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Exact matches: 82
Exact matches1
CD, LP, Vinyl record album cover art
Miles DavisAgharta (US pressing) ... LP
Columbia, 1975. Near Mint- 2LP Gatefold ... Just Sold Out!
A seminal 70s side from Miles Davis – originally a Japanese recording, and one that returns to the solid push of the initial electric years! The record's a completely cooking little session – one that mixes the raw, noisier styles of other Davis albums with a focus, funked-up energy that's really set loose in the freer standards of the Japanese scene – all to come up with a sound that's completely otherworldly, and which is light years ahead of most mainstream fusion from the period. Pete Cosey plays some really wicked guitar and synthesizer, Al Foster kicks tremendous energy on his drums, Sonny Fortune brings a soulful depth on soprano sax and flute, and Michael Henderson creates massive flow on the bass. Titles include "Prelude", "Interlude", and a long version of "Theme From Jack Johnson". LP, Vinyl record album
(US pressing. Cover has a promo stamp.)

Exact matches2
CD, LP, Vinyl record album cover art
Miles DavisAt Birdland ... LP
Durium (Italy), 1950. Very Good+ ... $14.99
... LP, Vinyl record album
(Cover has light wear and unglued seams.)

Exact matches3
CD, LP, Vinyl record album cover art
Miles DavisAt Last – Miles Davis & The Lighthouse All Stars ... LP
Contemporary, 1953. Near Mint- ... $11.99
Quite an unusual moment in west coast jazz history – one tremendous night at the legendary Lighthouse nightclub, that featured performances by both Chet Baker and Miles Davis! Chet and Miles didn't play in the same group, but both graced the same bandstand on the same night – working through a shifting lineup of personnel in what was a "showdown" of sorts – especially since Chet had just beat Miles out in the 1953 Downbeat poll! Most of this issue is actually Miles playing with the Lighthouse group, which includes Bob Cooper, Howard Rumsey, Bud Shank and Max Roach who also gets a moment to shine on his solo "Drum Conversation" – and other titles include "At Last", "Infinity Promenade", "Round Midnight" and "Night In Tunisia". LP, Vinyl record album
(80s pressing.)

Exact matches4
CD, LP, Vinyl record album cover art
Miles DavisBags Groove ... LP
Prestige, 1954. Very Good ... $49.99
Classic Miles Davis from that pivotal year of 1954 – featuring work from 2 different sessions, both of them great! The title track on the album is a key reading of "Bag's Groove", presented here in two versions, both recorded by a quintet that includes Milt "Bags" Jackson on vibes, Thelonious Monk on piano, Percy Heath on bass, and Kenny Clarke on drums – carving out the tune in a nicely modern idiom. The rest of the set features work by Miles in a quintet with Sonny Rollins and Horace Silver – again with support from Heath and Clarke – on tunes that include 2 versions of "But Not For Me", plus early recordings of Sonny Rollins' standards "Oleo", "Airegin", and "Doxy". LP, Vinyl record album
(Yellow & black label NJ pressing with deep groove and RVG/AB etches. Cover has some aging and a mostly split spine.)
Also available Bags Groove (Japanese paper sleeve edition) ... CD 19.99

Exact matches5
CD, LP, Vinyl record album cover art
Miles DavisBasic Miles – The Classic Performance Of Miles Davis ... LP
Columbia, Late 50s/Early 60s. Near Mint- ... $9.99
A great collection of Miles' classic work for Columbia – one that features a few really hard to find gems! To us, the highlight is 2 tracks – "Stella By Starlight" and "On Green Dolphin Street" – both of which are subtle modal gems lifted from Miles' rare Jazz Track albums, performed by a hip group that includes John Coltrane on tenor, Bill Evans on piano, Cannonball Adderley on alto, Paul Chambers on bass, and Jimmy Cobb on drums. Those 2 tracks sum up all that is excellent about Miles – but you also get some other great ones, like "Devil May Care", "Budo", "Little Melonae", "Miles Ahead", and "Fran-Dance". LP, Vinyl record album
(Original 70s pressing.)

Exact matches6
CD, LP, Vinyl record album cover art
Miles DavisBitches Brew ... LP
Columbia, 1969. Very Good+ 2LP Gatefold ... $59.99
One of the few cases in jazz where an oft-played classic still resonates with power! The record itself is a key cap to Miles Davis' already-groundbreaking years of the 60s – a bold step forward, not just for his nascent electric sound, but also for jazz in general – and the benchmark by which so many other records would be judged (and fail) in years to come! The double-length set makes full use of all four sides of the record – expanding the flow (as well as the lineup) of the original Davis modal vision – and using all players to amazing effect, so much so that most players here turn out some of their best recorded work ever! The lineup is virtually a whose who for the sound of fusion in the 70s – including Wayne Shorter on soprano sax, Bennie Maupin on bass clarinet, Joe Zawinul and Chick Corea on keyboards, John McLaughlin on guitar, Dave Holland on bass, and Lenny White and Jack DeJohnette on drums – plus Jumma Santos and Don Alias on added percussion. Titles include "Pharaoh's Dance", "Spanish Key", "Sanctuary", "Bitches Brew", "John McLaughlin", and "Miles Runs the Voodoo Down". LP, Vinyl record album
(360 Sound stereo pressing with white text, matrix ending in 1A. Cover has surface wear and a stained corner.)

Exact matches7
CD, LP, Vinyl record album cover art
Miles DavisBlack Beauty – Miles Davis At Fillmore West ... LP
Sony (Japan), 1970. Near Mint- 2LP ... $89.99
Four sides of noisy, funky, stretched-out playing from Miles Davis – recorded at the Fillmore West, but with an intensity that matches some of Miles' crazy electric recordings from Japan during the early 70s! The music is a powerful blast of music that stretches out over the double-length set of the package – with a style that moves from heavy-duty avant playing, then back to more mellow grooving, then kicks it out nice and hard again – a heavy dose of rock mixed in with the fusion, but still plenty jazzy throughout. In all, the record is probably one of the most heavy-duty that the Miles electric group recorded in the 70s – and the lineup on the set features Steve Grossman on saxes, Chick Corea on electric piano, Jack DeJohnette on drums, and Airto on percussion. Tracks include "Spanish Key", "Directions", "Masqualero", "It's About That Time", "I Fall In Love Too Easily", "Bitches Brew", "Willie Nelson", and "Sanctuary". LP, Vinyl record album
(Beautiful Japanese pressing – with obi!)

Exact matches8
CD, LP, Vinyl record album cover art
Miles DavisBlue Moods (Fantasy) ... LP
Debut/Fantasy, 1955. Very Good ... $19.99
An odd little session for Miles Davis – playing here with a great group, but one that's made up of musicians who are all uncommon sidemen for him, even at this early point in his career! Britt Woodman (a nom-du-date?) is on trombone, and Charles Mingus and Elvin Jones are in the rhythm section – plus Teddy Charles' vibes where you might expect a piano. As you might guess from the title and instrumentation, the set has more to do with Miles' more contemplative explorations of the time – his "blue moods" – than his more upbeat boppish styles, but that's where Charles' vibes come in and really make the set a great one. The group runs through a nice set of laidback, cool renditions of the tunes "Nature Boy", "Alone Together", "There's No You" and "Easy Living" – all done in nice longer takes! LP, Vinyl record album
(Red vinyl pressing with deep groove. Cover has a split top seam with some tape remnants.)

Exact matches9
CD, LP, Vinyl record album cover art
Miles DavisCircle In The Round – Unreleased Recordings 1955-1970 ... LP
Columbia, Mid 50s/1960s/Early 70s/1979. Near Mint- 2LP Gatefold ... $19.99
An excellent set that spans the gamut of Miles' work on Columbia – from his early hardbop sides to his later experimental ones! All of the material on the 2LP set was unreleased until the time of this release in 1979 – and the album features Miles in the company of a wide variety of players that include George Benson, Cannonball Adderley, Bennie Maupin, Hank Mobley, Joe Zawinul, Herbie Hancock, Bill Evans, Red Garland, and Joe Beck. Titles include "Teo's Bag", "Side Car (1 & 2)", "Sanctuary", "Guinnevere", "Circle In The Round", and "Two Bass Hit". LP, Vinyl record album

Exact matches10
CD, LP, Vinyl record album cover art
Miles DavisComplete Birth Of The Cool ... LP
Capitol, Late 40s/Early 50s. Very Good ... $8.99
Legendary early work from trumpeter Miles Davis – late 40s sessions for Capitol Records that are completely different than the bop material he was cutting with Charlie Parker and on his own! Instead, these sides have Miles working with a complex, more arranged style – built up with a young Gil Evans, in a mode that prefaces the later famous recordings the pair would make in the late 50s for Columbia. Here, the tracks are shorter, but beautifully blend bop ideas with fuller arrangements – and Davis blows alongside other key young modernists in a variety of larger groups – with work from Lee Konitz on alto, Gerry Mulligan on baritone sax, JJ Johnson and Kai Winding on trombones, Al Haig and John Lewis on piano, and Kenny Clarke and Max Roach on drums. Mulligan contributed plenty, too – his ideas on an overall sound definitely helped shape these sides – and the record's go on to legendary status – even though it's very different than most other Miles Davis from the time. Titles include "Godchild", "Jeru", "Move", "Venus De Milo", "Budo", and "Deception". This 70s repackaging bills itself as the complete sessions, but adds only one more track, the standard "Darn That Dream", and has a different cover image than the original LP. LP, Vinyl record album
(Red label pressing. Cover has some wear.)

Exact matches11
CD, LP, Vinyl record album cover art
Miles DavisCookin At The Plugged Nickel ... LP
Columbia, 1965/1987. Sealed ... $19.99
This stunning live set has been hailed by many as one of the finest moments of Miles' mid-60's career, and the record features amazing modernist performances by Wayne Shorter, Herbie Hancock, and Tony Williams that just about blow away most of the studio recordings they cut at the same time. This set features 4 long tracks that were not issued on the original 2LP Plugged Nickel set – including long versions of "Walkin", "Miles", "Stella By Starlight", and "If I Were A Bell", 2 in alternate takes, 2 that were never issued at all. LP, Vinyl record album
(Columbia Jazz Masterpieces pressing. Cover has a cutout hole.)

Exact matches12
CD, LP, Vinyl record album cover art
✨✧ Miles DavisCookin' With The Miles Davis Quintet ... LP
Prestige, 1957. Very Good+ ... $14.99
A seminal session from the team of Miles Davis & John Coltrane – not nearly as "cookin" (at least in a blowing session way) as you might guess from the title, but instead a beautiful example of the lyrically modern explorations the pair created together! Rhythm is by the trio of Red Garland, Paul Chambers, and Philly Joe Jones – but the horn work of Davis and Coltrane are clearly the starring attraction on the set! Titles include "Tune Up", "Blues By Five", and "Airegin" – plus the pair's classic reading of "My Funny Valentine". LP, Vinyl record album
(OJC pressing. Cover has heavy wear along the bottom with some peeling.)
Also available Cookin' With The Miles Davis Quintet (Japanese paper sleeve edition) ... CD 19.99

Exact matches13
CD, LP, Vinyl record album cover art
Miles DavisDecoy ... LP
Columbia, 1984. Near Mint- Gatefold ... $9.99
The decoy here might be in the rhythms, which are often electric, but still played live – handled by Robert Irving III on many tracks, with a cool 80s fusion sound that's mighty nice! The style of the album's a nice change from the Miles groove of the 70s – a bit leaner, with almost a Weather Report influence at times, but far less jamming – and still prone to the darker tones that always make Davis' music of these later years surprisingly good. Al Foster handles acoustic drums on some tracks, and other players include Bill Evans on soprano sax and Mino Cinelu on percussion – on titles that include "Decoy", "Robot 415", "Code MD", "Freaky Deaky", "What It Is", "That's Right", and "That's What Happened". LP, Vinyl record album

Exact matches14
CD, LP, Vinyl record album cover art
Miles DavisDig ... LP
Prestige, 1951. Good ... $18.99
A key early appearance on record by Sonny Rollins – recorded here with Miles Davis and Jackie McLean in the landmark Dig session! The album's the stuff that 50s bop dreams are made of – a session that has up-and-coming modernists working in the new freedom of the long playing record, in a way that allows them to break past the shorter, more urgent sound of the 78rpm single! Rollins is young, but a surprisingly strong voice on the set – and Jackie McLean's alto is incredibly sharp at this point, with strong hints of the genius to come later in the decade. The rest of the lineup includes Walter Bishop on piano, Tommy Potter on bass, and Art Blakey on drums – and tracks include Miles' classic version of "It's Only A Paper Moon", plus "Denial", "Out Of The Blue", "Dig", and "Bluing". LP, Vinyl record album
(Yellow & black label 50th St NYC pressing, with deep groove and RVG etch. Cover has lots of water damage on right side – which has stuck paper, some peeling, and other water staining.)

Exact matches15
CD, LP, Vinyl record album cover art
Miles DavisDig (Conception/Early Miles) ... LP
Prestige, 1951/1953. Very Good+ 2LP Gatefold ... $11.99
A 70s 2LP set that brings together some key material from Miles first few years at Prestige – tunes that were mostly issued on the albums Early Miles and Conception. The work is about as classic as you can get from Miles' early years – with players that include Sonny Rollins on tenor, Bennie Green on trombone, Jackie McLean on alto, John Lewis or Walter Bishop on piano, and Roy Haynes, Art Blakey, or Kenny Clarke on drums. Some tracks get quite long for the time, and the set includes the classic "Dig", a great reading of "It's Only A Paper Moon", and the tracks "Denial", "Down", "Morpheus", "Bluing", "Conception", "Willie The Wailer", "Tasty Pudding", "For Adults Only", and "Out Of The Blue". LP, Vinyl record album
(Cover has stuck on paper and some waviness along the bottom few inches.)

Exact matches16
CD, LP, Vinyl record album cover art
Miles DavisDirections – Unreleased Recordings 1960-1970 ... LP
Columbia, 1960s. Near Mint- 2LP Gatefold ... $39.99
A surprisingly nice set of tracks that were recorded for Columbia during the 60s, but not issued until the time of this 1981 compilation. Tunes run the gamut from early modal to freer electric – and Miles works with players that include Joe Zawinul, Tony Williams, Airto, Hank Mobley, Bennie Maupin, Dave Holland, Steve Grossman, Herbie Hancock, Gil Evans, and Chick Corea. Tracks include "Ascent", "Willie Nelson", "Konda", "Duran", "Fun", "Directions 1 & 2", "Limbo", "So Near, So Far", and "Song Of Our Country". LP, Vinyl record album

Exact matches17
CD, LP, Vinyl record album cover art
Miles DavisESP ... LP
Columbia, 1965. Near Mint- ... $34.99
An album of dark and subtle beauty – and still one of our favorite Miles Davis albums of all time! The set's not as earth-shattering as some of Davis' other work of the 60s, but that's why we like it so much – because the emerging genius of the group with Wayne Shorter, Herbie Hancock, and Tony Williams is held in a really special place here – one that ruminates quietly on space and soul, while Davis majestically directs tones and colors that he'd never gotten in a small group format before! Titles include the amazing "Iris", one of Miles' most haunting themes – plus "Little One", "RJ", "ESP", "Mood", and "Agitation". LP, Vinyl record album
(70s pressing.)

Exact matches18
CD, LP, Vinyl record album cover art
Miles DavisIn A Silent Way ... LP
Columbia, 1969. Very Good ... $34.99
There's nothing "silent" here – as the album's a bold entry in the electric years of Miles Davis – one that still features contributions from Herbie Hancock, Wayne Shorter, and Tony Williams – but which also expands the lineup considerably – really reaching out towards the sound of Bitches Brew! Herbie's on electric keys here, working alongside Chick Corea and Joe Zawinul, who really help increase the flow of the tunes and enforce the "directions in music" stated on the cover of the set! Shorter's on soprano sax, playing in an even more angular way – and Dave Holland is on bass, replacing the sound of Ron Carter, getting some rhythmic assistance at times from John McLaughlin, whose sound really helps to shape the record! Titles include 2 side-long tracks – "Shhh/Peaceful" and "In A Silent Way/It's About Time" – both long, and both beautiful! LP, Vinyl record album
(Stereo 360 Sound pressing, matrirx ending 2D/1L. PLEASE NOTE – bottom half of cover is stained and mostly peeled off.)

Exact matches19
CD, LP, Vinyl record album cover art
Miles DavisIn A Silent Way (Original Master Recording) ... LP
Mobile Fidelity/Columbia, 1969. Near Mint- ... $49.99
There's nothing "silent" here – as the album's a bold entry in the electric years of Miles Davis – one that still features contributions from Herbie Hancock, Wayne Shorter, and Tony Williams – but which also expands the lineup considerably – really reaching out towards the sound of Bitches Brew! Herbie's on electric keys here, working alongside Chick Corea and Joe Zawinul, who really help increase the flow of the tunes and enforce the "directions in music" stated on the cover of the set! Shorter's on soprano sax, playing in an even more angular way – and Dave Holland is on bass, replacing the sound of Ron Carter, getting some rhythmic assistance at times from John McLaughlin, whose sound really helps to shape the record! Titles include 2 side-long tracks – "Shhh/Peaceful" and "In A Silent Way/It's About Time" – both long, and both beautiful! LP, Vinyl record album
(Limited edition #008226.)

Exact matches20
CD, LP, Vinyl record album cover art
Miles DavisIn Person Friday Night At The Blackhawk – Vol 1 ... LP
Columbia, 1961. Near Mint- ... $11.99
Legendary early live work from Miles Davis – one of the first examples on record of the way that Davis could really stretch out in a concert setting! The music's a bit more straight ahead than later live dates, but still pretty open and exploratory – and in addition to Davis' sparkling work on trumpet, the album also features some killer tenor lines from Hank Mobley – working here as a key part of Miles' group, and blowing with a hell of a lot of soul. Rhythm is by the rock-solid trio of Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and titles include "All Of You", "No Blues", "Bye Bye" and "Walkin". LP, Vinyl record album
(Brown label Columbia Limited Edition pressing. Labels have an address sticker.)

Exact matches21
CD, LP, Vinyl record album cover art
Miles DavisJazz At The Plaza Vol 1 ... LP
Columbia, 1958. Near Mint- ... $19.99
A great lost live set – recorded in 1958 during that pivotal time when Miles was working with Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers, and Philly Joe Jones. The whole thing's a great example of how the group could hold up the perfection of Kind Of Blue in a live setting – and the long tracks include "Jazz At The Plaza", "If I Were A Bell", and "Oleo". LP, Vinyl record album
(70s pressing.)
Also available Jazz At The Plaza Vol 1 ... CD 6.99

Exact matches22
CD, LP, Vinyl record album cover art
✨✧ Miles DavisKind Of Blue ... LP
Columbia, 1959. Very Good+ ... $24.99
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". LP, Vinyl record album
(70s pressing.)
Also available Kind Of Blue (with bonus track) ... CD 1.99

Exact matches23
CD, LP, Vinyl record album cover art
Miles DavisLive Evil ... LP
Columbia, 1972. Very Good+ 2LP Gatefold ... $39.99
A beautiful live representation of the energy of the Bitches Brew years – one that has Miles Davis and the group really letting loose with free-flowing, modally-inspired lines – cooking up an incredible blend of acoustic and electric sounds at once! There's a bit of funk here, but not much – and although guitar is sometimes used strongly, it's often not as noisy as in later live sides. Instead, the whole group gels together beautifully – an unlikely assortment of players that includes Gary Bartz and Steve Grossman on reeds, John McLaughlin on guitar, Herbie Hancock on keyboards, Hermeto Pascoal on percussion, Dave Holland on bass, and Jack DeJohnette on drums – all given new focus, direction, and inspiration by Miles! Titles include "What I Say", "Sivad", "Selim", "Funky Tonk", and a great medley of "Gemini/Double Image". LP, Vinyl record album
(Original pressing. Cover has light wear.)
Also available Live Evil (180 gram pressing) ... LP 22.99

Exact matches24
CD, LP, Vinyl record album cover art
Miles DavisLive Evil (180 gram pressing) ... LP
Columbia/4 Men With Beards, 1972. New Copy 2LP (reissue)... $22.99 27.99
A beautiful live representation of the energy of the Bitches Brew years – one that has Miles Davis and the group really letting loose with free-flowing, modally-inspired lines – cooking up an incredible blend of acoustic and electric sounds at once! There's a bit of funk here, but not much – and although guitar is sometimes used strongly, it's often not as noisy as in later live sides. Instead, the whole group gels together beautifully – an unlikely assortment of players that includes Gary Bartz and Steve Grossman on reeds, John McLaughlin on guitar, Herbie Hancock on keyboards, Hermeto Pascoal on percussion, Dave Holland on bass, and Jack DeJohnette on drums – all given new focus, direction, and inspiration by Miles! Titles include "What I Say", "Sivad", "Selim", "Funky Tonk", and a great medley of "Gemini/Double Image". LP, Vinyl record album
Also available Live Evil ... LP 39.99

Exact matches25
CD, LP, Vinyl record album cover art
Miles DavisLive In Paris – 1960 ... LP
Return To Analog (Canada), 1960. New Copy 2LP ... About September 1, 2019
Rare session with Sonny Stitt on vinyl for the first time! LP, Vinyl record album

Exact matches26
CD, LP, Vinyl record album cover art
Miles DavisMan With The Horn ... LP
Columbia, 1980. Near Mint- ... $9.99
A nice little later album from Miles Davis – one that still has some sharp edges and interesting moments that refine the earlier electric sound of the 70s! Teo Macero's still producing here, and he gives the record a focus that really brings the best sound out of the tunes – and although there's not as much noise, funk, or raw energy as before, there's still a shimmeringly modern style that's quite different from most other electric jazz of the time – proof that Davis was still an innovator even in these years! Other instrumentation includes electric piano, guitar, and soprano sax – and titles include "Fat Time", "Aida", "The Man With The Horn", "Ursula", and "Back Seat Betty". LP, Vinyl record album

Exact matches27
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles At Newport ... LP
Columbia (Netherlands), 1956/1958/1961. Near Mint- ... Just Sold Out!
Good material, even if the set is kind of a mish-mash of older tracks! The real strength of the set is the material from 1958 – recorded live at Newport Jazz Festival, with a group that includes Miles, Coltrane, and Cannonball Adderley. Tunes from that one include "Straight No Chaser", "Fran-Dance", and "Two-Bass Hit". The rest of the album wasn't actually recorded at Newport, though. 3 more tracks are from New York in 1956 – and feature the same great group, plus Bill Evans, on studio versions of "On Green Dolphin Street", "Stella By Starlight", and "Fran Dance" – all of them incredible tunes, and actually quite rare, as they originally only appeared on a short lived album called Jazz Track. The last track on the set is one more version of "On Green Dolphin Street" – a short one, live, from 1961, recorded at the Blackhawk. LP, Vinyl record album
(Dutch pressing.)

Exact matches28
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles Davis (Cookin/Relaxin) ... LP
Prestige, Late 50s. Near Mint- 2LP Gatefold ... Just Sold Out!
A 70s 2LP set that brings together the albums Cookin and Relaxin – both of them late 50s sessions cut with the Red Garland Trio and tenor work by John Coltrane! The sides are as classic as you can get for both Miles on Prestige and late 50s Trane – handled with an easy groove, and a sound that's both soulful and modern at the same instant. Tracks are classics all the way through – and titles include "Oleo", "Airegin", "Tune Up", "Woody N You", and "Blues By Five". LP, Vinyl record album
(Green label pressing. Cover has light wear.)

Exact matches29
CD, LP, Vinyl record album cover art
Miles DavisMiles Davis (United Artists 2LP set) ... LP
Blue Note/United Artists, Early 50s. Near Mint- 2LP Gatefold ... $16.99
A strange 2LP set – put together in 1971, with a cover and a gatefold format that makes it look like current electric Miles on Columbia, but a track list that features Miles early 50s recordings for Blue Note! The tracks were all recorded by Rudy Van Gelder – and the sessions feature JJ Johnson, Gil Coggins, Art Blakey, Kenny Clarke, Jackie McLean, and Oscar Pettiford. Titles include "Weirdo", "Woody N You", "Lazy Susan", "CTA", "Dear Old Stockholm", "Chance It", "Donna", "Yesterdays", and "The Leap". LP, Vinyl record album
(Cover has light wear.)

Exact matches30
CD, LP, Vinyl record album cover art
Miles DavisMiles Davis All Stars Featuring John Coltrane & Cannonball Adderley ... LP
Jazz Band (France), 1959. Sealed ... $24.99
A set of live recordings from the year 1959 – from that brief time when Miles was wlrking in a group that included John Coltrane and Cannonball Adderley, plus the Red Garland trio on rhythm. One set's recorded at Birdland, the other at The Spotlight in Washington, DC – and frankly, the sound on both sets isn't great – but if you turn up your stereo, you will hear some inspired playing that breaks the mold of what the group was doing on record. Titles include "Walkin", "All Of Me", "Sid's Ahead", and "Straight No Chaser". LP, Vinyl record album
(Late 80s issue.)

Exact matches31
CD, LP, Vinyl record album cover art
Miles DavisMiles Davis At Carnegie Hall – The Legendary Performance Of May 19, 1961 ... LP
Columbia, 1961. Very Good ... $34.99
Sparkling live work from Miles Davis – and a set that captures both sides of his talents on Columbia at the time! Half the material features a smoking quintet – with Hank Mobley on tenor, Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and the other half of the date features a larger orchestra led by Gil Evans – in the modern mode that make the Miles/Evans collaborations sound so great on some of the pair's studio records! Together, the material offers up a beautiful live portrait of Davis' early 60s genius – allowed a bit more space to roam in the live setting, on titles that include "So What", "New Rhumba", "Lament", and "No Blues" – all taken at a bit of a faster clip than in the studio, as Miles was wont to do in a live performance! LP, Vinyl record album
(Mono 6 eye pressing, matrix ending in 1A/1B. Cover has light wear and a name in marker.)

Exact matches32
CD, LP, Vinyl record album cover art
Miles DavisMiles Davis In Europe ... LP
Columbia, 1963. Near Mint- ... $24.99
A wonderful live set from the Seven Steps-era Miles group – with rhythm by Herbie Hancock, Ron Carter, and Tony Williams – and tunes that are all in that transformative mode that really showed Miles hitting a new voice at the time! Tenorist George Coleman's playing with the group on the set – proving again that he's got a depth that few people ever seem to give him credit for – and that it wasn't just Wayne Shorter who made the 60s Davis quintet so great. Titles include "Autumn Leaves", "All Of You", "Walkin", and "Joshua". LP, Vinyl record album
(360 Sound stereo pressing with black text. Cover has a Demonstration stamp on back.)

Exact matches33
CD, LP, Vinyl record album cover art
Miles DavisMiles Davis' Greatest Hits (Columbia) ... LP
Columbia, Early 60s. Near Mint- ... $14.99
A good collection of work from Miles' early days at Columbia working with Coltrane, up through the pre-Bitches Brew years with the classic Herbie Hancock, Wayne Shorter, Ron Carter, and Tony Williams lineup. Titles include "Walkin (live)", "All Blues (live)", "Someday My Prince Will Come", "So What (live)", "ESP", "Round Midnight", and "Seven Steps To Heaven". LP, Vinyl record album
(150 gram Legacy reissue.)

Exact matches34
CD, LP, Vinyl record album cover art
Miles DavisMiles In Tokyo ... LP
CBS (Japan), 1964. Near Mint- ... $49.99
Miles Davis' first-ever performance in Japan – a really unique concert that featured the quintet with Herbie Hancock, Ron Carter, and Tony Williams – augmented by a young Sam Rivers on tenor! The presence of Rivers really gives the set an edge – and although Miles is holding Sam a bit more in check than on some of his "new thing" albums from the time, there's an overall quality here that's different than the other Davis quintet albums of the time. The set was one of a number of important Miles Davis live sessions from the period – including albums from Berlin, Antibes, and Chicago – and titles include "If I Were A Bell", "My Funny Valentine", "So What", "Walkin'" and "All Of You". LP, Vinyl record album
(Early 70s Japanese pressing, SOPL 162, with insert.)

Exact matches35
CD, LP, Vinyl record album cover art
Miles DavisMiles Smiles (180 gram pressing) ... LP
Columbia, 1966. New Copy (reissue)... $18.99
Miles Smiles, but his grin is a wry one – given the angular energy of the set! The album's a landmark effort from the mid 60s quintet that includes Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams – all of whom work without fail to capture Davis' newly emerging approach to jazz – a style that's touched with some of the light lyricism of the late 50s, but which has much sharper edges overall – and really approaches some of the best "new thing" modes that were going down at labels like Blue Note or Impulse! Many tunes have a subtly spare quality, but nonetheless work with a tremendous amount of power – and titles include a classic version of "Freedom Jazz Dance", a haunting take on Shorter's "Footprints", and the titles "Orbits", "Circle", "Dolores", and "Gingerbread Boy". LP, Vinyl record album
Also available Miles Smiles ... CD 1.99

Exact matches36
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✨✧ Miles DavisMilestones ... LP
Columbia, 1958. Very Good ... $49.99
One of our 50s favorites by Miles Davis – and a record that offers the same twin-sax sound as his classic Kind Of Blue – with both John Coltrane and Cannonball Adderley working alongside Miles in the group! Rhythm here is by the Prestige-era trio of Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums – but it's the two saxophonists who really help Davis shape the feel of the record, pushing things past the initial Coltrane/Davis groove with a really wonderful sense of space and sound! Titles include the classic "Milestones", plus "Two Bass Hit", "Dr Jeckyll", and "Sid's Ahead". LP, Vinyl record album
(Mono 6 eye pressing with deep groove. Cover has some wear.)

Exact matches37
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Miles DavisMy Funny Valentine ... LP
Columbia, 1964. Near Mint- ... $29.99
One of those key cases where Miles Davis took a familiar song and made it his own! The set's a live one, and features a famous 15 minute version of "My Funny Valentine" – played by Davis in a spacious, open sort of way – and one that has key hints of the modernism to come in his music, yet still rings out with some of his more easygoing late 50s appeal. The group here features George Coleman on tenor alongside the rhythm section of Herbie Hancock piano, Ron Carter bass, and Tony Williams on drums – all three of whom help Davis edge into darker territory, even when things are ostensibly sweet! Apart from the version of "My Funny Valentine", other titles include "All Blues", "All Of You", "I Thought About You", and "Stella By Starlight" LP, Vinyl record album
(360 Sound stereo pressing with white text, with 1C/1G matrix. Cover has some ring & edge wear.)
Also available My Funny Valentine (180 gram pressing) ... LP 18.99

Exact matches38
CD, LP, Vinyl record album cover art
Miles DavisMy Funny Valentine (180 gram pressing) ... LP
Columbia, 1964. New Copy (reissue)... $18.99
One of those key cases where Miles Davis took a familiar song and made it his own! The set's a live one, and features a famous 15 minute version of "My Funny Valentine" – played by Davis in a spacious, open sort of way – and one that has key hints of the modernism to come in his music, yet still rings out with some of his more easygoing late 50s appeal. The group here features George Coleman on tenor alongside the rhythm section of Herbie Hancock piano, Ron Carter bass, and Tony Williams on drums – all three of whom help Davis edge into darker territory, even when things are ostensibly sweet! Apart from the version of "My Funny Valentine", other titles include "All Blues", "All Of You", "I Thought About You", and "Stella By Starlight" LP, Vinyl record album
Also available My Funny Valentine ... LP 29.99

Exact matches39
CD, LP, Vinyl record album cover art
Miles DavisMy Funny Valentine (Japanese pressing) ... LP
Columbia, 1964. Very Good ... Just Sold Out!
One of those key cases where Miles Davis took a familiar song and made it his own! The set's a live one, and features a famous 15 minute version of "My Funny Valentine" – played by Davis in a spacious, open sort of way – and one that has key hints of the modernism to come in his music, yet still rings out with some of his more easygoing late 50s appeal. The group here features George Coleman on tenor alongside the rhythm section of Herbie Hancock piano, Ron Carter bass, and Tony Williams on drums – all three of whom help Davis edge into darker territory, even when things are ostensibly sweet! Apart from the version of "My Funny Valentine", other titles include "All Blues", "All Of You", "I Thought About You", and "Stella By Starlight" LP, Vinyl record album
(60s Japanese pressing, YS-471-C, in the exclusive flip-back cover, including insert. Cover has center splits in the seams.)

Exact matches40
CD, LP, Vinyl record album cover art
Miles DavisOdyssey ... LP
Prestige, Mid 50s. Very Good+ ... $11.99
Mid 60s issue of earlier work that Miles cut in the 50s – some great tracks that show him breaking from the tighter shorter bop work of the earlier years, and heading into some stretched out sides that have a very open-ended approach. The group on the session is mostly a quartet – with Milt Jackson, Percy Heath, and Art Taylor – but two of the album's four tracks also feature Jackie McLean on alto. Tracks are long and titles include "Dr Jackle", "Bitty Ditty", "Minor March", and "Changes" – and it's great to hear Miles blowing with vibes! LP, Vinyl record album
(Blue label pressing. Cover has staining and peeling along the bottom half.)

Exact matches41
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Miles DavisOn The Corner ... LP
Columbia, 1972. Very Good- Gatefold ... $29.99
A sublime bit of Miles Davis electric funk – one of the best-remembered electric sets from the 70s, and for good reason too! The tracks are long, the jams are hard, and the whole thing has a lot more funk than some of the noise you'd get on other Miles albums of the time – thanks to killer keyboards from Herbie Hancock and Chick Corea, guitar from John McLaughlin, and reeds from Dave Liebman – plus some standout drums from the legendary Jack DeJohnette – easily at the top of his powers here. These top-shelf players jam together beautifully – really cooking on the album's long tracks – "On The Corner" and "Helen Butte/Mr Freedom X" – and tightening up on the slightly shorter cuts "Black Satin" and "One & One". LP, Vinyl record album
(Cover has wear, stains and a center split spine.)
Also available On The Corner (180 gram pressing) ... LP 18.99

Exact matches42
CD, LP, Vinyl record album cover art
Miles DavisOn The Corner (180 gram pressing) ... LP
Columbia, 1972. New Copy (reissue)... $18.99
A sublime bit of Miles Davis electric funk – one of the best-remembered electric sets from the 70s, and for good reason too! The tracks are long, the jams are hard, and the whole thing has a lot more funk than some of the noise you'd get on other Miles albums of the time – thanks to killer keyboards from Herbie Hancock and Chick Corea, guitar from John McLaughlin, and reeds from Dave Liebman – plus some standout drums from the legendary Jack DeJohnette – easily at the top of his powers here. These top-shelf players jam together beautifully – really cooking on the album's long tracks – "On The Corner" and "Helen Butte/Mr Freedom X" – and tightening up on the slightly shorter cuts "Black Satin" and "One & One". LP, Vinyl record album
Also available On The Corner ... LP 29.99

Exact matches43
CD, LP, Vinyl record album cover art
Miles DavisOriginal Quintet (First Recording) ... LP
Prestige, Mid 50s. Very Good- ... $19.99
An early 60s album that features the first material recorded by Miles with his famous quintet that featured John Coltrane on tenor, plus Red Garland, Paul Chambers, and Philly Joe Jones in the rhythm section. Tracks are long and soulful, classic Miles/Coltrane work, recorded just before the more famous run of albums entitled Cookin, Relaxin, Workin, etc. Titles include "S'posin", "The Theme", "Stablemates", "How Am I To Know", and "Just Squeeze Me". LP, Vinyl record album
(Yellow & black label NJ pressing, with RVG/AB etch. Cover has light wear.)

Exact matches44
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Miles DavisPorgy & Bess ... LP
Columbia, 1958. Very Good ... $19.99
Way more than just a simple version of work from Porgy & Bess – and instead, a key collaboration between Miles Davis and Gil Evans – done with a sound that really transforms the tunes! True, the work here is all based on George Gershwin's original compositions – but through his inventively modern arrangements, Gil Evans really pushes the familiar numbers to a whole new place – and Miles glides over the top with some especially shimmering solos! Titles include "Summertime", "The Buzzard Song", "I Loves You, Porgy", and "Fishermen, Strawberry, & Devil Crab". LP, Vinyl record album
(Stereo 6 eye pressing with deep groove. Cover has staining along the spine, minor seam splitting, and light surface wear.)

Exact matches45
CD, LP, Vinyl record album cover art
✨✧ Miles DavisQuiet Nights ... LP
Columbia, 1963. Very Good ... $6.99
Moody magic from Miles Davis and Gil Evans – one of the pair's most perfectly poised albums together, and a set with a slight bossa nova undercurrent! Evans' shimmering horn patterns are in fine form here – complicated, but never in cold and too-modern ways – just the right sort of backdrop for Miles' muted solo work – blow with a great sense of space and care throughout! There's almost a soundtrack sort of depth to the record, but the solos still keep the jazz element nicely in focus – and titles include "Summer Night", "Wait Till You See Her", "Aos Pes Da Cruz", "Song #1", "Song #2", "Corcovado", and "Once Upon A Summertime". LP, Vinyl record album
(70s pressing. Cover has waviness, stains and peeling along the bottom half.)

Exact matches46
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Miles DavisRound About Midnight ... LP
Columbia, 1956. Very Good ... $49.99
Thelonious Monk may have written the title tune, but Miles Davis makes it all his own here – blowing with a subtle moody magic that makes the album one of his true treasures from the early Columbia Records years! John Coltrane's along on tenor sax – helping Davis expand the sound the pair first forged on Prestige – and also present is the rhythm trio of Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums – impeccably recorded here with a wonderful sense of space, and almost a bridge between older Miles modes, and the genius to come. Titles include Miles seminal take on "Round Midnight", plus "Tadd's Delight", "Dear Old Stockholm", "Bye Bye Blackbird", and "A Leu Cha". LP, Vinyl record album
(Mono 6 eye pressing with deep groove, matrix ending in 1A. Cover has seam splitting, light wear, and some aging.)

Exact matches47
CD, LP, Vinyl record album cover art
Miles DavisRubberband ... LP
Rhino, 1985. New Copy 2LP ... On September 6, 2019
Post-Columbia, previously unreleased Miles Davis! LP, Vinyl record album

Exact matches48
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Miles DavisSeven Steps To Heaven ... LP
Columbia, 1963. Very Good ... $19.99
A key point in the development of the Miles Davis sound of the 60s – his first album to feature work from Herbie Hancock, Ron Carter, and Tony Williams – augmented by some equally nice work on other tracks from Victor Feldman and Frank Butler! The sound here is beautifully spare – a wonderful exploration of ideas that Miles had been putting forth on some other albums for Columbia, but crafted here with a vision that's apparent in the very first note – and which transforms both the tunes and the work of the players into a focused, near-perfect sound all the way through. Titles include "So Near So Far", "Seven Steps To Heaven", "I Fall In Love Too Easily", "Joshua", and "Basin Street Blues" – which even sounds great in this setting! LP, Vinyl record album
(Stereo 360 Sound pressing, with white text. PLEASE NOTE – Bottom half of cover is stained and mostly peeled off.)
Also available Seven Steps To Heaven (Japanese paper sleeve edition) ... CD 8.99

Exact matches49
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Miles DavisSiesta ... LP
Warner, 1987. Very Good ... $5.99
One of Miles' last great albums – a soundtrack composed in conjunction with Marcus Miller, and recorded with a mix of atmospheric electronics and trumpet solos, coming off in a way that sounds far better than most of his other attempts at this style from the time. Miller plays all the other instruments in the set, apart from some occasional guest work by players that include John Scofield, Earl Klugh, Omar Hakim, and Jason Miles. Titles include "Conchita", "Lament", "Los Feliz", "Lost In Madrid", "Siesta", "Kitt's Kiss", and "Wind". LP, Vinyl record album
(Cover has some wear with suck on paper and peeling along the bottom 3 inches.)

Exact matches50
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Miles DavisSketches Of Spain ... LP
Columbia, 1960. Very Good ... $24.99
A beautiful collaboration between Miles Davis and the great Gil Evans – and perhaps the most perfectly realized of all their projects! The album's got a wonderfully unified feel – as it begins with long compositions that have a distinct Spanish-tinge (and not a Latin-tinge, which is an important distinction to the way the album progresses.) Evans' arrangements have a majesty that takes the songs to the next level – working them as lush, lively backings for Davis' equally majestic trumpet solos, some of the finest he ever recorded with large group backing. Wonderful all the way through – and with the tracks "Concierto De Aranjuez", "Saeta", "The Pan Piper", and "Solea". LP, Vinyl record album
(2 eye mono pressing! Cover has some light aging, but is nice overall.)

Exact matches51
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Miles DavisSomeday My Prince Will Come ... LP
Columbia, 1961. Very Good+ ... $19.99
The tenor sax here makes the album a standout – as John Coltrane still works with Miles Davis on 2 tracks for the record, but Blue Note stalwart Hank Mobley joins in on the rest! The approach is similar to that of the classic Coltrane/Davis years – and in a way, the record's kind of a swan song to that period – one of the last studio session that Miles would cut in such an unabashedly sweet and lyrical way. And while Mobley's always better known for his harder-blown notes at Blue Note, he sounds totally great here next to Davis – really keeping up the gentle spirit and spaciousness of the record, and working with a gentleness that surpasses even his work on the legendary Soul Station album. Rhythm is by the trio of Wynton Kelly, Paul Chambers, and Jimmy Cobb – and titles include Miles' classic version of "Someday My Prince Will Come", plus "Old Folks", "Teo", "Drad-Dog", and "Pfrancing". LP, Vinyl record album
(360 Sound stereo pressing. NOTE – Cover is stained and wavy on the bottom half, with flaking on front, and the back paste-on peeled off. Labels are lightly stained.)
Also available Someday My Prince Will Come (Japanese paper sleeve edition) ... CD 6.99

Exact matches52
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Miles DavisSorcerer ... LP
Columbia, 1967. Very Good ... $14.99
Another bold new direction for the legendary Miles Davis Quintet of the 60s – a set that has some of the angular styles of earlier albums, but also a bit more of the flowing grace to come in the electric years! A key illustration of this is the leadoff track "Prince Of Darkness" – which has a fluid sensibility that still never fails to floor us, even all these many decades later! The rest of the tracks are equally great – even when subtle – and by this point, the group of Davis, Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams were well earning their acclaim as one of the most groundbreaking groups in jazz. Titles include "Prince Of Darkness", "Masqualero", "The Sorcerer", "Pee Wee", and "Vonetta" – plus the odd inclusion of a vocal version of "Nothing Like You" – recorded 5 years before with singer Bob Dorough and arranger Gil Evans! The tune's an odd cap to this otherwise cohesive set – but we love it plenty too, and it somehow oddly fits! LP, Vinyl record album
(360 Sound stereo pressing. Cover has a large patch of stuck-on paper on the bottom half on front, and the bottom half of the back cover peeled off. Labels have some stains.)

Exact matches53
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Miles DavisSteamin' With The Miles Davis Quintet ... LP
Prestige, 1956. Near Mint- ... $39.99
An early pairing of Miles Davis & John Coltrane – one of the duo's mid 50s classics for Prestige, as you might guess from the verb in the title! And although "Steamin" might be a word that's a bit too firey to describe the action going on here, the album's got a tremendous sense of presence throughout – as Davis' cooler trumpet is matched with Trane's earthier solo work – all supported by Red Garland trio backing in a style that's as near-classic as it comes for 50s jazz. Titles include "Diane", "Something I Dreamed Last Night", "When I Fall In Love", and "Salt Peanuts". LP, Vinyl record album
(200 gram Analogue Productions pressing, still with the stickered outer sleeve.)

Exact matches54
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Miles DavisTallest Trees (Blue Haze/Bags Groove/Miles Davis & The Modern Jazz Giants) ... LP
Prestige, Mid 50s. Near Mint- 2LP Gatefold ... $14.99
A strong 2LP set – one that features tracks pulled from Miles' first big albums for Prestige, recorded in the years 1953 and 1954, mostly, with players that include Milt Jackson, Thelonious Monk, Max Roach, John Lewis, Horace Silver, and Art Blakey. Titles include "Bag's Groove", "Miles Ahead", "The Man I Love", "Swing Spring", "Doxy", "Oleo", "Airegin", "Blue Haze", and "Bemsha Swing". LP, Vinyl record album

Exact matches55
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Miles DavisTribute To Jack Johnson ... LP
Columbia, 1971. Near Mint- ... $29.99
A masterful tribute from one bad cat to another – and easily one of Miles Davis' greatest electric albums ever! The album's got a powerful, epic sort of feel – a renewed focus after the looser style of Bitches Brew, and the 70s live albums – and one that mixes a deeper funky sound with the raw, exploratory style Davis had let loose a few years before. Michael Henderson's bass is a big part of the power of the record, and John McLaughlin's guitar has never sounded better, or sharper. Teo Macero made the whole thing magic in the studio, and titles include two sidelong funkdafied jams – "Right Off" and "Yesternow". LP, Vinyl record album
(Masterworks pressing in the alternate cover.)

Exact matches56
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✨✧ Miles DavisTune Up ... LP
Prestige, 1953/1954. Near Mint- 2LP Gatefold ... $14.99
Excellent 2 LP compilation, put together and remastered in the late 70s, of sides cut by Miles for the Prestige label. There's some remarkable performances from some of his greatest LPs from that early period, like Bags' Groove, when Miles was still playing smoldering bop and his sidemen include Max Roach, Lucky Thompson, Sonny Rollins, Monk and Kenny Clarke. 13 tracks in all: "Tune Up", "Solar", "Walkin", "Blue N Boogie", "Bag's Groove", "When Lights Are Low", "Four", "Old Devil Moon", "You Don't Know What Love Is", "Love Me Or Leave Me", "I'll Remember April", "But Not For Me" and "The Man I Love". LP, Vinyl record album

Exact matches57
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Miles DavisTutu ... LP
Warner, 1986. Very Good+ ... $11.99
A nice collaboration between Miles and Marcus Miller from the latter part of Miles career. As much of the recording here is overdubbed, with many multiple instruments played by Miller, it doesn't have the improvised vibe of Miles' classic performances, but the songwriting and arrangements are head and shoulders above much of the contemporary jazz being recorded at the time, Miles is in great form, and the glossy production sits better with us now than ever before. Paulinho DaCosta, George Duke, Michael Urbaniak and Bernard Wright all make guest appearances. 8 tracks in all: "Tutu", "Tomaas", "Portia", "Splatch", "Backyard Ritual", "Perfect Way", Don't Lose Your Mind" and "Full Nelson". LP, Vinyl record album
(Includes the printed inner sleeve. Cover has light wear and a promo stamp.)

Exact matches58
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Miles DavisWater Babies ... LP
Columbia, 1967. Near Mint- ... $29.99
A much different album than you might expect from the cover – hardly the funky 70s set implied by the Big Fun-styled cover – and instead a lost slice of work from his groundbreaking late 60s years! The set was recorded in 1967, but unissued until Miles late 70s time away from the studio – hence the cover, which attempts to contemporanize the record – and the music is very much in the dark moods and sharp tones of Filles De Kilimanjaro, and features a somewhat similar group! The core quintet of Wayne Shorter on tenor, Herbie Hancock on piano, Ron Carter on bass, and Tony Williams on drums handles the first half of the set – but the group's then expanded to include Chick Corea on electric piano along with Herbie on keys – and Ron Carter steps out so that Dave Holland can bring some more modern tones to the bass. Tracks are all somewhat long, and titles include "Capricorn", "Water Babies", "Sweet Pea", and "Two Faced". LP, Vinyl record album
(Original 70s pressing, in shrinkwrap with original label sticker stating the contents!)

Exact matches59
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Miles DavisWe Want Miles ... LP
Columbia, 1982. Very Good+ 2LP Gatefold ... $14.99
Well, it's not the Plugged Nickel or electric Japan in the 70s – but this is a surprisingly great 2LP set of live work by Miles from the early 80s – recorded in New York and Boston, with a lively full-on concert sort of feel! The group features Marcus Miller on bass, Bill Evans on soprano sax, Al Foster on drums, Mike Stern on guitar, and Mino Cinelu on percussion – and the tracks are long tunes, done with a bit of electricity, and sort of a joyous approach overall. Titles include "Kix", "My Man's Gone Now", "Jean Pierre", "Fast Track", and "Back Seat Betty". LP, Vinyl record album

Exact matches60
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Miles DavisWorkin' & Steamin' ... LP
Prestige, 1974. Near Mint- 2LP Gatefold ... $24.99
2 classic Miles/Coltrane albums are compiled here on a nice double LP set with good extra notes on the sessions. Miles and Trane are backed by the classic Red Garland/Paul Chambers/Philly Joe Jones rhythm section, and the set appears to include a few more tracks than the original LPs (although we're not sure). Titles include "Diane", "The Theme", "Ahmad's Blues", "Four", and "Half Nelson". LP, Vinyl record album

Exact matches61
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Miles DavisYou're Under Arrest ... LP
Columbia, 1984. Near Mint- Gatefold ... $6.99
Sweeter studio Miles Davis from the 80s – a record that takes the 70s electric experiments and fuses them into a sound that's got a lot more R&B influence than before! The style is a bit poppy at times, but never in a way that's too slick – and often, Davis is using his muted trumpet to state lines boldly in ways that still have a greater sense of depth and craft than most of his contemporaries. A few tracks show some of the gritty New York rock/funk trend of the time, while others are lighter and more lyrical – and titles include covers of "Time After Time" and "Human Nature" – Miles' attempt to find standards in contemporary pop – plus the tracks "Katia", "You're Under Arrest", "Ms Morrisine", and "One Phone Call/Street Scenes". LP, Vinyl record album

Exact matches62
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Miles Davis & Sonny StittLive in Stockholm 1960 ... LP
Dragon (Sweden), 1960/1986. Near Mint- 2LP Gatefold ... $39.99
Incredible stuff – and a rare meeting of two giant jazz talents you'd never thought would appear on the same stage! The album features a 1960 concert in Sweden – Miles and Sonny upfront, with backing by the trio of Wyton Kelly, Paul Chambers, and Jimmy Cobb. Tracks are long, fiery, and a bit dirty (if we can say that in mixed company!) – and titles include "No Blues", "If I Were A Bell", "Walkin", "All Of You", and "On Green Dolphin Street". LP, Vinyl record album

Exact matches63
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✨✧ Miles Davis & Tadd DameronMiles Davis/Tadd Dameron Quintet In Paris Festival International De Jazz May 1949 ... LP
Columbia, 1949. Near Mint- Gatefold ... Just Sold Out!
A rare early side of Miles Davis – recorded in postwar Paris in the company of Tadd Dameron! The group's a quintet – with Miles on trumpet and Tadd on piano – and although the overall vibe certainly shows a lot of bop generation spirit, there's also a strong indication of the deeper ideas that were already becoming a part of both artists' music. The group features some excellent work on tenor from James Moody – plus bass from Barney Spieler and drums from Kenny Clarke. Tunes include a fair bit of familiar numbers from the Charlie Parker camp – and titles include "Rifftide", "Good Bait", "Don't Blame Me", "Lady Bird", "Wah Hoo", "Allen's Alley", "Embraceable You", "Ornithology" and "All The Things You Are". LP, Vinyl record album
(70s pressing. Cover has a cutout hole.)

Exact matches64
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Lennie Tristano/Bill Harris/Miles Davis/Buddy De FCool & Quiet ... LP
Capitol, Late 40s. Very Good+ ... $11.99
A great "birth of the cool" album from Capitol – a record that brings together some key recordings from that pivotal jazz year of 1949! Titles include "Imagination" by a large group with Bill Harris in the lead on trombone; "Wow", "Marionette", and "Yesterdays" from a great Lennie Tristano group with Warne Marsh on tenor, Lee Konitz on alto, and Billy Bauer on guitar; "Boplicity" by Miles Davis with JJ Johnson and Lee Konitz; and "Penthouse Serenade", "Extrovert", and "Good For Nothin Joe" by a quintet with Buddy DeFranco on clarinet and Teddy Cohen on vibes. The album's always best known for the work by Davis and Tristano – but honestly, we love the Konitz and Teddy Charles material even better! LP, Vinyl record album
(Early 80s Japanese promo pressing, with insert. Cover has light wear and a promo sticker.)

Exact matches65
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Sarah Vaughan/Miles Davis/Charles Mingus/Dizzy GilI Giganti Del Jazz 2 ... LP
Armando Curcio (Italy), Late 50s. Sealed Gatefold ... $4.99
... LP, Vinyl record album
(Shrinkwrap has a small tear in front.)

Exact matches66
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✨✧ Miles DavisCollectors Items (Double LP – Collectors Items/Conception/Blue Moods) ... LP
Prestige, Mid 50s. Near Mint- 2LP Gatefold ... Temporarily Out Of Stock
Collection of earlier Miles recordings for Prestige, put together under as a 2LP 70s set, with good notes, and a lot of great material from the days when he was getting longer time for tracks in the studio, and developing a lot more as a player from his earlier sides with Bird and for Blue Note. Players include Sonny Rollins, Charlie Parker, Tommy Flanagan, Walter Bishop, and Paul Chambers – and titles include "Vierd Blues", "Easy Living", "My Old Flame", "Conception", "No Line", "Serpent's Tooth", and "Compulsion". LP, Vinyl record album
(Cover has light wear.)

Exact matches67
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✨✧ Miles DavisComplete Birth Of The Cool ... LP
Capitol, Late 40s. New Copy 2LP Gatefold ... Temporarily Out Of Stock
Legendary early work from trumpeter Miles Davis – late 40s sessions for Capitol Records that are completely different than the bop material he was cutting with Charlie Parker and on his own! Instead, these sides have Miles working with a complex, more arranged style – built up with a young Gil Evans, in a mode that prefaces the later famous recordings the pair would make in the late 50s for Columbia. Here, the tracks are shorter, but beautifully blend bop ideas with fuller arrangements – and Davis blows alongside other key young modernists in a variety of larger groups – with work from Lee Konitz on alto, Gerry Mulligan on baritone sax, JJ Johnson and Kai Winding on trombones, Al Haig and John Lewis on piano, and Kenny Clarke and Max Roach on drums. Mulligan contributed plenty, too – his ideas on an overall sound definitely helped shape these sides – and the record's go on to legendary status – even though it's very different than most other Miles Davis from the time. Titles include "Godchild", "Jeru", "Move", "Venus De Milo", "Budo", and "Deception". This "complete" package follows up the core tracks with live material recorded at the Royal Roost, even before the original studio sessions – in a group that features Mike Zwerin on trombone with Konitz, Mulligan, Lewis, and Roach – plus a bit of vocals from Kenny Pacho Hagood. Titles include "Darn That Dream", "Moon Dreams", "S'Il Vou Plait", "Move", "Birth Of The Cool Theme", "Godchild", and "Budo". LP, Vinyl record album
(Live material on LP here for the first time ever!)
Also available Complete Birth Of The Cool ... CD 13.99

Exact matches68
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✨✧ Miles DavisEnigma (10 inch LP) ... LP
Blue Note, 1952/1953. Sealed ... Temporarily Out Of Stock
A real enigma from Miles Davis – rare material from the Blue Note vaults, issued here for the first time ever – and done as a totally sweet 10" album! The cover and package are great – and the music is even better – very much in the most sparkling spirit of Davis' early 10" albums for Blue Note – with a lineup that includes JJ Johnson on trombone, Jimmy Heath on tenor, Jackie McLean on alto sax, Gil Coggins on piano, Percy Heath or Oscar Pettiford on bass, and Art Blakey or Kenny Clarke on drums! Titles include "Enigma (alt take 1)", "Kelo (alt take 1)", "Chance It (alt take 3)", and "Chance It (alt take 4)". LP, Vinyl record album
(Reissue pressing.)

Exact matches69
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✨✧ Miles DavisFilles De Kilimanjaro ... LP
Columbia, 1969. Near Mint- ... Temporarily Out Of Stock
A dark blend of acoustic and electric modes from Miles Davis – a set that still has him working with elements of the classic 60s quintet, but which also brings in a stronger emphasis on electric piano too! The rhythms here are really fantastic – ready to burst forth into a whole new direction, yet still not hitting the Bitches Brew level of freedom – and drummer Tony Williams may well be the real star of the set for his tremendous work on the kit – even though, as stated, the album's got some heavy electric piano contributions both from Herbie Hancock and Chick Corea! All titles feature Miles on trumpet, Wayne Shorter on tenor, and Tony Williams on drums – and the titles with Herbie feature Ron Carter on bass, while the rest with Chick Corea feature Dave Holland. Titles include "Frelon Brun", "Tout De Suite", "Petits Machins", "Mademoiselle Mabry", and "Filles De Kilimanjaro". LP, Vinyl record album
(70s pressing. Cover looks great, save for some light waviness on the opening.)

Exact matches70
CD, LP, Vinyl record album cover art
✨✧ Miles DavisFour & More – Recorded Live In Concert ... LP
Columbia, 1964. Near Mint- ... Temporarily Out Of Stock
Breakneck live work from Miles Davis – and proof that his famous 60s quintet wasn't only just about mellow and spacious sounds! The set was recorded at the same concert as the album My Funny Valentine – and while that one's mostly ballads, this one's mostly high tempo numbers that skip along with incredible ease – crackling with modern touches on the rhythm from Herbie Hancock, Ron Carter, and Tony Williams – and featuring some really excellent work by George Coleman on tenor sax! Titles include "Four", "So What", "Joshua", and "Seven Steps To Heaven". LP, Vinyl record album
(70s pressing.)

Exact matches71
CD, LP, Vinyl record album cover art
✨✧ Miles DavisJazz Track ... LP
Columbia, Late 50s. Very Good ... Temporarily Out Of Stock
Although not actually a proper album – this is still one of the greatest Miles Davis albums of all time! Side one features 10 tracks from Miles' amazing soundtrack to the film Ascenseur Pour L'Echafaud – with excellent work by French players Barney Wilen, Rene Urtreger, and Pierre Michelot, on haunting moody tracks like "Generique", "Lassassinat De Carala", "Au Bar Du Petit Bac", and "Dinner Au Motel". Great stuff – and with a wonderful sound that's like no other Miles album! Side 2 is equally great – as it features 3 classic sextet tunes – "On Green Dolphin Street", "Put Your Little Foot Right Out", and "Stella By Starlight" –peformed with Coltrane, Cannonball Adderley, and Bill Evans in that amazing Kind Of Blue mode of perfection. Truly one of our favorite albums of all time! LP, Vinyl record album
(Mono 6 eye pressing with deep groove, with blue Columbia inner sleeve. Cover has splitting in the spine, a peeled spot from sticker removal, and small split in the bottom seam.)

Exact matches72
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles Ahead (first cover) ... LP
Columbia, 1957. Very Good- ... Temporarily Out Of Stock
A masterful meeting of two 50s modern jazz talents – the trumpet of Miles Davis balanced with the arrangements of Gil Evans – with results that have made the album one of Miles' greatest ever! The sound here is completely sublime – as Davis gets all chromatic and spooky over Evans' edgey arrangements – shimmering nicely in a perfect blend of modernism and lighter, more lyrical touches. The record's filled with loads of the kind of solos that Miles brought to his smaller group records – but they almost flower even more amazingly here in the larger setting. Titles include "Springsville", "Blues For Pablo", "New Rhumba", "Lament", and "Miles Ahead". This is the record that your dad bought to prove that he was cool – so buy it from us and keep up the family tradition! LP, Vinyl record album
(Mono 6 eye pressing with deep groove. Cover has some wear.)

Exact matches73
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles Davis Quintet – The Great Prestige Recordings (5LP set) ... LP
Prestige/Analogue Productions, Mid 50s. Near Mint- 5LP Box Set ... Temporarily Out Of Stock
A stunning package – five classic Miles Davis albums – Workin, Steamin, Relaxin, Cookin, and The New Miles Davis Quintet – all featuring John Coltrane on tenor and Red Garland on piano! All records presented in with original artwork – on heavy 180 gram vinyl! LP, Vinyl record album
(Includes the booklet, limited edition #1294/2500. Box has a torn wrap-around that's held down with wide clear tape.)

Exact matches74
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles In The Sky ... LP
Columbia, 1968. Near Mint- ... Temporarily Out Of Stock
Miles Davis makes the electric transition – in this groundbreaking set from the late 60s! The classic mid 60s quintet is still in place here – Wayne Shorter on tenor, Herbie Hancock on piano, Ron Carter on bass, and Tony Williams on drums – but the sound is looser, freer, and more spacious – often echoing some of the rhythmic concerns that would dominate Miles' music in a few more years, but without as much of a bombastic sound. Williams' drums are amazing – fierce one minute, then fading the next – and Herbie Hancock's use of both electric and acoustic piano really points at his own directions in coming years. George Benson plays one one track – "Paraphernalia" – introducing electric guitar to the Miles Davis sound – and other long tracks on the set include "Stuff", "Black Comedy", and "Country Son". LP, Vinyl record album
(360 Sound stereo pressing with white text.)

Exact matches75
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles Smiles ... LP
Columbia, 1966. Near Mint- ... Temporarily Out Of Stock
Miles Smiles, but his grin is a wry one – given the angular energy of the set! The album's a landmark effort from the mid 60s quintet that includes Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams – all of whom work without fail to capture Davis' newly emerging approach to jazz – a style that's touched with some of the light lyricism of the late 50s, but which has much sharper edges overall – and really approaches some of the best "new thing" modes that were going down at labels like Blue Note or Impulse! Many tunes have a subtly spare quality, but nonetheless work with a tremendous amount of power – and titles include a classic version of "Freedom Jazz Dance", a haunting take on Shorter's "Footprints", and the titles "Orbits", "Circle", "Dolores", and "Gingerbread Boy". LP, Vinyl record album
(360 Sound stereo pressing.)
Also available Miles Smiles (180 gram pressing) ... LP 18.99

Exact matches76
CD, LP, Vinyl record album cover art
✨✧ Miles Davis All StarsWalkin' ... LP
Prestige, 1954. Near Mint- ... Temporarily Out Of Stock
As classic an early album by Miles Davis as you can find – truly filled with the "all star" players billed in the title, and a session that has the sharpness of Davis' bop work for Blue Note, yet also lets him stretch out in a slightly more relaxed format! The album features Miles trumpet with 2 different groups – one a sextet with Horace Silver, JJ Johnson, and Lucky Thompson; the other a quintet with Silver and the obscure altoist Davey Schildkraut! Tracks are long, with lots of solo room – and titles include his classic takes on "Walkin", "Blue N Boogie", and "Solar" – plus versions of "You Don't Know What Love Is" and "Love Me Or Leave Me". LP, Vinyl record album
(OJC pressing. NOTE – Cover is stained and peeled on the bottom half, with an unglued bottom seam.)

Exact matches77
CD, LP, Vinyl record album cover art
✨✧ Miles DavisAscenseur Pour L'Echafaud ... LP
Fontana, 1957. Sealed ... Out Of Stock
One of our favorite-ever Miles Davis albums – and a groundbreaking soundtrack that forever changed the way that jazz music was used in film! According to legend, the sounds here were recorded by Miles on a hot Paris night – late in the studio, after a live performance – in a very intimate setting that had he and the combo creating these little poetic passages along with the action in the film! In addition to sublime and moody muted trumpet from Miles – the small group also features tremendous tenor work from the great Barney Wilen – a French modernist who's at the height of his powers – and beautiful bass from Pierre Michelot, whose rich tones really frame the whole proceedings. The rest of the group features bop pianist Rene Urtreger and American drummer Kenny Clarke – but the real charm comes from the interplay between Wilen, Davis, and Michelo. Titles include "Florence Sur Les Champs-Elysees", "L'Assassinat De Carla", "Diner Au Motel", "Evasion De Julien", "Nuit Sur Les Champs-Elysees", "Le Petit Bal", "Au Bar Du Petit Bac" and "Sur L'Autoroute". LP, Vinyl record album
(Late 80s US pressing, still sealed with hype sticker.)

Exact matches78
CD, LP, Vinyl record album cover art
✨✧ Miles DavisGreen Haze (Musings Of Miles/Miles) ... LP
Prestige, 1955. Near Mint- 2LP Gatefold ... Out Of Stock
A 70s 2LP set that brings together two of Miles' seminal mid 50s sessions for Prestige – Musings of Miles and Miles. The albums are united in that they both feature work by the Red Garland Trio on rhythm (Red, Philly Joe Jones, and either Paul Chambers or Oscar Pettiford) – and the later is especially great in that it features an early appearance by Coltrane, then pretty new to Miles' company. Tracks include "Sposin", "Stablemates", "Gal In Calico", "I Didn't", "Will You Still Be Mine", "Green Haze", and "The Theme". LP, Vinyl record album
(Cover has light wear.)

Exact matches79
CD, LP, Vinyl record album cover art
✨✧ Miles Davis & John ColtraneMiles Davis & John Coltrane – Live in Stockholm 1960 ... LP
Dragon (Sweden), 1960/1985. Near Mint- 2LP Gatefold ... Out Of Stock
Fantastic (and now out-of-print) double album set of a stunning live performance by Trane and Miles, recorded in Sweden in 1960. The tracks are all long, with backing by the rhythm section of Wynton Kelly, Paul Chambers, and Jimmy Cobb. Highlights include "Green Dolphin Street", "Fran-Dance", and the 2 versions of "So What". Even if you've got most of the studio recordings with Miles and Trane, this session's a key addition to any collection of their work, and features stunning performances that are strikingly different from their studio work of the time. LP, Vinyl record album

Exact matches80
CD, LP, Vinyl record album cover art
✨✧ Miles DavisAscenseur Pour L'Echafaud (180 gram pressing) ... LP
Fontana (France), 1958. New Copy (reissue)... Out Of Stock
One of our favorite-ever Miles Davis albums – and a groundbreaking soundtrack that forever changed the way that jazz music was used in film! According to legend, the sounds here were recorded by Miles on a hot Paris night – late in the studio, after a live performance – in a very intimate setting that had he and the combo creating these little poetic passages along with the action in the film! In addition to sublime and moody muted trumpet from Miles – the small group also features tremendous tenor work from the great Barney Wilen – a French modernist who's at the height of his powers – and beautiful bass from Pierre Michelot, whose rich tones really frame the whole proceedings. The rest of the group features bop pianist Rene Urtreger and American drummer Kenny Clarke – but the real charm comes from the interplay between Wilen, Davis, and Michelo. Titles include "Florence Sur Les Champs-Elysees", "L'Assassinat De Carla", "Diner Au Motel", "Evasion De Julien", "Nuit Sur Les Champs-Elysees", "Le Petit Bal", "Au Bar Du Petit Bac" and "Sur L'Autoroute". LP, Vinyl record album

Exact matches81
CD, LP, Vinyl record album cover art
✨✧ Miles DavisEnigma (10 inch LP) ... LP
Blue Note, 1952/1953. New Copy ... Out Of Stock
A real enigma from Miles Davis – rare material from the Blue Note vaults, issued here for the first time ever – and done as a totally sweet 10" album! The cover and package are great – and the music is even better – very much in the most sparkling spirit of Davis' early 10" albums for Blue Note – with a lineup that includes JJ Johnson on trombone, Jimmy Heath on tenor, Jackie McLean on alto sax, Gil Coggins on piano, Percy Heath or Oscar Pettiford on bass, and Art Blakey or Kenny Clarke on drums! Titles include "Enigma (alt take 1)", "Kelo (alt take 1)", "Chance It (alt take 3)", and "Chance It (alt take 4)". LP, Vinyl record album

Exact matches82
CD, LP, Vinyl record album cover art
✨✧ Miles DavisGreatest Hits (Prestige) ... LP
Prestige, Early 50s. Very Good ... Out Of Stock
Lots of classic early material – including "If I Were A Bell" recorded with John Coltrane on tenor and Red Garland on piano, "Conception" with Sonny Rollins on tenor and Jackie McLean on alto, "Bag's Groove" with Milt Jackson on vibes, "Solar" with Horace Silver on piano, and "Walkin" with JJ Johnson on trombone, Horace Silver on piano, and Lucky Thompson on tenor! LP, Vinyl record album
(Blue label pressing. Cover has moderate wear.)
 
Possible matches: 50
Possible matches83
CD, LP, Vinyl record album cover art
✨✧ Betty DavisColumbia Years – 1968/1969 ... LP
Light In The Attic/Columbia, Late 60s. Near Mint- Gatefold ... Temporarily Out Of Stock
A soul and funk fan's dream come true – never-heard recordings by the legendary Betty Davis, done for Columbia Records a few years before her debut album! At the time, Betty was hanging with Miles Davis, and turning him onto the sounds of fuzzy funk – and Miles actually produced these recordings, and used instrumentation from key associates like Herbie Hancock on keyboards, Wayne Shorter on reeds, and John McLaughlin on guitar – plus the mighty Larry Young on keyboards! The whole thing's amazing – every bit as great as Betty's work for the Just Sunshine label, but maybe even grittier – and with this unbridled vibe that's totally wonderful – and we're stunned that this is the first we're hearing of this music – but are mighty happy it's finally seen the light of day. A few cuts also feature Davis with The Crusaders and Hugh Masekela – for a groovy Cali soul sort of vibe – and titles include "It's My Life", "Hangin Out", "Politician Man", "Down Home Girl", "I'm Ready Willing & Able", "Born On The Bayou", and "Live Love Learn". LP, Vinyl record album
(Black vinyl pressing, still in the shrink, including booklet.)

Possible matches84
CD, LP, Vinyl record album cover art
✨✧ Richard DavisFancy Free ... LP
Galaxy, 1977. Near Mint- ... Temporarily Out Of Stock
A wonderful late 70s side featuring a cast of soul jazz heavies playing in a more straight context, with arrangements by Bill Lee. Richard Davis leads the group, with Eddie Henderson and Joe Henderson blowing up front, and Stanley Cowell and Billy Cobham joining him in the rhythm section, plus Dolly Hirota contributing vocals on "I StillLove You, Baby". The remainder of the set is made up of classic jazz numbers that may fall a bit short of "standard" status, but are great tunes nonetheless, like Miles' "Nardis", Donald Byrd's "Fancy Free" and Horace Silver's "Silver's Serenade". LP, Vinyl record album

Possible matches85
CD, LP, Vinyl record album cover art
Cannonball AdderleyCannonball & Coltrane (aka Cannonball In Chicago) ... LP
Limelight, 1959. Good+ Gatefold ... $9.99
A great session from 1959 – one that features John Coltrane playing with the Adderley group, recorded in Chicago when they were stopping through the city with Miles Davis' combo at the time! In fact, since the rhythm section includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – and since Coltrane's sitting in with Cannon – the album's essentially a Kind Of Blue-era Miles album, recorded without Miles on trumpet, and grooving in a slightly more soul-based Adderley mode. Given the presence of Coltrane, there's a bit less of the gutbuckety soul jazz that Cannon was cutting in his own Quintet – but that's more than ok with us, as the Coltrane solos more than make up for that difference! The set's got 2 great originals by Coltrane – "The Sleeper" and "Grand Central" – plus the cuts "Wabash" and "Limehouse Blues". LP, Vinyl record album
(Deep groove stereo pressing in the extravagant gatefold cover. Vinyl has some press flaws and a fairly deep mark across Side 1. Cover looks nice however, with some edge wear.)

Possible matches86
CD, LP, Vinyl record album cover art
Cannonball AdderleyCannonball Takes Charge (Landmark) ... LP
Riverside, 1959. Sealed ... $9.99
A hardbop classic from Cannonball Adderley – and one of his harder to find albums from the Riverside days! The set has Cannon playing without his usual group, in the context of an all-star batch of players that includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – who he worked with in his time with Miles Davis – plus occasional guest rhythm work by Albert and Percy Heath. The set's strong and straight ahead – a good bridge between Cannon's early Mercury recordings, and his later albums for Riverside and Capitol – tightly crafted solos with a good deal of soul, Adderley holding down all the horn work on the record. Titles include "If This Isn't Love", "Serenata", "Poor Butterfly", "I Remember You", and "I've Told Ev'ry Little Star". CD also features 2 bonus alternate tracks! LP, Vinyl record album
(Later pressing on Landmark.)

Possible matches87
CD, LP, Vinyl record album cover art
Cannonball AdderleySomethin' Else (75th Anniversary Edition) ... LP
Blue Note, 1958. New Copy (reissue)... $16.99 19.98
A landmark album – even if it was the only session that Cannonball Adderley ever cut for Blue Note! The album was recorded at a time when Adderley was working with Miles Davis – and as such, the session features a group that includes Miles, blowing in a cool tone that's a perfect offset to Cannonball's more soulful style. The rest of the group includes Hank Jones, Sam Jones, and Art Blakey – and like John Coltrane's Blue Train, the record's more of an "special session" than the usual Blue Note album, but the strength of the players make it one of the more memorable records of its day! Titles include "Somethin' Else", "One For Daddy-O", and a nice moody take on "Dancing In The Dark". LP, Vinyl record album
Also available Somethin' Else (with bonus track) ... CD 3.99

Possible matches88
CD, LP, Vinyl record album cover art
Cannonball AdderleySoul Zodiac ... LP
Capitol, 1972. Very Good 2LP Gatefold ... $19.99
One of the coolest, baddest, funkiest albums Cannonball Adderley ever recorded – a massive suite of tunes based on the signs of the Zodiac, produced to perfection by David Axelrod, and featuring some hip recitations from the mighty Rick Holmes! The double-length set is completely compelling all the way through – a darkly brooding batch of funky jazz that shows a strong Miles Davis electric influence at points, thanks to Nat Adderley's spacey trumpet lines, Mike Deasy's trippy guitar, and George Duke's excellent keyboards! Other tracks are a bit more laidback, fitting the mood of their respective signs – and overall, the whole thing slips and slides wonderfully from cut to cut – taking you through the star signs with a really righteous, soulful approach. Titles include "Cancer", "Sagittarius", "Pisces", "Aquarius", "Capricorn", "Virgo", "Taurus", "Aries", "Libra", and a special "Introduction". LP, Vinyl record album
(Cover has wear and a peeled spot from sticker removal.)

Possible matches89
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Bug AlleyBug Alley ... LP
PM, 1980. Near Mint- ... $11.99
The only album we've seen from Bug Alley – a relatively obscure jazz vocal group, but a great one too! These guys are equally at home with a number of different styles – scatting instrumentally, harmonizing lyrically, and taking off in some of the vocalese territory explored by Lambert Hendricks & Ross – all with the occasional old school vibe you might guess by their look on the cover! The repertoire goes back to prewar numbers, but the group also takes on the music of Miles Davis and Wayne Shorter too – on titles that include "Down For The Count", "Steppin Around", "Bop Follies", "Sancho Suite", "Footprints", "Daybreak", and "Milestones". LP, Vinyl record album

Possible matches90
CD, LP, Vinyl record album cover art
John Coltrane1960 Duesseldorf ... LP
Jazz Line (Germany), 1960. New Copy ... $20.99
A really unusual performance from the mighty John Coltrane – recorded in Germany in 1960, with an amazing group that features Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – stepping out from Miles Davis to give Trane a very special groove! These guys give the record a very different swing than some of Trane's other albums of the period – and Kelly punctuates some moments with a soulful style on piano, while Chambers bows his bass a fair bit, which creates these shaded, moody tones. Coltrane himself is wonderful – that clear-blown, incredible sound of his Atlantic years – maybe the best-recorded instrument in the setting, with with beautiful solos that are worth the price of admission alone. Stan Getz makes appearance at one point, as does Oscar Peterson – although the notes aren't that clear – but just concentrate on Coltrane, as that's all you'll need! Titles include "On Green Dolphin Street", "Walkin", "Rifftide", and a medley of "Yesterdays/Autumn Leaves/What's New". LP, Vinyl record album

Possible matches91
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Billy EckstineMister B & The Band ... LP
Savoy, 1945/1946. Near Mint- 2LP Gatefold ... $1.99
Amazing work from the early, legendary years of Billy Eckstine – that time when he was fronting one of the hippest backing groups a vocalist could hope to have! Eckstine's voice was already becoming the stuff of legend by the time of these recordings – but thanks to contributions from a host of famous boppers, his band was getting equal fame, too – a really legendary lineup that includes such greats as Miles Davis, Dizzy Gillespie,Kenny Dorham, and Fats Navarro on trumpets; Wardell Gray, Dexter Gordon, and Gene Ammons on tenor; Leo Parker on baritone; Art Blakey on drums; and many other huge names too! The band was virtually a school for a whole generation of jazzmen to come – allowing them to play together, get to know each other, and spin off in important small groups – much in the way the Kenton group a few years later allowed so much development on the west coast. And amidst all this great music, Billy's vocals have never sounded better – much bolder and hard-swinging than in later years! LP, Vinyl record album
(Cover has some wear on the bottom seam.)

Possible matches92
CD, LP, Vinyl record album cover art
Gil EvansOut Of The Cool ... LP
Impulse (Czech Republic), 1961. New Copy (reissue)... $22.99 24.99
A pivotal session for Gil Evans – one that brought his genius to the American public strongly and successfully, without the help of Miles Davis! Sure, Gil had recorded albums as a leader before this one – but the sparkling quality of this set is right up there with the charts he handled for Miles, and the quality of the players in the group make the performance every bit as great. Gil's band includes trumpeter Johnny Coles, plus Ron Carter on bass, Elvin Jones on drums, Budd Johnson on tenor, and Ray Crawford on guitar. Titles include "Stratusphunk", "Sunken Treasure", "La Nevada", and a great reading of Kurt Weil's "Bilbao Song". LP, Vinyl record album

Possible matches93
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Art FarmerModern Art (PA USA pressing) ... LP
United Artists/PA USA, 1958. Near Mint- ... $9.99
A seminal session as a leader by the young Art Farmer – recorded for United Artists, and a great set of tight lyrical tunes, played by Farmer in his sparkling style – in a group along with Benny Golson on tenor and Bill Evans on piano. Evans is a special treat here, as the 1958 session was recorded at a time when he was making a fair bit of appearances in various rhythm sections for horn players (like Miles Davis) – and although this role in Evans' career was a short one, it yielded some amazingly beautiful moments, as you'll hear on this album. Art's brother Addison plays bass, and Dave Bailey rounds out the group on drums. Tracks include "Cold Breeze", "Mox Nix", "Jubilation", and "Fair Weather". LP, Vinyl record album
(1983 pressing. Cover has some waviness on the opening and a bit of pen on the back.)

Possible matches94
CD, LP, Vinyl record album cover art
Michael HendersonSolid ... LP
Buddah, 1976. Very Good+ ... $5.99
The very first album from Michael Henderson – but a set that already finds him very much at the top of his game – thanks to previous work with Miles Davis and Norman Connors! Both artists gave Henderson a chance to do different things with his music, and by the time of this record, Michael's got both an ear for a funky bassline and a way of laying down a mellow vocal, too – a great blend of techniques that really helps give the record a lot more depth than some of Henderson's contemporaries! Unlike other bassists-turned-singers of the period, Michael never lets his core instrument take off too much and get in the way of the vocals – and instead, he shows a great sense of restraint for compressing down all the best elements into one mighty sweet groove. Titles include a version of "Valentine Love" that is different from the one recorded with Connors – plus the great original "Treat Me Like a Man", which is a nice nice sample cut from years back! Other gems include "Make Me Feel Better", "Let Love Enter", "Solid", "You Haven't Made It To The Top", and "Stay With Me This Summer". LP, Vinyl record album
(Still in the shrink with hype sticker.)

Possible matches95
CD, LP, Vinyl record album cover art
✨✧ Dave HollandEmerald Tears ... LP
ECM, 1978. Near Mint- ... Just Sold Out!
A great set of solo bass work from Dave Holland! The set features six of his own tunes, plus one by Miles Davis and one by Anthony Braxton, including "Spheres", "Emerald Tears", "Combination", "Under Redwoods" and "Flurries". LP, Vinyl record album
(Cover has a promo stamp.)

Possible matches96
CD, LP, Vinyl record album cover art
✨✧ Bobby Hutcherson, Karin Krog, Archie SheppLive At The Festival ... LP
Enja (Germany), 1970/1972/1973. Near Mint- ... $14.99
A very interesting batch of tracks – one tune apiece by each of the artists named in the title, recorded between the years 1970 and 1973 at the Festival Ljublijana, in Yugoslavia. Bill Evans performs a long, and straight reading of Miles Davis' "Nardis" with a trio that includes Eddie Gomez on bass and Tony Oxly on drums; Karin Krog sings a spare version of "Round Midnight", with only the bass of Arild Andersen for accompaniment; and Archie Shepp blows freely on a version of Grachan Moncur III's "Sonny's Back", in a group with Dave Burrell, Don Garrett, and Muhammad Ali. Perhaps the most striking track, though, is "The Creators" by Bobby Hutcherson – played with his group that included Harold Land and Hal Galper, and performed in an 18 minute reading that builds beautifully, into the dancing soul jazz sound that was Hutcherson's best contribution to jazz at the time! LP, Vinyl record album
(Yellow label pressing. Cover has light wear and aging.)

Possible matches97
CD, LP, Vinyl record album cover art
✨✧ Barney Kessel/Ray Brown/Shelly ManneExploring The Scene ... LP
Contemporary, 1960. Near Mint- ... $11.99
The classic Poll Winners trio of Barney Kessel, Ray Brown, and Shelly Manne explore the scene of jazz at the start of the 60s – turning their already popular formation towards some of the bigger jazz numbers of the time! The approach has the group turning nicely on titles by Ray Bryant, Dave Brubeck, Miles Davis, Horace Silver, Ornette Coleman, and others – working Kessel's round guitar tones around some very sharp rhythm from Brown and Manne. Titles include "Doodlin", "So What", "The Duke", "Little Suzie", "This Here", and "The Golden Striker". LP, Vinyl record album
(Fantasy/Contemporary pressing, pre-OJC.)

Possible matches98
CD, LP, Vinyl record album cover art
Michel LeGrandLeGrand Jazz (Columbia) ... LP
Columbia, 1959. Very Good ... $14.99
The classic meeting of the great French arranger/pianist with American jazz players like Miles Davis, Ben Webster, Milt Hinton, Donald Byrd, Hank Jones, and others. The tracks are a beautiful strident blend of Legrand's best arranging styles, and they show his keen talent for letting the soloist step forth into the spotlight, while complicated orchestrations swirl all around him. The titles are mostly jazz standards, but they're done in a great way, with lots of punch, and lots of great work by all the players. Titles include "Round Midnight", "Night In Tunisia", "Nuages", "In A Mist", and "Django". LP, Vinyl record album
(Mono 6 eye pressing, with deep groove. Cover has some wear.)

Possible matches99
CD, LP, Vinyl record album cover art
Betty MabryLive Love Learn/It's My Life ... 7-inch
Columbia, 1968. Very Good ... $14.99
Early recordings by the soon to be Mrs Miles Davis! 7-inch, Vinyl record
(Promo. Vinyl has a mark that clicks a bit at the beginning of "Live Love Learn". Labels have a name in marker.)

Possible matches100
CD, LP, Vinyl record album cover art
MaxaynMaxayn ... LP
Capricorn/Vampi Soul (Spain), 1972. New Copy Gatefold (reissue)... $26.99
The debut album from Maxayn – a funky female talent who deserves to be mentioned in the same territory as Betty Davis and Yvonne Fair! Like both of those artists, Maxayn isn't afraid to use an electric guitar when she wants – which puts her music somewhere in the territory of groups like The Bar-Kays and Black Nasty, and the way they could blend rock influences with funk and soul! No surprise, Maxayn's bandmates here include two members of Buddy Miles' group – who really help keep things deep – providing a massive foundation for the lady's incredible vocals. Titles include covers of the Stones' "You Can't Always Get What You Want" and "Gimme Shelter" – plus the original tunes "Trying For Days", "Jam For Jack", "Song", and "Doing Nothing Nothing Doing". LP, Vinyl record album
Also available Maxayn ... LP 34.99
 
 
 



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