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Exact matches: 2
Exact matches1
CD, LP, Vinyl record album cover art
Gerry MulliganComplete Pacific Jazz Recordings Of The Gerry Mulligan Quartet With Chet Baker (4CD set) ... CD
Pacific Jazz, 1952/1953/1957. Used 4CDs ... $59.99
CD
(Out of print.)

Exact matches2
CD, LP, Vinyl record album cover art
✨✧ Gil EvansComplete Pacific Jazz Sessions (New Bottle Old Wine/Great Jazz Standards) ... CD
Pacific Jazz, 1958/1959. Used ... Out Of Stock
2 wonderful late 50s sessions from arranger Gil Evans – both of which we'd rank right up there with his best work with Miles Davis, or the albums under his own name for Impulse in the 60s! The first half of the CD is from the album New Bottle Old Wine – a record of swinging modern backdrops, used to showcase both the solo talents of a young Cannonball Adderley, and the dynamic energy of Evans himself! Cannon's sharp-edged early tone is a really great sound for the record – far more modern than you might expect from later funk and soul sides of the 60s – and perfectly poised next to Gil's larger back drops to reignite a host of older tunes with new energy! And while the titles are familiar, the readings certainly are not – as the Evans pen has really changed things up beautifully – as you'll hear on numbers that include "St Louis Blues", "King Porter Stomp", "Willow Tree", "Struttin' With Some Barbeque", "Lester Leaps In", "Round About Midnight", "Manteca", and "Bird Feathers". Great Jazz Standards is equally great, a fantastic lost set from Evans – and one that features Mingus trumpeter Johnny Coles as the lead soloist in front of Evans-led modern groups that include players like Elvin Jones, Ray Crawford, Steve Lacy, Budd Johnson, Rod Levitt, and Chuck Wayne. Despite the "standards" in the title, most of these numbers are modern tunes from the 50s – like "Joy Spring", "Ballad Of The Sad Young Men", "Django", "Straight No Chaser", and "Chant Of The Weed" – all given Evans' unique style of arrangement, tweaked up a few notches to give them a really edgey quality. Coles is clearly standing in for Miles here, but the format works well overall! CD features 15 tracks in all, including some newly-improved versions of a few tracks, correcting mistakes in the original records! CD
(Out of print.)
 
Close matches: 11
Close matches3
CD, LP, Vinyl record album cover art
Earl AnderzaOuta Sight ... CD
Pacific Jazz, 1962. Used ... $6.99
A lost treasure from the glory days of the LA soul jazz bop scene of the early 60s! Alto player Earl Anderza has this crazy tone that's unlike anything we've ever heard – and he plays with a calculated approach to atonality that hints at later work by Ayler and others – but which comes across here a lot more straight ahead. Unlike Ayler, Anderza is backed by a tight soul jazz combo that includes stunning work by pianist Jack Wilson, one of our all-time favorite players – working here on both straight piano and electric harpsichord – which has a very crazy sound! Other players include George Morrow and Jimmy Bond on bass, plus Donald Dean on drums – and titles include "Blues Baroque", "Freeway", "Benign", and a great version of Wilson's modal classic "Outa Sight"! Plus, this great CD reissue also includes 3 bonus cuts that weren't on the orignal album! CD

Close matches4
CD, LP, Vinyl record album cover art
Chet BakerChet Baker Big Band (with bonus tracks) ... CD
Pacific Jazz, 1956. Used ... $9.99
Excellent work – and believe it or not, a great big band album led by Chet Baker! Although Chet's mostly best known for his work in small groups, he's really shining here as the leader of a large ensemble that includes a mix of "cool" west coast players on horns – Bud Shank, Bill Perkins, Conte Candoli, and others – plus more hard bop-oriented players on rhythm – Lawrence Marable, Jimmy Bond, and the great Bobby Timmons – making a surprise appearance on piano! The combination makes for a real monster of an album – crackling with energy all the way through, and featuring some of Baker's hardest solos on wax! Tracks include "A Foggy Day", "Mythe", "Phil's Blues", and "Tenderly". 16 tracks in all. CD
(Out of print.)

Close matches5
CD, LP, Vinyl record album cover art
Chet BakerYoung Chet ... CD
Pacific Jazz, 1956. Used ... $1.99
CD
(Out of print.)

Close matches6
CD, LP, Vinyl record album cover art
Chet Baker & Art PepperRoute ... CD
Capitol/Pacific Jazz, 1956/1957. Used ... $3.99
CD
(Out of print.)

Close matches7
CD, LP, Vinyl record album cover art
Jim HallJazz Guitar ... CD
Pacific Jazz, 1957. Used ... $7.99
A rare early trio set from Jim Hall – especially noteworthy because Jim rarely worked in the format as a leader! The album's got Hall working with Carl Perkins on piano and Red Mitchell on bass – in a mode that slightly recalls some of Barney Kessel's mid 50s recordings over at Contemporary Records, but which also has that airier style that was Hall's first great calling card on his instrument. Some of the best cuts really have the notes hanging in air with incredible grace and a very subtle sense of swing – and titles include "This Is Always", "Look For The Silver Lining", "Stella By Starlight", "Deep In A Dream", "Seven Come Eleven", and "Thanks For The Memory". CD

Close matches8
CD, LP, Vinyl record album cover art
Annie RossGasser ... CD
Pacific Jazz, 1959. Used ... $6.99
Great stuff – one of Annie Ross' rare albums as a solo act away from her trio with Jon Hendricks and Dave Lambert – and a great little session cut with small combo jazz backing, which gives the song a nice swinging edge! Zoot Sims is the main soloist on the tunes, Russ Freeman lays down piano tracks to set the mood – and other players include Jim Hall, Monte Budwig, Mel Lewis, and Bill Perkins – all of whom contribute wonderfully to the album, and give it a nicely grooving west coast finish. Titles include "I Was Doing Alright", "You Took Advantage Of Me", "Lucky Day", "Lucky So & So", and "Nobody's Baby". CD features bonus cuts too! CD
(Out of print.)

Close matches9
CD, LP, Vinyl record album cover art
Bud Shank & Bill PerkinsBud Shank & Bill Perkins ... CD
Pacific Jazz, 1955. Used ... $10.99
Great Bud Shank album, in which he's paired with two different groups on the two different sides of the record. Shorty Rogers holds the lead with him on one side, and Bill Perkins is on the other. Shorty's playing is good, but Perkins is fantastic here. Him and Shank's playing is the stuff that dreams of West Coast jazz are made of. Cool reed work, in a mellow mellow vein. Japanese pressing. CD
(Out of print)

Close matches10
CD, LP, Vinyl record album cover art
✨✧ Jazz CrusadersFreedom Sound (Japanese pressing) ... CD
Pacific Jazz (Japan), 1961. Used ... Temporarily Out Of Stock
Sublime early soul jazz from the Jazz Crusaders – a seminal set that really has the group taking off right away! The use of "freedom" in the title is well placed – as the set definitely shows the players stretching out a bit on their solos – hinting at the magic that would move even more forward during their Lighthouse recordings – while still hanging onto the great groove that took them from Texas to the top of the LA scene! Every player's got a key presence here – Wilton Felder on tenor, Wayne Henderson on trombone, Joe Sample on piano, and Stix Hooper on drums – and the set also features some guest rhythm work from Jimmy Bond on bass and Roy Gaines on guitar, both of whom bring a nice pulse to the set. Titles include "The Geek", "Freedom Sound", and "Coon". CD
(Note: CD is missing back artwork in case – and is priced accordingly.)

Close matches11
CD, LP, Vinyl record album cover art
✨✧ Bud Shank & Bob CooperBlowin Country (with bonus tracks) ... CD
Pacific Jazz, 1956/1958. Used ... Temporarily Out Of Stock
A beautiful pairing of players – one that makes for a wonderful album! Shank's at the height of his early powers here – working in a fluid west coast mode that less in keeping with the "blowin" of the title, than the magic he was known for crafting on his other sides from the time. Bud plays alto, tenor, and flute on the session – and he's paired with Bob Cooper, whose round tones on tenor and bass clarinet are a nice match for Shank's slightly edgier sound. Claude Williamson is on piano, Don Prell plays bass, and Chuck Flores is on drums – and titles include "Two Lost Souls", "Dinah", "Mutual Admiration Society", "Love Nest", "Just In Time", and "Blowin Country". CD also features a huge amount of bonus tracks, from a similar session with Howard Roberts on guitar! CD
(Out of print.)

Close matches12
CD, LP, Vinyl record album cover art
✨✧ Cy Touff & Richie Kamuca Quintet & OctetPrimitive Cats (aka Cy Touff – His Octet & Quintet) ... CD
Pacific Jazz/Fresh Sound (Spain), 1955. Used ... Temporarily Out Of Stock
A seminal bit of west coast cool jazz from the mid 50s – a session led by Cy Touff, a lesser-remembered player from the LA scene, and an instrumentalist who used a bass trumpet! Cy's working here in the company of a host of more familiar names – including Richie Kamuca, Russ Freeman, Leroy Vinnegar, and Pete Jolly – on a set of tightly arranged tunes (by Johnny Mandel) that have a swinging ensemble feel that reminds us a bit of Bob Cooper's work from the time. The CD features the 8 original tracks from the album, plus 2 bonus cuts – and titles include "It's Sand Man", "Primitive Cats", "A Smooth One", "TNT", "Groover Wailin", and "Prez-ence". CD

Close matches13
CD, LP, Vinyl record album cover art
✨✧ Clare FischerExtension (LP sleeve edition) ... CD
Pacific Jazz/International Phonograph, 1963. New Copy Gatefold ... Out Of Stock
An early moment of genius from the young Clare Fischer – one of his first sets for a larger ensemble, and the start of years of great work to come! Previous Pacific Jazz sessions featured Fischer in a piano trio – but this album lets Clare loose on a host of his own inventive arrangements – a set of charts and compositions that easily move between the modern and the groovy – sometimes using offbeat tones and sounds that rival the best that Ellington or Gil Evans had to offer – other times coming across with this fluidity that's a perfect summation of the way that Fischer pulled together all of the California cool of the 50s, and managed to come up with something completely fresh for the 60s! The modern edges will come as a real surprise to those who only know Fischer's more easygoing work – and in addition to Clare's own work on piano and organ, the record also features Jerry Coker on tenor, Gary Foster on tenor and clarinet, Jack Nimitz on bass clarinet and baritone, Sam Most and John Lowe on flutes, and Don Shelton on alto – all working with reed interplay that's completely sublime. Titles include "Bittersweet", "Igor", "Canto Africano", "Extension", "Passacaglia", and "Ornithardy". CD
 
Possible matches: 10
Possible matches14
CD, LP, Vinyl record album cover art
Buddy Collette & Chico HamiltonTanganyika ... CD
Dig/VSOP, 1956. New Copy ... $10.99 11.99
A real lost slice of work from the career of Chico Hamilton – recorded for the short-lived Dig label, owned by R&B artist Johnny Otis in the mid 50s! The group here is slightly different than Hamilton's quintet that recorded for Pacific Jazz – in that it's got a sound that's a bit less arranged, and which often opens up into some more freewheeling jazz styles at times. Buddy Collette and Jim Hall are on the session from Chico's regular group – and Buddy's really the co-leader of the set, and contributed some fantastic original tunes that are perfect for his colorful work on reeds. And the group's also got Curtis Counce on bass and Gerald Wiggins on piano – bringing a decidedly heavier groove to the record than on most 50s Hamilton work – one that's topped off by the trumpet of John Anderson, often muted but still powerful enough to make its presence known on the set. Titles include the Collette originals "It's You", "Green Dream", "Jungle Pogo Stick", "Tanganyika", and "A Walk On The Veldt" – plus other session originals "And So Is Love", "Wagnervous", and "The Blindfold Test". CD

Possible matches15
CD, LP, Vinyl record album cover art
John FaheyOf Rivers & Religion/After The Ball ... CD
Reprise/BGO (UK), 1972/1973. New Copy ... $15.99
A pair of wonderful albums from the great John Fahey – back to back on a single CD! First up is Rivers & Religion – a really unique album by John Fahey – issued during a short stretch of initial mainstream approval, and a brief time of recording for Warner Brothers! Some of the album's quite different than the spare, solo Fahey you might know – and mixes his legendary guitar work with more elaborate elements than usual – additional instrumentation that includes bass, banjo, clarinet, piano, trombone, and fiddle – but all used at a level that really supports John's presence, not occludes it. Other tracks return to spare acoustic steel string guitar – creating an evocative balance that's mighty nice. Titles include "Funeral Song For Mississippi John Hurt", "Texas & Pacific Blues", "Dixie Pig Bar B Q Blues", "Lord Have Mercy Song", and "Deep River". After The Ball is a set with a disco ball on the cover, but a record that fits right in with the best early 20th century aesthetic in the work of John Fahey – particularly his way of reiimagining older musical traditions! There's a bit of added instrumentation on the record – two tracks that have some slight trad jazz flourishes – but overall, the album's mostly a solo effort with loads of wonderful guitar work from John – still as creative and as complicated as in his best recordings for Takoma! Other added instrumentation sometimes expands the sound with mandolin or banjo, but again in very sensitive ways – and titles include "Bucktown Stomp", "Om Shanthi Norris", "Beverly", and "Horses". CD

Possible matches16
CD, LP, Vinyl record album cover art
Herb GellerFire In The West (aka Herb Geller) ... CD
Jubilee/Warner (Japan), 1957. New Copy ... $14.99
A gem of a record – easily one of Herb Geller's best, and a set that definitely has the "fire" promised in the title! There's a bite to the record we really love – a quality in Geller's tone that really blows us away – and which has had us going back and re-evaluating his career after hearing this set. Part of the strength is the setting – a nicely dark vibe, typical to some of the other Jubilee jazz sessions of the time – played by a lineup that includes Kenny Dorham on trumpet, Harold Land on tenor, Lou Levy on piano, Ray Brown on bass, and Lawrence Marable on bass – an ensemble that have a fuller punch than some of Geller's other groups in the 60s. The track's are easily grooving hardbop numbers – nearly all originals, and handled with a style that's much more New York oriented than you'd expect from Geller's west coast roots. Titles include "S'Pacific View", "The Fruit", "Marable Eyes", "Melrose & Sam", and "An Air For The Heir". CD
(SHM-CD pressing!)

Possible matches17
CD, LP, Vinyl record album cover art
Vinny Golia/Marco Eneidi/Lisa Mezzacappa/Vijay AndHell-Bent In The Pacific ... CD
No Business (Lithuania), 2012. Used ... $9.99
A powerful set of free jazz that definitely lives up to its title – a hell-bent session of unbridled energy from this west coast quartet! Vinny Golia contributes some wonderful tenor, soprano sax, sopranino, and bass clarinet to the record – these deft, deep tones that really give the album a heck of a lot of soul – especially on some of the sparer moments, which have the spiritual feel of a 70s loft jazz session. Lisa Mezzacappa's basslines are often a key complement to Golia's reedwork – and the set also features some equally nice alto sax lines from Marco Eneidi, who definitely has the right feel for the record. Vijay Anderson completes the group on drums – and titles include "Lop-Sided Heels & Frayed Shoes", "Meteorites", "Inessential Melancholies", "Pendulum", "Deformities & Dischords", and "Everything Imaginable Can Be Dreamed". CD

Possible matches18
CD, LP, Vinyl record album cover art
VariousAfro Blue Vol 2 – The Roots & Rhythms Of Jazz ... CD
Blue Note, 1998. Used ... $7.99
Despite the "primitivist" sort of leanings you might expect from the "roots" in the title, this is actually a nice batch of tracks from the catalogs of Blue Note and World Pacific during the 60's – and they're all jazz tracks that have a slight Africanist influence, but which are certainly not African tracks themselves. The 13 tracks include loads of nice hard to find ones, including "Blue Dashiki" by Blue Mitchell, "Appointment in Ghana" by the Jazz Crusaders, "Marabi" by Cannonball Adderley, "Ghana Spice" Candido, "Zulu" by Randy Weston, "Zambia" by Lee Morgan, and "Follow Me To Africa" by Solomon Ilori & His Afro Drum Ensemble. CD

Possible matches19
CD, LP, Vinyl record album cover art
✨✧ Annie RossAnnie Ross Sings A Handful Of Songs (plus Gasser/Cranks/ bonus tracks) ... CD
Ember/El (UK), 1964. New Copy ... About October 20, 2016
An obscure one from Annie Ross – recording here as a solo act back in England after leaving her famous group with Dave Lambert and John Hendricks! The style here is a bit like some of the solo work that Ross cut in the US at the end of the 50s – particularly her sides for Pacific Jazz – not as vocalese and solo-oriented as the sort of recordings that first got her noticed, but still a lot more dynamic than most straighter jazz singers of the time! Arrangements are pretty groovy overall – nicely jazzy, and penned by Johnnie Spence – also produced by John Barry, who really helps keep the right sort of "punch" in the set. Titles include "Fly Me To The Moon", "Nature Boy", "A Lot Of Livin To Do", "Like Someone In Love", "A Handful Of Songs", and "All Of You". CD

Possible matches20
CD, LP, Vinyl record album cover art
✨✧ Chico HamiltonTransfusion ... CD
Studio West, 1962. New Copy ... Temporarily Out Of Stock
Killer work from Chico Hamilton – and a key batch of sides recorded between his 50s quintet sessions for Pacific Jazz and his later modal magic at Impulse! The work here was originally done for the Navy Swings series of radio shows – and features a Chico with the group that included Charles Lloyd on flute, tenor, and alto sax, Gabor Szabo on guitar, George Bohannon on trombone, and Albert Stinson on bass. The lack of piano and presence of trombone makes for a really unique feel to the group – one that's almost got extra bass at moments, thanks to the work of Bohannon – and which allows for some especially creative flourishes from Lloyd on sax – clearly opening up here, even at an early date. Tracks are short, but extremely creative throughout – and the 16 track set is filled with great originals by Lloyd that include "Vulture", "A Rose For Booker", "Transfusion", "Tales", "CL Blues", "One For Joan", "Homeward", and "Sun Yen Sen". CD

Possible matches21
CD, LP, Vinyl record album cover art
✨✧ Bud ShankLive At The Haig ... CD
Choice (UK), 1956. Used ... Temporarily Out Of Stock
Vintage live work from Bud Shank – material recorded right around the same time as his classic quartet albums on Pacific Jazz, but with a more freewheeling sort of sound! The group here are all familiar from the studio albums – Claude Williamson on piano, Don Prell on bass, and Chuck Flores on drums – but the overall style here is more focused on Shank's solos, which stretch out in a more unfettered way than we might have expected – really getting a nice edge on the numbers with alto sax! Titles include a great exotic take on "Out Of This World", done with really great flute – plus "Lover Man", "Ambassador Blues", "I Heard You Cried Last Night", and "How About You". CD
(Note: CD is missing back artwork in case – and is priced accordingly. Out of print.)

Possible matches22
CD, LP, Vinyl record album cover art
✨✧ Bud Shank & Bob CooperEuropean Tour 1957 – Featuring Joe Zawinul ... CD
Lonehill (Spain), 1957. Used ... Temporarily Out Of Stock
An unbelievable meeting of modern jazz talents from both sides of the Atlantic – heard here in sessions from a European tour of the late 50s! The first half of the CD features the team of Bud Shank and Bob Cooper – already well-known from Pacific Jazz recordings together – joining forces with a young Joe Zawinul on piano and the legendary Albert Mangelsdorff on trombone – fitting in very nicely alongside the LA players, almost in a role that would be filled by Bob Brookmeyer back home! The set features 3 great original tunes – "Vielaf", "Madame Butterfly", and "For Bud" – both filled with angular modern changes and some great reed work from Shank – plus a version of "Night In Tunisia" and a medley of standards. The second half of the CD is almost more intriguing – as it features Shank joining the Hans Koller Combo – a lineup that includes Koller on tenor, Mangelsdorff on trombone, Roland Kovac on piano, and Atilla Zoller on guitar. Koller and Mangelsdorff drop out for 3 of the 5 tracks – leaving even more space for Shank – and titles include "Indian Summer", "I'll Remember April", "Booop Boop Be Doop", and "Yardbird Suite". CD
(Note: CD is missing back artwork in case – and is priced accordingly.)

Possible matches23
CD, LP, Vinyl record album cover art
✨✧ HiroshimaHiroshima/Odori ... CD
Arista/Vocalion (UK), 1979/1980. New Copy ... Out Of Stock
Two sweet sets from Hiroshima – back to back on a single CD! First up is the self-titled first album from Hiroshima – a group who took the 70s experiments in Japanese fusion right into the American mainstream – with a wonderful blend of jazz and soul, and a production style that was never too polished or commercial! The group's led by reedman Dan Kuramota – who plays both sax and flutes, including a bit of Japanese wooden flute – which gives the record a few slight "Eastern" touches a times, although the overall vibe is strongly in the best soulful fusion of the period! In keeping with that approach, there's a bit of vocals on the record – sung in English with a soulful vibe – on titles that include "Lion Dance", "Da Da", "Taiko Song", "Holidays", "Never Ever", and "Kokoro". Odori is a wicked blend of jazz and soul from Hiroshima – a group who've got the smooth blend of styles we love in some of the import-only fusion dates that were coming from Japan in the late 70s! The group's got a few light touches that emphasize their Pacific roots – including light flute lines and touches of koto and shamisen, but often used in more subtle ways than on earlier Japanese albums that mixed these rootsy elements with jazz – and the overall vibe here is one that's got plenty of appeal to fans of crossover fusion from the time, especially the kind with a strong current of soul! There's a bit of vocals on the record, too – and titles include "Winds Of Change", "Odori", "Echoes", "Cruisin J-Town", "Fortune Teller", and "Shinto". CD
 
Partial matches: 1
Partial matches24
CD, LP, Vinyl record album cover art
✨✧ Bud ShankMichelle ... CD
World Pacific/Elemental (UK), 1965. New Copy Gatefold ... Temporarily Out Of Stock
Bud Shank takes on the sounds of The Beatles – and a whole host of other 60s pop stars as well – all with results that are as jazzy as they are groovy! The album's one of a few that Bud cut for Liberty in this format – alto and flute spread out over fuller backings from Bob Florence, a great arranger who knows how to make things swing by bringing in some wonderful 60s touches! There's a bit of guitar at times, some compressed horns – ala A&M – and some overall mod rhythms that help change things up nicely from tune to tune. Titles include "Michelle", "Yesterday", "Blue On Blue", "Sounds Of Silence", "Turn Turn Turn", "As Tears Go By", and "Girl". CD
(Limited edition!)
 
 
 



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