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Exact matches: 3
Exact matches1
CD, LP, Vinyl record album cover art
Gil EvansComplete Pacific Jazz Sessions (New Bottle Old Wine/Great Jazz Standards) ... CD
Pacific Jazz, 1958/1959. Used ... $6.99
2 wonderful late 50s sessions from arranger Gil Evans – both of which we'd rank right up there with his best work with Miles Davis, or the albums under his own name for Impulse in the 60s! The first half of the CD is from the album New Bottle Old Wine – a record of swinging modern backdrops, used to showcase both the solo talents of a young Cannonball Adderley, and the dynamic energy of Evans himself! Cannon's sharp-edged early tone is a really great sound for the record – far more modern than you might expect from later funk and soul sides of the 60s – and perfectly poised next to Gil's larger back drops to reignite a host of older tunes with new energy! And while the titles are familiar, the readings certainly are not – as the Evans pen has really changed things up beautifully – as you'll hear on numbers that include "St Louis Blues", "King Porter Stomp", "Willow Tree", "Struttin' With Some Barbeque", "Lester Leaps In", "Round About Midnight", "Manteca", and "Bird Feathers". Great Jazz Standards is equally great, a fantastic lost set from Evans – and one that features Mingus trumpeter Johnny Coles as the lead soloist in front of Evans-led modern groups that include players like Elvin Jones, Ray Crawford, Steve Lacy, Budd Johnson, Rod Levitt, and Chuck Wayne. Despite the "standards" in the title, most of these numbers are modern tunes from the 50s – like "Joy Spring", "Ballad Of The Sad Young Men", "Django", "Straight No Chaser", and "Chant Of The Weed" – all given Evans' unique style of arrangement, tweaked up a few notches to give them a really edgey quality. Coles is clearly standing in for Miles here, but the format works well overall! CD features 15 tracks in all, including some newly-improved versions of a few tracks, correcting mistakes in the original records! CD
(Out of print. BMG Direct pressing.)

Exact matches2
CD, LP, Vinyl record album cover art
Gerry MulliganComplete Pacific Jazz Recordings Of The Gerry Mulligan Quartet With Chet Baker (4CD set) ... CD
Pacific Jazz, 1952/1953/1957. Used 4CDs ... $43.99
... CD
(Out of print.)

Exact matches3
CD, LP, Vinyl record album cover art
✨✧ Clifford BrownComplete Blue Note & Pacific Jazz Recordings (4CD box set) ... CD
Blue Note/Pacific Jazz, Early 50s. Used 4 CDs ... Out Of Stock
A great set, filled with excellent notes too! CD
(Out of print, BMG music club pressing.)
 
Close matches: 33
Close matches4
CD, LP, Vinyl record album cover art
Gil Fuller with Dizzy GillespieGil Fuller & The Monterey Jazz Festival Orchestra featuring Dizzy Gillespie ... CD
Pacific Jazz/Blue Note, 1965. Used ... $4.99
One of Dizzy Gillespie's hippest big band sessions ever – and one of the few dates as a leader from arranger Gil Fuller! Fuller will always be best-remembered as the man who composed some of Dizzy Gillespie's best known tunes from the bop era – like "Manteca", "One Bass Hit", and "Things To Come" – but on this album from 1965, he's reunited with Dizzy for a large group set of tracks that feature Diz as the main soloist – at a level that really shows the growth of both men at the time! Fuller's charts are large and full, but with a sense of space that's really amazing – almost like some of the soundtrack work Dizzy had done for The Cool World – with a mix of soulful and modern moments that's really wonderful. The group's kind of a mix of hip LA players – with Phil Moore Jr on piano, Dennis Budimir on guitar, and Jimmy Bond on bass – plus a larger set of horn players backing Dizzy up. Titles include a number of great originals – such as "Be's That Way", "Big Sur", "Things Are Here", "Man From Monterey", and "Angel City". CD
(Out of print, BMG music club pressing.)

Close matches5
CD, LP, Vinyl record album cover art
Mark WinklerJazz & Other Four Letter Words ... CD
Cafe Pacific, 2015. Used ... $7.99
... CD
(Punch through digipack barcode.)

Close matches6
CD, LP, Vinyl record album cover art
Curtis Amy & Dupree BoltonKatanga (with bonus tracks) ... CD
Pacific Jazz, 1963. Used ... $11.99
A stellar set from one of the most underrated reed players of all time – a brilliant bit of searching soul jazz, cut at a time when Curtis Amy was leaving behind his Texas roots for the new sounds of the Coltrane generation! The album's quite different than the organ and tenor dates that Amy had previously cut with Paul Bryant – and instead, is put together with a nascent spiritualism that's really wonderful – a sound that definitely lives up to the bold title and cover image, with lots of modal moments in the rhythms! The group features some equally under-acknowledge geniuses – including trumpeter Dupree Bolton, pianist Jack Wilson, and guitarist Ray Crawford – all coming together perfectly with Amy's work on tenor and soprano sax. The best tunes here are originals by the group members – including "Lonely Woman" (not by Ornette), "Katanga", "Native Land", and "Amyable". Plus, this CD reissue also includes some great bonus cuts that were not on the original album! CD

Close matches7
CD, LP, Vinyl record album cover art
✨✧ Earl AnderzaOuta Sight ... CD
Pacific Jazz, 1962. Used ... $7.99
A lost treasure from the glory days of the LA soul jazz bop scene of the early 60s! Alto player Earl Anderza has this crazy tone that's unlike anything we've ever heard – and he plays with a calculated approach to atonality that hints at later work by Ayler and others – but which comes across here a lot more straight ahead. Unlike Ayler, Anderza is backed by a tight soul jazz combo that includes stunning work by pianist Jack Wilson, one of our all-time favorite players – working here on both straight piano and electric harpsichord – which has a very crazy sound! Other players include George Morrow and Jimmy Bond on bass, plus Donald Dean on drums – and titles include "Blues Baroque", "Freeway", "Benign", and a great version of Wilson's modal classic "Outa Sight"! Plus, this great CD reissue also includes 3 bonus cuts that weren't on the orignal album! CD

Close matches8
CD, LP, Vinyl record album cover art
Chet BakerChet Baker Big Band ... CD
Pacific Jazz, 1956. Used ... $2.99
Excellent work – and believe it or not, a great big band album led by Chet Baker! Although Chet's mostly best known for his work in small groups, he's really shining here as the leader of a large ensemble that includes a mix of "cool" west coast players on horns – Bud Shank, Bill Perkins, Conte Candoli, and others – plus more hard bop-oriented players on rhythm – Lawrence Marable, Jimmy Bond, and the great Bobby Timmons – making a surprise appearance on piano! The combination makes for a real monster of an album – crackling with energy all the way through, and featuring some of Baker's hardest solos on wax! Tracks include "A Foggy Day", "Mythe", "Phil's Blues", and "Tenderly". CD
(Out of print, BMG music club pressing.)
Also available Chet Baker Big Band (with bonus tracks) ... CD 7.99

Close matches9
CD, LP, Vinyl record album cover art
Chet BakerChet Baker Big Band (with bonus tracks) ... CD
Pacific Jazz, 1956. Used ... $7.99
Excellent work – and believe it or not, a great big band album led by Chet Baker! Although Chet's mostly best known for his work in small groups, he's really shining here as the leader of a large ensemble that includes a mix of "cool" west coast players on horns – Bud Shank, Bill Perkins, Conte Candoli, and others – plus more hard bop-oriented players on rhythm – Lawrence Marable, Jimmy Bond, and the great Bobby Timmons – making a surprise appearance on piano! The combination makes for a real monster of an album – crackling with energy all the way through, and featuring some of Baker's hardest solos on wax! Tracks include "A Foggy Day", "Mythe", "Phil's Blues", and "Tenderly". 16 tracks in all. CD
(Out of print.)
Also available Chet Baker Big Band ... CD 2.99

Close matches10
CD, LP, Vinyl record album cover art
Chet BakerGrey December ... CD
Pacific Jazz, 1953/1955. Used ... $6.99
... CD
(Out of print.)

Close matches11
CD, LP, Vinyl record album cover art
Chet BakerPicture Of Heath ... CD
Pacific Jazz/Blue Note, 1956. Used ... $4.99
That's "Heath", not "health" – as you might think the title's misspelled – as in Jimmy Heath, who arranged most of the numbers on the set! Heath's contribution is a good one too – as it helps Baker create one of his most tightly-wrapped albums of the time, a well-blown session recorded here with a group that includes Art Pepper on alto, Phil Urso on tenor, Carl Perkins on piano, and Lawrence Marable on drums. The presence of Urso is especially appreciated – as his sharper, deeper tone really brings a wider sound to the album than some of Chet's other dates of the time – especially when combined with the excellent sound of Pepper! Titles include "CTA", "For Minors Only", "For Miles & Miles", and "Resonant Emotions". CD
(Out of print, SBM pressing.)

Close matches12
CD, LP, Vinyl record album cover art
Chet BakerYoung Chet ... CD
Pacific Jazz, 1956. Used ... $0.99
... CD
(Out of print original CD pressing, not a CDr.)

Close matches13
CD, LP, Vinyl record album cover art
Chet Baker & Stan GetzWest Coast Live ... CD
Pacific Jazz, 1953/1954. Used 2 CDs ... $8.99
... CD
(Out of print.)

Close matches14
CD, LP, Vinyl record album cover art
Bob Brookmeyer QuintetTraditionalism Revisited (bonus tracks) ... CD
Pacific Jazz/Essential Jazz, 1957. Used ... $3.99
Beautifully modernist material from the great Brookmeyer – performing here with a well-suited group that features Jimmy Giuffre and Jim Hall, plus the great Dave Bailey on drums. The album features older tracks done in a surprisingly fresh style, and the trio of lead players dance around each other in a wonderful way. Titles include "Truckin", "Some Sweet Day", "Jada", and "Louisiana". CD

Close matches15
CD, LP, Vinyl record album cover art
✨✧ Don EllisLive At Monterey ... CD
Pacific Jazz, 1966. Used ... $16.99
A really great little album recorded by trumpeter Don Ellis in his early years – done at a time before he started putting a bit more fusion in his mix! The record features an extended live performance by a larger group, caught in concert at the Monterey Jazz Fest in 1966 – opening up in a fresh, youthful, modern sound – never too out there, but with a sense of optimism that Ellis must have carried to the stage right from music school! The band has a lot of extremely cool elements in its composition – like organ by Dave Mackay, tenor by Ira Schulman, and some very heavy conga work by Chino Valdes – all of which help give the tunes some unusual flavors and tones – making them swing with a lot more character than you might expect. The overall feel is a mix of strange time changes, off-kilter arrangements, and (most importantly) a tight jazzy groove! Titles include "Passacaglia & Fugue", "New Nine", and "Concerto For Trumpet". CD
(Out of print.)

Close matches16
CD, LP, Vinyl record album cover art
Booker ErvinStructurally Sound ... CD
Pacific Jazz/Blue Note, Late 60s. Used ... $6.99
One of Booker Ervin's last sessions – quite different than some of his earlier work, and a great indication of the way that he was stretching his style in the years before his untimely death. The group's a committed band of modernists, and includes a young Charles Tolliver on trumpet, plus John Hicks on piano and Lennie McBrownie on drums. The tracks are short, but they're a compelling mix of Booker's searching tenor lines with warm lyrical accompaniment. Titles include "Boo's Blues", "Franess", "Stolen Moments", "Berkshire Blues", and a great reading of "Dancing In The Dark". CD also features 4 unissued bonus tracks – 2 alternate takes of tunes on the album, plus versions of "White Christmas" and "Shiny Stockings". CD
(Out of print.)

Close matches17
CD, LP, Vinyl record album cover art
Clare FischerManteca! ... CD
Pacific Jazz (Japan), 1966. Used ... $11.99
One of our favorite albums ever from the great Clare Fischer – and one of the first to really show his special talents at their best! The sound here is a wonderful blend of jazz, Latin, and Brazilian modes – and in addition to piano, Clare plays plenty of organ on the date – which bristles with this cool, clear sound amidst larger backdrops that have a very driving feel! There's lots of percussive energy at the bottom of the bigger group tracks – thanks to work from Latin percussionists Carlos Vidal, Cuco Martinez, Chino Valdes, and Rudy Calzado – and some of the other cuts feature a smaller group, but still with lots of great percussion! Clare's organ has this feel that's very different than the usual Hammond jazz style – and really sounds great throughout – on a batch of tracks that includes a key reading of his classic "Morning" – plus the cuts "Manteca", "Favela", "Afro Blue", "Dulzura", and "Negrita". CD
(Includes obi.)

Close matches18
CD, LP, Vinyl record album cover art
Clare FischerSurging Ahead ... CD
Pacific Jazz (Japan), 1962. Used ... $17.99
Early trio work from pianist Clare Fischer – definitely surging ahead at this point in his career! The set's got a bit more of a freewheeling sound than some of Fischer's later, more arranged material – lots of tight piano from Clare in the lead, swung with a good blend of soul jazz energy mixed with Latin and Brazilian influences – with support from a few different rhythm teams, players who include Gary Peacock, Ralph Pena, and Albert Stinson on bass – and Gene Stone, Larry Bunker, and Colin Bailey on drums! Some of the tracks are a bit longer than you'd expect for such a record – taking things nicely past conventional trio expectations – and titles include "Billie's Bounce", "Way Down East", "Davenport Blues", "Strayhorn", "This Can't Be Love", and "Without A Song". CD
(Out of print.)

Close matches19
CD, LP, Vinyl record album cover art
Russ Freeman/Richard TwardzikTrio (Japanese paper sleeve edition – with bonus tracks) ... CD
Pacific Jazz (Japan), 1954. Used ... $19.99
One of the rarest albums on the Pacific Jazz label from the 50s – featuring a side apiece of trio material by pianists Russ Freeman and Richard (aka Dick) Twardzik. Both players were known as accompanists of Chet Baker during his sublime mid 50s run at Pacific Jazz – and although Freeman is well-remembered today as the strong player he always was, Twardzik has quickly fallen into obscurity, due to a young death in the mid 50s – and this album features some of the few tracks he recorded as a leader on his own. Freeman plays with Joe Mondragon on bass and Shelly Manne on drums, and Twardzik plays with Carson Smith and Peter Littman – and titles include "Yellow Tango", "Round Midnight", "Abuquerque Social Swim", "Backfield In Motion", "Bock's Tops", and "Yesterday's Gardenias". With 9 bonus tracks! CD
(Out of print.)
Also available Trio (Japanese pressing) ... CD 14.99

Close matches20
CD, LP, Vinyl record album cover art
Russ Freeman/Richard TwardzikTrio (Japanese pressing) ... CD
Pacific Jazz (Japan), 1954. Used ... $14.99
One of the rarest albums on the Pacific Jazz label from the 50s – featuring a side apiece of trio material by pianists Russ Freeman and Richard (aka Dick) Twardzik. Both players were known as accompanists of Chet Baker during his sublime mid 50s run at Pacific Jazz – and although Freeman is well-remembered today as the strong player he always was, Twardzik has quickly fallen into obscurity, due to a young death in the mid 50s – and this album features some of the few tracks he recorded as a leader on his own. Freeman plays with Joe Mondragon on bass and Shelly Manne on drums, and Twardzik plays with Carson Smith and Peter Littman – and titles include "Yellow Tango", "Round Midnight", "Abuquerque Social Swim", "Backfield In Motion", "Bock's Tops", and "Yesterday's Gardenias". CD
Also available Trio (Japanese paper sleeve edition – with bonus tracks) ... CD 19.99

Close matches21
CD, LP, Vinyl record album cover art
✨✧ Lee Konitz & Gerry MulliganKonitz Meets Mulligan ... CD
Pacific Jazz, 1953/1960s. Used ... $2.99
These tracks were originally recorded at The Haig in Los Angeles in 1953 and reissued here as part of Liberty's Jazz Milestones Series. Konitz plays alto, Mulligan is on baritone, Chet Baker plays trumpet, Larry Bunker is on drums and Carson Smith and Joe Mondragon play bass. Tracks include "Broadway", "Sextet", "Almost Like Being In Love", "Too Marvelous For Words", "Lover Man","I'll Remember April", and "All The Things You Are". CD
(Out of print.)

Close matches22
CD, LP, Vinyl record album cover art
Johnny LytleDone It Again (LP sleeve edition) ... CD
Pacific Jazz/Get On Down, 1967. New Copy Gatefold ... $5.99 14.98
Very very very groovy stuff by this masterful jazz vibist, recorded with a sort of late 60s swingin' feel – but still very much in the pocket and warm as a summer breeze! Lytle has a pretty remarkable way of playing the vibes with speed and energy, yet the overall feel still has kind of a relaxed West Coast vibe – a beautiful blend that rivals, if not beats, the sound of Cal Tjader on late 60s Verve! Jimmy Foster grooves along on organ, and the interplay with Lytle is key to the classic sound – but the whole group is great here – Major Holley on bass, Peppy Hinant on drums and Don Alias on conga, which brings in plenty of Latin kick. 6 of the 10 numbers are Lytle originals, including "Done It Again", "Sleepy Dozier", "Zote", "Jungle Child" and "Happy Preacher" – plus "If Ever I Should Leave You", "People" and "The Nearness Of You". CD
(Comes in a great, heavy cardboard gatefold-style package!)

Close matches23
CD, LP, Vinyl record album cover art
Jack MontroseJack Montrose Sextet ... CD
Pacific Jazz, 1955. Used ... $11.99
A beautiful example of why the west coast scene was great when it was working at its finest! Jack Montrose cut a rare few albums in the 50s, but this one's a gem – done with help from frequent partner Bob Gordon on baritone sax, and with other players that include Conte Candoli, Shelly Manne, and Joe Mondragon. The style is tightly arranged, but not too tightly that the band doesn't have room to swing – and the mix of Montrose's tenor and Gordon's baritone is sublime together! Titles include "Listen Hear", "Some Good Fun Blues", "Fools Rush In", "Speakeasy", "Pretty", "Credo", and "That Old Feeling". CD
(Out of print.)
 
Possible matches: 19
Possible matches37
CD, LP, Vinyl record album cover art
Laurindo Almeida & Bud ShankBrazilliance Vol 1 ... CD
World Pacific, 1953. Used ... $4.99
Landmark set of recordings cut for the Pacific Jazz label in the early 50s, and supposedly a major influence on the early bossa artists in Brazil! The tracks were cut by a quartet led by LA altoist Bud Shank, and featuring Brazilian guitarist Laurindo Almeida, who was living in LA at the time. The mix of alto and guitar, in a jazzy vein, but with Latiny rhythms, is very similar to the early bossa jazz recordings – and even more so to the later American ones by Stan Getz and Charlie Byrd. Supposedly, original 10" LPs of the material made their way to Brazil, and later influenced Jobim and Gilberto. Although we can't confirm that rumor entirely, you'll sure hear a similarity, and even if you don't, the stuff's still pretty darn great. Titles include "Terra Seca", "Amor Flamenco", "Atabaque", "No No", "Noctambulism", "Tocata", and "Carinoso". 15 cuts in all. CD
(Out of print.)

Possible matches38
CD, LP, Vinyl record album cover art
Laurindo Almeida & Bud ShankBrazilliance Vol 2 ... CD
World Pacific, 1958. Used ... $8.99
5 years after they made their first set of groundbreaking Braziliany jazz tracks together, Bud Shank and Laurindo Almeida went back into the studio to record another great batch for Pacific Jazz. That second set of sessions is captured here in its entirety, and it features Shank and Almeida playing with the looser rhythm team of Gary Peacock and Chuck Flores on a number of short groovy tracks that clearly had a big influence on the bossa generation. Titles include "Waltz Frio & Calor", "Sunset Baion", "Mood Antigua", "Choro In A", "The Color Of Her Hair", and "Nocturno". CD
(Out of print.)

Possible matches39
CD, LP, Vinyl record album cover art
Joao DonatoCoisas Tao Simples ... CD
EMI/World Pacific, 1995. Used ... $11.99
A great later album from Joao Donato – one that almost took the world by surprise when it was released, as it came after a long period of silence from the bossa legend! The set's got a mellow-grooving feel that's definitely rooted in bossa, with a touch of jazz – modernized slightly, and a great precursor to the strong run of new albums Donato would go onto record in the decade or two after this one. Titles include a remake of "Bananeira", plus "O Fundo", "Summer Of Temptation", "E Menina/Emorio", "Every Day", "Gaiolas Abertas", "Cafe Com Pao", and "Lugar Comum". CD
(Out of print.)

Possible matches40
CD, LP, Vinyl record album cover art
John FaheyOf Rivers & Religion/After The Ball ... CD
Reprise/BGO (UK), 1972/1973. New Copy ... $10.99
A pair of wonderful albums from the great John Fahey – back to back on a single CD! First up is Rivers & Religion – a really unique album by John Fahey – issued during a short stretch of initial mainstream approval, and a brief time of recording for Warner Brothers! Some of the album's quite different than the spare, solo Fahey you might know – and mixes his legendary guitar work with more elaborate elements than usual – additional instrumentation that includes bass, banjo, clarinet, piano, trombone, and fiddle – but all used at a level that really supports John's presence, not occludes it. Other tracks return to spare acoustic steel string guitar – creating an evocative balance that's mighty nice. Titles include "Funeral Song For Mississippi John Hurt", "Texas & Pacific Blues", "Dixie Pig Bar B Q Blues", "Lord Have Mercy Song", and "Deep River". After The Ball is a set with a disco ball on the cover, but a record that fits right in with the best early 20th century aesthetic in the work of John Fahey – particularly his way of reiimagining older musical traditions! There's a bit of added instrumentation on the record – two tracks that have some slight trad jazz flourishes – but overall, the album's mostly a solo effort with loads of wonderful guitar work from John – still as creative and as complicated as in his best recordings for Takoma! Other added instrumentation sometimes expands the sound with mandolin or banjo, but again in very sensitive ways – and titles include "Bucktown Stomp", "Om Shanthi Norris", "Beverly", and "Horses". CD

Possible matches41
CD, LP, Vinyl record album cover art
Herb GellerFire In The West (aka Herb Geller) ... CD
Jubilee/Warner (Japan), 1957. New Copy ... $9.99
A gem of a record – easily one of Herb Geller's best, and a set that definitely has the "fire" promised in the title! There's a bite to the record we really love – a quality in Geller's tone that really blows us away – and which has had us going back and re-evaluating his career after hearing this set. Part of the strength is the setting – a nicely dark vibe, typical to some of the other Jubilee jazz sessions of the time – played by a lineup that includes Kenny Dorham on trumpet, Harold Land on tenor, Lou Levy on piano, Ray Brown on bass, and Lawrence Marable on bass – an ensemble that have a fuller punch than some of Geller's other groups in the 60s. The track's are easily grooving hardbop numbers – nearly all originals, and handled with a style that's much more New York oriented than you'd expect from Geller's west coast roots. Titles include "S'Pacific View", "The Fruit", "Marable Eyes", "Melrose & Sam", and "An Air For The Heir". CD
(SHM-CD pressing!)

Possible matches42
CD, LP, Vinyl record album cover art
Herb GellerThat Geller Feller (aka Fire In The West) ... CD
Josie/Fresh Sound (Spain), 1957. Used ... $9.99
A gem of a record – easily one of Herb Geller's best! There's a bite to the record we really love – a quality in Geller's tone that really blows us away – and which has had us going back and re-evaluating his career after hearing this set. Part of the strength is the setting – a nicely dark vibe, typical to some of the other Jubilee jazz sessions of the time – played by a lineup that includes Kenny Dorham on trumpet, Harold Land on tenor, Lou Levy on piano, Ray Brown on bass, and Lawrence Marable on bass – an ensemble that have a fuller punch than some of Geller's other groups in the 60s. The track's are easily grooving hardbop numbers – nearly all originals, and handled with a style that's much more New York oriented than you'd expect from Geller's west coast roots. Titles include "S'Pacific View", "The Fruit", "Marable Eyes", "Melrose & Sam", and "An Air For The Heir". CD

Possible matches43
CD, LP, Vinyl record album cover art
Chico HamiltonOriginal Chico Hamilton Quintet – Complete Studio Recordings (plus live tracks) ... CD
World Pacific/Lonehill (Spain), 1955. Used ... $9.99
Great work from the legendary Chico Hamilton Quintet of the mid 50s – a CD that features the famous first album by the group, plus bonus live tracks! The core of the CD is one of Chico's earliest albums for Pacific Jazz – a set of tightly arranged tracks with a cool chamber feel to them – featuring a lineup that includes Buddy Collette on reeds, Fred Katz on cello, Jim Hall on guitar, and Carson Smith on bass. Collette, Katz, and Hall are at the height of their powers here – a bit restricted, perhaps, but in the way that Hamilton was using to craft some of the more creative sounds of the 50s LA jazz scene – perfectly shaped and formed throughout! Just about every band member contributed a song and an arrangement to the album – and titles include "The Ghost", "Chrissie", "Jonalah", "A Nice Day", "Wind", "The Sage", and "The Morning After". Added to these tracks are 5 more live numbers featuring the quintet recorded at The Strollers in Long Beach – "Spectactular", "Free Form", "I Want To Be Happy", "Buddy Boo", and "Walking Carson Blues" – plus "A Bank For Barksdale" by the Gerry Mulligan Quartet with Hamilton, and "Stella By Starlight" by an amended group at The Strollers. CD
(Out of print.)

Possible matches44
CD, LP, Vinyl record album cover art
HiroshimaHiroshima/Odori ... CD
Arista/Vocalion (UK), 1979/1980. New Copy ... $16.99
Two sweet sets from Hiroshima – back to back on a single CD! First up is the self-titled first album from Hiroshima – a group who took the 70s experiments in Japanese fusion right into the American mainstream – with a wonderful blend of jazz and soul, and a production style that was never too polished or commercial! The group's led by reedman Dan Kuramota – who plays both sax and flutes, including a bit of Japanese wooden flute – which gives the record a few slight "Eastern" touches a times, although the overall vibe is strongly in the best soulful fusion of the period! In keeping with that approach, there's a bit of vocals on the record – sung in English with a soulful vibe – on titles that include "Lion Dance", "Da Da", "Taiko Song", "Holidays", "Never Ever", and "Kokoro". Odori is a wicked blend of jazz and soul from Hiroshima – a group who've got the smooth blend of styles we love in some of the import-only fusion dates that were coming from Japan in the late 70s! The group's got a few light touches that emphasize their Pacific roots – including light flute lines and touches of koto and shamisen, but often used in more subtle ways than on earlier Japanese albums that mixed these rootsy elements with jazz – and the overall vibe here is one that's got plenty of appeal to fans of crossover fusion from the time, especially the kind with a strong current of soul! There's a bit of vocals on the record, too – and titles include "Winds Of Change", "Odori", "Echoes", "Cruisin J-Town", "Fortune Teller", and "Shinto". CD

Possible matches45
CD, LP, Vinyl record album cover art
Annie RossAnnie Ross Sings A Handful Of Songs ... CD
Ember/DCC, 1964. Used ... $2.99
An obscure one from Annie Ross – recording here as a solo act back in England after leaving her famous group with Dave Lambert and John Hendricks! The style here is a bit like some of the solo work that Ross cut in the US at the end of the 50s – particularly her sides for Pacific Jazz – not as vocalese and solo-oriented as the sort of recordings that first got her noticed, but still a lot more dynamic than most straighter jazz singers of the time! Arrangements are pretty groovy overall – nicely jazzy, and penned by Johnnie Spence – also produced by John Barry, who really helps keep the right sort of "punch" in the set. Titles include "Fly Me To The Moon", "Nature Boy", "A Lot Of Livin To Do", "Like Someone In Love", "A Handful Of Songs", and "All Of You". CD
(Out of print, please note that there pages of the booket have some clear tape on the spine.)

Possible matches46
CD, LP, Vinyl record album cover art
Annie RossAnnie Ross Sings A Handful Of Songs (plus Gasser/Cranks/bonus tracks) ... CD
Ember/El (UK), 1964. New Copy 2CD ... $9.99
An overstuffed package of work from Annie Ross – one that features a few key albums, plus some rare bonus tracks too! First up is A Handful Of Songs – which has Ross recording as a solo act back in England after leaving her famous group with Dave Lambert and John Hendricks! The style here is a bit like some of the solo work that Ross cut in the US at the end of the 50s – particularly her sides for Pacific Jazz – not as vocalese and solo-oriented as the sort of recordings that first got her noticed, but still a lot more dynamic than most straighter jazz singers of the time! Arrangements are pretty groovy overall – nicely jazzy, and penned by Johnnie Spence – also produced by John Barry, who really helps keep the right sort of "punch" in the set. Titles include "Fly Me To The Moon", "Nature Boy", "A Lot Of Livin To Do", "Like Someone In Love", "A Handful Of Songs", and "All Of You". Next is A Gasser – one of Annie Ross' rare albums as a solo act away from her trio with Jon Hendricks and Dave Lambert – and a great little session cut with small combo jazz backing, which gives the song a nice swinging edge! Zoot Sims is the main soloist on the tunes, Russ Freeman lays down piano tracks to set the mood – and other players include Jim Hall, Monte Budwig, Mel Lewis, and Bill Perkins – all of whom contribute wonderfully to the album, and give it a nicely grooving west coast finish. Titles include "I Was Doing Alright", "You Took Advantage Of Me", "Lucky Day", "Lucky So & So", and "Nobody's Baby". 2CD set also features material from the London cast recording of Cranks – which features Ross with Anthony Newley – plus some songs with Lambert, Hendricks, & Ross – and the tune "Let's Fly" by Johnny Mercer & The Pied Pipers, which was written by Ross. CD

Possible matches47
CD, LP, Vinyl record album cover art
Bud ShankBossa Nova Years ... CD
Ubatuqui (Spain), Early 60s. Used 2 CDs ... $11.99
Seminal work from the man credited with the invention of bossa nova! Way back in the early 50s, Bud Shank cut some albums for Pacific Jazz in LA with guitarist Laurindo Almeida. These records mixed together Shank's flute and sax with lively guitar stylings by Almeida – and in many accounts, the recordings are quoted as being a seminal influence on the bossa scene in late 50s Brazil. No surprise, then, that when bossa broke in the US, Pacific Jazz took Shank back in the studio to cut more side in the same style – which is what you'll get on this excellent 2CD set! The work here ranges from 1962 to 1965 – and it features Shank playing in a number of groups: one with Clare Fisher piano, Larry Bunker vibes, and Milt Holland percussion; one with Fisher on piano and organ, Bunker on vibes, and Joe Pass on guitar; one with Joao Donato on piano and Rosinha De Valenca on guitar; and one with De Valenca on guitar and Sergio Mendes on piano. The 2CD set features 28 tracks in all – all pure stripped-down bossa jazz at its finest. Shank's a hell of a reed player – and the format gives him one of the best platforms to blow of his career. Titles include "Sambou Sambou", "Elizete", "Um Abraco No Bonfa", "Gostoso", "Joao", "Serenidade", "Silk Stop", "Sausalito", "Illusao", "Caminho De Casa", "Otem A Note", "Wistful Samba", "O Barquinho", and "Samba Guapo". CD

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VariousFor Cool Cats Only Vol 2 ... CD
Somethin Cool (Japan), 2016. New Copy ... $16.99
Cool cats, indeed – a very hip collection of jazz musicians from the Japanese scene – almost all of whom are contemporary players who haven't gotten much exposure over here on this side of the Pacific! Each track features a different group, and some players overlap here and there – creating a sense of unity amongst the performances – which have a great old school mix of hardbop and more lyrical moments – impeccably recorded in the style of the Something Cool label! Titles include "Scent Of Spring" and "Choro Pro Ze", performed by a group with Yuu Uesugi on trombone, Mike Zachernuk on trumpet, and Yuko Sakuma on piano; "Amembow" by the trio of pianist Hiroyuki Takubo; "Ballad" by pianist Ami Ogaeri; "Brown's Mood" and "Lined With A Groove" by the trio of bassist Yoshimasa Otsuka; and "The Red Bow Tie Cat" by the group of trombonist Itsumi Komano. CD

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VariousUltra Lounge Volume 14 – Bossa Novaville ... CD
Capitol, Late 50s/1960s. Used ... $3.99
A groovy set of loungey bossa tunes – pulled from 60s recordings on Capitol, Liberty, Pacific Jazz, and related labels. There's more than a few "authentic" bossa performers here, mixed with some others that pick up the groove nicely – working out their own west coast interpretation of the genre in a lively swinging way. There's a total of 18 tracks in all – and titles include "Mas Que Nada" by Rubin Mitchell, "Baia" by Bill Perkins, "So Danco Samba" by Wanda De Sah, "Triste" by Howard Roberts, "Amy's Theme" by Martin Denny, "Samba De Orfeu" by Ray Anthony, "Look Of Love" by Billy May, "Misirlou" by Laurindo Almeida & The Bossa Nova All Stars, "Witchcraft" by Joe Graves & The Diggers, and "Que Sabe Voce De Mim" by Walter Wanderley. CD
(Out of print.)

Possible matches50
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✨✧ Bob BrookmeyerModernity Of Bob Brookmeyer (plus Bob Brookmeyer Quartet) ... CD
Verve/Fresh Sound (Spain), 1954. Used ... Temporarily Out Of Stock
A classic album from the man who virtually summed up the sound of modern on the trombone in the 50s – the mighty Bob Brookmeyer, stepping out here in a rare session for Verve! The date's a great small combo one – with Bob's valve trombone at the head of a quartet that includes Jimmy Rowles on piano, Buddy Clark on bass, and Mel Lewis on drums – all working with Brookmeyer in a very easygoing way that makes for some of his most expressive solos on record at the time. Tracks are never that long – save for one – but Bob really packs plenty into the space, and clearly learns a lesson here from his time with Stan Getz. Titles include "The Bulldog Blues", "Jasmin", "What Is There To Say", "Sticks & Stems", and "He Ain't Got Rhythm". Remaining tracks on the CD are from an equally great 10" LP done for Pacific Jazz in 1954 – a set that features Bob also in quartet mode, working with John Williams on piano, Frank Isola on drums, and either Bill Anthony or Red Mitchell on bass. The group's got a very Getz-like approach – one that's clean and modern, but with a looseness that's different from the way a west coast combo might have handled the material. Bob's horn is great throughout – blowing cleanly, but with a good deal of feeling – miles from the more trad modes of other trombonists of the mainstream at the time, and really sparkling on a set of tunes that includes "Last Chance", "Red Devil", "Traditional Blues", "Doe Eyes", and "Liberty Belle". CD

Possible matches51
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✨✧ Conte CandoliModern Sounds From The West (Best From The West Vols 1 & 2) ... CD
Blue Note/Lonehill (Spain), Mid 50s. Used ... Temporarily Out Of Stock
A real rarity in West Coast jazz – originally issued as a very obscure Blue Note session recorded on the west coast in the mid 50s – released as 2 10" LPs, and billed as a "blindfold test" under the supervision of Leonard Feather, but featuring some of Blue Note's only west coast jazz sessions of the 50s! The musicians on the original record were not named – probably because of contractual reasons – but artists include Conte Candoli, Jimmy Giuffre, Charlie Mariano, Howard Roberts, Marty Paich, and others – all coming together with a fresh, clean sound that's very much in the spirit of some of the best west coast work for labels like Pacific Jazz or Capitol at the time! This CD reissue includes both of the original 10" albums on one set – along with much-needed notes on the players. Titles include "Santa Anita", "Culver City", "Burbank Bounce", "Arcadia", "Here's Pete", "Santa Monica", and "Blindfold Test No 1". CD
(Out of print.)

Possible matches52
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✨✧ Kazutoki Kappo UmezuSeikatsu Kojyo Iinkai (Japanese paper sleeve edition) ... CD
Off Note (Japan), 1975. New Copy ... Temporarily Out Of Stock
A fantastic trans-Pacific meeting of avant jazz talents – a set recorded on the mid 70s New York scene, right at the height of the loft jazz years – with a lineup that includes Ahmed Abdullah on trumpet, Yorikuki Harada on piano, Kazuotoki Kappo Umezu on alto, William Parker on bass, and Rashid Shinan on drums! We mostly know Umezu from later Japanese recordings, some of which are a bit more tightly controlled – but he's really on fire here, working with a very free lineup that embraces all the youth and energy the group has to offer! The set features two long tracks – "Stravizauls" and "Kim" – both over 20 minutes, with lots of freewheeling solos by the players. CD

Possible matches53
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✨✧ Jack SheldonJack Sheldon – The Quartet & Quintet ... CD
Jazz West/Blue Note, 1956. Used ... Out Of Stock
Key early work from trumpeter Jack Sheldon – a set that captures his talents at their most basic and most stripped-down – very much in the spirit of the best LA jazz coming out on the Pacific Jazz label at the time! If the cover makes the set look a bit like a Chet Baker album, that's because there's a bit of the Baker approach here – one that's simple and focused, with a strongly melodic style that comes through beautifully on Sheldon's shimmering horn. But there's also a bit more of an edge, too – thanks to bold piano work from Walter Norris, and the addition of Zoot Sims on a number of tracks – and unlike Baker (or Sheldon on later records), there's no vocals here at all – just a strong instrumental groove. Titles include "Beach-Wise", "Groovus Mentus", "Dozo", "Jack Departs", and "Palermo Walk". CD
(Out of print.)

Possible matches54
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✨✧ Soul Bossa TrioTaste of Soul Bossa ... CD
Victor (Japan), 1993. Used ... Temporarily Out Of Stock
First LP by this great Japanese group that mixes together jazz funk, acid jazz, and hard bossa sounds. Perhaps the purest of the Japanese groups to come out of the scene in the early 90's, with a tight stripped down jazzy feel that won them a lot of fame on both sides of the Pacific. Good tight playing, especially on cuts like "Bayu Bayu", "A Bit Tricky", and "Green Peppers". Ubiquity put out a comp of their stuff for the U.S., but this has tracks that aren't on that, in case you already have it. CD
(Out of print.)

Possible matches55
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✨✧ Buddy Collette & Chico HamiltonTanganyika ... CD
Dig/VSOP, 1956. New Copy ... Out Of Stock
A real lost slice of work from the career of Chico Hamilton – recorded for the short-lived Dig label, owned by R&B artist Johnny Otis in the mid 50s! The group here is slightly different than Hamilton's quintet that recorded for Pacific Jazz – in that it's got a sound that's a bit less arranged, and which often opens up into some more freewheeling jazz styles at times. Buddy Collette and Jim Hall are on the session from Chico's regular group – and Buddy's really the co-leader of the set, and contributed some fantastic original tunes that are perfect for his colorful work on reeds. And the group's also got Curtis Counce on bass and Gerald Wiggins on piano – bringing a decidedly heavier groove to the record than on most 50s Hamilton work – one that's topped off by the trumpet of John Anderson, often muted but still powerful enough to make its presence known on the set. Titles include the Collette originals "It's You", "Green Dream", "Jungle Pogo Stick", "Tanganyika", and "A Walk On The Veldt" – plus other session originals "And So Is Love", "Wagnervous", and "The Blindfold Test". CD
 
Partial matches: 1
Partial matches56
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Bud ShankMichelle ... CD
World Pacific/Elemental (UK), 1965. New Copy Gatefold ... $16.99
Bud Shank takes on the sounds of The Beatles – and a whole host of other 60s pop stars as well – all with results that are as jazzy as they are groovy! The album's one of a few that Bud cut for Liberty in this format – alto and flute spread out over fuller backings from Bob Florence, a great arranger who knows how to make things swing by bringing in some wonderful 60s touches! There's a bit of guitar at times, some compressed horns – ala A&M – and some overall mod rhythms that help change things up nicely from tune to tune. Titles include "Michelle", "Yesterday", "Blue On Blue", "Sounds Of Silence", "Turn Turn Turn", "As Tears Go By", and "Girl". CD
(Limited edition!)
 
 
 



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