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Exact matches: 19
Exact matches1
CD, LP, Vinyl record album cover art
Paul DesmondPaul Desmond & The Modern Jazz Quartet ... CD
Red Baron, 1971. Used ... $16.99
A rare pairing, and a great one too – as Paul Desmond joins the Modern Jazz Quartet for a unique live set from the early 70s – with a great sound that's even more wonderful than we expected! Desmond is always great no matter what the setting – but he sounds especially nice working here alongside the mix of piano and vibes offered by the MJQ – in a style that's subtle, but never as sleepy as some of their other records from the period, thanks to some sharper edges from Desmond. The alto sax really brings something new to this record – carving out snakey little lines that glow and glimmer with a nicely subdued soul – and in a way, the MJQ really just seem to be holding back in a role where they're Paul's accompanists, and not the main stars of the set. Titles include "Greensleeves", "Blue Dove", "You Go To My Head", "East Of The Sun", "Here's That Rainy Day", "Bag's New Groove", and "Jesus Christ Superstar". CD
(Out of print.)

Exact matches2
CD, LP, Vinyl record album cover art
Modern Jazz QuartetComedy ... LP
Atlantic, 1962. Very Good+ Gatefold ... $9.99
A great early 60s set from Modern Jazz Quartet! This one marked the then growing sophistication in the sound of the Modern Jazz Quartet – a concept album based on themes and characters from the Italian tradition of commedia dell'arte. The music is served up in gentle sound poems that have a haunting, timeless sort of feel – very spare and melancholy – with lots of tragic overtones, and hardly the comedic sound you'd expect from the title! Diahann Carroll sings on the track "La Cantatrice" – and other numbers include "Spanish Steps", "Columbine", "Piazza Navona", and "Harlequin". LP, Vinyl record album
(Red & purple label pressing.)

Exact matches3
CD, LP, Vinyl record album cover art
Modern Jazz QuartetConcorde ... LP
Prestige, 1955. Very Good+ ... $28.99
Even at this early point in their career, the Modern Jazz Quartet were plenty proud of their relation to and reception in Paris – almost rubbing their international fame in the faces of other American combos with the title and cover of this record! The set's still got the quartet at their crisp early best – before any of the sometimes too academic or too serious tones of later sides – and tracks are mostly shortish, ringing out with especially nice vibes from Milt Jackson. Titles include an early reading of the title cut "Concorde", plus an extended "Gershwin Medley", and the tracks "All Of You", "I'll Remember April", "Softly As In A Morning Sunrise", and "Ralph's New Blues". LP, Vinyl record album
(NYC 50th street label, with RVG etch and deep groove! Record and cover are great – save for a few inches of seam splitting in a top corner of the cover.)

Exact matches4
CD, LP, Vinyl record album cover art
Modern Jazz QuartetDjango ... CD
Prestige/OJC, Mid 50s. Used ... $1.99
A stone classic from the Modern Jazz Quartet – recorded back when the group still featured Kenny Clarke in its membership, but already with some of the more serious, somber tones that would mark the combo's more famous years! Tracks here are from a variety of sessions in 1953, 1954, and 1955 – and trace an evolution of the MJQ style from initial more composed renditions of bop and modern jazz, to some of the more ambitious colors and tones of the Lewis-penned songbook. Titles include longish readings of "Django" and "La Ronde Suite", plus "Milano", "But Not For Me", "The Queen's Fancy", and "Delaunay's Dilemma". CD
(German pressing.)
Also available Django ... LP 9.99

Exact matches5
CD, LP, Vinyl record album cover art
Modern Jazz QuartetDjango ... LP
Prestige, Mid 50s. Good ... $9.99
A stone classic from the Modern Jazz Quartet – recorded back when the group still featured Kenny Clarke in its membership, but already with some of the more serious, somber tones that would mark the combo's more famous years! Tracks here are from a variety of sessions in 1953, 1954, and 1955 – and trace an evolution of the MJQ style from initial more composed renditions of bop and modern jazz, to some of the more ambitious colors and tones of the Lewis-penned songbook. Titles include longish readings of "Django" and "La Ronde Suite", plus "Milano", "But Not For Me", "The Queen's Fancy", and "Delaunay's Dilemma". LP, Vinyl record album
(Yellow & black label NJ pressing with deep groove and RVG etch/stamp. Cover has wear, a split spine and partially split top & bottom seams.)
Also available Django ... CD 1.99

Exact matches6
CD, LP, Vinyl record album cover art
Modern Jazz QuartetEuropean Concert ... LP
Atlantic, 1960. Very Good 2LP Gatefold ... $4.99
A double-length live set from the legendary Modern Jazz Quartet – recorded in Scandinavia in 1960, almost as a summation of the group's growing genius in the 50s! The tunes are a mix of John Lewis and Milt Jackson originals, plus other songs all given the wonderful MJQ twist – distilled into a sublime blend of piano, vibes, bass, and drums – all delivered with a sense of class, but never too much polish. The album is live, but still has that sophisticated composure that made the group so unique at the time – and the whole thing's a perfect complement to their famous studio albums on Atlantic! Set features 15 tracks in all – including "Django", "Bluesology", "La Ronde", "Festival Sketch", "Vendome", "Odds Against Tomorrow", "Skating In Central Park", "The Cylinder", "Bags' Groove", "I Should Care", "Round Midnight", and "It Don't Mean A Thing (If It Ain't Got That Swing)". LP, Vinyl record album
(Red & green label pressing. Cover has center split bottom seams.)

Exact matches7
CD, LP, Vinyl record album cover art
Modern Jazz QuartetFontessa ... LP
Atlantic, 1956. Very Good- ... $1.99
A classic set of high-class jazz from the MJQ – one that shows John Lewis' growing compositional skills, and the band's always tight ability to work in a compressed chamber format. Features the extended "Fontessa" suite, plus the tracks "Versailles", "Angel Eyes", "Bluesology", and "Woodyn You". LP, Vinyl record album
(Black label pressing with deep groove. Cover has some wear and aging.)

Exact matches8
CD, LP, Vinyl record album cover art
Modern Jazz QuartetLive At The Lighthouse ... CD
Atlantic/Wounded Bird, 1967. Used ... $9.99
An overlooked later gem from the Modern Jazz Quartet on Atlantic – a live set recorded at the Lighthouse, and one with a funkier tone than some of the group's earlier work for the label! Milt Jackson seems to be a bit more in charge of the sound on this set – as the tracks have that earthy quality he was bringing to his own solo albums of the time – yet still ring out with the sense of sound and space that's clearly directed by the John Lewis influence. The whole thing's wonderfully spare – with a sense of timing and grace that's impeccable, yet which also never fails to swing – and titles include "The Spiritual", "Baseball", "The Shadow Of Your Smile", "Intima", "Novamo", "For Someone I Love" and "What's New". CD
(Out of print.)

Exact matches9
CD, LP, Vinyl record album cover art
Modern Jazz QuartetMJQ 40 (4CD box set) ... CD
Atlantic, 1950s/1960s/1970s/1980s. Used 4CD ... $24.99
CD
(Out of print.)

Exact matches10
CD, LP, Vinyl record album cover art
Modern Jazz QuartetModern Jazz Quartet (Atlantic) ... LP
Atlantic, 1957. Very Good- ... $6.99
One of the first MJQ albums on Atlantic – and a bit fresher than some of their later outings, when it seemed like they were churning records out at the drop of a hat! Titles include an extended medley of standards, all given the MJQ touch – plus the drum-heavy "La Ronde", and the tracks "Baden Baden", "Bag's Groove", and "Night In Tunisia". LP, Vinyl record album
(Blue & green pinwheel label pressing with deep groove.)

Exact matches11
CD, LP, Vinyl record album cover art
Modern Jazz QuartetModern Jazz Quartet With Milt Jackson (Prestige LP 160) (10 inch LP) ... LP
Prestige, Early 50s. Very Good+ ... $43.99
LP, Vinyl record album
(Great original copy! Cover is great, too – no splits!)

Exact matches12
CD, LP, Vinyl record album cover art
✨✧ Modern Jazz QuartetOne Never Knows – Original Film Score For No Sun In Venice By John Lewis ... LP
Atlantic, 1957. Very Good+ ... $2.99
The MJQ always manage to sound especially great when working on music for film – and this album's a great illustration of that fact! The work here is written by John Lewis, for a movie that never lasted the test of time as much as the record – and it's some of John's most evocative writing of the time – almost imagistic enough without the film – filled with tones and colors that are quite visual, especially in the hands of this great group! Selections are played by the core quartet of Milt Jackson on vibes, John Lewis on piano, Percy Heath on bass, and Connie Kay on drums – and titles include "The Golden Striker", "One Never Knows", "The Rose Truc", "Venice", "Cortege", and "Three Windows". LP, Vinyl record album
(Black label Long Playing Unbreakable pressing with deep groove.)

Exact matches13
CD, LP, Vinyl record album cover art
Modern Jazz QuartetQuartet (2016 Record Store Day Release) ... LP
Savoy, Mid 50s. New Copy (reissue)... $19.99
Early and brilliant work by the MJQ – recorded at a time when the combo's idea was quite unique, and when its execution was still filled with a lot of creative energy! The group, of course, features the core duo of Milt Jackson and John Lewis – and bass chores are handled by either Percy Heath, or Ray Brown – the latter of whom dominates the album surprisingly. Drums are mostly by Kenny Clarke, whose harder touch gave the group an edge on a lot more of these early recordings – and on a few numbers, Al Jones sits in instead of Kenny. Titles include "Love Me Pretty Baby", "D&E", "True Blues", "Yesterdays", "Round About Midnight", and "Milt Meets Sid". LP, Vinyl record album

Exact matches14
CD, LP, Vinyl record album cover art
Modern Jazz QuartetSpace ... LP
Apple, Late 60s. Near Mint- Gatefold ... $9.99
Beautifully spacey work from the Modern Jazz Quartet – a record that more than earns its enigmatic title! The session's an odd one – in that the MJQ are recording for the Beatles' famous Apple label – but that fact is also one of the best aspects of the record, as it seems to push the group past the staid third stream sound of some of their 60s recordings for Atlantic, into territory that's a bit more experimental, and concerned with sound, colors, and texture. The album's got 2 incredible originals from John Lewis – "Visitor From Mars" and "Visitor From Venus" – plus the tracks "Dilemma" and "Adagio From Concierto De Aranjuez". LP, Vinyl record album
(Cover has some gloss separation along the spine.)

Exact matches15
CD, LP, Vinyl record album cover art
Modern Jazz QuartetTopsy – This One's For Basie ... LP
Pablo, 1985. Near Mint- ... $4.99
LP, Vinyl record album

Exact matches16
CD, LP, Vinyl record album cover art
Modern Jazz Quartet/Quartetto Di Milano/HungarianQuartet Is A Quartet Is A Quartet ... CD
Atlantic/Wounded Bird, 1964. New Copy ... $1.99 11.98
The title's a bit misleading, because while the 3 groups on the session are all quartets, they're hardly similar in the associative way the record assumes! Side one features 4 tracks by the Modern Jazz Quartet – re-recordings of a few classics, plus one new one for the set – titles that include "Reunion Blues", "Winter Tale", "Concorde", and "Yesterdays". But side two actually features a string quartetQuartetto Di Milano – playing the atonal "Funf Satze" by Anton Webern – plus the Hungarian Gypsy Quartet, doing a concert medley of traditional tunes in a violin-based way. So while the album may be some sort of attempt by the MJQ to further tie themselves to Europe – it's also kind of an unusual mix of jazz, avant classical, and folkloric styles! CD

Exact matches17
CD, LP, Vinyl record album cover art
Sonny Rollins5 Original Albums (Worktime/With The Modern Jazz Quartet/Tenor Madness/Moving Out/Saxophone Colossus) (5CD set) ... CD
Prestige (Germany), New Copy 5 CDs ... About May 27, 2016
CD

Exact matches18
CD, LP, Vinyl record album cover art
✨✧ Modern Jazz QuartetModern Jazz Quartet (Prestige LP 170) (10 inch LP) ... LP
Prestige, Early 50s. Used ... Temporarily Out Of Stock
Ah, the genius of the early Modern Jazz Quartet – summed up perfectly in two words: Kenny Clarke! At this early point in the group's history, Kenny was in the quartet on drums – and his magic touch on the kit makes for a style that's a bit harder, and a bit more swinging than some of the later albums from the MJQ, especially those on Atlantic. Additionally, Milt Jackson was coming off of his bop years at Blue Note – another good influence on these sides, as most of the tracks swing with that mix of bop and modern that you'd find on the the best Jackson 10" recordings from the time. This tasty early album is some of our favorite work by the group – and features tracks that include "La Ronde", "Milano", "One Bass Hit", and "Django". LP, Vinyl record album
(Cover has split seams held with clear tape.)

Exact matches19
CD, LP, Vinyl record album cover art
✨✧ Modern Jazz Quartet With Jimmy GiuffreModern Jazz Quartet At Music Inn – Guest Artist Jimmy Giuffre ... LP
Atlantic, 1956. Used ... Temporarily Out Of Stock
A great addition to the Modern Jazz Quartet – as the clarinet of Jimmy Giuffre brings a sharp modern edge to the record! The album's similar to the other MJQ Music Inn date with Sonny Rollins – and shows how the addition of a reed player can really unlock new colors, tones, and possibilities in the sounds of the group. And in this case, given the Giuffre's at the height of his early powers – coming off some sublime trio dates for Atlantic – the pairing of players is completely sublime! Titles include "A Fugue At Music Inn", "Serenade", and "Fun". LP, Vinyl record album
(Black label pressing, with deep groove – in cover with white bar on side. C)
 
Possible matches: 69
Possible matches20
CD, LP, Vinyl record album cover art
✨✧ Australian Jazz QuartetAustralian Jazz Quartet/Quintet (70s pressing) ... LP
Bethlehem, 1956. Very Good+ ... $7.99
Forget the hokey kangaroo picture on the cover, because the record's a mighty sweet set of 50s modern jazz – played by some key musicians from Australian who were working in the US at the time! The record's got a style that's somewhere between the hippest sessions of LA and Sweden at the time – all the coolness of both scenes, but a sense of playful expression that really comes through on some of the more unusual passages. The core group features Errol Buddle and Dick Healey on reeds, Bryce Rhode on piano, and Jack Brokensha on vibes – with added work from John Fawcett or Jimmy Gannon on bass, and Nick Stabulas on drums. Titles include "Loose Walk", "Like Someone In Love", "Music For Walkin", "Fascinating Rhythm", "A Foggy Day", and "Little Girl Blue". LP, Vinyl record album

Possible matches21
CD, LP, Vinyl record album cover art
Dave BrubeckTime Out ... CD
Columbia, 1959. Used ... $2.99
Easily the crowning moment of genius for the legendary Dave Brubeck Quartet – the moment when all things came together magically, and the group somehow elevated themselves to a whole new level in jazz! At the time of the set, Brubeck, Paul Desmond, and the rest had already been making plenty of waves with their creative yet swinging approaches to modern jazz – heard on a number of successful albums for Fantasy and Columbia in the 50s. But with this record, they really knocked one out of the park – blending Desmond's cool alto, Brubeck's unusual piano phrasing, Joe Morello's melodic drum work, and Eugene Wright's pulsating bass into a waltzing, almost modal groove that crossed over to many camps at the time! The classics "Take Five" and "Blue Rondo Ala Turk" were both hits on their own – but all titles are great, and include "Kathy's Waltz", "Strange Medow Lark", "Everybody's Jumpin", and "Pick Up Sticks". CD

Possible matches22
CD, LP, Vinyl record album cover art
Gary BurtonLofty Fake Anagram ... LP
RCA, 1967. Very Good+ ... $8.99
A standout classic from Gary Burton – the kind of fresh-voiced and angularly modern session that showed why his sound on the vibes was one of the most revolutionary in jazz at the time! The session features a quartet with Larry Coryell on guitar, Steve Swallow on bass, and Bob Moses on drums – all working in a style that's got touches of modal jazz, and fragments of the Walt Dickerson sound – yet which is also a bit looser, freer, and more spacious – all without going too far "out". Titles include "Lines", "I'm Your Pal", "Fleurette Africaine", "Feelings & Things", "June The 15th, 1967", and "Good Citizen Swallow". LP, Vinyl record album
(Black label stereo pressing, with deep groove. Cover has index labels and a bit of pen on back.)

Possible matches23
CD, LP, Vinyl record album cover art
Gary BurtonSomething's Coming! ... CD
RCA (Japan), 1963. New Copy ... $13.99
The excitement on the cover here is very well-placed – and RCA clearly knows they've got something special on their hands – the launch of vibist Gary Burton as a leader – a force in jazz that would continue strongly for decades to come! At the time of the record, Burton had already been making waves as a session player on the Nashville scene – where RCA had some especially strong ears – but he's launched here in a mode that's quite far from those roots, and already filled with those modern, chromatic modes that would have Burton pushing the sound of the vibes forward strongly throughout his career – even on an early record like this! The group is very like-minded, and well-chosen – players who are spacious and modern, but never too much so – a quartet with Jim Hall on guitar, Chuck Israels on bass, and Larry Bunker on drums. Titles include "Melanie", "Careful", "Six Improvisatory Sketches", "Something's Coming", and "Little Girl Blue". CD

Possible matches24
CD, LP, Vinyl record album cover art
Clarinet SummitClarinet Summit Vol 2 – In Concert At The Public Theater ... LP
India Navigation, 1984. Near Mint- ... $24.99
A genius idea – almost like the World Sax Quartet, but even more groundbreaking, in that the group unites 2 older players (Alvin Batiste and Jimmy Hamilton) with 2 younger players from the forefront of modern jazz (John Carter and David Murray). The result is wonderful – a record that will forever change your expectations of the sound of the clarinet in jazz, and which shows that reed work from a variety of generations can be equally influential across a variety of scenes. 7 numbers in all, including "Clariflavors", "Mood Indigo", "Night Mist Blue", "Creole Love Call", "Waltz A Minute", "Solo & Ballad For Four Clarinets", and "Satin Doll". LP, Vinyl record album
(Cover has a DMM sticker.)

Possible matches25
CD, LP, Vinyl record album cover art
John ColtraneClassic Quartet – Complete Impulse Studio Recordings (8 CD set) ... CD
Impulse, Early/Mid 60s. Used 8CD Box ... $45.99
The classic quartet of John Coltrane, certainly the classic quartet of the 60s jazz scene and perhaps the classic jazz quartet of all time, compiled in one box set with all of their studio recordings! John Coltrane, McCoy Tyner, Jimmy Garrison and Elvin Jones set so many benchmarks for jazz with their envelope pushing style, recording and performances that it's impossible to overstate their importance in the modern musical oeuvre. This set features all of the LPs Coltrane, Ballads, Impressions, Live At Birdland, Crescent, A Love Supreme, The John Coltrane Quartet Plays, Kulu Se Mama, Transition, Sunship, Infinity and First Meditations, plus a number of tracks issued on compilations. 66 tracks in all, spread out over 8 CDs, in a beautiful bookbound package with a metal slipcase and extensive liner notes. The titles are too numerous to list here, but the set includes "Big Nick", "Soul Eyes", "Miles' Mode", "Tunji", "After The rain", "Lonnie's Lament", "The Drum Thing", "Wise One", "Crescent", "A Love Supreme", "Nature Boy", "Brasilia", "Song Of Praise", "Dear Lord", "The Last Blues", "Living Space", "Dusk Dawn", "Dearly Beloved", "Attaining", "Ascent", "Amen", "Love", "Compassion", "Joy", "Consequences", and "Serenity". CD
(Out of print. In the very heavy original metal case!)

Possible matches26
CD, LP, Vinyl record album cover art
John Coltrane & Hank MobleyTenor Conclave (second cover) ... LP
Prestige, 1956. Very Good ... $29.99
Tenors can't get any more conclaved than this – as the record brings together 4 players on the instrument in a great match from 2 of the best sides of 50s jazz! John Coltrane and Hank Mobley represent the more open, soulful side of the spectrum – and Al Cohn and Zoot Sims the tighter, more smartly arranged aspect. Together, the quartet of horns work in an open-ended blowing mode with rhythm by Red Garland, Paul Chambers, and Art Taylor – in a way that almost makes the set a "Coltrane plus" album for Prestige – one that has the structure of some of the best Trane/Garland sides for the label, but which blows in some other horns with different voicings. If you ever needed a record to demonstrate the subtler shadings of genius within 50s modern jazz, yet still convince you that it could also be relaxed and spontaneous, this record may well be the one. Titles include 2 standards – "Just You, Just Me" and "How Deep Is The Ocean" – plus 2 Mobley originals – "Tenor Conclave" and "Bob's Boys". LP, Vinyl record album
(Blue label pressing.)

Possible matches27
CD, LP, Vinyl record album cover art
Kenny CoxIntroducing Kenny Cox & the Contemporary Jazz Quartet ... LP
Blue Note, 1969. Very Good+ ... $24.99
An overlooked late 60s treasure on Blue Note – one of the few new groups to work on the label at the time, and an up-and-coming modern combo from Detroit! The album's quite unique for a number of reasons – not just because the group was a little-known new signing to the label, but also because the work is quite far-reaching at times – some of the most free-thinking jazz recorded for Blue Note during the time, with a sense of boldness that almost stretches back to Jackie McLean's first few records of the new thing years, or a sense of lyrical invention that's a bit like Wayne Shorter when he made a shift towards the outside. Some numbers are awash in fast colors and changes, while others are a bit more in the pocket, with echoes of soul jazz – but the whole thing's incredibly fresh and free, a wonderful little record that only gets better and better over the years! The group features pianist Kenny Cox as the leader, plus Charles Moore on trumpet, Leon Henderson on tenor, Ron Brooks on bass, and Danny Spencer on drums. Titles include "Mystique", "You", "Trance Dance", "Eclipse", and "Number Four". LP, Vinyl record album
(Liberty stereo pressing. Cover has an Audition stamp on back.)

Possible matches28
CD, LP, Vinyl record album cover art
Duke Ellington & John ColtraneDuke Ellington & John Coltrane ... LP
Impulse, 1962. Very Good+ ... $19.99
A seminal meeting of the old and new generations of jazz in the 60s – put together in perfect Impulse fashion! At some level, this is actually an early 60s John Coltrane Quartet album – with Duke Ellington sitting in for McCoy Tyner on piano, as that's the lineup on about half of the album – tracks that feature Coltrane on tenor, Elvin Jones on drums, and Jimmy Garrison on bass, all working with Ellington on the keys. On other titles, though, the album features Coltrane playing with a Duke-ish trio that has Aaron Bell on bass and Sam Woodyard on drums – slightly less modern, but with a nice sense of depth throughout! Overall, the the record does a great job of balancing between the best talents of both players – and titles include "Big Nick", "The Feeling Of Jazz", "Take The Coltrane", and "My Little Brown Book". LP, Vinyl record album
(80s pressing on MCA.)

Possible matches29
CD, LP, Vinyl record album cover art
Four FreshmenGraduation Day (Four Freshmen & Five Trumpets plus more) ... CD
Capitol/El (UK), Mid 50s. New Copy ... $3.99 13.99
A host of great work by the Four Freshmen – key harmony quartet sides from the 50s, featuring one core album, plus a host of great singles! The music here captures the group at their best early point – working with heavenly vocals throughout – and impeccably modern arrangements to match! The core album in the set is Four Freshmen & Five Trumpets – a great album of jazz harmony vocal tracks, done in a similar manner as their classic Trombones session for Capitol. This one's got Dick Reynolds of the group handling the arrangements – with a brace of west coast trumpet players, and a jazzy rhythm section that includes Milt Raskin and Jack Marshall. Tracks have an amazing approach to the material – with the kind of mindblowing vocal parts that Brian Wilson always claimed as an inspiration, and which (dare we say it) are handled here at this early date with more sophistication than he ever used! Titles include "Got A Date With An Angel", "Goodbye", "Laughing On The Outside", "There Will Never Be Another You", and "Give Me The Simple Life". Other titles on the CD feature more arrangements by Reynolds, plus a half-dozen by Pete Rugolo – with titles that include "Laura", "Intermission Riff", "Graduation Day", "Lonely Night In Paris", "Jo Ann", and "If I Knew Then". CD

Possible matches30
CD, LP, Vinyl record album cover art
Stan GetzSteamer ... CD
Verve/Jazz Society, 1956. Used ... $4.99
The title may be a bit strangely put – as "Steamer" isn't a word that we'd necessarily think to use with the gently flowing tenor tone of Stan Getz – but that doesn't stop the album from being a great one, and perhaps in Getz-like terms, it might well have a bit more steam than usual! The album features Getz in a quartet with a nicely flowing groove – nicely vamping piano from Lou Levy in the background on most numbers, and a definite edge in the lead tenor solos – still blown with the warmth of earlier Getz recordings, but perhaps showing some of the modern flourishes to come. Bass is by Leroy Vinnegar and drums are by Stan Levey – and titles include "Blues For Mary Jane", "There'll Never Be Another You", and "You're Blase". The CD includes a complete alternate take of "How About You?", and incomplete and false start takes "There Will Never Be Another You", "You're Blase", "Like Someone In Love", and "How About You?". CD
(Out of print.)

Possible matches31
CD, LP, Vinyl record album cover art
Jimmy GiuffreComplete Capitol Capitol & Atlantic Recordings Of Jimmy Giuffre (6CD set) ... CD
Mosaic, 1950s. Used 6CDs ... $174.99
Some of the most sublime modern jazz of the postwar years – material that ended up on the albums Four Brothers, Tangents In Jazz, The Jimmy Giuffre Clarinet, Modern Jazz Quartet At Music Inn, Jimmy Giuffre 3, The Music Man, Travlin Light, Four Brothers Sound, Historic Concert At Music Inn, Wester Suite, and Third Stream Music. Features a few unissued tracks, too! CD
(Out of print – and in good shape! Includes original book, box and CD cases!)

Possible matches32
CD, LP, Vinyl record album cover art
Benny GolsonTurning Point/Free ... CD
Mercury/Universal (Germany), 1962. New Copy ... $8.99
Two albums that really show why we love Benny Golson so much! Turning Point is an incredible, and oft-overlooked album from the great Benny Golson – and one of the few early albums that really point the way to his huge run of work for decades to come! The style here is a bit looser, and more open than some of Golson's previous albums – less of a focus on arrangements, and more on the spontaneous interplay between his tenor and the crack rhythm section – which features Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – a dream lineup who really make the record sparkle. But the real star of the show is Golson – who's hitting this raspy, soulful tone he never had before – much freer of soul jazz formalities, and with a modern edge that's wonderful – as you'll hear on titles that include "Alone Together", "Turning Point", "Stella By Starlight", and "Dear Kathy". On Free, things aren't as tightly structured as on some of Benny's more arranged albums of the period – and he opens up wonderfully in a small group setting – playing in a beautifully confident tone, but with a slightly raspy edge – cutting, changing, and swinging perfectly in lines that are masterfully crafted, yet full of raw emotion. The group's a thoughtful quartet, and includes Tommy Flanagan on piano, Ron Carter on bass, and Art Taylor on drums – and tracks that inlcude "Sock Cha", "Shades Of Stein", "Just By Myself", and "Just In Time". CD

Possible matches33
CD, LP, Vinyl record album cover art
Bob GrafBob Graf Sessions ... CD
Delmark/Fresh Sound (Spain), 1958. Used ... $6.99
Obscure modern jazz from the St Louis scene of the 50s – 4 tracks recorded by 2 different groups, both led by tenorist Bob Graf, and done in an edgey, open style that reminds us a bit of some of the work of JR Monterose during the time. Bob plays with additional tenor in one group, plus piano, bass, and drums – and fronts a quartet on the other session – blowing in a tone that's a bit cool, but which also has a nice raspy tone at the bottom. Titles include "Stella By Starlight", "Alley Blues", and "Dear Old Stockholm". CD

Possible matches34
CD, LP, Vinyl record album cover art
✨✧ Milt JacksonComplete Milt Jackson With Horace Silver ... LP
Prestige, 1955. Very Good+ ... $9.99
A slightly different take on the Modern Jazz Quartet sound of the early years – as the album features Milt Jackson's vibes in the company of MJQ bandmates Percy Heath and Connie Kay, but also includes Horace Silver on piano – in the spot normally reserved for John Lewis! The presence of Silver on piano gives a bit of a harder edge to the set, one that almost recalls some of Jackson's work on Blue Note in the early 50s, yet which is rounded out here by a few lighter and more lyrical touches on rhythm. The set includes a great reading of "Moonray", the Jackson original "Stonewall", and the tracks "Wonder Why", "I Should Care", and "My Funny Valentine". LP, Vinyl record album
(Blue label Jazz Classics Series pressing. Cover has a cutout hole.)

Possible matches35
CD, LP, Vinyl record album cover art
Milt JacksonMilt Jackson (Blue Note 1509 aka Wizard Of The Vibes) ... LP
Blue Note, Early 50s. Very Good+ ... $119.99
Wicked early work from Milt Jackson – a record that's got a lot more of an edge than some of his later work with the Modern Jazz Quartet – a near-perfect modernist bop sound that's every bit the best side of Blue Note in the early 50s! The package brings together material from a few different sessions – some originally on 10" LPs – and the core of the material features Jackson in the company of pianist Thelonious Monk, on some tracks that also feature Sahib Shihab on alto sax! John Lewis plays piano on another batch of tracks that are essentially the early MJQ lineup, but with Lou Donaldson on alto too – so they swing with a bit more soul than you might expect. Titles include "Bag's Groove", "On The Scene", "Willow Weep For Me", "Criss Cross", "Evidence", "Tahiti", "Misterioso", "Four In One", and more. LP, Vinyl record album
(New York mono pressing, with RVG stamp and ear! Cover is great, save for one slightly bumped bottom corner.)

Possible matches36
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Milt JacksonPlenty, Plenty Soul ... LP
Atlantic, 1957. Near Mint- ... $19.99
Plenty plenty soul here – as Milt Jackson's moving away from the Modern Jazz Quartet, and working with a great group of players that really expand his sound! The session's a bit like some of Milt's soul jazz work for Riverside and other labels – in that it's got rhythms, timings, and solos that all are much more gutbuckety than you'd expect from the other side of his career – a real nod towards the nascent soul jazz sound in the late 50s, served up with lots of undercurrents from R&B and gospel in the mix. Side one features players that include Ronnie Peters on alto sax, Frank Foster on tenor, and Sahib Shihab on baritone – plus Horace Silver on piano – and Silver makes a return appearance on side two, alongside a group that includes Lucky Thompson on tenor and Joe Newman on trumpet. Titles include "Plenty, Plenty Soul", "Boogity Boogity", "Heartstrings", "Sermonette", "The Spirit Feel", "Ignunt Oil", and "Blues At Twilight". LP, Vinyl record album
(Japanese pressing.)

Possible matches37
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Milt JacksonStatements ... LP
Impulse, Early 60s. Very Good+ Gatefold ... $9.99
A great statement from vibist Milt Jackson – one of his key solo sessions in a great 60s run of recordings away from the Modern Jazz Quartet! Like the classics that followed this one, the vibe is much more soulful than any of Milt's records with the MJQ – kind of an extension of the groove he hit on 50s dates for Savoy and Prestige, swung with an even tighter feel here in the Impulse Records setting! The backing's from a trio that includes Hank Jones on piano, Paul Chambers on bass, and Connie Kay on drums – and the tracks are short, but have some nice haunting themes that work well with the sensitive vibes of Jackson and piano of Jones. Titles include "Put Off", "Statement", "Slowly", "Sonnymoon For Two", and "Thrill From The Blues". LP, Vinyl record album
(Green label 70s pressing. Cover has a cut corner.)

Possible matches38
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Hans KollerMultiple Koller ... LP
L+R Records (Germany), 1962. Near Mint- ... $14.99
Brilliant work from Austrian saxophonist Hans Koller – one of his most striking sessions of the 60s, and an incredibly rare one too! The material here was originally recorded for a sound library session, but is 60s modern jazz at its best – with Koller on tenor, working in a quartet that includes Fritz Pauer on piano. Most tunes have an angular, rhythmic sort of feel – dancing out in a groove that's often missing from some of Koller's other work – in a style that seems to really push him on his solos, getting the most out of his incredible tone and phrasing, without succumbing to any sort of overdone experimentalism. Titles include "Mingus Privat", "Hommage A Soulages", "Ruth", "Call Me Eric", "Ronnie & Anne", and "Don't Forget Oscar". LP, Vinyl record album

Possible matches39
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Jonas KullhammarGentlemen – Original Motion Picture Jazz Tracks ... CD
Moserobie (Sweden), 2014. New Copy ... $19.99
A hell of a record from saxophonist Jonas Kullhammar – a batch of work that was originally done for the film Gentlemen, but a set that you'll be listening to long after the film has faded from the screens! The set may well be one of Jonas' most traditional jazz records – a set that really gets to show off his tremendous talents in a straight jazz setting – with a richness of tone, and overall sense of presentation that makes us feel like Kullhammar would have been a great addition to the Blue Note catalog in the 60s. Yet the music also has a very contemporary sense of vibrancy too – as Jonas works here with key modern partners Tobjorn Zetterberg on bass, Carl Bagge on piano, and Johan Holmegard on drums – plus tremendous work on half the record from musicians who include Swedish jazz giant Bernt Rosengren on tenor, as well as Goran Kajfes on cornet and Mattias Stahl on vibes. Kulhammar plays tenor, baritone, stritch, and saxello – and titles include "Le Boulevardier", "Montmartre", "Paris Art Ensemble", "The Bear Quartet", "So Long Henry", "Danish Blow", and "Gazell". CD
 
Partial matches: 16
Partial matches89
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Dave Brubeck & Jimmy RushingBrubeck & Rushing (with bonus track) ... CD
Columbia/Legacy, 1960. New Copy ... $5.99 6.99
One of the coolest collaborations of Dave Brubeck's years at Columbia Records – and one of the greatest jazz sessions from vocalist Jimmy Rushing too! On paper, the modernist Brubeck and Kansas City roots singer Rushing would seem to be a very unlikely pair – but by this time in his career, Jimmy had gotten extremely inventive and was very open to new ideas – and manages to lend his amazing vocals to some sublime instrumental backdrops from the Brubeck quartet! Dave unlocks a whole host of bluesy tones for the session, and really matches Rushing's energy – and Paul Desmond's alto sounds somewhat unusual in that setting, but with a real appeal too – a very unusual sound for a record like this. Titles include "There'll Be Some Changes Made", "My Melancholy Baby", "Blues In The Dark", "I Never Knew", "Ain't Misbehavin", "Evenin", "All By Myself", "River Stay Way From My Door", "You Can Depend On Me", and "Am I Blue". CD features the previously unreleased bonus track "Shine On Harvest Moon". CD

Partial matches90
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Gavin BryarsAfter The Requiem ... CD
ECM, 1991. Used ... $8.99
A quartet of works composed by Gavin Bryars – some of them a lot more jazz-based than some of his other work for ECM! There's a warmth and thoughtfulness here that comes through right away – sensitive sounds that still share some of the modernist tones with Bryars' more adventurous compositions, but which also link the record nicely back to an ECM jazz tradition as well. Players include Bill Frissell on guitar, Evan Parker and Stan Sulzmann on soprano sax, Ray Warleigh on alto, Alexander Balanescu on violin and viola, and Bryars himself on bass – and titles include "After The Requiem", "Alaric 1 or 2", "Allegrasco", and "The Old Tower Of Lobenicht". CD
(Out of print.)

Partial matches91
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Teddy CharlesWord From Bird ... CD
Atlantic/Koch, 1956. Used ... $6.99
A richly complex album from vibist Teddy Charles – easily one of his greatest albums ever, and certainly one with the boldest sound! The groups here are filled with hip players – all working under Charles' direction in a set of tracks that shimmers with dark sounds and moody colors – often as textural as it is jazz-based – with a level of sophistication that goes beyond even Charles key modernist work from the early 50s. Teddy's on vibes, alongside Art Farmer on trumpet, Eddie Bert on trombone, Hal Stein on alto, Don Butterfield on tuba, George Barrow on baritone, Hall Overton on piano, and Jimmy Raney on guitar – and while some tracks feature a tentet, 4 of the album's numbers feature a smaller quartet with Charles Mingus on bass! Titles include the 10 minute composition "Word From Bird" – plus "Blue Greens", "Laura", "Showtime", and "Just One Of Those Things". CD
(Out of print.)

Partial matches92
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✨✧ Booker ErvinGroovin' High ... LP
Prestige, 1966. Very Good ... $29.99
Booker Ervin's definitely grooving high here – hitting some of the same soulful notes as on his classic Blues Book album, but also bringing in some more modernist moments too! The set features one track that's clearly a Blues Book number – a take on "Groovin High" with Carmell Jones on trumpet and Gildo Mahones on piano – but the rest of the album features a quartet that really lets Ervin dominate the proceedings on tenor – blowing hard with that mix of deep roots and sharper edges he brought to his amazing work with Charles Mingus! Jaki Byard's on piano on these other tracks – giving a nice sense of urgency to the set, as well as a similar range of jazz traditions in his sound – and other players include Richard Davis on bass and Alan Dawson on drums – both nicely loose one minute, then tight as a drum the next. Titles include "Stella By Starlight", "The Second #2", "Bass-Ix", and "Groovin' High". LP, Vinyl record album
(Blue label pressing. Cover has a small name in marker on the back.)

Partial matches93
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Elvin Jones/Jimmy Garrison SextetIllumination! (180 gram pressing) ... LP
Impulse, 1963. New Copy Gatefold (reissue)... $16.99
An amazingly unique little group – one that kind of stepped in the Impulse Records back door from the Coltrane galaxy, but which features some very unique aspects overall! As the cover states, the ensemble's led by bassist Jimmy Garrison and drummer Elvin Jones – and also features McCoy Tyner from Coltrane's quartet – yet the real charm of the record comes from the reed men, who include Prince Lasha on flute and clarinet, Sonny Simmons on alto and English horn, and Charles Davis on baritone sax! All players are free-thinking modernists, with ties to some of the farther reaches of 60s jazz – yet they work here in a beautifully inside mode, similar to Lasha's excellent Insight album on CBS UK – a vibe that takes all the most wonderful aspects of the Coltrane generation, but pushes them even further with some deeply personal expressions. Tracks include the seminal "Half & Half" – plus "Aborigine Dance In Scotland", "Oriental Flower", and "Nuttin Out Jones", and "Gettin On Way". LP, Vinyl record album

Partial matches94
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Pete La RocaTurkish Women At The Bath ... CD
Douglas/32 Jazz, 1967. Used ... $8.99
Despite the stupid name (or perhaps because of it), this is one of the great lost sessions of the 60s! Drummer Pete LaRoca originally cut this set for the tiny Douglas label, and the session's an amazing bit of modernist jazz that features a rare non-Sun Ra appearance by tenorist John Gilmore. Gilmore's playing is fantastic, and quite different from that on some of his Ra albums – probably because the rest of the quartet features Chick Corea and Walter Booker, who groove in a very modal vein. The material's out, but not too out – and although Corea and Gilmore's solos are quite far-reaching, they also snap back nicely into the tight playing of the ensemble. And forget all of your biases against Corea – because at this young age, his playing is great! Titles include "Sin Street", "Dancing Girls", "Love Planet", and "Bliss". CD
(Out of print.)

Partial matches95
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Sal SalvadorSal Salvador Quintet (10 inch LP) ... LP
Blue Note, 1953. New Copy (reissue)... $16.99 19.99
Sal Salvador was one of the 50s more accomplished modernist talents on jazz guitar – and his work ranks up there with players like Tal Farlow, or Gil Melle's great bandmate Joe Cinderella. This is Salvador's rare first album for Blue Note – only issued in a 10" vinyl format! The record features quartet and quintet material, and includes tenorist Frank Sokolow, an icy-toned genius who's never gotten his just dues. Sokolow and Salvador sound great together, and create a haunting sound that's better than anything we've heard on other Salvador records from his later years. Titles include "My Old Flame", "Get Happy", "Too Marvelous For Words", "Gone With The Wind", and "After You've Gone". LP, Vinyl record album

Partial matches96
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Side EffectAfter The Rain ... LP
Elektra, 1980. Very Good ... $5.99
A great little album by this jazzy soul harmony quartet! The record is their first on Elektra, and has a slightly more modern sound than earlier years – but it retains all the best parts of their Fantasy recordings – and is perhaps even better than them, because it has less tracks in which the group is goofing around, and more in which they're going for a straight soulful sound! Augie Johnson of At-Home Productions produced, so the record still has that Wayne Henderson jazzed-up groove – and the group features female vocals by Miki Howard, plus the usual three male harmony sound – a wonderful blend that's unlike anything else we can think of. Includes their nice version of "Superwoman", plus the tracks "Close To Me", "Georgy Porgy", "Black Beauty", and "I Feel It's Real". LP, Vinyl record album

Partial matches97
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VariousComplete Beehive Recordings (12CD set) ... CD
Beehive/Mosaic, Late 70s/Early 80s. New Copy 12CD ... $168.99 169.00
The long-awaited CD debut of work from the excellent and short-lived Beehive Records – a Chicago company started in the late 70s, to continue the best 60s spirit of Blue Note and Prestige – with a top-shelf roster that included artists like Curtis Fuller, Clifford Jordan, Dizzy Reece, and Johnny Hartman! At a time when most other labels had forgotten about straight, solid, acoustic jazz – Chicago collector Jim Neumann decided to start getting back to basics, and give some of his hardbop heroes a place to record – starting the Beehive label with his wife and just a shoestring budget, and pursing artists who weren't being recorded properly at the time! The result is an excellent run of records – all of which were only issued on vinyl in the late 70s and early 80s, and appear here on CD for the first time ever – in a wonderful package that adds in notes on every session, and traces the short, but wonderful run of Beehive. Like many small labels, Beehive's fame and success was hampered by reasons of distribution and cashflow – but that never kept their music from sounding as best as it possibly could – with plenty of room for the soloists to open up and do their thing, and no attempt at all to modernize or commercialize the recordings. The sessions sparkle like lost gems from overlooked sessions at Rudy Van Gelder's – and offer up a great picture of artists who were almost lost to the record racks at the times – and the 12CD set features the full albums: Baritone Madness by Nick Brigola (with Ted Curson and Pepper Adams); Burn Brigade by Nick Brigola (with Ronnie Cuber, Walter Davis Jr, and Cecil Payne); Neo Nistico by Sal Nistico (with Ted Curson, Ronnie Mathews, and Nick Brigola); Fire & Filigree by Curtis Fuller (with Sal Nistico and Walter Bishop Jr); Manhattan Project by Dizzy Reece (with Clifford Jordan and Charles Davis); Hyde Park After Dark by Clifford Jordan and Von Freeman; Dr Chicago by Clifford Jordan (with Jaki Byard and Red Rodney); Once In Every Life by Johnny Hartman; Starfingers by Sal Salvador (with Eddie Bert and Nick Brignola); Juicy Lucy by Sal Salvador (with Billy Taylor); Roots Branches & Dances by Ronnie Mathews (with Frank Foster); Legacy by Ronnie Mathews (with Bill Hardman and Ricky Ford); New York Jazz Quartet In Chicago by Roland Hanna (with Frank Wess); In High Profile by Dick Katz (with Jimmy Knepper and Frank Wess); Truckin & Trackin by Junior Mance (with David Newman); and Keep On Pushin by Arnett Cobb (with Joe Newman, Al Grey, & Junior Mance). CD
(Numered, limited edition of 5000!)

Partial matches98
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Paris SmithParis Smith – Kenneth Hill Quartets ... LP
Oracle/Jazzaggression (Finland), Mid 80s. New Copy (reissue)... About July 15, 2016
Excellent lost work from the Chicago soul jazz underground! Paris Smith plays vibes, and has written some of the most unusual modern music in Chicago. He mixes modal jazz, 70s spiritual playing, and a very unique sense of instrumentation and rhythm all into a wonderful batch of tracks that haunt us long after we've stopped listening to his records. This album's one of the few that he ever issued, on his own Oracle label – and it features Kenneth Hill on saxes, plus an expanded rhythm section that includes some additional percussion. Titles include "Mood For John", "53rd Street Ghost", "Bring Out The Skeleton", and "The Last One". LP, Vinyl record album

Partial matches99
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✨✧ Art Blakey/John HandyMessages – Echoes Of An Era (Cubop/Jazz – John Handy III) ... LP
Roulette, 1957. Used 2LP Gatefold ... Temporarily Out Of Stock
A pair of great albums from Art Blakey and John Handy! First up is Cubop – a rare Jubilee Records album from Art Blakey – one of his non-Blue Note sets from the late 50s, cut during the year of 1957 – a time when the Jazz Messengers were hopping around a lot of different labels! This version of the group is searing and soulful – and features Johnny Griffin on tenor, Bill Hardman on trumpet, Sam Dockery on piano, and Spanky DeBrest on bass – plus the unusual addition of Sabu Martinez on conga, rocking and rollicking alongside Blakey's drums in an amazing way! The set's quite different than some of Art's "with percussion" dates for Blue Note – as Sabu's congas kind of just set an extra fire to the hardbop groove – giving it a slight Latin flavor, but more than anything, just getting in a wicked edge that really cooks up the session. Griffin is great, as always, and the album features four long tracks "Woddyn You", "Sakeena", "Shorty", and "Dawn On The Desert". Next is Jazz John Handy III one of the few beautiful early albums cut by John Handy for Roulette – and an obscure session that has him playing alto with a quartet that includes a young Walter Bishop Jr. on piano. Handy here is fresh from his work with Mingus – and his alto is filled with fire and emotion, yet also touched by a great deal of warm soufulness. His work with Bishop on the album hearkens towards later directions in 70s soul jazz – but it's also firmly rooted in a modernist hardbop vein. Titles include "Strugglin", "No Smiles Please", "Blues For MF", and "Afternoon Outing". LP, Vinyl record album

Partial matches100
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✨✧ Dave BrubeckJazz At The College Of The Pacific ... LP
Fantasy, Early 50s. Used ... Temporarily Out Of Stock
Classic early live material from the Dave Brubeck Quartet – already humming along nicely with some great alto sax from Paul Desmond! The group's in fine form here – a bit more relaxed and open than on their Columbia recordings – with plenty of creative piano lines from Dave, showing just a slight dose of modernism, and lots more of that cool, icy alto sax work that made Desmond a standout right from the start. Rhythm is by Ron Crotty on bass and Joe Dodge on drums – and titles include "Laura", "Lullaby In Rhythm", "For All We Know", "All The Things You Are", and "I'll Never Smile Again". LP, Vinyl record album
(Red vinyl pressing with deep groove.)
 
 
 



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