A mystical trip through the south seas – courtesy of Italian soundtrack composer Piero Umiliani, working here in a rare sound library setting! The tracks are moody and ethereal – with lots of spare percussion, and some dreamy island-type touches – like floating voices, isolated strings, and even a bit of moog, used to create some nice 70s exotica! There's one or two tracks that get harder-hitting, taking the percussion over the top with some snapping grooves – but most are in a 70s update of older exotica styles, including some of those that Piero might have used on some of his 60s soundtracks! Titles include "Tamburi Di Guerra", "Esorcismi", "Plenilunio", "Erbe Magiche", "Benvenuti All'Isola", "Canoe", "Sotto Le Palme", and "Pellegrinaggio Al Totem". CD

One of the few great records that modern bassist Paul Chambers made as a leader – a rare treasure given to the world before he left this planet all too soon! Chambers is maybe best remembered for some of his late 50s work with Miles Davis and John Coltrane – and the session also marks a key early appearance on Blue Note for Coltrane on tenor – acting as a sideman here, instead of a leader – but also bringing a really deep vibe to an all-star lineup that also includes Donald Byrd on trumpet, Horace Silver on piano, Kenny Burrell on guitar, and Philly Joe Jones on drums. The writing is great, and the group has a nice dark edge that gives the session a slightly different sound than other Blue Note albums from the time. Chambers leads off with the bass on most tracks, kind of putting the work at an off-center pace that really gives it a fresh feel – and which makes it different from the straighter bop sound of his albums as a leader on Vee Jay. Tracks include "We Six", "Dear Ann", "Tale Of The Fingers", and "Omicron". CD