They weren't kidding with the title of this one! That's ok for us, though, as Eps sounds great in this laidback mode. The only backing on the record is bongos by Alvin Stoller, and vibes by Frank Flynn – both of which only sneak in and out of the guitar lines a bit, augmenting Van Eps' playing where needed, but never really taking over too much. The spareness gives the guitar solos a nicely rhythmic quality – one that makes for a haunting session that's got a lot more to offer than you'd think! Titles include "Tango El Bongo", "Lost Canyon", "I Never Knew", "Yesterdays", and "Let's Do It". LP, Vinyl record album

The group were certainly doing something right – as this album has Joe Cuba's sextet at the top of their game, easily showing why they were one of the best groups on the New York scene of the 60s! The album's a pivotal one in the development of Latin Soul – as it sports the incredible track "El Pito" – one of those Latin jammers that grabbed everyone right away, and which has barely ever been matched since! The album's also got some great use of English language lyrics – crucial to the unique crossover sound that Joe was forging, and a real bridge between Spanish and African American Harlem in the 60s. Titles include "My Wonderful You", "El Pito (I'll Never Go Back To Georgia)", "Pruebalo, OK?", "Bochinchosa", "Incomparable", and "Clave Mambo". LP, Vinyl record album

Groove Holmes and Gerald Wilson – a wonderful combination on this late 60s session – in a style that's everything great about mainstream LA jazz at the time! Wilson really has a way with the charts on the session – and although the group is large, they've got a lean, clean sound that bounces along nicely – slightly funky at times, always soulful at others – a perfect backdrop for the well-played Hammond lines that Groove brings to the set! The album's not as much of an all-out organ wailer as some of Holmes' albums for Prestige – but that's a-ok with us, because Wilson's group features some other great players too – including Dennis Budimir on guitar, Tony Ortega and Arnie Watts on saxes, and Paul Humphrey on drums! Titles include "Dreams Of The Everyday Housewife", "High Blues Pressure", "Listen Here", "Oklahoma Toad", "Rhythm & Groove", "In & Out", and "Isole Natalie". LP, Vinyl record album

Niceness from Evelyn King to cap the end of the 70s! She's really in great form here – stepping out with some fully clubby backings, and working with the mighty T-Life, who's really got a great ear for her groove! The style's a bit less disco than previous albums – some simpler soul at points, mixed with other upbeat modes that hearken a bit more towards the sound of the dancefloor in the early 80s – almost a precursor to that decade's groove at points. Evelyn's vocals are proudly soaring throughout – never too over the top, and always right on the money – and tracks include "Music Box", "I Think My Heart Is Telling", "Out There", "It's OK", "No Time For Fooling Around", and "Make Up Your Mind". LP, Vinyl record album

The official full length debut from Lupe Fiasco – another wholly unique Chicago MC who's gotten the runaround from seemingly every major label in the biz – and a record that lives up to the long-building hype! Frankly, we were scared almost immediately when we heard the description "skate rap" applied to "Kick, Push" – only to find our fears unfounded. Lupe's only going to be himself – which is what makes him such a strong MC (other than the masterful breath control) – and that individualistic approach is proving to be Chicago's gift to mainstream hip hip. The Neptunes provide one of their best productions of the past couple years for "I Gotcha" – but the soundtracky productions by Soundtrakk (natch) are even better. Other tracks include "Real" feat Sara Green, "Just Might Be OK" feat Gemini, "Kick, Push", "The Instrumental" feat Jonah Matranga, "He Say She Say" feat Gemini & Sarah Green, "Sunshine", "Daydreamin'" feat Jill Scott, "The Cool" (produced by Kanye) , "Hurt Me Soul", "Pressure" feat Jay-Z, "American Terrorist" feat Matthew Santos, "The Cool", "The Emperor's Soundtrack" and more! LP, Vinyl record album

Curtis Mayfield's still very firmly on track with this set – recording in his new hometown of Atlanta, but also working with Chicago talents like Rich Tufo and Morris Jennings – all in a warm mellow groove that's totally great! The style's a bit more contemporary than the Curtom years, but never too much so – and there's more than enough warmth in the instrumentation to match Mayfield's still-great vocals on the lyrics. The tunes are decidedly less political – more about love and romance – but that's ok with us, because they're the sort of themes that Curtis first started with back in the early years of his career. Titles include "Summer Hot", "Still Within Your Heart", "Hey Baby", "Nobody But You", and "If You Need Me". LP, Vinyl record album

An overlooked gem from Jimmy McGriff – a swingin' groovy live set, with a tight combo that races through a good bunch of material – and sounds a lot better than the live groups on some of Jimmy's Sue albums from the time. The whole thing was recorded in Newark, NJ – the home of pure organ grooves – at the legendary Front Bar. Includes the good originals "Upper Ground" and "Frugal Bugle", plus some nice soulful covers. LP, Vinyl record album

Jimmy McGriff picks up a few more keyboards than straight Hammond organ – but that's ok with us, given the great results of the set! The album's got McGriff working on electric piano and clavinet alongside the organ – plus supporting arrangements from Brad Baker, in that fuller, Kudu-styled approach to jazz funk that Groove Merchant used strongly in the mid 70s – a slightly smoother sound than before, but still plenty darn great, and definitely filled with more than enough jazz to keep things real! Pat Rebillot plays some additional keyboards on the album – in that funky style he used well at the time – and there's almost a spacey Fantasy Records quality to some of the best numbers here! Titles include the incredible tripped out break cut "Space Cadet", plus "Love Is My Life", "Sweet Love", "Big Booty Bounce", "Red Beans", and "Cakes Alive". LP, Vinyl record album

As with many of the Chuck Berry full LPs for Chess, this one's filled with some great obscure material that always gets eclipsed by Chuck's big hits. Despite the idea that these would be "new jukebox hits", the material has an approach that was probably a bit too hard for radio, but that's ok with us! Titles include "13 Question Method", "Don't You Lie To Me", "The Way It Was Before", "Away From You", "I'm Talking About You", and "Stop & Listen". LP, Vinyl record album

With Kenny Barron on piano, Buster Williams on bass, and Ben Riley on drums; plus guests Kermit Moore, Charles McCracken, John Abramowitz, and Richard Locker on celli; Hugh McCracken on guitar and harmonica, and Ralph MacDonald on percussion. LP, Vinyl record album

A well-timed Greatest Hits set for The Commodores – because it came out in 1978, and captures the group at their best early prime! This is the stuff that made the group great long before they lapsed into cliches and soft adult contemporary pap – and a number of tracks here have a fair bit of funk in the mix, something that will come as a surprise if you only know the group's later hits. Titles include "Brick House", "Fancy Dancer", "Slippery When Wet", "Machine Gun", "Just To Be Close To You", "Too Hot Ta Trot" – and yes, ok, the record does include "Three Times A Lady". LP, Vinyl record album

A great early album from Con Funk Shun – a mix of funkier tunes and some excellent smooth modern ones in step with the mellower work by Cameo or Maze – done with more soaringly emotional sounds that moves beyond their peers! A love for earlier 70s styles might be what pushes Secrets above and beyond – honest, intimate, and at times just more focused in the vocals department than both the funky soul groups of the time and the quiet storm singers of the approaching early 80s – and still doesn't spare the bass, horns and funky interplay! High points include the closing instrumental "Indian Summer Love" and funky centerpiece "Ffun" –plus "Doowhachawannadoo", "Who Has The Time", "Secrets", "Tear In My Eye" and "I'll Set You Out OK". LP, Vinyl record album

A really early record by a young, fresh-faced George Jones – his full length debut, actually – released in 1957 by Starday, not too long after his debut appearance at the Grand Ole Opry! George had been recording some artistically promising, if underselling singles for a couple years prior, including the now legendary rockabilly sides (on which he was billed as "Thumper" Jones), but this was his first full length showcase as a rising country singer. The title is pure showbiz, as George wouldn't be a big star for a couple more years. He was ready, though! The songs are great, and he wrote or co-wrote most of 'em – and oh man, that VOICE – this is where the legend begins, people! Includes the early classic "Why, Baby, Why", and a whole bunch of great tunes, including "You Gotta Be My Baby", "Ragged But Right", "It's OK", "Still Hurtin'", "Boat Of Life", "Let Him Know", "Play It Cool" and more. LP, Vinyl record album

One of Little Willie John's greatest cuts! "Talk To Me" is a sublime early soul number – and was the inspiration for countless singers in years to come, all beating Willie's time while he was in jail! "Spasms" has more of a hard R&B feel – and that's a-ok with us! 78 RPM, Vinyl record

Early work from vocalist Barbara McNair – a session that's done in a Nancy Wilson blend of jazz, soul, and class! Ralph Carmichael handled the arrangements on this one, and the record bounces along in a groovy way that reinvigorates familiar tunes – a mode that's way more than just one of those "hey, here's a new singer with the same old tunes" – and lets Barbara step out with one of the strongest vocal sessions of her 60s years! Carmichael's approach is a lot less soul-based than that of McNair's Motown sessions – but that's ok with us, because we actually think she opens up a bit more in this sort of a setting – especially on some of the torchier or more jazz-based tracks. Titles include "When In Rome", "The Wang Wang Blues", "I've Got Your Number", "What Are You Afraid Of", "Secret Love", "So Long Dearie", and "Don't Rain On My Parade". LP, Vinyl record album

Ok, so it's not the kind of record you'd normally find in a pile of funky 45s – but once Tribe Called Quest called our attention to the great bassline at the beginning, there was no turning back for "Walk On The Wild Side"! "Perfect Day" is nice too – an overlooked number by Lou with a sweet finish, and a really dark center. 7-inch, Vinyl record

Ok, so it's not a funky 45 – but it's one of the finest musical moments of the 70s! Brilliant all the way through, and our all-time favorite track from the genius of Becker and Fagan. 7-inch, Vinyl record

Mid-period Stylistics, recorded after their association with Thom Bell and Linda Creed, and during the time that the group was handled by Hugo & Luigi. H&L do an ok job with them, and they've got Van McCoy handling arrangements to add a bit more soul to the mix – but the record is still down a few notches from the classic years. The album includes one last Thom Bell arrangement – the group's huge "You Make Me Feel Brand New" – plus other cuts like "Love Is The Answer", "I Got Time On My Hands", "I Got A Letter", and "We Can Make It Happen Again", perhaps the group's wish for a bigger hit. LP, Vinyl record album

More Afro Funk than the soul jazz you might guess from the group's name – but that's OK with us, because the record's plenty darn great! Souljazz Orchestra are one of the best of the current wave of Afro combos to hail from Canada – and they manage to get an incredible full sound from a surprisingly small range of instruments – usually just 3 saxes, a trumpet, keyboards, and percussion – but played with a sense of power to earn them the "orchestra" in their name! There's a definite Fela influence going on here – grooves that move fast with very skittish rhythms – snaking out with great horn bits and keyboard lines. But the overall approach is a bit tighter too – much more focused at times, on slightly shorter tunes, about half of which are vocal numbers. The Latin-inflected "Little Habana" has the group breaking format a bit – and other tunes include "Mista President", "The Blind Leading The Blind", "Insurrection", and "Mojuba". 8 tracks in all! LP, Vinyl record album

A compilation of several African groups performing songs that represent certain kinds of grooves! For instance Orchestre Les Bantous perform "Pitie" (soukous), Orchestre Hi-Fives perform several songs such as "Nichukuwe Twende Kwako" (Kibushi), "Ba Kibushi Batano Na Kenya" (Kibushi), and "Mwana Wa Mraka" (Tawikuna). Other groups include Orchestre Mando-Negro, Orchestre Sinza, and Franco Et l'Orchestre Ok Jazz. LP, Vinyl record album

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Classic Memphis organ grooves from Booker T and the mighty MGs! Includes plenty of nice early tracks – like the funky sample classic "Hip Hug Her", and "Soul Limbo", "Time Is Tight", "Heads Or Tails", and "Hang Em High". LP, Vinyl record album

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The only album ever from Broken Glass – a group that features the great Stan Webb from Chicken Shack on guitar – bringing in all the strengths that he added to that well-known group! There's some of the blues rock inspiration of that earlier combo, but refined a bit more with a compressed sort of 70s Brit vibe – great production from Tony Ashton, who makes all the best licks and catchier lines of the songs really stand out – but without ever making the album sound too commercial. Titles include "It's Alright", "Keep Your Love", "It's Evil", "Ain't No Magic", "Broken Glass", "Take The Water", "Standing On The Border", and "Jersey Lightning". LP, Vinyl record album

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Sound, space, tone, and color – a tremendous effort from trombonist Bob Brookmeyer, and a record with a really unique feel! The album features a wonderful group that includes Brookmeyer on valve trombone, Stan Getz on tenor, Gary Burton on vibes, Herbie Hancock on piano, Ron Carter on bass, and Elvin Jones on drums – all coming together in a way that's extremely equally-weighted – with less of Brookmeyer as the leader, than as a warm friend, gathering together a few key players in the studio. Given that Getz worked with Brookmeyer back in the early 50s, and had Burton in his group at the time, the album's always a link between both sides of a decade in Stan's career – but with the presence of the modernists on the rhythm team, there's a sound here that's much more unique – one that has a place for Stan's wonderful tone, and Brookmeyer's airy phrasing – but which also drives along in a rhythmically pulsing mode that almost puts Burton's vibes at the top of the set on some numbers. There's a change in mood from tune to tune that gives the record a remarkable depth, but without sounding schizophrenic – and titles include "Bracket", " Wrinkle Time", "Jive Hoot", "Skylark", "Sometime Ago", and "Who Cares". LP, Vinyl record album

Zowie! Two nice teen slang numbers, in a sweet pic sleeve too! 7-inch, Vinyl record

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One of the greatest jazz-meets-classical albums from pianist Eugen Cicero – thanks to a good amount of Rokoko in the grooves! The more flowery, flourishing style of the Rokoko era proves to be a perfect foil for Cicero's incredible approach to the keys – one that lets him bring even more complicated touches to the piano, while still working with tightly jazzy rhythms from the team of Peter Witte on bass and Charlie Antolini on drums! Witte and Antolini are great throughout – keeping things tight and focused, and making the record way more than a virtuostic exploration of classical themes. As much a jazz record as the best Swingle Singers sides from the 60s – with titles that include a great original called "Bach's Softly Sunrise", plus Bach's "Solfeggio C Moll", Couperin's "L'Adoslecente", and Scarlatti's "Sonate C-Dur". LP, Vinyl record album

Dee Clark cracked the charts big with a few crossover hits – but he's an excellent soul singer with a raspy tone that almost set the stage for some of the deeper soul acts to come in the 60s! The style here is very much in the mode of some of Jackie Wilson's best for Brunswick from the early days – tracks recorded in a mode that's often heavy on the voice, letting Dee step out with strong flourishes that change in style from track to track – sometimes dramatic, sometimes subtle – but always impeccably phrased with Clark's stunning vocals! Titles are a nice batch of numbers that go way past Dee's hits – and include "Just Like A Fool", "What I Say", "Come To California", "24 Boyfriends", "I Just Can't Help Myself", "Little Red Riding Hood", "Gloria", and "Baby What You Want". LP, Vinyl record album

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A lost hard rock gem from a Milwaukee quartet – produced by Kim Fowley with a sound that's as raw and garagey as his best indie productions from the mid 60s! These guys have all sorts of familiar elements in the mix – an influence from blues, a trippier style of guitar, and some nicely soulful currents in the vocals of Den Geyer – but there's a special brew that takes all of these qualities into special territory, making for the kind of standout set that was mysteriously overlooked at the time – but which makes for one of those rare treasures that lie far below the giants of the classic rock generation. Titles include "Gotta Be Free", "Hope For The Future", "Pearl", "Lady In The Dark", "I'm Walkin", "Trackin Shoes", "Sweet Mother Earth", and the jazzy guitar tune "Gazebo" – dedicated to the great Gabor Szabo! LP, Vinyl record album

Barbara Acklin's first album – and a landmark of Chicago soul that firmly established Acklin as one of the city's best writers and new female singers! Acklin had a classy sound that was different than some of her raw soul sisters in the city – but although she was classy, she also didn't have any of that little girl stuff that you might hear from singers like Denice Chandler or Barbara Mason. Instead, she had an approach that mixed a real soul vocal with more sophisticated material, in a manner that worked well with the evolving blueprint for the Brunswick Chisoul sound. Carl Davis and Eugene Record do a perfect job producing Barbara's songs, all forged nicely into the loping soul groove that set Chicago apart from other cities in the late 60s. Includes the big title track "Love Makes A Woman" – plus "Be By My Side", "Your Sweet Loving", "Come and See Me Baby", and a great cover of "The Look of Love"! LP, Vinyl record album

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A landmark album – even if it was the only session that Cannonball Adderley ever cut for Blue Note! The album was recorded at a time when Adderley was working with Miles Davis – and as such, the session features a group that includes Miles, blowing trumpet in a cool tone that's a perfect offset to Cannonball's more soulful style on alto sax – also different than the sound of his brother Nat, who was Adderley's more frequent partner on records. The rest of the group includes Hank Jones on piano, Sam Jones on bass, and Art Blakey on drums – and like John Coltrane's Blue Train, the record's more of an "special session" than the usual Blue Note album, but the strength of the players make it one of the more memorable records of its day! Titles include "Somethin' Else", "One For Daddy-O", "Autumn Leaves", "Love For Sale", and a nice moody take on "Dancing In The Dark". LP, Vinyl record album

An overlooked gem from Airto – recorded after his 70s years on bigger labels, but a set that almost tops all of them in the end! There's a wonderful mix going on here – a blend of rootsy and electric, and Latin and Brazilian – the former clearly from the placement of the record on New York's Montuno label – an imprint that did plenty of great sessions filled with Latin jazz! The shift makes for a fresh one for Airto – still plenty of room to show off his famous percussion impulses, yet in a slightly different way – often grooving in a Latin fusion mode that's a nice maturation from the CTI years. The set's filled with all-star players – including Jorge Dalto on electric piano, Raul De Souza on trombone, Joe Farrell on flute, Alphonso Johnson on bass, and Oscar Castro Neves on keyboards, guitar, and cavaquinho – and the lovely Flora's also on board to sing a bit on the set. Titles include the extended jammer "Tombo", plus "Aqui Se Pede", "Jump", "The Return", "Sin Salida", and "Anatelio". LP, Vinyl record album

One of the greatest Airto records ever – a really overlooked record cut for the mostly-Latin Montuno label in the 80s! The album's quite spare, and almost more in a Latin mode at times – given the harder percussion on the set, and the firey recording style given to the set by Montuno – but it also echoes some of the great spare styles that Airto used in his first American recordings, too – the sessions he cut for Cobblestone/Buddah right at the start of the 70s. Airto plays a range of percussion instruments, and Flora's on the set adding in some vocals – and the record also features great keyboards from Jorge Dalto, whose sound really ties thigns together nicely. Includes the classic "Samba De Flora", plus "Yahna Amina", "El Fiasco", "Dedos", "La Puerta", "Parana", and "Latin Woman". LP, Vinyl record album

One of the most hard-hitting Latin albums from the 50s on RCA – a set released with jokey liner notes from Frank Jacobs of Mad, next to some Jack Davis cartoons – but a set that's got smoking percussion, great horns, and even some very cool use of vibes! LP, Vinyl record album

An excellent record from the short heyday of this wonderful singer – done with arrangements from Johnny Mandel! LP, Vinyl record album

A nice bit of funky blues, and a very strange record to appear on Motown! The production style and presentation are very rootsy – right down to the photo of Luther on the front cover, who's smoking a cigarette, but trying to pretend it's a joint! The style is electric blues of the Chicago school, but given a bit more of a country funk kind of sound. Titles include "Bad News Is Coming", "Dust My Broom", "Evil Is Going On", "Rock Me Baby", and "Raggedy & Dirty", which actually has some very nice drums! LP, Vinyl record album

An obscure small label set from Luther Allison – issued on a label out of Peoria! The set features Allison on guitar and vocals – with keyboards from Sid Wingfeld, alto from Mike Allen, and drums from Kenny Arnold. Titles include "Strokes", "You're Gonna Need Me", "Cat Blues", "Messin With The Kid", and "You Upset Me Baby". LP, Vinyl record album

It's the early 70s, and Mose is still going strong – grooving with a unique blend of New Orleans soul and Northern jazz influences, his own particular brand of music, timeless from the day it was born! The setting here is a live one, and Mose is playing with a trio that includes Clyde Flowers on bass and Eddie Charlton on drums. The album features a number of strong originals – including "Look What You Made Me Do", "Powerhouse", "I Don't Worry About A Thing", and "Don't Forget To Smile" – plus versions of "The Seventh Son" and "Fool's Paradise". LP, Vinyl record album

A standing room ovation in the A&M Studios – certainly the kind of reception we'd imagine Herb would get during these glory years of his career! The set's one of the most no-nonsense Tijuana Brass sessions of the 60s – a tightly crafted album that has a bit more jazz than usual sneaking in on some of the tunes, but still enough of that snapping, punchy rhythmic approach that makes Herb and the group so great! As usual, the fluidity here is the strongest point – as the A&M touch takes a sound that should be hokey, and flips it into something really really groovy through warm use of compression in the studio. Titles include "Blue Sunday", "Bean Bag", "Work Song", "Our Day Will Come", "Mexican Road Race", and "Freight Train Joe". LP, Vinyl record album

A great slice of work from the early years of Ernestine Anderson – one of her key swingers for Mercury, and the kind of record that should have made her huge at the time! There's a hip-stepping quality here that points nicely towards the 60s – a bit more of a bounce in the backings, almost a Basie-esque quality at times – thanks to arrangements from Ernie Wilkins and Gigi Gryce, both of whom bring a great ear for horn charts to the date. Anderson's inherent sense of soul really opens up strongly with both arrangers – swinging with poise one minute, but bluesy undercurrents the next – in ways that really mark the record as coming from the more jazz-based side of late 50s Mercury spectrum. Titles include "Harlem Nocturne", "A New Town Is A Blue Town", "Nobody's Heart", "I Got Rhythm", "Beale Street Blues", "My Heart Belongs To Daddy", and "I Wish I Was Back In My Baby's Arms" LP, Vinyl record album

A great cooker from the glory days of Ernestine Anderson on Concord Records – a time when the singer was rediscovered, and revamped in a bit of a bluesy mode – reaching a wide new audience at the time! Her vocals really shine at this point in her career, as she lets loose with a bit more personality too – as you'll hear on this swinging set of down home numbers, cut with a combo that includes Red Holloway on tenor, Ray Brown on bass, and Gene Harris on piano! Titles include "Someone Else Is Steppin", "Goin To Chicago Blues", "Alone On My Own", "Mercy Mercy Mercy", and "I Love Being Here With You". LP, Vinyl record album

A really beautiful solo album from Jon Anderson – best known as the lead singer of Yes, stepping out here with a set that matches the solo projects of Chris Squire and Steve Howe from the same time! Yet unlike those efforts, this one is truly a solo recording – as Anderson not only sings, but handles all the instruments himself – keyboards, guitars, and everything else – folded together in a sound that's very faithful, thanks to work from Mike Dunne, who'd handled a lot of the sound for recordings by Yes! Given that Anderson's not an instrumental virtuoso, like some of his bandmates, the record is a nice change from some of the side-long power jams of mid 70s Yes – tunes that together tell a story, but which have a lyrical, personal vibe that also really suits the charms of Jon's vocals. The set feels nicely like a mid 70s side-chapter of Yes – in ways that are different than the solo records by Howe and Squire – and titles include "Ocean Song", "To The Runner", "Flight Of The Moorglade", "Solid Space", "Dance Of Rampart/Olias", and "Meeting/Sound Out The Galleon". LP, Vinyl record album

Really hard-jamming work from keyboardist Brian Auger – the first of a 2-part live set from the US, and easily some of his greatest work on record! The tracks are all very long and stretched out here – an extrapolation of the territory Auger was already exploring on studio sides, taken into even more cosmic realms through the lively nature of the set. As with other records from the time, Alex Lighterwood sings on some cuts – but the real highlight is the keyboard work of Auger – served up on both organ and electric piano, and hitting a great blend of funk, fusion, and keyboard soul! Titles include a really great funky remake of "Bumpin On Sunset", the original break track "Don't Look Away", and the tunes "Truth", and "Beginning Again". LP, Vinyl record album

A great little album by Roy Ayers – one that features none of his hits, which means lots of fresh material – and which has great examples of both sides of Roy's talents at the time! The dancefloor side of Roy kicks in with "Love Will Bring Us Back Together", an extremely catchy groover that's very much in the mode of "Running Away", with plenty of choppy funky riffs, and a good soul base at the core. Even better, though, is the mellow spacey side of Roy – which shows up wonderfully in the cuts "Is It Too Late To Try" and "If You Love Me" – two overlooked gems that float along in a perfect blend of jazz and modern soul, with great breathy vocals and vibes, very much in the spirit of stuff on the You Send Me album. Other cuts include "I Wanna Feel It", "Leo", "Take Me Out To The Ball Game", and "Simple & Sweet" – all nice too! LP, Vinyl record album

Includes Babbitt's "Phonemena For Soprano And Piano" performed by Lynn Webber and Jerry Kuderna, "Phonemena For Soprano And Tape" performed by Lynn Webber, and "Reflections For Piano And Synthesized Tape" and "Post-Partitions" performed by Robert Miller; Bassett's "Music For Saxophone And Piano" performed by Donald Sinta and Ellen Weckler; Smith's "Fancies For Clarinet Alone" performed by the composer; and Wuorinen's "Bassoon Variations" performed by Donald MacCourt, Susan Jolles, and Gordon Gottlieb. LP, Vinyl record album

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