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Exact matches: 3
Exact matches1
CD, LP, Vinyl record album cover art
Babatunde OlatunjiDrums Of Passion – The Invocation ... CD
Ryko, 1988. Used ... $2.99
... CD
(Out of print.)

Exact matches2
CD, LP, Vinyl record album cover art
✨✧ OlatunjiMore Drums Of Passion ... LP
Columbia, 1966. Very Good ... Just Sold Out!
Babatunde Olatunji goes even more drum-crazy than before – working here with no less than nine percussionists, plus a host of singers as well! The tunes have a very rootsy groove throughout – instrumentation that only comes from the rhythm instruments, some of which are pointed towards melody – and a setting that features none of the added strings or horns you might get from a jazz or exotica-styled session of this nature – just drums and voices, presented by Columbia Records in a really groundbreaking blend! Titles include "Wasalu", "Ayinde", "Frekoba", "Alose", and "Omo Pup". LP, Vinyl record album
(70s pressing. Cover has light wear & a sticker spot.)

Exact matches3
CD, LP, Vinyl record album cover art
✨✧ OlatunjiDrums Of Passion ... LP
Columbia, 1960. Used ... Out Of Stock
A classic session of pounding percussion – quite possibly the most successful entry into this earthy genre that hit the recording scene at the end of the 50s! Babatunde Olatunji is joined here by a great assemblage of players – including Montego Joe and Baba Hawthorne Bey on percussion, who further flesh out the rumbling, rhythmic groove at the bottom. There's also a group of vocalists on the record, soaring over the top of the percussion with a nicely righteous feel – and the record's a key crossover moment that heralds later African expressions in the American mainstream. Titles include "Odun De Odun De", "Oya", "Jin Go Lo Ba", "Baba Jinde", and "Shango". LP, Vinyl record album
(6 eye stereo pressing. Cover has wear & some tape on the back.)
 
Possible matches: 8
Possible matches4
CD, LP, Vinyl record album cover art
Nina SimoneAt The Village Gate ... CD
Colpix/Collectables, 1961. Used ... $4.99
An album recorded relatively early in the career of singer Nina Simone – but a set that already shows the very unique approach that would make her a legend by the time the 60s moved on! Even the very first tune is a stunner – a haunting reworking of the favorite "Just In Time", but with Nina grunting instead of singing at the start – as the bass comes across with more power than the drums or piano – really shaping the song in moody tones! That sort of inventiveness follows on every other tune – making the familiar numbers sound very unique, and the unusual ones even more striking – as the set list also features numbers by Oscar Brown Jr, Olatunji, and Simone herself. The recording quality is great – intimate, yet lively – and the set's filled with longish readings of some great tunes that include "Bye Bye Blackbird", "Brown Baby", "Zungo", "Children Go Where I Send You", and "He Was Too Good To Me". CD
Also available
At The Village Gate ... LP 16.99
At The Village Gate ... CD 14.99

Possible matches5
CD, LP, Vinyl record album cover art
Nina SimoneAt The Village Gate ... CD
Colpix/Warner (Japan), 1961. New Copy ... $14.99
An album recorded relatively early in the career of singer Nina Simone – but a set that already shows the very unique approach that would make her a legend by the time the 60s moved on! Even the very first tune is a stunner – a haunting reworking of the favorite "Just In Time", but with Nina grunting instead of singing at the start – as the bass comes across with more power than the drums or piano – really shaping the song in moody tones! That sort of inventiveness follows on every other tune – making the familiar numbers sound very unique, and the unusual ones even more striking – as the set list also features numbers by Oscar Brown Jr, Olatunji, and Simone herself. The recording quality is great – intimate, yet lively – and the set's filled with longish readings of some great tunes that include "Bye Bye Blackbird", "Brown Baby", "Zungo", "Children Go Where I Send You", and "He Was Too Good To Me". CD
(SHM-CD pressing!)
Also available
At The Village Gate ... LP 16.99
At The Village Gate ... CD 4.99

Possible matches6
CD, LP, Vinyl record album cover art
Nina SimoneAt The Village Gate ... LP
Colpix, 1961. Very Good ... $16.99
An album recorded relatively early in the career of singer Nina Simone – but a set that already shows the very unique approach that would make her a legend by the time the 60s moved on! Even the very first tune is a stunner – a haunting reworking of the favorite "Just In Time", but with Nina grunting instead of singing at the start – as the bass comes across with more power than the drums or piano – really shaping the song in moody tones! That sort of inventiveness follows on every other tune – making the familiar numbers sound very unique, and the unusual ones even more striking – as the set list also features numbers by Oscar Brown Jr, Olatunji, and Simone herself. The recording quality is great – intimate, yet lively – and the set's filled with longish readings of some great tunes that include "Bye Bye Blackbird", "Brown Baby", "Zungo", "Children Go Where I Send You", and "He Was Too Good To Me". LP, Vinyl record album
(Gold label stereo pressing.)
Also available
At The Village Gate ... CD 14.99
At The Village Gate ... CD 4.99

Possible matches7
CD, LP, Vinyl record album cover art
Randy Weston & Langston HughesUhuru Afrika – Afro-Percussion ... CD
Roulette/Warner (Japan), Early 60s. New Copy ... About April 26, 2017
Incredible work by Randy Weston! The album is one of his most progressive from the early years, and features an extended suite dedicated to African freedom, with occasional lyrics by Langston Hughes, and arrangements by the great Melba Liston. The material's political, radical, and modernist – but it never fails to groove, and uses its politics to achieve an added emotional punch, as in the best work from the same time by Max Roach and Charles Mingus. Players are all totally hip, and include Benny Bailey, Richard Williams, Candido, Olatunji, Slide Hampton, Freddie Hubbard, and Sahib Shihab. Movements of the suite are entitled "Uhuru, Kwanza", "African Lady", "Bantu", and "Kucheza Blues". CD

Possible matches8
CD, LP, Vinyl record album cover art
VariousColor Line – African American Artists & Segregation 1916 to 1962 (3CD set) ... CD
Fremeaux & Associates (France), 1910s/1920s/1930s/1940s/1950s/Early 60s. New Copy 3 CDs ... $18.99 29.99
An incredible document of racial inequality in mid-Century America – a 3CD set that brings together blues, jazz, soul, and music in other styles – all to illustrate the lack of opportunity and freedom for African-Americans in the US! You've no doubt heard some of these songs before – classic blues numbers, or important jazz vocal tracks – but together, they deliver a hell of a lot more power than on their own – a total of 60 songs that underscore the long, hard journey towards Civil Rights – a path that's still not finished even all these many years later, which makes the theme of these songs still so important. The work spans the teens through the sixties – and titles include "Jim Crow" by The Union Boys, "Parchman Farm Blues" by Bukka White, "Minstrel & The Queen" by The Impressions, "We Shall Overcome" by Guy Carawan, "Working Man" by Bo Diddley, "Better Git It In Your Soul" by Charles Mingus, "The Alabama Bus (parts 1 & 2)" by Brother Will Hairston, "Jim Crow Train" by Johs White, "Brown Skin Girl" by Lloyd Prince Thomas, "Hard Road Blues" by Floyd Dixon, "High Society" by Monk Hazel, "The American Woman & The West Indian Man" by Sam Manning, "Ethiopia Shall Stretch Forth Her Hands Onto God" by Marcus Garvey, "Low Society" by Ray Charles, "Kiyakiya" by Babatunde Olatunji, "Ancient Aethiopia" by Sun Ra, "Tarzan Of Harlem" by Cab Calloway, "Old Alabama" by BBE, and "Chicago High Life" by Earl Hines. CD

Possible matches9
CD, LP, Vinyl record album cover art
VariousLanguages Of Tambores – A Spiritual Journey Through The Cultural Heritage Of Drums – Presented By Gabriele Poso ... LP
BBE (UK), Late 90s/2000s. New Copy 2LP Gatefold ... $24.99 28.98
The drums do plenty of talking here – in a wonderful set that looks at the return of deeper rhythms and percussion to the global house music underground! Just at a point when some pretenders were trying to claim too-strong influences from Cuba, Africa, and other deeper cultures – artists like these came into the fray and reminded us that if you're going to make a musical statement, you better have the sound to back it up – which they did wonderfully, with the kind of creative reworkings of percussive modes that you'll hear on this set! Gabriele Poso did a really wonderful job of choosing the tracks here – a no-nonsense batch of work that will make you throw away every "fake" Afro-remix you've got in your collection. Titles include "Naja" by Guem, "Cafe De Ochun" by Gabriele Poso, "Injection Of Blackness" by Malika B & Dave Hucker, "Polyrhythm Jizm (Lay-Far edit)" by Free Association, "Long Distance Lover" by Babatunde Olatunji, "Tembandumba" by Toto La Momposina, "Drum It Up" by Dudu Tucci, "Coming Home" by Mustapha Tetty Addy, "Ven Francisco" by Silvestre Mendez, "Guiro Elegua" by Bobby Matos, and "Ninu Opon Ori Tiwa (Kiko Navarro re-edit)" by Sola Akingbola. LP, Vinyl record album

Possible matches10
CD, LP, Vinyl record album cover art
✨✧ Max RoachWe Insist! – Freedom Now Suite ... LP
Candid, 1960. New Copy (reissue)... Temporarily Out Of Stock
One of the most righteous albums that Max Roach ever cut – and a monumental jazz release from the heart of the Civil Rights era! As you can guess from the cover and title, there's a very political bent to the record – served up in righteous lyrics penned by Oscar Brand Jr, and sung by Abbey Lincoln at her most biting – really stepping out here in just a few short years from her previous role as a straight jazz singer, and firmly grabbing up territory no other female vocalists had touched! For this momentous event, Roach gathered together a really special group for the record – players who include regular partners Booker Little on trumpet and Julian Priester on trombone – alongside surprising guests like Coleman Hawkins on tenor sax, Olatunji on percussion, and Ray Mantilla on congas. There's no piano at all on the record, and the tracks are all long ones – stretching out with soaring horn passages next to the vocals, and plenty of percussion at the bottom to get things moving! Titles include "Driva' Man", "Tears for Johannesburg", "Freedom Day", "All Africa", and "Prayer/Protest/Peace". LP, Vinyl record album

Possible matches11
CD, LP, Vinyl record album cover art
✨✧ Max RoachWe Insist! – Freedom Now Suite ... LP
Candid, 1960. Used ... Out Of Stock
One of the most righteous albums that Max Roach ever cut – and a monumental jazz release from the heart of the Civil Rights era! As you can guess from the cover and title, there's a very political bent to the record – served up in righteous lyrics penned by Oscar Brand Jr, and sung by Abbey Lincoln at her most biting – really stepping out here in just a few short years from her previous role as a straight jazz singer, and firmly grabbing up territory no other female vocalists had touched! For this momentous event, Roach gathered together a really special group for the record – players who include regular partners Booker Little on trumpet and Julian Priester on trombone – alongside surprising guests like Coleman Hawkins on tenor sax, Olatunji on percussion, and Ray Mantilla on congas. There's no piano at all on the record, and the tracks are all long ones – stretching out with soaring horn passages next to the vocals, and plenty of percussion at the bottom to get things moving! Titles include "Driva' Man", "Tears for Johannesburg", "Freedom Day", "All Africa", and "Prayer/Protest/Peace". LP, Vinyl record album
(Stereo pressing. Cover has half split seams and discoloration from age.)
 
 
 



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