he sounds totally great here next to Davis – really keeping up the gentle spirit and spaciousness of the record, and working with a gentleness that surpasses even his work on the legendary Soul Station album. Rhythm is by the trio of Wynton Kelly, Paul Chambers, and Jimmy Cobb – and titles include Miles' classic version of "Someday My Prince Will Come", plus "Old Folks", "Teo", "Drad-Dog", and "Pfrancing". LP, Vinyl record album
(6 eye pressing.)
Also available Someday My Prince Will Come (with bonus track) ... CD 2.99

Partial matches67
CD, LP, Vinyl record album cover art
✨✧ Miles DavisSomeday My Prince Will Come (with bonus track) ... CD
Sony, 1961. Used ... $2.99
The tenor sax here makes the album a standout – as John Coltrane still works with Miles Davis on 2 tracks for the record, but Blue Note stalwart Hank Mobley joins in on the rest! The approach is similar to that of the classic Coltrane/Davis years – and in a way, the record's kind of a swan song to that period – one of the last studio session that Miles would cut in such an unabashedly sweet and lyrical way. And while Mobley's always better known for his harder-blown notes at Blue Note, he sounds totally great here next to Davis – really keeping up the gentle spirit and spaciousness of the record, and working with a gentleness that surpasses even his work on the legendary Soul Station album. Rhythm is by the trio of Wynton Kelly, Paul Chambers, and Jimmy Cobb – and titles include Miles' classic version of "Someday My Prince Will Come", plus "Old Folks", "Teo", "Drad-Dog", and "Pfrancing". Includes the bonus track "Someday My Prince Will Come (alt take)". CD
(BMG Direct edition.)
Also available Someday My Prince Will Come ... LP 34.99
 
 
 



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