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Laurindo Almeida %26 Bud Shank Edit search Phrase match

 
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Exact matches: 1
Exact matches1
CD, LP, Vinyl record album cover art
✨✧ Laurindo Almeida & Bud ShankBrazilliance Vol 1 ... CD
World Pacific, 1953. Used ... $4.99
Landmark set of recordings cut for the Pacific Jazz label in the early 50s, and supposedly a major influence on the early bossa artists in Brazil! The tracks were cut by a quartet led by LA altoist Bud Shank, and featuring Brazilian guitarist Laurindo Almeida, who was living in LA at the time. The mix of alto and guitar, in a jazzy vein, but with Latiny rhythms, is very similar to the early bossa jazz recordings – and even more so to the later American ones by Stan Getz and Charlie Byrd. Supposedly, original 10" LPs of the material made their way to Brazil, and later influenced Jobim and Gilberto. Although we can't confirm that rumor entirely, you'll sure hear a similarity, and even if you don't, the stuff's still pretty darn great. Titles include "Terra Seca", "Amor Flamenco", "Atabaque", "No No", "Noctambulism", "Tocata", and "Carinoso". 15 cuts in all. CD
(Out of print.)
 
Possible matches: 5
Possible matches2
CD, LP, Vinyl record album cover art
✨✧ Chico Hamilton/Laurindo AlmeidoDelightfully Modern ... LP
Jazztone, Mid 50s. Used ... Temporarily Out Of Stock
This is a split disc. Side 1 has the Chico Hamilton Quintet featuring Buddy Collette and side 2 has the Laurindo Almeida Quartet with Bud Shank on alto. LP, Vinyl record album
(Cover has wear splitting and stuck on paper.)

Possible matches3
CD, LP, Vinyl record album cover art
✨✧ Stan Getz & Laurindo AlmeidaStan Getz With Laurindo Almeida ... CD
Verve/MGM (Germany), 1963. Used ... Out Of Stock
One of the best of the Stan Getz bossa nova sessions – and a record that features the great Laurindo Almeida on guitar – playing with more virtuosity than either Charlie Byrd or Joao Gilberto did on their collaborations with Getz! The record's got a driving rhythm section, with lots of long tracks, and nice laid-back solos by both Getz and Almeida – who's getting in some of his few jazz licks of the 60s here, working in a groove similar to that of his earlier sides with Bud Shank, but which sounds almost even better in the languid company of Getz. Cuts include "Outra Vez", "Winter Moon", "Maracatu-Too", and "Samba Da Sahra". Very nice! CD also includes the bonus track "Corcovado" – unreleased for years! CD
(Out of print.)

Possible matches4
CD, LP, Vinyl record album cover art
✨✧ LA 4Zaca ... LP
Concord, 1980. Used ... Temporarily Out Of Stock
With Bud Shank on alto and flute, Laurindo Almeida on guitar, Ray Brown on bass, and Jeff Hamilton on percussion. LP, Vinyl record album
(Cover has a cutout hole.)

Possible matches5
CD, LP, Vinyl record album cover art
✨✧ LA 4Going Home ... CD
East Wind/Universal (Japan), 1977. New Copy ... Out Of Stock
Wonderful work from this really unique west coast combo of the 70s – a quartet that draws plenty from key contributions of each of its members – but which also has a very special sound in the acoustic guitar of Laurindo Almeida! Almeida's a player who'd already been working in LA for two decades or more, but finds a whole new way to express himself here – in the company of past partner Bud Shank on reeds – who really opens up with some soulful solos on the record, which step boldly past some of the guitar passages that sometimes lead off the tracks. Ray Brown's bass is wonderful too – well-shaped, and given some great space to help work alongside Laurindo's guitar – and the album's completed by some very sensitive work on drums by Shelly Manne. Titles include "Softly As In A Morning Sunrise", "Django", "Romance De Amor", and "Recipe Of Love". CD

Possible matches6
CD, LP, Vinyl record album cover art
✨✧ LA 4Pavane Pour Une Infante Defunte ... CD
East Wind/Universal (Japan), 1977. New Copy ... Out Of Stock
A beautiful group, and one with a very unique sound – a style that draws from the early 50s experiments in Brazilian jazz by Bud Shank and Laurindo Almeida – but which also moves the approach into even more sophisticated 70s territory! The quartet features Almeida on acoustic guitar and Bud Shank on some wonderful reeds – plus bass from Ray Brown and drums from Shelly Manne, but players who are open to all the new ideas of Bud and Laurindo, but who can also throw in a stronger groove when needed. The album's a wonderful experiment in really pushing the envelope of jazz expression further – but never in any sort of outside ways – and titles include a reading of Ravel's "Pavane Pour Une Infante Defunte", plus "C'Est What", "Corcovado", "Autumn Leaves", "Samba De Orfeu", and "Reveil". CD
 
 
 



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