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Partial matches: 13
Partial matches1
CD, LP, Vinyl record album cover art
Donald ByrdNew Perspective (non-RVG edition) ... CD
Blue Note, 1963. Used ... $3.99
A classic album that mixes trumpet and voices in a swirling soulful sound that worked very well for Byrd's career! Byrd's sparkling trumpet fronts a tight septet that includes Hank Mobley, Herbie Hancock, and Kenny Burrell – and which is backed by arrangements by Coleridge Perkinson and Duke Pearson. The sound is beautiful and spiritual, with a sound that mixes Blue Note hardbop with a style that would later show up on labels like Strata East, or in the experiments of Max Roach and Billy Harper. The tracks are long and moody, and the vocal group never gets in the way, but instead backs Byrd in a way that lets him hit new heights, and which gives him a stronger sense of voice. Includes the classic "Christo Redentor", plus "Chant", "The Black Disciple", and "Elijah". CD

Partial matches2
CD, LP, Vinyl record album cover art
OrgoneBeyond The Sun ... LP
Colemine, 2015. New Copy 2LP Gatefold ... $22.99 24.98
Man, Orgone sound deeper here than we ever remember before – working with an even more classic soul groove than on their debut recordings for Ubiquity – even though those were totally great too! Orgone emerge here as way more than just another combo from the funky underground – and have this classic quality that really draws heavily from the lead vocals of Adryon De Leon, a singer who hearkens back to 70s funk divas like Maxayn or Betty Davis, but who can also lay into a mellower groove when she wants as well. The instrumentation follows suite, too – with a core focus on sharp guitars and keyboards, but sometimes expanded with a bit of horns that warm up perfectly in the production. These guys have found a surprisingly great home in the soulful style of the Shanachie label – and titles include "Don't Push Your Luck", "No Pain", "Picture On The Wall", "Meat Machine", "When Someone's Love Is Real", "Losin You", and "Down Down Down". LP, Vinyl record album
(Finally on vinyl – nice 2LP pressing, too!)

Partial matches3
CD, LP, Vinyl record album cover art
Freddie RoachAll That's Good ... LP
Blue Note, 1964. Very Good- ... $19.99
All that's good, and plenty more – as the set's one of the most unusual records ever from free-thinking Hammond player Freddie Roach! Roach was always one of the more righteous talents of his generation – but here, he takes things even further, but playing in a "with voices" style that's similar to some of Donald Byrd and Max Roach's experiments with Coleridge Perkinson! Roach still uses plenty of Hammond on the set – in the lead of a group that includes Conrad Lester on tenor and Calvin Newborn on guitar – but the record also features three singers adding in some soulful vocal choruses with the instrumentation – not in a vocal jazz way, but more in a spiritual tone that really adds a lot to the sound! Roach both wrote most of the work and the notes for the set – definitely one of the more intellectual Hammond players of his day – and titles include "All That's Good", "Blues For 007", "Cloud 788", "Journeyman", and "Loie". LP, Vinyl record album
(New York mono pressing – with Van Gelder stamp and ear. Cover has waviness, staining and a few peeled spots from moisture along the bottom 4 inches.)

Partial matches4
CD, LP, Vinyl record album cover art
Max RoachAgain Volume 1 ... LP
Affinity, 1960/1961. Near Mint- ... $4.99
Some of the hippest Max Roach work of the 60s – and we're not sure that it's even available anywhere else! The first tracks in the set are from a concert in Paris, with Max's group that included Tommy & Stanley Turrentine, as well as Julian Priester. The tracks are long and open-ended – with an approach that you wouldn't find on the group's Mercury sides from the time – and have the Turrentines stretching out in a soul jazz searching mode that's quite different than their Blue Note work. This approach is continued strongly on the second batch in the set – which feature Clifford Jordan on tenor, Coleridge Parkinson on piano, and Abbey Lincoln on some vocals – all recorded at an unknown location in 1961. Titles include "This Night Mountain", "Ceciliana", "Mop Mop", and "Jordu". LP, Vinyl record album
(80s Portuguese pressing on Yes To Jazz.)

Partial matches5
CD, LP, Vinyl record album cover art
Max RoachAgain Volume 2 ... LP
Affinity (UK), 1960/1961. Near Mint- ... $4.99
Some of the hippest Max Roach work of the 60s! This album features one half of the set that was issued on Affinity as a double LP. This first side is made up of 3 tracks featuring Clifford Jordan on tenor, Coleridge Parkinson on piano, and Abbey Lincoln on some vocals – all recorded at an unknown location in 1961: "Long As You're Living", "Who Will Buy", and "Love For Sale". The second side has 2 tracks from a concert in Paris, with Max's group that included Tommy & Stanley Turrentine, as well as Julian Priester. The tracks are long and open-ended – with an approach that you wouldn't find on the group's Mercury sides from the time – both Roach originals: "Kardouba" and "Stop Motion", with the Turrentines stretching out in a soul jazz searching mode that's quite different than their Blue Note work. LP, Vinyl record album
(80s Portuguese pressing on Yes To Jazz. Cover has light ringwear.)

Partial matches6
CD, LP, Vinyl record album cover art
Max RoachAward Winning Drummer ... LP
Time, 1959. New Copy (reissue)... $9.99
An obscure set from Max Roach – but right up there with his best work of the late 50s on Mercury and other labels! The album features the "award winning" drummer in a quintet with Booker Little on trumpet, Ray Draper on tuba, George Coleman on tenor, and Art Davis on bass – a cool piano-less group that hits some really unusual notes! Draper's horn provides a deep bottom to the record, mixing with Davis' exotic tones nicely – and the album represents Roach's increasing penchant for experimentation in the post Clifford Brown years – tunes with an offbeat edge that's really great. Titles include "Pies Of Quincy", "Tuba De Nod", "Milano", and "Sadiga". LP, Vinyl record album

Partial matches7
CD, LP, Vinyl record album cover art
Max RoachMax Roach 4 Plays Charlie Parker ... LP
Mercury, 1957/1958. Near Mint- ... $29.99
A killer batch of hardbop tracks – no-nonsense, straight-ahead, and with all the fire of Roach's work with Clifford Brown! The set was recorded a few years after the untimely death of the Brown/Roach group – and although the album's got "Charlie Parker" in the title, there's a lot more going on here than just a bop revival mode. Players include Kenny Dorham, Hank Mobley, and George Coleman – and the album's got that Prestige Records feel from the late 50s, similar to some of Mobley's own work for that label at the time. Titles include "Yardbird Suite", "Confirmation", "Koko", "Billie's Bounce", and "Au Privave". LP, Vinyl record album
(White label promo pressing with deep groove.)

Partial matches8
CD, LP, Vinyl record album cover art
Max RoachWe Insist! – Freedom Now Suite ... LP
Candid, 1960. Near Mint- ... $49.99
One of the most righteous albums that Max Roach ever cut – and a monumental jazz release from the heart of the Civil Rights era! As you can guess from the cover and title, there's a very political bent to the record – served up in righteous lyrics penned by Oscar Brand Jr, and sung by Abbey Lincoln at her most biting – really stepping out here in just a few short years from her previous role as a straight jazz singer, and firmly grabbing up territory no other female vocalists had touched! For this momentous event, Roach gathered together a really special group for the record – players who include regular partners Booker Little on trumpet and Julian Priester on trombone – alongside surprising guests like Coleman Hawkins on tenor sax, Olatunji on percussion, and Ray Mantilla on congas. There's no piano at all on the record, and the tracks are all long ones – stretching out with soaring horn passages next to the vocals, and plenty of percussion at the bottom to get things moving! Titles include "Driva' Man", "Tears for Johannesburg", "Freedom Day", "All Africa", and "Prayer/Protest/Peace". LP, Vinyl record album
(Japanese pressing, with obi, including the insert.)

Partial matches9
CD, LP, Vinyl record album cover art
Sonny RollinsSaxophone Colossus/Worktime ... CD
Prestige/Essential Jazz (Spain), 1955/1956. Used ... $7.99
2 classic Prestige sides from Sonny Rollins – back to back on one CD! First up is Saxophone Colossus, quite possibly THE greatest Sonny Rollins album of the early years – or at least the one that has received the most accolades over the years! The record is a brilliant batch of quartet tracks that reinvents bop through Sonny's complicated, yet seemingly automatic solos – an excellent showcase for his razor-sharp talents for improvisation and invention, played with effortless ease, yet still one of the great bar-setting performances of 50s jazz. The group features Tommy Flanagan, Max Roach, and Doug Watkins – and tunes include an original reading of the perennial Rollins' standard "St Thomas", plus a great version of "Moritat (Mack The Knife)", and the cuts "Strode Rode" and "Blue 7". Next up is the equally great Worktime – a record that perfectly illustrates why Rollins was one of the greatest players on his horn for many decades running! There's a depth of tone on the record that rivals Coleman Hawkins or Lester Young – but a quickness of pace and imagination that shows a clear influence from Charlie Parker, and a deftness that few were bringing to the tenor at the time. The rhythm section here is super tight – and features Ray Bryant on piano, George Morrow on bass, and Max Roach on drums – all supporting Rollins' bold lead with lines that bristle with electricity, but still often fall back to let the sound of the tenor envelop the whole group. Tracks are longish, and titles include "Raincheck", "There Are Such Things", "Paradox", and "It's All Right With Me". CD

Partial matches10
CD, LP, Vinyl record album cover art
✨✧ Max RoachWe Insist! – Freedom Now Suite ... LP
Candid, 1960. New Copy (reissue)... Temporarily Out Of Stock
One of the most righteous albums that Max Roach ever cut – and a monumental jazz release from the heart of the Civil Rights era! As you can guess from the cover and title, there's a very political bent to the record – served up in righteous lyrics penned by Oscar Brand Jr, and sung by Abbey Lincoln at her most biting – really stepping out here in just a few short years from her previous role as a straight jazz singer, and firmly grabbing up territory no other female vocalists had touched! For this momentous event, Roach gathered together a really special group for the record – players who include regular partners Booker Little on trumpet and Julian Priester on trombone – alongside surprising guests like Coleman Hawkins on tenor sax, Olatunji on percussion, and Ray Mantilla on congas. There's no piano at all on the record, and the tracks are all long ones – stretching out with soaring horn passages next to the vocals, and plenty of percussion at the bottom to get things moving! Titles include "Driva' Man", "Tears for Johannesburg", "Freedom Day", "All Africa", and "Prayer/Protest/Peace". LP, Vinyl record album
Also available We Insist! – Freedom Now Suite ... LP 49.99

Partial matches11
CD, LP, Vinyl record album cover art
✨✧ Sonny RollinsWorktime! ... LP
Prestige, 1955. Used ... Temporarily Out Of Stock
If worktime was like this for us, you'd catch us showing up on the job early every day – but sadly, nothing at our office can match the brilliance of early Sonny Rollins here – a sharp-edged genius that perfectly illustrates why he was one of the greatest players on his horn for many decades running! There's a depth of tone on the record that rivals Coleman Hawkins or Lester Young – but a quickness of pace and imagination that shows a clear influence from Charlie Parker, and a deftness that few were bringing to the tenor at the time. The rhythm section here is super tight – and features Ray Bryant on piano, George Morrow on bass, and Max Roach on drums – all supporting Rollins' bold lead with lines that bristle with electricity, but still often fall back to let the sound of the tenor envelop the whole group. Tracks are longish, and titles include "Raincheck", "There Are Such Things", "Paradox", and "It's All Right With Me". LP, Vinyl record album
(OJC pressing, with obi.)

Partial matches12
CD, LP, Vinyl record album cover art
✨✧ Sonny RollinsWorktime! (second cover) ... LP
Prestige, 1955. Used ... Temporarily Out Of Stock
If worktime was like this for us, you'd catch us showing up on the job early every day – but sadly, nothing at our office can match the brilliance of early Sonny Rollins here – a sharp-edged genius that perfectly illustrates why he was one of the greatest players on his horn for many decades running! There's a depth of tone on the record that rivals Coleman Hawkins or Lester Young – but a quickness of pace and imagination that shows a clear influence from Charlie Parker, and a deftness that few were bringing to the tenor at the time. The rhythm section here is super tight – and features Ray Bryant on piano, George Morrow on bass, and Max Roach on drums – all supporting Rollins' bold lead with lines that bristle with electricity, but still often fall back to let the sound of the tenor envelop the whole group. Tracks are longish, and titles include "Raincheck", "There Are Such Things", "Paradox", and "It's All Right With Me". LP, Vinyl record album
(Blue label pressing.)

Partial matches13
CD, LP, Vinyl record album cover art
✨✧ Joe Albany & OthersLow Down (180 gram pressing) ... LP
Cinewax, 2015. New Copy Gatefold ... Out Of Stock
A beautiful document of the late, great pianist Joe Albany – music put together in support of the film Low Down, and packaged here in a really lovely format! The movie is a poetic look at Albany – an important west coast player from the bop years onward, but one who never reached his full potential, due to a lifetime of heroin use. Yet during his career, he certainly touched plenty of hearts and ears – with recordings that begin in the 78rpm generation, and stretch right up to his final years – almost every one a masterpiece of melancholic piano, with these blue undercurrents that often make Joe's music very distinct. Both the film and this set get at that quality, and intersperse original performances by Albany with a few tracks by contemporaries – like Coleman Hawkins and Max Roach – as well as a few musical bits by Ohad Taylor, who scored parts of the film in a very sympathetic manner. Titles include "Angel Eyes", "Lush Life", "Everybody Knew But Me", "Lotus Blossom", "Barbados", and "AB Blues" by Joe Albany – plus "AJ Blues" and "Daahoud" by Ohad Taylor, "Deeds Not Words" by Max Roach, and "Think Deep" by Coleman Hawkins. LP, Vinyl record album
 
 
 



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