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Exact matches: 3
Exact matches1
CD, LP, Vinyl record album cover art
MJT+3Daddy-O Presents MJT+3 ... LP
Argo, 1960. Near Mint- ... $38.99
One of the rarest albums of Chicago jazz from the 50s – and one of the greatest, too! Although Walter Perkins' MJT+3 went onto cut a number of records on Vee Jay with a different lineup, this early session features an all-Chicago lineup that differs from the later one, which was augmented by later visitors from Memphis, like Frank Strozier and Harold Mabern. In their place are prime Chicago talents, like altoist Nicky Hill, trumpeter Paul Serrano, and the great AACM composer/pianist Richard Muhal Abrams (playing here without the Muhal in his name!) The album's a complete delight, and is filled with loads of original compositions by Abrams that mix hard bop lines with more exotic lyrical conceptions – a true meeting of all the sides of jazz bubbling under in Chicago during the 50s, and a delight to listen to over and over again through the years! Titles include "No Land's Man", "Little Brother", "Egypic", "End Of The Line", and "Temporarily Out Of Order". LP, Vinyl record album
(Japanese pressing, with obi – in great shape!)

Exact matches2
CD, LP, Vinyl record album cover art
✨✧ MJT+3Make Everybody Happy ... LP
Vee Jay, 1960. Used ... Out Of Stock
A Windy City classic – from Vee Jay Records! The MJT grooves like nobody's business, thanks to a core rhythm group that includes Harold Mabern on piano, Walter Perkins on drums, and Bob Cranshaw on bass! Add to the mix a young Frank Strozier on alto, fresh from Memphis (he made the trip to Chi-town with buddy Harold Mabern), and the smoking trumpet of Willie Thomas, and you've got one of the tightest combos to never make it in the big time – a killer little group that was almost a Chicago secret back in the day, but one that's well worth discovering if you've got any sort of a love for hardbop or soul jazz! This oft-overlooked gem is one of the best hardbop albums to ever come out of Chicago, and it's got some great originals by Mabern – like "Richie's Dilemma" and "Make Everybody Happy" – plus a nice version of Booker Little's "Sweet Silver". LP, Vinyl record album
(Maroon label pressing with deep groove.)

Exact matches3
CD, LP, Vinyl record album cover art
✨✧ MJT+3MJT+3 ... LP
Vee Jay, 1960. Used ... Out Of Stock
One of the best-kept secrets of the hardbop era! This amazing group – formed in Chicago in the late 50's by ex-Memphis players Walter Perkins on drums, Harold Mabern on piano, and Frank Strozier on alto – has always been one of the best groups ever to sum up the meaning of the phrase "hard bop" – as they play with tight bop lines, but mix in longer, more relaxed playing, and some very soulful phrasing. Strozier especially is amazing, and Mabern's piano lines are as warmly lyrical and richly complicated as on his later work on Prestige – and the group also features the great Willie Thomas on trumpet and Bob Cranshaw on bass. The team of Cranshaw and Perkins is amazing – MJT, Modern Jazz Two, who really make the album cook – freely grooving with incredible rhythms, which makes Strozier sound almost better than on any other sessions from the time. Titles include "Branching Out", "Lil' Abner", "Raggity Man", and "To Sheila". LP, Vinyl record album
(Rainbow label pressing with deep groove. C)
Possible matches: 2
Possible matches4
CD, LP, Vinyl record album cover art
Harold OusleyHarold Ousley – Tenor Sax ... CD
Bethlehem/Solid (Japan), 1961. New Copy ... $13.99
A legendary album from this tenor genius from Chicago – a hell of a player who emerged in the same generation as Clifford Jordan, John Gilmore, Eddie Harris, and Johnny Griffin – yet never fully got his due! The album's easily one of the most sharp-edged for the Bethlehem label – and has the power of a rare Blue Note or Prestige date from the same time – thanks partly to Harold's sharp bite in the tone of his tenor, and partly to an ultra-hip lineup that includes Charles Davis on baritone sax, Julian Priester on trombone, Phillip Wright on piano, Thomas Williams on bass, and Walter Perkins on drums. The set really showcases that mix of modern and soulful that was the best side of the Chicago scene at the start of the 60s – a vibe you'd find from a group like the MJT+3 or the Gene Shaw Quintet on Argo – even more of a surprise here on the mostly-cool Bethlehem label. Ousley penned some great originals for the record – and titles include "Porter's Groove", "Struttin To Truckin", "Paris Sunday", "Decvachan", and "Dell A Von". CD

Possible matches5
CD, LP, Vinyl record album cover art
✨✧ Frank StrozierRemember Me ... LP
Steeplechase/Inner City, 1977. Used ... Out Of Stock
A gem of a record – the kind of overlooked 70s session we really treasure! Reed player Frank Strozier was one of the all-time under-discovered greats – and this set reunites him with his old Memphis partner/MJT+3 bandmate, Harold Mabern – a perfect pairing for Strozier's warm and fluid style on alto sax and flute! The pair always worked perfectly together, and on this session of laidback modern soul jazz material, they hit a very nice groove, and play off the best of each other's warm lyrical tendencies. Other players include Danny Moore, Lisle Atkinson, and Michael Carvin – and the set's filled with great original tutnes that include "Kram Samba", "Neicy", "Sidestreet", "Hit It", and "For Our Elders". LP, Vinyl record album
(Cover has a cut corner, a small split on the top seam, and some light wear.)

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