Way more than just an anthology of work by Instant Funk – and instead a massive 5CD set that features all 7 of the group's albums for Salsoul – plus lots of bonus tracks too! Instant Funk first came to fame as one of the key studio combos behind the sound of Philly International in the mid 70s – but when the Salsoul/Gold Mind imprint got rolling, the group moved over to that label and recorded a great run of hard-grooving albums! And while the "funk" in their name isn't the same sort as you'd imagine from deep funk or funky 45s, Instant Funk definitely have a tightly-crafted sense of musicianship that made them one of the best groups working on the east coast disco scene in the 70s – an ability to focus in on a groove and ride it out over a range of tasty riffs and changes! The massively overstuffed package features the full albums Get Down With The Philly Jump, Instant Funk, Witch Doctor, The Funk Is On, Looks So Fine, Instant Funk V, and Kinky – plus bonus tracks that include "Float Like A Butterfly (parts 1 & 2)", "I Got My Mind Made Up (7" version)", "Slap Slap Lickety Lap (7" version)", "Bodyshine (7" version)", "I Got My Mind Made Up (special 12" disco version)", "Crying (7" version)", "It Ain't Reggae (7" version)", and "Witch Doctor (7" version)". CD

The Isley Brothers in prime 70s mode here – hitting a warm and wonderful blend of soul and funk throughout – always delivered with that sweet talent for smooth understatement that makes them so great! The costumes on the front cover may be freaky, but the grooves are nicely restrained – and by this point in the decade, the brothers have definitely learned that their strongest suit is often their mellow one – tracks that groove, but often in more subtle ways! Titles include the massive slow jam track "Groove With You", plus "Take Me To The Next Phase (parts 1 & 2)", "Love Fever (parts 1 & 2)", "Fun & Games", "Ain't Givin Up No Love", and "Coolin Me Out (parts 1 & 2)". LP, Vinyl record album

A massive batch of instrumentals from J Dilla – one that strongly transcends the wordless hip hop genre – and perhaps his rawest, and most adventurous listening experience yet! The loopy soul samples, rich synth/electronic shine, and thumping bass and soul beats that Dilla largely made his name on are laced throughout, but he also takes things a step into stranger territory – with spacey elements that buzz as much as they groove! The cuts never less than soulful and funky, and never steps into Madlib's brand of the weeded out style, either. We love how raw this all feels, too! It's easily identifiable as the work of Jay Dee, but at the same time wholly unpredictable! One of the better Stone's Throw hip hop efforts in a while – instrumental or vocal! 31 pieces in all: "Donuts (Intro & Outro)", "Workinonit", "Waves", "Light My Fire", "People", "Mash", "Airworks", "Lightworks", "Stepson Of The Clapper", "One Eleven", "Don't Cry", "Geek Down", "Thunder", "Gobstopper", "Walkinonit", "U-Love", "Last Donut Of The Night" and more. CD

Don't miss this one! For years, we passed this one by, thinking it an impure version of the great jazz duo Jackie & Roy. Now, though, we realize that it's one of their masterpieces, and takes their hip vocal sound into a new dimension, with cool L.A. production from the late 60's, and some great material that pushes them to the next level – like Marcos Valle's "Deus Brasilero" and the Bee Gee's "Holiday", or the songs "Open", "Without Rhyme Or Reason", and "Winds Of Heaven, all written by the great Fran Landesman. Massive grooviness, perhaps inspired by the vegetation in the title of the LP! LP, Vinyl record album

Janet's massive follow up to Rhythm Nation 1814 and it's a triumph, too – delivering on all the strengths of other peak era efforts and slyly working in some stylistic detours along the way – asserting herself here as strongly as ever! Jimmy Jam and Terry Lewis once again show why they're among the most heralded pop soul producers of the era, from beats driven dancefloor jams to sexy club soul to tender ballads, but make no mistakes, this is Janet's show – this one's official title is Janet, period after all – with badass spoken interludes, vocals that soar in range of styles and an all around assertive vibe that's strong to this day. Includes "That's The Way Love Goes", "You Want This", "If", "This Time", "Throb", "What'll I Do", "Funky Big Band", "Where Are You Now", "Any Time, Any Place", "Because Of Love", "Again" and more. 2CD version features lots of bonus material – including "One More Chance", "70s Love Groove", "And On & On", "You Want This", "Where Are You Now", "Because Of Love", and "That's The Way Love Goes (CJ R&B 7" mix)". CD

Upbeat soul from Millie Jackson – a massive batch of tunes that work perfectly for the dancefloor, but which still retain all the grittier edges of her best early years! Although Millie's probably best known for her weepy ballads of the 70s, she also pioneered a more upbeat style of southern soul too – a nicely grooving approach to the music that was almost the southern equivalent of grooves from Philly and New York at the time. The style's a great one for Jackson's bold, proud lyrical style – and this wonderful set really shows the best bad-stepping side of Millie's talents in the 70s. Most cuts are pulled from her years on the Spring label during the decade, and the set features a few rare versions and edits that make the package essential, even if you've got all the individual LPs! 22 tracks in all – including "If That Don't Turn You On", "All I Want Is A Fighting Chance", "House For Sale", "Somethin Bout Cha", "You Can't Stand The Thought Of Another Man Loving Me", "Love Doctor", "Put Something Down On It", "A Little Taste Of Outside Love", "Ask Me What You Want", "I Miss You Baby", "Letter Full Of Tears", "Fancy This", "Rising Cost Of Love", and "You Can't Turn Me Off In The Middle Of Turning Me On". CD

A massive early Prestige set from tenorist Willis Jackson – and just the kind of record that set him firmly in the soul jazz camp for the 60s! By the time of the set, Jackson had already won plenty of fame for his R&B-tinged work – but here, he stretches out a bit more, and really gets creative on his solos – working with a very hip group that includes Jack McDuff on organ and Wild Bill Jennings on guitar – both players making a similar shift in their music at the time. The tracks are lively, recorded with a bold, loud tone, and have lots of those great open-mouthed tones from Jackson – quite possibly a good reason for his "Gator" nickname! Tracks include "Blue Gator", "East Breeze", "The Gator Jumps", and "Try A Little Tenderness". LP, Vinyl record album

A massive 3CD look at the key early years of Elmore James – a package that's overflowing with great work by one of the greatest blues guitarists of the 50s! The set starts way back at James' roots in Mississippi, with some sweetly rough-edged recordings that still sparkle with incredible lines on electric guitar – then it moves deeper into Elmore's years in Chicago, recording with slightly greater clarity, and a sound that had an undeniable influence on the scene in that city at the time. The set's completed by recordings from Culver City, New Orleans, and Chicago again – presented in both master takes and alternates that offer up some equally compelling guitar solos. The set features 71 tracks in all, plus 40 full pages of notes – and titles that include "Dust My Broom", "Hand In Hand", "One More Drink", "I Believe", "Make My Dreams Come True", "Dark & Dreary", "Strange Kinda Feeling", "Early In The Morning", "Happy Home", "So Mean To Me", "Long Tall Woman", "Elmo's Shuffle", "Sho Nuff I Do", "Please Come Back To Me", "Wehre Can My Baby Be", "I May Be Wrong", "Kicking The Blues Around", and "Sinful Woman". CD

Essential funk in a single set – three killer albums from James Brown's legendary backing group! First up is Food For Thought – the classic first album by The JBs – James Brown's Fred Wesley-led backing band, and the force behind most of his greatest records of the early 70s! The band are incredible at this point – sharper, harder, and funkier than just about any other combo around – and that includes all the thousands of groups in the funky 45 underground who were always trying to copy their sound, but never got things this right! Not only are the rhythms the stuff of legend – but the use of the instruments is far far above the norm – as can be heard on the mindblowing "The Grunt", which was sampled heavily by Public Enemy to great fame – and which features a saxophone solo that sounds more like a whistling tea kettle! The set collects some of the group's best early singles, and includes all of the short little funky cuts that made them a legend right out of the box – "Pass the Peas", "The Grunt", "These Are The JBs", "Hot Pants Road", "Wine Spot", "To My Brother", "Blessed Blackness", "Theme From King Heroin", "Escapism (parts 1 & 2), and "Gimme Some More" – all together here in one tight little album of massive funky hard beats and breaks! Doing It To Death is an incredible album – a landmark piece of funk that nobody should be without, funk fan or not! The album is the second to feature James Brown's famous backing combo of the early 70s – and unlike their first one, which was really more of a collection of singles, this album has the group playing hard, long, and loud, in the free funk improvisational mode that was James' real contribution to the music at the time. The tracks are all incredibly long, with James at the forefront, egging the band on with shouts and comments – but also letting them open up large instrumentally, playing in a mode that's as much jazz as it is funky soul. The whole thing's peppered with some nice shorter segues between tracks – but the long cuts are the winners, and are some of the best funk ever recorded! Titles include "Mo Peas", "Doing It To Death", "La Di Da La Di Day", "You Can Have Watergate, Just Gimme Some Bucks & I'll Be Straight", and "Sucker". Last up is Damn Right I Am Somebody – quite possibly our favorite record by the JBs, ever! The set starts with a wonderful conversational bit – rapping and musing on the idea of "Damn Right, I Am Somebody" – showing the group in a political and righteous mode for the first time ever. The grooves then kick in – with the same heavy funk as on earlier records, but also a nice nod towards experimental production – from strange fade ups and fade downs, to stark time and rhythm changes, and even bits of electronics used to create some very cool moments in the grooves! The whole thing's as dead funky as can be, and is stuffed with insane classics like "Blow Your Head", "Same Beat", "Damn Right I am Somebody", "I'm Payin' Taxes, What am I Buyin'", and a great cover of Marvin Gaye's "You Sure Love to Ball"! CD

A really amazing look at the secret art and language of gang culture in Chicago – the most detailed book we've ever seen to examine the words on the street during the 60s, 70s, and 80s! Chicago had a very special sort of language to communicate gang activity and culture during the heyday of the city's big gangs – graffiti that was filled with codes and symbols, and which really predated major street art in New York – plus a network of patches, business cards, and other objects that conveyed a special sort of numerology and message – sometimes harmless words about parties and events, sometimes essential details about the criminal underworld. This book is fascinating on so many different levels – not just a prurient true crime story, but instead a very detailed examination of gang culture in terms of linguistics, visual media, and representation. Yet all that detail doesn't make things too dry, either – as the book is overflowing with photos and images – examples of street graffiti, countless business cards, patches, portraits, and more – even some maps at the back. The whole thing is a massive 375 pages, full color throughout, and very beautifully done! Book

A massive batch of work from Johnny Johnson & The Bandwagon – their full 1968 album for Epic, plus a wealth of rare singles as well! Johnny & The Bandwagon were one of those US groups that was arguably a lot more popular overseas – especially on the British scene, where their uptempo, hard-grooving style was perfect for the Northern Soul dancefloors! Their sound is wonderful – a bit different than the usual US hit group of the time, with drums that really romp on the bottom of most numbers – spurring further dynamic vocals from Johnny and the group – a soaring, upbeat approach to soul music that's almost more motivational now than ever before. As always with Ace Records, you can expect a hell of a lot here – full notes on the Bandwagon phenomenon overseas, and a whopping batch of 24 tracks that also includes rare material recorded for Bell. Titles include "Breakin Down The Walls Of Heartache", "On The Day We Fall In Love", "I Ain't Lyin", "You", "Girl From Harlem", "Don't Let It In", "People Got To Be Free", "When Love Has Gone Away", "Let's Hang On", "Sweet Inspiration", "Music To My Heart", "High & Dry", "In The Bad Bad Old Days", and "Sally Put Your Red Shoes On". CD

A great bit of 70s electric work from Quincy – and probably his funkiest album ever! Quincy's really stepping out here from the straighter and spacier styles of earlier records – going for more of the dirty grooves he was cutting up for soundtrack albums, and hitting notes that were a lot more fitting for the blacksploitation era. The record includes the massive funky track cut "Hikky-Burr", which was the theme to the first Bill Cosby Show, and which has a sinister groove, and some wild shouted lyrics! Also features two more great themes – "Ironside" and "The Anderson Tapes" – both of which have a cool electric sound to them, and the nice title cut, which actually features Quincy on vocals! Other tracks include "Cast Your Fate To The Wind", "What's Going On", "Brown Ballad" and more. LP, Vinyl record album

A great bit of 70s electric work from Quincy – and probably his funkiest album ever! Quincy's really stepping out here from the straighter and spacier styles of earlier records – going for more of the dirty grooves he was cutting up for soundtrack albums, and hitting notes that were a lot more fitting for the blacksploitation era. The record includes the massive funky track cut "Hikky-Burr", which was the theme to the first Bill Cosby Show, and which has a sinister groove, and some wild shouted lyrics! Also features two more great themes – "Ironside" and "The Anderson Tapes" – both of which have a cool electric sound to them, and the nice title cut, which actually features Quincy on vocals! Other tracks include "Cast Your Fate To The Wind", "What's Going On", "Brown Ballad" and more. CD

Sweet funky Q for the 70s – easily one of the coolest albums ever from Quincy Jones! The album's got a very heavy electric vibe – one that's kind of a laidback take on the styles that Jones was forging in some of his 70s soundtrack work – served up with massive work on the keyboards from Dave Grusin and Bob James, the latter of whom brings some of his own CTI vibe strongly into play! The basslines are great too – often dipping, stepping, and turning wonderfully – keeping things laidback and mellow, but always making for some sort of a groove, even on the slower tracks too. There's just a bit of vocals on the record – handled by Valerie Simpson on two tracks, and Quincy on another – but the main focus here is on the instrumentation, which is completely sublime. Titles include Quincy's great remake of "Summer In The City", an oft-sought sample track – plus versions of "Superstition", "Daydreaming", and "You've Got It Bad Girl" – and the great originals "Chump Change", "Love Theme From The Getaway", "Eyes Of Love", and "Sanford & Son Theme". CD

Sweet funky Q for the 70s – easily one of the coolest albums ever from Quincy Jones! The album's got a very heavy electric vibe – one that's kind of a laidback take on the styles that Jones was forging in some of his 70s soundtrack work – served up with massive work on the keyboards from Dave Grusin and Bob James, the latter of whom brings some of his own CTI vibe strongly into play! The basslines are great too – often dipping, stepping, and turning wonderfully – keeping things laidback and mellow, but always making for some sort of a groove, even on the slower tracks too. There's just a bit of vocals on the record – handled by Valerie Simpson on two tracks, and Quincy on another – but the main focus here is on the instrumentation, which is completely sublime. Titles include Quincy's great remake of "Summer In The City", an oft-sought sample track – plus versions of "Superstition", "Daydreaming", and "You've Got It Bad Girl" – and the great originals "Chump Change", "Love Theme From The Getaway", "Eyes Of Love", and "Sanford & Son Theme". LP, Vinyl record album

A massive exploration of the music of Kashmere Stage Band – the legendary Texas funk combo whose work barely got any circulation at the time – but who've become minor stars, thanks to the efforts of Stones Throw and Wax Poetics! The set goes even deeper than any of the previous vinyl reissues of work by the group – and features some previously unreleased tracks, and alternate takes on their funkiest numbers! The Kashmere groove is incredible – blasting horns, scratchy guitars, and funky drums – all wrapped super-tight around a range of original material and some more familiar numbers – all recast here in super-heavy funk mode! Titles include "All Praises", "Thank You", "Scorpio (extended)", "Headwiggle", "Do You Dig It Man", "Getting It Out Of My System", "Zero Point (parts 1 & 2)", "Boss City", "Burning Spear", "Take Five", and "Keep Doing It". LP, Vinyl record album

Plenty to party with here – snapping Miami grooves from KC and the band – still very much in a classic 70s mode! There's a bit more strings here than before, and almost more emphasis on lyrics – even though those are still pretty repetitive, the sort of chants that KC always got going out in the clubs. And although there's no massive hits here, the album does feature the wicked title cut "Do You Wanna Go Party" – a track that has a funkier edge than the rest, a cool moogy bit, and a stretched out groove that even features a kalimba solo! Other titles include "Hooked On Your Love", "Ooh I Like It", "Please Don't Go", and "I've Got The Feeling". LP, Vinyl record album

Massive massive Miami funk – and a record that seems to sound better and better as the years move on! Sure, KC and crew were a chart-topping act, but this first album's a stellar batch of heavy cuts – featuring great instrumentation on clavinet, conga, guitars, and horns – all bubbled into an extremely tight mix that riffs along madly on just about every cut! Sure, we grew up grooving to this stuff out of the AM radio in the car (hmmm. . . Maybe that was the problem), but honestly, it sure stands up to a lot more funk from the time than you'd expect! Includes all the big hits – like "Boogie Shoes", "That's The Way (I Like It)", and "Get Down Tonight" – plus some nice breaks and funky intros on "I Get Lifted" and "Let It Go". LP, Vinyl record album

KC & The Sunshine Band may have been a chart-topping act during the disco generation, but the Florida funky group have a heck of a lot more to offer than just their hits – as you'll hear in this massive and well-done collection that features 55 tracks in all! The group were formed in the heady early 70s years of Miami funk – and brought together some of the best tropical and soul elements that were brewing in that city at the time – all with a lean vibe that mixed live percussion with riffing guitars, sharp horns, and a completely infectious groove – often topped with catchy lyrics that really went right to the point. This big 3CD set features the group's best work for TK Records, plus other material done for Epic and Jay Boy too – with titles that include "Sound Your Funky Horn", "Why Don't We Get Together", "I Get Lifted", "So Glad", "Come To My Island", "I Betcha Didn't Know That", "Stand Up", "Love Me", "Summer Nights", "I'm A Pushover", "That's The Way I Like It", "Do You Wanna Party", "I Will Love You Tomorrow", "Sho Nuff", "I'm Your Boogie Man", and lots lots more – including some rare mixes too! CD

A wicked bit of funk from Ghana – a record that's as amazing and wonderful as it is rare! The set's one of the best African 70s rarities we've ever heard – filled with massive grooves that offer up a take on funk that's far different than American grooves – but which also comes across with instrumentation that's not as familiarly Ghanian either! There's lots of nicely fuzzy organ in the mix, tight rhythms, and a trippy production style that no doubt comes from the quality of the original studio – but which serves to give some of the best cuts a really sinister edge – a bit like Cymande at their best. Titles include "Dracular Dance", "No Man Is Born To Suffer", "Moving World", "Groovy Love", "Wale Fobite", "Kelenkye Beat", and "Jungle Music". CD

A wicked bit of funk from Ghana – a record that's as amazing and wonderful as it is rare! The set's one of the best African 70s rarities we've ever heard – filled with massive grooves that offer up a take on funk that's far different than American grooves – but which also comes across with instrumentation that's not as familiarly Ghanian either! There's lots of nicely fuzzy organ in the mix, tight rhythms, and a trippy production style that no doubt comes from the quality of the original studio – but which serves to give some of the best cuts a really sinister edge – a bit like Cymande at their best. Titles include "Dracular Dance", "No Man Is Born To Suffer", "Moving World", "Groovy Love", "Wale Fobite", "Kelenkye Beat", and "Jungle Music". LP, Vinyl record album

A massive live album from this funky trio – a double-length set, and one that they get all to themselves after splitting a long run of live records with other artists during most of 2023! While we liked those records, we're very happy to have Khruangbin on their own – stretching out in that bold blend of guitar, bass, and drums they combine with almost a proggish approach to funk! Titles include "Time", "The Number 3", "Lady & Man", "White Gloves", "Two Fish & An Elephant", "Evan Finds The Third Room", "Maria Tambien", "First Class", "Friday Morning", and "A Calf Born In Winter". LP, Vinyl record album

A set that's partly an album by massive funk trio Khruangbin, and partly a tribute to some of the musicians they worked with on a recent tour – as side one has the other performers in the lead, while Khruangbin gets plenty of instrumental space on the flipside! The group themselves turn in a great James Brown tribute in the mix of "Blind Man Can See It/It's The Monaurail" – and also serve up "Bin Bin", "Friday Moring", "People Everywhere", and "Number 4". Other titles include "Nobody Smokes Anymore" by Robert Ellis, "Woman Trouble" by Kelly Doyle, "At The Trailride" by Ruben Moreno, and "Don't Bother Me" by The Suffers. LP, Vinyl record album

Ha! This one really takes us back! The set was a massive breakthrough for August Darnell – one of his biggest hits since his day with Dr Buzzard's Original Savannah Band, with an equally appealing approach to the dancefloor. Tracks mix early 80s New York club styles with Darnell's mad retro/exotic take on the world – coming out with a sound that's slightly hokey, but equally catchy! Includes the hits "Annie (I'm Not Your Daddy)", "I'm A Wonderful Thing Baby", and "Stool Pigeon" – plus the cuts "Imitation", "I'm Corrupt", "No Fish Today", and "Loving You Made A Fool Out Of Me". LP, Vinyl record album

2 albums' worth of incredible work from Ben E King! Spanish Harlem is a classic – and forget that you've heard the title track a million times, because the album's a treasure all the way through – packed with beautiful tunes arranged and produced by the Lieber-Stoller tune, in that mix of baion rhythms that they were crafting in the uptown studios for the Drifters during the early 60s. The leadoff cut is the amazing "Amor", a lightly grooving number that should have been massive – and just about every other cut is a similar Latin-tinged number. Titles include "Come Closer To Me", "Sway", "Love Me, Love Me", "Frenesi", "Souvenir Of Mexico", and "Besame Mucho". Don't Play That Song is equally great – with some darker numbers done in Ben's increasingly uptown soul style. Titles include classics like "Here Comes The Night", "Don't Play That Song", "Young Boy Blues", and "Stand By Me" – plus lesser-known gems like "Brace Yourself", "I Promise Love", "Yes", "First Taste Of Love", and "Show Me The Way". CD

A massive collection of music – eight full albums from Evelyn Champagne King, plus bonus tracks as well! King was a hell of a singer who came along at just the right time – as cool and classy enough to have sung jazz in decades before, but with a richness that also really fit the spirit of 70s soul – and was perfect for the new infusion of grooves that the music got during the disco generation! King could sing disco, but also hit a lot wider range too – which made for some really well-formed records during her years at RCA – all of which are collected here! Unlike some of her crossover contemporaries, Evelyn managed to grow with the years and stay strong as the 80s moved in – shifting styles a bit, but never losing her groove – and working here with production and arrangements from the likes of T Life, Kashif, Willie Lester, Morrie Brown, Andre Cymone, and Leon Sylvers – all of whom help shape the groove. The box features the full albums Smooth Talk, Music Box, Call On Me, I'm In Love, Get Loose, Face To Face, So Romantic, and A Long Time Coming – nearly all of which are presented with bonus tracks – all wrapped up in a box set, with a 40 page booklet of notes. CD

An album that maybe marked the close of one chapter of The Kinks, and the start of another – music that still holds on to some of the best elements of their late 60s Village Green era, but which also moves the group into some of the headier territory of their Muswell Hill/RCA years too! Ray Davies has never sounded more earnest – still able to pull off wit when needed, but also more down to earth – and because of the massive title hit, the set was also one that put the group in front of the ears or more folks than had been hearing them in previous years. Titles include, of course, the mega-hit "Lola" – plus "This Time Tomorrow", "Apeman", "Strangers", "The Contenders", "Long Way From Home", "Rats", and "Top Of The Pops". CD

An album that maybe marked the close of one chapter of The Kinks, and the start of another – music that still holds on to some of the best elements of their late 60s Village Green era, but which also moves the group into some of the headier territory of their Muswell Hill/RCA years too! Ray Davies has never sounded more earnest – still able to pull off wit when needed, but also more down to earth – and because of the massive title hit, the set was also one that put the group in front of the ears or more folks than had been hearing them in previous years. Titles include, of course, the mega-hit "Lola" – plus "This Time Tomorrow", "Apeman", "Strangers", "The Contenders", "Long Way From Home", "Rats", and "Top Of The Pops". LP, Vinyl record album

A super-huge album for Kool & The Gang – and for good reason too! The set features their massive hit "Celebration" – a cut that firmly planted the group in the mainstream, and which keeps getting countless play over the decades – probably still earning them a fortune in royalties year after year from wedding bands alone! The group's got some great help on the record from Deodato – the Brazilian keyboardist who scored big with his own records in the 70s – and who's working here to arrange, conduct, and produced the album with a sweet jazzy finish! In a way, it's Deodato's ear for a great warm groove that really seems to make the set sparkle – giving it a strong soul sound, even with tighter production – still somewhat down to earth, despite its hit status – that core quality that's always made Kool & The Gang so great! Apart from "Celebration", other tracks include "Jones Vs Jones", "Love Festival", "Love Affair", "Night People", and "Morning Star". LP, Vinyl record album

One of the greatest albums ever by Labelle – known especially for the massive funky title cut, which has been an in-demand groover for years! "Moonshadow" begins with a nice funky piano intro, then rolls into a 10 minute groove that's really tasty – filled with lots of jazzy riffing, tasty conga, and a weird monologue by Patti that runs through different parts of the body and why you should appreciate them! The cut was lost on American audiences of the 70s, but became a huge one in the European jazz dance scene of the late 80s, probably because most of them couldn't understand how silly Patti's vocals were! The cut's nice and funky, though – and there's some other nice ones on the record, too, including "Sunday News", "Touch Me All Over", and "Peace With Yourself". Much more interesting than most of their stuff, with a hip mixture of jazz, soul, and hard grooving! CD

A massive double-length set from saxophonist Steve Lacy – and maybe one of the strongest 70s statements from his legendary European quintet! The album features two different live performances – each of which open up in the brilliant freedoms allowed by the European scene since the end of the 60s, but restructured by Lacy in that fantastic energy he shared with Steve Potts on alto, Irene Aebi on cello and voice, Kent Carter on bass, and Oliver Johnson on drums. The group display a masterful balance between united energy and individual expression – and the synchronicity between Lacy and Potts is especially striking. Titles include "Stamps", "Wickets", "The Dumps", "The Blinks", "Duckles", "Ire", and "Existence". Also features the bonus track "Follies". CD

A fantastic bit of Afro funky soul – one of a few albums recorded by the legendary Lafayette Afro Rock Band! The set has an incredible blend of American funk, African rhythms, and European production – recorded in the heady cross-cultural scene of early 70s Paris – with a sound that's often imitated, but never duplicated! Funky guitar snakes through electric piano riffing, rolling basslines, and some really heavy percussion – occasionally supporting a bit of chorus vocals, but mostly going for a hard-grooving instrumental sound overall! The set includes the massive break track "Darkest Light", sampled by PE and others – plus the tracks "Baba Hya", "Djungi", "Raff", "Conga", "Avi-Vo", and "Malik". LP, Vinyl record album

A massive collection of work from Lakeside – one of the leading lights of the Solar Records label in the early 80s, and one of the label's key groups in helping to redefine funk in the decade! Lakeside take the large ensemble funk format of the late 70s, and give it a leaner, cleaner groove – really winnowing things down so that everything's right on the money, and the grooves come out great – while still also holding on to enough soul music energy in the vocals, songwriting, and presentation to set themselves apart from some of the more facile groove groups of the time. This 3CD set features 42 killers from Lakeside's glory days, pulled from their full range of recordings for Solar – titles that include "Rough Rider", "One Minute After Midnight", "Fantastic Voyage", "From 9:00 Until", "I Need You", "Strung Out", "Your Wish Is My Command", "The Urban Man", "Back Together Again", "We Want You", "Raid", "Turn The Music Up", "Real Love", "Untouchable", "Show You The Way", "Tinse Town Theory", "Money", "Party Patrol", "Still Feeling Good", "Bullseye", "U Got It Goin On", "All For You", "I Want To Hold Your Hand", "If You Like Our Music", "I Can't Get You Out Of My Head", "Shot Of Love", and "Your Love Is On The One". CD

A great combo, in a really great setting – the trio of organist Delvon Lamarr, captured in a sweet live radio performance! The tunes are long and open – very much in the group's killer blend of soul jazz and deep funk – with plenty of room for Delvon to soar out on the keys of the Hammond, and remind us again what a massive younger talent he is on the instrument! If you like the group's funky 45s, you'll find yourself really loving this live set – and the whole thing's only got us eager to keep on following the great growth of this group. Titles include a sweet remake of the Curtis Mayfield tune "Move On Up" – plus "Concussion", "I Don't Want To Play That", "Tacoma Block Party", "South Leo St Stomp", and "Memphis". LP, Vinyl record album

Andres Landero has a pretty wild look on the cover here – and the sound of his music is equally wild, too – a very raw, rootsy approach to cumbia – very much in the most hard-edged style of the genre, with a quality that often feels more ancient than the 70s recording dates of most of these numbers! This is cumbia at its purest form – all rhythm, even on the melodic instruments – which often include accordion, used in these pulsating waves that groove right along with the massive basslines and percussion. Andres sings on most tracks, in a mode that's as rhythmic as the music – and the set features 20 titles that include "La Cigarrona", "Mara Del Carmen", "Yo Amaneci", "Las Mellas", "La Sanjacintera", "La Pava Congona", "La Mochila Tercia", and "Cumbia En La India". CD

Massive early work from Hubert Laws – and a set that really shows some more the more Latin and soul sides of his talents! Tracks here have a tight punch throughout – with some great New York 60s rhythms that feature a young Chick (then called "Armando") Corea on piano, then a much more Latin-tinged player – vamping, stomping, and grooving alongside Hubert's lead lines on flute! The rest of the group includes Richard Davis on bass and Bobby Thomas on drums – and the tunes are as groovy as they sound – with titles that include "Bimbe Blue", "Miss Thing", "All Soul", and "Black Eyed Peas & Rice". LP, Vinyl record album

A massive collection of genius from Led Zeppelin – and material that has gone onto become a crucial part of their all-too-small catalog over the years! The work here was all recorded for the BBC in the years 1969 through 1971 – offering up a much wider picture of the group during these formative years, handled by some top-shelf production – which makes these tracks way better than some of the bootlegs and demos that fans had to rely on before these sides hit the record racks. CD

The third in Led Zeppelin's spectacular run of early albums – each one either matching or topping its predecessor, depending on one's personal favorite – and a record with an influence that's as massive as the sound! The record's got a pair of of Zep's best-remembered songs in "Immigrant Song" and their take on the traditional "Gallows Pole", but the whole thing is great – and a great balance of their earlier bombast with a lot more acoustic moments. Other tracks include "Friends", "Celebration Day", "Tangerine" and "Hats Off (To Roy Harper)". LP, Vinyl record album

The third in Led Zeppelin's spectacular run of early albums – each one either matching or topping its predecessor, depending on one's personal favorite – and a record with an influence that's as massive as the sound! The record's got a pair of of Zep's best-remembered songs in "Immigrant Song" and their take on the traditional "Gallows Pole", but the whole thing is great – and a great balance of their earlier bombast with a lot more acoustic moments. Other tracks include "Friends", "Celebration Day", "Tangerine" and "Hats Off (To Roy Harper)". LP, Vinyl record album

Don't think "disco" as in the New York scene at Studio 54 – as these cuts are much deeper and dubbier – served up under the supervision of Bunny Lee by studio maestros Barnabas and Pat Kelly! Instrumentation is by the Aggrovators, but the magic comes equally from the production effects as it does from the massive rhythms by the group – as all the elements are filtered out in space, and criss-cross back and forth in this wonderful way – never too sloppy or experimental, but definitely tripping out with the groove! Vocals are muted when they do make an appearance – and titles include "The Aggrovators Special Dub", "Money In My Pocket Dub", "Portobello Special Dub", "Super Rockers Dub", "The Bomb Dub", "The Killer Dub", and "The Dub Specialist". LP, Vinyl record album

Massive keyboard work from the great Ramsey Lewis – easily one of his best records ever, thanks to some spaciously funky production by Charles Stepney! Stepney plays keyboards here along with Ramsey, and the twin-keys approach makes for a sound that's extra-special – one that sums up all the earlier soulful creativity of both artists in their late 60s Cadet Records years, and hones it down to an even sweeter groove for the 70s! A number of tracks have some sort of vocal component, but usually in a chorus mode that soon drops out when the keyboards hit home – and the record features a few great short "interlude" tracks that are almost as great as the longer numbers! Titles include the classic "Juaacklyn", a cover of Earth Wind & Fire's "That's The Way Of The World", and the tracks "I Dig You", "Fish Bite", "Don't It Feel Good", "Something About You", and "Can't Function". LP, Vinyl record album

Sweet electric magic from Ramsey Lewis – four 70s albums in a single collection! First up is Don't It Feel Good – massive keyboard work from the great Ramsey Lewis – easily one of his best records ever, thanks to some spaciously funky production by Charles Stepney! Stepney plays keyboards here along with Ramsey, and the twin-keys approach makes for a sound that's extra-special – one that sums up all the earlier soulful creativity of both artists in their late 60s Cadet Records years, and hones it down to an even sweeter groove for the 70s! A number of tracks have some sort of vocal component, but usually in a chorus mode that soon drops out when the keyboards hit home – and the record features a few great short "interlude" tracks that are almost as great as the longer numbers! Titles include the classic "Juaacklyn", a cover of Earth Wind & Fire's "That's The Way Of The World", and the tracks "I Dig You", "Fish Bite", "Don't It Feel Good", "Something About You", and "Can't Function". Salongo is a tremendous little record, and one of the funky 70s sets that Ramsey Lewis recorded with Earth Wind & Fire! Well, not Earth Wind & Fire entirely – but the Kalimba Productions team of Maurice White and Charles Stepney that gave the group its sound – plus a nice sprinkling of other players that were often associated with sessions by the group! Ramsey's own combo here includes Steve Cobb on drums and vocals, and Derf Reklaw on reeds and vocals as well – and the overall sound has bits of African and Brazilian influences, worked into a soulful fusion groove that sounds a lot like the instrumental backings EWF were using at the time. Titles include "Brazilica", "Slick", "Rubato", "Salongo", and "Seventh Fold". Tequila Mockingbird is an overlooked gem from the Columbia Records years, filled with loads of great grooves, and some pretty mighty keyboards! Part of the record has Ramsey working with Larry Dunn of Kalimba Productions – getting plenty of the Earth Wind & Fire groove that made so much of his Columbia sessions sparkle – while the rest of the set has the great Bert DeCoteaux handling things, and giving Lewis just the right mix of sophistication and soul he was using with other Columbia acts at the time. The album's a perfect example of the way that Ramsey stepped way ahead of the pack during this time in his career – using keyboards and grooves together in ways that so many artists today are still trying to match – but never hit it this right! Titles include "Camino El Bueno", "Caring For You", "Intimacy", "That Ole Bach Music", "Skippin", "Tequila Mockingbird", and "Wandering Rose" – that cool cut by Neal Creque! Love Notes is a great little album of mid 70s funk from Ramsey Lewis – very much in the mode of his Earth, Wind, & Fire related work – no surprise, since the album's dedicated to Charles Stepney, whose influence was such a key part of the sound of the group, and of some of Ramsey's other Kalimba-produced albums from a few years before! Ramsey plays Fender Rhodes, mini moog, and Arp – and he gets help on keyboards from Stevie Wonder and Derf Reklaw, who also plays saxes and percussion on the set. Features versions of Wonder's "Love Notes" and "Spring High", plus Reklaw's "Chili Today Hot Tamale", "Shining", and "Stash Dash". CD

Sweet electric magic from Ramsey Lewis – four 70s albums in a single collection! First up is Don't It Feel Good – massive keyboard work from the great Ramsey Lewis – easily one of his best records ever, thanks to some spaciously funky production by Charles Stepney! Stepney plays keyboards here along with Ramsey, and the twin-keys approach makes for a sound that's extra-special – one that sums up all the earlier soulful creativity of both artists in their late 60s Cadet Records years, and hones it down to an even sweeter groove for the 70s! A number of tracks have some sort of vocal component, but usually in a chorus mode that soon drops out when the keyboards hit home – and the record features a few great short "interlude" tracks that are almost as great as the longer numbers! Titles include the classic "Juaacklyn", a cover of Earth Wind & Fire's "That's The Way Of The World", and the tracks "I Dig You", "Fish Bite", "Don't It Feel Good", "Something About You", and "Can't Function". Salongo is a tremendous little record, and one of the funky 70s sets that Ramsey Lewis recorded with Earth Wind & Fire! Well, not Earth Wind & Fire entirely – but the Kalimba Productions team of Maurice White and Charles Stepney that gave the group its sound – plus a nice sprinkling of other players that were often associated with sessions by the group! Ramsey's own combo here includes Steve Cobb on drums and vocals, and Derf Reklaw on reeds and vocals as well – and the overall sound has bits of African and Brazilian influences, worked into a soulful fusion groove that sounds a lot like the instrumental backings EWF were using at the time. Titles include "Brazilica", "Slick", "Rubato", "Salongo", and "Seventh Fold". Tequila Mockingbird is an overlooked gem from the Columbia Records years, filled with loads of great grooves, and some pretty mighty keyboards! Part of the record has Ramsey working with Larry Dunn of Kalimba Productions – getting plenty of the Earth Wind & Fire groove that made so much of his Columbia sessions sparkle – while the rest of the set has the great Bert DeCoteaux handling things, and giving Lewis just the right mix of sophistication and soul he was using with other Columbia acts at the time. The album's a perfect example of the way that Ramsey stepped way ahead of the pack during this time in his career – using keyboards and grooves together in ways that so many artists today are still trying to match – but never hit it this right! Titles include "Camino El Bueno", "Caring For You", "Intimacy", "That Ole Bach Music", "Skippin", "Tequila Mockingbird", and "Wandering Rose" – that cool cut by Neal Creque! Love Notes is a great little album of mid 70s funk from Ramsey Lewis – very much in the mode of his Earth, Wind, & Fire related work – no surprise, since the album's dedicated to Charles Stepney, whose influence was such a key part of the sound of the group, and of some of Ramsey's other Kalimba-produced albums from a few years before! Ramsey plays Fender Rhodes, mini moog, and Arp – and he gets help on keyboards from Stevie Wonder and Derf Reklaw, who also plays saxes and percussion on the set. Features versions of Wonder's "Love Notes" and "Spring High", plus Reklaw's "Chili Today Hot Tamale", "Shining", and "Stash Dash". CD

A quadruple-header from Ramsey Lewis – four albums from his great 70s electric period on Columbia Records! First up is Funky Serenity – sweet electric funk from Ramsey Lewis! The album's one of his best from the 70s – and it's got Ramsey on Fender Rhodes, electric harpsichord, and other keyboards, grooving away in an open-ended 70s mode that still retains all the heavy soul of his classic work for Chess. Morris Jennings adds in some very nice percussion with his drum work, and Cleveland Eaton's on funky bass, giving the set a strong bottom groove. Features the sublime sample cut "My Love For You", a great version of "Knights In White Satin" that's done with a weird spacey groove, plus the tracks "Kufany Mapenzi (Making Love)", "Serene Funk", "What It Is!", and "Dreams". Golden Hits isn't a "best of", but instead has Ramsey and his funky mid 70s trio with Morris Jennings and Cleveland Eaton revisiting some of his best loved material from the Cadet years, but with the groovy Rhodes and wah wah sound that we dig so much about his CBS recordings. Unlike some of the other records from this period, the group's nice and stripped down, just the electric piano, bass and drums, so the groove's nice and wide open, Ramsey and company popping along with the sanctified soulful vibe of his 60s work, but updating their sound with some nice electric touches. 9 numbers in all: "Hang On Sloopy", "Blues For The Night Owl", "Hi-Heel Sneakers", "Carmen", "Delilah", "Wade In The Water", "Slippin' Into Darkness", "Somethin' You Got", and "The In Crowd". Solar Wind was cut smack dab in the middle of Ramsey's glory days at Columbia Records – with great production help and work on bass from the mighty Cleveland Eaton! The style is nice and lean, with just some occasional fuller touches – and Ramsey plays plenty of Fender Rhodes, in addition to bits of Arp and moog too – in a setting that's mostly trio, with a few guest players stepping into the mix from track to track! There's a nice degree of fuzz at points, thanks to added help from Steve Cropper – and titles include a great funky version of "Summer Breeze", plus "Solar Wind", "Come Down In Time", "Love for A Day", "Hummingbird", "Jamaican Marketplace", and "Sweet & Tender You". Sun Goddess is one of our favorite Ramsey Lewis albums ever – and a perfect summation of the genius that was brewing on the Chicago scene in the late 60s and early 70s! The album has Ramsey working strongly with Earth Wind & Fire – no surprise, given his close ties to Maurice White, who was the drummer in Ramsey's trio before starting his own group – and the shared relationship both artists had with producer Charles Stepney! The three were all key parts of the late 60s sound at Chess Records – but here, they've brought the same soulful energy to Columbia – working in a wider, more mature groove for the 70s – one that has Lewis' wicked Fender Rhodes lines stretching out strongly over tight, compressed, funky lines from EWF! The centerpiece of the set is the massive 7 minute "Sun Goddess", but there's lots of other nice ones like "Living For The City", "Gemini Rising", and "Jungle Strut". Funky, electric, and sublimely wonderful all the way through! CD

One of our favorite Ramsey Lewis albums ever – and a perfect summation of the genius that was brewing on the Chicago scene in the late 60s and early 70s! The album has Ramsey working strongly with Earth Wind & Fire – no surprise, given his close ties to Maurice White, who was the drummer in Ramsey's trio before starting his own group – and the shared relationship both artists had with producer Charles Stepney! The three were all key parts of the late 60s sound at Chess Records – but here, they've brought the same soulful energy to Columbia – working in a wider, more mature groove for the 70s – one that has Lewis' wicked Fender Rhodes lines stretching out strongly over tight, compressed, funky lines from EWF! The centerpiece of the set is the massive 7 minute "Sun Goddess", but there's lots of other nice ones like "Living For The City", "Gemini Rising", and "Jungle Strut". Funky, electric, and sublimely wonderful all the way through! LP, Vinyl record album

Seminal work from Liquid Liquid – one of the coolest, funkiest groups on the New York scene at the start of the 80s! The approach here is a blistering blend of different percussion modes – from batucada jamming to funky drums – all tied together with these basslines that really make the whole thing vibrated with a massive sound! The music's a bit in the spirit of ESG – who also recorded for the same label at the time – but is also a lot more adventurous, and played with even more tightness too. Titles include the wicked cut "Cavern", which was the massive sample for the classic hip hop track "White Lines" – and other titles include "Scraper", "Optimo", and "Out". 12-inch, Vinyl record

Tasty batch of funky blues tracks from Sonny – an artist who we normally don't like that much, but who sounds very sweet here, thanks to tight arrangements by The Bar-Kays, who back him up on the session! The record is a great mix of funky blues and Memphis soul – and includes the massive funky breakbeat track "Memphis B-K", plus "You Got A Good Thing", "They Want Money", and "Hung Up". LP, Vinyl record album

The full Stiff Records run from Lene Lovich – a singer whose sound and style were perhaps one of the most striking of the new wave generation! In fact, it's tempting to say that Lovich set a tone that countless other female artists would soon follow – a new vibe, a new look, a way of putting over a song that was completely different both from some of the 70s superstars from the middle of the decade, and from some of the harder-edged punk acts of the late 70s. If you know her classic "Lucky Number", you'll know what Lena is bringing to the table – but you'll also discover a heck of a lot more here, in a massive package of 81 tracks in all, 20 of which appear here on CD for the first time ever. The package features the full albums Stateless (in both the original and later mixes), Flex, No Man's Land, and New Toy – plus loads of bonus material from singles, b-sides, remixes, and live recordings too – wrapped up with very detailed notes. CD

An incredible legacy of jazz – one that's certainly as disconnected as promised by the title, but which stands as a much-needed look at the many-sided talents of tenorist Allen Lowe! The set's on ESP Records, but often has sounds that are somewhat straight ahead – although often in a way that's a bit more than you might expect – as Lowe's a player with a strong knowledge of older generations of jazz, but who can put things together with a very contemporary ear – maybe best summed up in the Avant Garde Tribute To Louis Armstrong – a Knitting Factory performance that's part of this set. Lowe works with a compelling range of musicians throughout – maybe most importantly, trumpeter Doc Cheatham, who shows that in the 80s and 90s, he was still very open to new ideas – as well as Percy France and David Murray on tenor, Randy Sandke on trumpet, Roswell Rudd on trombone, Matthew Shipp on piano and Farfisa organ – and many others along the way. The massive 8CD set features countless rare recordings from over 40 years of Lowe's career – private recordings, live sets, and lots more – a huge addition not just to his own catalog, but a revelation of a connecting web on the east coast scene for decades! CD

Massive work from the great Cheryl Lynn – and a key bridge between late 70s disco and the newer grooves of the 80s club scene! The album's a mix of midtempo groovers with a few mellower tracks – and it's got a tight, slightly jazzy sound that was very fresh at the time, and which still holds up incredibly well today. The standout cut on the record is the landmark groover "Got To Be Real" – but there's loads of other great ones, like "Star Love", "Daybreak (Storybook Children)", "Give My Love To You", "All My Lovin", and "Come In From The Rain". LP, Vinyl record album

A great Memphis sound from the second greatest instrumental group on Stax next to Booker T & The MGs – heard here on a massive record that really pushes The Mar-Keys to the next level! On previous records, the combo always had a sound that was a bit brighter than Booker and his group – still soul, but not nearly as sharp. Yet this time around, they really dig deep – and have a way of smoking out plenty of the best soulful elements associated with the Stax Records sound – that great way with a heavy-stepping groove, instrumentation that's tight yet never slick, and solo moments that burst out and really give the tunes a hell of a lot of personality! The rhythm jumps out of the grooves on numbers like "Honey Pot", "Grab This Thing" and "Philly Dog", and the album winds up with a James Brown medley that's pretty darn swingin too. LP, Vinyl record album

An incredible lost slice of music from the young Bob Marley – an unissued set of recordings done at the Capitol Studios in LA, at a time when the Wailers were just beginning to rise in global power! The session came at an unusual moment for the group – they had come to the US to tour with Sly & The Family Stone, and were fired because the audiences were not yet ready for their groove – leaving the group a bit astray in California. But an opportunity arose to record at Capitol, a performance that was also filmed – and the result is this amazing set of tracks that captures Bob and the group at a level that's even different than their massive Island Records sets to come. There's a current of funk running through a number of these tracks, and a lean groove that's wonderfully soul-drenched throughout – not just in Marley's vocals, but in the overall performance of the rest – a tight sextet that includes Peter Tosh, Joe Higgs, Aston Barrett, Carlton Barrett, and Earl Lindo. Titles include "Rastaman Chant", "Midnight Ravers", "Put It On", "Stop That Train", "Get Up Stand Up", "You Can't Blame The Youth", "Slave Driver", "Duppy Conqueror", and "Burnin & Lootin". LP, Vinyl record album

One of our favorite albums ever – and every track is a masterpiece! The album was originally cut for the tiny Chiaroscuro label in 1977 – and it's got a sound that's unlike anything else we can think of – soaring, soulful, jazzy, and righteous – wrapped up in a blend that's never been done this perfectly again! James Mason's a player who's know for a bit of keyboard work with other artists – but here, he's really working as a collective power – bringing together a brilliant ensemble that work as one to hit some sublime sounds – much in the way that Roy Ayers could work some key magic with his groups at the same time, but with a vibe that's very different too. Players include Ayers associates Justo Almario on saxes and Philip Woo on piano – and a young Narada Michael Walden adds some excellent drums to the record – a lot more powerful and funky than on most of his own albums! Lead vocals are by Clarice Taylor – who's got this unique voice that really makes the record – proud, but sensitive at the same time too – and Mason plays lots of Fender Rhodes, polymoog, Arp, and a bit of guitar. Titles include the breakbeat classic "Funny Girl", the monster groover "Sweet Power Your Embrace", the funky "Slick City", and the massive "Free" – but every cut's a winner, and others include "Mbewe", "Rhythm Of Life", and "Dreams". This is the kind of album that makes us proud to be in business! LP, Vinyl record album

Massive! This is probably the best-ever album of rollerskating grooves – and is the most famous entry into a short-lived funk genre that sprung up around the rollerskating craze of the late 70s and early 80s. The rollerskate sound took a tight stepping funk groove from earlier years, and mixed it with the extended instrumental style of club music – creating a sound that was a mix of funk and disco that worked perfectly for skating around a track, and which had a huge influence on the beat of early hip hop. The centerpiece of the album's the massive sample track "Bounce, Rock, Skate, Roll" – an instantly recognizable number that features tight vamping guitar and good choppy rhythms. The cut's offered up here in 2 parts – and the rest of the record's just as great, with titles that include "Roller Skate", "We're Gonna Funk You Up", and "Thinking About You Baby". CD features some great bonus tracks – the 12" version of "Bounce Rock Skate Roll (parts 1 & 2)", plus "Jammin Big Guitar" and "Rockin Big Guitar". CD

Van McCoy at the top of his game – stepping out strongly into the limelight with this massive disco set – after working in the background for years as one of the best arrangers, producers, and songwriters in the east coast soul scene of the 60s and 70s! The title hit is obviously the standout number here, but the rest of the record's pretty great too – lots of tight, groovy little tracks that offer up a great blend of soul and class – much more basic and stripped down than the host of "Hustle" imitators that sprung up in the latter half of the 70s. Titles include "The Hustle", "Soul Cha Cha", "The Disco Kid", "Disco Baby", "Party", "Change With The Times", and "Love Is The Answer". LP, Vinyl record album

A monster album that's gone onto influence a generation – but which was barely recognized at the time! Singer Eugene McDaniels had scored big with some pop hits in the 60s under the name Gene McDaniels – but here, he steps out in a righteous batch of offbeat funk tunes – filled with politics, offbeat rhythms, and some very weird instrumentation. The whole thing's awash in moody, jazzy changes – of the style that showed up often in samples by Tribe Called Quest, Beastie Boys, and other artists who drew keen inspiration from this record. Titles include the massive "Jagger the Dagger" – plus "The Lord Is Back", "Lovin Man", "Headless Heroes", "Freedom Death Dance", and "Supermarket Blues". CD

A massive package of funky music – and maybe one that no home should be without – as the set includes all the classic Josie Records and Warner Brothers albums by legendary New Orleans funk group The Meters – plus a fair bit of bonus tracks too! The Josie albums are incredible – a lean, powerful blend of funky drums, bass, guitar, and organ – almost the New Orleans answer to Booker T & The MGs, but with a sound that's far funkier overall – and which continues to bring new ears to the magic of The Meters as the years go by! Their Warner work is a bit fuller – as the group were part of a big wave of Nola talent to get the nod from LA – which means that The Meters were able to add in vocals, experiment with arrangements, use additional instrumentation – yet all without ever losing that core groove that made them so great! This package is the first time all the records have been brought together, and many are presented here in the "expanded edition" versions with bonus tracks – which makes for a whopping 116 titles on 6CDs – bonus tracks, plus the full albums The Meters, Look Ka Py Py, Struttin, Cabbage Alley, Rejuvenation, Fire On The Bayou, Trick Bag, and New Directions – plus some singles too! CD

Seminal work from The Meters – and an album that's essential for just about any collection of old school funk! The record's a blueprint for grooves that have been copied for generations to come – yet nobody does it better than these Crescent City kings – working here with a sound that's lean, mean, and completely on the money! The mix of organ, guitar, and bad-walking rhythms is completely sublime throughout – and made even better by massive production from the team of Marshall Sehorn and Allen Toussaint. Imagine taking the best instrumental funk 45s from your collection, then playing them back to back – and you'll get a good idea of the solid sound of this landmark set. Titles include "Funky Miracle", "Oh Calcutta", "Yeah You're Right", "Pungee", "Look-Ka Py Py", "Dry Spell", "Little Old Money Maker", "The Mob", "9 Til 5", "Rigor Mortis", and "This Is My Last Affair". LP, Vinyl record album

Franco Micalizzi was one of the unrivaled maestros of the action score on the Italian scene of the 70s – and here, he does a great job of blending that experience with some slightly moodier touches – creating a really nice blend of tunes that swing effortlessly between clubby groovers and mellower numbers – sometimes with soaring strings, sometimes with spare keyboards – all delivered with that sweet Euro style that Micalizzi did so well at the time! Titles include "Stridulum Theme", "Here's The Dream", "Atmosphere", "Sadness Theme", "Running Away From Jerzy", "Hospital Sequence", and "Voices For Sadness Theme". This CD version features a massive 26 tracks in all – almost 75 minutes of music! CD

A masterpiece from the legendary SF rocker Steve Miller – and a perfect summation of the years of blues, soul, funk, and rock he'd been soaking up in the Bay Area scene – served up here with an edge that's still very firmly in place! Miller was already plenty great before this set, but somehow the record really pushes Steve into perfection territory he'd never hit before – able to cross over big with a few key tracks, but still have this sharpness in his guitar work and sense of charm that never seem to die! The album crossed over instantly with the massive cut "Fly Like An Eagle" – already great on its own, but supported here with the massive "Space Intro", which adds an extra minute of cool electronics to the tune – and other great cuts include the amazing funky rocker "Take The Money & Run", which has a break that never gets old – plus the hit "Rock N Me", and the cuts "The Window", "Wild Mountain Honey", "Sweet Maree", "Blue Odyssey", "Mercury Blues", and "Dance Dance Dance". LP, Vinyl record album

Stephanie Mills in fine formation here – working with the team of James Mtume and Reggie Lucas, who helped the lady reach the heights of her career in the early 80s! The sound here is catchy and contemporary, but hardly ever too commercial – just relaxed and grooving, in a mode that lets Stephanie's vocals flow nicely over the top, but with a bit more of an easygoing feel than in her records of previous years. As usual, Lucas and Mtume bring a nice touch of jazz into the album – a subtle warmth that makes the best moments sparkle, really resonating nicely with Mills' vocals. Titles include the massive hit "Never Knew Love Like This Before" – plus "Sweet Sensation", "Try My Love", "I Just Wanna Say", 'Wish That You Were Mine", "D-a-n-c-i-n'", "Still Mine", and "Mixture Of Love". LP, Vinyl record album

The title's exploding with Mingus, and the album is too – a completely classic effort for Impulse Records that's easily one of Charles' best of the 60s! Things are reigned in somewhat from the Mingus years at Atlantic or Candid, but the sound is still great – almost more focused than before – with a sense of all the best qualities that Charles was finding in his music, laid out back to back in near-perfect formation! The group's full of great players – with reeds from Eric Dolphy, Booker Ervin, and Jerome Richardson – all of whom really contribute some deep tones to the album – and Jaki Byard's on piano, making one of his key Mingus appearances of the 60s. Titles include the massive "Better Get Hit In Yo' Soul" (the virtual Mingus "trademark" tune), plus the tracks "Celia", "Hora Decubitus", and "II B.S.". LP, Vinyl record album

The title's exploding with Mingus, and the album is too – a completely classic effort for Impulse Records that's easily one of Charles' best of the 60s! Things are reigned in somewhat from the Mingus years at Atlantic or Candid, but the sound is still great – almost more focused than before – with a sense of all the best qualities that Charles was finding in his music, laid out back to back in near-perfect formation! The group's full of great players – with reeds from Eric Dolphy, Booker Ervin, and Jerome Richardson – all of whom really contribute some deep tones to the album – and Jaki Byard's on piano, making one of his key Mingus appearances of the 60s. Titles include the massive "Better Get Hit In Yo' Soul" (the virtual Mingus "trademark" tune), plus the tracks "Celia", "Hora Decubitus", and "II B.S.". CD features the bonus track "Freedom" – not on the original LP! CD

The title's exploding with Mingus, and the album is too – a completely classic effort for Impulse Records that's easily one of Charles' best of the 60s! Things are reigned in somewhat from the Mingus years at Atlantic or Candid, but the sound is still great – almost more focused than before – with a sense of all the best qualities that Charles was finding in his music, laid out back to back in near-perfect formation! The group's full of great players – with reeds from Eric Dolphy, Booker Ervin, and Jerome Richardson – all of whom really contribute some deep tones to the album – and Jaki Byard's on piano, making one of his key Mingus appearances of the 60s. Titles include the massive "Better Get Hit In Yo' Soul" (the virtual Mingus "trademark" tune), plus the tracks "Celia", "Hora Decubitus", and "II B.S.". CD

A madly grooving late 60s French soundtrack by Jean-Pierre Mirouze – and a masterful one at that – with sounds that range from a moody, dramatic vocal tune to some killer instrumental funk! The haunting "Together" opens the record in a great way – with a mystical mellow vibe and English language vocals by Barry Green. Subsequent instrumental tunes have a similarly evocative or sultrier vibe – while others such as "Sexopolis" have heavy Hammond, massive rhythms, and a totally freaked-out groove! Includes "Tivoli Garden", "Ulla Et Georgie", "Karin On The Ryke", "Lovers Party", "Tivoly By Night", "Scene Du Port" and "Tandoori Dance". LP, Vinyl record album

The jazz message of Hank Mobley here is loud, proud, and plenty soulful – a key early illustration of his massive talents on the tenor sax, recorded in the relaxed company of top-shelf players of his generation! The format's a bit less structured than Mobley on Blue Note – more in a Prestige mode, although not as loose as a blowing session, given the length of the tunes. Two groups work with Hank on the set – one that includes John LaPorta on alto, Donald Byrd on trumpet, and Horace Silver on piano – another with Byrd on trumpet and Ronnie Ball on piano. La Porta's alto is an especially nice treat – quite an unusual modern pairing with Mobley – and rhythm is from either Doug Watkins or Wendell Marshall on bass, and Kenny Clarke on drums. Titles include "Cattin", "Madeline", "When I Fall In Love", "Budo", "I Married An Angel", and "The Jazz Message". CD

Additional material and unreleased from one of the greatest 60s recordings from the Wynton Kelly Trio – thanks to some wonderful guest work from guitarist Wes Montgomery! Montgomery's working here in a gusty, rootsy style that recalls his best soul jazz sides from the earlier years – and which have a feel that's quite different than his later, more largely-arranged work for Verve. The Kelly Trio is in perfect form – with Wynton's heavy left hand leading the group on the piano, and superb rhythm backing from the team of Paul Chambers and Jimmy Cobb. This massive set marks the first official release of all these tracks that were recorded at the time, but not on the original Verve album Smokin At The Half Note – with work from Larry Ridley on bass on a number of tracks, and titles that include very long versions of "The Song Is You", "Star Eyes", "Four On Six", and "Cherokee" – plus takes on "Cariba", "Blues", "Laura", "Impressions", "Mi Cosa", "No Blues", and "All The Things You Are". CD

Really early work from the legendary Derrick Morgan, and a set that was one of the earliest full length sets in the Island Records catalog – the start of a legendary run of Jamaican music, with proof that Morgan was one of the originators who was there at the start! As you might guess from his look on the cover, Derrick is working in a ska-based mode on the set – but he's also drawing plenty from American soul for inspiration too – wonderful vocals that float in a dreamy way over the tight-stepping rhythms in the tunes! There's a few cuts that feature duets with Patsy Todd – and titles include "The Hop", "Look Before You Leap", "Last Chance", "Don't You Worry", "Blazing Fire", "Housewife's Choice", "Don't Be A Fool", and "It's True My Darling". CD features a massive amount of bonus tracks – 46 titles added to the original record, some from The Best Of Derrick Morgan, many of which are new to CD too. Titles include "Real Ring Ding", "Revenge", "Try Me", "Greedy Gal", "Don't Say", "Horse Dead Cow Fat", "Sunday Morning", "Gypsy Woman", "Be Still", "Corner Stone", "Sail On", "Tell It To Me", "Loving Baby", and lots lots more! CD

Brilliant work throughout – the last studio album ever cut by Lee Morgan, and a mindblowing session that always leaves us wondering how massive he would have become if he hadn't been tragically murdered shortly after it was recorded! The album's a huge change from Morgan's already-great work of the 60s – and features some very extended numbers, most a side long and these free-flowing numbers that are played by a larger group than usual – but with all the intensity and focus of a small group date from Lee! The set features key work from a young Billy Harper on tenor – especially on his own fantastic compositions "Capra Black" and "Croquet Ballet" – and for many folks, the record was a key introduction to Harper's genius. But the whole lineup is wonderful too – especially Harold Mabern on piano – and other titles include "In What Direction Are You Heading", "Angela", and "Inner Passions Out". LP, Vinyl record album

Brilliant work throughout – the last studio album ever cut by Lee Morgan, and a mindblowing session that always leaves us wondering how massive he would have become if he hadn't been tragically murdered shortly after it was recorded! The album's a huge change from Morgan's already-great work of the 60s – and features some very extended numbers, most a side long and these free-flowing numbers that are played by a larger group than usual – but with all the intensity and focus of a small group date from Lee! The set features key work from a young Billy Harper on tenor – especially on his own fantastic compositions "Capra Black" and "Croquet Ballet" – and for many folks, the record was a key introduction to Harper's genius. But the whole lineup is wonderful too – especially Harold Mabern on piano – and other titles include "In What Direction Are You Heading", "Angela", and "Inner Passions Out". CD

Brilliant work throughout – the last studio album ever cut by Lee Morgan, and a mindblowing session that always leaves us wondering how massive he would have become if he hadn't been tragically murdered shortly after it was recorded! The album's a huge change from Morgan's already-great work of the 60s – and features some very extended numbers, most a side long and these free-flowing numbers that are played by a larger group than usual – but with all the intensity and focus of a small group date from Lee! The set features key work from a young Billy Harper on tenor – especially on his own fantastic compositions "Capra Black" and "Croquet Ballet" – and for many folks, the record was a key introduction to Harper's genius. But the whole lineup is wonderful too – especially Harold Mabern on piano – and other titles include "In What Direction Are You Heading", "Angela", and "Inner Passions Out". CD

Massive material, with lots of alternate takes that really let you hear the genius Lee Morgan and Wayne Shorter at this early age! Features material from sessions that created the albums The Young Lions, Wayning Moments, Second Genesis, Introducing Wayne Shorter, Expoobident, and Here's Lee Morgan – plus lots of bonus tracks! CD

Paul Morley wrote famously for the NME during the key years of punk, post-punk, and new wave – which makes him very able to draw a rich portrait here of contemporary and scenemate Tony Wilson – the man behind Factory Records, The Hacienda club, and a huge legacy of music in the 80s and beyond! Morley also helped form ZTT Records, and is very smart and well-read – and he brings in a surprising amount of theory and other references – really getting at the politics behind the art and business impulses of Wilson – in a very detailed book that's way more than you might expect! Morley also opens the door to other voices along the way – with occasional commentary from contemporaries – before dipping back in to this very deep, very well-written look at one of the most important figures on the UK scene during the late 70s and 1980s. This heavy, hardcover edition is a massive 604 pages, with some images in the middle. Book

A gorgeous second volume to this amazing set – every bit as career-spanning as the first edition, but with a nicely different focus! This time around, the set has some especially rare material for fans of the Italian soundtrack genius – including a full CD of rare TV soundtracks scored by Ennio Morricone – plus additional themed CDs that include one disc of Vocal Songs and Covers, one of Lost Horizons, one of Unique Collaborations, and other CDs titled Comedy, Faces Of Italian Cinema, French Cinema, American Cinema, War Stories, and International productions! The package is stunning too – a book-style hardcover set, with 48 pages of notes and interviews! There's a massive 310 tracks on the 14 CDs – and the set mixes classics with rare material and some previously unreleased tracks – further testament to the endless depths of the soundtrack genius of Ennio Morricone. CD

One of the rarest albums on the Groove Merchant label – and one of the best! Ramon Morris has a sweet tone on the tenor that works very well with the electric piano in his tight little combo – grooving with a style that's like the best Black Jazz funk records of the time – mixing together bright notes, funky rhythms, and plenty of great chord changes! Cecil Bridgewater's on trumpet, and the band has a really righteous feel – with lots of real soul and thoughtful playing mixed into the jazz funk grooves of the record. Massive – with titles that include "Sweat", "Lord Sideways", "Sweet Sister Funk", and a nice version of "People Make The World Go Round". LP, Vinyl record album

Two great cuts from Marc Moulin's legendary Placebo group – exactly the kind of funky monsters he did so well back in the day! "Phalene I" has a great mix of offbeat Fender Rhodes lines with chunkier funk rhythms at the bottom, sewn together with a cool soprano sax solo! "Phalene IV" is even heavier funk – with the Rhodes coming down right on the groove in a massive way – Marc opening up the tune tremendously with his keys, while more soprano snakes in for a great run too! 7-inch, Vinyl record

An incredible record from funky drummer Idris Muhammad! Idris is probably known for his funky break work on Blue Note and Prestige records sessions of the late 60s and early 70s – but by the time of this 1974 album, he was really expanding his style, hitting a laidback groove that went way beyond the simple drum break, into a world of complicated fills and riffs that forever changed the face of funk. The best example of this is the album's standout groove – the massive cut "Loran's Dance", which has a mellow jazzy vibe that you'll recognize from its popular use as a sample cut over the years (by the Beastie Boys, DJ Shadow, and others.) All cuts are long and mellow, and other titles include "Power Of Soul", "Saddest Thing" and "Piece of Mind". CD

An incredible record from funky drummer Idris Muhammad! Idris is probably known for his funky break work on Blue Note and Prestige records sessions of the late 60s and early 70s – but by the time of this 1974 album, he was really expanding his style, hitting a laidback groove that went way beyond the simple drum break, into a world of complicated fills and riffs that forever changed the face of funk. The best example of this is the album's standout groove – the massive cut "Loran's Dance", which has a mellow jazzy vibe that you'll recognize from its popular use as a sample cut over the years (by the Beastie Boys, DJ Shadow, and others.) All cuts are long and mellow, and other titles include "Power Of Soul", "Saddest Thing" and "Piece of Mind". CD

An incredible record from funky drummer Idris Muhammad! Idris is probably known for his funky break work on Blue Note and Prestige records sessions of the late 60s and early 70s – but by the time of this 1974 album, he was really expanding his style, hitting a laidback groove that went way beyond the simple drum break, into a world of complicated fills and riffs that forever changed the face of funk. The best example of this is the album's standout groove – the massive cut "Loran's Dance", which has a mellow jazzy vibe that you'll recognize from its popular use as a sample cut over the years (by the Beastie Boys, DJ Shadow, and others.) All cuts are long and mellow, and other titles include "Power Of Soul", "Saddest Thing" and "Piece of Mind". LP, Vinyl record album

A massive crossover from Johnny Nash – a record that gave the 70s the chart-topping title hit, and which helped Johnny mix his Caribbean roots with contemporary soul! The set's a huge change from the sometimes-faltering styles Nash had tried in the 60s – often a bit more mainstream than he was able to do well, which is why the deeply personal approach of this album's such a striking contrast. Nash arranged and produced himself, and really hits a vibe here that stands out even from his other 70s recordings – beautifully balanced, on titles that include "Comma Comma", "Guava Jelly", "Stir It Up", "I Can See Clearly Now", "We're All Alike", "How Good It Is", "Cream Puff", and "You Poured Sugar On Me". LP, Vinyl record album