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Max Cole

 

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Possible matches: 1
Possible matches1
CD, LP, Vinyl record album cover art
New VariousGiants Of Jazz Vol 8 – Jazz Greats – Drum Role ... LP LP format
EmArcy, Mid 50s. Used ... Temporarily Out Of Stock
Features work by Willie Rodriguez, Shelly Manne, Art Blakey, Roy Haynes, Max Roach, and Cozy Cole! LP, Vinyl record album
(Drummer logo pressing.)
 
Partial matches: 11
Partial matches2
CD, LP, Vinyl record album cover art
Freddie RoachAll That's Good ... CD CD format
Blue Note (Japan), 1964. New Copy ... $18.99
All that's good, and plenty more – as the set's one of the most unusual records ever from free-thinking Hammond player Freddie Roach! Roach was always one of the more righteous talents of his generation – but here, he takes things even further, but playing in a "with voices" style that's similar to some of Donald Byrd and Max Roach's experiments with Coleridge Perkinson! Roach still uses plenty of Hammond on the set – in the lead of a group that includes Conrad Lester on tenor and Calvin Newborn on guitar – but the record also features three singers adding in some soulful vocal choruses with the instrumentation – not in a vocal jazz way, but more in a spiritual tone that really adds a lot to the sound! Roach both wrote most of the work and the notes for the set – definitely one of the more intellectual Hammond players of his day – and titles include "All That's Good", "Blues For 007", "Cloud 788", "Journeyman", and "Loie". CD
(SHM-CD pressing!)

Partial matches3
CD, LP, Vinyl record album cover art
Max RoachDeeds Not Words ... LP LP format
Riverside, 1958. Very Good+ ... $59.99
A seminal set from Max Roach – the start of his more righteous stretch in jazz, as you might guess from the title of the album! At some level, the record's got a bit of the feel of the post-Clifford Brown Mercury years from Roach – but at another, it's stretching out towards the directions Max would explore fully on the Candid, Impulse, and Fantasy labels in the 60s – an approach to hardbop that often really pushes its limits – not content to simply set up solos for the players, and instead moving with a much more forceful energy overall! Group members include Booker Little on trumpet, George Coleman on tenor, Ray Draper on tuba, and Art Davis on bass – and the lack of a piano makes for a very exciting sound! The album's got 2 great originals by Bill Lee – "Jodie's Cha Cha" and "Deeds Not Words" – plus Draper's classic "Filide", and the groundbreaking "Conversation" – a very cool solo by Roach on the drums! LP, Vinyl record album
(Heavy original pressing – small black label with silver text and microphone logo, and deep groove. Cover has a gold stereo sticker, and a bit of splitting on the spine, and fully split top seam – but a nice copy otherwise.)

Partial matches4
CD, LP, Vinyl record album cover art
New Max RoachWe Insist! – Freedom Now Suite ... LP LP format
Candid, 1960. New Copy (reissue)... $9.99
One of the most righteous albums that Max Roach ever cut – and a monumental jazz release from the heart of the Civil Rights era! As you can guess from the cover and title, there's a very political bent to the record – served up in righteous lyrics penned by Oscar Brand Jr, and sung by Abbey Lincoln at her most biting – really stepping out here in just a few short years from her previous role as a straight jazz singer, and firmly grabbing up territory no other female vocalists had touched! For this momentous event, Roach gathered together a really special group for the record – players who include regular partners Booker Little on trumpet and Julian Priester on trombone – alongside surprising guests like Coleman Hawkins on tenor sax, Olatunji on percussion, and Ray Mantilla on congas. There's no piano at all on the record, and the tracks are all long ones – stretching out with soaring horn passages next to the vocals, and plenty of percussion at the bottom to get things moving! Titles include "Driva' Man", "Tears for Johannesburg", "Freedom Day", "All Africa", and "Prayer/Protest/Peace". LP, Vinyl record album

Partial matches5
CD, LP, Vinyl record album cover art
New Abbey LincolnStraight Ahead (Barnaby pressing) ... LP LP format
Barnaby, 1961. Very Good+ ... Just Sold Out!
There's nothing Straight Ahead about this record – as the album's one of the first bold statements of modernism from Abbey Lincoln – and the kind of set that builds nicely from the vocal experiments she was doing with Max Roach at the time! The group here is almost one of those largeish Roach ensembles from the Impulse years – an assortment of players that includes Max on drums, Mal Waldron on piano, Eric Dolphy on reeds, Julian Priester on trombone, and Booker Little on trumpet – plus the surprising additions of Walter Benton and Coleman Hawkins on tenor sax! Gone are the sleepy standards of earlier sessions, and in their place is Lincoln's emerging sense of anger, power, and righteous indignation – served up on the original compositions "Retribution", "Straight Ahead", and "In The Red" – plus versions of "Blue Monk", "African Lady", and "Left Alone". LP, Vinyl record album
(Cover has some wear.)

Partial matches6
CD, LP, Vinyl record album cover art
New Stuart BakerBlack Fire New Spirits – Images Of A Revolution – Radical Jazz In The USA 1960 to 1975 (hardcover) ... Book Book
Soul Jazz (UK), 2014. New Copy ... Temporarily Out Of Stock
A stunning book of photographs to stand alongside the excellent album art books done by the Soul Jazz label – a treasure trove of hardly-seen images of some of the best underground musicians of the 60s and 70s – and a great antidote to the sorts of jazz books that are only just filled with pictures of Duke, Louis, and Miles! In true Soul Jazz fashion, the volume shines the spotlight on key avant and spiritual jazz figures – like Roland Kirk, Ornette Coleman, Albert Ayler, Elvin Jones, Cecil Taylor, Eric Dolphy, Alice Coltrane, Lloyd McNeil, The Art Ensemble Of Chicago, Max Roach, Larry Young, and many others – each of whom get at least one very vivid photo (some black and white, some color), and a short bit of text that introduces their music and placement in jazz. To be fair, there's also some shots of Miles, too – but shown in a very different context in this great book! 189 pages, oversize, with a great hardcover package. Book

Partial matches7
CD, LP, Vinyl record album cover art
New Melba MooreLook What You're Doing To The Man ... LP LP format
Mercury, Early 70s. Used ... Temporarily Out Of Stock
A great early soul set from Melba Moore – recording here as a much more righteous vocalist than on her previous theater performances in Purlie and Hair! The album's got a solid feel all the way through – one that really sets Moore on the right path in this side of her career, in ways that maximize the most righteous aspects of her vocals without going too far over the top, or into the area of showy cliches. Arrangements are by Charles Coleman, Charlie Calello, Jimmy Wisner, Thom Bell, and Bert DeCoteaux – and titles include "Loving You Comes So Easy", "Heaven Help Us All", "Searchin For A Dream", "Look What You're Doing To The Man", "Patience Is Rewarded", and "You Got The Power". LP, Vinyl record album
(Cover has some wear.)

Partial matches8
CD, LP, Vinyl record album cover art
New Max RoachAward Winning Drummer ... LP LP format
Time, 1959. New Copy (reissue)... Temporarily Out Of Stock
An obscure set from Max Roach – but right up there with his best work of the late 50s on Mercury and other labels! The album features the "award winning" drummer in a quintet with Booker Little on trumpet, Ray Draper on tuba, George Coleman on tenor, and Art Davis on bass – a cool piano-less group that hits some really unusual notes! Draper's horn provides a deep bottom to the record, mixing with Davis' exotic tones nicely – and the album represents Roach's increasing penchant for experimentation in the post Clifford Brown years – tunes with an offbeat edge that's really great. Titles include "Pies Of Quincy", "Tuba De Nod", "Milano", and "Sadiga". LP, Vinyl record album

Partial matches9
CD, LP, Vinyl record album cover art
New Max RoachMax Roach + 4 At Newport ... LP LP format
EmArcy, Late 50s. Used ... Temporarily Out Of Stock
Incredible material from Max's "plus 4" group that included Ray Draper, George Coleman, Booker Little, and Art Davis! The band at the time was forging a haunting mix of hardbop and lyrical modernism, and was driven by Max's progressive vision and rich talent for selecting just the right players for just the right moments. This Newport set by the group is far better than most of the other late 50s Newport snoozers, and it catches them playing some nicely open-ended versions of tracks like Kenny Dorham's "Villa", Booker Little's "Minor Mode", and Eddie Vinson's "Tune Up". Also features a nice extended version of "Love For Sale". LP, Vinyl record album
(80s Japanese pressing.)

Partial matches10
CD, LP, Vinyl record album cover art
New Booker LittleBooker Little Featuring George Coleman – Complete Recordings (Booker Little & Friend/Booker Little 4 & Max Roach) ... CD CD format
Bethlehem/United Artists/Lonehill (Spain), 1958/1961. Used ... Out Of Stock
2 of the best studio albums from the legendary trumpeter Booker Little – back to back on 1 CD! The first 7 tracks on the set are from the Bethlehem album Booker Little & Friend – a fantastic sextet session recorded in 1961, shortly before Booker Little's death, and filled with all the promise and power he ever packed into his playing! The lineup includes Julian Preister, George Coleman, and Pete La Roca, and the groove is tight modern hard bop all the way through. An excellent album, and one of the best recordings ever on Bethlehem – with tracks that include "Matilde", "Booker's Blues", "Forward Flight", and "Victory and Sorrow". Next up are 6 tracks from the album Booker Little 4 & Max Roach – recorded for United Artists in 1958, at a time when Little was in the Max Roach band. The album is virtually a Max Roach session, as it features regular Roach group members Coleman and Little – plus bassist Art Davis and pianist Tommy Flanagan – all of whom fall perfectly into line behind Roach's masterful drumming on tracks like "Rounder's Mood", "Dungeon Waltz", and "Jewel's Tempo". 13 tracks in all. CD

Partial matches11
CD, LP, Vinyl record album cover art
New Charles TolliverImpact (Strata East) ... LP LP format
Strata East, 1976. Used ... Out Of Stock
One of a few large group sessions recorded by Charles Tolliver during his years on Strata East – and an amazingly spiritual effort that really brings together the best strands of sounds running through the underground at the time! The format's a bit similar to Tolliver's previous Music Inc big band album for Strata, released 5 years before – with lots of strong lead action from Charles on trumpet, and Stanley Cowell on piano. But this time around, the larger group seems to be more fully integrated into the tunes – there not just to support the soloists, but to rise up with a full, proud sense of majesty that's really amazing. Other players include Cecil McBee and Reggie Workman on basses, Billy Parker and Warren Smith on percussion, Jon Faddis and Jimmy Owens on trumpets, John Gordon and Garnet Brown on trombones, and Charles McPherson, George Coleman, Harold Vick, and Charles Davis on saxes! Titles include great versions of the Tolliver classics "Plight" and "Impact" – plus "Mother Wit", "Lynnsome", and "Grand Max". LP, Vinyl record album
(Cover has very light wear.)

Partial matches12
CD, LP, Vinyl record album cover art
New Max RoachDeeds Not Words (second cover) ... LP LP format
Riverside, 1958. Used ... Out Of Stock
A seminal set from Max Roach – the start of his more righteous stretch in jazz, as you might guess from the title of the album! At some level, the record's got a bit of the feel of the post-Clifford Brown Mercury years from Roach – but at another, it's stretching out towards the directions Max would explore fully on the Candid, Impulse, and Fantasy labels in the 60s – an approach to hardbop that often really pushes its limits – not content to simply set up solos for the players, and instead moving with a much more forceful energy overall! Group members include Booker Little on trumpet, George Coleman on tenor, Ray Draper on tuba, and Art Davis on bass – and the lack of a piano makes for a very exciting sound! The album's got 2 great originals by Bill Lee – "Jodie's Cha Cha" and "Deeds Not Words" – plus Draper's classic "Filide", and the groundbreaking "Conversation" – a very cool solo by Roach on the drums! LP, Vinyl record album
(60s ABC/Riverside promo mono pressing. Cover has light water damage near the bottom.)
 
 
 



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