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Exact matches: 52
Exact matches1
CD, LP, Vinyl record album cover art
✨✧ Miles DavisAscenseur Pour L'Echafaud (180 gram pressing) ... LP
Fontana (France), 1958. New Copy (reissue)... $19.99
One of our favorite-ever Miles Davis albums – and a groundbreaking soundtrack that forever changed the way that jazz music was used in film! According to legend, the sounds here were recorded by Miles on a hot Paris night – late in the studio, after a live performance – in a very intimate setting that had he and the combo creating these little poetic passages along with the action in the film! In addition to sublime and moody muted trumpet from Miles – the small group also features tremendous tenor work from the great Barney Wilen – a French modernist who's at the height of his powers – and beautiful bass from Pierre Michelot, whose rich tones really frame the whole proceedings. The rest of the group features bop pianist Rene Urtreger and American drummer Kenny Clarke – but the real charm comes from the interplay between Wilen, Davis, and Michelo. Titles include "Florence Sur Les Champs-Elysees", "L'Assassinat De Carla", "Diner Au Motel", "Evasion De Julien", "Nuit Sur Les Champs-Elysees", "Le Petit Bal", "Au Bar Du Petit Bac" and "Sur L'Autoroute". LP, Vinyl record album

Exact matches2
CD, LP, Vinyl record album cover art
Miles DavisBlack Beauty – Miles Davis At Fillmore West (180 gram pressing) ... LP
Sony/Music On Vinyl (UK), 1970. New Copy 2LP Gatefold (reissue)... $38.99 39.99
Four sides of noisy, funky, stretched-out playing from Miles Davis – recorded at the Fillmore West, but with an intensity that matches some of Miles' crazy electric recordings from Japan during the early 70s! The music is a powerful blast of music that stretches out over the double-length set of the package – with a style that moves from heavy-duty avant playing, then back to more mellow grooving, then kicks it out nice and hard again – a heavy dose of rock mixed in with the fusion, but still plenty jazzy throughout. In all, the record is probably one of the most heavy-duty that the Miles electric group recorded in the 70s – and the lineup on the set features Steve Grossman on saxes, Chick Corea on electric piano, Jack DeJohnette on drums, and Airto on percussion. Tracks include "Spanish Key", "Directions", "Masqualero", "It's About That Time", "I Fall In Love Too Easily", "Bitches Brew", "Willie Nelson", and "Sanctuary". LP, Vinyl record album

Exact matches3
CD, LP, Vinyl record album cover art
Miles DavisDark Magus (180 gram pressing) ... LP
Columbia/4 Men With Beards, 1974. New Copy 2LP Gatefold ... $23.99 27.99
Some of Miles noisiest, freest playing from the 70s – recorded live at Carnegie Hall in 1974, and originally issued only in Japan – most likely because the album was so darn noisy, Columbia was scared to release it to the American market! As with other Davis gems from this time, the group is as adventurous as Miles himself – a really great lineup with Dave Liebman and Azar Lawrence on reeds, plus rhythm from Michael Henderson on bass, Al Foster on drums, and Mtume on percussion – all matched by three searing electric guitarists – Reggie Lucas, Pete Cosey, and Dominique Gaumont – who duel back and forth in monster solos that run all over the place during the set! Titles include "Moja", "Wili", "Tatu", and "Nine". LP, Vinyl record album

Exact matches4
CD, LP, Vinyl record album cover art
Miles DavisDouble Image – Rare Miles From the Complete Bitches Brew Sessions (2020 Record Store Day Release) ... LP
Columbia/Legacy, New Copy 2LP ... On August 29, 2020
(Note: Record Store Day 2020 has been rescheduled to separate special release days of August 29, September 26 and October 24. The specific release date for each previously announced title is yet to be announced and subject to change. Titles are in limited supply – and will be offered for sale first to customers who visit the Dusty Groove retail outlet in Chicago on August 29, September 26 and October 24 only if it is safe and responsible to open the store, with Covid-19 shelter in place orders no longer in place. Items will not be pre-sold or reserved in any way. However, we will offer up whatever we have left for sale online after 12pm Central on release day.) LP, Vinyl record album

Exact matches5
CD, LP, Vinyl record album cover art
✨✧ Miles DavisFour & More – Recorded Live In Concert ... LP
Columbia, 1964. Near Mint- ... $16.99
Breakneck live work from Miles Davis – and proof that his famous 60s quintet wasn't only just about mellow and spacious sounds! The set was recorded at the same concert as the album My Funny Valentine – and while that one's mostly ballads, this one's mostly high tempo numbers that skip along with incredible ease – crackling with modern touches on the rhythm from Herbie Hancock, Ron Carter, and Tony Williams – and featuring some really excellent work by George Coleman on tenor sax! Titles include "Four", "So What", "Joshua", and "Seven Steps To Heaven". LP, Vinyl record album
(70s pressing. Cover has light wear.)

Exact matches6
CD, LP, Vinyl record album cover art
✨✧ Miles DavisIn Person Friday & Saturday Nights At The Blackhawk ... LP
Columbia, 1961. Very Good- 2LP Gatefold ... $29.99
Legendary early live work from Miles Davis – one of the first examples on record of the way that Davis could really stretch out in a concert setting! The music's a bit more straight ahead than later live dates, but still pretty open and exploratory – and in addition to Davis' sparkling work on trumpet, the album also features some killer tenor lines from Hank Mobley – working here as a key part of Miles' group, and blowing with a hell of a lot of soul. Rhythm is by the rock-solid trio of Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and the double-length set features 12 numbers in all – including "All Of You", "No Blues", "Bye Bye", "Walkin", "Neo", "So What", "Fran Dance", and "Well You Needn't". LP, Vinyl record album
(Mono 6 eye pressing. Cover has staining inside the gatefold.)

Exact matches7
CD, LP, Vinyl record album cover art
✨✧ Miles DavisIn Person Friday Night At The Blackhawk – Vol 1 ... LP
Columbia, 1961. Very Good- ... $14.99
Legendary early live work from Miles Davis – one of the first examples on record of the way that Davis could really stretch out in a concert setting! The music's a bit more straight ahead than later live dates, but still pretty open and exploratory – and in addition to Davis' sparkling work on trumpet, the album also features some killer tenor lines from Hank Mobley – working here as a key part of Miles' group, and blowing with a hell of a lot of soul. Rhythm is by the rock-solid trio of Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and titles include "All Of You", "No Blues", "Bye Bye" and "Walkin". LP, Vinyl record album
(Mono 6 eye pressing. Cover has some staining on the top seam, a split bottom seam, and light surface wear.)

Exact matches8
CD, LP, Vinyl record album cover art
Miles DavisLive In Paris – 1960 ... LP
Return To Analog (Canada), 1960. New Copy 2LP ... About May 1, 2020 (delayed)
Rare session with Sonny Stitt on vinyl for the first time! LP, Vinyl record album

Exact matches9
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles Davis At Fillmore ... LP
Columbia, 1970. Near Mint- 2LP Gatefold ... $16.99
Four sides of long improvised grooves from Miles Davis – a set that's quite similar to the classic studio album Bitches Brew, but which captures the sound in more open live setting! Each track on each side is named "Wednesday Miles", "Thursday Miles", and so on – after the night it was recorded – and is one of the few documents of the Miles electric group that features Chick Corea on keyboards, Steve Grossman on saxes, Dave Holland on bass, Jack DeJohnette on drums, and Airto on percussion. The work is more inside than some of the Davis Japanese sessions of the time, but no less revolutionary – really opening up in some wonderful ways – with lots of spacious modal riffing over some heavy vamps. Groovy and quite free at the same time, but not nearly as out as the later electric recordings! LP, Vinyl record album
(Cover has some ring and edge wear.)

Exact matches10
CD, LP, Vinyl record album cover art
Miles DavisMiles In Tokyo – Miles Davis Live In Concert (70s pressing) ... LP
Columbia (Japan), 1964. Very Good+ ... $39.99
Miles Davis' first-ever performance in Japan – a really unique concert that featured the quintet with Herbie Hancock, Ron Carter, and Tony Williams – augmented by a young Sam Rivers on tenor! The presence of Rivers really gives the set an edge – and although Miles is holding Sam a bit more in check than on some of his "new thing" albums from the time, there's an overall quality here that's different than the other Davis quintet albums of the time. The set was one of a number of important Miles Davis live sessions from the period – including albums from Berlin, Antibes, and Chicago – and titles include "If I Were A Bell", "My Funny Valentine", "So What", "Walkin'" and "All Of You". LP, Vinyl record album
(Japanese pressing from 1977, 25AP 762, including the insert.)

Exact matches11
CD, LP, Vinyl record album cover art
Miles DavisPorgy & Bess ... LP
Columbia, 1958. Very Good- ... $14.99
Way more than just a simple version of work from Porgy & Bess – and instead, a key collaboration between Miles Davis and Gil Evans – done with a sound that really transforms the tunes! True, the work here is all based on George Gershwin's original compositions – but through his inventively modern arrangements, Gil Evans really pushes the familiar numbers to a whole new place – and Miles glides over the top with some especially shimmering solos! Titles include "Summertime", "The Buzzard Song", "I Loves You, Porgy", and "Fishermen, Strawberry, & Devil Crab". LP, Vinyl record album
(Mono 6 eye pressing with deep groove. Cover has black tape on all seams and light surface wear.)

Exact matches12
CD, LP, Vinyl record album cover art
✨✧ Miles DavisQuiet Nights ... LP
Columbia, 1963. Very Good ... $14.99
Moody magic from Miles Davis and Gil Evans – one of the pair's most perfectly poised albums together, and a set with a slight bossa nova undercurrent! Evans' shimmering horn patterns are in fine form here – complicated, but never in cold and too-modern ways – just the right sort of backdrop for Miles' muted solo work – blow with a great sense of space and care throughout! There's almost a soundtrack sort of depth to the record, but the solos still keep the jazz element nicely in focus – and titles include "Summer Night", "Wait Till You See Her", "Aos Pes Da Cruz", "Song #1", "Song #2", "Corcovado", and "Once Upon A Summertime". LP, Vinyl record album
(Mono 2 eye pressing. Cover has light staining on the edges and some aging.)

Exact matches13
CD, LP, Vinyl record album cover art
Miles DavisRubberband ... LP
Rhino, 1986. New Copy 2LP ... $28.99 31.98
Great lost work from Miles Davis – early material recorded for Warner Brothers in the mid 80s, and never released at the time – now finally uncovered from the vaults, and presented with a few slight contemporary touches! The core music is prime electric Miles funk all the way through – a great first step into the territory that he'd explore at Warner in his final years, but also with some traces of the Columbia records from the few years before – strong trumpet solos amidst bold rhythms – given new life here from instrumentalists Randy Hall and Attala Zane Giles. The music has been updated from the original tapes – with a richer sound, and a vibe that sounds less dated – and vocals have been added in a few spots, including great work from Ledisi and Lalah Hathaway. Titles include "Rubberband Of Life", "Echoes In Time/The Wrinkle", "See I See", "I Love What We Make Together", "So Emotional", "Paradise", "Maze", and "Give It Up". LP, Vinyl record album

Exact matches14
CD, LP, Vinyl record album cover art
✨✧ Miles DavisSketches Of Spain ... LP
Columbia, 1960. Near Mint- ... $24.99
A beautiful collaboration between Miles Davis and the great Gil Evans – and perhaps the most perfectly realized of all their projects! The album's got a wonderfully unified feel – as it begins with long compositions that have a distinct Spanish-tinge (and not a Latin-tinge, which is an important distinction to the way the album progresses.) Evans' arrangements have a majesty that takes the songs to the next level – working them as lush, lively backings for Davis' equally majestic trumpet solos, some of the finest he ever recorded with large group backing. Wonderful all the way through – and with the tracks "Concierto De Aranjuez", "Saeta", "The Pan Piper", and "Solea". LP, Vinyl record album
(70s pressing. Cover has surface wear.)

Exact matches15
CD, LP, Vinyl record album cover art
✨✧ Miles DavisSomeday My Prince Will Come ... LP
Columbia, 1961. Very Good- ... $39.99
The tenor sax here makes the album a standout – as John Coltrane still works with Miles Davis on 2 tracks for the record, but Blue Note stalwart Hank Mobley joins in on the rest! The approach is similar to that of the classic Coltrane/Davis years – and in a way, the record's kind of a swan song to that period – one of the last studio session that Miles would cut in such an unabashedly sweet and lyrical way. And while Mobley's always better known for his harder-blown notes at Blue Note, he sounds totally great here next to Davis – really keeping up the gentle spirit and spaciousness of the record, and working with a gentleness that surpasses even his work on the legendary Soul Station album. Rhythm is by the trio of Wynton Kelly, Paul Chambers, and Jimmy Cobb – and titles include Miles' classic version of "Someday My Prince Will Come", plus "Old Folks", "Teo", "Drad-Dog", and "Pfrancing". LP, Vinyl record album
(Mono 6 eye pressing, matrix ending 1A/1B. Cover has a split on the top seam, notes in pen on the back, and light surface wear.)

Exact matches16
CD, LP, Vinyl record album cover art
Miles DavisWe Want Miles ... LP
Columbia, 1982. Near Mint- 2LP Gatefold ... $13.99
Well, it's not the Plugged Nickel or electric Japan in the 70s – but this is a surprisingly great 2LP set of live work by Miles from the early 80s – recorded in New York and Boston, with a lively full-on concert sort of feel! The group features Marcus Miller on bass, Bill Evans on soprano sax, Al Foster on drums, Mike Stern on guitar, and Mino Cinelu on percussion – and the tracks are long tunes, done with a bit of electricity, and sort of a joyous approach overall. Titles include "Kix", "My Man's Gone Now", "Jean Pierre", "Fast Track", and "Back Seat Betty". LP, Vinyl record album

Exact matches17
CD, LP, Vinyl record album cover art
Miles Davis & Sonny StittLive in Stockholm 1960 ... LP
Dragon (Sweden), 1960/1986. Near Mint- 2LP Gatefold ... $29.99
Incredible stuff – and a rare meeting of two giant jazz talents you'd never thought would appear on the same stage! The album features a 1960 concert in Sweden – Miles and Sonny upfront, with backing by the trio of Wyton Kelly, Paul Chambers, and Jimmy Cobb. Tracks are long, fiery, and a bit dirty (if we can say that in mixed company!) – and titles include "No Blues", "If I Were A Bell", "Walkin", "All Of You", and "On Green Dolphin Street". LP, Vinyl record album

Exact matches18
CD, LP, Vinyl record album cover art
✨✧ Miles DavisAscenseur Pour L'Echafaud (3 x 10 inch LP deluxe edition) ... LP
Fontana/Universal, 1958. New Copy 3 x 10 inch LP ... Temporarily Out Of Stock
One of our favorite-ever Miles Davis albums – and a groundbreaking soundtrack that forever changed the way that jazz music was used in film! According to legend, the sounds here were recorded by Miles on a hot Paris night – late in the studio, after a live performance – in a very intimate setting that had he and the combo creating these little poetic passages along with the action in the film! In addition to sublime and moody muted trumpet from Miles – the small group also features tremendous tenor work from the great Barney Wilen – a French modernist who's at the height of his powers – and beautiful bass from Pierre Michelot, whose rich tones really frame the whole proceedings. The rest of the group features bop pianist Rene Urtreger and American drummer Kenny Clarke – but the real charm comes from the interplay between Wilen, Davis, and Michelo. Titles include "Florence Sur Les Champs-Elysees", "L'Assassinat De Carla", "Diner Au Motel", "Evasion De Julien", "Nuit Sur Les Champs-Elysees", "Le Petit Bal", "Au Bar Du Petit Bac" and "Sur L'Autoroute". This amazing 3LP version features one never-issued track – "L'Interrogatoire De Julien" – plus 16 more tracks from the sessions for the recordings, and a booklet of notes! LP, Vinyl record album
Also available Ascenseur Pour L'Echafaud (180 gram pressing) ... LP 19.99

Exact matches19
CD, LP, Vinyl record album cover art
✨✧ Miles DavisBig Fun ... LP
Columbia, 1974. Very Good+ 2LP Gatefold ... Temporarily Out Of Stock
One of the great Miles 70s groove albums – an album that's often as funky as you might expect from the cover, with a sound that's gone onto become the stuff of legend over the years! The noise of previous electric sessions is nicely toned down a bit here – leaving lots more room for soulful grooving – and although the selections were recorded over different dates, there's a very unified feel to the record – as most tracks have a similar groove, away from other Davis electric work of the period. Players vary throughout – and include Wayne Shorter and Sonny Fortune on reeds, Lonnie Smith and Chick Corea on keyboards, Ron Carter and Dave Holland on basses, John McLaughlin on guitar, and Al Foster and Billy Cobham on drums. Titles include "Great Expectations", "Ife", "Go Ahead John", and "Lonely Fire" – and the whole thing kicks! LP, Vinyl record album
(Cover has ring and edge wear.)

Exact matches20
CD, LP, Vinyl record album cover art
✨✧ Miles DavisBitches Brew ... LP
Columbia, 1969. Very Good+ 2LP Gatefold ... Temporarily Out Of Stock
One of the few cases in jazz where an oft-played classic still resonates with power! The record itself is a key cap to Miles Davis' already-groundbreaking years of the 60s – a bold step forward, not just for his nascent electric sound, but also for jazz in general – and the benchmark by which so many other records would be judged (and fail) in years to come! The double-length set makes full use of all four sides of the record – expanding the flow (as well as the lineup) of the original Davis modal vision – and using all players to amazing effect, so much so that most players here turn out some of their best recorded work ever! The lineup is virtually a whose who for the sound of fusion in the 70s – including Wayne Shorter on soprano sax, Bennie Maupin on bass clarinet, Joe Zawinul and Chick Corea on keyboards, John McLaughlin on guitar, Dave Holland on bass, and Lenny White and Jack DeJohnette on drums – plus Jumma Santos and Don Alias on added percussion. Titles include "Pharaoh's Dance", "Spanish Key", "Sanctuary", "Bitches Brew", "John McLaughlin", and "Miles Runs the Voodoo Down". LP, Vinyl record album
(70s pressing. Cover has ring and edge wear.)

Exact matches21
CD, LP, Vinyl record album cover art
✨✧ Miles DavisComplete Birth Of The Cool ... LP
Capitol, Late 40s. New Copy 2LP Gatefold ... Temporarily Out Of Stock
Legendary early work from trumpeter Miles Davis – late 40s sessions for Capitol Records that are completely different than the bop material he was cutting with Charlie Parker and on his own! Instead, these sides have Miles working with a complex, more arranged style – built up with a young Gil Evans, in a mode that prefaces the later famous recordings the pair would make in the late 50s for Columbia. Here, the tracks are shorter, but beautifully blend bop ideas with fuller arrangements – and Davis blows alongside other key young modernists in a variety of larger groups – with work from Lee Konitz on alto, Gerry Mulligan on baritone sax, JJ Johnson and Kai Winding on trombones, Al Haig and John Lewis on piano, and Kenny Clarke and Max Roach on drums. Mulligan contributed plenty, too – his ideas on an overall sound definitely helped shape these sides – and the record's go on to legendary status – even though it's very different than most other Miles Davis from the time. Titles include "Godchild", "Jeru", "Move", "Venus De Milo", "Budo", and "Deception". This "complete" package follows up the core tracks with live material recorded at the Royal Roost, even before the original studio sessions – in a group that features Mike Zwerin on trombone with Konitz, Mulligan, Lewis, and Roach – plus a bit of vocals from Kenny Pacho Hagood. Titles include "Darn That Dream", "Moon Dreams", "S'Il Vou Plait", "Move", "Birth Of The Cool Theme", "Godchild", and "Budo". LP, Vinyl record album
(Live material on LP here for the first time ever!)

Exact matches22
CD, LP, Vinyl record album cover art
✨✧ Miles DavisDirections – Unreleased Recordings 1960-1970 ... LP
Columbia, 1960s. Near Mint- 2LP Gatefold ... Temporarily Out Of Stock
A surprisingly nice set of tracks that were recorded for Columbia during the 60s, but not issued until the time of this 1981 compilation. Tunes run the gamut from early modal to freer electric – and Miles works with players that include Joe Zawinul, Tony Williams, Airto, Hank Mobley, Bennie Maupin, Dave Holland, Steve Grossman, Herbie Hancock, Gil Evans, and Chick Corea. Tracks include "Ascent", "Willie Nelson", "Konda", "Duran", "Fun", "Directions 1 & 2", "Limbo", "So Near, So Far", and "Song Of Our Country". LP, Vinyl record album
(Cover has some aging.)

Exact matches23
CD, LP, Vinyl record album cover art
✨✧ Miles DavisEnigma (10 inch LP) ... LP
Blue Note, 1952/1953. New Copy ... Temporarily Out Of Stock
A real enigma from Miles Davis – rare material from the Blue Note vaults, issued here for the first time ever – and done as a totally sweet 10" album! The cover and package are great – and the music is even better – very much in the most sparkling spirit of Davis' early 10" albums for Blue Note – with a lineup that includes JJ Johnson on trombone, Jimmy Heath on tenor, Jackie McLean on alto sax, Gil Coggins on piano, Percy Heath or Oscar Pettiford on bass, and Art Blakey or Kenny Clarke on drums! Titles include "Enigma (alt take 1)", "Kelo (alt take 1)", "Chance It (alt take 3)", and "Chance It (alt take 4)". LP, Vinyl record album

Exact matches24
CD, LP, Vinyl record album cover art
✨✧ Miles DavisESP ... LP
Columbia, 1965. Very Good ... Temporarily Out Of Stock
An album of dark and subtle beauty – and still one of our favorite Miles Davis albums of all time! The set's not as earth-shattering as some of Davis' other work of the 60s, but that's why we like it so much – because the emerging genius of the group with Wayne Shorter, Herbie Hancock, and Tony Williams is held in a really special place here – one that ruminates quietly on space and soul, while Davis majestically directs tones and colors that he'd never gotten in a small group format before! Titles include the amazing "Iris", one of Miles' most haunting themes – plus "Little One", "RJ", "ESP", "Mood", and "Agitation". LP, Vinyl record album
(70s pressing. Cover has ring and edge wear, a split spine and some moisture stains.)
Also available
ESP ... CD 4.99
ESP (Japanese paper sleeve edition) ... CD 14.99

Exact matches25
CD, LP, Vinyl record album cover art
✨✧ Miles DavisFilles De Kilimanjaro ... LP
Columbia, 1969. Near Mint- ... Temporarily Out Of Stock
A dark blend of acoustic and electric modes from Miles Davis – a set that still has him working with elements of the classic 60s quintet, but which also brings in a stronger emphasis on electric piano too! The rhythms here are really fantastic – ready to burst forth into a whole new direction, yet still not hitting the Bitches Brew level of freedom – and drummer Tony Williams may well be the real star of the set for his tremendous work on the kit – even though, as stated, the album's got some heavy electric piano contributions both from Herbie Hancock and Chick Corea! All titles feature Miles on trumpet, Wayne Shorter on tenor, and Tony Williams on drums – and the titles with Herbie feature Ron Carter on bass, while the rest with Chick Corea feature Dave Holland. Titles include "Frelon Brun", "Tout De Suite", "Petits Machins", "Mademoiselle Mabry", and "Filles De Kilimanjaro". LP, Vinyl record album
(70s pressing.)
Also available Filles De Kilimanjaro (original master recording) ... CD 24.99

Exact matches26
CD, LP, Vinyl record album cover art
✨✧ Miles DavisGet Up With It ... LP
Columbia, 1974. Very Good+ 2LP Gatefold ... Temporarily Out Of Stock
Miles Davis' last studio session before a few years of seclusion – and a really monumental effort, probably the baddest of the electric period! The album does a great job of capturing the energy of the frenzied live sets from that time, and matching it with Teo Macero's cut and paste editing, and wizardry at the mixing console. The side long piece "He Loved Him Madly" is a minimalist epic, while "Calypso Frelimo" alternates between mad afro-percussion driven jams and spacey wah-wah trumpet interludes. The rest of the album is divided up into more succinct shorter funky pieces, like classic "Rated X", with Miles basically just leaning on an electric organ over a hyper funk beat, and the bluesy "Honky Tonk" which opens with an incredibly funky burping electric piano break! LP, Vinyl record album
(Cover has light wear.)

Exact matches27
CD, LP, Vinyl record album cover art
✨✧ Miles DavisIn A Silent Way ... LP
Columbia, 1969. Very Good+ ... Temporarily Out Of Stock
There's nothing "silent" here – as the album's a bold entry in the electric years of Miles Davis – one that still features contributions from Herbie Hancock, Wayne Shorter, and Tony Williams – but which also expands the lineup considerably – really reaching out towards the sound of Bitches Brew! Herbie's on electric keys here, working alongside Chick Corea and Joe Zawinul, who really help increase the flow of the tunes and enforce the "directions in music" stated on the cover of the set! Shorter's on soprano sax, playing in an even more angular way – and Dave Holland is on bass, replacing the sound of Ron Carter, getting some rhythmic assistance at times from John McLaughlin, whose sound really helps to shape the record! Titles include 2 side-long tracks – "Shhh/Peaceful" and "In A Silent Way/It's About Time" – both long, and both beautiful! LP, Vinyl record album
(70s pressing. Cover has ring and edge wear and seam splitting.)

Exact matches28
CD, LP, Vinyl record album cover art
✨✧ Miles DavisIn Person Friday Night At The Blackhawk – Vol 1 (Jazz Masterpieces) ... LP
Columbia, 1961. Near Mint- ... Temporarily Out Of Stock
Legendary early live work from Miles Davis – one of the first examples on record of the way that Davis could really stretch out in a concert setting! The music's a bit more straight ahead than later live dates, but still pretty open and exploratory – and in addition to Davis' sparkling work on trumpet, the album also features some killer tenor lines from Hank Mobley – working here as a key part of Miles' group, and blowing with a hell of a lot of soul. Rhythm is by the rock-solid trio of Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and titles include "All Of You", "No Blues", "Bye Bye" and "Walkin". LP, Vinyl record album
(Columbia Jazz Masterpieces pressing.)

Exact matches29
CD, LP, Vinyl record album cover art
✨✧ Miles DavisIn Person Saturday Night At The Blackhawk – Vol 2 ... LP
Columbia, 1961. Very Good+ ... Temporarily Out Of Stock
Legendary early live work from Miles Davis – one of the first examples on record of the way that Davis could really stretch out in a concert setting! The music's a bit more straight ahead than later live dates, but still pretty open and exploratory – and in addition to Davis' sparkling work on trumpet, the album also features some killer tenor lines from Hank Mobley – working here as a key part of Miles' group, and blowing with a hell of a lot of soul. Rhythm is by the rock-solid trio of Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and titles include "Neo", "So What", "Fran Dance", and "Well You Needn't". LP, Vinyl record album
(Brown label "Columbia Limited Edition" pressing. Cover has light wear.)

Exact matches30
CD, LP, Vinyl record album cover art
✨✧ Miles DavisKind Of Blue ... LP
Columbia, 1959. Near Mint- ... Temporarily Out Of Stock
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". LP, Vinyl record album
(180 gram Legacy pressing. Cover has light wear.)

Exact matches31
CD, LP, Vinyl record album cover art
✨✧ Miles DavisKind Of Blue (mono) ... LP
Columbia, 1959. New Copy (reissue)... Temporarily Out Of Stock
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". LP, Vinyl record album
(180 gram vinyl pressing!)

Exact matches32
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles Davis (Everest) (aka Many Miles Of Davis) ... LP
Charlie Parker/Everest, Late 40s. Near Mint- ... Temporarily Out Of Stock
Early bop sides, not led by Miles as you might imagine from this package, but featuring him. We're not entirely certain of the origin of these recordings, but they are at least contemporaneous with the Savoy sides Miles was cutting with Bird, and according to the notes, feature Charlie Parker, Lucky Thompson, Duke Jordan, Max Roach and others. 10 tracks in all: "Out Of Nowhere", "A Night In Tunisia", "Yardbird Suite", "Ornithology", "Moose The Mooch", "Embraceable You", "Bird Of Paradise", "My Old Flame", "Don't Blame Me" and "Scrapple From The Apple". LP, Vinyl record album
(Cover has light wear and aging.)

Exact matches33
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles In Tokyo (2019 Black Friday Release) ... LP
Columbia/Get On Down, 1964. New Copy Gatefold (reissue)... Temporarily Out Of Stock
Miles Davis' first-ever performance in Japan – a really unique concert that featured the quintet with Herbie Hancock, Ron Carter, and Tony Williams – augmented by a young Sam Rivers on tenor! The presence of Rivers really gives the set an edge – and although Miles is holding Sam a bit more in check than on some of his "new thing" albums from the time, there's an overall quality here that's different than the other Davis quintet albums of the time. The set was one of a number of important Miles Davis live sessions from the period – including albums from Berlin, Antibes, and Chicago – and titles include "If I Were A Bell", "My Funny Valentine", "So What", "Walkin'" and "All Of You". LP, Vinyl record album

Exact matches34
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles Smiles (180 gram pressing) ... LP
Columbia, 1966. New Copy (reissue)... Temporarily Out Of Stock
Miles Smiles, but his grin is a wry one – given the angular energy of the set! The album's a landmark effort from the mid 60s quintet that includes Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams – all of whom work without fail to capture Davis' newly emerging approach to jazz – a style that's touched with some of the light lyricism of the late 50s, but which has much sharper edges overall – and really approaches some of the best "new thing" modes that were going down at labels like Blue Note or Impulse! Many tunes have a subtly spare quality, but nonetheless work with a tremendous amount of power – and titles include a classic version of "Freedom Jazz Dance", a haunting take on Shorter's "Footprints", and the titles "Orbits", "Circle", "Dolores", and "Gingerbread Boy". LP, Vinyl record album

Exact matches35
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMilestones ... LP
Columbia, 1958. Near Mint- ... Temporarily Out Of Stock
One of our 50s favorites by Miles Davis – and a record that offers the same twin-sax sound as his classic Kind Of Blue – with both John Coltrane and Cannonball Adderley working alongside Miles in the group! Rhythm here is by the Prestige-era trio of Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums – but it's the two saxophonists who really help Davis shape the feel of the record, pushing things past the initial Coltrane/Davis groove with a really wonderful sense of space and sound! Titles include the classic "Milestones", plus "Two Bass Hit", "Dr Jeckyll", and "Sid's Ahead". LP, Vinyl record album
(70s pressing. Cover has some surface wear.)

Exact matches36
CD, LP, Vinyl record album cover art
✨✧ Miles DavisOn The Corner ... LP
Columbia, 1972. Very Good+ ... Temporarily Out Of Stock
A sublime bit of Miles Davis electric funk – one of the best-remembered electric sets from the 70s, and for good reason too! The tracks are long, the jams are hard, and the whole thing has a lot more funk than some of the noise you'd get on other Miles albums of the time – thanks to killer keyboards from Herbie Hancock and Chick Corea, guitar from John McLaughlin, and reeds from Dave Liebman – plus some standout drums from the legendary Jack DeJohnette – easily at the top of his powers here. These top-shelf players jam together beautifully – really cooking on the album's long tracks – "On The Corner" and "Helen Butte/Mr Freedom X" – and tightening up on the slightly shorter cuts "Black Satin" and "One & One". LP, Vinyl record album
(70s pressing in a standard cover.)

Exact matches37
CD, LP, Vinyl record album cover art
✨✧ Miles DavisOn The Corner (180 gram pressing) ... LP
Columbia, 1972. New Copy (reissue)... Temporarily Out Of Stock
A sublime bit of Miles Davis electric funk – one of the best-remembered electric sets from the 70s, and for good reason too! The tracks are long, the jams are hard, and the whole thing has a lot more funk than some of the noise you'd get on other Miles albums of the time – thanks to killer keyboards from Herbie Hancock and Chick Corea, guitar from John McLaughlin, and reeds from Dave Liebman – plus some standout drums from the legendary Jack DeJohnette – easily at the top of his powers here. These top-shelf players jam together beautifully – really cooking on the album's long tracks – "On The Corner" and "Helen Butte/Mr Freedom X" – and tightening up on the slightly shorter cuts "Black Satin" and "One & One". LP, Vinyl record album

Exact matches38
CD, LP, Vinyl record album cover art
✨✧ Miles DavisRound About Midnight ... LP
Columbia, 1956. Very Good ... Temporarily Out Of Stock
Thelonious Monk may have written the title tune, but Miles Davis makes it all his own here – blowing with a subtle moody magic that makes the album one of his true treasures from the early Columbia Records years! John Coltrane's along on tenor sax – helping Davis expand the sound the pair first forged on Prestige – and also present is the rhythm trio of Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums – impeccably recorded here with a wonderful sense of space, and almost a bridge between older Miles modes, and the genius to come. Titles include Miles seminal take on "Round Midnight", plus "Tadd's Delight", "Dear Old Stockholm", "Bye Bye Blackbird", and "A Leu Cha". LP, Vinyl record album
(6 eye pressing with deep groove. Cover has wear with split spine and top seam.)

Exact matches39
CD, LP, Vinyl record album cover art
✨✧ Miles DavisSeven Steps To Heaven ... LP
Columbia, 1963. Very Good+ ... Temporarily Out Of Stock
A key point in the development of the Miles Davis sound of the 60s – his first album to feature work from Herbie Hancock, Ron Carter, and Tony Williams – augmented by some equally nice work on other tracks from Victor Feldman and Frank Butler! The sound here is beautifully spare – a wonderful exploration of ideas that Miles had been putting forth on some other albums for Columbia, but crafted here with a vision that's apparent in the very first note – and which transforms both the tunes and the work of the players into a focused, near-perfect sound all the way through. Titles include "So Near So Far", "Seven Steps To Heaven", "I Fall In Love Too Easily", "Joshua", and "Basin Street Blues" – which even sounds great in this setting! LP, Vinyl record album
(360 Sound stereo pressing with black text. Cover has a lightly bumped corner.)
Also available Seven Steps To Heaven (with bonus tracks) ... CD 4.99

Exact matches40
CD, LP, Vinyl record album cover art
✨✧ Miles DavisSketches Of Spain (180 gram vinyl mono edition) ... LP
Columbia, 1960. New Copy (reissue)... Temporarily Out Of Stock
A beautiful collaboration between Miles Davis and the great Gil Evans – and perhaps the most perfectly realized of all their projects! The album's got a wonderfully unified feel – as it begins with long compositions that have a distinct Spanish-tinge (and not a Latin-tinge, which is an important distinction to the way the album progresses.) Evans' arrangements have a majesty that takes the songs to the next level – working them as lush, lively backings for Davis' equally majestic trumpet solos, some of the finest he ever recorded with large group backing. Wonderful all the way through – and with the tracks "Concierto De Aranjuez", "Saeta", "The Pan Piper", and "Solea". LP, Vinyl record album
(Special mono version – pressed up on 180 gram vinyl!)
Also available Sketches Of Spain ... LP 24.99

Exact matches41
CD, LP, Vinyl record album cover art
✨✧ Miles DavisTribute To Jack Johnson ... LP
Columbia, 1971. Near Mint- ... Temporarily Out Of Stock
A masterful tribute from one bad cat to another – and easily one of Miles Davis' greatest electric albums ever! The album's got a powerful, epic sort of feel – a renewed focus after the looser style of Bitches Brew, and the 70s live albums – and one that mixes a deeper funky sound with the raw, exploratory style Davis had let loose a few years before. Michael Henderson's bass is a big part of the power of the record, and John McLaughlin's guitar has never sounded better, or sharper. Teo Macero made the whole thing magic in the studio, and titles include two sidelong funkdafied jams – "Right Off" and "Yesternow". LP, Vinyl record album
(70s pressing. Cover has some light wear, but is nice overall.)
Also available Tribute To Jack Johnson ... CD 5.99

Exact matches42
CD, LP, Vinyl record album cover art
✨✧ Miles DavisWater Babies ... LP
Columbia, 1967. Very Good- ... Temporarily Out Of Stock
A much different album than you might expect from the cover – hardly the funky 70s set implied by the Big Fun-styled cover – and instead a lost slice of work from his groundbreaking late 60s years! The set was recorded in 1967, but unissued until Miles late 70s time away from the studio – hence the cover, which attempts to contemporanize the record – and the music is very much in the dark moods and sharp tones of Filles De Kilimanjaro, and features a somewhat similar group! The core quintet of Wayne Shorter on tenor, Herbie Hancock on piano, Ron Carter on bass, and Tony Williams on drums handles the first half of the set – but the group's then expanded to include Chick Corea on electric piano along with Herbie on keys – and Ron Carter steps out so that Dave Holland can bring some more modern tones to the bass. Tracks are all somewhat long, and titles include "Capricorn", "Water Babies", "Sweet Pea", and "Two Faced". LP, Vinyl record album
(Original 70s pressing. Cover has some wear and peeling – mostly along the bottom.)
Also available Water Babies ... CD 4.99

Exact matches43
CD, LP, Vinyl record album cover art
✨✧ Miles Davis & John ColtraneMiles Davis & John Coltrane Play Richard Rodgers ... LP
Moodsville/Prestige, Late 50s. Very Good ... Temporarily Out Of Stock
A strange collection from Prestige – issued in the early 60s, but featuring late 50s work by Miles with Coltrane, plus one added Coltrane track on his own – all based around the compositions of Richard Rodgers. The work is classic Davis/Trane material from the Prestige years – with supporting players that include Red Garland, Paul Chambers, Percy Heath, Jimmy Cobb, and Philly Joe Jones – plus trumpeter Wilbur Harden on the one track without Davis. Titles include "It Never Entered My Mind", "Spring Is Here", "My Funny Valentine", "I Could Write A Book", and "Blue Room". LP, Vinyl record album
(Blue label trident pressing, with Van Gelder stamp. In a black/green/purple cover, which has some wear and masking tape on the seams.)

Exact matches44
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✨✧ Miles DavisAgharta (180 gram pressing) ... LP
Columbia/4 Men With Beards, 1975. New Copy 2LP Gatefold (reissue)... Out Of Stock
A seminal 70s side from Miles Davis – originally a Japanese recording, and one that returns to the solid push of the initial electric years! The record's a completely cooking little session – one that mixes the raw, noisier styles of other Davis albums with a focus, funked-up energy that's really set loose in the freer standards of the Japanese scene – all to come up with a sound that's completely otherworldly, and which is light years ahead of most mainstream fusion from the period. Pete Cosey plays some really wicked guitar and synthesizer, Al Foster kicks tremendous energy on his drums, Sonny Fortune brings a soulful depth on soprano sax and flute, and Michael Henderson creates massive flow on the bass. Titles include "Prelude", "Interlude", and a long version of "Theme From Jack Johnson". LP, Vinyl record album
(Super-nice heavy vinyl pressing!)

Exact matches45
CD, LP, Vinyl record album cover art
✨✧ Miles DavisJazz At The Plaza Vol 1 ... LP
Columbia, 1958. Near Mint- ... Out Of Stock
A great lost live set – recorded in 1958 during that pivotal time when Miles was working with Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers, and Philly Joe Jones. The whole thing's a great example of how the group could hold up the perfection of Kind Of Blue in a live setting – and the long tracks include "Jazz At The Plaza", "If I Were A Bell", and "Oleo". LP, Vinyl record album
(70s pressing. Cover has some surface wear, mostly on the back.)

Exact matches46
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMan With The Horn ... LP
Columbia, 1980. Near Mint- ... Out Of Stock
A nice little later album from Miles Davis – one that still has some sharp edges and interesting moments that refine the earlier electric sound of the 70s! Teo Macero's still producing here, and he gives the record a focus that really brings the best sound out of the tunes – and although there's not as much noise, funk, or raw energy as before, there's still a shimmeringly modern style that's quite different from most other electric jazz of the time – proof that Davis was still an innovator even in these years! Other instrumentation includes electric piano, guitar, and soprano sax – and titles include "Fat Time", "Aida", "The Man With The Horn", "Ursula", and "Back Seat Betty". LP, Vinyl record album

Exact matches47
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles Smiles ... LP
Columbia, 1966. Very Good+ ... Out Of Stock
Miles Smiles, but his grin is a wry one – given the angular energy of the set! The album's a landmark effort from the mid 60s quintet that includes Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams – all of whom work without fail to capture Davis' newly emerging approach to jazz – a style that's touched with some of the light lyricism of the late 50s, but which has much sharper edges overall – and really approaches some of the best "new thing" modes that were going down at labels like Blue Note or Impulse! Many tunes have a subtly spare quality, but nonetheless work with a tremendous amount of power – and titles include a classic version of "Freedom Jazz Dance", a haunting take on Shorter's "Footprints", and the titles "Orbits", "Circle", "Dolores", and "Gingerbread Boy". LP, Vinyl record album
(Mono 360 Sound pressing. Cover has edge wear.)

Exact matches48
CD, LP, Vinyl record album cover art
✨✧ Miles DavisStar People ... LP
Columbia, 1983. Near Mint- ... Out Of Stock
Miles Davis in the early 80s – but still sounding pretty darn great, and somehow managing to take some of his best elements from the 70s and refine them into a slightly more focused groove! The tracks here are shorter than before – no side-long jams at all – but they definitely bristle with slight undercurrents of noise, and have some unbridled rhythms that make for a good sense of energy. Added to these are a few more (then) contemporary touches – a very slight update of Miles' older funk, but never in a slick or commercial way – and still cerebral enough to show the world that Davis wasn't selling out late in the day. Miles plays a bit of keyboards in addition to trumpet – and other players include Bill Evans on saxophones, John Scofield on guitar, Marcus Miller on bass, and Al Foster on drums. Titles include "Come Get It", "It Gets Better", "Speak", "Star People", "U N I", and "Star On Cicely". LP, Vinyl record album
(Cover has a Factory Sealed sticker on back.)

Exact matches49
CD, LP, Vinyl record album cover art
✨✧ Miles DavisTutu ... LP
Warner, 1986. Near Mint- ... Out Of Stock
A nice collaboration between Miles and Marcus Miller from the latter part of Miles career. As much of the recording here is overdubbed, with many multiple instruments played by Miller, it doesn't have the improvised vibe of Miles' classic performances, but the songwriting and arrangements are head and shoulders above much of the contemporary jazz being recorded at the time, Miles is in great form, and the glossy production sits better with us now than ever before. Paulinho DaCosta, George Duke, Michael Urbaniak and Bernard Wright all make guest appearances. 8 tracks in all: "Tutu", "Tomaas", "Portia", "Splatch", "Backyard Ritual", "Perfect Way", Don't Lose Your Mind" and "Full Nelson". LP, Vinyl record album
(Includes the printed inner sleeve.)

Exact matches50
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✨✧ Miles Davis & Robert GlasperEverything's Beautiful ... LP
Legacy, 2016. Very Good+ Gatefold ... Out Of Stock
Robert Glasper takes on the music of Miles Davis – in a set that's way more of Glasper's own than you might guess from the presentation! True, the tracks are all based around Miles Davis material from the Columbia Records vaults – but Robert really opens things up right away with his own sort of vibe, and uses the Davis elements to weave into a much larger fabric – one that incorporates a range of hip contemporary styles, in the manner of his great Black Radio projects! So while you will hear some of Miles at times – both playing and (even cooler) speaking – the real strength of the record lies in Glasper's amazing keyboards, especially Fender Rhodes, and the wonderful bass work of Derrick Hodge, whose bottom currents really make the whole thing glow with a subtle, soulful fire! And we haven't even gotten to the guests – a great lineup that rivals the sorts of folks that Robert had on the Black Radio project – as the record includes contributions from Stevie Wonder, Bilal, Phonte, Hiatus Kaiyote, Erykah Badu, Georgia Anne Muldrow, Illa J, John Scofield, Ledisi, and King. Titles include "They Can't Hold Me Down", "Ghetto Walkin", "Right On Brotha", "Milestones", "Song For Selim", "Little Church", "Violets", "Maiysha", and "Silence Is The Way". LP, Vinyl record album
(Cover has light wear.)

Exact matches51
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✨✧ Miles Davis & John ColtraneFinal Tour – Copenhagen, March 24, 1960 ... LP
Columbia, 1960. New Copy ... Out Of Stock
Great live material from one of the most important pairings in modern jazz – recorded during the last months that John Coltrane was working with the Miles Davis Quintet! Davis and Coltrane are working here on a live date from Copenhagen in March of 1960 – playing on 3 long tunes that really let both players open up and unfold in their own unique solo explorations – with that classic group that includes Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums. Titles are all familiar ones from the Davis book – "So What", "All Blues", and "On Green Dolphin Street" – but the extended renditions offer more than a few surprises that make them well worth having. Plus, the album also features an introduction of the group by Norman Granz – the set was part of a Jazz At The Philharmonic Tour – as well as the short "theme". Great sound – way better than any previous versions of this material! LP, Vinyl record album
(Includes download!)

Exact matches52
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✨✧ Miles DavisMiles Davis – Gift Pack Series (2LP box set) ... LP
Sony (Japan), Late 50s/1960s. Near Mint- 2LP ... Out Of Stock
A cool Japanese collection – two records worth of music by Miles Davis, packaged in an unusual box! Titles include "Round Midnight", "All Blues", "So What", "Walkin", "Spanish Key", "Filles De Kilimanjaro", "Stuff", "Someday My Prince Will Come", and "Autumn Leaves". LP, Vinyl record album
(Includes book, which has some light aging. Box has a mark from old stape in one spot on the front, which has been partly colored in by marker.)
 
Possible matches: 25
Possible matches53
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✨✧ Richard DavisFancy Free ... LP
Galaxy, 1977. Very Good+ ... Temporarily Out Of Stock
A wonderful late 70s side featuring a cast of soul jazz heavies playing in a more straight context, with arrangements by Bill Lee. Richard Davis leads the group, with Eddie Henderson and Joe Henderson blowing up front, and Stanley Cowell and Billy Cobham joining him in the rhythm section, plus Dolly Hirota contributing vocals on "I StillLove You, Baby". The remainder of the set is made up of classic jazz numbers that may fall a bit short of "standard" status, but are great tunes nonetheless, like Miles' "Nardis", Donald Byrd's "Fancy Free" and Horace Silver's "Silver's Serenade". LP, Vinyl record album

Possible matches54
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Cannonball AdderleySomethin' Else ... LP
Blue Note, 1958. Very Good- ... $149.99
A landmark album – even if it was the only session that Cannonball Adderley ever cut for Blue Note! The album was recorded at a time when Adderley was working with Miles Davis – and as such, the session features a group that includes Miles, blowing in a cool tone that's a perfect offset to Cannonball's more soulful style. The rest of the group includes Hank Jones, Sam Jones, and Art Blakey – and like John Coltrane's Blue Train, the record's more of an "special session" than the usual Blue Note album, but the strength of the players make it one of the more memorable records of its day! Titles include "Somethin' Else", "One For Daddy-O", and a nice moody take on "Dancing In The Dark". LP, Vinyl record album
(Mono 63rd Street deep groove pressing, with RVG stamp and ear! Cover has a small bit of splitting in a bottom corner, and some light wear on the back, but is nice overall.)

Possible matches55
CD, LP, Vinyl record album cover art
Contemporary Jazz QuintetBlack Hole (180 gram pressing) ... LP
Strata/180 Proof, 1973. New Copy 2LP Gatefold ... $28.99 29.99
A never-issued live set from Detroit's Contemporary Jazz Quintet – a group who were a key part of the Strata Records scene, and who are expanded here to a much larger lineup for this very freewheeling performance from 1973! The group's spiritual modernism is very strongly in place, but there's also some funky elements rumbling around in the rhythms – a vibe that's maybe somewhere in the territory of the double live electric albums from Miles Davis in the early 70s, but looser and with righteous energy that more strongly shows the lineup's ties to the Detroit scene. Players include Kenny Cox and Charles Eubanks on piano and keyboards, Ron English on guitar, Charles Moore on flugelhorn, Ron Brooks on bass, Marcus Townsend on saxes, Phil Mendelsohn on electronics, Danny Spencer and Bud Spangler on drums, and Adam Rudolph on congas – a large lineup that resonates with plenty of power together. The album features four long tracks, each without a title – and each a mighty nice jam! LP, Vinyl record album
(Limited edition of 1000 copies!)

Possible matches56
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Gil EvansOut Of The Cool ... LP
Impulse (Czech Republic), 1961. New Copy (reissue)... $22.99 24.99
A pivotal session for Gil Evans – one that brought his genius to the American public strongly and successfully, without the help of Miles Davis! Sure, Gil had recorded albums as a leader before this one – but the sparkling quality of this set is right up there with the charts he handled for Miles, and the quality of the players in the group make the performance every bit as great. Gil's band includes trumpeter Johnny Coles, plus Ron Carter on bass, Elvin Jones on drums, Budd Johnson on tenor, and Ray Crawford on guitar. Titles include "Stratusphunk", "Sunken Treasure", "La Nevada", and a great reading of Kurt Weil's "Bilbao Song". LP, Vinyl record album
Also available Out Of The Cool (Japanese pressing) ... CD 18.99

Possible matches57
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Michel LeGrandLeGrand Jazz (Columbia) ... LP
Columbia, 1959. Near Mint- Gatefold ... $39.99
The classic meeting of the great French arranger/pianist with American jazz players like Miles Davis, Ben Webster, Milt Hinton, Donald Byrd, Hank Jones, and others. The tracks are a beautiful strident blend of Legrand's best arranging styles, and they show his keen talent for letting the soloist step forth into the spotlight, while complicated orchestrations swirl all around him. The titles are mostly jazz standards, but they're done in a great way, with lots of punch, and lots of great work by all the players. Titles include "Round Midnight", "Night In Tunisia", "Nuages", "In A Mist", and "Django". LP, Vinyl record album
(Recent 180 gram pressing in a gatefold cover. #2610/3000.)

Possible matches58
CD, LP, Vinyl record album cover art
MaxaynMaxayn ... LP
Capricorn/Vampi Soul (Spain), 1972. New Copy Gatefold (reissue)... $26.99
The debut album from Maxayn – a funky female talent who deserves to be mentioned in the same territory as Betty Davis and Yvonne Fair! Like both of those artists, Maxayn isn't afraid to use an electric guitar when she wants – which puts her music somewhere in the territory of groups like The Bar-Kays and Black Nasty, and the way they could blend rock influences with funk and soul! No surprise, Maxayn's bandmates here include two members of Buddy Miles' group – who really help keep things deep – providing a massive foundation for the lady's incredible vocals. Titles include covers of the Stones' "You Can't Always Get What You Want" and "Gimme Shelter" – plus the original tunes "Trying For Days", "Jam For Jack", "Song", and "Doing Nothing Nothing Doing". LP, Vinyl record album
Also available Maxayn ... LP 39.99

Possible matches59
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MaxaynMaxayn ... LP
Capricorn, 1972. Near Mint- Gatefold ... $39.99
The debut album from Maxayn – a funky female talent who deserves to be mentioned in the same territory as Betty Davis and Yvonne Fair! Like both of those artists, Maxayn isn't afraid to use an electric guitar when she wants – which puts her music somewhere in the territory of groups like The Bar-Kays and Black Nasty, and the way they could blend rock influences with funk and soul! No surprise, Maxayn's bandmates here include two members of Buddy Miles' group – who really help keep things deep – providing a massive foundation for the lady's incredible vocals. Titles include covers of the Stones' "You Can't Always Get What You Want" and "Gimme Shelter" – plus the original tunes "Trying For Days", "Jam For Jack", "Song", and "Doing Nothing Nothing Doing". LP, Vinyl record album
(Cover has a cut corner.)
Also available Maxayn ... LP 26.99

Possible matches60
CD, LP, Vinyl record album cover art
✨✧ John McLaughlinDevotion ... LP
Douglas, 1970. Near Mint- Gatefold ... $9.99
An intensely jamming album from guitarist John McLaughlin – and a record that set a whole new tone for electric jazz in the 70s! The album was recorded shortly after McLaughlin's work with Miles Davis on Bitches Brew and Tony Williams on the first Emergency album – and in a way, it's a key piece of the jazz-rock fusion puzzle that has those two sets as cornerstones. McLaughlin's working here with keyboardist Larry Young from the Emergency group – playing both his usual organ on the record, plus a bit of electric piano – and the rest of the group includes bassist Billy Rich, plus superdrummer Buddy Miles – really giving a lot of power to the album's sound at the bottom! McLaughlin is getting into a bit of his mystic trip on the record, but is still playing with a lot of electric power here – plenty distorted and fuzzy on most numbers, and really jamming throughout! Titles include "Devotion", "Dragon Song", "Marbles", "Siren", "Don't Let The Dragon Eat Your Mother", and "Purpose Of When". LP, Vinyl record album
(Cover has light wear.)

Possible matches61
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New Jazz OrchestraLe Dejeuner Sur L'Herbe ... LP
Verve/Aartrud (Italy), 1969. New Copy (reissue)... $44.99
A wonderful wonderful set from the British jazz scene of the late 60s – beautifully inventive large ensemble material, done under the direction of Neil Ardley – and featuring some of the best British jazz musicians of the time! The group's a showcase not only for creative young talent in the UK, but also for the growing sense of composition as well – and the music on the set is penned by Ardley, Michael Garrick, Mike Taylor, and Michael Gibbs – as well as new arrangements of work by Miles Davis and John Coltrane. As in the best material from Ardley, Garrick, and Gibbs, there's a really fresh way of coming together for the instrumentation – quite different than large group material in both the US, and even other areas of the 60s European scene – delivered with wonderful imagination by musicians who include Derek Watkins, Henry Lowther, Harry Beckett, and Ian Carr on trumpets; Michael Gibbs and Derek Wadsworth on trombones; Barbara Thompson on flute and soprano sax; Dick Heckstall Smith on tenor and soprano; Frank Ricotti on vibes; and even Jack Bruce on bass! Titles include "Le Dejeuner Sur L'Herbe", "Naima", "Angle", "Ballad", "Dusk Fire", "Study", and "Rebirth". LP, Vinyl record album
(Stereo pressing.)

Possible matches62
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Charlie ParkerMagnificent Charlie Parker ... LP
Verve, Early 50s. New Copy (reissue)... On August 7, 2020
A classic early album from Charlie Parker on Verve – and one that may well support one of the strangest cover illustrations ever done by the great David Stone Martin! The image of a bird-headed Parker blowing alto is more than compelling enough – but inside, the music is even better – pulled from a variety of different early Parker sessions for Norman Granz – showing some of the real early strengths of his sound! Titles include group material with quartet material with Miles Davis on trumpet, Walter Bishop on piano, and Max Roach on drums – on the titles "Au Privave", "Why Do I Love You", "KC Blues", "She Rote", and "Star Eyes". There's also two great tracks with larger arrangements by Gil Evans and voices by Dave Lambert – "Old Folks" and "In The Still Of The Night" – and a few more with trumpeter Red Rodney and pianist John Lewis – "Blues For Alice", "Lover Man", and "Si Si". LP, Vinyl record album

Possible matches63
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Thing (Arnold Cheatham)Thing ... LP
Innerview/Cultures Of Soul, 1972. New Copy (reissue)... $19.99 22.98
A spacey set from the Boston scene of the 70s – heavy on electric elements, but with some great acoustic bits as well! The group almost have a freer take on the Miles Davis electric approach – one that's not as full-on, and possibly a bit more spiritual overall – especially on the alto, soprano sax, and flute work from group leader Arnold Cheatham! Other instrumentation features trumpet, electric piano, guitar, bass, drums, and percussion – and there's a relatively freeform feel to the song composition, but the music has a highly rhythmic quality as well. The album features 2 long tracks – "Sketch" and "Road Through The Wall" – both with a nicely loose, nicely spiritual vibe! LP, Vinyl record album

Possible matches64
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✨✧ Joe ZawinulZawinul ... LP
Atlantic, 1971. Very Good+ ... $19.99
A beautiful fusion of Joe Zawinul's roots in the groups of Miles Davis and Cannonball Adderley – a set with some of the far-reaching jazz ideas of the former, and much of the soulful subtleties of the latter! The album features Joe on electric piano throughout, playing alongside Herbie Hancock in a twin-piano style that's quite spacious, and filled with slow-building, long-flowing lines! Other players include Woody Shaw on trumpet, Earl Turbington on soprano sax, George Davis on flute, Miroslav Vitous and Walter Booker on drums, and Joe Chambers, Billy Hart, and David Lee on a range of percussion. All these elements are used slowly, and sparingly – brought in with a style that's modern, but in a gentle sort of way – not as over the top as some of the work that Joe cut with Miles at the end of the 60s – and almost a more sensitive, compositional approach to the same territory of music. Titles include "Arrival In New York", "Doctor Honoris Causa", "In A Silent Way", "His Last Journey", and "Double Image". LP, Vinyl record album
(Rockefeller label pressing. Cover has light wear.)

Possible matches65
CD, LP, Vinyl record album cover art
VariousLusty Moods – Played By America's Greatest Jazzmen ... LP
Status, 1963. Near Mint- ... $14.99
Collection of jazz tunes recorded for the Prestige label in the 60s, all with girl's names for titles, which we guess puts one in the mood for love. . .Still it's a nice collection of tunes: Wardell Gray "Sweet Loraine", Shirley Scott "Laura", Yusef Lateef "Anastasia", Miles Davis "Diane", Willis Jackson "Nancy", Frank Wess "Charmaine", Sam The Man Taylor "Ruby", Johnny Hammond Smith "Portrait of Jenny" & "Gene Ammons "Anna". Sexy cover, too! LP, Vinyl record album
(Orange label Status pressing in the pink cover.)

Possible matches66
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✨✧ Cannonball AdderleySomethin' Else (75th Anniversary Edition) ... LP
Blue Note, 1958. New Copy (reissue)... Temporarily Out Of Stock
A landmark album – even if it was the only session that Cannonball Adderley ever cut for Blue Note! The album was recorded at a time when Adderley was working with Miles Davis – and as such, the session features a group that includes Miles, blowing in a cool tone that's a perfect offset to Cannonball's more soulful style. The rest of the group includes Hank Jones, Sam Jones, and Art Blakey – and like John Coltrane's Blue Train, the record's more of an "special session" than the usual Blue Note album, but the strength of the players make it one of the more memorable records of its day! Titles include "Somethin' Else", "One For Daddy-O", and a nice moody take on "Dancing In The Dark". LP, Vinyl record album
Also available Somethin' Else ... LP 149.99

Possible matches67
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✨✧ Herbie HancockFlood (2018 Black Friday Release) ... LP
Sony/Get On Down, 1975. New Copy 2LP Gatefold (reissue)... Temporarily Out Of Stock
A fantastic double-length set from Herbie Hancock and the Headhunters – easily one of Herbie's greatest records ever, but originally only issued in Japan! Hancock is in tremendous form here – almost as if he's merging the grooves of the Headhunters album with the wilder electric modes of Sextant – stretched out in a live setting with Herbie on Arp, clavinet, and Fender Rhodes – in a very hip group with Bennie Maupin on reeds, Blackbird McNight on guitar, Paul Jackson on bass, Mike Clark on drums, and Bill Summers on percussion. Tracks are long, and move nicely between funky passages and soulful elements – at a level that's quite different from the double-live Japanese albums that Miles Davis recorded for Columbia at the same time. Titles include "Actual Proof", "Spank A Lee", "Hang Up Your Hang Ups" – and great remakes of "Chameleon" and "Watermelon Man". LP, Vinyl record album
(Limited edition!)

Possible matches68
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✨✧ Tony WilliamsSpring ... LP
Blue Note, 1965. Very Good+ ... Temporarily Out Of Stock
Startling! This album is one of two that a young Tony Williams cut for Blue Note, back when he was just hitting the age of 20, and when he was already blowing the minds of masters like Jackie McLean (who first hired him) and Miles Davis (who stole him from Jackie for his own group!) with an approach to drumming that was freed from usual time constraints. Williams conception was so unique, other young modernists – like the album's Wayne Shorter and Sam Rivers on tenor, Herbie Hancock on piano, and Gary Peacock on bass – quickly benefited from his presence, as you'll hear in this amazing session that sounds very little like any other Blue Note release. Williams wrote all of the tracks, but the style is much freer than any sense of composition might imply – and the group is shaken up differently from track to track. Titles include "From Before", "Echo", and "Extras". LP, Vinyl record album
(70s white b pressing. Cover has light wear.)

Possible matches69
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✨✧ VariousSpiritual Jazz 9 – Blue Notes – Part 1 – Modal, Esoteric & Deep Jazz From The Vaults Of Blue Note Records 1962 to 1976 ... LP
Jazzman (UK), 1960s/1970s. New Copy 2LP Gatefold ... Temporarily Out Of Stock
A great look at a sometimes-forgotten side of the legendary Blue Note Records label – the company's strong wave of spiritual jazz material recorded during the 60s and early 70s – extremely fine music that's often eclipsed next to the company's better-known hardbop and funky jazz! As the 60s moved on, Blue Note became an even more open-minded label than before – and not only gave some of its key players the chance to stretch out and really spread their wings – but also brought some younger talents into the mix, who really expanded the vision of the Blue Note sound. Some of the tracks here are from the middle of the decade – and reflect more of the growing interest in modal jazz spurred on by Coltrane, Miles Davis, and others – while some of the later tracks are surprisingly righteous, sometimes political moments from players who would have sounded very different just a few years before. The package is done with the same amazing care and fantastic set list as previous Spiritual Jazz collections from Jazzman – and titles on this first volume include "Verse" by Bobby Hutcherson, "Footprints" by Wayne Shorter, "At This Point In Time" by Elvin Jones, "The Rain" by Eddie Gale, "Poinsettia" by Andrew Hill, "Searchin The Trane" by Bobby Hutcherson, "The Phantom" by Duke Pearson, and "Assunta" by Freddie Hubbard. LP, Vinyl record album

Possible matches70
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✨✧ VariousSpiritual Jazz 9 – Blue Notes – Part 2 – Modal, Esoteric & Deep Jazz From The Vaults Of Blue Note Records 1962 to 1976 ... LP
Jazzman (UK), 1960s/1970s. New Copy 2LP Gatefold ... Temporarily Out Of Stock
A great look at a sometimes-forgotten side of the legendary Blue Note Records label – the company's strong wave of spiritual jazz material recorded during the 60s and early 70s – extremely fine music that's often eclipsed next to the company's better-known hardbop and funky jazz! As the 60s moved on, Blue Note became an even more open-minded label than before – and not only gave some of its key players the chance to stretch out and really spread their wings – but also brought some younger talents into the mix, who really expanded the vision of the Blue Note sound. Some of the tracks here are from the middle of the decade – and reflect more of the growing interest in modal jazz spurred on by Coltrane, Miles Davis, and others – while some of the later tracks are surprisingly righteous, sometimes political moments from players who would have sounded very different just a few years before. The package is done with the same amazing care and fantastic set list as previous Spiritual Jazz collections from Jazzman – and titles on this second volume include "El Barrio" by Joe Henderson, "Plight" by Jackie McLean, "Gichi" by Booker Ervin, "Igbesi Aiye" by Solomon Ilori, "Blue Spirits" by Freddie Hubbard, "Cristo Redentor" by Duke Pearson, "The Morning After" by Hank Mobley, "Indian Song" by Wayne Shorter, and "Malaguena" by Pete LaRoca. LP, Vinyl record album

Possible matches71
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✨✧ Diamond Street PlayersDiamond Street Players ... LP
Gemco, 2019. New Copy ... Out Of Stock
Raw funky soul from Diamond Street Players – heavy on vintage inspired, timelessly spun instrumentals, but nailing down some standout vocal jams with Orgone vocalist Adryon de Leon and Atlanta soul singer Amanda Joy – and ultimately delivering a solid gem for the Gemco label! The core group is a 5 piece with Ben Davis on sax and flute, Ian Newberry and Kevin Scott on guitars, Mark Raudabuagh on guitars and Spencer Garn on Hammond & Rhodes. Garn grooves strong enough to qualify as the group's secret weapon, but they're really a well oiled unit all around, nailing it on the intrumental tip and on soul-steeped backing vocals. Titles include "How Many Lies, How Many Times" with Adryon De Leon "Split The Difference", "Bada Dum Dum", "Healey '67", "Murky Retrograde", "Organ Workout", "Suzy's Boogaloo", "Million Miles" with Amanda Joy LP, Vinyl record album

Possible matches72
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✨✧ Jon HassellVernal Equinox ... LP
Lovely/Ndeya, 1977. New Copy (reissue)... Out Of Stock
To most ears, trumpeter Jon Hassell first burst on to the world through his experiments with Brian Eno on EG Records, or maybe his 80s work on ECM – but here, on his debut for the small avant label Lovely Music, it's clear that Jon's already in complete control of his sound – and is ready to become the kind of performer that would captivate listeners for decades to come! Hassell's horn has that special sort of effect quality on most numbers here – spacey, but never slick – and electrified, but far from any sort of Miles Davis mode – especially considering that the music is full of earthy, organic percussion from Nana Vasconcelos and some other players, who balance out the set's work on Fender Rhodes, Arp, and Serge synthesizer. The spirit of the set is very much in Hassell's classic "fourth world" recordings – and titles include "Toucan Ocean", "Hex", "Blues Nile", "Vernal Equinox", and "Caracas Night September 11, 1975". LP, Vinyl record album
Also available Vernal Equinox ... CD 13.99

Possible matches73
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✨✧ Charlie ParkerSavoy 10 Inch Collection (4 x 10 inch LP set) ... LP
Savoy/Craft, Late 40s. New Copy 4 x 10 inch LP set ... Out Of Stock
A beautiful 100th Birthday tribute to the legendary altoist Charlie Parker – a special set that recreates the feel of some of his first important recordings – sides done in the mid 40s for the Savoy label, originally issued in LP form on very limited 10" albums! The early Bird 10" releases are impossible to find on vinyl – and are maybe reproduced here in a form that's even better than the original – with great vinyl, newly restored and remastered audio, and a quality level that's not nearly as likely to split and fall apart as the vintage versions. The box also features a big booklet of notes and other information – plus rare photos, ephemera, and other Charlie Parker material – and the whole thing's a great treasure from the early years of bop! Four full albums – all volumes of New Sounds In Modern Music with Charlie Parker in the lead, plus work from Miles Davis and Dizzy Gillespie on trumpets. Includes key versions of "Milestones", "Cheryl", "Billie's Bounce", "Chasin The Bird", "Ko Ko", "Now's The Time", "Constellation", "Parker's Mood", and "Confirmation". LP, Vinyl record album

Possible matches74
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✨✧ Donald ByrdEthiopian Knights (180 gram pressing) ... LP
Blue Note, 1972. New Copy (reissue)... Out Of Stock
Sweet electric funk – in a very trippy style, and very different than the later funky fusion from trumpeter Donald Byrd! Before Byrd hooked up with Larry Mizell and started recording his smooth fusion grooves of the mid 70s – on records like Blackbyrd and Street Lady – he recorded this gem, kind of a "lost" album that has Donald working in an open-ended electric sound – one that's clearly inspired by the experiments of Miles Davis, but which has a generally funkier feel overall! The tracks are very long – with lots of spiraling keyboard and trumpet solos – and the hip players on the set include Bobby Hutcherson on vibes, David T Walker on guitar, Harold Land on tenor, and Joe Sample on organ – a very cool combo that's got a cross between The Crusaders and the Hutcherson/Land quintet! We love the tracks on this set – especially "The Emperor" and "The Little Rasti", which are both over 15 minutes long, and have a haunting spacey sound that's a departure from Donald's usual work! LP, Vinyl record album

Possible matches75
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✨✧ Cannonball AdderleySoul Zodiac ... LP
Capitol, 1972. Near Mint- 2LP Gatefold ... Out Of Stock
One of the coolest, baddest, funkiest albums Cannonball Adderley ever recorded – a massive suite of tunes based on the signs of the Zodiac, produced to perfection by David Axelrod, and featuring some hip recitations from the mighty Rick Holmes! The double-length set is completely compelling all the way through – a darkly brooding batch of funky jazz that shows a strong Miles Davis electric influence at points, thanks to Nat Adderley's spacey trumpet lines, Mike Deasy's trippy guitar, and George Duke's excellent keyboards! Other tracks are a bit more laidback, fitting the mood of their respective signs – and overall, the whole thing slips and slides wonderfully from cut to cut – taking you through the star signs with a really righteous, soulful approach. Titles include "Cancer", "Sagittarius", "Pisces", "Aquarius", "Capricorn", "Virgo", "Taurus", "Aries", "Libra", and a special "Introduction". LP, Vinyl record album
(Lime green label pressing. Cover has light wear and a stained & wavy corner.)

Possible matches76
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✨✧ Bill EvansEverybody Digs Bill Evans ... LP
Riverside, 1958. Very Good ... Out Of Stock
Everybody Digs Bill Evans – or at least it certainly seems that way from the cover endorsements by Miles Davis, Cannonball Adderley, and Ahmad Jamal – but the real proof is in the record, and the set is a great one from Bill's classic years on Riverside! Evans is at the peak of his early powers here – working with a straightforward rhythm combo that features Sam Jones on bass and Philly Joe Jones on drums – but still hitting those beautifully fluid, beautifully spacious lines that set his playing apart from most who'd come before him. Tracks include 3 solo numbers – "Lucky To Be Me", "Peace Piece", and the very short "Epilogue" – plus trio tracks "Night & Day", "Minority", "Tenderly", and "Oleo". LP, Vinyl record album
(Small black label stereo Bill Grauer Productions pressing, with microphone logo and deep groove. Cover has some wear, aging, and a name in pen on back.)
Also available Everybody Digs Bill Evans (with bonus track) ... CD 5.99

Possible matches77
CD, LP, Vinyl record album cover art
✨✧ Teo Macero & Bob PrinceWhat's New – New Jazz From Teo Macero & Bob Prince ... LP
Columbia, Late 50s. Very Good+ ... Out Of Stock
A rare album as a leader from Teo Macero – one of the driving forces behind some of the key Miles Davis albums on Columbia Records – and other great jazz on that label too! Although Teo Macero is probably best known as Columbia's jazz producer during their successful early 60s run with Miles, he's also quite a composer in his own right, as you'll hear on this striking set of sides from the late 50s! Macero splits the album with Bob Prince – and each of these lesser-known modernists get a side apiece, and fairly free reign in coming up with some wild material. The sound has a little bit of that hip east coast chamber sound that you'd hear in Hal McKusick recordings – but there's also a bit more influences from 20th century modernism, as well as some of the larger Kenton-esque experiments of the early 50s. Macero's group includes John LaPorta, Eddie Bert, and George Barrow – and Prince is assisted by Jon Eardley, Phil Woods, and Frank Socolow. A great slice of lost avant playing, and one of the more striking jazz sides in the Columbia catalog! Titles include "Sounds Of May", "Ground Base", "Germination", "24+ 18+", and "Neally". LP, Vinyl record album
(Original 6 eye pressing with deep groove.)
 
Partial matches: 2
Partial matches78
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✨✧ Gary BartzLibra ... LP
Milestone, 1967. Near Mint- ... Just Sold Out!
Fantastic early work from Gary Bartz – and probably his rarest record ever! The album was cut at a time when the young Bartz was first coming to prominence in the hip late 60s soul jazz group of Max Roach – and Bartz's playing at the time is a perfect model of mid-Coltrane searching with some of the tighter sides of soul jazz that were being forged at labels like Blue Note by players like Hank Mobley or Lee Morgan. The record's a masterpiece of youthful soulful energy – and the group includes Jimmy Owens on trumpet, Richard Davis on bass, Albert Dailey on piano, and Billy Higgins on drums, all players who are perfectly matched to fit Bartz's stridently creative vision. His solos on alto are impeccable – some of the most meaningful we've ever heard on the instrument from the time – and the album's a great one all the way through! Titles include "Air & Fire", "Eastern Blues", "Libra", "Freedom Of The Day", and "Disjunction". LP, Vinyl record album
(Orange label pressing. Cover has some light ring and edge wear.)

Partial matches79
CD, LP, Vinyl record album cover art
Phil UpchurchFeeling Blue ... LP
Milestone, 1967. Sealed ... $11.99
Probably the best jazz album that Phil Upchurch ever cut! Phil plays in two settings here – one with a funky large group, arranged and conducted by Ed Bland (who did a lot of the work for Perception records in the early 70s) – the other with a quintet that includes Wynton Kelly, Richard Davis, Jimmy Cobb, and Montego Joe! To our ears, the best stuff's the large group material, because Upchurch's years of studio work seem to come to the forefront as he wails with the large arrangements – but the quartet material's also pretty darn great, as Phil rarely got a chance to play in such a tight small combo jazz setting, and Montego Joe's conga work really grooves those tunes up nicely as well! Tracks include "Feeling Blue", "Stop & Listen", "Muscle Soul", "Israel", and "Subaceous Lament". LP, Vinyl record album
(Audio Clarity reissue pressing.)
 
 
 



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