Half of this set features one of the most unusual Blue Note sessions from the early days – a set led by clarinetist Edmond Hall, but featuring Mead Lux Lewis on celeste! Charlie Christian also plays in the group – and the other date features Red Norvo on vibes, Carl Kress on guitar, and Teddy Wilson on piano. First LP pressing of this material – originally issued on 78s! LP, Vinyl record album

A second great serving of grooves from the French scene of the late 60s and early 70s – a package that also includes some rare sound library material too, and which shows that if you know where to look, French records can be a real treasure trove of funky cuts! We loved the first volume, but this second one may well dig even deeper – as much of the work here is new to our ears, and the cuts work together in a really great blend of funky instrumental modes – familiar elements from the time, but lots of great twists and turns too! Titles include "Mr Buzz" by The Flying Dutchman, "Soul Car" by Pierre Alain Dahan & Slim Pezin, "Riviera Express" by Bernard Estardy, "Ten Et Medor" by Alain Goraguer, "Belle Gueuse" by Claude Engel, "Lewis & Clark" by Raymond Guiot, "Red Medium" by Tonio Rubio, "Aubergine Time" by Bernard Lubat, "Bass Session" by Guy Pedersen, "Jelly Roll Dance" by Jean Pierre Martin, "Bass Duettino" by Raymond Guiot, "Nage Libre" by Hervey Roy, "Patio Bass" by Guy Pedersen, and "Bahia Bossa Nova" by Bernard Lubat. LP, Vinyl record album

The first album in a long long time from Lewis Taylor – and a set that shows that his soulful talents are still very much at the top of their game! Taylor first grabbed our ears back in the 90s with a revolutionary new approach to soul – partly on the cusp of the Neo Soul generation, but also given a leaner, sometimes darker approach – and a vibe that was much better than so many of the attempts to merge soul vocals with the newer styles of the downtempo era. All these many years later, Lewis just keeps on sounding better – and the songwriting seems to have matured a lot with his own personal journey – maybe even more heartfelt and expressive than on previous records. Titles include "Apathy", "Worried Mind", "Numb", "Is It Cool", "Brave Heart", "Being Broken", "Feels So Good", "Please", and "Nearer". LP, Vinyl record album

Earth, Wind & Fire's first album – recorded at a time when the group recently had ties to the Chicago soul and jazz scenes, and a range of experience that ran the gamut from work with Sun Ra, the Artistic Heritage Ensemble, The Pharoahs, Ramsey Lewis, and countless other influential groups. Headed up by Maurice White on drums and percussion, the group forged an amazing blend of all these influences, creating a future soul sound that pushed black music to the next level – taking a wealth of previously underground modes of expression, and fusing them into a soaring sound that would soon put them at the top of the charts. This album's a lot looser and freer than their Columbia albums – with plenty of raw funk and some nice off-beat jazz soling. Includes the classic break track "C'Mon Children", plus "Fan The Fire", "Bad Tune", and "Moment Of Truth". LP, Vinyl record album

Beautifully arranged work from David Murray – an important early large group recording, one that really helped point the way to some of his later genius! The session features Murray leading an all-star octet that includes Henry Threadgill on alto, Olu Dara on trumpet, Butch Morris on cornet, George Lewis on trombone, Anthony Davis on piano, Wilbur Morris on bass, and Steve McCall on percussion. Tracks are a very hip set of original compositions that display an incredible range of soulful feeling and expression – and which open a door to a whole new chapter of Murray's career. Titles include "Ming", "Dewey's Circle", "Jasvan", "The Fast Life", and "The Hill". LP, Vinyl record album

The first album in a legendary run of vocal jazz classics on Atlantic Records – and a set that really helped Chris Connor move to a new level of expression in her music! The sound here is much richer than Connor's previous recordings for Bethlehem – and the small combo jazz backings have been replaced by fuller orchestrations by Ralph Burns – done in a cool, edgey sort of way that really pushes Chris into newly sophisticated territory! The sound's on a par with the best June Christy/Pete Rugolo collaborations on Capitol – and the group's filled with some great jazz players, including Zoot Sims, John Lewis, Milt Hinton, and Oscar Pettiford. Titles include "I Get A Kick Out Of You", "My April Heart", "He Was Good to Me", "Where Are You", and "Get Out Of Town". LP, Vinyl record album

The last album that Jimmy Heath ever gave the world – and a record that makes us miss him even more – as the whole thing takes Heath back to that spectacular mix of solo expressionist, thoughtful composer, and sensitive arranger territory of his best early years! And if you want proof of Jimmy's warm, open spirit – the set begins with a one minute bowed bass solo before Heath's horn even comes into play – then works sublime magic on a number of original numbers, and a few well-chosen classics – all put together by Jimmy as a "ballads" album, but in a way that's hugely different from some of the more facile songbook sessions of over-recorded standards. Instead, the Heath arrangements throughout are wonderfully fresh, and have a soulful quality that really blows us away – more than even on some of his other late records, which is what makes this final session so bittersweet. The core group features Kenny Barron on piano, Monte Croft on vibes, Russell Malone on guitar, and Lewis Nash on drums – and the set features vocals from Gregory Porter on one track, and Cecile McLorin Salvant on another – and Wynton Marsalis blows a trumpet solo on a third track. Titles include "Ballad From Upper Neighbors Suiter", "Left Alone", "Inside Your Heart", "La Mesha", "Con Alma", "Fasion Or Passion", and "Don't Explain". LP, Vinyl record album

Brilliant work from groundbreaking pianist McCoy Tyner – an album that has him firmly stepping out of the shadow of his old boss John Coltrane – and really taking off with a new level of spiritual jazz expression that Tyner's scene helped to foster in the 70s! The group on the set is a quartet with Bobby Hutcherson on vibes – and the mixture of Hutcherson's vibes and Tyner's piano is extremely compelling – stretching out in long, rhythmic, modal lines that dance and light the groove no matter what the tune! The rest of the group features Herbie Lewis on bass and Freddie Waits on drums – and titles include the great original compositions "African Village", "May Street", and "Little Madimba". LP, Vinyl record album