A gem of a record from the legendary Nino Rota – one of his best scores for director Federico Fellini – a bit later than some of their 60s classics, but equally great! The music is filled with Rota's trademark interweaving of dominant themes and lighter moments – the kind of tight chamber scoring that makes his compositions work so well – bouncey, but never silly, moody, but never too serious. The narrative takes Rota to more pan-historic territory, but his approach here is similar to Fellini films set in contemporary Rome – and dominant instrumentation includes bits of accordion, piano, horns, and gentle strings. Wonderful stuff all around – with loads of short little tracks that have some nice hooks – titles that include "La Fogaraccia", "La Gradisca E Il Principe", "Gary Cooper", "Lo Struscio", "Amarcord", and "Ti Ricordi Siboney". LP, Vinyl record album

Incredible work by Nino Rota – and one of his best scores ever for Fellini! The tracks are done with a weird mix of instruments that include organ, vibes, electric guitar, clarinet, and some occasional wordless vocals that really sound crazy – almost Morricone-like at points, but with a bit more Rota whimsy! The score is easily a blueprint for countless other Italian soundtracks of the 60s – a divine bit of work from Rota, although oddly one of his lesser-remembered works. Titles include "Grandpa's Waltz", "The Little Theatre", "Master of Love", "Dance of the Frog", and "Behold the Devils". LP, Vinyl record album

... LP, Vinyl record album

One of the all-time classic Italian film scores – a groundbreaking soundtrack from Nino Rota, and one of the first Italian works of this nature to hit the record racks in the US! The music is a beautiful blend of whimsy and sadness – penned by Rota with a variety of light themes that dance together with a dreamy sort of quality – romantic one minute, dramatic the next – always handled with Nino's inventive sense of musical play! Larger orchestrations come into play with smaller combo elements that evoke the new world of jazz and rock on the scene in Rome – and the whole thing is a musical delight throughout – with titles that include "La Dolce Vita", "Cadillac", "Via Veneto", "Titoli Di Testa", and "Valzer". LP, Vinyl record album

... LP, Vinyl record album

With music from the Glass Mountain, La Dolce Vita, War & Pwace, the Leopard, Purple Noon, and more – orchestra conducted by Carlo Savina. CD

A later soundtrack in the legendary pairing of composer Nino Rota and director Federico Fellini – and a set that almost seems to have Rota picking up a few tips from his 70s contemporaries on the Italian scene! The music here is often more spare than before, and sometimes uses a key instrumental element – like a keyboard or guitar part, delivered with a languid energy that recalls work by Ennio Morricone or Stelvio Cipriani, mixed with a few other passages that have some more Rota-like melody emerging into the mix. There's an almost dream-like quality to the whole record, making it one of Nino's most striking from the 70s – and titles include "L'Uccello Magico", "Canto Della Buranella", "The Great Mouna", "Ricordo Di Henriette", "O Venezia Venaga Venusia", and "La Poupee Automate". LP, Vinyl record album

Nino Rota's impressive score for the Luchino Visconti film The Leopard – sounds put together with enough of an epic feel to match the sprawling story of the movie! The music is more orchestral and serious than some of Rota's Fellini work from the same period – a masterful bit of scoring that matches the richness of the previous Hollywood generation but with some of the more complex elements we love from Rota. A number of longer themes are almost mini-suites in themselves – "Viaggio A Donnafugata", "I Sogni Del Principe", and "Angelica E Tancredi" – and some shorter pieces have almost an early 20th Century Vienna vibe – including "Mazurka", "Controdanza", "Valzer Brillante", and "Quadriglia". CD

Music from La Dolce Vita, 8 1/2, and Le Notti Di Cabiria . CD

A later soundtrack in the legendary pairing of composer Nino Rota and director Federico Fellini – and a set that almost seems to have Rota picking up a few tips from his 70s contemporaries on the Italian scene! The music here is often more spare than before, and sometimes uses a key instrumental element – like a keyboard or guitar part, delivered with a languid energy that recalls work by Ennio Morricone or Stelvio Cipriani, mixed with a few other passages that have some more Rota-like melody emerging into the mix. There's an almost dream-like quality to the whole record, making it one of Nino's most striking from the 70s – and titles include "L'Uccello Magico", "Canto Della Buranella", "The Great Mouna", "Ricordo Di Henriette", "O Venezia Venaga Venusia", and "La Poupee Automate". Great pressing – with a huge amount of bonus material not on the original! CD

A later soundtrack in the legendary pairing of composer Nino Rota and director Federico Fellini – and a set that almost seems to have Rota picking up a few tips from his 70s contemporaries on the Italian scene! The music here is often more spare than before, and sometimes uses a key instrumental element – like a keyboard or guitar part, delivered with a languid energy that recalls work by Ennio Morricone or Stelvio Cipriani, mixed with a few other passages that have some more Rota-like melody emerging into the mix. There's an almost dream-like quality to the whole record, making it one of Nino's most striking from the 70s – and titles include "L'Uccello Magico", "Canto Della Buranella", "The Great Mouna", "Ricordo Di Henriette", "O Venezia Venaga Venusia", and "La Poupee Automate". Great pressing – with a huge amount of bonus material not on the original! LP, Vinyl record album

Although composed by 70s sex-soundtrack genius Pierre Bachelet, this one's mostly a batch of jaunty, jagged little themes, a bit like Nino Rota's work for Fellini, with lots of similar touches. There's one striking number, though – "Ivory Coast Drums" – which has a weird back/forth rhythm approach, a bit of echo on the drums, and a melodic progression that makes the track a nice dark little number. Bachelet sings vocals on the French version of the "Black & White" theme – and other tracks include "The Letter", "The Battle", "Crossing The Rhine", "Fresnoy's Theme", and "La Chanson Des Souliers". LP, Vinyl record album

A rare treat from the legendary Clarke-Boland Big Band – a sublime set of Italian soundtrack numbers first recorded in 1968! The set was cut at the height of the Italian soundtrack golden age, in Italy, where the group had been working and recording heavily – making for a perfect fit of styles: the sweet and groovy compositions of talents like Nino Rota, Armando Trovajoli, Piero Piccioni, and others, handled with the fire and energy that had become the trademark of the Clarke-Boland ensemble! The set grooves very nicely – with hard-swinging versions of tracks that include "More", "Seven Golden Men", "Your Smile", "Saxology", "La Hora De La Verdad", "Canto D'Amore", and "Questi Vent Anni Miei". CD

One of the more unusual Morricone scores of the 70s – penned as part of a collaboration with director Maximilian Schell, and done in ways that are a bit different than some of the maestro's Italian work! There's plenty of voices at play here – the lead of Edda Dell'Orso, and harmonies from Il Cantori Moderni – used in ways that are sometimes a bit sweeter than usual, with a level of warmth that might not be what you'd expect from the movie! Morricone also throws in a few waltz-like melodies, too – almost the sort of numbers you'd find in a Nino Rota score – but as the soundtrack moves on, things get noticeably darker, too – and move into a rich array of odd sounds and weird tones. CD features a huge amount of tracks issued for the first time ever – a total of 31 tracks that includes "Fox Astratto", "Caduta E Ripresa", "Shake Del Giudice", "Balletto Col Morto", "Meditazione Melodica", and "Fuga In Svizzera". CD

A wonderfully groovy score from Carlo Rustichelli – best known to the world for his famous score for Divorce Italian Style, and working here in a style that mixes tight jazzy numbers with sparer themes in kind of a Nino Rota mode! There's some nice organ in the background on some of the best tracks, and the sophisticated writing is extremely compelling – at a level that should have put this one right up there with 8 1/2 or La Dolce Vita – especially in its ability to mix together playful themes and more serious orchestrations. Most tracks are pretty short, and titles include "Distant City", "Steps", "Dusk", "Faded Longings", "Freedom", "Bebo, Goodbye", and "Fog On The River". LP, Vinyl record album

The title doesn't give you much to go on – but take it from us, this is a great little compilation – one that's filled with rare jazz work from a variety of European soundtracks of the 60s and 70s! The range of tracks here is really great – and wide enough to include a few favorites, plus an even wider range of rare and obscure numbers – most of which are pulled from the catalog of EMI Italy, and include a number of tunes that have never been issued to the public before! And even better, there's a fair bit of work on here that's from soundtracks that aren't normally jazzy overall – but which feature one or two great jazz tracks, pulled out nicely here and intermingled with the rest of the top-shelf set. 18 tracks in all – 5 previously unreleased – with titles that include "Eva" by Michel Legrand, "A Place For Lovers (jazz suite)" by Manuel De Sica, "Spaghetti A Detroit" by Fred Bongusto, "Adulterio All'Italiana" by Armando Trovajoli, "Ballando Con Raquel" by Nino Rota, "This Is Life" by Piero Piccioni, "Sideslip (new edit)" by Berto Pisano, "Jazz Interlude" by Giorgio Gaslini, "That's Show" by Gianni Dell'Orso, "Monitor Jazz" by Carlo Rustichelli, and "Kiss Me Worren Please" by Bruno Nicolai. CD

This is the kind of moog album we can get behind – a sweet 70s update of the moogy groovy that Hugo Montenegro first started crafting in the 60s! The album's got both moog and Arp – the latter of which brings in more of a 70s electric vibe – and there's also some very cool sound effects on the record too, which really ups the ante for the sort of groove that Montenegro was creating! Tunes are all pretty well chosen – making for a super-dope batch of numbers that really gets past the usual – and the set includes an excellent reading of "Me & My Arrow", from Nilson's The Point; 2 versions of Nino Rota tracks from The Godfather; a nice version of Faure's "Pavane", with lots of spirally keyboards; a medley of "Baby Elephant Walk" and "Moon River"; and even a few nice originals, like "Quadimodo" and "Stutterology". LP, Vinyl record album

A surprisingly sensitive soundtrack from Piero Piccioni – especially given that it was done for an early 70s comedy that starred the great Alberto Sordi! The style here is maybe more in that early 60s Italian style of composers like Carlo Rustichelli and Nino Rota – light, lovely melodies that step out from larger but still-light strings – with a gentle sense of whimsy, in a way that never goes too far over the top! Solo instruments include alto sax, accordion, and piano – all used in mighty nice ways – on titles that include "Cocktails From Manhattan", "Roma Amara", "Lunga Storia D'Amore", "Swinging Waltz", "Tango Scopone", and "Gioco Di Carte". CD

Beautiful soundtrack material for the last film ever from Alejandro Jodorowsky – composed and performed by his son Adan – aka Adanowsky – in a style that's surprisingly sensitive, and wonderfully thoughtful throughout! The movie is a fantasy autobiography from the legendary filmmaker – and Adan scores the music at a level that takes us back to some of our favorite French soundtracks of the 60s and 70s – sentimental, but never soppy – carefully emotive, yet never overdone – with a haunting blend of keyboards, piano, and light strings – all used in very focused ways, on melodies that range somewhere between the furniture music of Satie, and the whimsical themes of Nino Rota. First-ever release of the soundtrack – with titles that include "Los Mineros", "Bucefalo", "Jose", "Bodisua", "The Midget", "God Doesn't Exist", and "The Clowns". LP, Vinyl record album

Mancini's Hollywood material, admittedly with a couple of snoozers, but also it's share of timeless classics, like "Dreamsville" and "Days of Wine & Roses", plus some great versions of other film stuff like "Walk On The Wild Side" and Nino Rota's "Drink More Milk". LP, Vinyl record album

A taut score from Piero Piccioni – penned for an early 60s black and white thriller, with a sound that's often a lot more serious than some of his other work of the time! There's a few whimsical themes at the start, but these drop off quickly – leaving some very spare, atmospheric numbers with a really tense, spooky sound – one that often comes from solo piano or organ work from Piccioni, the latter of which has a really deep-down, rumbling quality. Horns appear on some of the lighter moments – which have almost Nino Rota-like melodies that are a bit playful – but the score definitely leans towards the darker side of the spectrum at most moments. Titles include "Fox Foxy", "Waltz For You", "Il Terrorista", and "Eco Di Un Tempo". CD features the original soundtrack, plus 9 bonus tracks with a stereo mix! CD

A wonderful album recorded by Caetano in Italy – one performed live as a tribute to Fredrico Fellini and his wife Giuletta! The tracks are a stunning mix of older Veloso originals, older bossa tunes, and wonderful Nino Rota tunes originally written for Fellini films. Veloso's voice is wonderful throughout, and the instrumentation and performance is a lot more intimate than on the other recent live album, Prenda Minha. Lovingly produced and conceived – and a fitting tribute to all parties involved! Titles include "Que Nao Se Ve", "Trilhos Urbanos", "Giulietta Masina", "Lua, Lua, Lua, Lua", "Coimbra", "Let's Face The Music & Dance", and "Coracoa Vagabundo". CD

One of the more unusual Morricone scores of the 70s – penned as part of a collaboration with director Maximilian Schell, and done in ways that are a bit different than some of the maestro's Italian work! There's plenty of voices at play here – the lead of Edda Dell'Orso, and harmonies from Il Cantori Moderni – used in ways that are sometimes a bit sweeter than usual, with a level of warmth that might not be what you'd expect from the movie! Morricone also throws in a few waltz-like melodies, too – almost the sort of numbers you'd find in a Nino Rota score – but as the soundtrack moves on, things get noticeably darker, too – and move into a rich array of odd sounds and weird tones. CD features a huge amount of tracks issued for the first time ever – a total of 31 tracks that includes "Fox Astratto", "Caduta E Ripresa", "Shake Del Giudice", "Balletto Col Morto", "Meditazione Melodica", and "Fuga In Svizzera". CD

An extremely groovy soundtrack from Carlo Rustichelli – one that bridges two generations of Italian comedy scores! At one level, there's a bouncing melodic feel to the score – done in a very Nino Rota-esque way, with plenty of jazzy touches on electric guitar, and some extremely captivating tunes. At another level, there's more of the mod 60s approach at work too – particularly in the way Pier Luigi Urbini interprets the score, and in the way the whole thing's recorded. Very nice stuff – and filled with classic Italian-styled tunes! Titles include "Night Dance", "Preparing For The Party", "Busy Bodies", "Sunday In The Piazza", "In Town", "Rounds Of Pleasure", and "Blackmail With Loving Care". LP, Vinyl record album

Includes tracks by Black Sabbath, Scott Walker, Minnie Riperton, Robert Wyatt, Lee Hazelwood, Cat Power, the Troggs, Japan, Nino Rota, and the Cure. CD

One of the more unusual Morricone scores of the 70s – penned as part of a collaboration with director Maximilian Schell, and done in ways that are a bit different than some of the maestro's Italian work! There's plenty of voices at play here – the lead of Edda Dell'Orso, and harmonies from Il Cantori Moderni – used in ways that are sometimes a bit sweeter than usual, with a level of warmth that might not be what you'd expect from the movie! Morricone also throws in a few waltz-like melodies, too – almost the sort of numbers you'd find in a Nino Rota score – but as the soundtrack moves on, things get noticeably darker, too – and move into a rich array of odd sounds and weird tones. LP, Vinyl record album

A wonderful package of work from Antonio Carlos Jobim – an 8CD set that brings together 5 full albums recorded for Philips, plus 3 more CDs that serve as a tribute to the maestro! The core albums are the stuff of legend – Edu & Tom, recorded with Edu Lobo; Elis & Tom, recorded with Elis Regina; Matita Pere, issued in the US as Jobim; Caymmi Visita Tom, recorded with Dorival Caymmi; and the soundtrack to Garota De Ipanema – filled with great bossa numbers! Additional CDs are titled Tom Masculino, featuring famous male singers' versions of Jobim tunes; Tom Feminino, with female versions of tunes; and Tom Pra Dois, which is a series of famous duets. 95 tracks on 8CDs – with a bonus booklet as well. CD