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Exact matches: 1
Exact matches1
CD, LP, Vinyl record album cover art
Modern Jazz Ensemble (John Lewis)Little David's Fugue ... LP
Verve, 1955. Near Mint- ... $4.99
A better-than-usual set of third stream jazz by John Lewis – quite possibly because it was recorded a bit earlier than the rest! As with similar sessions on Columbia and Atlantic, this one has Lewis working with Gunther Schuller on tracks for a larger group that seek to bridge the gap between jazz and more "serious" music – almost an experiment in modern classical music, but a bit less constricted, and with plenty of room for the soloists to liven up the material. Players include JJ Johnson, Stan Getz, Tony Scott, and Lucky Thompson – who all get in some nice moments on the record – and titles include "Sun Dance", "Midsommer", "The Queen's Fancy", "Little David's Fugue", and "Django". LP, Vinyl record album
(VSP pressing. Cover has a cutout hole.)
 
Close matches: 3
Close matches2
CD, LP, Vinyl record album cover art
Modern Jazz QuartetIn Memoriam ... LP
Little David, 1974. Very Good+ ... $2.99
LP, Vinyl record album
(Cover has unglued seams and some wear.)

Close matches3
CD, LP, Vinyl record album cover art
Kenny RankinAfter The Roses ... CD
Little David/Wounded Bird, 1980. Used ... $4.99
Mellow magic from Kenny Rankin – an album that follows nicely from his Kenny Rankin album of a few years before, and which has a relatively similar approach! Like that one, Don Costa's at the helm – producing as well as arranging – and most instrumentation is from a core small combo that includes some great keyboard work from Wendy Haas, who warms up Kenny's sound a bit, but never in a too-smooth sort of way. A few tracks bring in some bigger strings, but still keep up the rasp and personal feel of Rankin's music – and titles include "Down The Backstairs Of My Life", "Woman Woman", "Lyin Eyes", "Strings", "After The Roses", and "What Matters Most". CD

Close matches4
CD, LP, Vinyl record album cover art
✨✧ Kenny RankinLike A Seed ... LP
Little David, 1972. Very Good+ ... $6.99
Indescribably beautiful work from Kenny Rankin – a jazzy blend of vocals and folk – delivered with a warm and soulful tone that's unlike anyone else! The whole thing's great – really very much its own spirit, and kind of a bright light after a host of doom and gloom late 60s folk-based singers in popular music. Of course, Kenny's still got something of a righteous feel, and lets his politics sneak out from time to time – but his overall sound is wonderfully redemptive, without being cloying in kind of a James Taylor sort of way. The instrumentation is great too – with just the right use of acoustic guitar in warm chromatic tones, plus nice touches on flute and saxes from Jim Horn, and gently groovy backings that never dampen Kenny's light. Titles include "Sometimes", "Peaceful", "Stringman", "You Are My Woman", "I Was Born", and "Yesterday's Lies". LP, Vinyl record album
 
Possible matches: 83
Possible matches5
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyBlack Messiah ... CD
Capitol/Dusty Groove, Early 70s. Used 2 CDs ... $12.99
A massive live set from Cannonball Adderley – and a record that really shows the growth he'd undergone in just a few short years! The album's done in close collaboration with David Axelrod – who'd handled Cannon's big live dates for Capitol in the 60s – but this record is much more freewheeling, open-ended, fuzz, funky, and electric overall! Tracks are all nice and long, and really trip out in the best way – with keyboards from George Duke in the core group, plus some heavy basslines from Walter Booker, drums from Roy McCurdy, and guitar from Mike Deasy on a number of key tracks. Deasy plays with lots of great wah wah and fuzz – and the album also features guest work from Airto on percussion and Ernie Watts on tenor – plus Cannonball's great alto and the cornet of brother Nat Adderley too. There's a really collaborative feel to the whole thing – as the record steps easily between a lot of heady styles – and titles include "Zanek", "Eye Of The Cosmos", "The Scene", "The Chocolate Nuisance", "The Steam Drill", "Little Benny Hen", and "The Black Messiah". CD
(On the Dusty Groove label.)

Possible matches6
CD, LP, Vinyl record album cover art
Cannonball AdderleyCannonball Adderley Live! ... LP
Capitol, 1964. Very Good ... $9.99
Cannonball Adderley with David Axelrod production – a combination that couldn't miss back in the 60s! In keeping with the success of the Mercy Mercy Mercy album done with Axelrod, Capitol did everything they could to catch Cannonball in a live setting – a great move, given the open, soulful energy his group had in the format – crowd-pleasing, but always plenty darn creative too! Added to the mix here is some nice production by David Axelrod, capturing all the right moments in all the right ways – especially when Joe Zawinul steps up to take some sweet solos on the keys – and the great Charles Lloyd serves up some mighty nice work on flute and tenor sax. Other players include Nat Adderley on cornet, Sam Jones on bass, and Louis Hayes on drums – and titles include "The Song My Lady Sings", "Little Boy With The Sad Eyes", "Work Song", and "Sweet Georgia Bright". LP, Vinyl record album
(Yellow label 70s pressing.)

Possible matches7
CD, LP, Vinyl record album cover art
Cannonball AdderleyWhy Am I Treated So Bad? ... LP
Capitol, Late 60s. Very Good+ ... $6.99
If you ever needed a key example of the genius of Cannonball on Capitol Records, this tight little set may well be it! The record's got all the best elements of a Cannon classic firmly in place – production by David Axelrod, electric piano by Joe Zawinul, and some tremendously soulful work from Cannon and Nat Adderley on their respective horns – all presented with a sense of relaxed tightness (if we can use such a phrase) that's jaw-droppingly brilliant all the way through! Cannon speaks a bit and pushes the band into action with charisma and warmth caught nicely by Axelrod's recording – and the band grooves on long, snakey tunes that mix equal parts funk and soul jazz together, coming up with the quintessential Adderley groove on nearly every number! Tracks include the seminal "Why Am I Treated So Bad", plus "Mini Mama", "I'm On My Way", "One For Newk", "The Scene", "Yvette", and "The Other Side". LP, Vinyl record album
(Cover has light wear.)

Possible matches8
CD, LP, Vinyl record album cover art
Cannonball Adderley QuintetHappy People ... LP
Capitol, 1972. Very Good+ ... $11.99
A really unique little album from Cannonball's all-great late years at Capitol – a session that features some strong influences from Brazilian music – "The Happy People" – and production from the legendary David Axelrod! The mix makes for a really unique little record – a set that isn't really bossa, but isn't regular Cannonball funk either – kind of a special hybrid of the two! Airto plays on the set, and contributed the great groover "The Happy People" – a long bit of funky samba that features George Duke on electric piano, and percussion and vocals by Airto himself. The rest of the album's pretty darn great too – with some long tracks that have a more open-ended groove than the usual Cannon funk – featuring more piano by Duke, percussion by Airto and King Errison, cornet by Nat Adderley, and guitar by David T Walker. Other titles include "Ela", "Maria Tres Filhos", and "Savior" – and the album was recorded live, with a very lively feel! LP, Vinyl record album
(Cover has some light wear.)

Possible matches9
CD, LP, Vinyl record album cover art
Cannonball Adderley with Nancy Wilson & Lou RawlsIn Person ... LP
Capitol, 1968. Very Good ... $9.99
Almost everything soulful at Capitol Records in the mid 60s – packed together in one sweet little place! The set's a winner in a great line of Cannonball Adderley live dates from the time – produced by David Axelrod, and done with that great mix of angular, slightly electric groove the combo was virtually pioneering – thanks to help from Joe Zawinul on electric piano, and Nat Adderley on cornet! Cannon also plays some great soprano sax – an instrument that he was taking off beautifully with at the time – and sets fire to a few great tunes with the instrument. But as if that's not enough, Lou Rawls joins in on vocals on a few cuts, and Nancy Wilson comes in on a few more – and the album alternates singing with instrumentals in a really great way. Titles include two very nice extended tracks by Joe Zawinul – "Rumplestiltskin" and "The Scavenger", both of which are over 10 minutes long, and which have the group stretching out in a nice live vein – and other cuts include "The Scene", "Somewhere", "Sweet Emma", and "Zorba". LP, Vinyl record album
(Rainbow label stereo pressing. Cover has some splitting on the spine.)

Possible matches10
CD, LP, Vinyl record album cover art
Horacee ArnoldTales Of the Exonerated Flea ... LP
Columbia, 1974. Very Good ... $19.99
A lost fusion classic from the early 70s – one of the only records cut under the leadership of drummer Horacee Arnold, but a heck of a great little set with a soaringly righteous sound! The style here is plenty full-on, but a bit less rock-leaning than some of the other Columbia fusion of the period – thanks to a spacious vision on Arnold's part, and the inclusion of a fair bit of sounds from world music. Players on the set include Art Webb on flute, Sonny Fortune on soprano sax, John Abercrombie on guitar, David Friedman on vibes and marimba, Dom Um Romao on percussion, and Jan Hammer on moog and electric piano – and although there's a fair bit of guitar in the mix, the other acoustic elements are kept nice and high too – for a blend that's almost like some of the best Brazilian fusion from later years, touched by a slightly funkier sound! Tracks really stretch out nicely, allowing for plenty of solo space as they roll on, in a way that's almost a cross between Strata East and some of the more familiar mainstream fusion modes of the time. Very hip stuff, with titles that include "Benzele Windows", "Tales Of The Exonerated Flea", "Euroaquilo Silence", "Puppet Of The Seasons", "Sing Night Jar", and "Delicate Evasions". LP, Vinyl record album
(Cover has light wear.)

Possible matches11
CD, LP, Vinyl record album cover art
Black HeatBlack Heat ... LP
Atlantic, 1972. New Copy (reissue)... $11.99
A searing debut from Black Heat – one of the best funk acts to record for Atlantic during the 70s, and a tight little group with a sound that's a mixture of New Orleans funk and New York heavy! The album's got a bit of vocals – figuring in on about half the tracks – but the main focus here is definitely instrumental – with a strong emphasis on choppy guitar, sweet organ licks, and cooking horn solos on trumpet, tenor, and flute – the last two of which are played by David Newman – not normally a member of the combo, but a great guest for this session! The sound is very tight, but never slick – and often recorded with an earthiness that recalls some of the best indie label funk of the period – like the kind of grooves you might find over at Perception/Today – with all the trippiness that might imply. Titles include "Chip's Funk", "Wanoah", "Barbara's Mood", "Chicken Heads", "The Jungle", "Send My Lover Back", "Honey Love", and "Time Is Gonna Catch You". LP, Vinyl record album

Possible matches12
CD, LP, Vinyl record album cover art
Jay BolotinJay Bolotin ... LP
Commonwealth United, 1970. Very Good+ Gatefold ... $24.99
Rural accented, haunting and wonderful folk material from Jay Bolotin – a Kentucky bred songwriter and singer who made an impact on some powerful artists in Nashville, and in the country and folk landscape in general, but never really got his due for his own work – including this wholly excellent self-titled set recorded in 1970! There's a haunting, but graceful lilt to his singing and songwriting that reminds us of Leonard Cohen, but with a resonant southern warmth that's all his own, and it's little wonder to us that he was championed by keen eared artists such as Kris Kristofferson. The arrangements are fantastic, but unfussy, with just voice and guitar when that's all that's called for, electric bass, keys and drums when the mood needs it heavier, plus uncommon and completely effective elements like some harpsichord, celeste and other percussion. Players include guitarist David Mowry, bass player Ken Lyon, Mark Taber on piano & harpsichord, and Bobby Mason of The Fugs on drums & percussion. Titles include "Dear Father", "Jimmy's Got A Music Box", "It's All In That", "Pretty Burmah", "Trinketman", "You Are A Woman", "For Kristy", "Winter Woman" and more. LP, Vinyl record album
(In great shape!)

Possible matches13
CD, LP, Vinyl record album cover art
David BowieYoung Americans ... LP
RCA, 1975. Very Good ... $32.99
A brilliant soul album! That's right, we said SOUL album! Bowie was at the height of his Ziggy Stardust fame when this one was recorded – a drastic left-turn in styles, forged during a point in his American tour when he could take a break, head to Philly, plug in at the Sigma Sound Studios, and come up with some fantastic little soul tunes, thanks to help from Luther Vandross! The album sparkles with the best sound of Luther's early work – and you'll hear more than a bit of Luther's work on his own, and his tunes with Gregg Diamond on the set. Features the sublime tracks "Win", "Fascination", "Right", "Somebody Up There Likes Me", and "Can You Hear Me" – as well as the hits "Young Americans" and "Fame". LP, Vinyl record album
(Tan label pressing in the textured cover. Label has a bit of pen.)

Possible matches14
CD, LP, Vinyl record album cover art
Donald ByrdEthiopian Knights ... CD
Blue Note (Japan), 1972. New Copy ... $16.99
Sweet electric funk – in a very trippy style! Before Donald Byrd hooked up with Larry Mizell and started recording his smooth fusion grooves of the mid 70's, he recorded this gem – kind of a "lost" album that has Donald working in an open-ended electric sound – one that's clearly inspired by the experiments of Miles Davis, but which has a generally funkier feel overall! The tracks are very long – with lots of spiralling keyboard and trumpet solos – and the hip players on the set include Bobby Hutcherson, David T Walker, Wilton Felder, and Harold Land. We love the tracks on this set – especially "The Emperor" and "The Little Rasti", which are both over 15 minutes long, and have a haunting spacey sound that's a departure from Donald's usual work! CD
(SHM-CD pressing!)

Possible matches15
CD, LP, Vinyl record album cover art
Chocolate Jam CoSpread Of The Future ... CD
Epic/PTG (Netherlands), 1979. New Copy ... $18.99
A funky fusion classic from the 70s – totally great work from Chocolate Jam Company, a hip little group headed up by percussionist Leon Ndugu Chancler! The core sound is soul, but there's plenty of fusion touches as well – thanks to a great lineup of players that includes Oscar Brashear on trumpet, George Duke on keyboards, David T Walker on guitar, and even Dorothy Ashby on harp! Chancler sings lead vocals on most cuts – but he's also joined by Virginia Ayers and Leo Mille on some cuts too – making for a really well-rounded sound that's easily one of the best jazz-into-soul sessions like this from the 70s – almost topping the more famous work from folks like Lenny White or Mtume! Titles include "Don't Leave Me Now Stay With Me", "Feeling", "This Time", "Looking Glass", and the extended "Suite Chocolate". CD

Possible matches16
CD, LP, Vinyl record album cover art
Omar ColemanBorn & Raised ... CD
Delmark, 2015. New Copy ... $11.99 15.99
Sweet Chicago work from Omar Coleman – a singer and harmonica player, and one who seems to work in that equal space between blues and soul that you might find on the late 60s Chess sides of Little Milton! The production is definitely blues, but Omar's overall performance opens up way past Chicago cliches – as does the spare backings, which can be slightly funky at points, and hit a deep soul groove at others. The album features some guest guitar from Toronzo Cannon, Mike Wheeler, and David Herrero – and titles include "Tryin To Do Right", "Man Like Me", "Lucky Man", "One Request", "Born & Raised", and "I Know You Been Cheating". CD

Possible matches17
CD, LP, Vinyl record album cover art
CrusadersHollywood ... CD
MoWest/Universal (Japan), 1972. New Copy ... $13.99
A great record from The Crusaders – and an album that's really the start of the group's strong run of smooth funky jazz for the 70s – a very vibrant little set, even though the black and white cover makes the whole thing look a bit understated! The album's got the group dropping the "jazz" from their name, but it's still a great bit of LA funky soul jazz – with electric keyboards from Joe Sample that are very much in a late 60s mode, plus guitar from David T Walker and Arthur Adams, and bass from Chuck Rainey, in addition to fine work by regulars like Stix Hooper, Wayne Henderson, and Wilton Felder. Tracks have a tight and uncomplicated funky approach, with a slightly smooth edge – and titles include "Do Yourself A Favor", "Try A Little Harder", "Cold Duck Eddie", "Way Back Home", and the Afro-funky groover "Alekesam"! CD

Possible matches18
CD, LP, Vinyl record album cover art
Joe Giardullo Open EnsembleRed Morocco ... CD
Rogue Art (France), 2006. Used ... $8.99
A well-titled group, as the ensemble's style is very open – almost improvisational, really, given that most players receive very little direction from Joe Giardullo! The performance here was recorded with all musicians sitting in a circle – coming together after a few hours of experimentation, and working with loose instructions from Giardullo – some slight compositional sensibilities, which set the scene for gentle, personal improvisations. Players include Joe McPhee on pocket trumpet, Michael Snow and David Prentice on violin, Dom Minasi on guitar, David Arner on xylophone, Brian Melick on percussion, and Martha Colby and Daniel Levin on cellos. Titles include "Hikori", "OPG", "OPB", "Memory Root", "NFRTT 1", and "Calabar". CD

Possible matches19
CD, LP, Vinyl record album cover art
Grodeck Whipperjenny (Dave Matthews)Grodeck Whipperjenny ... LP
People, Early 70s. New Copy (reissue)... $9.99
Here's a rare one! Arranger/producer Dave Matthews was to James Brown what David Axelrod was to Cannonball Adderley. Although Matthews didn't work on all of James' records from the early 70s, he did have quite a hand in some of The Godfather's classic funky material – especially the stuff with a heavier fuzzier sound. This rare album on James' People label has Matthews leading a tight little combo of his own, and the sound is a mix of heavy funk and guitar-based grooves. There's some vocals on the album, with a definite rock flair, but the best moments are the instrumental ones – as they have tight funky drums, and some super fuzzy guitar! Heavy cuts include "Put Your Thing On Me", "Inside Or Outside", and "Evidence For The Existence of The Unconscious". An intriguing (and rare) chapter of the James Brown story! LP, Vinyl record album

Possible matches20
CD, LP, Vinyl record album cover art
Steve Grossman & Cedar Walton TrioLove Is The Thing ... LP
Red (Italy), 1985. Near Mint- ... $14.99
Steve Grossman joins the Cedar Walton Trio – on a sweet little set that makes for one of Grossman's deepest records of the 80s! Although Steve can really blow with a lot of power when he wants to, he hits a much more lyrical mode here – one that's clearly in line with the warm tones of Walton's piano, opened up nicely in the album's collection of familiar tunes that provide plenty of gentle ballad space for Grossman to blossom. Walton plays piano with David Williams on bass and Billy Higgins on drums – and titles include "Naima", "Easy To Love", "My Old Flame", "Easy Living", "415 Central Park West", and "What's New". LP, Vinyl record album

Possible matches21
CD, LP, Vinyl record album cover art
Lionel Hampton & Stan GetzHamp & Getz ... CD
Norgran/Verve, Early 50s. Used ... $6.99
A great little album that's one of Getz's strongest from the period! The format for the album is in the mode of Hampton's early 50s Verve sides – long tracks, very open-ended, cut in a small group format that shows a different side than his more popular big band grooving. There's only 5 tracks on the album – and the focus is on solo work by Hamp and Getz, with rhythm by Lou Levy, Leroy Vinnegar, and Shelly Manne. Titles include "Louise", "Jumpin At The Woodside", "Gladys", and a long ballad medley. Nice David Stone Martin cover, too! CD
Also available Hamp & Getz ... LP 19.99

Possible matches22
CD, LP, Vinyl record album cover art
✨✧ Lionel Hampton & Stan GetzHamp & Getz ... LP
Norgran, Early 50s. Good+ ... $19.99
A great little album that's one of Getz's strongest from the period! The format for the album is in the mode of Hampton's early 50s Verve sides – long tracks, very open-ended, cut in a small group format that shows a different side than his more popular big band grooving. There's only 5 tracks on the album – and the focus is on solo work by Hamp and Getz, with rhythm by Lou Levy, Leroy Vinnegar, and Shelly Manne. Titles include "Louise", "Jumpin At The Woodside", "Gladys", and a long ballad medley. Nice David Stone Martin cover, too! LP, Vinyl record album
(Original yellow label Norgran pressing with deep groove. Cover has some wear, aged tape along the top & bottom seams, with a bit of pen on the back.)
Also available Hamp & Getz ... CD 6.99

Possible matches23
CD, LP, Vinyl record album cover art
Bobby Hutcherson/David Sanborn/Joey DeFrancescoEnjoy The View ... CD
Blue Note, 2014. New Copy ... $8.99 11.98
Bobby Hutcherson returns to Blue Note – on a set that's got a surprisingly fresh sound! The format's different both from Bobby's previous work for the label, and from his more recent albums on other imprints – in that it mixes his masterful vibes with Hammond from Joey DeFrancesco – a blend that makes for a different side of Hutcherson's talents than before, and great placement for the shifting sound of his instrument in these later years. Bobby's a bit more subtle than we remember, but still has this wonderful sense of flow and tone – soft sheets of electric sound that get sharper bite from Joey's Hammond and the alto sax of David Sanborn – who both really balance things out, and demonstrate the quadruple-leadership of the date. Billy Hart completes the groups on drums – with a laidback, spacious sensibility – and the album features a great remake of "Montara", plus "You", "Teddy", "Hey Harold", "Little Flower", and "Delia". CD

Possible matches24
CD, LP, Vinyl record album cover art
David Le WinterEvening At The Pump Room ... LP
Mercury, Mid 50s. Very Good ... $9.99
Although the big New York hotels had their share of great Latin pianists, Chicago had it's own great one during the 50s – in the person of the little-known David Le Winter, a supremely talented pianist who seems to have only cut this one album for Mercury during the 50s. The record itself is hidden in a schmaltzy cover with notes about The Pump Room, Le Winter's home territory – but the music is incredible, and has a flowing Latiny groove played mostly by Le Winter's piano and backing by bass and bongo, and which falls in the same class as similar work by Noro Morales or Geri Galman. Titles include "Rhumba Rhapsody", "Malguena", "Cumana", "Autumn Leaves", and "Hand To Mouth Boogie". LP, Vinyl record album
(Black label pressing with deep groove. Cover has some discoloration from age.)
 
 
 



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