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Exact matches: 3
Exact matches1
CD, LP, Vinyl record album cover art
Laurindo AlmeidaLaurindo Almeida Quartet Featuring Bud Shank ... LP
Pacific Jazz, 1955. Very Good ... $29.99
A landmark set of recordings cut for the Pacific Jazz label in the early 50s, and supposedly a major influence on the early bossa artists in Brazil! The tracks were cut by a quartet led by LA altoist Bud Shank, and featuring Brazilian guitarist Laurindo Almeida, who was living in LA at the time. The mix of alto and guitar, in a jazzy vien, but with Latiny rhythms, is very similar to the early bossa jazz recordings – and even more so to the later American ones by Stan Getz and Charlie Byrd. Supposedly, original 10" LPs of the material made their way to Brazil, and later influenced Jobim and Gilberto. Although we can't confirm that rumor entirely, you'll sure hear a similarity, and even if you don't, the stuff's still pretty darn great. Titles include "Terra Seca", "Amor Flamenco", "Atabaque", "Nono", "Noctambulism", "Tocata", and "Carinoso". Full LP that reissues the original 10" sets. LP, Vinyl record album
(Red vinyl pressing, flat edge – with heavy black label with deep groove and silver text. Cover has light wear, but is nice too.)

Exact matches2
CD, LP, Vinyl record album cover art
Laurindo Almeida & Bud ShankBrazilliance ... LP
World Pacific, Early 50s. Very Good+ ... $14.99
A landmark set of recordings cut for the Pacific Jazz label in the early 50s, and supposedly a major influence on the early bossa artists in Brazil! The tracks were cut by a quartet led by LA altoist Bud Shank, and featuring Brazilian guitarist Laurindo Almeida, who was living in LA at the time. The mix of alto and guitar, in a jazzy vein, but with Latiny rhythms, is very similar to the early bossa jazz recordings – and even more so to the later American ones by Stan Getz and Charlie Byrd. Supposedly, original 10" LPs of the material made their way to Brazil, and later influenced Jobim and Gilberto. Although we can't confirm that rumor entirely, you'll sure hear a similarity, and even if you don't, the stuff's still pretty darn great. Titles include "Terra Seca", "Amor Flamenco", "Atabaque", "No No", "Noctambulism", "Tocata", and "Carinoso". LP, Vinyl record album
(1961 pressing. Cover has light wear.)

Exact matches3
CD, LP, Vinyl record album cover art
✨✧ Laurindo AlmeidaLaurindo Almeida Quartet Featuring Bud Shank (10 inch LP) ... LP
Pacific Jazz, 1955. Used ... Out Of Stock
A landmark set of recordings cut for the Pacific Jazz label in the early 50s, and supposedly a major influence on the early bossa artists in Brazil! The tracks were cut by a quartet led by LA altoist Bud Shank, and featuring Brazilian guitarist Laurindo Almeida, who was living in LA at the time. The mix of alto and guitar, in a jazzy vien, but with Latiny rhythms, is very similar to the early bossa jazz recordings – and even more so to the later American ones by Stan Getz and Charlie Byrd. Supposedly, original 10" LPs of the material made their way to Brazil, and later influenced Jobim and Gilberto. Titles on this one include "Nono", "Noctambulism", "Blue Baiao", "Hazardous", and "Tocata". LP, Vinyl record album
(Nice and clean overall – and cover is nice too.)
 
Close matches: 1
Close matches4
CD, LP, Vinyl record album cover art
Bud Shank & Laurindo AlmeidaBrazilliance Vol 2 ... LP
World Pacific, 1958. Near Mint- ... $16.99
5 years after they made their first set of groundbreaking Braziliany jazz tracks together, Bud Shank and Laurindo Almeida went back into the studio to record another great batch for Pacific Jazz. That second set of sessions is captured here in its entirety, and it features Shank and Almeida playing with the looser rhythm team of Gary Peacock and Chuck Flores on a number of short groovy tracks that clearly had a big influence on the bossa generation. 10 tracks are included in this volume: "Simpatico", "Little Girl Blue", "Mood Antigua", "The Color Of Her Hair", "Carioca Hills", "Choro In A", "Nocturno", "Lonely", "I Didn't Know What Time It Was" and "Rio Rhapsody". LP, Vinyl record album
(Yellow vinyl stereo pressing. Cover has light wear, splitting on the top seam, with some marker & a bit of pencil on back.)
 
Possible matches: 9
Possible matches5
CD, LP, Vinyl record album cover art
Laurindo AlmeidaLaurindo Almeida Quartet – Volume 2 (10 inch) ... LP
Pacific Jazz, 1954. Very Good+ ... $29.99
Original 10" LP featuring the second set of historic duets between Brazilian guitarist Almeida and the great LA alto player Bud Shank. This is the stuff that supposedly ended up back in Brazil and inspired the wave of musicians involved in the bossa nova momement. It's been repackaged a number of times, but it's great to have in this cool original package, with a weird polarized cover featuring a strange green design of intertwining leaves. LP, Vinyl record album
(Cover has very light wear and a spot where an old sticker was removed.)

Possible matches6
CD, LP, Vinyl record album cover art
Stan Getz & Laurindo AlmeidaStan Getz With Laurindo Almeida ... LP
Verve, 1963. Good Gatefold ... $4.99
One of the best of the Stan Getz bossa nova sessions – and a record that features the great Laurindo Almeida on guitar – playing with more virtuosity than either Charlie Byrd or Joao Gilberto did on their collaborations with Getz! The record's got a driving rhythm section, with lots of long tracks, and nice laid-back solos by both Getz and Almeida – who's getting in some of his few jazz licks of the 60s here, working in a groove similar to that of his earlier sides with Bud Shank, but which sounds almost even better in the languid company of Getz. Cuts include "Outra Vez", "Winter Moon", "Maracatu-Too", and "Samba Da Sahra". Very nice! LP, Vinyl record album
(MGM pressing. Cover has light wear.)

Possible matches7
CD, LP, Vinyl record album cover art
Chico Hamilton/Laurindo AlmeidoDelightfully Modern ... LP
Jazztone, Mid 50s. Very Good- ... $4.99
This is a split disc. Side 1 has the Chico Hamilton Quintet featuring Buddy Collette and side 2 has the Laurindo Almeida Quartet with Bud Shank on alto. LP, Vinyl record album
(Bottom seam has a center split.)

Possible matches8
CD, LP, Vinyl record album cover art
LA 4Just Friends (Direct To Disc pressing) ... LP
Concord, 1978. Near Mint- ... $34.99
With Laurindo Almeida on guitar, Ray Brown on bass, Bud Shank on alto, and Jeff Hamilton on drums. LP, Vinyl record album
(Single LP pressing. Cover has a cutout hole and promo sticker.)

Possible matches9
CD, LP, Vinyl record album cover art
✨✧ LA 4Live At Montreux ... LP
Concord, 1979. Very Good+ ... $4.99
With Laurindo Almeida on guitar, Ray brown on bass, Jeff Hamilton on drums, and Bud Shank on alto and flute! LP, Vinyl record album

Possible matches10
CD, LP, Vinyl record album cover art
Henry ManciniBig Latin Band Of Henry Mancini/Latin Sound Of Henry Mancini ... CD
RCA/Vocalion (UK), 1965/1968. New Copy ... $16.99
2 great albums of Latiny tunes from Henry Mancini! The Big Latin Band Of Henry Mancini features a very hip lineup of west coast jazzmen – including Bud Shank and Tom Scott on reeds, Buddy Childers and Pete Candoli on trumpets, Ray Brown on acoustic bass, Max Bennett on fender bass, Larry Bunker on percussion, and Shelly Manne on drums. The rhythms have a great mix of Latin influences and Mancini magic, the kind of grooves you'd hear on his 60s soundtracks at the time, and the vibe is nice and relaxed. It's a bit more upbeat than bossa, but not as all-out as other RCA Latin sessions – thanks to Mancini's nice sense of warmth and space in the arrangements. Titles include some pretty darn cool takes on "Mission Impossible", "Fistful Of Dollars", "Magnificent Seven", "Touch Of Evil", and "Springtime For Hitler", from the film The Producers. Other titles include "Patricia", "Zacatecas", and "Las Cruces". The Latin Sound record is a gem from a few years earlier – with some great arrangements by Mancini! The album's less a straight Latin date than it is a new approach to the grooves Henry was laying down on his 60s soundtracks – a mix of bossa and cha cha-inspired themes that sparkle wonderfully with warm jazzy touches from a host of LA players who include Dick Nash on trombone, Harry Klee on flute, Ted Nash on alto and tenor, Jimmy Rowles on piano, Laurindo Almeida on guitar, and Gene Garf on organ – all working beautifully under Mancini's direction, with a sound that's both tight and relaxed at the same time! Lots of tracks have some nice groovy organ, which gives the arrangements a cool lively sound – and titles include "Preciosa", "Baia", "Carnavalito", "Quiet Nights Of Quiet Stars", "Tico Tico", and the nice "Senor Peter Gunn", a Latin remake of Mancini's big hit! CD

Possible matches11
CD, LP, Vinyl record album cover art
✨✧ LA 4Going Home ... CD
East Wind/Universal (Japan), 1977. New Copy ... Out Of Stock
Wonderful work from this really unique west coast combo of the 70s – a quartet that draws plenty from key contributions of each of its members – but which also has a very special sound in the acoustic guitar of Laurindo Almeida! Almeida's a player who'd already been working in LA for two decades or more, but finds a whole new way to express himself here – in the company of past partner Bud Shank on reeds – who really opens up with some soulful solos on the record, which step boldly past some of the guitar passages that sometimes lead off the tracks. Ray Brown's bass is wonderful too – well-shaped, and given some great space to help work alongside Laurindo's guitar – and the album's completed by some very sensitive work on drums by Shelly Manne. Titles include "Softly As In A Morning Sunrise", "Django", "Romance De Amor", and "Recipe Of Love". CD

Possible matches12
CD, LP, Vinyl record album cover art
✨✧ LA 4Pavane Pour Une Infante Defunte ... CD
East Wind/Universal (Japan), 1977. New Copy ... Out Of Stock
A beautiful group, and one with a very unique sound – a style that draws from the early 50s experiments in Brazilian jazz by Bud Shank and Laurindo Almeida – but which also moves the approach into even more sophisticated 70s territory! The quartet features Almeida on acoustic guitar and Bud Shank on some wonderful reeds – plus bass from Ray Brown and drums from Shelly Manne, but players who are open to all the new ideas of Bud and Laurindo, but who can also throw in a stronger groove when needed. The album's a wonderful experiment in really pushing the envelope of jazz expression further – but never in any sort of outside ways – and titles include a reading of Ravel's "Pavane Pour Une Infante Defunte", plus "C'Est What", "Corcovado", "Autumn Leaves", "Samba De Orfeu", and "Reveil". CD

Possible matches13
CD, LP, Vinyl record album cover art
✨✧ Pete RugoloBehind Brigitte Bardot ... LP
Warner/Doxy, 1960. New Copy (reissue)... Out Of Stock
A very cool record! The album's sort of an American tribute to the emerging French sex goddess Brigitte Bardot – one that features a gatefold cover with a wraparound photo of Brigitte, and some nice images on the inside. Music on the set is by Pete Rugolo – the master arranger who'd worked with June Christy, Stan Kenton, and others – and although Bardot doesn't sing or even make an appearance on the set, Pete does more than enough of a good job of conjuring up her presence with a good selection of jazzy tunes. Players include Pete Candoli and Jack Sheldon on trumpets, Frank Rosolino on trombone, Paul Horn and Bud Shank on reeds, and Laurindo Almeida on guitar. Gloria Wood sings on one track – and titles include "Arsenic Blues", "Paris BB", "Jeff's Blues", "Mambo Bardot", "A T'Aimer", and "The Night Heaven Fell". LP, Vinyl record album
 
 
 



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