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Exact matches: 3
Exact matches1
CD, LP, Vinyl record album cover art
MJT+3Daddy-O Presents MJT+3 ... LP
Argo, 1960. Very Good ... $58.99
One of the rarest albums of Chicago jazz from the 50s – and one of the greatest, too! Although Walter Perkins' MJT+3 went onto cut a number of records on Vee Jay with a different lineup, this early session features an all-Chicago lineup that differs from the later one, which was augmented by later visitors from Memphis, like Frank Strozier and Harold Mabern. In their place are prime Chicago talents, like altoist Nicky Hill, trumpeter Paul Serrano, and the great AACM composer/pianist Richard Muhal Abrams (playing here without the Muhal in his name!) The album's a complete delight, and is filled with loads of original compositions by Abrams that mix hard bop lines with more exotic lyrical conceptions – a true meeting of all the sides of jazz bubbling under in Chicago during the 50s, and a delight to listen to over and over again through the years! Titles include "No Land's Man", "Little Brother", "Egypic", "End Of The Line", and "Temporarily Out Of Order". LP, Vinyl record album
(Black label Argo pressing.)

Exact matches2
CD, LP, Vinyl record album cover art
MJT+3Make Everybody Happy ... LP
Vee Jay, 1960. Near Mint- ... $14.99
A Windy City classic – from Vee Jay Records! The MJT grooves like nobody's business, thanks to a core rhythm group that includes Harold Mabern on piano, Walter Perkins on drums, and Bob Cranshaw on bass! Add to the mix a young Frank Strozier on alto, fresh from Memphis (he made the trip to Chi-town with buddy Harold Mabern), and the smoking trumpet of Willie Thomas, and you've got one of the tightest combos to never make it in the big time – a killer little group that was almost a Chicago secret back in the day, but one that's well worth discovering if you've got any sort of a love for hardbop or soul jazz! This oft-overlooked gem is one of the best hardbop albums to ever come out of Chicago, and it's got some great originals by Mabern – like "Richie's Dilemma" and "Make Everybody Happy" – plus a nice version of Booker Little's "Sweet Silver". LP, Vinyl record album
(Rainbow label pressing with deep groove. Cover has some splitting on the top seam.)

Exact matches3
CD, LP, Vinyl record album cover art
✨✧ MJT+3MJT+3 ... LP
Vee Jay, 1960. Used ... Out Of Stock
One of the best-kept secrets of the hardbop era! This amazing group – formed in Chicago in the late 50's by ex-Memphis players Walter Perkins on drums, Harold Mabern on piano, and Frank Strozier on alto – has always been one of the best groups ever to sum up the meaning of the phrase "hard bop" – as they play with tight bop lines, but mix in longer, more relaxed playing, and some very soulful phrasing. Strozier especially is amazing, and Mabern's piano lines are as warmly lyrical and richly complicated as on his later work on Prestige – and the group also features the great Willie Thomas on trumpet and Bob Cranshaw on bass. The team of Cranshaw and Perkins is amazing – MJT, Modern Jazz Two, who really make the album cook – freely grooving with incredible rhythms, which makes Strozier sound almost better than on any other sessions from the time. Titles include "Branching Out", "Lil' Abner", "Raggity Man", and "To Sheila". LP, Vinyl record album
(Rainbow label pressing with deep groove.)
 
Possible matches: 2
Possible matches4
CD, LP, Vinyl record album cover art
Mike Reed's People Places & ThingsProliferation ... CD
482 Music, 2008. Used ... $8.99
A record with a concept that's really after our own heart – dedicated to the lesser-known forces in the Chicago jazz scene of the late 50s – put together as a tribute of sorts to the MJT+3, tenorist Nicky Hill, altoist John Jenkins, pianist King Fleming, and The Sutherland Hotel! Mike Reed's musical vision is quite clear here – as the group swings like some of the best modern Chicago combos from that wonderful period, but also shows off some sharper edges too – kind of playing with one foot in that first fresh wave of Chicago jazz in the 50s, but also showing some of the bolder voices that have grown up in the scene in recent years. Greg Ward's reed work is wonderful – on both alto and clarinet – and the group also features Tim Haldeman on tenor, and Jason Roebke on bass – and all players handle a bit of percussion and piano too. Titles include tracks by Wilbur Campbell, Sun Ra, John Neely, Tommy Madman Jones, and other Chicago figures – plus a few of Reed's own – cuts that include "Is It", "Wilbur's Tune", "People", "Status Quo", "Planet Earth", "Fa", "Pondering", "Saturn", and "Things". CD
(Out of print.)

Possible matches5
CD, LP, Vinyl record album cover art
✨✧ Harold OusleyHarold Ousley – Tenor Sax ... CD
Bethlehem/Solid (Japan), 1961. New Copy ... Out Of Stock
A legendary album from this tenor genius from Chicago – a hell of a player who emerged in the same generation as Clifford Jordan, John Gilmore, Eddie Harris, and Johnny Griffin – yet never fully got his due! The album's easily one of the most sharp-edged for the Bethlehem label – and has the power of a rare Blue Note or Prestige date from the same time – thanks partly to Harold's sharp bite in the tone of his tenor, and partly to an ultra-hip lineup that includes Charles Davis on baritone sax, Julian Priester on trombone, Phillip Wright on piano, Thomas Williams on bass, and Walter Perkins on drums. The set really showcases that mix of modern and soulful that was the best side of the Chicago scene at the start of the 60s – a vibe you'd find from a group like the MJT+3 or the Gene Shaw Quintet on Argo – even more of a surprise here on the mostly-cool Bethlehem label. Ousley penned some great originals for the record – and titles include "Porter's Groove", "Struttin To Truckin", "Paris Sunday", "Decvachan", and "Dell A Von". CD
 
 
 



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