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Luis Gasca %2B Luis Gasca Edit search Phrase match

 
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Exact matches: 1
Exact matches1
CD, LP, Vinyl record album cover art
✨✧ Luis GascaLuis Gasca (For Those Who Chant) ... LP
Blue Thumb, 1971. Used Gatefold ... Temporarily Out Of Stock
One of the greatest solo albums ever issued by Latin jazz trumpeter Luis Gasca – a set that really expands on his debut for Atlantic Records, and which brings in a whole host of early 70s west coast Latin influences! The style here is very laidback and open – a bit like some of the Chicano funk coming out of the LA scene at the time, but a fair bit more jazz oriented overall – with long lean solos from both Gasca on trumpet and Joe Henderson on tenor sax, set up in a half-electric set of rhythms laid out on guitar, organ, keyboards, bass, and plenty of percussion! Other players here are all top-shelf too – and include Carlos Santana, George Cables, Stanley Clarke, Coke Escovedo, and Lenny White. The album features 4 long tracks – "Spanish Gypsy", "Street Dude", "La Raza", and "Little Mama". LP, Vinyl record album
 
Possible matches: 5
Possible matches2
CD, LP, Vinyl record album cover art
MaloMalo ... CD
Warner (Japan), 1972. New Copy ... $9.99
Wonderful 70s Latin soul from the legendary Bay Area combo that included Jorge Santana, Luis Gasca, and Coke Escovedo – all players who'd go onto great solo fame on their own, working together here as a youthfully inventive group that really set the tone for the west coast sound of the decade! This first album's a masterpiece in the California Latin Soul style – a sweet blend of Latin, jazz, funk, and rock that took up where the New York groups left off at the end of the 60s. The tracks are all pretty long – with some extremely tight instrumental playing, and plenty of room for long jamming solos. But the best part is the vocals – sung by Arcelio Garcia Jr, with a sweet style that's totally excellent. You probably already know that if you've heard the band's big hit "Suavecito", which is included here in a longer version than the original single – but you'll also hear that on the tracks "Cafe", "Pana", and "Peace". CD
Also available Malo ... CD 13.99

Possible matches3
CD, LP, Vinyl record album cover art
MaloMalo ... CD
Warner, 1972. Used ... $13.99
Wonderful 70s Latin soul from the legendary Bay Area combo that included Jorge Santana, Luis Gasca, and Coke Escovedo – all players who'd go onto great solo fame on their own, working together here as a youthfully inventive group that really set the tone for the west coast sound of the decade! This first album's a masterpiece in the California Latin Soul style – a sweet blend of Latin, jazz, funk, and rock that took up where the New York groups left off at the end of the 60s. The tracks are all pretty long – with some extremely tight instrumental playing, and plenty of room for long jamming solos. But the best part is the vocals – sung by Arcelio Garcia Jr, with a sweet style that's totally excellent. You probably already know that if you've heard the band's big hit "Suavecito", which is included here in a longer version than the original single – but you'll also hear that on the tracks "Cafe", "Pana", and "Peace". CD
(Out of print.)
Also available Malo ... CD 9.99

Possible matches4
CD, LP, Vinyl record album cover art
Mongo SantamariaStone Soul ... LP
Columbia, 1969. Very Good ... $5.99
A killer album from Mongo Santamaria's classic 60s run for Columbia – and a record that also features some wonderful alto work from a young Sonny Fortune! Sonny's the key soloist on the record – bringing some sharp jazz elements to an album that's equal part Latin and 60s soul instrumental – served up with key arrangements from Marty Sheller, and played by a cool mix of Latin and soul players that includes Mongo on congas and bongos, plus Pretty Purdie on drums, Haldey Caliman and Hubert Laws on tenor, Luis Gasca on trumpet, and Stephen Berrios, Julito Collazo, and Osualdo Martinez on percussion! Tunes are a mix of covers and cool originals – and titles include "Hitchcock Railway", "See Saw", "Cloud Nine", "Where We Are", "Love Child", "Who's Making Love", and "The Now Generation". LP, Vinyl record album
(360 Sound stereo pressing. Cover has light wear.)

Possible matches5
CD, LP, Vinyl record album cover art
Cal TjaderAgua Dulce ... CD
Fantasy/BGP (UK), 1971. New Copy ... $9.99
One of our favorite Cal Tjader albums ever – and one of the first to have his vibes working alongside Fender Rhodes! The record's a surprising little set from the start of the 70s – one that almost has Cal picking up some of the New York sounds of a few years before, then mixing them up with a hipper west coast electric style in the end – a Fantasy Records vibe that meshes together a few different modes, and comes up with a rich new style in the process! There's a bit of vocals on the set – somewhat unusual for Cal Tjader, and often used to augment the soulfully snapping grooves of the best tunes – but even more amazing is the heavy use of Fender Rhodes, played here by the amazing Al Zulaica, who's work on the album really ranks right up there with the best early 70s keyboardists on the coast! Zulaica's piano is amazing next to Cal's warmly chromatic vibes – and other instrumentation includes saxes from Bill Perkins, flute from Mel Martin, trumpet from Luis Gasca, moog from Rita Dowling, and percussion from both Pete and Coke Escovedo. Titles include the killer "Aqua Dulce (Cool-Ade)", a fantastic version of "Gimme Shelter", a sublime of Clare Fischer's "Morning", and the cuts "Ran Kan Kan", "Descarga Cubana", "Curacao", and "Somewhere In The Night". CD

Possible matches6
CD, LP, Vinyl record album cover art
✨✧ Joe HendersonCanyon Lady ... CD
Milestone/OJC, 1973. Used ... Temporarily Out Of Stock
Subtle genius from Joe Henderson – a wonderfully laidback album that interweaves Latin rhythms, west coast soul jazz, and some slight electric touches – all in a mode that shows Henderson to be one of the deepest thinking players of his scene! All tracks are long and exploratory, without going too far out – and they're done here with a style that's gentler and more introspective than Henderson's first few electric records – but in a way that makes them even more complicated and deeply soulful. Players include Oscar Brashear, George Duke, Luis Gasca, Hadley Caliman, and Mark Levine – but Henderson's tenor is the main guiding force of the set – moodily exploring some wonderful space laid out on the tunes "All Things Considered", "Las Palmas", "Tres Palabras", and "Canyon Lady". CD
 
 
 



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