A really striking mid 80s effort from the legendary Lee Scratch Perry – done at a time when his name and reputation had risen strongly on the global scene – which also seems to come through in the music as well! There's a wider range of styles going on here than before – and Scratch is more upfront, less hidden behind his own production – feeling that sense of mission as a messenger for madness that he seemed to take up at the time – a quality that comes through both in his lyrics and vocals, and in the nicely mish-mashed production as well! The set is credited to The Upsetters, but not the classic lineup – more a cast of characters behind much of the classic Black Ark material, though in good command of Scratch's brand of funky reggae. Titles include "Introducing Myself", "Time Marches On", "The Joker", "All Things Are Possible", "Grooving", "Drum Song", "I Am A Madman", "Show Me That River", and "Sexy Lady". Plus, 2CD set features all sorts of bonus tracks – 12 of which show up on CD for the first time ever – including "Time Marches On (take 1)", "Time Marches On Dubwise", "Rain Day In London", "The Perry Christmas Dub", "Madman Dubwise", "All Things Are Possible (12" mix)", "I Am A Madman (12" mix)", "I Am The Upsetter (1985)", and a number of different takes and mixes of "Merry Christmas Happy New Year". CD

An unusual album, and one that features a host of recordings done by Lee Perry right before his Pipecock Jackson implosion in the late 70s – but presented by former partner Pauline Morrison, who deserves a lot of credit for putting together a host of great dub tracks that might have been lost otherwise! The record first surfaced in the UK around 1980, with the usual very spare set of packaging that seems to mark some of the best dub records from the time – so there's little in the way of actual details about the recordings, but the quality of the bassy, echoey tracks definitely resonates with the strengths of the Black Ark studios at their height Titles include "Cool Rockers", "Jah", "Rasta Man", "Camp", "Dreadlock", "Guidance", "In The Valley", and "Money". LP, Vinyl record album

A pair of very obscure Lee Perry recordings – back to back in a single CD set! Black Ark In Dub features a host of recordings done by Lee Perry right before his Pipecock Jackson implosion in the late 70s – but presented by former partner Pauline Morrison, who deserves a lot of credit for putting together a host of great dub tracks that might have been lost otherwise! The record first surfaced in the UK around 1980, with the usual very spare set of packaging that seems to mark some of the best dub records from the time – so there's little in the way of actual details about the recordings, but the quality of the bassy, echoey tracks definitely resonates with the strengths of the Black Ark studios at their height Titles include "Cool Rockers", "Jah", "Rasta Man", "Camp", "Dreadlock", "Guidance", "In The Valley", and "Money". Black Ark Vol 2 is a bit different – more of a various artists collection, put together by Pauline Morrison, with material rescued from the Black Ark studios before their implosion – all mixed by Lee Perry with his amazing mid 70s ear for sound – which makes for timeless magic on cuts that include "Ethiopia" by Carol Cole, "Give Praises" by The Silvertones, "How Deep Is Your Love" by The Inamans, "Got To Be Irie" by The Originals, "I Am I Said" by Bunny Rugs, "Jah Love Is Sweeter" by Lacksley Castell, and "Mumbling & Grumbling" by Junior Byles. CD

Pivotal Black Ark material from Lee Perry – with brilliantly tripped out echoey dub production – and scorching instrumentation laid down by the mighty Upsetters! Split roughly in half between Perry's nicely gritty instrumental moodcraft and hazy vocals, this collection features some uber prime Upsetters material. It's all hear – heavily rumbling bass grooves, tripped out, though spiritually resonant vocals and just enough of smoky haze without getting too thick to breathe. Amazing stuff! Includes "Scratch The Dub Organizer", "Bush Weed Corn Trash", "When Jah Come", "Curley Dub", "Serious Joke", "Who You Gonna Run To" and "Tighten Up". CD

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Features bonus disc of remixes! CD

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One of the ultimate moments from the legendary Lee Scratch Perry – the set of recordings that shut down the Black Ark studios – and which helped build a bridge to the European scene that would help keep Perry's music alive for the next few decades! The sound of the album is even more far-reaching than some of Lee's earlier recordings – opened up in a new freedom that's much more aimed at album-oriented styles – heard best on the album's long opening number "Bed Jammin", and spun out over some great numbers that really showcase Perry's incredible talents in the studio! Titles include "Untitled Rhythm", "Give Thanx To Jah", "Easy Knocking", "Who Killed The Chicken", "Babylon Cookie Jar A Crumble", and "Some Have Fe Halla". CD

A record that's a bit different than the usual Lee Scratch Perry album of the 70s – more of a various artists collection, put together by Pauline Morrison, with material rescued from the Black Ark studios before their implosion – all mixed by Lee Perry with his amazing mid 70s ear for sound – which makes for timeless magic on cuts that include "Ethiopia" by Carol Cole, "Give Praises" by The Silvertones, "How Deep Is Your Love" by The Inamans, "Got To Be Irie" by The Originals, "I Am I Said" by Bunny Rugs, "Jah Love Is Sweeter" by Lacksley Castell, and "Mumbling & Grumbling" by Junior Byles. LP, Vinyl record album

A mighty tribute to the genius of one of the greatest producers of all time – a figure who helped not only shape the sound of Jamaican music from the late 60s onwards, but also influence a fair bit of the rest of the world as well! The set's a well-chosen collection of material from a range of different segments of Perry's career – impossible to sum up perfectly in a short space, but very well-conveyed here! Titles include "Tighten Up" by The Inspiration, "Return Of Django" by The Upsetters, "Words Of My Mouth" by The Gatherers, "Beat Down Babylon" by Junior Byles, "Do It Baby (7" mix)" by Susan Cadogan, "Three Blind Mice" by Max Romeo, "Bushweek Corntrash" by Bunny & Ricky, "Sufferer's Time" by The Heptones, and "Natty Pass Through Rome" by Prince Jazzbo – plus Perry tracks that include "Roast Fish & Corn Bread (Jamaican mix)", "Bucky Skank", "Stay Dread", "People Funny Boy", and "Jungle Lion (7" mix)". LP, Vinyl record album

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Rare and unreleased Lee Perry dubplate mixes – brilliant productions from the creatively fruitful, boundary busting 70s years – with the mighty Upsetters and numbers featuring Junior Murvin, Candy Mackenzie, Leo Graham, Jimmy Riley, George Faith, Jack Lord and The Silvertones! This is the second Sound System Scratch compilation from the deep treasure diggers at Pressure Sounds – who have again assembled staggeringly adventurous and hard to find Scratch productions from an amazing period at Black Ark. A number of the tracks are previously unreleased, others are exclusive dubplate mixes, all incredible – be it smoked out, hazy dubs and surprisingly accessible and soulful reggae. Includes "Righteous Rocking" by The Upsetters, "Get Ready (Bongo Mix) by Junior Murvin & The Upsetters, "Kis Me Mix" by The Upsetters, "I've Got The Dub" by George Faith & The Upsetters, "Enter The Upsetter" by Lee Perry & The Upsetters, "Darkness In The City" by Jimmy Riley & The Upsetters, "Rejoice Jah Jah Children" by The Silvertones and more. LP, Vinyl record album

Clement Coxsone Dodd and Lee Scratch Perry – a match made in any reggae lover's dreams! This tasty little collection pulls together more than chicken scratch, rather it documents a batch of deep cuts from Perry's formative years, early numbers cut under the tutelage of Coxsone Dodd during the ska era. Perry takes care of the vocal duties while the Skatalites and other luminaries from the Brentford Road stable deliver bouncing ska rhythms for a truly seminal collaboration between the best of the best on the Kingston scene! 18 tracks in all, including "Feel Like Jumping", "Chicken Scratch", "Solid As A Rock", 'Tackoo", "Roast Duck", "Gumma", "Just Keep It Up", "Open Up (Cook Book)", "Mother In Law", "Madhead", "Cannot Wrong (And Get Right)", "John Tom" and "Run Rudie Run". CD

A great lost album from the end of the Black Ark era! Originally recorded for Island records in the late 70s, this set has Scratch teaming up with a pair of Congolese musicians for an amazing fusion of his spacey reggae vision with their Zairian roots in Zouk music. Includes "African Root", "Bad Food", "Mengieb", "Wakoya","Nzube", "Masanga" and "African Freedom: Brotherhood". CD

The Super Ape returns, but in a way that's very different than the previous album with the monkey's name in the title – as this set's got a much more raw, stripped-down vibe – mostly instrumental, and from the farther reaches of the imagination of Lee Scratch Perry! Maybe think of this one as bonus tracks that could be added to the original Super Ape album – but also that, given Perry's genius in the studio, the work here is more main album material for most of his contemporaries! Titles include "Return Of The Super Ape", "Bird In Hand", "Psyche & Trim", "Huzza A Haha", "The Lion", and "High Rankin Sammy". LP, Vinyl record album

Lee Scratch Perry's funky reggae party, put together at the Black Ark, with Boris Gardner, Mickey Boo, Sly Dunbar & Winston Wright. A nice batch of crackling Jamaican funk, with the requisite Black Ark smoke blowing throughout. Includes a bunch of classic Perry-isms, with Scratch dropping verses with his own unique perspective, like "Yu Squeeze My Panhandle", "Roast Fish & Cornbread", "Soul Fire" & "Free Up The Weed" LP, Vinyl record album

A host of rare gems from the early years of Lee Perry's legendary Black Ark studios – material recorded by Scratch himself, on some cuts featuring The Upsetters, others some close contemporaries – but all nicely unified here by contributions from Lee at just about every level! As with other Pressure Sounds collections, the approach here is wonderful – way past the entry-level reggae collections you might get elswhere, but also not overwhelmed with trainspotter attention to rareness over quality – as the cuts here are all pretty darn great, and feature many gems from the early reggae years that really show Perry's diversity past his own recordings. The set includes a number of Upsetters version recordings of vocal tunes – and titles include "Set Yourself Up" by The Upsetters, "Brotherly Love" by Henrick Nicholson, "Roots Train (previously unreleased dub plate mix)" by Junior Murvin, "Woman Gotta Have Love (previously unreleased dub plate mix)", "Say A Little Prayer (12" mix)" by Eric Donaldson, "Mr Cravin" by Junior Murvin, "Such Is Life (version)" by The Upsetters, "Nu Fi Run It Down" by Danny Clarke, "Ska Baby" by Bobby Ellis, and "Such Is Life" by Lord Creator. LP, Vinyl record album

Groundbreaking 70s work from Lee Scratch Perry – served up here with both work from The Upsetters, and a long list of "friends" – different singers who take the lead on some of the productions, which are then presented back to back with dub versions of the tracks that overflow with great contributions from a top-shelf lineup of musicians! Players on the cuts include Willie Lindo and Ernest Ranglin on guitars, Winston Wright on organ, Vin Gordon on trombone, and Richard Dirty Harry Hall on tenor – but the real talent here is clearly that of Perry, who's able to move between soulful vocal leads and some deeper, darker Black Ark sounds on the rhythms. Titles include "Mr Money Man" by Danny Hensworth, "Brother Noah" by The Shadows, "Traveling" by Debra Keese, "Ethiopian Land" by Peter & Paul Lewis, "Land Of Love" by Sons Of Light, "Peace & Love" by Shaumark & Robinson, "Freedom Street" by Eric Donaldson, "My Little Sandra" by Leo Graham, "Long Long Time" by Winston Heywood, "White Belly Rat" by Lee Perry, "A Wah Dat" by Junior Dread, and "Feelings" by Sharon Isaacs – and the set features dub versions of every cut by The Upsetters too! LP, Vinyl record album

A trio of legendary albums by Lee Perry – Super Ape, Return Of The Super Ape, and Roast Fish, Collie Weed & Cornbread – back-to-back-to-back in a great 2CD package complete with a handful of bonus tracks! Super Ape is the King Kong of dub albums – classic Lee Perry and an essential dub album, rendering Scratch's dense, multi-layered Black Ark rhythms in all their raw glory – with toasts and vocal snippets darting in and out of the dubs courtesy Prince Jazzbo, the Heptones, Dillinger and Scratch himself. Tracks include "Zion's Blood", "Croaking Lizard", "Dread Lion", "Patience", "Dub Along", "Black Vest", "Underground Root", "Curly Dub" "Three In One" and "Super Ape". Roast Fish, Collie Weed & Cornbread is Scratch's funky reggae party, put together at the Black Ark, with Boris Gardner, Mickey Boo, Sly Dunbar & Winston Wright. A nice batch of skanking Jamaica funk, with the requisite Black Ark smoke blowing throughout. Includes a bunch of classic Perry-isms, like "Yu Squeeze My Panhandle", "Roast Fish & Cornbread", "Soul Fire" & "Free Up The Weed". Return Of The Super Ape is mostly instrumental, but not quite dub, though some cuts do have Perry's vocals on top. Slow rolling and a bit murky, this set bears no relation to the Super Ape set, other than the freaky cover, but is still infused with Perry's unique vision. Includes the title track, "Bird In Hand", "Psyche & Trim", "Huzza A Haha" and "High Rankin Sammy". Includes 7 bonus tracks! CD

Three dub classics, two of them impossible to get for years, except for the occasional "unofficial" LP repressing. On the first LP of the set, Scratch teams up with the great Tommy McCook for one of his hardest to find gems, recorded in the late 70s, when his wigged out follies at the Black Ark had reached their peak, and though there's a bit of debate over whether these tracks were actually recorded at the Black Ark, this was originally one of the first LPs issued after the studio burned to the ground. In any case, you can't argue with the tracks on this one: spare instrumentals with jaunty guitar, loping syncopated drums and bouncing bass, a baker's dozen tracks, including "Cloak & Dagger", "Musical Transplant", "Liquid Serenade", "Iron Claw", "Rude Walking", "Caveman Skank" and "Pee-Wee Special". Blackboard Jungle Dub, the second album of the triptych, is widely cited as the first full length dub LP, though we'd rather not get too academic about it. Besides, this is one mighty set of Perryisms, wrought in the pre-Black Ark era, with a dozen of the Upsetter's finest rhythms rendered in dub versions here, and with King Tubby reportedly responsible for the wonderful reverb and mixing console action taking these tracks to the next level. An essential dub masterpiece, with 14 tracks on this version of the LP, including "Black Panta", "Khasha Macka", "African Skank", "Dreamland Skank", "Jungle Jim", "Dub Organizer", "Apeman Skank" and "Jungle Fever". The third album included is another tough one to get, originally issued in a tiny, tiny batch, though it's been bootlegged more than a few times over the years. 10 tracks in all, a tasty stew with that Black Ark groove running through it pretty heavily, with some nice guitar and a really spare approach to the often murky Perry tone poetry. Includes "Dub Revelations", "Womans Dub", "Kojak", "Doctor On The Go", "Bush Weed", "Dreadlock Talking", "Own Man", "Dub The Rhythm", "Black Hand" and "Rain Drops". CD

A real moment of righteous power from Lee Scratch Perry – as you might expect from the image on the cover – clearly indicating a strong sense of pride and identity that also tracks with the 70s shift in Jamaican music too! Lee's the producer here, but also extends full creative control throughout – which makes the album's mix of vocal and instrumental tracks feel much more like some of the unified albums from the Black Ark era, than previous Trojan packages which usually just culled together previous singles. The album's got lots of instrumentals billed to The Upsetters – including "Move Me", "Surplus"," Go Slow", "Not Guilty", "Long Sentence", and "Bad Luck" – and other titles include "Do Your Thing" by Dave Barker, "Well Dread (version 3)" by Addis Ababa Children, "Isn't It Wrong" by The Hurricanes, and "Place Called Africa (version 3)" by Winston Prince. CD

The Super Ape returns, but in a way that's very different than the previous album with the monkey's name in the title – as this set's got a much more raw, stripped-down vibe – mostly instrumental, and from the farther reaches of the imagination of Lee Scratch Perry! Maybe think of this one as bonus tracks that could be added to the original Super Ape album – but also that, given Perry's genius in the studio, the work here is more main album material for most of his contemporaries! Titles include "Return Of The Super Ape", "Bird In Hand", "Psyche & Trim", "Huzza A Haha", "The Lion", and "High Rankin Sammy". LP, Vinyl record album

A host of rare gems from the early years of Lee Perry's legendary Black Ark studios – material recorded by Scratch himself, on some cuts featuring The Upsetters, others some close contemporaries – but all nicely unified here by contributions from Lee at just about every level! As with other Pressure Sounds collections, the approach here is wonderful – way past the entry-level reggae collections you might get elswhere, but also not overwhelmed with trainspotter attention to rareness over quality – as the cuts here are all pretty darn great, and feature many gems from the early reggae years that really show Perry's diversity past his own recordings. The set includes a number of Upsetters version recordings of vocal tunes – and titles include "Set Yourself Up" by The Upsetters, "Brotherly Lvoe" by Henrick Nicholson, "Roots Train (previously unreleased dub plate mix)" by Junior Murvin, "Woman Gotta Have Love (previously unreleased dub plate mix)", "Say A Little Prayer (12" mix)" by Eric Donaldson, "Mr Cravin" by Junior Murvin, "Such Is Life (version)" by The UPsetters, "Nu Fi Run It Down" by Danny Clarke, "Ska Baby" by Bobby Ellis, "Such Is Life" by Lord Creator, and "Oh Me Oh My" by Bree Daniels. CD

A really great little collection – one titled from a legendary studio jam that originally appeared on film, not record – a cut that begins this great array of cuts from the famous Black Ark studio of Lee Scratch Perry! Perry's on the cover, and has a strong hand on most of these tracks – but there's also a very nice mix of material going on here – some righteous roots vocals, other dubby cuts that are leaner overall – with a mix of groups and solo singers, all showing the keenly creative 70s Perry style at its best. Titles include "Play On Mr Music" by Upsetter Revue, "One More River To Cross" by Mystic I, "One More Dub To Cross" by the Upsetters, "People Get Ready" by Junior Mervin, "Give Me A Love" by Jimmy Riley, "Feel All Right" by The Silvertones, "Milte Hi Ahkhen" by Sam Carty, "History (dub plate mix)" by Carlton Jackson, "Rejoice Jah Children (dub plate mix)" by The Silvertones, and "Sugar & Spice" by Keith Rowe. CD

The King Kong of dub albums, a real standard-setting record that put both the movement and Lee Perry forever on the musical map! The whole thing is classic Lee Perry and an essential dub album – one that mixes Scratch's dense, multi-layered Black Ark rhythms in all their raw glory, with toasts and vocal snippets darting in and out of the dubs – courtesy of a lineup that includes Prince Jazzbo, the Heptones, Dillinger and Scratch himself! With 10 essential tracks from the original release: "Zion's Blood", "Croaking Lizard", "Dread Lion", "Patience", "Dub Along", "Black Vest", "Underground", "Curly Dub" "Three In One" and "Super Ape". LP, Vinyl record album

If there's anyone who could make the idea of Italian westerns and Jamaican grooves come together, it's the young Lee Scratch Perry – the mad musician who always had a great talent for mixing it up! Eastwood Rides Again follows the theme of The Upsetters previous classic, Return Of Django – and like that one, the groove isn't just the rocksteady rhythms you'd expect – but also maybe this more spacious version of the style, with a bit more space between the notes than some of their Kingston contemporaries – almost a mode that could be inspired by the spacious soundtrack scoring of the Italian scene, then delivered with a much grittier vibe. Most tunes are instrumentals, and titles include "Eastwood Rides Again", "Salt & Pepper", "Red Hot", "Tight Spot", "Catch This", "Popcorn", and "You Are Adorable". LP, Vinyl record album

Trombonist Samuel Blaser pays tribute to the legacy of Jamaican music – but in a way that also resonates strongly with some of his more jazz-based releases too! The record's mostly instrumental – but does have vocals from Carroll Thompson on two tracks, and Lee Scratch Perry on two more – yet the main focus is on the horn work, with Blaser echoing earlier greatness of players like Vin Gordon or Don Drummond – but in a more jazz-based setting with work from Alex Wilson on keyboards and Hammond, Soweto Kinch on alto, Michael Blake on tenor, and Alan Weekes on guitar. The set also features guest work from Steve Turre on one track – and titles include "Rainy Days", "Silver Dollar", "End Of The Beginning", "Rainy Days Dub", "Chronicles", "Beautiful Bed Of Lies", and "Green Island Dub". CD

A massive package – the full rare Undertaker album from Derrick Harriott & The Crystalites, plus an insane amount of bonus tracks too! The core album is instrumental – a wicked set of rhythms from The Crystalites, a group who have a vibe that's right up there with the best of the late 60s Kingston scene, but a groove that's definitely their own – almost a razor's edge to some of the rhythms, as they snap through some excellent late rocksteady/early reggae modes! Harriott produced, and adds in all these cool touches and sounds that almost predate some of the later experimental modes of Lee Scratch Perry. Titles include "The Undertaker", "Bombshell", "Biafra", "The Bad", "Lady Madonna", "Fistful Of Dollars", "The Barefoot Brigade", and "Dr Who". 2CD set features 14 more instrumental tracks from The Crystalites – plus 27 more Harriott-produced numbers, including work by Rudy Mills, Junior Murvin, Keith & Tex, The Chuckles, Eric Donaldson, Pat Satchmo, Tinga & Ernie, and The Ethiopians. CD

Stunning sounds from the first three years of Niney The Observer on record – a huge amount of rare singles from back in the day, served up in a double-length package that features 22 tracks on CD for the first time ever! The mix of modes here is incredible – and a real demonstration of that made creative genius that made Niney such an important force in the studio and in front of the microphone – as lots of these tracks have really unusual inflections, odd arrangements, and a way of putting over a weird sound that most folks think was only invented by Lee Scratch Perry! Instead, Niney maybe claims his own throne here with well-deserved credit that is spun out in the very detailed notes – next to fantastic tracks by Niney & The Observers, and lots more from The Sound Dimensions, Dennis Alcapone & Lizzy, Eric Monty Morris, The Hardy Boys, Max Romeo, The Virgins, Max Romeo, and others – stretched out over 47 cuts in all. CD

A stunner of a set from Ken Vandermark & co as Powerhouse Sound – a riveting 2CD batch of rhythmic juxtaposition inspired by dub, sound collage production, and free rock caterwauling – done with a pair of line-ups in both Oslo and Chicago! The Oslo group is heavy with bass and stuttering electronic manipulations, and features Vandermark, Ingebrigt Haker Flaten and Nate McBride on electric bass, Pall Nilssen-Love on drums and Lasse Marhaug on electronics. The Chicago crew runs through variations of the material and changes up the instrumentation with Vandermark, John Herndon on drums, Jeff Parker on guitar and McBride on bass. Disc one (Oslo version) includes "Shocklee (For Hank Shocklee)", "King To Crown (For King Tubby), "Coxsone (For Coxsone Dodd)", "2-1-75" (For Miles Davis), "Acid Scratch (For Lee Perry)", "Exit-Salida (For Burning Spear)" and "New Dirt (For The Stooges)". Disc two (Chicago version) includes "Old Dictionary (For Bernie Worrell)", "King To Crown Pt 1/Acid Scratch Pt 2", "Coxsonne", "2-1-75" and "New Dirt/King To Crown Pt 2". CD

A loving portrait of key figures in Jamaican music – a book done during the 21st Century, but filled with classic artists from back in the day – dozens of giants pictured in full color images, alongside some words on their art and music, plus standout tracks and details of their best qualities! The book is on an academic press, but it's a great read for anyone – and features a brief introduction by the author, before diving into the dozens of entries – of subjects who include Derrick Harriott, Ras Michael, Mr Fix It, Bobby Aitkin, Deadly Headley, Bob Andy, Cedric Im Brooks, Max Romeo, Ken Parker, Lee Scratch Perry, Boris Gardinier, Gladdy Anderson, Steely & Clive, Sly Dunbar, and many others. The softcover edition is 230 pages, with full color photos throughout, and features helpful indexes on key recordings and the locations and timing of the interviews within. Book

A really new setting for the vocals of singer Liam Bailey – and one that's a bit different for El Michels Affair! The group here are still very funky, and filled with all the fantastic sonic touches that we've always loved from leader Leon Michels – but the setting is more in a reggae mode, with lots of dubby elements at the bottom that are balanced out by soulful falsetto vocals from Liam – sometimes in a way that's heavily processed, sometimes a bit more straight up in the mix! As always with El Michels, the whole thing is like hearing the sounds of the past, but refracted with a unique contemporary vision – topped off here with guest work from Lee Scratch Perry and Black Thought too. Titles include "Conquer & Divide", "Ugly Truths", "Faded", "Lucky Man", "I Love NY", "Superstar", "Angel Face", "Walk With Me", "King", and "No One Else". LP, Vinyl record album

If you love records as much as we do, you know that often the producers are as important to the sound of the music as the artists themselves – a fact that's spun out again and again in this look at some key record producers of the 20th Century! The book shows that, in the right hands, the studio is as important to the outcome of the records as the singer and the songs – and the author features detailed chapters on recording legends who include Brian Wilson, Phil Spector, David Axelrod, Norman Whitfield, Willie Mitchell, Brian Eno, Lee Scratch Perry, and Martin Hannett – all names that are on the back of some of the most treasured records in our collections! This softcover edition is 307 pages, with some black and white images, and assorted lists of key recordings by each producer. Book