A classic set of soul jazz from Chicago – a rare indie date recorded in the early 80s, but with a tight and swinging feel that's more 70s jazz funk than you might think! Corky's on Yamaha keyboards, and he's backed by a hip group of Chicago players that includes Curtis Prince on drums, Artee Duke Payne on saxes, and Stephen Harris on guitars – all working together in a tightly rhythmic sound with some slight spiritual undercurrents – almost in the same territory as James Mason on his legendary record from a few years before! As with that set, there's a bit of polish here, but never too much – a balance that makes the record a wonderfully mature record with a depth that keeps it going for years. Byron Woods sings lead vocals on the album's jazz dance classic "Searching For Soul" – and a few other tracks feature Theresa Davis on lead vocals. Other titles include "Everything Must Change", "Open Wide", "Passion", "Jive Mama T", "Off C", and "Mirror Mirror". LP, Vinyl record album

A great little album from Memphis Slim – recorded with a few rock luminaries (John Paul Jones, Chris Spedding, Peter Winfield, Peter Green), in a sweetly electric mode that has Slim singing some excellent laidback lyrics. There's a bit of jazz to the backings, which gives the album a slick sparkle without dampening its spirit – and tracks include "Youth Wants To Know", "Mason Dixon Line", "Chicago Seven", "Otis Spann & Earl Hooker", and the extended "Blue Memphis Suite". LP, Vinyl record album

A pretty swinging batch of tracks that are very much in the same vein as Buddy Morrow's crime jazz LPs cut for RCA at the end of the 50s! The album features all TV themes from the time, most of them detective ones – like "Richard Diamond", "Perry Mason", "Naked City", "Sea Hunt", "Peter Gunn", and "Riff Blues" – plus a few others from westerns or other action shows. In all, the set's a very strong one in the style – with a blaring hard sound that must have been great to hear coming out of a tinny little speaker on an old black & white TV! LP, Vinyl record album

A surprisingly wonderful 70s meeting between Gerry Mulligan & Chet Baker – recorded live, with sweet electric touches from CTI – in a style that shouldn't work so well, but which really comes off great! The approach is simple – Mulligan and Baker solo in a manner that's a bit like their 50s work, but which also unfolds more than usual with backing from a group that includes Bob James on electric piano, Ron Carter on bass, John Scofield on guitar, and Harvey Mason on drums. Tracks are long, with lots of space – hanging in a beautiful balance between electric and acoustic sounds. Titles include "Line For Lyons", "Song For An Unfinished Woman", "Song For Strayhorn", "It's Sandy At The Beach", "Bernie's Tune", and "K 4 Pacific". Both volumes on one CD! CD

A surprisingly wonderful 70s meeting between Gerry Mulligan & Chet Baker – recorded live, with sweet electric touches from CTI – in a style that shouldn't work so well, but which really comes off great! The approach is simple – Mulligan and Baker solo in a manner that's a bit like their 50s work, but which also unfolds more than usual with backing from a group that includes Bob James on electric piano, Ron Carter on bass, John Scofield on guitar, and Harvey Mason on drums. Tracks are long, with lots of space – hanging in a beautiful balance between electric and acoustic sounds. Titles include "Line For Lyons", "Song For An Unfinished Woman", "Song For Strayhorn", "It's Sandy At The Beach", "Bernie's Tune", and "K 4 Pacific". Both volumes on one CD! CD

A surprisingly wonderful 70s meeting between Gerry Mulligan & Chet Baker – recorded live, with sweet electric touches from CTI – in a style that shouldn't work so well, but which really comes off great! The approach is simple – Mulligan and Baker solo in a manner that's a bit like their 50s work, but which also unfolds more than usual with backing from a group that includes Bob James on electric piano, Ron Carter on bass, John Scofield on guitar, and Harvey Mason on drums. Tracks are long, with lots of space – hanging in a beautiful balance between electric and acoustic sounds. Titles include "Line For Lyons", "Song For An Unfinished Woman", "Song For Strayhorn" and Baker's favorite standard "My Funny Valentine". LP, Vinyl record album

A surprisingly wonderful 70s meeting between Gerry Mulligan & Chet Baker – recorded live, with sweet electric touches from CTI – in a style that shouldn't work so well, but which really comes off great! The approach is simple – Mulligan and Baker solo in a manner that's a bit like their 50s work, but which also unfolds more than usual with backing from a group that includes Bob James on electric piano, Ron Carter on bass, John Scofield on guitar, and Harvey Mason on drums. Tracks are long, with lots of space – hanging in a beautiful balance between electric and acoustic sounds. Titles include "It's Sandy At The Beach", "Bernie's Tune", "K-4 Pacific" and "There Will Never Be Another You". LP, Vinyl record album

Brian Patneaude on tenor saxophone, David Caldwell-Mason on piano and Fender Rhodes, Mike Delprete on bass, and Danny Whelchel on drums and percussion. CD

The cover might look a bit understated, but the album's got plenty of depth and power – a rare set from the Texas underground of the early 80s – cut by a group who've clearly drunk deep from the same musical well that inspired Stevie Wonder, Roy Ayers, and other cosmic soul talents of the 70s! As with Stevie and Roy, there's plenty of jazzy currents in the music of The People's Workshop – warm keyboards, sweet sax and flute, and waves of color that really come through the grooves and illuminate the deeper spirit of the vocals. There's a sense of collaboration here that's really special – almost a James Mason vibe at times – all with a sense of sophistication that's quite different than the rootsier sounds you might normally expect from Texas soul groups. Titles include "Save Your Money", "A Song For The Children", "Love Love", "Let's Get High", "Chocolate Coated People Song", and "This Song". LP, Vinyl record album

Some of our favorite work ever by Esther Phillips – served up on a compilation that does a great job of sorting through her classic 70s sides for Kudu, CTI, and Mercury! Back in the 60s, Esther sung in a sad and bluesy sort of soul style – but in the 70s, at the time of these recordings, Esther picked up a sweet electric vibe, really hipping up her sound with lots of funky guitar, bass, and keyboards. The result is tremendous – as you'll hear on this set – as Esther works with arrangers that include Pee Wee Ellis, Bob James, Benny Golson and Harvey Mason to cut some wickedly soulful tunes! The set includes 18 tracks in all, with titles that include "Use Me", "Home Is Where The Hatred Is", "That's All Right With Me", "I've Never Found A Man", "Brother Brother", "From A Whisper To A Scream", "All The Way Down", "Black Eyed Blues", "Native New Yorker", "Changing", "SOS", "We've Got A Good Thing Going", "You Think Of Him", "Bedtime Stories", and "I Hope You'll Be Very Unhappy About Me". CD

A sweet groover from Esther Phillips – done in a style that's much more club-oriented than before, but which we find ourselves liking quite a lot! Given that Esther had explored other modes quite thoroughly on other 60s and 70s sessions, the change here is actually a nice one – and the overall presentation is handled with a good sense of class and poise by Harvey Mason, who produced the session, and gives the record a sound that's hip enough to make it work. Esther sound especially great on the album's sweet stepper "Bedtime Stories", but other cuts are nice too – and titles include "Our Day Will Come", "Oo Oop Oo Oop", "Love Makes A Woman", "Mr Melody", and "I'll Close My Eyes". LP, Vinyl record album

The second album from Principal Edwards Magic Theatre – and arguably even better than the first, thanks to some really focused production from Nick Mason! The sound here has more of the building elements of psychedelia you'd expect from Mason's history with Pink Floyd – and a bit less of the flowery looseness of Principal Edwards' debut – and the new focus is a really welcome addition, as it helps the group find a new level of power in their music they might never have attained! There's still plenty of folksy instrumentation and trippy themes in the tunes – but the guitars are more electric, the studio tricks more dynamic, and the overall record is a much more pleasing bit of ear candy that stands up well to the test of time. Titles include "Freef", "Total Glycerol Esther", "Mc Alpine's Dream", and "Asmoto Running Band". LP, Vinyl record album

Three wonderful albums from this legendary Brazilian singer – all presented in a single set! First up is Nothing Will Be As It Was Tomorrow – a record that's quite different from Flora's earlier work, but in a way that we find very compelling! The record was produced by Leon Ndugu Chancler, and it's got a smooth fusion sound that's kind of in a southern California R&B mode, played by a huge range of excellent Brazilian and west coast talents that include Patrice Rushen, Dorothy Ashby, Fred Jackson, Raul De Souza, Toninho Horta, and Airto. While this sound overwhelms the core of Flora's usual Brazilian jazz approach, it also expands some of the tracks to a great groove – with Flora's vocals on top, stretching out in a whole new way! Includes a great English language version of the Milton Nascimento classic "Nada Sera Como Antes", plus the cuts "You Love Me Only", "I'm Coming For Your Love", "Corre Nina", "Angels", "Bridges", and "Fairy Tale Song". Every Day Every Night is a beautifully soulful record from Flora Purim – still awash with touches from her Brazilian roots, but also done with a great 70s LA sound! Airto's helping Flora out on production, but the real hero here is Michel Colombier – who handles most of the arrangements and wrote a good deal of the tunes with Purim and Airto – mixing his own expansive studio talents with their organically-forged groove, in a way that makes the record a real standout from the California fusion scene of the 70s! Players include Randy Brecker, Lee Ritenour, George Duke, Herbie Hancock, Harvey Mason, and other jazz heavyweights – and titles include "The Hope", "I Just Don't Know", "In Brasil", "Blues Ballad", "Why I'm Alone", "Walking Away", and "Samba Michel". Carry On is one of Flora Purim's more R&B-sounding albums from the 70s, produced by George Duke with an appreciation for Flora's Brazilian jazz roots, but with a smoother sound that's in keeping with Duke's own work of the time! The combination is pretty sweet – a professional culmination of the mixture of fusion and Brazilian jazz that had been happening in the San Francisco scene during most of the 70s, and featuring many of the musicians who had helped make that groove so strong. Players include Airto, Sheila Escovedo, Joe Farrell, Ronnie Foster, Bobby Lyle, and Larry Williams – and tracks include "Niura Is Coming Back", "From The Lonely Afternoon", "Freeway Jam", "Beijo Partido", "Corine", and "Love Lock". Includes bonus tracks too – "Tango Blues" and "Sad Song". CD

A beautifully soulful record from Flora Purim – still awash with touches from her Brazilian roots, but also done with a great 70s LA sound! Airto's helping Flora out on production, but the real hero here is Michel Colombier – who handles most of the arrangements and wrote a good deal of the tunes with Purim and Airto – mixing his own expansive studio talents with their organically-forged groove, in a way that makes the record a real standout from the California fusion scene of the 70s! Players include Randy Brecker, Lee Ritenour, George Duke, Herbie Hancock, Harvey Mason, and other jazz heavyweights – and titles include "The Hope", "I Just Don't Know", "In Brasil", "Blues Ballad", "Why I'm Alone", "Walking Away", and "Samba Michel". LP, Vinyl record album

A great little club track from Vaughan Mason – cut years after his rollerskating hit, but with a similar sense of space and time! The track's clearly picking up on a house groove, but has a nice spare approach, with beats that never go too over the top – and more of a focus on a dipping and skipping bassline, which provides a nice platform for some jazzy flourishes! 12-inch, Vinyl record

The last full album recorded by Minnie Riperton before she left our planet all too soon – and a killer batch of work that really has us wondering how great the world of soul music would have been, had Minnie stuck around to keep on growing into the 80s and 90s! The set's filled with the kind of all-star help that Riperton always seemed to attract over the years – strong contributions from Minnie's longtime fan/friend Stevie Wonder, plus work from Phil Upchurch, Jose Feliciano, Hubert Laws, Harvey Mason, Tom Scott, and many others – all helped out by Minnie and her partner/producer, the great Richard Rudolph – whose connection to Riperton can always be felt in the music. Titles include the great track "Memory Lane", which gets endless airplay here in Chicago, plus the beautiful ballad "Never Existed Before", and the cuts "I'm A Woman", "Lover & Friend", and "Return To Forever". CD

Smooth and funky fusion from Lee Ritenour – top-shelf all the way, and handled with a really soulful groove, thanks to production from the legendary Skip Drinkwater! Lee's all over the top of the guitar in true "Captain Fingers" style, and Skip makes sure he's got plenty going on underneath, too – with an all-star assemblage of players that includes Harvey Mason on drums, Patrice Rushen on keyboards, Dennis Budimir on guitar, Alphonso Johnson on bass, and Ernie Watts on saxes. The keyboards groove as nicely as the guitars (thanks Patrice!), and titles include "Margarita", "Fly By Night", "Dolphin Dreams", "Captain Fingers", and "Sun Song". LP, Vinyl record album

On The Line has a style that's a bit keyboard-heavy – in a way that seems to borrow from some of the 80s soundtrack work of the time, and which is clearly a nod to the success of the Lyle Mays/Pat Metheny sound that was breaking big on ECM. The move is a nice one for Lee on the best cuts – those that underplay the cheesier aspects of the style – and other players on the album are a batch of likely suspects that include Harvey Mason, Dave Grusin, Ernie Watts, and Steve Forman. Titles include "The Rit Variations", "Dolphin Dreams", "California Roll", "On The Line", "Tush", and "Heavenly Bodies". CD

On The Line has a style that's a bit keyboard-heavy – in a way that seems to borrow from some of the 80s soundtrack work of the time, and which is clearly a nod to the success of the Lyle Mays/Pat Metheny sound that was breaking big on ECM. The move is a nice one for Lee on the best cuts – those that underplay the cheesier aspects of the style – and other players on the album are a batch of likely suspects that include Harvey Mason, Dave Grusin, Ernie Watts, and Steve Forman. Titles include "The Rit Variations", "Dolphin Dreams", "California Roll", "On The Line", "Tush", and "Heavenly Bodies". CD

On The Line has a style that's a bit keyboard-heavy – in a way that seems to borrow from some of the 80s soundtrack work of the time, and which is clearly a nod to the success of the Lyle Mays/Pat Metheny sound that was breaking big on ECM. The move is a nice one for Lee on the best cuts – those that underplay the cheesier aspects of the style – and other players on the album are a batch of likely suspects that include Harvey Mason, Dave Grusin, Ernie Watts, and Steve Forman. Titles include "The Rit Variations", "Dolphin Dreams", "California Roll", "On The Line", "Tush", and "Heavenly Bodies". LP, Vinyl record album

Few people did soulful fusion better than Lee Ritenour back in the early 80s – and the guitarist always seemed to find a way to really link together all the different sounds of the electric genre – from heavy jamming to soulful grooving to a rock-like appreciation for a good hook! Harvey Mason provides some great heavy drums, and also helped Lee produce – which gives the record a sharp, soulful focus that's like some of Harvey's own great records of the time – an undercurrent of funk that more than helps keep the Ritenour vocals moving along! Titles include "Mr Briefcase", "Countdown", "Good Question", "Dreamwalk", "Is It You", and "Just Tell Me Pretty Lies". LP, Vinyl record album

A tribute to Wes Montgomery, in case you can't guess by the title – with a number of tunes penned by Wes himself! Other players include Bob James on piano and keyboards, Dave Witham on Hammond B3, Harvey Mason on drums and percussion, and Alan Broadbent on piano. CD

The first 2 albums as a leader from keyboardist Patrice Rushen! Prelusion is a great set from Patrice – very different than her later R&B work from the 80s! The record's her first, and at the time, Patrice was much more of a jazz artist – working here with a cool west coast set of players (Joe Henderson on tenor, Hadley Caliman on alto and soprano, and Oscar Brashear on trumpet), playing a range of keyboards, from acoustic and electric piano, to ARP, and clavinet. The tracks are long, and have a wonderfully composed soul jazz vibe – feeling a heck of a lot like work on labels like Strata East, deeply dipping into a soulful bag that's solid and real, with no fakery or tricks to make the mood happen. Includes "Traverse", "Shortie's Portion", "7/73", and "Haw Right Now". Before The Dawn has Patrice working in a groove that's almost like that of Herbie Hancock at the time – using lots of electric piano, clavinet, and synth to craft some mighty fine jazz funk grooves. The group's a monster assemblage of Fantasy jazz players like Hubert Laws, Lee Ritenour, Hadley Caliman, and Harvey Mason – and the session crackles with a tight edge that you'll never find in any of Patrice's later work. Tracks are long, with lots of great spacey grooves, and titles include "Razzia", "Before The Dawn", "Kickin Back", and "Jubilation". Note: CD omits the track "Puttered Bopcorn" from Prelusion – due to space restrictions. CD

A bit jazzier than usual – thanks to work from Herbie Hancock on keyboards, Wayne Shorter on saxes, Ron Carter on bass, and both Tony Williams and Harvey Mason on drums! Titles include "Love Theme From Spartacus", "Golden Hours", "Gardenia", "La Llave", "Jharma Kala", and "Song For My Brother" LP, Vinyl record album

A huge dip into the musical genius of Erik Satie – the French composer who revolutionized music with a new sense of minimalism at the end of the 19th Century – in a style that opened the door for a huge amount of changes in years to come! Satie was definitely years ahead of his time, and has a body of work that goes way beyond his oft-recorded solo piano works – presented here in a rich array of different recordings made over the space of many decades – served up as a four CD set that's overflowing with key selections! Titles include "Socrate" performed in one version by Henri Sauguet, another by Rene Leibowitz, "Trois Melodies" with vocals by Pierre Bernac and piano by Francis Poulenc, "Trois Petites Pieces Montees" by Pierr Chagnon Orchestra, "Je Te Veux" by Jean Wiener, "The Piano Music Of Erik Satie" performed by William Masselos, "Pieces For Piano" performed by Poulenc, "Messe De Pauvres" performed on organ by Marilyn Mason, and "Parade (Ballet Suite)" done on four hands by Poulenc and Georges Auric, and as an orchestral piece by the Philharmonia Orchestra led by Igor Markevitch. CD

A relatively straight score by Schifrin, done for this over-cast mid 70s film that starred everyone from Orson Welles and James Mason down to Katharine Ross and Ben Gazzara! There's a vaugely historical feel to the work, done in an orchestral mode with some slight exotic themes from time to time – but overall the soundtrack's one of Schifrin's least groovy from the 70s. Titles include "House Painter March", "Lament", "Hotel Nacionale", "Tragedy/Time Pulse", and "So Many Things I Wanted To Say". LP, Vinyl record album

The first album from Seawind – and a killer batch of jazzy soul tracks all the way through! The set's easily one of the hippest to come out on CTI in the 70s, although with the record's strong use of vocals, it also feels a bit more like some of the work coming out on Fantasy at the time – lots of jazzy riffing underneath in the rhythms, and solidly soulful vocals over the top – all in a blend that's totally great, and produced to perfection by the great Harvey Mason! Pauline Wilson sings lead vocals on most tracks, and the tunes are filled with riffing guitar and keyboards with a really sharp edge – yet never too much so that they lose the sense of soul laid down by the vocals. Wonderful work throughout – with titles that include "Roadways (part 1 & 2)", "Make Up Your Mind", "We Got A Way", "A Love Song", "He Loves You", and "The Devil Is A Liar". LP, Vinyl record album

A great little album of jazzy soul – the second that Seawind cut for CTI, and very much an extension of the first! The album's got a breezy west coast fusion sound – kind of like work that was coming out of Fantasy Records, or some of the more obscure independent fusion albums at the time. Pauline Wilson sings lead vocals on most cuts – with a sound that's somewhere between Patti Austin and Lani Hall, flanged-out to give the record a great 70s sound, an approach that works well with the sweetly jazzy style of the instrumentation. Harvey Mason produced – and titles include "One Sweet Night", "Campanas De Invierno", "Window Of A Child", "Countin The Days", "Angel Of Mercy", "Lovin You", and "Do Listen To". LP, Vinyl record album

With accompaniment by Clare Fischer, Gary Foster, Bill Perkins, Victor Feldman, Harvey Mason, and others. LP, Vinyl record album

Jimmy Smith on organ, Russell Malone on guitar, Reggie McBride on bass, and Harvey Mason on drums – plus guest vocals from Etta James and Dr. John, as well as guitar and vocals from BB King and Taj Mahal. CD

Japanese-style super-fusion with an all-star group – including Lee Ritenour and Eric Gale on guitars, Patrice Rushen on keyboards, and Harvey Mason on drums! LP, Vinyl record album

The second album by The Sylvers – and like the first, a record that really has the group going way past any expectations you might have of them as a kid soul group! The Sylvers started out in the same era as the Jackson 5 and Five Stairsteps – but right from the start, they already sounded a lot more adult – and also had a way of setting up a tune that was uniquely sophisticated, and maybe which took years to appreciate! Part of this strength has to do with the excellent studio help used for the album – as the set was put together by Jerry Peters, with additional rhythm arrangements by Harvey Mason – and the pair of them give the set a very groovy feel, taking full advantage of the group's strong ability to turn a catchy lyric, but also adding some razor sharpness to the grooves. Titles include "Stay Away From Me", "Let It Be Me", "I Remember", "Cry Of A Dreamer", "Through The Love In My Heart", "Handle It", and "I Don't Need To Prove Myself". CD

A real gem from that key moment in Japanese fusion when some of the nation's best artists were hopping over to the American scene – cutting records like this, which often beat the American soul fusion scene at its own game – thanks to the help of a big array of all-star players! Masayoshi Takanaka plays guitar solos throughout, but also gets some help from Lee Ritenour on the electric strings – in a group that also has arrangements from Greg Adams of Tower Of Power, who brings in the rest of the TOP horns too – plus keyboards from Patrice Rushen, bass from Chuck Rainey, and drums from the great Harvey Mason – a rhythm combo that really keeps things groovy throughout. There's two vocal tracks on the set – which feature work from Jim Gilstrap, Maxi Anderson, and The Waters – on titles that include "Malibu", "ESP", "Sexy Dance", "Sundrops", "Good Bad Old Days", and the title track "Insatiable High". LP, Vinyl record album

Soulful fusion from the mighty Tarika Blue – a group who recorded for the Chiaroscuro label around the same time that James Mason gave the imprint his classic Rhythm Of Life album – recording here in a sound that's not only a bit like James, but which also features his guitar on a number of tracks! The group's way different than the standard fusion acts of the time – as they blend together spiritual currents that allow for breezier instrumentation – sounds that take off to the skies, while still grooving at the core – thanks to an excellent lineup that also includes guitar from Ryo Kawasaki and soprano sax from Justo Almario! The core of the group features Philip Clendeninn on Fender Rhodes and Arp, with bass from Barry Coleman and drums from Kevin Atkins – and the record's got some very James Mason-like vocals at some points, from singers Dolores Smith and Irene Datcher. Titles include "Jimi", "My Love Is So Free", "Love It", "Dreamflower", "Things Spring", "Truth Is The Key", and "Charlie". LP, Vinyl record album

A record that's hardly spaced out at all – and which instead is a really righteous blend of funk, jazz, and a bit of soul – all served up here by an obscure Maryland band at the end of the 70s! There's a wonderful confluence of energy going on here – some spiritual jazz in the instrumentation and solo moments, some trippier funk in the rhythms, and some cosmic soul in the lyrics – which come across in really cool ways – sometimes a bit harmony soul, sometimes maybe more culturally progressive. The blending of elements almost puts the record in James Mason territory – and like his classic album from the same generation, there's a completely unique vibe here that makes the whole thing the kind of treasure that could have only come from the farther reaches of the American underground. Thomas Crawford plays saxes and piano – and seems to be the main composer here – and titles include "From The Past", "Head Trip", "New Forever", "Spaced Out", "Holding Back", and "Trilogy". CD

Maybe our favorite album ever from Traffic – a set that has the group coming back together, after a fracture that took them in separate musical directions – reformed with a sound that's very different than before! The tracks are longer, and have more influences from both folk and jazz – a deeper sound and spirit, and one that also maybe reflects the loss of Dave Mason from the group! The trio really finds this amazing way forward, almost with some echoes of the hipper side of the Island Records underground – with Steve Winwood on vocals throughout, and on some mighty nice organ and piano – and Jim Capaldi on drums and percussion, and Chris Wood on a variety of saxes, flute, and percussion. Titles include "Glad", "Freedom Rider", "Empty Pages", "Stranger To Himself", and "Every Mother's Son". LP, Vinyl record album

The incredible first album from Traffic – a record that was already way ahead of the pack, and would set the tone for so many other sounds and modes from others in years to come! At some level, the group were just coming off the big beat group years in the UK – that time of strong inspiration from American soul, jazz, and R&B – but they're already pushing all these elements in very different ways – certainly psychedelic, as you'd guess from the image on the cover – but also still holding onto a lot of the soul and jazz that first inspired them! To our ears, the reed work of Chris Wood is as important to the record as the Hammond from Steve Winwood, guitar from Dave Mason, and drums from Jim Capaldi – plus the vocals from all three – and in addition to the classic title cut "Mr Fantasy", other tunes include "Dealer", "House For Everyone", "Berkshire Poppies", "No Face No Name No Number", and "Coloured Rain". LP, Vinyl record album

The incredible first album from Traffic – a record that was already way ahead of the pack, and would set the tone for so many other sounds and modes from others in years to come! At some level, the group were just coming off the big beat group years in the UK – that time of strong inspiration from American soul, jazz, and R&B – but they're already pushing all these elements in very different ways – certainly psychedelic, as you'd guess from the image on the cover – but also still holding onto a lot of the soul and jazz that first inspired them! To our ears, the reed work of Chris Woods is as important to the record as the Hammond from Steve Winwood, guitar from Dave Mason, and drums from Jim Capaldi – plus the vocals from all three – and in addition to the classic title cut "Mr Fantasy", other tunes include "Dealer", "House For Everyone", "Berkshire Poppies", "No Face No Name No Number", and "Coloured Rain". LP, Vinyl record album

The incredible first album from Traffic – a record that was already way ahead of the pack, and would set the tone for so many other sounds and modes from others in years to come! At some level, the group were just coming off the big beat group years in the UK – that time of strong inspiration from American soul, jazz, and R&B – but they're already pushing all these elements in very different ways – certainly psychedelic, as you'd guess from the image on the cover – but also still holding onto a lot of the soul and jazz that first inspired them! To our ears, the reed work of Chris Woods is as important to the record as the Hammond from Steve Winwood, guitar from Dave Mason, and drums from Jim Capaldi – plus the vocals from all three – and in addition to the classic title cut "Mr Fantasy", other tunes include "Dealer", "House For Everyone", "Berkshire Poppies", "No Face No Name No Number", and "Coloured Rain". CD

The second album from Traffic, and a set that forever cemented their legacy in the annals of modern music – a set that has Dave Mason returning to the group after a brief hiatus, and maybe helping the quartet find a tighter, rootsier sound overall! The approach here is nicely mixed – almost half Dave Mason moments, and half from the energy of Jim Capaldi and Steve Winwood – held together wonderfully by the reed work of Chris Wood! There's a few key classics here, and lots more overlooked gems – and titles include "You Can All Join In", "Forty Thousand Headmen", "Pearly Queen", "Who Know What Tomorrow May Bring", and "Feelin' Alright". LP, Vinyl record album

With Ron Carter, Jack DeJohnette, Cornelle Dupree, Eric Gale, Paul Griffin, Freddie Hubbard, Harvey Mason, Ray Parker Jr, and more. CD

Sweet, smooth, and soulful – a heck of a great album from Stanley Turrentine, and one that's recorded in a mode that steps off nicely from his best work at CTI! The sound's a bit tighter than most of his sides as Mister T, but the groove is still quite similar – a warm approach to electric soul jazz, played by the best in the business, and topped off by some great lead solo work from Stan – all in that impeccable tone, and with some surprisingly creative solo flourishes that seem to pop out of nowhere and keep the record interesting! Wade Marcus arranged, and players include Paul Jackson, Harvey Mason, Bill Summers, and Joe Sample – on tunes that include "I'm Not In Love", "There Is A Place", "Stairway To Heaven", "Everybody Come On Out", "Hope That We Can Be Together Soon", and "Airport Love Theme". LP, Vinyl record album

Plenty of darkness here from Phil Upchurch – those great tones and notes he worked so well back in the 70s – all with that near-perfect quality that made him one of the most in-demand players of his day! The style here is a bit different than some of Phil's previous work in Chicago – as the set was recorded on the west coast with support from players who include Joe Sample on piano, Arthur Adams on rhythm guitar, Chuck Rainey on bass, and Harvey Mason on drums. But that shift of locale hasn't dampened Phil's sound at all – and he's still getting a bit of hometown help from Donny Hathaway, who arranged a few tracks and also plays a bit of electric piano on the record. Other arrangements are by Nick DeCaro, and titles include "Love & Peace", "Darkness, Darkness", "Cold Sweat", "Fire And Rain", "Please Send Me Someone To Love" and "Inner City Blues". LP, Vinyl record album

Free and easy grooves from the great Phil Upchurch – a set that has the guitarist evolving more strongly into the world of fusion, after beginning his career with instrumental soul, shifting to heavier funk, and continuing to really open up his jazz chops as the years went by! Here, Phil's playing with a great lineup that includes plenty of soulful tenor from Eddie Harris, billed as having a "saxophone attachment" – which might be an update of his earlier Varitone sound – plus lots of nice work on keyboards from Russ Ferrante, and bass from Phil's son too. The great Harvey Mason sets the groove on drums – and titles include "Groovin Slow", "Midnite Blue", "Free & Easy", "Reunion", "Moment's Notice", and a nice take on "People Make The World Go Round". LP, Vinyl record album

Free and easy grooves from the great Phil Upchurch – a set that has the guitarist evolving more strongly into the world of fusion, after beginning his career with instrumental soul, shifting to heavier funk, and continuing to really open up his jazz chops as the years went by! Here, Phil's playing with a great lineup that includes plenty of soulful tenor from Eddie Harris, billed as having a "saxophone attachment" – which might be an update of his earlier Varitone sound – plus lots of nice work on keyboards from Russ Ferrante, and bass from Phil's son too. The great Harvey Mason sets the groove on drums – and titles include "Groovin Slow", "Midnite Blue", "Free & Easy", "Reunion", "Moment's Notice", and a nice take on "People Make The World Go Round". CD

Warmly stepping grooves from James Vincent – an under-acknowledged genius of the 70s crossover scene! Vincent works here in a title that's smooth and compressed – a bit like more popular AOR work of the time, but with some surprising soulful touches too – especially in the rhythms, which are extra-nice, given that drums are by Harvey Mason and Clyde Stubblefield! Instrumentation often has a warm 70s California glow – keyboards and guitar all wrapped up nicely together, with vocals folded in nicely – kind of a late 70s extension of the wonderful style of Nick DeCaro's album on Blue Thumb. There's a few great grooves in the mix, and titles include "Moonday", "Firefly", "Drifting Into Love", "Mankind", "Song For Jayme", and "Stepping Up". LP, Vinyl record album

The second US album from Euro disco outfit Voyage – a group who manage to bring in some nice progressive and jazzy elements to the mix! There's almost a jamming rock-gone-disco approach to a few of the best numbers – thanks to a strong use of heavy guitars and keyboards, and a real rock-like phrasing at times. All tracks are longish, with TK-styled breakdowns on the better tunes – and lead vocals are handled by Sylvia Mason. Titles include "Souvenirs", "Kechack Fantasy", "Eastern Trip", "Let's Fly Away", "Golden Eldorado", and "Gone With The Music". CD

The second US album from Euro disco outfit Voyage – a group who manage to bring in some nice progressive and jazzy elements to the mix! There's almost a jamming rock-gone-disco approach to a few of the best numbers – thanks to a strong use of heavy guitars and keyboards, and a real rock-like phrasing at times. All tracks are longish, with TK-styled breakdowns on the better tunes – and lead vocals are handled by Sylvia Mason. Titles include "Souvenirs", "Kechack Fantasy", "Eastern Trip", "Let's Fly Away", "Golden Eldorado", and "Gone With The Music". LP, Vinyl record album

John Williams come back! All is forgiven! We'll hardly complain anymore about all those overblown top-selling scores after hearing this gem from the early 70s! The record is a treasure – completely unlike any work that Williams did in later years – quite possibly because the film itself is a quirky little love story, starring James Caan and Marsha Mason in the sort of offbeat "when losers meet" sort of film that could have only been made in the early 70s. Some of the tunes on the set are nicely funky – almost in a Lalo Schifrin way – and others are mellow, but nicely moody, in a really understated scene-setting style that's great. Toots Thielemans plays some great harmonica on a few of the mellower cuts, and Paul Williams sings vocals to 3 of the tracks on the set, all contributed by him. Titles include "Wednesday Special", "New Shooter", "Boxing Montage", "The Ferry Ride", "Neptune's Bar", "Nice To Be Around", and "Maggie Shoots Pool". LP, Vinyl record album

Late great work from the mighty Gerald Wilson – done with a slightly different groove than his 60s sides! The group features Harold Land Jr on electric piano – plus Bobby Bryant on trumpet, Oscar Brashear on trumpet and flugelhorn, Garnett Brown and Thurman Green on trombones, Harold Land and Ernie Watts on tenor and flute, and Mike Wofford on Mason Hamlin BB piano! Tracks are long, and titles include "Lomelin", "Ay Ee En", "Blues For Zubin", "You Know", and "Triple Chase". LP, Vinyl record album

Rickey Woodard on alto and tenor sax, Dwight Dickerson and piano, Tony Dumas on bass, and Harold Mason on drums. CD

Music from Memphis Minnie, Mississippi John Hurt, Henry Thomas, Luke Jordan, Bobby Grant, Evans & McClain, Furry Lewis, Blind Blake, Clarence Ashley, Moses Mason, Blue Boys, Coley Jones, and Barbecue Bob. CD

Wonderful work from the later years of Brunswick Records – a time when the company briefly re-emerged as a surprising force on the hipper dancefloors of the time – thanks to a great run of funky club, soulful disco, and seminal boogie tracks! Brunswick didn't issue many albums at the time – and they were quite far from their hit years of the early 70s – but their 12" output from the period is wonderful, and way more than just the usual throwaway work for the discos – done with a real sense of quality, and a devotion to both funk and soul undercurrents that really keep things strong. Volume 1 includes the cuts "Do Those Little Things" and "Just A Little Timing" by Maryann Farra & Satin Soul, "Me & You" and "Energizer" by Touch, "Gotta Get It" and "Girl" by Tony Valor Sounds Orchestra, "How Can I Forget" by Realistics, "Mah Mo Ah (take two)" by Tony Valor, "Cravin Your Body", "Roller Skate", and "Bounce Rock Skate Roll (parts 1 & 2)" by Vaughan Mason & Crew. CD

Wonderful work from the later years of Brunswick Records – a time when the company briefly re-emerged as a surprising force on the hipper dancefloors of the time – thanks to a great run of funky club, soulful disco, and seminal boogie tracks! Brunswick didn't issue many albums at the time – and they were quite far from their hit years of the early 70s – but their 12" output from the period is wonderful, and way more than just the usual throwaway work for the discos – done with a real sense of quality, and a devotion to both funk and soul undercurrents that really keep things strong. Titles on this great 3rd volume include "Don't Say Goodnight" and "Love Me Today" by First Love, instrumental and vocal versions of "I Wanna Boogie With You" by Charlie Singleton & Stargasm, "Jammin Big Guitar" and "Rockin Big Guitar" by Vaughan Mason, vocal and instrumental versions of "Word Up" by Legacy, vocal and instrumental versions of "Gimme The Funk" by Charade, "Rock The House (parts 1 & 2)" by Elite, and the fantastic groover "You Are The One" by AM/FM. CD

Classic tracks from one of the greatest songwriting teams in soul music during the 60s and 70s – the legendary trio of Brian Holland, Lamont Dozier, and Eddie Holland – two of whom started out as soul singers, and all three of whom left behind a huge legacy on the Detroit scene! And while the trio were a famous part of Motown before moving off to start their own HDH family of labels, the work here also expands past those roots and includes some other gems that really show the wide reach of their music – including some non-soul titles that stack up here as a real surprise! As always with Ace Records, the notes tell the huge story behind the music, along with a great set of vintage images – and the package features 24 tracks in all, with titles that include "Band Of Gold (unedited alt version)" by Freda Payne, "There's A Ghost In My House" by The Fall, "New Breed Kind Of Woman" by Lamont Dozier, "Come & Get These Memories" by Laura Nyro, "Leaving Here" by Eddie Holland, "Come See About Me" by Barbara Mason, "Helpless" by Kim Weston, "A Love Like Yours" by Dusty Springfield, "You Keep Me Hanging On" by Vanilla Fudge, "This Old Heart Of Mine" by Bettye Swann, "Take Me In Your Arms" by Isley Brothers, "Don't Do It" by The Band, "Love's Gone Bad" by Chris Clark, "How Sweet It Is" by Brenda Lee, and "Where Did Our Love Go" by Donnie Elbert. CD

Great 80s grooves with some 70s moments thrown in as well – a double-length collection that features a host of overlooked gems from the past! The "giants" here aren't overplayed disco hits or classics that have been compiled too much – and instead, the set continues the great approach of previous volumes by really digging deep to find the kind of snapping, uptempo cuts that were perfect for the underground clubs in the years between disco and house! Titles include "You & I" by Ronnie Jones, "Good Lovin" by Al Mason, "You Fooled Me" by Grey & Hanks, "Gotta Take Your Love" by Game, "You & Me" by Ronnie Dyson, "You're A Blessing" by Heaven & Earth, "Wanna Make It Good" by Tyrone Davis, "Baby Not Tonight" by Madagascar, "California Flight" by California Flight Project, "Never Gonna Let You Go (special disco version)" by Shazar, "Holding On" by The Givens Family, "This Is Where The Love Is (extended)" by Zinc, "Love Me Today (12" version)" by First Love, "Space Lady" by Bill, and "Good Girl" by Bonnie Byrd. CD

Music from Vinnie Monte, Nicardi Brothers, Judd Hamilton, Jerry Mason, The Temptations, Johnny Vanelli, Danny Leslie, Steve Fallon, Tony Cosmo, Ben Higgins, and more - 34 tracks in all. CD

With selections by Aretha Franklin, Lee Dorsey, The Impressions, The Poets, Gene Chandler, The Olympics, Five Stairsteps, Barbara Mason, Aaron Neville, The Volcanos, Otis Redding, Sam & Dave, The Capitols, Intruders, Bar Kays, Mad Lads, Gladys Knight & The Pips, Esquires, and Freddie Scott. LP, Vinyl record album

The fourth fantastic chapter in this wonderful trip through the 60s – headed up by author Jon Savage, as a great soundtrack to his documents of the time! If you know Savage at all, you'll know to expect something different and fresh – an unusual take on the period, and one that goes way past the chart hits and overplayed oldies – to instead uncover currents of cultural activity at a much deeper level! And sure, there's a number of familiar songs here – but they're mixed with lesser-known gems, and presented in this great double-length package that features 48 tracks in all – all with notes from Savage himself. Titles include "Talkin About The Good Times" by Pretty Things, "Eastern Organ" by Brother Dan All Stars, "Hard To Handle" by Otis Redding, "Freedom Train" by James Carr, "Say It Loud (part 1)" by James Brown, "Omnibus" by The Move, "Sunshine Help Me" by Spooky Tooth, "Everydays" by Buffalo Springfield", "How Does It Feel To Feel" by The Creation, "Dear Delilah" by Grapefruit, "Machines" by Lothar & The Hand People, "Tomorrow Street Puzzle" by Fairport Convention, "I Got A Line On You" by Spirit, "Kick Out The Jams (preview pressing)" by MC5, "World In A Jug" by Canned Heat, "Classical Gas" by Mason Williams, "Honey Chile" by Martha Reeves & The Vandellas, "Danse A La Musique" by The French Fries, "Israelites" by Desmond Dekker, and "Why Does It Feel So Right" by The Shades Of Jade. CD

The fourth fantastic chapter in this wonderful trip through the 60s – headed up by author Jon Savage, as a great soundtrack to his documents of the time! If you know Savage at all, you'll know to expect something different and fresh – an unusual take on the period, and one that goes way past the chart hits and overplayed oldies – to instead uncover currents of cultural activity at a much deeper level! And sure, there's a number of familiar songs here – but they're mixed with lesser-known gems, and presented in this great double-length package that features 48 tracks in all – all with notes from Savage himself. Titles include "Talkin About The Good Times" by Pretty Things, "Eastern Organ" by Brother Dan All Stars, "Hard To Handle" by Otis Redding, "Freedom Train" by James Carr, "Say It Loud (part 1)" by James Brown, "Omnibus" by The Move, "Sunshine Help Me" by Spooky Tooth, "Everydays" by Buffalo Springfield", "How Does It Feel To Feel" by The Creation, "Dear Delilah" by Grapefruit, "Machines" by Lothar & The Hand People, "Tomorrow Street Puzzle" by Fairport Convention, "I Got A Line On You" by Spirit, "Kick Out The Jams (preview pressing)" by MC5, "World In A Jug" by Canned Heat, "Classical Gas" by Mason Williams, "Honey Chile" by Martha Reeves & The Vandellas, "Danse A La Musique" by The French Fries, "Israelites" by Desmond Dekker, and "Why Does It Feel So Right" by The Shades Of Jade. CD

Killer club cuts from the 70s and 80s, chosen by the Compost crew – all in support of their long-running Maiden Voyage club night! The Maiden Voyage vibe is quite different than the usual Compost groove – much more soul-based, and often in a mellow or midtempo mode – just the right balance of jazz and funk in the rhythms, with plenty of space for a soulful singer to take over the lead – and with a style that's much more sophisticated than mainstream disco! There's plenty of cuts on here from the best late 70s modern soul years – and even when the names are familiar, the tracks are often a bit more obscure – lesser-known gems brought together with a beautiful flare, in a package that's easily one of the best groovers we've heard in a long time! Titles include "Love Is On The One" by Xavier, "Love You Anyway" by Cameo, "Lihue" by Nohelani Cypriano, "Believe In Yourself" by Roy Ayers, "Georgy Porgy (disco)" by Toto, "Lovin Fever" by High Inergy, "She's Gone" by Norman Conners, "Very Special" by Debra Laws, "I Want Your Love" by James Mason, "I Want To Thank You" by Alicia Myers, and "Tenderness" by Diana Ross. LP, Vinyl record album

Funky soundtrack tunes from the early 70s – a great mix of lesser known album cuts and a few other rare gems pulled from Universal's Soul Cinema series! The groove is wah-wah funk, fast riffing drums, tight "chase" theme grooves, and even a bit of soul – and tracks include "Monkey Hustle" by Jack Conrad, "It's Hard To Say Goodbye To Yesterday" by GC Cameron, "Fat Poppadaddy" by Quincy Jones, "I'm Gonna Catch You" by The Hues Corporation, "The Boss" by James Brown, "Bus Stop" by Harry Betts, "King George" by Roy Ayers, "Give It To Me" by Isaac Hayes, "She Did It" by Barbara Mason & Monk Higgins, and "It Sure Is Groovy" by Gil Bernal. 13 cuts in all! CD

Curtis Mayfield is a hell of a singer – as most folks know from his work in the Impressions, and his later solo classics of the 70s – and he's also a hell of a songwriter too, one who was very generous with his magical material, right from the start! Back in the 60s, Curtis was sharing his songs with other up-and-coming soul singers on the Chicago scene – some of whom he was also producing in the studio, as well – and as the decade moved into the 70s, others were soon picking up Mayfield's tunes – both for their ability to deliver a personal message, and for the larger political agenda that was always in the music too! This really well-done collection brings together two dozen of Curtis' best songs, handled by other folks – mostly from the 60s and early 70s, but with a few surprises from later years too – all supported with a really great collection of notes and other information too. Titles include "Man's Temptation" by the Jackson 5, "Behind The Curtains" by Jan Bradley, "Rainbow (alt)" by Gene Chandler, "Monkey Time" by The Miracles, "I'm So Proud" by Main Ingredient, "Give Me Your Love" by Barbara Mason, "That's What Love Will Do" by The Gaylads, "Never Stop Loving Me" by Keni Burke, "I've Been Trying" by Jerry Butler, "Queen Majesty" by The Techniques, "It's All Over" by Walter Jackson, "Mama Didn't Lie" by The Orlons, "He Will Break Your Heart" by Freddie Scott, "People Get Ready" by Dionne Warwick, "Need To Belong" by Isaac Hayes, "Make Me Believe In You" by Patti Jo, "Let's Do It Again (single edit)" by The Staple Singers, "Look Into Your Heart (single edit)" by Aretha Franklin, and "The Makings Of You" by Gladys Knight & The Pips. CD

An amazing tribute to one of the best soul songwriters in the 70s – the mighty Phillip Mitchell, a key force in mixing together deep soul roots with more sophisticated styles for the time! Mitchell's got this mighty positive way of putting over a tune – lyrics that still hold onto the emotion of the past, yet also come through things with a forward-thinking style too – one that really helps get past obvious cliches, and which always seems to make a Mitchell-penned track stand out as the real gem on an album of 70s soul! Many of the artists here are from a southern soul background – no surprise, as Mitchell made most of his magic south of the Mason/Dixon line – and the set really brings together a great number of artists, and really shows the deep reach that Mitchell had at the time. Titles include "Hitch Hiking To Heartbreak Road" by Bobo Mr Soul, "Something New To Do" by Bobby Sheen, "Carry Me" by Ernie Shelby, "I Don't Do This" by Sidney Joe Qualls, "Free For All" by Mel & Tim, "Come Through Me" by Garland Green, "Here I Am Again" by Candi Staton, "You Made Me What I Am" by Erma Coffee, "Gonna Have A Murder On Your Hands" by JJ Williams, "Archie's In Love" by Archie Bell & The Drells, "Leftovers" by Millie Jackson, "How Can I Go On Without You" by Corey Blake, and "That's The Way I Wanna Live My Life" by Tommie Lee. CD

An amazing tribute to one of the best soul songwriters in the 70s – the mighty Phillip Mitchell, a key force in mixing together deep soul roots with more sophisticated styles for the time! Mitchell's got this mighty positive way of putting over a tune – lyrics that still hold onto the emotion of the past, yet also come through things with a forward-thinking style too – one that really helps get past obvious cliches, and which always seems to make a Mitchell-penned track stand out as the real gem on an album of 70s soul! Many of the artists here are from a southern soul background – no surprise, as Mitchell made most of his magic south of the Mason/Dixon line – and the set really brings together a great number of artists, and really shows the deep reach that Mitchell had at the time. Titles include "Hitch Hiking To Heartbreak Road" by Bobo Mr Soul, "Something New To Do" by Bobby Sheen, "Carry Me" by Ernie Shelby, "I Don't Do This" by Sidney Joe Qualls, "Free For All" by Mel & Tim, "Come Through Me" by Garland Green, "Here I Am Again" by Candi Staton, "You Made Me What I Am" by Erma Coffee, "Gonna Have A Murder On Your Hands" by JJ Williams, "Archie's In Love" by Archie Bell & The Drells, "Leftovers" by Millie Jackson, "How Can I Go On Without You" by Corey Blake, and "That's The Way I Wanna Live My Life" by Tommie Lee. CD

K-tel style compilation with a note in the corner of the sleeve that says "As Seen On TV", with a bunch of short versions of hot soul tunes that were making the rounds every Saturday afternoon on Soul Train. Nothing hard to find here, but a nice piece of the past loaded with familiar but still great tracks, 20 of them in all,and a great cover with photos of Don Cornelius and a number of the artists from their appearances on the show. With Barbara Mason "Give Me Your Love", James Brown "Good Foot", Curtis Mayfield "Super Fly", Archie Bell& The Drells "Dance To your Music", The O'Jays "Back Stabbers", Cymande "The Message", Timmy Thomas "Why Can't We Live Together", Dennis Coffey "Scorpio", Al Green "Guilty", Brighter Side Of Darkness "Love Jones" and The Dells "Give Your Baby A Standing Ovation", plus a bunch more. . . LP, Vinyl record album

Music from Aretha Franklin, The Honey Cone, Ike & Tina Turner, Ann Peebles, Denise LaSalle, Mitty Collier, Dee Dee Warwick, Mable John, Bettye Swan, Laura Lee, Barbara Mason, Inez Foxx, Millie Jackson, and Etta James. CD

The brilliant return of one of our favorite funky series ever – filled with top-shelf rarities that represent the best of 70s rare groove and break tracks! It's been a long time since we last saw a volume of Strange Games, but this set shows that it's been more than worth the wait – as BBE have come up with a batch of tunes so great, they must have been working on this one for years! As with other volumes, the names are familiar, but the cuts are all surprisingly hard to find – and they're all hand-picked for their resonance with modern use of the material in hip hop and remix culture – an aspect that makes even obscure tunes echo with a strong familiarity because of a bassline or drum break! And as an added treat, the CD and vinyl both have the same number of tracks – an increasingly rare phenomenon these days – with titles that include "Love & Happiness" by Monty Alexander, "She's My Summer Breeze" by The Reflections, "Come Into My Life" by The Supremes, "LA Night" by Yasuko Agawa, "Looking Up To You" by Michael Wycoff, "Give Me Your Love" by Barbara Mason, "Inside Out" by American Gypsy, "You Are What I'm All About" by The New Birth, "Loving You" by Donald Byrd, "Porcupine" by Nature Zone, "Strange Funky Games & Things" by Jay Dee, "Do It Baby" by The Miracles, "California Dreaming" by Eddie Hazel, and "Reflections" by Bill Conti. LP, Vinyl record album

A well-done look at London's V4 Visions label – a small but important label on the underground scene in the early 90s – one who was close enough to the ground to pick up all the best styles that were taking place at the time! British soul had a bit step forward at the end of the 80s, and had even entered the American mainstream with a few key acts – but there was still plenty of experimentation taking place underground – new takes on American styles, interwoven with new jungle modes from London – and sometimes even with the grittier electro quality of street soul of the decade before! You'll hear all that and more here, served up in the usual well-done Numero style – normally reserved for older soul music labels, but very well suited here to V4 – on titles that include "What's This World Coming To" by Ashaye, "Just Dreaming" by Julie Stapleton, "The Way I Love You" by Rohan Delano, "I'm Believing In Love Again" by Maureen Mason, "Get Off That" by The Wades, "All The Way (guitar mix)" by Julie Stapleton with Ashaye, "Endangered Species" by Endangered Species, "Joy In The Jungle" by Jungle Biznizz, "Inflight" by Rohan Delano, "Fantasy (insight mix)" by Insight with Ashaye, "Just A Memory" by Endangered Species, and "If This Is A Dream" by Maureen Mason. LP, Vinyl record album

Features Derrick Brinkley, Fred Hammond, John P Kee, Yolanda Adams-Mason, and Keith Staten. LP, Vinyl record album